A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![Schnee-Lauven, oder Schnee-Bruche [...] Autre Espece de Lauven, dite Lauven de Terre,](jpegs/57530.jpg)
Schnee-Lauven, oder Schnee-Bruche [...] Autre Espece de Lauven, dite Lauven de Terre, où les Neiges se glissent avec gran bruit dans les Vallèes, emportant et ruinant toute ce qu'elles recontrent. [&] Lauven, c.a.d. Glissage et Chüte des Neiges, qui tombent en frieuse quantité et presque per pendiculairement des roides Montagnes.
Duerringer pinxit. D. Herrliberger ex Zurich Cum Priv.
[Zürich: Ziegler 1754.]
Engraving. 295 x 155mm (11½ x 6").
Two scenes of an avalanche, in which a giant avalanche filled with chalets, trees and mountain goats, crashes onto a village. Plates 41 & 42 of 'Topographie der Eidgenossenschaft'.
[Ref: 57530] £280.00 (£336.00 incl.VAT)
Duerringer pinxit. D. Herrliberger ex Zurich Cum Priv.
[Zürich: Ziegler 1754.]
Engraving. 295 x 155mm (11½ x 6").
Two scenes of an avalanche, in which a giant avalanche filled with chalets, trees and mountain goats, crashes onto a village. Plates 41 & 42 of 'Topographie der Eidgenossenschaft'.
[Ref: 57530] £280.00 (£336.00 incl.VAT)
Corroboree
S.T.G. [Samuel Thomas Gill.]
Printed in colors by [& published] by Hamel & Ferguson, Melboune [n.d., c.1865].
Rare chromolithograph. Printed area 200 x 255mm (8 x 10"), large margins.
An Aboriginal 'corroboree', a dance ceremony, around a camp fire, with warriors with shields and spears, and women and a man beating sticks. One of 25 studies in 'The Australian Sketchbook' by Samuel Thomas Gill (1818-1880), the second book published in Australia to use chromolithography.
[Ref: 57920] £260.00 (£312.00 incl.VAT)
S.T.G. [Samuel Thomas Gill.]
Printed in colors by [& published] by Hamel & Ferguson, Melboune [n.d., c.1865].
Rare chromolithograph. Printed area 200 x 255mm (8 x 10"), large margins.
An Aboriginal 'corroboree', a dance ceremony, around a camp fire, with warriors with shields and spears, and women and a man beating sticks. One of 25 studies in 'The Australian Sketchbook' by Samuel Thomas Gill (1818-1880), the second book published in Australia to use chromolithography.
[Ref: 57920] £260.00 (£312.00 incl.VAT)
Emu Sneaking.
S.T.G. [Samuel Thomas Gill.]
Printed in colors by [& published] by Hamel & Ferguson, Melboune [n.d., c.1865].
Rare chromolithograph. Printed area 200 x 255mm (8 x 10"), large margins.
An Aboriginal prepares to throw a spear at grazing emus. One of 25 studies in 'The Australian Sketchbook' by Samuel Thomas Gill (1818-1880), the second book published in Australia to use chromolithography.
[Ref: 57917] £260.00 (£312.00 incl.VAT)
S.T.G. [Samuel Thomas Gill.]
Printed in colors by [& published] by Hamel & Ferguson, Melboune [n.d., c.1865].
Rare chromolithograph. Printed area 200 x 255mm (8 x 10"), large margins.
An Aboriginal prepares to throw a spear at grazing emus. One of 25 studies in 'The Australian Sketchbook' by Samuel Thomas Gill (1818-1880), the second book published in Australia to use chromolithography.
[Ref: 57917] £260.00 (£312.00 incl.VAT)
Porte De Voskressenskie. (de la Resurrection.)
Dessine et lith.e par Cadolle. Lith de Thierry freres.
[Pub'ie par Victor Morlat, Editeur Commissionnaire d' Estampes, 2, rue de Louvois, a Paris. London published by M.c Lean, 26 Hay Market.][n.d. c.1830's]
Very rare colour lithograph on chine collé, sheet 395 x 300mm (15½ x 11¾") large margins. Some abrasions outside the image.
A view of Resurrection (Iberian) Gate and the adjoining Moscow City Hall to the east and the State Historical Museum to the west. The gate connects the north-western end of Red Square with Manege Square and gives its name to nearby Voskresenskaya Square (Resurrection Square). After Auguste-Jean-Baptiste-Antoine Cadolle (1782-1849). From 'Vues de Moscou, dessinées d'après nature et lithographiées par A.Cadolle.'
[Ref: 57936] £290.00 (£348.00 incl.VAT)
Dessine et lith.e par Cadolle. Lith de Thierry freres.
[Pub'ie par Victor Morlat, Editeur Commissionnaire d' Estampes, 2, rue de Louvois, a Paris. London published by M.c Lean, 26 Hay Market.][n.d. c.1830's]
Very rare colour lithograph on chine collé, sheet 395 x 300mm (15½ x 11¾") large margins. Some abrasions outside the image.
A view of Resurrection (Iberian) Gate and the adjoining Moscow City Hall to the east and the State Historical Museum to the west. The gate connects the north-western end of Red Square with Manege Square and gives its name to nearby Voskresenskaya Square (Resurrection Square). After Auguste-Jean-Baptiste-Antoine Cadolle (1782-1849). From 'Vues de Moscou, dessinées d'après nature et lithographiées par A.Cadolle.'
[Ref: 57936] £290.00 (£348.00 incl.VAT)
Kangaroo Stalking.
S.T.G. [Samuel Thomas Gill.]
Printed in colors by [& published] by Hamel & Ferguson, Melboune [n.d., c.1865].
Rare chromolithograph. Printed area 200 x 255mm (8 x 10"), large margins.
A European takes aim at a kangaroo from behind a fallen tree, accompanied by an Aboriginal gillie. One of 25 studies in 'The Australian Sketchbook' by Samuel Thomas Gill (1818-1880), the second book published in Australia to use chromolithography.
[Ref: 57916] £260.00 (£312.00 incl.VAT)
S.T.G. [Samuel Thomas Gill.]
Printed in colors by [& published] by Hamel & Ferguson, Melboune [n.d., c.1865].
Rare chromolithograph. Printed area 200 x 255mm (8 x 10"), large margins.
A European takes aim at a kangaroo from behind a fallen tree, accompanied by an Aboriginal gillie. One of 25 studies in 'The Australian Sketchbook' by Samuel Thomas Gill (1818-1880), the second book published in Australia to use chromolithography.
[Ref: 57916] £260.00 (£312.00 incl.VAT)
![[Karlovy Vary] Sprudel.](jpegs/57833.jpg)
[Karlovy Vary] Sprudel.
Sandemann Fec. Artist Anst v. Reiffenstein & Bösch in Wein.
Zu haben bei A. Seifert in Carlsbad.
Lithograph. Printed area 220 x 280mm (8¾ x 11"), very large margins.
A colonnade with a hot spring issuing steam. The most famous such colonnade in Karlovy Vary is the Mill Colonnade, but this print predates the construction, and the columns here are Doric rather than Corinthian.
[Ref: 57833] £160.00 (£192.00 incl.VAT)
Sandemann Fec. Artist Anst v. Reiffenstein & Bösch in Wein.
Zu haben bei A. Seifert in Carlsbad.
Lithograph. Printed area 220 x 280mm (8¾ x 11"), very large margins.
A colonnade with a hot spring issuing steam. The most famous such colonnade in Karlovy Vary is the Mill Colonnade, but this print predates the construction, and the columns here are Doric rather than Corinthian.
[Ref: 57833] £160.00 (£192.00 incl.VAT)
Lissebon, een voorname stadt in Portugael, gelegen aen de rivier Tejo. Lisbona, ad Tagum sita quinque castellis munita Lusitaniae praecipuum ornamentum.
Pet. Schenk Amst. C.P. [n.d., c.1702].
Engraving. 210 x 265mm (8½ x 10½"). Repaired tear in small margins, creases.
A view of Lisbon from the Tagus, with a ship firing its guns in the foreground.
[Ref: 57838] £240.00 (£288.00 incl.VAT)
Pet. Schenk Amst. C.P. [n.d., c.1702].
Engraving. 210 x 265mm (8½ x 10½"). Repaired tear in small margins, creases.
A view of Lisbon from the Tagus, with a ship firing its guns in the foreground.
[Ref: 57838] £240.00 (£288.00 incl.VAT)
Veduta della Porta nuova a Milano.
Carolina Lose Acqu.tu fec.
Milano presso Ferd. Artari [n.d., c.1825].
Aquatint. 230 x 285mm (9 x 11¼"). Thread margins, crease top right corner.
Milan's Porta Nova, designed by Giuseppe Zanoia (1752-1817) in a Neoclassical style inspired by the Arch of Titus in Rome, completed 1813. In 1807 Zanoia joined the Ornato Commission which was directed to redesign Milan under orders from Napoleon Bonaparte, including the Duomo. From a series of views by German engravers Federico & Carolina Lose.
[Ref: 57947] £160.00 (£192.00 incl.VAT)
Carolina Lose Acqu.tu fec.
Milano presso Ferd. Artari [n.d., c.1825].
Aquatint. 230 x 285mm (9 x 11¼"). Thread margins, crease top right corner.
Milan's Porta Nova, designed by Giuseppe Zanoia (1752-1817) in a Neoclassical style inspired by the Arch of Titus in Rome, completed 1813. In 1807 Zanoia joined the Ornato Commission which was directed to redesign Milan under orders from Napoleon Bonaparte, including the Duomo. From a series of views by German engravers Federico & Carolina Lose.
[Ref: 57947] £160.00 (£192.00 incl.VAT)
Three Moors riding at a Hab el Barode.
G. Beauclerk pinx.t. On Stone by Giles.
Printed by Engelmann, Graf, Coindet & Co. [n.d., c.1830].
Lithograph on chine collé, laid on printed card. Sheet size: 200 x 260mm (8 x 10¼"), very large margins.
Three Arab riders, firing their long guns, maybe in Morocco.
Not in Abbey.
[Ref: 57837] £140.00 (£168.00 incl.VAT)
G. Beauclerk pinx.t. On Stone by Giles.
Printed by Engelmann, Graf, Coindet & Co. [n.d., c.1830].
Lithograph on chine collé, laid on printed card. Sheet size: 200 x 260mm (8 x 10¼"), very large margins.
Three Arab riders, firing their long guns, maybe in Morocco.
Not in Abbey.
[Ref: 57837] £140.00 (£168.00 incl.VAT)
Vue De Moscou, prise du palais imperial.
Dess et lith.e par Cadolle. Lith de Engelmann.
[Pub'ie par Victor Morlat, Editeur Commissionnaire d' Estampes, 2, rue de Louvois, a Paris. London published by M.c Lean, 26 Hay Market.][n.d. c.1830's]
Rare colour lithograph on chine collé, sheet 300 x 395mm (12 x 15½") Repaired tears and loss bottom right and left.
A view looking down on Moscow from the terrace of the Imperial Palace, with the Cathedral of Christ the Saviour to the left. After Auguste-Jean-Baptiste-Antoine Cadolle (1782-1849). From 'Vues de Moscou, dessinées d'après nature et lithographiées par A.Cadolle.'
[Ref: 57937] £320.00
Dess et lith.e par Cadolle. Lith de Engelmann.
[Pub'ie par Victor Morlat, Editeur Commissionnaire d' Estampes, 2, rue de Louvois, a Paris. London published by M.c Lean, 26 Hay Market.][n.d. c.1830's]
Rare colour lithograph on chine collé, sheet 300 x 395mm (12 x 15½") Repaired tears and loss bottom right and left.
A view looking down on Moscow from the terrace of the Imperial Palace, with the Cathedral of Christ the Saviour to the left. After Auguste-Jean-Baptiste-Antoine Cadolle (1782-1849). From 'Vues de Moscou, dessinées d'après nature et lithographiées par A.Cadolle.'
[Ref: 57937] £320.00
Vue De Moscou, prise du palais imperial.
Dess et lith.e par Cadolle. Lith de Engelmann.
[Pub'ie par Victor Morlat, Editeur Commissionnaire d' Estampes, 2, rue de Louvois, a Paris. London published by M.c Lean, 26 Hay Market.][n.d. c.1830's]
Rare colour lithograph on chine collé, sheet 300 x 395mm (12 x 15½"). large margins.
A panoramic view looking across Moscow and the Moskva Rrver. After Auguste-Jean-Baptiste-Antoine Cadolle (1782-1849). From 'Vues de Moscou, dessinées d'après nature et lithographiées par A.Cadolle.'
[Ref: 57938] £320.00
Dess et lith.e par Cadolle. Lith de Engelmann.
[Pub'ie par Victor Morlat, Editeur Commissionnaire d' Estampes, 2, rue de Louvois, a Paris. London published by M.c Lean, 26 Hay Market.][n.d. c.1830's]
Rare colour lithograph on chine collé, sheet 300 x 395mm (12 x 15½"). large margins.
A panoramic view looking across Moscow and the Moskva Rrver. After Auguste-Jean-Baptiste-Antoine Cadolle (1782-1849). From 'Vues de Moscou, dessinées d'après nature et lithographiées par A.Cadolle.'
[Ref: 57938] £320.00
Night Fishing.
S.T.G. [Samuel Thomas Gill.]
Printed in colors by [& published] by Hamel & Ferguson, Melboune [n.d., c.1865].
Rare chromolithograph. Printed area 200 x 255mm (8 x 10"), large margins.
Aboriginies fish in a river at night, using fires on the boat to attract the fish. One of 25 studies in 'The Australian Sketchbook' by Samuel Thomas Gill (1818-1880), the second book published in Australia to use chromolithography.
[Ref: 57918] £260.00 (£312.00 incl.VAT)
S.T.G. [Samuel Thomas Gill.]
Printed in colors by [& published] by Hamel & Ferguson, Melboune [n.d., c.1865].
Rare chromolithograph. Printed area 200 x 255mm (8 x 10"), large margins.
Aboriginies fish in a river at night, using fires on the boat to attract the fish. One of 25 studies in 'The Australian Sketchbook' by Samuel Thomas Gill (1818-1880), the second book published in Australia to use chromolithography.
[Ref: 57918] £260.00 (£312.00 incl.VAT)
Le Quai de l'Horloge. Paris.
Eug. Bejot. 1914.
Etching, signed by the artist in pencil; limited edition 80 proofs. 270 x 235mm (10¾ x 9¼"). Slight mount burn.
A view from the side of the Seine, with a barge and an angler. Eugene Béjot (1867-1931), a French painter, taught etching by Impressionist etcher Henri Guérard.
Jean Laran 312. 80 signed proofs.
[Ref: 57998] £230.00 (£276.00 incl.VAT)
Eug. Bejot. 1914.
Etching, signed by the artist in pencil; limited edition 80 proofs. 270 x 235mm (10¾ x 9¼"). Slight mount burn.
A view from the side of the Seine, with a barge and an angler. Eugene Béjot (1867-1931), a French painter, taught etching by Impressionist etcher Henri Guérard.
Jean Laran 312. 80 signed proofs.
[Ref: 57998] £230.00 (£276.00 incl.VAT)
L'Arc-En-Ciel. Seconde Vüe De Flandres. Grave d'après le Tableau Original de Teniers, de même grandeur Tiré du Cabinet du Chevalier de la Roque. 21.
D. Teniers pinx. Le Bas Sculp.
A Paris chez Le Bas Graveur du Roy au bas de la rue de la Harpe vis a vis la rue Percee chez un Fayancier. 1740.
Etching on 18th century watermarked paper; 295 x 375mm (11½ x 14¾"), with very large margins. Uncut.
A rainbow over a Flanders landscape, two figures and a dog in the foreground to right. From the series 'Vue de Flandres' engraved by by Jacques Philippe Le Bas (1707-83) after David Teniers the Younger (1610-90).
[Ref: 57874] £190.00 (£228.00 incl.VAT)
D. Teniers pinx. Le Bas Sculp.
A Paris chez Le Bas Graveur du Roy au bas de la rue de la Harpe vis a vis la rue Percee chez un Fayancier. 1740.
Etching on 18th century watermarked paper; 295 x 375mm (11½ x 14¾"), with very large margins. Uncut.
A rainbow over a Flanders landscape, two figures and a dog in the foreground to right. From the series 'Vue de Flandres' engraved by by Jacques Philippe Le Bas (1707-83) after David Teniers the Younger (1610-90).
[Ref: 57874] £190.00 (£228.00 incl.VAT)
Attack on Store Dray.
S.T.G. [Samuel Thomas Gill.]
Printed in colors by [& published] by Hamel & Ferguson, Melboune [n.d., c.1865].
Rare chromolithograph. Printed area 200 x 255mm (8 x 10"), large margins.
Bearded Aboriginies prepare to attack two unsuspecting Europeans at a camp fire (on which is a billy), intending to steal livestock. One of 25 studies in 'The Australian Sketchbook' by Samuel Thomas Gill (1818-1880), the second book published in Australia to use chromolithography.
[Ref: 57919] £260.00 (£312.00 incl.VAT)
S.T.G. [Samuel Thomas Gill.]
Printed in colors by [& published] by Hamel & Ferguson, Melboune [n.d., c.1865].
Rare chromolithograph. Printed area 200 x 255mm (8 x 10"), large margins.
Bearded Aboriginies prepare to attack two unsuspecting Europeans at a camp fire (on which is a billy), intending to steal livestock. One of 25 studies in 'The Australian Sketchbook' by Samuel Thomas Gill (1818-1880), the second book published in Australia to use chromolithography.
[Ref: 57919] £260.00 (£312.00 incl.VAT)
Arena di Verona come sta al presente.
[after Saverio Avesan.]
[n.d., c.1770.]
Engraving. 185 x 260mm (7¼ x 10¼") very large margins. Printer's crease entering plate, wear and tear in margins.
The ruins of Verona Arena, built AD 30.
[Ref: 57948] £130.00 (£156.00 incl.VAT)
[after Saverio Avesan.]
[n.d., c.1770.]
Engraving. 185 x 260mm (7¼ x 10¼") very large margins. Printer's crease entering plate, wear and tear in margins.
The ruins of Verona Arena, built AD 30.
[Ref: 57948] £130.00 (£156.00 incl.VAT)