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[Adelaide, or the Shepherdess of the Alps.]
[After Giovanni Battista Cipriani.][Engraved by Francesco Bartolozzi.]
[n.d. c.1780.]
Rare etching with stipple, proof before letters, 18th century watermark; sheet 395 x 305mm (15½ x 12"). Thread margins. Nicks and creases at edges.
Adelaide, a shepherdess, seated in profile to right, feeding grass to five sheep on the right. Illustrates 'Adelaide, or the Shepherdess of the Alps' by Jean François Marmontel (1723 - 1799). De V: 1411 i of iii. See Marmontel "Moral Tales".
[Ref: 60405] £280.00
(£336.00 incl.VAT)
[La malade d'Antiochus.]
Peint par Lairesse. Dessiné par Desenne. Gravé par Baquoy.
[n.d. c.1816.]
Proof before title & publication line, engraving, 335 x 485mm (13¼ x 19"), with very large margins. Repaired tears to margins. Some surface dirt.
Seleucus giving up his wife for his son: classic interior with prince Antiochus I Soter lying ill on a canopied bed at right, his father Seleucus I pointing in despair at the crown and sceptre on a table at centre, his father's wife Stratonice standing by, the doctor Eristratos seen standing behind. Antiochus I Soter (c. 324/3 – 261 BC) was struck down by a mysterious illness. Erasistratus (c. 304 – c. 250 BC), Greek anatomist and royal physician under Seleucus I Nicator of Syria, realised that the illness of Antiochus was lovesickness for his stepmother Stratonice (c. 320 BC - 254 BC), by observing that Antiochus's pulse rate rises when ever he sees her. Seleucus I Nicator (c. 358 – 281 BC) gave up his young wife to save his son and in 294 BC Antiochus married his stepmother.
[Ref: 60618] £180.00
(£216.00 incl.VAT)
[The Antiquary.] S.t Ruth's Priory.
Printed in Oil Colours by G. Baxter, the Inventor and Patentee. XI Northampton Square. Licenses Granted to work the process.
[n.d., c.1850.]
Baxter print, trimmed and laid on printed card with the red stamp, as issued. Sheet 220 x 145mm (8¾ x 5¾"). Some spotting on backing card.
A location in Sir Walter Scott's 'The Antiquary', the third of the Waverley novels and his own favourite. St Ruth's Priory is believed to have a buried treasure. It is said this is based on Arbroath Abbey in Scotland. Eleven blocks were used for this print.
[Ref: 60654] £60.00
(£72.00 incl.VAT)
[The Baptist] In lance Vatis abstulit caesum caput. Buchanan Bayt.
Pet: Schenck fec et exc.
Amstelod: cum Privil. [n.d. c.1700]
Rare mezzotint, 18th century watermark, sheet 250 x 185mm (10 x 7¼"). Trimmed to plate.
A scene from George Buchanan's (1506 –82) tragedy 'The Baptist' (Baptistes). Title translates from latin as 'He removed the severed head on a tray.' A person in oriental dress, including turban, holds the the head of John the Baptist on a tray.
[Ref: 60427] £140.00
(£168.00 incl.VAT)
[Britannia receiving homage from allegorical figures of the Four Continents.]
C. Mosley scu[lp.]
[n.d., c.1751-74]
Engraving. Sheet 350 x 225mm (13¾ x 8¾"). Trimmed within plate with slight loss of engraved text. Repaired tear in left margin.
The frontispiece to Malachi Postlethwayt's 'The Universal Dictionary of Trade and Commerce', used in four editions, 1751, 1755, 1766 & 1774.
[Ref: 60532] £220.00
(£264.00 incl.VAT)
Britannia Mourning for Amelia.
London Publish'd Jan.y 1, 1811, at R. Ackermann's Repository of Arts 101, Strand.
Rare stipple, sheet 200 x 265mm (8 x 10½"). Trimmed to plate, some spots.
Britannia kneeling at small funerary monument over a portrait of Princess Amelia (1783-1810), the youngest of George III and Queen Charlotte's fifteen children who died of tuberculosis at a young age. O'Donoghue 10.
[Ref: 60417] £160.00
(£192.00 incl.VAT)
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Designs by Mather Brown.
Drawn by Mather Brown & Published by Vincent Zanetti, No 5 Wrights Court, Market Street, Manchester. Nov.r 1. 1816, Where may be had a Book of other Designs by the same Artist. Prince 7/6.
4to (235 x 200mm (9¾ x 8), limp boards; stipple frontis. and eight plates, all in original hand colour. Disbound, frontispiece slightly soiled.
A very scarce reissue of Mather Brown's drawing book, with two plates still with his publication line. The frontispiece and two plates feature cherubs, three are portraits of young girls and three are sketches of tree trunks. One of the trees is signed 'Mary Ann Rumball''; Brown painted her portrait in London in 1808.
[Ref: 60676] £850.00
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The Deserted Village. From D.r Goldsmith. Sunk are thy bowers in shapeless ruin all, And the long grass o'etops the mould'ring wall...
Published 20 March 1797, by John Fairburn 146 Mi ories London.
Coloured mezzotint, 250 x 350mm (9¾ x 13¾"), with large top and bottom margins. Thread margins left and right.
A family lead a donkey and a dog away from ruins in the background. They stop at a sign post 'To Auburn', an old man points in that direction. Illustration of the poem 'The Deserted Village' (published in 1770) by Oliver Goldsmith (1728 - 1774). It is a work of social commentary, and condemns rural depopulation and the pursuit of excessive wealth.
[Ref: 60703] £280.00
(£336.00 incl.VAT)
[Illustrations to 'The professional life of Mr. Dibdin written by himself']
[Painted by Mr Devis. Engraved by Mr Smith.]
[London: Dibdin, 1803.]
Small 8vo (150 x 120mm, 6 x 4¾"), paper covers; 58 (of 60) circular aquatint and etchings with hand colour. Extra-illustrated with maps of Bedfordshire & Buckinghamshire on paste-downs. Paper tone, wear to covers.
A bound volume of the illustrations to Charles Dibdin's 'The professional life of Mr. Dibdin written by himself; together with the words of six hundred songs, selected from his works, and sixty small prints taken from the subjects of the songs'. British Museum 1873,0308.154-214.
[Ref: 60682] £1,300.00
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England.
R. Corbould del. J. Chapman sc.
[London, Published as the Act directs, Dec.r 1 1810.]
Stipple. Sheet 260 x 200mm (10¼ x 8"). Trimmed into plate, losing publication line.
Britannia stands with a shield, spear and plumed helmet, holding a palm, looking to the left at children representing the four continents. Further left is a sea-shore with a ship and fortress flying the French flag behind. A lion is at her feet to the right, growling at three figures with staffs and a blazing torch.
[Ref: 60408] £130.00
(£156.00 incl.VAT)
Design for a National Institution, Appropriated to the Fine Arts, the Sciences, and Literature of the Kingdom. To the Right Rev.d John Fisher, D.D Lord Bishop of Salisbury, As Chaplain to the Royal Academy and an admirer of the Fine Arts, this Plate is respectfully inscribed by John Britton.
Design'd by Joseph Gandy Esq. Architect & A.R.A - the Busts and Figures Drawn by T. Baxter - Engraved by John Le Keux.
London, Published Feb 1. 1812 by Longman & Co. Paternoster Row, J. Taylor High Holborn J. Britton, Tavistock Place & W. Bond, Newman St.
Engraving, 19th century watermark, 420 x 320mm (16½ x 12½"), with very large margins. Creased on left.
A view of a neo-classical building from a shadowy colonnade with sculptures in niches against the wall and a pillar in the centre surmounted by a bust of Joshua Reynolds, with others including Flaxman and Inigo Jones; the acropolis in the background above. Frontispiece to 'The Fine Arts of the English School' (ed. John Britton, London 1812).
[Ref: 60613] £160.00
(£192.00 incl.VAT)
Europe.
London. Pub.d by C.T. Stampa & C.o, 25 Kirby Str.t, Hatton Garden, Dec.r. 1. 1804. [But later]
Coloured mezzotint, watermark 1824, 350 x 255mm (13¾ x 10"), with large margins. Small nicks in margins.
An allegorical figure of Europe shown full-length standing slightly to the left. Her right hand holds a pair of compasses as she plots on a globe. She is surrounded by objects; to her left a cornacopia, book, scroll, map of Europe. Right; a pallete, sheet music, a caduceus rod and books. In the background a man ploughs a field.
[Ref: 60702] £230.00
(£276.00 incl.VAT)
[A fish market.]
Snyders pinxit. Rich.d Earlom Sculpsit.
John Boydell excudit 1782. Publish'd June 1.st 1782 by John Boydell Engraver in Cheapside London.
Mezzotint, proof before title, 18th century watermark, 415 x 580mm (16¼ x 22¾") with large margins. Repaired margins, uncleaned. Platemark splits repaired.
A Dutch market scene, with a man shaking fish into a large basket and another chopping fish. A long table with a variety of sea animals. One of a set of four markets engraved by Earlom after Frans Snyders and Jan Boeckhorst. The original painting is now in the Hermitage Museum, having being bought by Catherine II.
[Ref: 60698] £580.00
A friend in need is a friend indeed. Proof.
W.R. Bigg, A.R.A. pinx. T. Gaugain fecit.
Published July 1, 1817, by Tho. Palser, Surrey side, Westm.r Bridge.
Stipple, open lettered proof, 380 x 410mm (15 x 16¼"). Trimmed to plate on three sides. Ink stains in margins. Very small margins.
A little boy reaching across a round table to feed a robin on the window-sill with a crumb of cake, with a bat and shuttlecock on the table next to the plate.
[Ref: 60391] £360.00
[Wooded landscape with country cart and figures] 9.
Designed & Engraved by Thos. Gainsborough.
Pubd. as the Act directs Augt. 1797, by J.&J.Boydell No.90 Cheapside, & at the Shakespeare Gallery Pall Mall. [Published by Iain Bain at the John Boydell Press, Newnham, Baldock, Hertfordshire. December 1971]
Framed soft-ground etching. Frame size 600 x 715mm (23¾ x 28½"), very large margins. Unexamined outside of frame.
Landscape with a figure standing in a stationary horse-drawn cart in the centre next to a rocky bank with trees behind, two figures sitting on the left, sheep and a small pool in the foreground. From the limited editioned of seventy-five numbered sets of the 1971 reprints from Gainsborough's (1727-1788) original copper plates. Each impression was printed by Philip McQueen, who represents the fifth generation of his family in the trade .The edition was printed on specially watermarked ‘Penshurst’ paper made by J.Barcham Green Ltd, at Hayle Mill, Maidstone. These were published by Iain Bain at the John Boydell Press, and the copper-plates then entered the Tate Gallery’s collection. From the Collection of Iain Bain.
[Ref: 60661] £230.00
(£276.00 incl.VAT)
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
48. The Names of all the Quaterings belonging to the Right Honourable Thomas Twisleton, Baron Saye and Sele. To the Right Hon.ble Thomas Baron Saye & Sele, this Plate, Engraved at his expence & given as an Encouragement to this Work is most humbly Inscribed, by His Lordship's most dutiful & Obedient humble Servant, Joseph Edmondson, Mowbray Herald Extra.
[n.d. c.1764]
Engraving, 420 x 230mm (16½ x 9), with large margins. Small tears and nicks in margins, creases.
Major General Thomas Twisleton, 13th Baron Saye and Sele (1735-1788) was a British Army officer and peer. Joseph Edmondson (died 1786), was an English herald and genealogist whose principal work is the Baronagium Genealogicum ("or the Pedigrees of the English Peers, Deduced from the Earliest Times: Originally Compiled by Sir William Segar, and Continued to the Present Time"), 5 volumes, published in London, 1764. Many of the large quartered coats were presentation plates, contributed by the peers at their own expense.
[Ref: 60648] £160.00
(£192.00 incl.VAT)
306. To the Right Honourable William Pleydell-Bouverie, Commonly called Viscount Folkestone Eldest Son of Jacob, Earl of Radnor, by the Hon.ble Ann Duncombe, Daughter & Coheir of Anthony Lord Feversham. This Plate of gis Arms & Quarterings, given as an Ecouragement of this Work, is inscribed by his Lordhsips most Humble & Obedient Servant. Joseph Edmondson, Mowbray Herald.
[n.d. c.1764]
Engraving, 420 x 230mm (16½ x 9), with very large margins. Printer's crease. Tear in left margin that touches the plate.
Martha Parker-a-Morley-Long married John Thynne Howe, 2nd Baron Chedworth (1714–62) on 23 September 1751. Joseph Edmondson (died 1786), was an English herald and genealogist whose principal work is the Baronagium Genealogicum ("or the Pedigrees of the English Peers, Deduced from the Earliest Times: Originally Compiled by Sir William Segar, and Continued to the Present Time"), 5 volumes, published in London, 1764. Many of the large quartered coats were presentation plates, contributed by the peers at their own expense.
[Ref: 60650] £160.00
(£192.00 incl.VAT)
372. The Names of all the Quaterings, belonging to the Right Hon.ble John, Baron S:t John of Bletsho. To the Right Hon.ble John, S.t John.Baron S.t John, of Bletsho, This Plate Engraved at His Expence, & given as an Encouragement to this Work. Is most humbly Inscribed by His Lordships most dutiful and Obed.t Hum.ble Servant Joseph Edmondson, Mowbray Herald.
[n.d. c.1764]
Engraving, 420 x 235mm (16½ x 9¼), with very large margins. Small tears and nicks in margins, creases. Holes in margins where previously bound.
John St John, 2nd Baron St John of Bletso (died 1596) was an English peer. Joseph Edmondson (died 1786), was an English herald and genealogist whose principal work is the Baronagium Genealogicum ("or the Pedigrees of the English Peers, Deduced from the Earliest Times: Originally Compiled by Sir William Segar, and Continued to the Present Time"), 5 volumes, published in London, 1764. Many of the large quartered coats were presentation plates, contributed by the peers at their own expense.
[Ref: 60652] £160.00
(£192.00 incl.VAT)
36. To the Right Honourable Charlotte Viscountess Townshend in her own right Baroness Ferrers of Chartley, This Plate of her Quarterings & c. Engraved at her expence, & given as an Addition to this work, Is most humbley inscribed by her Ladyships most dutifull & obedient Serv.t Jos. Edmondson Mowbray Herald.
[n.d. c.1764]
Rare engraving, 18th century watermark, sheet 425 x 510 (16¾ x 20"). Trimmed within plate. Creased where folded in the middle as normal.
A large Quartering surrounded by: a portrait of Robert Devereaux (1565-1601), Earl of Essex, William Lord Ferrers of Chartley (1412-50), from a window in the Chapel of Castle Bromwich, Sir William Compton (c. 1482–1528) from a Portrait in the Chapel of Balioll College Oxford, William the Conquerer (c.1028 –87) giving the Charter of Tamworth Castle to Robert de Marmion and a View of Tamworth Castle. Joseph Edmondson (died 1786), was an English herald and genealogist whose principal work is the Baronagium Genealogicum ("or the Pedigrees of the English Peers, Deduced from the Earliest Times: Originally Compiled by Sir William Segar, and Continued to the Present Time"), 5 volumes, published in London, 1764. Many of the large quartered coats were presentation plates, contributed by the peers at their own expense.
[Ref: 60631] £260.00
(£312.00 incl.VAT)
The Right Honourable Nathaniel Booth Baron Delamer and Baronet. 395.
[n.d. c. 1764]
Hand coloured engraving, 420 x 230mm (16½ x 9), with large margins.
The coat of arms of Nathaniel Booth, 4th Baron Delamer (9 June 1709 – 9 January 1770). The escutcheon shows three boar heads and is supported by two rampant boars, above a crown and a Passant (lion), a banner slightly draping below the compartment the reads 'Quod. Ero. Spero.' (What I hope to accomplish , I shall accomplish.)
[Ref: 60636] £140.00
(£168.00 incl.VAT)
318. The name of all the Quaterings belonging to the Right Honourable Anthony Browne Viscount Montague. To the Right Honourable Anthony Browne Viscount Montague this Plate engraved at his expense and given as an Addition to this Work Is most Gratefully Inscribed by his Lordships most Dutiful Humble and Obedient Servant Joseph Edmondson Mowbray Herald.
[n.d. c.1764]
Engraving, 18th century watermark, 420 x 230mm (16½ x 9), with large margins. Small tears in margins. Holes in margins where previously bound.
Anthony Joseph Browne, 7th Viscount Montagu (1728 – 9 April 1787) was an English peer and landowner. Joseph Edmondson (died 1786), was an English herald and genealogist whose principal work is the Baronagium Genealogicum ("or the Pedigrees of the English Peers, Deduced from the Earliest Times: Originally Compiled by Sir William Segar, and Continued to the Present Time"), 5 volumes, published in London, 1764. Many of the large quartered coats were presentation plates, contributed by the peers at their own expense.
[Ref: 60639] £160.00
(£192.00 incl.VAT)
47. The Names of the Quaterings. To the Right Honourable John Griffin Griffin, Lord Howard de Walden; this Plate of His Arms Quaterings & Crests, Engraved at his expence & given as an Addition to this Work, is most Humbly Inscribed, By his Lordship's most Humble & Obedient Servant, Joseph Edmondson Mowbray Herald Extra.
[n.d. c.1764]
Engraving, 18th century watermark; 420 x 230mm (16½ x 9), with large margins. Central crease. Nicks and tears on margins.
Field Marshal John Griffin Griffin, 4th Baron Howard de Walden (1719-1797) was a British nobleman and soldier. Joseph Edmondson (died 1786), was an English herald and genealogist whose principal work is the Baronagium Genealogicum ("or the Pedigrees of the English Peers, Deduced from the Earliest Times: Originally Compiled by Sir William Segar, and Continued to the Present Time"), 5 volumes, published in London, 1764. Many of the large quartered coats were presentation plates, contributed by the peers at their own expense.
[Ref: 60644] £160.00
(£192.00 incl.VAT)
250. The name of all the Quaterings belonging to the Right Honoura.ble Francis Greville, Earl Brooke and Earl of Warwick. To the Right Honoura.ble Francis Greville, Earl Brooke and Earl of Warwick this Plate Engraved at his Lordships expense and given as an Encouragement to this Work Is most humby Inscribed by his Lordships most dutiful Obed.t Humble Serv.tt Joseph Edmondson Mowbray Herald.
[n.d. c.1764]
Engraving, 420 x 230mm (16½ x 9), with large margins. Small tears and creases in margins.
Francis Greville, 1st Earl of Warwick (10 October 1719 – 8 July 1773), known as Lord Brooke from 1727 to 1746 and Earl Brooke from 1746, was a British nobleman. Joseph Edmondson (died 1786), was an English herald and genealogist whose principal work is the Baronagium Genealogicum ("or the Pedigrees of the English Peers, Deduced from the Earliest Times: Originally Compiled by Sir William Segar, and Continued to the Present Time"), 5 volumes, published in London, 1764. Many of the large quartered coats were presentation plates, contributed by the peers at their own expense.
[Ref: 60646] £160.00
(£192.00 incl.VAT)
482. This Plate of Quarterings is placed to the Family of Lord Lovel, and Holland, by Order of her Ladyship. This Plate of the Quarterings belonging to the Right Honourable Martha Baroness of Chedworth, Engraved at her Ladyships Expense and Given as an Addition to this Work is most Humbly Inscribed by her Ladyships most Humble and Obedient Servant Joseph Edmondson Mowbury Herald.
[n.d. c.1764]
Engraving, 420 x 230mm (16½ x 9), with large margins. Small tears and creases in margins. Holes in margins where previously bound.
Martha Parker-a-Morley-Long married John Thynne Howe, 2nd Baron Chedworth (1714–62) on 23 September 1751. Joseph Edmondson (died 1786), was an English herald and genealogist whose principal work is the Baronagium Genealogicum ("or the Pedigrees of the English Peers, Deduced from the Earliest Times: Originally Compiled by Sir William Segar, and Continued to the Present Time"), 5 volumes, published in London, 1764. Many of the large quartered coats were presentation plates, contributed by the peers at their own expense.
[Ref: 60647] £160.00
(£192.00 incl.VAT)
Hersilia in oram Deam.
B. Lens fe:
E Cooper ex: [n.d., c.1760.]
Mezzotint. 145 x 175mm (5¾ x 6¾").
A scene from Ovid's Metamorphoses: Hersilia, the wife of Romulus, is taken to the Heavens to be deified as Hora Quirini (Querinus being the deified Romulus).
[Ref: 60434] £230.00
(£276.00 incl.VAT)
Hindoo Girl.
[after Henry Corbould.]
[n.d., c.1820.]
Pencil sketch, with indistinct signature (Jemima Woodmason?]. Sheet 230 x 185mm (9 x 7¼"). Laid on album paper at corners. blind stamp top left.
A pencil sketch of the statue of a seated woman, arm resting on an urn, sculpted by Sir Richard Westmacott in 1821 for a monument in St John’s Cathedral, Calcutta, erected in honour of Alexander Colvin, a British merchant. A contemporary copy of the illustration drawn by Henry Corbould and engraved by Thomson for 'The Poems of Letitia Elizabeth Landon', 1825.
[Ref: 60552] £140.00
(£168.00 incl.VAT)
Painting
Printed for Carington Bowles, in St. Pauls Church Yard, London.
Etching, 18th century watermark. Sheet 250 x 350mm (9¾ x 13¾"). Trimmed into image, notch in bottom edge.
Elegently-dressed people relax in a pleasure garden with classical ruins and statues. One woman sits at an easel painting the portrait of another. One plate of seven depicting the 'Seven Liberal Arts'.
[Ref: 60416] £220.00
(£264.00 incl.VAT)
Poetry.
Printed for Carington Bowles, in St. Pauls Church Yard, London.
Etching. Sheet 250 x 350mm (9¾ x 13¾"). Trimmed into image.
Elegently-dressed people relax in a pleasure garden with classical ruins and a monument to William Shakespeare. One man is writing in a notebook. One plate of seven depicting the 'Seven Liberal Arts'.
[Ref: 60415] £260.00
(£312.00 incl.VAT)
[Amante Inconstante.]
[L.B. Coclers Pinx.][A.L. Claessens sculps.]
[n.d. c.1800.]
Etching and stipple, scarce proof before letters, sheet 355 x 280mm (14 x 11"). Trimmed to plate, small repaired tear and creases at edges.
A young woman - most likely Aletta, the artist's daughter - standing in a doorway, holding a candle and looking at a young man, probably the painter Pieter Janson.
[Ref: 60411] £180.00
(£216.00 incl.VAT)
A Fruit Market. In the Gallery at Houghton.
Snyders & Long John Pixerunt. Joseph Farington delin.t. Richard Earlom Sculpsit.
Published March 25th 1775 by John Boydell Engraver in Cheapside London.
Fine mezzotint. 420 x 575mm (16½ x 22½"), large margins.
A Dutch market scene, with a woman examining a peach. A table laden with fruits is being ravaged by a monkey. One of a set of four markets engraved by Earlom after after Frans Snyders and Jan Boeckhorst. The original painting is now in the Hermitage Museum, having being bought by Catherine II.
[Ref: 60687] £580.00
Luna. Tu Dea tu Praesens nostro Succurre labori Astrorum decus et nemorum Latonia custos. Aeneid lib. 9/
Raphael Urbinos pinxit. Carlo Lasinio inc.
Apud Nicolatum [n.d., c.1780].
Engraving. 335 x 510mm (13¼ x 20"). Several repaired tears. Damaged.
Luna in a chariot pulled by four horses. From 'I Sette Pianeti dipinti da Raffaele d'Urbino nella Sala Borgia del Vaticano', after designs by Raphael in the Sala dei Pontefici.
[Ref: 60385] £180.00
(£216.00 incl.VAT)
[Parish Orphans.]
[A. Le Nain. W. Baillie.]
[British, n.d., c.1771.]
Mezzotint, proof before letters. 355 x 255mm (14 x 10"), with large margins. Crease on right.
Two orphans, a boy sitting on a wall eating a piece of bread, a girl standing in front of it looking towards the viewer, holding a roll; her right hand is tucked under her apron. After Antoine Le Nain (French, c.1600 - 1648). Captain William Baillie (1723 - 1810) retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques. Chaloner Smith undescribed.
[Ref: 60701] £320.00
Pleasures of Memory.
Painted by Sir Thomas Lawrence. Engraved by Samuel Cousins.
March 1, 1844 Published By J.C Grundy, Machester; R. H. Grundy, Liverpool; The Anaglyphic Company, Berners Street, London, & Goupil & Vibert, Paris.
Mezzotint with engraving, 460 x 350mm (18 x 13¾"), with very large margins. Repaired tear in top left margin. Very light creasing including one very small crease in her face.
Portrait in an oval frame of a woman looking at a picture book. She studies the book resting her hand on her head. The book is raised on a cushion. An illustration to poem 'The Pleasures of Memory', (1792) by Samuel Rogers (1763-1855).
[Ref: 60697] £240.00
(£288.00 incl.VAT)
The Innocent. Beaute Innocente. 17.
[Alex.r Cozens inv. Fra.s Bartolozzi Sculp.]
[Publish'd April 10. 1777, by Alex.r Cozens, Leicester Street, Leicester Fields, London.]
Very rare, 1st state, engraving 470 x 325mm (18½ x 12¾") very large margins. Publication line so rubbed practically illegible. Slight mount stain. Crease upper and lower left corners. Right margin trimmed going into plate mark.
A plate from the book 'Principles of Beauty, Relative to the Human Head,' By Alexander Cozens, 'London: Printed by James Dixwell, No. 148, in St. Martin's Lane, near Charing Cross. M. DCC. LXXVIII'. De Vesme: 2056
[Ref: 60609] £160.00
(£192.00 incl.VAT)
[Rural landscape with castle.]
P. Sandby R.A. del. F. Jukes fec.t.
London Pub.d May 1 1788 by F Jukes Howland Street.
Etching and aquatint, 255 x 290mm (10 x 11½"). Some small creases. Repaired tears and small margins.
Rural landscape with a castle on the right which has a square gate-tower, seen across a bridge over a river which falls steeply on the right. A woman in the foreground speaks to a man who sits at the roadside on a rock, with a basket and stick.
[Ref: 60616] £120.00
(£144.00 incl.VAT)
Going to School. [&] After School.
Maria Spilsbury Pinx.t. Edwd. Orme Excut. Chas. Turner Sculp.
[Published & Sold, Feby. 1802. by Edwd. Orme, Printseller to the King & Royal Family, No. 59 the corner of Brook Street, in Bond Street, London.]
Pair of mezzotints with etching, sheets 390 x 450mm (15¼ x 17¾). Trimmed losing publication lines. Some surface dirt.
Two scenes of country life. Two young women standing in the doorway of a cottage; one is handing over an apple to a boy, on his way to school with a girl, drying her tears; to left, a young girl feeding a hen, cock and chicks. Two women sit under a veranda while the the two school age children read. The other child picks grapes of a vine.
[Ref: 60623] £360.00
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Sol. Interea magnum Sol circumvolvitur annon Terrarumque suis flammis opera omnia lustrat. Aeneid lib. 4.
Raphael Urbinos pinxit. Carlo Lasinio inc.
Si vendono da Nicola d'Antoni in Via del Corso No.35. [n.d., c.1780.]
Engraving. 335 x 510mm (13¼ x 20"). Repairs top margin, publication line weak, creases lower title.
Helios (or Apollo) in a chariot drawn by four horses. From 'I Sette Pianeti dipinti da Raffaele d'Urbino nella Sala Borgia del Vaticano', after designs by Raphael in the Sala dei Pontefici.
[Ref: 60383] £280.00
(£336.00 incl.VAT)
Sanguinea. An fortuna ridens, an sint mihi tempora acerba, / Semper ero constans, semper ero imobilis.
Gabriel Spizel inv. et excud. a.v.
[n.d., c.1750].
Scarce mezzotint, printed in greenish blue. 335 x 260mm (13¼ x 10¼") very large margins. Crease, tears in edges of margin. Stain bottom right margin.
A smiling woman holds up scales marked 'Lucky' and 'Unlucky' in her right hand, her left hand on a pack of cards. The Latin text translates as 'Whether fortune laughs, whether times are bitter for me, I will always be steadfast, I will always be immovable'. One of a set of four Temperaments by Spizel (or Spitzel, 1698-1760).
[Ref: 60488] £390.00
I Sette Pianeli dispinti da Raffaele d'Urbino nella Sala Borgia del Vaticano.
Carlo Lasinio inc.
Si vendono da Nicola d'Antoni in Via del Corso No.35. [n.d., c.1780.]
Engraving. 340 x 500mm (13½ x 19¾"). Repaired tears. Damaged.
Two female allegorical figures, one with globe and a pair of compasses, the other with a magnetic compass, pay homage to a portrait of Gallileo, held up by cherubs. The title sheet from a series of allegorical plates of the planets, after Raphael's murals in the Vatican. See Ref: 60385
[Ref: 60384] £140.00
(£168.00 incl.VAT)
Virgil writing his Epitaph. From an Original Picture in the Collection of George Bowls Esq.r to whom This Plate is Inscribed by his most obliged Humble Serv.t Tho.s Macklin.
Angelica Kauffman pinxt. Burke sculp.t
London, Published Jan.y 20.th 1794 by Tho.s Macklin, Poets Gallery Fleet Street.
Stipple, 430 x 510mm (17 x 20") with large margins. Laid on archival paper. Repaired tears, nicks and creases.
Virgil writing his own epitaph, after becoming ill on a trip to Greece. He died in Brindisi before he could return home.
[Ref: 60399] £260.00
(£312.00 incl.VAT)
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