Grosvenor Prints

Druidical Remains in Anglesey.
J. Smith del.t. S.Alken fecit.
[1794].
Rare aquatint, sheet 200 x 290mm (7¼ x 11¼").
One of thirteen aquatints illustrating William Sotheby's 'A Tour through Wales, Sonnets, Odes, and Other Poems' printed by J Smeeton for R. Blamire, London 1794. A landscape with a large overgrown dolmen under a spreading tree, with a man standing, holding up and looking through an object.
[Ref: 58646] £65.00 (£78.00 incl.VAT)

North Front of the Bank. Pl.65.
Published July 31.st 1797 by T. Malton.
Coloured aquatint, sheet 415 x 310mm (16¼ x 12¼"). Slight rubbing in sky. Trimmed to platemark.
A view looking towards Lothbury, Corinthian columns support the portico on the left, elegantly dressed figures roam the street. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801.
Crace 1878 XXII.9. Adams 1983 72.65. Abbey Scenery 204.65
[Ref: 58331] £180.00 (£216.00 incl.VAT)

Queen's Palace, St. James's Park.
Rowlandson & Pugin delt. et sculpt. Bluck, aquat.
London Pub. 1st. May 1809, at R. Ackermann’s Repository of Arts 101, Strand.
Fine hand coloured aquatint, plate 230 x 275mm (9 x 10¾"), with large margins.
Buckingham House, the building which forms the core of today's Buckingham Palace, was a large townhouse built for the Duke of Buckingham in 1703 and acquired by George III in 1761as a private residence, known as "The Queen's House". It was enlarged over the next 75 years, principally by architects John Nash and Edward Blore, forming three wings around a central courtyard. Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 65.' upper right.
Abbey, Scenery: 212, 65.
[Ref: 58326] £260.00 (£312.00 incl.VAT)

Memorial of Trinity Hall Cambridge. Artist's First Proof.
H. Hale [pencil signature].
Beynon & Comp.y Fine Art Publishers & Engravers Cheltenham [n.d., c.1870].
Fine tinted lithograph. Printed area 730 x 490mm (28¾ x 19¼"), with very large margins. Framed. Some spotting and damage. Unexamined out of frame.
A composition of views of the buildings and portraits including the founder, Bishop William Bateman, and important alumni, including Lord Lytton.
See Ref: 51396 & 52113
[Ref: 58580] £190.00 (£228.00 incl.VAT)

Cockspur Street.
Publish'd March 18.th 1797 by T. Malton.
Coloured aquatint, sheet 310 x 415mm (12¼ x 16¼"). Some foxing, slight marks outside image. Trimmed to platemark.
A view on Cockspur Street (in the City of Westminster) with the Phoenix Fire Engine Station on the right, a horse-drawn carriage travels down the centre of street and elegantly dressed pedestrians roam the pavements. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801.
Crace 1878 XI.130. Adams 1983 72.20. Abbey Scenery 204.20.
[Ref: 58332] £220.00 (£264.00 incl.VAT)

Cricketing (The Pavilion at the Lord's Cricket Ground), Drawn expressly for the 'Book of Field Sports'.
Thinot Lorrette lith. London.
London; Henry Lea, 22, Warwick Lane, Paternoster Row. [n.d., c.1860]
Lithograph. Sheet 240 x 295mm (9½ x 11¾").
A view of a game in progress, with cricketing vignettes around the image.
[Ref: 58612] £290.00 (£348.00 incl.VAT)

Eden Park. "Must I Leave Thee Paradise!"
P. Picken, lith. Day & Son, Lith.rs to the Queen.
[n.d., c.1853.]
Scarce Leaflet, 350 x 460mm, folded once, with tinted lithograph illustration on front, printed area 130 x 190mm (5 x 7½"). Tears to margins, some soiling.
A leaflet with a view of Eden Park, built by William Eden, Lord Aukland, in Bromley. Inside is a verse, signed 'A.S.W.', with the title taken from Eve's lamentation from John Milton's Paradise Lost.
[Ref: 58558] £140.00 (£168.00 incl.VAT) view all images for this item

Edinburgh, from the Calton Hill. No. 2.
Painted by J. Gendall. Engraved by T. Sutherland.
London, Published July 1st 1824, at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand finished. Sheet 420 x 570mm (16½ x 22½"), paper watermarked 'J Whatman 1827'. Trimmed to plate on three sides.
A large and fine view of Edinburgh, looking up Princes Street towards Edinburgh Castle, one of a set of four prints after Gendall.
[Ref: 58257] £420.00

Edinburgh, from Craigleith Quarry. No. 4.
Painted by J. Gendall. Engraved by T. Sutherland.
London, Published July 1st 1824, at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand finished. 420 x 585mm (16½ x 23"), paper watermarked 'J Whatman 1820'. Slight mount burn, slight foxing.
A large and fine view of Edinburgh from Craigleith, looking south-east, with Calton Hill in the centre left, Edinburgh Castle to the right and Arthur's Seat behind. One of a set of four prints after Gendall.
[Ref: 58258] £420.00

View of the Destruction of Both Houses of Parliament. October 16th 1834.
M. Joy & C. Simpson del.t. Printed by Graf and Soret.
London, Published by J. Dickinson, New Bond S.t.
Very fine and-coloured lithograph. Printed area: 260 x 315mm (10¼ x 12¼"), with large margins.
A view of the Houses of Parliament from the Thames, with attempts to stop the fire. On 16 October 1834, most of the Palace was destroyed by fire. Only Westminster Hall, the Jewel Tower, the crypt of St Stephen's Chapel and the cloisters survived.
See ref: 61139 & 61140
[Ref: 58585] £220.00 (£264.00 incl.VAT)

[Gobions] A perspective view of the Canal at Gubbins in Hertfordshire, a Seat of S.r Jeremy Sambrooke Bart.
Chatelain delin.
[Publish'd according to Act of Parliament March 1746. & Sold by] John Tinney at the Golden Lion in Fleet Street, London.
Engraving, 18th century watermark. Sheet 280 x 460mm (11 x 18"). Trimmed to plate on three sides and into plate at bottom, losing part of publication line, damage in title repaired, bottom right corner replaced, folds flattened. Creasing.
A view of an ornamental lake surrounded by hedges and woodland, with a man fishing in the water watched by promenaders. The famous Pleasure Grounds at Gobions, in North Mymms, were created by Charles Bridgeman for Sir Jeremy Sambrooke, 5th Baronet (d.1754), with money earned in the East India Company by his ancestors. Daniel Defoe called Gobions 'one of the most remarkable curiosities in England'. Queen Caroline visited in 1732.
See Ref: 58260
[Ref: 58259] £220.00 (£264.00 incl.VAT)

[Gobions] A perspective View of the Bowling Green &c. at Gubbins in Hertfordshire, a Seat of S.r Jeremy Sambrooke Bart.
Chatelain delin.
[Publish'd according to Act of Parliament March 1746. & Sold by John Tinney at the Gol]den Lion in Fleet Street, London.
Engraving, 18th century watermark. Sheet 280 x 460mm (11 x 18"). Trimmed to plate on three sides and into plate at bottom, losing part of publication line, damage in title repaired, bottom right corner replaced, folds flattened, creasing.
A view of a bowling green surrounded by hedges and woodland, with a man fishing in the water watched by promenaders. The famous Pleasure Grounds at Gobions, in North Mymms, were created by Charles Bridgeman for Sir Jeremy Sambrooke, 5th Baronet (d.1754), with money earned in the East India Company by his ancestors. Daniel Defoe called Gobions 'one of the most remarkable curiosities in England'. Queen Caroline visited in 1732. One of the earliest images of bowls.
See Ref: 58259
[Ref: 58260] £220.00 (£264.00 incl.VAT)

North Front Of The Chapel And Hall Of Greenwich Hospital. Plate 81.
Published Sep.r 2.d 1799, by T. Malton.
Coloured aquatint, sheet 415 x 310mm (16¼ x 12¼"). Slight mount burn.
View with figures and dogs in the grounds of Greenwich Hospital, designed by Christopher Wren, and built between 1696 and 1712. The hospital closed in 1869. Between 1873 and 1998 it was the Royal Naval College, Greenwich. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views. Numbered 'Plate 81' below title.
Abbey Scenery: 204, 81.
[Ref: 58333] £260.00 (£312.00 incl.VAT)

Hockley Spa, Near Raleigh, Essex. 36 Miles from London, Starting by the Eastern Counties Railway, from the Terminus Shoreditch, to Brentford, Leaving 18 Miles by Coach Direct.
[n.d., c.1850.]
Leaflet with wood engraved vignette. Sheet 250 x 160mm (9¾ x 6¼"). Laid on card.
A leaflet advertising Spa Pump Room, Hockley, with an image of the exterior. Designed by James Lockyer in 1842 and opened the following year, the building was initially popular, but by 1857 it was a Methodist chapel. It is now a Grade II listed building in private hands.
[Ref: 58563] £70.00 (£84.00 incl.VAT)

[Lord's on a ''Gentlemen v. Players'' Day. ''Before the Match''.]
Dickinson's [pencil].
London, Published June 1st 1895 by Mess.rs Dickinson & Foster, Publishers to the Queen, 11a New Bond Street, W. Copyright Registered.
Coloured photogravure, unlettered proof, signed limited edition of 100, with Printsellers' Association blind stamp. 540 x 1030mm (21¼ x 40½").
A view of the stands outside the clubhouse of Lord's, with the spectators shown in photographic detail.
[Ref: 58581] £450.00 view all images for this item

Lothbury Court, Bank. Pl.64.
Published March 1. 1801 by T. Malton.
Coloured aquatint, sheet 310 x 415mm (12¼ x 16¼"). Trimmed to platemark.
A view of the Bank of England within the court built by John Soane (1753–1837), the outer walls of the court are lined with Corinthian columns with a large archway in centre and elegantly dressed figures roam. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801.
Abbey Scenery 204.64. Crace 1878 XXII.10. Adams 1983 72.64.
[Ref: 58330] £180.00 (£216.00 incl.VAT)

Souvenir of a Journey from Glasgow to Barrow-In-Furness, September 13th, 1920.
[by William John Patton McDowell.]
[c.1921.]
Album, oblong folio, full green morocco gilt, marbled endpapers; 13 watercolours on paper, mounted on card leaves, 12 with titles with a decorative pen and ink vignette on previous leaf. Some spotting to map and margins of a few sheets, last two watercolours loose.
A fine album of watercolours recording a journey from one shipbuilding centre to another, mostly of the Lake District. The volume depicts the journey of a Donaldson family member to the launch of their new ship. The last two watercolours show the launch of S.S. Cortona in 1921. Built for the Donaldson line as a cargo ship, she was sunk by U-201 with the loss of thirty of her crew in 1942. William John Patton McDowell (1888-1950), a naval architect for Vickers before a successful career as a marine artist. He painted ship portraits for advertising posters and painted murals in the interiors of liners; during World War II he was a war illustrator for the 'Sphere' and broadcast on marine matters for the BBC.
[Ref: 58604] £980.00 view all images for this item

North View of Pontypool. Pl. XXIX
Drawn by the Rev I. Gardnor. Engrav'd by the Rev I. Gardenor & J. Hill.
Publish'd Dec.r 14.th 1793 by Mess.rs Egerton. Charing Cross Mess.rs White, Fleet Street, & M.r I. Edwards, Pall Mall.
Rare engraving with aquatint, plate 170 x 210mm (6¾ x 8¼"), with large margins on three sides. Thread bottom margin.
A view of Pontypool, showing people riding horses towards the town. Part of a series of views in Monmouthshire for David Williams's 'History of Monmouthshire'; they were engraved in aquatint by Gardnor himself and J. Hill. John Gardnor (1729–1808), was an English painter, primarily a teacher, he had an academy in Kensington Square until he quit the profession of drawing full time for the church sometime after 1767. In 1778 he was instituted to the vicarage of St Mary's Church, Battersea, which he continued to hold up to his death.
Abbey 537.
[Ref: 58645] £65.00 (£78.00 incl.VAT)

View of Llanfihangel Cillcornell with S.t Michael's Mount. Pl. XXVII
Drawn by the Rev I. Gardnor. Engrav'd by the Rev I. Gardenor & J. Hill.
Publish'd Dec.r 14.th 1793 by Mess.rs Egerton. Charing Cross Mess.rs White, Fleet Street, & M.r I. Edwards, Pall Mall.
Rare engraving with aquatint, plate 170 x 210mm (6¾ x 8¼"), with large margins on three sides. Thread bottom margin. Abrasion bottom left in plate mark.
A view of a large house and a summer-house against a backdrop of the hills. Part of a series of views in Monmouthshire for David Williams's 'History of Monmouthshire'; they were engraved in aquatint by Gardnor himself and J. Hill. John Gardnor (1729–1808), was an English painter, primarily a teacher, he had an academy in Kensington Square until he quit the profession of drawing full time for the church sometime after 1767. In 1778 he was instituted to the vicarage of St Mary's Church, Battersea, which he continued to hold up to his death.
Abbey 537.
[Ref: 58644] £60.00 (£72.00 incl.VAT)

South West View of Coldbrook. Pl. XXIV.
Drawn by the Rev I. Gardnor. Engrav'd by the Rev I. Gardenor & J. Hill.
Publish'd Dec.r 14.th 1793 by Mess.rs Egerton. Charing Cross Mess.rs White, Fleet Street, & M.r I. Edwards, Pall Mall.
Rare engraving with aquatint, plate 170 x 210mm (6¾ x 8¼"), with large margins on three sides. Small bottom margin. Right stain in margin that just goes into the plate mark.
A view of Coldbrook House. Part of a series of views in Monmouthshire for David Williams's 'History of Monmouthshire'; they were engraved in aquatint by Gardnor himself and J. Hill. John Gardnor (1729–1808), was an English painter, primarily a teacher, he had an academy in Kensington Square until he quit the profession of drawing full time for the church sometime after 1767. In 1778 he was instituted to the vicarage of St Mary's Church, Battersea, which he continued to hold up to his death.
Abbey 537.
[Ref: 58643] £50.00 (£60.00 incl.VAT)

East View of Panty Goettre with the Sugar Loaf. Pl. II.nd
Drawn by the Rev I. Gardnor. Engrav'd by the Rev I. Gardenor & J. Hill.
Publish'd Dec.r 14.th 1793 by Mess.rs Egerton. Charing Cross Mess.rs White, Fleet Street, & M.r I. Edwards, Pall Mall.
Rare engraving with aquatint, plate 170 x 210mm (6¾ x 8¼"), with large margins on three sides. Small top margin. Some staining within plate mark.
View of Pant-y-Goitre, with Sugarloaf Mountain in the background. Farmworkers are loading hay onto cart in the foreground. Part of a series of views in Monmouthshire for David Williams's 'History of Monmouthshire'; they were engraved in aquatint by Gardnor himself and J. Hill. John Gardnor (1729–1808), was an English painter, primarily a teacher, he had an academy in Kensington Square until he quit the profession of drawing full time for the church sometime after 1767. In 1778 he was instituted to the vicarage of St Mary's Church, Battersea, which he continued to hold up to his death.
Abbey 537.
[Ref: 58642] £50.00 (£60.00 incl.VAT)

South West View of Trostrey Forge & Clytha Castle. Pl. X XIII.
Drawn by the Rev I. Gardnor. Engrav'd by the Rev I. Gardenor & J. Hill.
Publish'd Dec.r 14.th 1793 by Mess.rs Egerton. Charing Cross Mess.rs White, Fleet Street, & M.r I. Edwards, Pall Mall.
Rare engraving with aquatint, plate 170 x 210mm (6¾ x 8¼"), with large margins on three sides. Small top margin. Very light foxing at edge of margins.
View of the forge alongside the river at Trostre, showing the waterwheel, and Clytha Castle in the distance. Part of a series of views in Monmouthshire for David Williams's 'History of Monmouthshire'; they were engraved in aquatint by Gardnor himself and J. Hill. Clytha Castle is a folly near Clytha between Llanarth and Raglan in Monmouthshire, south east Wales. Dating from 1790, the castle was built by William Jones, owner of the Clytha Park estate as a memorial to his wife, Elizabeth, who died in 1787. John Gardnor (1729–1808), was an English painter, primarily a teacher, he had an academy in Kensington Square until he quit the profession of drawing full time for the church sometime after 1767. In 1778 he was instituted to the vicarage of St Mary's Church, Battersea, which he continued to hold up to his death.
Abbey 537.
[Ref: 58641] £65.00 (£78.00 incl.VAT)

Old Bailey.
Rowlandson & Pugin delt. et sculpt. Stadler aquat.
London Pub. 1st. March 1809, at R. Ackermann’s Repository of Arts 101 Strand.
Hand coloured aquatint on J. Whatman paper watermarked 1808. Platemark: 240 x 285mm (9½ x 11¼"). Trimmed to plate at top but large margins on other the three sides.
An interior view of the Old Bailey, London. The court at Old Bailey held sessions eight times a year. It heard the most serious crimes commited in the city of London and Middlesex. In this image a witness is being cross-examined in one of these sessions. The court has been demolished and the present court building dates from 1907. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 58325] £260.00 (£312.00 incl.VAT)

Plan and Survey of Pontefract Race Course in the County of York; including the Rises and Falls: with Notes Referring to an appendix, by Wm. Kemp. To Christopher Wilson Esq.r This Plate being No.3 of a Series of Surveys of the Principal Race Courses in England, is most Respectfully Dedicated by His most obedient and very humble Servant [facsimile signature:] Wm Kemp.
Davies sc. 34 Compton Str. Bruns.k Squ.
London, Published by Sherwood, Jones & Co. Paternoster Row. [n.d. c.1825.]
Hand-coloured engraving, 210 x 280mm ( 8½ x 10¾".). Two vertical folds as published. Trimmed within plate top and bottom.
Pontefract Racecourse, the thoroughbred horse racing venue in West Yorkshire; notable races held here include the Silver Tankard Stakes and the Pontefract Castle Stakes.
See Ref: 41083
[Ref: 58322] £75.00 (£90.00 incl.VAT)

[Raglan Castle] Inside View of Ragland Castle.
Amelia de Suffren Pinx et Sculp.
Pub.d May 1803 by the Author et by Colnaghi No.23 Cockspur S.tr London.
Scarce aquatint with etching. 300 x 405mm (11¾ x 16") large margins Slight creasing.
A view of the ruins of Raglan Castle in Monmouthshire. Amelia de Suffren, the widow of French Admiral comte Pierre André de Suffren de Saint Tropez (1729-88) who had fought the British in the War of the Austrian Succession, the Seven Years' War, the American War of Independence, the Bourbon War in the East Indies and the 4th Anglo-Dutch War), toured Wales during the Peace of Amiens (1802-3) recording many views which she then published herself.
[Ref: 58251] £260.00 (£312.00 incl.VAT)

Arcade of the North Front of the Royal Exchange. Plate 66.
Published May 16.th 1795 by T. Malton.
Aquatint, sheet 415 x 310mm (16¼ x 12¼").
A view below the arcade, looking towards the Bank of England; two elegantly dressed women and a child buying goods from a street trader, two men on the left have a conversation. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801.
Adams 1983 72.66. Abbey Scenery 204.66
[Ref: 58336] £140.00 (£168.00 incl.VAT)

Bramber on the South Downs. [in pencil]
R. Cresswell Boak. [in pencil]
[n.d.c.1920]
Etching with beautiful hand colour, plate 100 x 145 (4 x 5¾") with very large margins. Pinholes and leftover tape in margins.
Sheep graze on the rolling hill landscape of Bramber, near Shoreham, West Sussex Robert Cresswell Boak (1875-1949) was a landscape/portrait painter and etcher born in Letterkenny, Co. Donegal. Robert was educated at the Londonderry School of Art and the Royal College of Art and then went off to Paris and Rome. He then turned to teaching art for a short time in Portsmouth and Southsea, Hampshire before making the decision to devote all of his time to his own work
[Ref: 58640] £75.00 (£90.00 incl.VAT)

The Royal Victoria Spa & Assembly Rooms, Southampton.
Brannon del et sculp.
[n.d., c.1850.]
Steel engraving. 130 x 210mm (5 x 8¼"). Stitch holes at top, stains.
The exterior of the Royal Victoria Spa, with a fountain and a train in the background. The Assembly Rooms were built in 1830 and demolished in 1959. The Southampton and New Forest Archery Club used the grounds.
[Ref: 58562] £50.00 (£60.00 incl.VAT)

St James's Street. [Pl 94.]
[Published Nov.r 15 1800 by T. Malton.]
Coloured aquatint, sheet 250 x 320mm (9¼ x 12½"). Trimmed within publication line. Slight mountburn.
A view looking down St James's Street to St James's Palace, from 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801. The first building on the left is Boodle's, before the ground floor was remodelled by John Buonarotti Papworth between 1821-34. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London & Dublin views.
Abbey Scenery: 204.
[Ref: 58334] £260.00 (£312.00 incl.VAT)

Drawing Room St. James's.
Rowlandson & Pugin delt. et sculpt. J. Bluck aquat.
London Pub. July 1st. 1809, at R. Ackermann’s Repository of Arts 101 Strand.
Hand coloured aquatint, plate 235 x 280mm (9¼ x 11") with large margins.
A social gathering in a plush interior at St. James's Palace. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 76.' upper right.
Abbey, Scenery: 212, 76.
[Ref: 58324] £180.00 (£216.00 incl.VAT)

South West View of S.t Martins Church.
Publish'd May 16.th 1795 by T. Malton.
Coloured aquatint, sheet 415 x 310mm (16¼ x 12¼"). Very slight foxing.
A view looking across the south front of the church of St Martin-in-the-Fields, from the street; figures on pavement to the right, a cart on street in front of steps leading up to entrance to the church. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801.
Adams 1983 72.25. Abbey Scenery 204.25
[Ref: 58335] £220.00 (£264.00 incl.VAT)

A View of the House from the Parterre [Stowe].
[after Jean Baptiste Claude Chatelain.]
London Printed for & Sold by Rob.t Sayer, opposite Fetter Lane. Fleet Street [n.d. c.1750].
Engraving, plate 175 x 275mm (7 x 10¾"), with large margins. Some creasing within margins. Some surface dirt in margins.
A view of the magnificent country house in Stowe, Buckinghamshire. Some figures occupy the foreground of the garden.
[Ref: 58639] £120.00 (£144.00 incl.VAT)

View Of The Tower.
Rowlandson & Pugin delt. et sculpt. Sunderland, aquat.
London Pub. Octr. 1st. 1809, at R. Ackermann’s Repository of Arts 101 Strand.
Hand coloured aquatint on J. Whatman paper watermarked 1808. Plate 230 x 280mm (9 x 11"), with large margins.
Tower Hill, London. Plate to Volume III of Rudolph Ackermann's 'Microcosm of London', 3 vols., 1808-10. Numbered 'Plate 85, Second.' upper right. On Whatman paper watermarked 1808.
Abbey, Scenery: 212, 85.
[Ref: 58327] £230.00 (£276.00 incl.VAT)

The New Church From The Common.
Lithographed by W. Clerk 202 High Holborn.
Published by R. Nash, Royal Library, Parade, Tunbridge Wells. [n.d., c.1830.]
Very rare lithograph, sheet 250 x 315mm (10 x 12½"). Some foxing and some surface dirt largely in margins. Some creasing that goes into the image.
A birds eye view of a church, houses and a common. Presumably in Tunbridge Wells. Possibly Holy Trinity Church, consecrated on 3rd September 1829, in 1982 it became Trinity Theatre.
[Ref: 58574] £70.00 (£84.00 incl.VAT)

[Warfield Park] A View of the Gardens of Tho.s Hart Esq.r from the India House at Warfield, Berkshire.
J. Harris Pinx.t. J. Wood Sculp.t.
Published 10th Jan.y 1753 by J. Harris.
Scarce engraving, fine impression. Sheet 390 x 560mm (15¼ x 22"). Trimmed within plate. Slight creasing on right.
A view of a landscaped estate, a 'Grecian temple' folly on a hill, with a couple being rowed in a canopied boat.
[Ref: 58512] £320.00

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