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[Classical guitarist]
[Classical guitarist] R. de los Rios [pencil signature.]
R. de los Rios. Sculpt. Charles Sprague Pearce. Paris
[n.d. c.1890.]
Engraving on vellum, plate 357 x 279mm (14" x 11"), with very large margins.
Ricardo de los Ríos (1846-1929), born in Spain. He did a lot of work while he lived in Paris, France.
[Ref: 58165]   £180.00   (£216.00 incl.VAT)
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[Classical guitarist]
[Classical guitarist] R. de los Rios [pencil signature.]
R. de los Rios. Sculpt. Charles Sprague Pearce. Paris
[n.d. c.1890.]
Engraving, plate 357 x 279mm (14" x 11"), with very large margins.
Ricardo de los Ríos (1846-1929), born in Spain. He did a lot of work while he lived in Paris, France.
[Ref: 58164]   £180.00   (£216.00 incl.VAT)
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[Rococo frames]
[Rococo frames]
H. Copland Fecit 16 Ap: 1746.
Scarce etching with engraving. Sheet 110 x 145mm (4¼ x 5¾"). Trimmed within plate, corners snipped.
A rococo design from 'A New Book of Ornaments' by Matthew Lock and Henry Copland.
[Ref: 58222]   £160.00   (£192.00 incl.VAT)
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[The head of a young woman, hair tied back, looking left.] 11.
[The head of a young woman, hair tied back, looking left.] 11.
S. D Bella in et fecit.
Avec privilege du Roy [Paris, n.d., c.1641.]
Etching. 115 x 150mm (4½ x 6), with C17th watermark. One very small wormhole bottom right. Slight crease top left. Small margins.
From Stefano Della Bella's 'I Principii del Disegno', a collection of 25 etchings. De Vesme records two states, first with the imprint of Pierre Mariette, the second without, as here. However the British Museum (X,5.376) records 'A note supplied by Osbert Barnard in the 1970s states that he had never seen and could find no record of an impression of any of the states other than the frontispiece which carried Mariette's name'. Certainly this applies to all the examples held by the BM.
De Vesme 374, state ii of ii, but see above.
[Ref: 58183]   £220.00   (£264.00 incl.VAT)
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[The head of a boy with curly hair, bare shouldered, looking right.] 12.
[The head of a boy with curly hair, bare shouldered, looking right.] 12.
S. D Bella in et fecit.
Avec privilege du Roy [Paris, n.d., c.1641.]
Etching. 120 x 155mm (4¾ x 6), with C17th watermark. Mark middle right. Small margins. One very small wormhole bottom right.
From Stefano Della Bella's 'I Principii del Disegno', a collection of 25 etchings. De Vesme records two states, first with the imprint of Pierre Mariette, the second without, as here. However the British Museum (X,5.376) records 'A note supplied by Osbert Barnard in the 1970s states that he had never seen and could find no record of an impression of any of the states other than the frontispiece which carried Mariette's name'. Certainly this applies to all the examples held by the BM.
De Vesme 375, state ii of ii, but see above.
[Ref: 58184]   £220.00   (£264.00 incl.VAT)
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[The head of a boy with straight hair, with high collar, looking right.] 13.
[The head of a boy with straight hair, with high collar, looking right.] 13.
S. D Bella in et fecit.
Avec privilege du Roy [Paris, n.d., c.1641.]
Etching. 120 x 155mm (4¾ x 6), with C17th watermark. One very small wormhole, bottom right, in unprinted area, crease. Small margins.
From Stefano Della Bella's 'I Principii del Disegno', a collection of 25 etchings. De Vesme records two states, first with the imprint of Pierre Mariette, the second without, as here. However the British Museum (X,5.376) records 'A note supplied by Osbert Barnard in the 1970s states that he had never seen and could find no record of an impression of any of the states other than the frontispiece which carried Mariette's name'. Certainly this applies to all the examples held by the BM.
De Vesme 376, state ii of ii, but see above.
[Ref: 58185]   £220.00   (£264.00 incl.VAT)
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[The head of a bearded old man, looking right.] 19.
[The head of a bearded old man, looking right.] 19.
S. D Bella in et fecit.
Avec privilege du Roy [Paris, n.d., c.1641.]
Etching. 120 x 145mm (4¾ x 5¾), with C17th watermark. Small margins. One very small wormhole bottom right. Very slight marking near head on left.
From Stefano Della Bella's 'I Principii del Disegno', a collection of 25 etchings. De Vesme records two states, first with the imprint of Pierre Mariette, the second without, as here. However the British Museum (X,5.376) records 'A note supplied by Osbert Barnard in the 1970s states that he had never seen and could find no record of an impression of any of the states other than the frontispiece which carried Mariette's name'. Certainly this applies to all the examples held by the BM.
De Vesme 382, state ii of ii, but see above.
[Ref: 58181]   £260.00   (£312.00 incl.VAT)
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[The head of a bearded old man, with laurel wreath and fur collar, looking left.] 20.
[The head of a bearded old man, with laurel wreath and fur collar, looking left.] 20.
S. D Bella invent et fecit.
Avec privilege du Roy [Paris, n.d., c.1641.]
Etching. 120 x 145mm (4¾ x 5¾), with C17th watermark. Small margins. One very small wormhole bottom right.
From Stefano Della Bella's 'I Principii del Disegno', a collection of 25 etchings. De Vesme records two states, first with the imprint of Pierre Mariette, the second without, as here. However the British Museum (X,5.376) records 'A note supplied by Osbert Barnard in the 1970s states that he had never seen and could find no record of an impression of any of the states other than the frontispiece which carried Mariette's name'. Certainly this applies to all the examples held by the BM.
De Vesme 383, state ii of ii, but see above.
[Ref: 58182]   £350.00  
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Montjoye Saint Denis Roy, D'Armes de France.
Montjoye Saint Denis Roy, D'Armes de France.
S. de la Bella fecit [etched by Della Bella, engraving by Jean Couvay].
Van Merle [Paris, n.d., c.1650].
Etching with engraving. 165 x 110mm (6½ x 4¼"), with very large margins. Slight foxing.
A full length portrait of the King of Arms of France in full costume, with the funeral procession of a French prince at Saint-Denis in the background.
De Vesme 38, intermediate state between ii & iii.
[Ref: 58187]   £580.00  
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Agricolteur.
Agricolteur. No 389.
M. Benedetti delin.t. A. Ragona sculp.t.
[n.d., c.1790.]
Rare etching with engraving, 18th century watermark. 300 x 210mm (11¾ x 8¼"), on wove paper with large margins. Crease in margin.
A bare-footed farm labourer with axe and spade on his shoulder. One of a set of four, with 'Jardiniere', 'Pasteur' & 'Peuchese'.
[Ref: 58086]   £160.00   (£192.00 incl.VAT)
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[Fishermen on a beach.]
[Fishermen on a beach.]
J.T. Serres fec.t. 1803.
Pen Lithograph. Sheet 230 x 285mm (9 x 11¼"). Trimmed into image at sides. Slight creasing.
From 'Specimens of Polyautography'.
BM: 1866,0407.125.
[Ref: 58068]   £180.00   (£216.00 incl.VAT)
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[The Flight into Egypt] Cum in Orbem inducit Primogenitum, dicit, adorent eum omnes Angeli Dei.
[The Flight into Egypt] Cum in Orbem inducit Primogenitum, dicit, adorent eum omnes Angeli Dei. Epist. ad Hebr. cap I.V.6.
J. Smith fec 1707. ex Tabula Car. Maratti, alta 25 pollices & dimid 20 pol. in Musæ Ri Graham Arm Londini.
[London: John Boydell, c.1773?]
Mezzotint, fine impression; 395 x 280mm (15½ x 11") very large margins. Slight loss of print bottom left corner of inscription area.
The Holy Family resting during the Flight into Egypt, assisted by angels. The BM states that this state, with streaks in the sky next to Joseph, is the fourth and last state. It appears in the Boydell catalogues in 1773 and 1803. Now in Calke Abbey in Derbyshire, the painting is now attributed not to Carlo Maratti, but to his pupil Giuseppe Chiari.
See British Museum 1874,0808.1285 for a list of states.
[Ref: 58088]   £180.00   (£216.00 incl.VAT)
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[The Moss Rose.]
[The Moss Rose.]
[Tho.s Harper pinx.t. J.P. Quilley sculp.t.]
[London, Published Feb.y 20, 1830, by Tho.s M.cLean, 26, Haymarket.]
Mezzotint. Sheet 205 x 175mm (8 x 7"). Trimmed to image, a few spots.
A woman's head in the centre of a rose flower, a butterfly settled on her head, one of a series of prints after Thomas Harper (1817-43, fl.), in which women are combined with flowers, comets, eclipses, etc.
See: Ref 54181
[Ref: 58059]   £85.00   (£102.00 incl.VAT)
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[The infant John the Baptist.]
[The infant John the Baptist.]
Stef de la Bella fecit.
Cum privilegio Regis. Mariette excudit [n.d., c.1641].
Etching. 150 x 120mm (6 x 4¾"), with C17th watermark. Small margins.
The infant John the Baptist, holding a crossed staff with banner, a lamb by his side.
De Vesme 24, state ii of iii.
[Ref: 58186]   £460.00  
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Julia.
Julia.
Emma Crews De. C. White sc.t.
London Pub. 20 Jan.y 1787. Sold at Tobe and Mrs Vivares Widow.
Stipple, printed in colours and hand finished. Sheet 235 x 175mm (9¼ x 7"). Trimmed within plate, inscription line unclear.
A sorceress whispers in young Julia's ear. Emma Crewe (active c.1780 - 1818) was a 'gifted amateur artist' who painted the frontispiece to Erasmus Darwin's 'The Loves of the Plants'. She also provided designs for Josiah Wedgewood's studio, used for cameos and plaques.
[Ref: 58220]   £140.00   (£168.00 incl.VAT)
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Tricoteuse Hollandoise.
Tricoteuse Hollandoise. Dédié à Monsieur Eberts, Banquier [...]
Peint par F. Mieris. Gravée par J.G. Wille, Graveur du Roi.
A Paris chés l'Auteur Quay des Augustines à côté de l'Hôtel d'Auvergne.
Etching with engraving, 18th century watermark. 405 x 290mm (15¾ x 11½"), large margins.
A Dutch woman knitting, seen through a window.
[Ref: 58089]   £260.00   (£312.00 incl.VAT)
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Lucrece.
Lucrece.
Engraved by W. Dickinson.
London. Published Jan.y 1st 1780 by Watson & Dickinson No 158. New Bond Street.
Stipple, printed in sepia. 230 x 250mm (9 x 10"). Repaired tear entering plate at top right.
An oval portrait of Lucretia asleep, prior to the rape that brought down the Roman monarchy.
[Ref: 58069]   £260.00   (£312.00 incl.VAT)
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Tarquin & Lucretia.
Tarquin & Lucretia.
W De Rÿck pinx. J. Smith fec.t.
[n.d., c.1688.]
Scarce mezzotint. 265 x 340mm (10½ x 13½"). Trimmed to plate at bottom, narrow margins elsewhere, repairs to bottom right corner of plate with mss fill.
The Rape of Lucretia, with Tarquin kneeling above a naked Lucretia, knife in hand. According to Roman tradition the Rape of Lucretia precipitated a rebellion that overthrew the Roman monarchy and led to the transition of Roman government from a kingdom to a republic.
[Ref: 58106]   £240.00   (£288.00 incl.VAT)
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[The Moon?]
[The Moon?]
[n.d., c.1820.]
Ink and watercolour. Sheet 125 x 125mm (5 x 5"). Trimmed to image.
A woman's head in a sphere n the night sky, her head in wrapper in a gauzy scarf.
[Ref: 58062]   £160.00   (£192.00 incl.VAT)
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[The Moon?]
[The Moon?]
[Engraved by George Maile?]
[n.d., c.1820.]
Mezzotint, printed in colours. Sheet 260 x 210mm (10¼ x 8¼"). Trimmed into image.
A woman's head in a sphere in the night sky. George Maile engraved several similar portraits, some after John Barrow & Thomas Harper.
[Ref: 58061]   £160.00   (£192.00 incl.VAT)
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[A Mist]
[A Mist]
[Drawn by T. Harper Esq.r. Engraved by G. Maile.]
London, Published June 1st. 1821, by J. Brooker, 5, Southampton Row, Russell Square.]
Mezzotint and engraving, printed in colours and hand finished. Sheet 210 x 155mm (8¼ x 6"). Trimmed into image, losing all lettering. Creasing.
The head and shoulders of a naked woman, shimmering above the sea, a gauzy shawl fluttering around her head.
See Ref: 54180
[Ref: 58060]   £130.00   (£156.00 incl.VAT)
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[Natural History of Monkeys] Storia Naturale delle Scimie e dei Maki
[Natural History of Monkeys] Storia Naturale delle Scimie e dei Maki Dissegnata dal Sig. H. Jacob, ed incisi al Sig. L. Rados...
Torino, Presso i Labraj, Gaetano Balbino, Giuseppe Pic, Vedova Pomba e figli, e i Fratelli Reycend. Genova, presso i Libraj, Yves Gravier, e Basso 1816.
Scarce stipple, printed in sepia. 340 x 250mm (13½ x 9¾") very large margins. Foxing.
An engraved titlepage for an important early monograph on primates, which contained 85 fine plates. The title is within an architectural frame, on which two monkeys sit. The entablature lists the names of important French Naturalists, headed by Buffon.
[Ref: 58052]   £260.00   (£312.00 incl.VAT)
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Omphale Queen of Lydia.
Omphale Queen of Lydia.
John Boydell exc.t 1782. Publish'd Oct.r 25th by John Boydell, Engraver, in Cheapside London.
Stipple. 280 x 210mm (11 x 8¼"). Thread margins, some staining & creasing.
Oval portrait of Omphale, queen of Lydia, best known as the mistress of the hero Heracles during a year of required servitude. She is depicted holding his olive-wood club and wearing the head of the Nemean lion as a headress.
[Ref: 58070]   £130.00   (£156.00 incl.VAT)
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The Passion Flower.
The Passion Flower.
Tho.s Harper pinx.t. J.P. Quilley sculp.t.
London, Published May 1st 1830 by Tho.s McLean, 26, Haymarket.
Aquatint, printed in colours, watermark J. Whatman 1830. 300 x 240mm (11¾ x 9½"), large margins.
A bare-breasted woman leaning on a rock in which a passion flower grows.
See also Refs: 54181 & 54056
[Ref: 58063]   £240.00   (£288.00 incl.VAT)
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L'agreable Parfumeuse. (Paris.) N.o 25.
L'agreable Parfumeuse. (Paris.) N.o 25.
Ch. Philipon [in stone].L Imp Litho. de M.lle Formentin, rue des S.ts Peres N.o 10.
Depot chez F. Janet, rue des S.ts Peres N.o 10. Published by Charles Tilt, 86 Fleet Street, London. [n.d., c.1824].
Rare lithograph with fine hand colour, sheet 360 x 245mm (14¼ x 9½"). Foxing in borders.
From the series' Têtes de Femmes'. A woman perfume-seller holds a small lavender bag up to her face. After Charles Philipon (1800 - 1862) French lithographer, caricaturist, journalist and the founder and director of the satirical political journals La Caricature and of Le Charivari. Joséphine-Clémence Formentin (Mademoiselle Formentin) (c.1802- 1863) was a female French lithographer, publisher and printer.
See Ref: 44642
[Ref: 58223]   £160.00   (£192.00 incl.VAT)
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A Woman Sadne.
A Woman Sadne.
Susana Jones inv.t.
[n.d., c.1790.]
Stipple, printed in sepia. 120 x 90mm (5¾ x 3½"), with large margins.
A woman in a wide-brimmed hat looking skyward. As we have been unable to trace this print it is likely to have been an amateur production.
[Ref: 58219]   £95.00   (£114.00 incl.VAT)
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[Tuscany]
[Tuscany]
Percival Gaskell.
[n.d., c.1923.]
Aquatint, signed in pencil. 255 x 365mm (10 x 14½"), with large margins, watermarked 'J Whatman 1923'. Uncut. Slight marking bottom left.
Figures in the shade of Mediterranean Cypress trees, with a tower.
[Ref: 58037]   £160.00   (£192.00 incl.VAT)
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[Venus sitting in a shell.]
[Venus sitting in a shell.]
[engraved by John Clarke after Francesco Bartolozzi.]
Circular stipple, with etched frame-like border. 380 x 330mm (15 x 13") very large margins on 3 sides. Trimmed within plate at bottom. Slight creasing.
Venus sitting in a shell, pushed by nymphs and a sea monster. The image was originally published by John Clarke in 1790; the border is a later addition.
[Ref: 58072]   £260.00   (£312.00 incl.VAT)
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What You Will - Ce Qui Vous Plaira.
What You Will - Ce Qui Vous Plaira.
J.P. Levilly [after John Raphael Smith].
[n.d., c.1791.]
Stipple, printed in colour, watermark 1811. 335 x 225mm (13¼ x 9"). Trimmed to plate at bottom, into plate right bottom, top corners snipped.
A fashionably-dressed young woman sitting on a bench under a tree, directed to left, one hand at her lips, looking coquettishly towards the viewer, a dog sleeping at her feet. A copy in reverse of one of a set of four portraits of women 'Designed & Engraved by J.R.Smith', 1791.
See D'Oench: 309-312 for the Smith set.
[Ref: 58066]   £180.00   (£216.00 incl.VAT)
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Les Femmes d'Aujourd'hui.
Les Femmes d'Aujourd'hui. Nouvelles Études sur la Toilette. Extraites de La Vie Parisienne.
En Vente aux Bureaux de La Vie Parisienne. Paris, 1882.
Pamphlet; folio, 390 x 290mm (15¼ x 11½"); illustrated wrappers with publisher's ads, title with wood-engraved illustrations, 10 folding wood-engraved plates. Covers stained, spine distressed, some plates loose.
A collection of illustrations from 'La Vie Parisienne', with drawings of women posing artistically in various stages of undress, with letterpress descriptions. The magazine ran from 1863 until 1970.
[Ref: 58192]   £180.00   view all images for this item
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Les Femmes d'Aujourd'hui.
Les Femmes d'Aujourd'hui. Nouvelles Études sur la Toilette. Douze Grandes Series Extraites de La Vie Parisienne.
En Vente aux Bureaux de La Vie Parisienne. Paris, 1884.
Pamphlet; folio, 390 x 290mm (15¼ x 11½"); illustrated wrappers with publisher's ads, title with wood-engraved illustrations, 12 folding wood-engraved plates. Covers stained, spine distressed, some plates loose.
A collection of illustrations from 'La Vie Parisienne', with drawings of women posing artistically in various stages of undress, with letterpress descriptions. The magazine ran from 1863 until 1970.
[Ref: 58191]   £180.00   view all images for this item
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