A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Archangel.
J.G.H.
[n.d., c.1823.]
Ink and grey wash, J. Whatman watermark 1823. Sheet 205 x 255mm (8 x 10").
A prospect of Archangel in northern Russia, with sleighs drawn by horses and reindeer.
[Ref: 57300] £390.00
J.G.H.
[n.d., c.1823.]
Ink and grey wash, J. Whatman watermark 1823. Sheet 205 x 255mm (8 x 10").
A prospect of Archangel in northern Russia, with sleighs drawn by horses and reindeer.
[Ref: 57300] £390.00
Les Isles Britanniques Suivant les Nouvelles Observations de Mess.rs de l'Academie Royale des Sciences, etc. Augmentées de Nouveau. [&] l'Europe [...]
A Amsterdam Chez Covens & Mortier [n.d., c.1730].
Two engraved maps. Both 235 x 305mm (9¼ x 12"). Pasted back to back. Tape over edge of Europe.
Two maps originally published in Pieter van der Aa's 'Atlas Curieux'.
[Ref: 57340] £260.00 view all images for this item
A Amsterdam Chez Covens & Mortier [n.d., c.1730].
Two engraved maps. Both 235 x 305mm (9¼ x 12"). Pasted back to back. Tape over edge of Europe.
Two maps originally published in Pieter van der Aa's 'Atlas Curieux'.
[Ref: 57340] £260.00 view all images for this item
![[Loading timber onto a ship, Canada.]](jpegs/57354.jpg)
[Loading timber onto a ship, Canada.]
[n.d., c.1840.]
Tinted lithograph. Printed area 165 x 250mm (6½ x 9¾").
A sailing ship at a dock with a conveyor to load timber.
[Ref: 57354] £240.00 (£288.00 incl.VAT)
[n.d., c.1840.]
Tinted lithograph. Printed area 165 x 250mm (6½ x 9¾").
A sailing ship at a dock with a conveyor to load timber.
[Ref: 57354] £240.00 (£288.00 incl.VAT)
The Cape of Good Hope. Le Cap de bonne Esperance.
J. Van Ryne delin.
Publish'd according to Act of Parliament. London Printed for Rob.t Sayer opposite Fetter Lane Fleet Street [n.d., c.1754].
Coloured engraving. 260 x 405mm (10¼ x 16"), on 18th century watermarked paper. Narrow bottom margin.
A view of Cape Town, surrounded by Dutch shipping, Table Mountain behind.
[Ref: 57408] £260.00 (£312.00 incl.VAT)
J. Van Ryne delin.
Publish'd according to Act of Parliament. London Printed for Rob.t Sayer opposite Fetter Lane Fleet Street [n.d., c.1754].
Coloured engraving. 260 x 405mm (10¼ x 16"), on 18th century watermarked paper. Narrow bottom margin.
A view of Cape Town, surrounded by Dutch shipping, Table Mountain behind.
[Ref: 57408] £260.00 (£312.00 incl.VAT)
Dresden von der Morgenseite.
[Etched by Christian Friedrich Sprinck.]
[n.d., c.1820.]
Coloured etching. Sheet 110 x 155mm (4 x 6½").
A view of Dresden from the frozen Elbe, with figures skating and sleighing on the ice, with drinks being served from a boat. A Frost Fair item.
[Ref: 57299] £160.00 (£192.00 incl.VAT)
[Etched by Christian Friedrich Sprinck.]
[n.d., c.1820.]
Coloured etching. Sheet 110 x 155mm (4 x 6½").
A view of Dresden from the frozen Elbe, with figures skating and sleighing on the ice, with drinks being served from a boat. A Frost Fair item.
[Ref: 57299] £160.00 (£192.00 incl.VAT)
View of the Corn Exchange - Burgh Quay and Custom House. Dublin
S. F. Brocas del.t H. Brocas Sculp.t
Publish'd July 1.st 1820 by J.Le Petit for his Book of Views of Ireland. at 20. Capel S.t Dublin & by Wright & Bell. Duke S.t Bloomsbury. London. Ent.d at Stationers Hall.
Hand coloured engraving, plate 275 x 435mm (10¾ x 17½"), with very large margins. Time stained. Hole within plate mark fixed with tape. Taped tears in margins.
A view of the Custom House from Burgh Quay showing the Corn Exchange on the quay and ships moored there. The image is held in the National Library of Ireland in the Prints and Drawings Collection. This is the second plate in the twelve set series 'Select views of Dublin.' Samuel Frederick Brocas (c. 1792 – 14 May 1847) was an Irish artist best known for this series depicting Dublin. He was the second of the four sons of painter Henry Brocas (Senior). From 1803 to 1807, Brocas studied under his father at the Dublin Society Schools. Henry Brocas (Junior) (1798 – 1872) was an Irish artist known for his landscapes and engravings. He was the fourth of the four sons of painter Henry Brocas, whom he also trained under.
Bonar-Law: 3.129.
[Ref: 57412] £320.00
S. F. Brocas del.t H. Brocas Sculp.t
Publish'd July 1.st 1820 by J.Le Petit for his Book of Views of Ireland. at 20. Capel S.t Dublin & by Wright & Bell. Duke S.t Bloomsbury. London. Ent.d at Stationers Hall.
Hand coloured engraving, plate 275 x 435mm (10¾ x 17½"), with very large margins. Time stained. Hole within plate mark fixed with tape. Taped tears in margins.
A view of the Custom House from Burgh Quay showing the Corn Exchange on the quay and ships moored there. The image is held in the National Library of Ireland in the Prints and Drawings Collection. This is the second plate in the twelve set series 'Select views of Dublin.' Samuel Frederick Brocas (c. 1792 – 14 May 1847) was an Irish artist best known for this series depicting Dublin. He was the second of the four sons of painter Henry Brocas (Senior). From 1803 to 1807, Brocas studied under his father at the Dublin Society Schools. Henry Brocas (Junior) (1798 – 1872) was an Irish artist known for his landscapes and engravings. He was the fourth of the four sons of painter Henry Brocas, whom he also trained under.
Bonar-Law: 3.129.
[Ref: 57412] £320.00
Surgeons Hall, Dublin. Dedicated by Permission to His Excellency the Most Noble Marquis of Anglesey, Lord Lieutenant and Lieutenant General of Ireland by His Excellency's most devoted very humble Servants.
Connor & Co.
Published by Tho.s Webb, 43, Lower Sackville Street, Dublin 1828.
Rare lithograph, sheet 360 x 445mm (14¼ x 17") Cut and glued to original backing sheet. Creased top right. Time stained.
A view of Surgeons Hall in Dublin which is now part of the Royal College of Surgeons in Ireland.
Bonar-Law: 4.104
[Ref: 57414] £280.00 (£336.00 incl.VAT)
Connor & Co.
Published by Tho.s Webb, 43, Lower Sackville Street, Dublin 1828.
Rare lithograph, sheet 360 x 445mm (14¼ x 17") Cut and glued to original backing sheet. Creased top right. Time stained.
A view of Surgeons Hall in Dublin which is now part of the Royal College of Surgeons in Ireland.
Bonar-Law: 4.104
[Ref: 57414] £280.00 (£336.00 incl.VAT)
Trinity College, Dublin.
James Malton del. et fecit.
London. Published March 1.st 1793. by Ja.s Malton.
Aquatint, plate 315 x 430mm (12½ x 16¾"), with very large margins.
A view from the street of the College of the Holy and Undivided Trinity of Queen Elizabeth near Dublin (known as Trinity College, Dublin), founded by Queen Elizabeth I in 1592. From James Malton's 'A Picturesque and Descriptive View of the City of Dublin', 1792-5.
Abbey Scenery: 473; Bonar-Law
[Ref: 57410] £320.00
James Malton del. et fecit.
London. Published March 1.st 1793. by Ja.s Malton.
Aquatint, plate 315 x 430mm (12½ x 16¾"), with very large margins.
A view from the street of the College of the Holy and Undivided Trinity of Queen Elizabeth near Dublin (known as Trinity College, Dublin), founded by Queen Elizabeth I in 1592. From James Malton's 'A Picturesque and Descriptive View of the City of Dublin', 1792-5.
Abbey Scenery: 473; Bonar-Law
[Ref: 57410] £320.00
Fete Du 14 Juillet An IX. Vue des 3 Theatres construits aux Champs Elysees dans le Carre Marigny; Sur les quels on a Celebre aussi la Fete du 1.er Vendemiare An X.
A Paris chez B[as]set M.d d'[e]stampes et Fabriquant de Papiers Peints rue St.t Jacques, au coin de celle des Mathurins, No. 670. [n.d., c.1802].
Hand coloured engraving, plate 275 x 445mm (10¾ x 17½"), with margins. Slightly crea top right. Abrasions in publication line.
A view of a large crowd watching acrobatic, musical and theatrical entertainment happening in the three theaters built on the Champs-Élysées in the Marigny square. With a firework in the shape of a Masonic (a five pointed star) symbol lighting up the sky. In celebration of the national holiday of July 14 (25 Messidor) 1801 organized in Paris, by the architect Chalgrin, to commemorate the storming of the Bastille in 1789. They were reused on September 23, 1801 (1st Vendémiaire, year X) for the celebrations of the anniversary of the founding of the Republic in 1792.
[Ref: 57436] £280.00 (£336.00 incl.VAT)
A Paris chez B[as]set M.d d'[e]stampes et Fabriquant de Papiers Peints rue St.t Jacques, au coin de celle des Mathurins, No. 670. [n.d., c.1802].
Hand coloured engraving, plate 275 x 445mm (10¾ x 17½"), with margins. Slightly crea top right. Abrasions in publication line.
A view of a large crowd watching acrobatic, musical and theatrical entertainment happening in the three theaters built on the Champs-Élysées in the Marigny square. With a firework in the shape of a Masonic (a five pointed star) symbol lighting up the sky. In celebration of the national holiday of July 14 (25 Messidor) 1801 organized in Paris, by the architect Chalgrin, to commemorate the storming of the Bastille in 1789. They were reused on September 23, 1801 (1st Vendémiaire, year X) for the celebrations of the anniversary of the founding of the Republic in 1792.
[Ref: 57436] £280.00 (£336.00 incl.VAT)
Afbeelding der Illuminatie voor het Huis van de WelEd. Geftr. Heer M.r W.C. Backer. Hoofd Officier &c. &c. der Stad Amsterdam, op den 8.sten Maart 1788.
W. Kok ad Vivum del. D.t Veebraard fecit.
De Wed: J. Doll. Excud:
Engraving, sheet 210 x 205mm (10¼ x 8¼"). Trimmed.
Dutch print of fireworks structure.
[Ref: 57294] £95.00 (£114.00 incl.VAT)
W. Kok ad Vivum del. D.t Veebraard fecit.
De Wed: J. Doll. Excud:
Engraving, sheet 210 x 205mm (10¼ x 8¼"). Trimmed.
Dutch print of fireworks structure.
[Ref: 57294] £95.00 (£114.00 incl.VAT)
![[Appreciation of Ladies' Art] Eene dames Kunstbeschouwing in de Kunstzaal der Maatschappij "Arti et Amicitiae".](jpegs/57393.jpg)
[Appreciation of Ladies' Art] Eene dames Kunstbeschouwing in de Kunstzaal der Maatschappij "Arti et Amicitiae".
C. Rochussen del. Joh.s de Mare sculps. Gedrucht door J.F. Brugman.
Vereeniging tot bevordering van Beeldende Kunsten 1851.
Rare steel engraving. 310 x 350mm (12¼ x 13¾"), Trimmed to plate at top, tear in margins taped, some slight surface damage.
An art appreciation meeting of the Maatschappij Arti et Amicitiae (Society for Art and Friendship), focused on art by women. The society was founded in 1839, on the Rokin in Amsterdam. This meeting was held in the exhibition room on the first floor designed by Marinus van Elven Geradur Tetar.
[Ref: 57393] £280.00 (£336.00 incl.VAT)
C. Rochussen del. Joh.s de Mare sculps. Gedrucht door J.F. Brugman.
Vereeniging tot bevordering van Beeldende Kunsten 1851.
Rare steel engraving. 310 x 350mm (12¼ x 13¾"), Trimmed to plate at top, tear in margins taped, some slight surface damage.
An art appreciation meeting of the Maatschappij Arti et Amicitiae (Society for Art and Friendship), focused on art by women. The society was founded in 1839, on the Rokin in Amsterdam. This meeting was held in the exhibition room on the first floor designed by Marinus van Elven Geradur Tetar.
[Ref: 57393] £280.00 (£336.00 incl.VAT)
![[Lerici] Ericus portus.](jpegs/57453.jpg)
[Lerici] Ericus portus.
HVC [monogram]. Henri Cliven. inven.
Philipp. Gall. excud [n.d., c.1580.]
Engraving. 175 x 250mm (7 x 9¾"), with large margins.
A view of the harbour of Lerici with the castle on a cliff at left, a caravan approaching at right and galleys and galleons in the sea. After Hendrick van Cleve III (1525-c.1589). An example of the first state, before a plate number.
H: i of ii.
[Ref: 57453] £180.00 (£216.00 incl.VAT)
HVC [monogram]. Henri Cliven. inven.
Philipp. Gall. excud [n.d., c.1580.]
Engraving. 175 x 250mm (7 x 9¾"), with large margins.
A view of the harbour of Lerici with the castle on a cliff at left, a caravan approaching at right and galleys and galleons in the sea. After Hendrick van Cleve III (1525-c.1589). An example of the first state, before a plate number.
H: i of ii.
[Ref: 57453] £180.00 (£216.00 incl.VAT)
Feu d'Artifice Tire a Nantes sur les Decorations Dessinees et Peintes par Antoine Henon, Architecte et Peintre dela Ditte Ville.
Avec priv du Roy ches Francois. de la Bertonniere Sc.
ce Vend a Nantes ches Tanqueray M.d Grande rue.
Engraving 215 x 330mm (8½ x 13"). Some light foxing.
A fireworks display in Nantes, France, on the Loire. The firework structure was designed and painted by 'architect and designer of the city of Nantes' Antoine Henon (1748-1789).
[Ref: 57421] £160.00 (£192.00 incl.VAT)
Avec priv du Roy ches Francois. de la Bertonniere Sc.
ce Vend a Nantes ches Tanqueray M.d Grande rue.
Engraving 215 x 330mm (8½ x 13"). Some light foxing.
A fireworks display in Nantes, France, on the Loire. The firework structure was designed and painted by 'architect and designer of the city of Nantes' Antoine Henon (1748-1789).
[Ref: 57421] £160.00 (£192.00 incl.VAT)
The Magnificent Buildings of the Piazza Navona at Rome. Shewing ~ Les Batiments Superbes & Fountaines de la Place Navone a Rome. 1. Prince Pantilius Palace, 2. St Agnes Church. 3. St. James Church. 4. the Fountain of Neptune. 5. The fountain of Four Rivulets. 6. Another Fountain answering to that of Neptune.
G. Wouters Cavelier delin. Bowles Sculp.
Printed for Robert Wilkinson in Cornhil & Bowles & Carver, 69 St. Paul's Church Yard, London [n.d. c. 1816]
Engraving with fine hand colouring, 280 x 430mm (11 x 17), watermarked '1816'. Repaired tear entering image.
The Piazza Navona, one of Rome's liveliest squares, with fountains by Bernini and his great rival Borromini.
[Ref: 57401] £260.00 (£312.00 incl.VAT)
G. Wouters Cavelier delin. Bowles Sculp.
Printed for Robert Wilkinson in Cornhil & Bowles & Carver, 69 St. Paul's Church Yard, London [n.d. c. 1816]
Engraving with fine hand colouring, 280 x 430mm (11 x 17), watermarked '1816'. Repaired tear entering image.
The Piazza Navona, one of Rome's liveliest squares, with fountains by Bernini and his great rival Borromini.
[Ref: 57401] £260.00 (£312.00 incl.VAT)
![[The Classical ruins of Rome.]](jpegs/57511.jpg)
[The Classical ruins of Rome.]
[Antwerp, Hieronymus Cock n.d., c.1550.]
Engraving. 150 x 210mm (6 x 8¼"). Trimmed into image, laid on album paper.
Hieronymus Cock (c.1517-70) visited Rome in the late 1540s, inspiring him to start up his own publishing firm in Antwerp in 1548, which became the most important print publishing firm from outside Italy. After his death in 1570 the firm was continued by his widow (Volcxken Diercx) until her death in 1600, when many of the plates were acquired by Philips Galle. However this plate seems to have been acquired by the van Doetecum brothers, who published it in 'Operum Antiquorum Romanorum' in 1562, with Cock's name removed.
[Ref: 57511] £220.00 (£264.00 incl.VAT)
[Antwerp, Hieronymus Cock n.d., c.1550.]
Engraving. 150 x 210mm (6 x 8¼"). Trimmed into image, laid on album paper.
Hieronymus Cock (c.1517-70) visited Rome in the late 1540s, inspiring him to start up his own publishing firm in Antwerp in 1548, which became the most important print publishing firm from outside Italy. After his death in 1570 the firm was continued by his widow (Volcxken Diercx) until her death in 1600, when many of the plates were acquired by Philips Galle. However this plate seems to have been acquired by the van Doetecum brothers, who published it in 'Operum Antiquorum Romanorum' in 1562, with Cock's name removed.
[Ref: 57511] £220.00 (£264.00 incl.VAT)
Qui si Mostra Alcuni Effetti nelle Parti de Dentro et di Fuori del Coliseo. 9.
Batista P. Ve 1581 [Battista Pittoni of Venice, after Heironymus Cock?].
[Venice: Francesco Ziletti?, c.1590.]
Engraving, drawing on reverse, 17th century watermark. 210 x 310mm (8¼ x 12¼"). Glue stains in corners. Small margins.
A view looking through the collapsed wall of the Colosseum into the interior. The plate was originally published in 'Discorsi sopra l'antichità di Roma di Vicenzo Scamozzi architetto vicentino, con XL tauole in rame' by Ziletti in 1582; this example has had the original Latin title replaced by an Italian title, description and key.
[Ref: 57507] £220.00 (£264.00 incl.VAT)
Batista P. Ve 1581 [Battista Pittoni of Venice, after Heironymus Cock?].
[Venice: Francesco Ziletti?, c.1590.]
Engraving, drawing on reverse, 17th century watermark. 210 x 310mm (8¼ x 12¼"). Glue stains in corners. Small margins.
A view looking through the collapsed wall of the Colosseum into the interior. The plate was originally published in 'Discorsi sopra l'antichità di Roma di Vicenzo Scamozzi architetto vicentino, con XL tauole in rame' by Ziletti in 1582; this example has had the original Latin title replaced by an Italian title, description and key.
[Ref: 57507] £220.00 (£264.00 incl.VAT)
Haec Habet Scenofgraphiam Secondorum Porticuum Colossei. 12.
P. PV [Battista Pittoni of Venice, after Heironymus Cock?].
[Venice: Francesco Ziletti, 1582.]
Engraving, 17th century watermark. 210 x 3150mm (8¼ x 12½"). Glue stains in corners. Small margins.
A view looking through the collapsed wall of the Colosseum into the interior. Plate 12 of 'Discorsi sopra l'antichità di Roma di Vicenzo Scamozzi architetto vicentino, con XL tauole in rame'.
[Ref: 57508] £220.00 (£264.00 incl.VAT)
P. PV [Battista Pittoni of Venice, after Heironymus Cock?].
[Venice: Francesco Ziletti, 1582.]
Engraving, 17th century watermark. 210 x 3150mm (8¼ x 12½"). Glue stains in corners. Small margins.
A view looking through the collapsed wall of the Colosseum into the interior. Plate 12 of 'Discorsi sopra l'antichità di Roma di Vicenzo Scamozzi architetto vicentino, con XL tauole in rame'.
[Ref: 57508] £220.00 (£264.00 incl.VAT)
Haec Habet Quosdam Formie Veteres. 14.
[engraved by Battista Pittoni of Venice, after Heironymus Cock?].
[Venice: Francesco Ziletti, 1582.]
Engraving. 210 x 3150mm (8¼ x 12½"). Glue stains in corners. Slight tears top right. Very slight crease not visible from front.
The ruins of a coffered archway, with a track ruining through it. Plate 14 of 'Discorsi sopra l'antichità di Roma di Vicenzo Scamozzi architetto vicentino, con XL tauole in rame'.
[Ref: 57509] £220.00 (£264.00 incl.VAT)
[engraved by Battista Pittoni of Venice, after Heironymus Cock?].
[Venice: Francesco Ziletti, 1582.]
Engraving. 210 x 3150mm (8¼ x 12½"). Glue stains in corners. Slight tears top right. Very slight crease not visible from front.
The ruins of a coffered archway, with a track ruining through it. Plate 14 of 'Discorsi sopra l'antichità di Roma di Vicenzo Scamozzi architetto vicentino, con XL tauole in rame'.
[Ref: 57509] £220.00 (£264.00 incl.VAT)
![[The Colosseum?]](jpegs/57510.jpg)
[The Colosseum?]
H Cock ex. [Antwerp, n.d., c.1550.]
Engraving, 16th century watermark. 150 x 210mm (6 x 8¼"). Trimmed into image, laid on album paper.
A long and curved barrel vault, probably part of the Colosseum. Hieronymus Cock (c.1517-70) vistited Rome in the late 1540s, inspiring him to start up his own publishing firm in Antwerp in 1548, which became the most important print publishing firm from outside Italy. After his death in 1570 the firm was continued by his widow (Volcxken Diercx) until her death in 1600, when many of the plates were acquired by Philips Galle. However this plate seems to have been acquired by the van Doetecum brothers, who published it in 'Operum Antiquorum Romanorum' in 1562, with Cock's name removed.
See BM 1950,0211.111 for the van Doetecum issue.
[Ref: 57510] £220.00 (£264.00 incl.VAT)
H Cock ex. [Antwerp, n.d., c.1550.]
Engraving, 16th century watermark. 150 x 210mm (6 x 8¼"). Trimmed into image, laid on album paper.
A long and curved barrel vault, probably part of the Colosseum. Hieronymus Cock (c.1517-70) vistited Rome in the late 1540s, inspiring him to start up his own publishing firm in Antwerp in 1548, which became the most important print publishing firm from outside Italy. After his death in 1570 the firm was continued by his widow (Volcxken Diercx) until her death in 1600, when many of the plates were acquired by Philips Galle. However this plate seems to have been acquired by the van Doetecum brothers, who published it in 'Operum Antiquorum Romanorum' in 1562, with Cock's name removed.
See BM 1950,0211.111 for the van Doetecum issue.
[Ref: 57510] £220.00 (£264.00 incl.VAT)
Parte di Dentro del Palazzo di Farnese disegno di Michelangnolo Buonaruoti et il Restante di detto Architettura del Sangallo fabricato l'anno MDXXXXV.
Disegnato da Pietro ferrerio P.A.R.
[Rome: Giovanni Giacomo Rossi, c.1638.]
Etching. 240 x 350mm (9½ x 13¾"), 17th century watermark. Stains on top right. Small margins.
An elevation of the inner courtyard of the Palazzo Farnese, as designed by Michaelangelo and Antonio da Sangallo. It was drawn by architect Pietro Ferrerio (c.1600-54) for 'Palazzi di Roma', a series of 44 plates.
[Ref: 57516] £220.00 (£264.00 incl.VAT)
Disegnato da Pietro ferrerio P.A.R.
[Rome: Giovanni Giacomo Rossi, c.1638.]
Etching. 240 x 350mm (9½ x 13¾"), 17th century watermark. Stains on top right. Small margins.
An elevation of the inner courtyard of the Palazzo Farnese, as designed by Michaelangelo and Antonio da Sangallo. It was drawn by architect Pietro Ferrerio (c.1600-54) for 'Palazzi di Roma', a series of 44 plates.
[Ref: 57516] £220.00 (£264.00 incl.VAT)
L'arco di Settimio, il Tempio di Giove Statore, et Campidoglio.
[after Matthijs Bril.] Guil.mo Van Nieuwlant fecit et excud. Antuerpiæ.
C. Dankerts Excudit [n.d., c. 1650].
Etching, 17th century watermark. 210 x 280mm (8¼ x 11"). Glue stains in corners. Small margins.
A view of the Roman Forum, centred on the Arch of Septimus Severus, with the Campidoglio behind. Etched by Willem Adriaensz. van Nieulandt II and originally published c.1605.
See BM Sheepshanks.5261 for the original issue.
[Ref: 57514] £220.00 (£264.00 incl.VAT)
[after Matthijs Bril.] Guil.mo Van Nieuwlant fecit et excud. Antuerpiæ.
C. Dankerts Excudit [n.d., c. 1650].
Etching, 17th century watermark. 210 x 280mm (8¼ x 11"). Glue stains in corners. Small margins.
A view of the Roman Forum, centred on the Arch of Septimus Severus, with the Campidoglio behind. Etched by Willem Adriaensz. van Nieulandt II and originally published c.1605.
See BM Sheepshanks.5261 for the original issue.
[Ref: 57514] £220.00 (£264.00 incl.VAT)
![[A Siberian (?) village, with a Cyrillic title.]](jpegs/57477.jpg)
[A Siberian (?) village, with a Cyrillic title.]
M.G.C. 1844.
Lithograph. Printed area 310 x 405mm (12¼ x 16"), with wide margins. Repaired tears, one just entering image at top.
A winter scene in a station, with horse-drawn sledges, with figures including a Tartar.
[Ref: 57477] £260.00 (£312.00 incl.VAT)
M.G.C. 1844.
Lithograph. Printed area 310 x 405mm (12¼ x 16"), with wide margins. Repaired tears, one just entering image at top.
A winter scene in a station, with horse-drawn sledges, with figures including a Tartar.
[Ref: 57477] £260.00 (£312.00 incl.VAT)
Rovine cagionale in Tivoli il di 16 Novem.re 1826 dall' escrescenza dell'Aniene.
C. Reinhart fec 1826.
Etching. 340 x 450mm (17¼ x 17¾"), with large margins. Uncut. Some foxing bottom margins.
A view of Tivoli showing the destruction caused by the river Arienne flooding in 1826. In 1835, when Pope Gregory XVI created the Villa Gregoriana, he had the 'Grand Waterfall' built as an outlet for the river, to stop it flooding Tivoli again. Johann Christian Reinhart (1761-1847) travelled to Rome in 1789 on a pension from his patron, the Duke of Sachsen-Meiningen, and was based there for the rest of his life. His friends in Rome included the Danish sculptor Bertel Thorvaldsen.
[Ref: 57409] £320.00
C. Reinhart fec 1826.
Etching. 340 x 450mm (17¼ x 17¾"), with large margins. Uncut. Some foxing bottom margins.
A view of Tivoli showing the destruction caused by the river Arienne flooding in 1826. In 1835, when Pope Gregory XVI created the Villa Gregoriana, he had the 'Grand Waterfall' built as an outlet for the river, to stop it flooding Tivoli again. Johann Christian Reinhart (1761-1847) travelled to Rome in 1789 on a pension from his patron, the Duke of Sachsen-Meiningen, and was based there for the rest of his life. His friends in Rome included the Danish sculptor Bertel Thorvaldsen.
[Ref: 57409] £320.00
Veduta della Chiesa de S.ta Maria della Salute in Venezia.
Nap.e Zucoli inc. D.co Landini acq.
[n.d., c.1840.]
Aquatint with fine hand colour. Sheet 170 x 210mm (6¾ x 8¼"). Trimmed to printed border on three sides, some spotting, laid on album paper.
A view of the Church of ''Saint Mary of Health'', at the entrance to the Grand Canal, Venice.
[Ref: 57352] £95.00 (£114.00 incl.VAT)
Nap.e Zucoli inc. D.co Landini acq.
[n.d., c.1840.]
Aquatint with fine hand colour. Sheet 170 x 210mm (6¾ x 8¼"). Trimmed to printed border on three sides, some spotting, laid on album paper.
A view of the Church of ''Saint Mary of Health'', at the entrance to the Grand Canal, Venice.
[Ref: 57352] £95.00 (£114.00 incl.VAT)
Veduta del Ponte dei Sospiri a Venezia.
N. Zucoli inc. F, Citterio acq.
[n.d., c.1840.]
Aquatint with fine hand colour. Sheet 230 x 175mm (9 x 7"). Trimmed to printed border on three sides, laid on album paper.
A moonlit view of the 'Bridge of Sighs', with masked figures boarding a gondola in the foreground.
[Ref: 57353] £130.00 (£156.00 incl.VAT)
N. Zucoli inc. F, Citterio acq.
[n.d., c.1840.]
Aquatint with fine hand colour. Sheet 230 x 175mm (9 x 7"). Trimmed to printed border on three sides, laid on album paper.
A moonlit view of the 'Bridge of Sighs', with masked figures boarding a gondola in the foreground.
[Ref: 57353] £130.00 (£156.00 incl.VAT)
Representation De La Joute Qui S'est Faite Sur La Riviere De Sein... Le Jour De La Feste Donnee Par La Ville De Paris, A L'Occasion Du Mariage De Madame Louise-Elisabeth De France, Et De Dom Philippe Infant Et Grand Amiral D'Espagne.
Jac. Rigaud del. et Sculp.
[engraved c. 1740 but published later.]
Engraving, plate 160 x 310mm (6¼ x 12¼"), with large margins on three sides. Small bottom margin.
A view on the river Seine of water jousting, one of the festivities given by the City of Paris, on the occasion of the Wedding of Marie Louise-Elisabeth of France (1727 - 1759), & Infante Philip, Duke of Parma (1720 -1765). With key.
[Ref: 57419] £160.00 (£192.00 incl.VAT)
Jac. Rigaud del. et Sculp.
[engraved c. 1740 but published later.]
Engraving, plate 160 x 310mm (6¼ x 12¼"), with large margins on three sides. Small bottom margin.
A view on the river Seine of water jousting, one of the festivities given by the City of Paris, on the occasion of the Wedding of Marie Louise-Elisabeth of France (1727 - 1759), & Infante Philip, Duke of Parma (1720 -1765). With key.
[Ref: 57419] £160.00 (£192.00 incl.VAT)