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Priam, king of Troy, supplicating Achilles to deliver to him the body of his son Hector.
Priam, king of Troy, supplicating Achilles to deliver to him the body of his son Hector. Sudden (a venerable sight!) appears; / Embrac'd his knees, and bath'd his hands in tears.
Painted by H.y Fuseli R.A. Engraved by L.s Schiavonetti.
[London: F. I. Du Roveray, 1806.]
Engraving. Sheete 260 x 171mm (10¼ x 6¾"). Bit messy. Trimmed within plate, some surface wear.
Minerva appears to help Odysseus kill off the suitors who are trying to marry Penelope and take over his beloved Ithaca. An illustration from Pope's translation of Homer's 'Illiad', the epic story of the the fall of Troy.
Weinglass: 242.
[Ref: 55607]   £60.00   (£72.00 incl.VAT)
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L'Adolescenza.
L'Adolescenza.
G. Zocxhi inv. F. Bartollozi Scul.
Wagner Venezia C.P.E.S. [n.d., c.1761.]
Very fine engraving, 18th century watermark. 520 x 340mm (20½ x 13½"), with large margins.
Young people, read, play a pipe and flirt among classical ruins.
[Ref: 55693]   £320.00  
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[French landscape] Engraved from the Original Picture.
[French landscape] Engraved from the Original Picture.
Boucher Pinxit. Aliamet Sculpsit.
Published Oct.r 2.d 1775 by John Boydell Engraver in Cheapside London.
Engraving with sepia wash. 205 x 285mm (8 x 11¼"), on wove paper. Glue stains in very large margins at corners.
A river with an old bridge.
[Ref: 55618]   £140.00   (£168.00 incl.VAT)
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Design of a Bridge in imitation of the Aqueducts of the Ancients proposed to be built over the Lake at Bowood Park, in Wiltshire.
Design of a Bridge in imitation of the Aqueducts of the Ancients proposed to be built over the Lake at Bowood Park, in Wiltshire. One of the Seats of the Earl of Shelburne.
R.t Adam Architect 1768. Bened: Pastorini incidit.
Published as the Act directs 1778.
Engraving. 440 x 590mm (17¼ x 23¼"), with large margins. Central crease as normal.
A bridge designed by Robert Adam (1728-92) to resemble a half-ruined classical bridge, with classical rustic figures fishing. It was intended for Bowood House in Wiltshire, during Adam's work on the interiors as well as creation of an orangerie, menagerie and mausoleum. Published in Adam's 'Works on Architecture'.
[Ref: 55680]   £390.00  
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Boy and Birds Nest.
Boy and Birds Nest. In the Collection of his Grace the Duke of Norfolk.
B. Murillo Pinxit. Caroline Watson Sculpsit.
Publish'd Sep.r 1st 1781 by John Boydell Engraver in Cheapside London.
Stipple. 225 x 180mm (8¾ x 7"), on wove paper with very large margins.
A boy stroking a bird in a nest, after Bartolomé Esteban Murillo (1618-82).
[Ref: 55604]   £130.00   (£156.00 incl.VAT)
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The Destruction of Jerusalem.
The Destruction of Jerusalem.
Painted by E. Lambert. Engraved by G.S. Sanders.
[London, Published July 12, 1836, by the Proprietor, 14, Dalston Rise, Near Hackney, and to be had of Mess,,rs Ackermann & Co. 96, Strand.]
Rare mezzotint with engraving, proof before publication line. 315 x 420mm (12½ x 16½").
The Romans rampage through Jerusalem at night, the defenders firing down from balconies. In a gap in the clouds the silhouettes of the Roman gods can be seen in the moonlight.
[Ref: 55635]   £380.00  
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Heloise.
Heloise. In Trance ecstatic may thy pangs be drown'd...
Painted by J. Gardner. Engrav'd by T. Williamson.
London, Published by R. Lambe, Gracechurch Street, Dec.r. 1 1814.
Stipple, printed in colours and hand finished. 245 x 185mm (9½ x 7¼"), with margins. Tear entering plate, crease top left.
A portrait of Eloisa, face lit by a sunbeam, illustrating Alexander Pope's epic poem 'Eloisa to Abelard'.
[Ref: 55605]   £160.00   (£192.00 incl.VAT)
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Les Oyes de Frere-Philippe. Friar-Phillip's Geese, A Tale from La Fontaine.
Les Oyes de Frere-Philippe. Friar-Phillip's Geese, A Tale from La Fontaine. O l'agréable Oiseau...
H. Bunbury Esq.r. delin.t. Engrav'd by Tho.s. Watson.
London Publish'd Oct.r. 3.d. 1782, by T. Watson, No 33 Strand.
Stipple. Sheet: 370 x 415mm (14½ x 16¼"). Trimmed within plate, repairs. Damaged.
Two pretty young women stand playing lutes. Behind a friar restrains a young man who is desperate to approach them. A scene from Jean de la Fontaine's (1621-1695) fable 'Friar Phillipes Geese'. a tale in which a friar takes a boy into the wilderness and brings him up free from temptation. However, at the age of twenty the young man meets the young women and becomes besotted: when he asks his father what they are the friar replies that they are geese, a slang name for prostitutes.
[Ref: 55705]   £190.00   (£228.00 incl.VAT)
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[The History of Sir William Harrington.] The Libertine relaim'd.
[The History of Sir William Harrington.] The Libertine relaim'd.
W. Harding Inv.t. F. Bartolozzi R.A. Sculp.t.
London, Publish'd May 1st 1792 by W. Palmer, Printseller to her Majesty No 163 Strand.
Stipple, printed in brown. 380 x 355mm (15 x 14"). Thread margins, faint mount burn.
A scene from 'The History of Sir William Harrington', first published 1771, by Anna Meades (1734- before .1779). Published anonymously, it is sometimes credited to actor and dramatist Thomas Hull, who brought out a 'revised and corrected' edition in 1797.
De Vesme 1504, iii of iii.
[Ref: 55634]   £290.00   (£348.00 incl.VAT)
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Hylas and the Nymphs.
Hylas and the Nymphs.
C. Benazech Londini, Ex Academiss Florenciae etc etc invenit et direxit.
Publish'd march 15th 1787 by C.Humpheris, et se trouve à Paris chez Vidal Rue de la Harpe no.181 et chez l'Auteur.
Etching and manière de lavis (early aquatint), printed in colours; wonderful colour printing; 400 x 320mm (15¾ x 12½"). Narrow margins, repair to loss at edge of plate on left.
Hylas, beloved by Hercules, joined the hero as an Argonaut, but he was kidnapped by the water nymphs of Pegae, never to be seen again. A pair to 'Daphnis and Amaryllis', both with lines from Virgil's Eclogue under the image.
[Ref: 55655]   £420.00  
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[Italianate landscape.] No 202.
[Italianate landscape.] No 202.
Zuaurelli del. [Francesco Zuccarelli?] Joh: Georg Hertel excud. A.V. 3.
[Augsburg: Johann Georg Hertel, c.1750.]
Etching. 190 x 295mm (7½ x 11½"). Trimmed within plate.
An untitled Italianate landscape, with a building and a tower by a river. From a series of landscapes after various artists
[Ref: 55611]   £130.00   (£156.00 incl.VAT)
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[Twelve Months.] Januarius. [&] Febuarius. [&] Martius. [etc]
[Twelve Months.] Januarius. [&] Febuarius. [&] Martius. [etc]
Hamilton pinx. Gabrieli [& Bonato] sculp.
[n.d., c.1790.]
Set of twelve engravings. Each c.310 x 255mm (12½ x 10"). Most trimmed to plate, some with stains to edges. May with slight loss at top; June very small tear top centre margin; September small repaired tear left top margin and crease on left in image; December repairs in title area.
A set of twelve ovals representing each month, named in Latin and with lines from Ovid, including scenes of skating, angling, a may pole, harvesting, sheep-shearing hop-picking and chopping fire wood. Engraved by Amedeo Gabrielli and Pietro Bonato.
[Ref: 55633]   £2,800.00   view all images for this item
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Le Charme de la Musique.
Le Charme de la Musique. D'Après le Tableau Original qui est dans le Cabinet de M. De Damery, Chevalier de l'Ordre Royal Militaire de S. Louis.
Peint par de la Hyre. Gravé par Chevillet.
A Paris chez Wille, Graveur du Roi, Quai des Augustines.
Engraving. 420 x 310mm (16½ x 12¼") A little surface wear on edges, faint crease.
A woman playing a lute, sheet music on the table before her. Probably after Laurent de la Hyre (1606-58).
[Ref: 55717]   £360.00  
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[Adam and Eve] Paradise.
[Adam and Eve] Paradise. Chosen by the Sov.ran Planter, when he framed / All things to man's delightful use...
Engraved by Mr T. Fielding, from a Drawing in by John Martin In the Possession of the Publisher.
London; Published July 1825, by R. Lambe, 96 Cracechurch Street.
Fine aquatint on chine collé. 275 x 225mm (10¾ x 8¾") very large margins.
Adam and Eve walking in the Garden of Eden, mountains in the distance. Extremely rare and fine example of aquatinting. One illustration of 364 in a three-volume edition of Milton's ''Paradise Lost''.
[Ref: 55658]   £290.00   (£348.00 incl.VAT)
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CCCCCXXXII. 66. To Her Grace Elizabeth Duchess of Buccleugh,
CCCCCXXXII. 66. To Her Grace Elizabeth Duchess of Buccleugh, Encourager of the Artists, No 13 of this Work, Is most humbly Dedicated by Her Grace's most obedient & obliged humble Serv.t Michael Angelo Pergolesi.
Pergolesi Inve.t scul.t Pub.d According to Act of Parliament August 30, 1792, No 16 Broad Street, Golden Squ.e.
Engraving. 420 x 285mm (16½ x 11¼") very large margins.
A cameo bust portrait of Elizabeth Scott (née Montague, 1743-1827), wife of Henry Scott, 3rd Duke of Buccleuch, within a page of festoons. It was published in Michel Angelo Pergolesi's 'Designs for Various Ornaments on Seventy Plates', 1777-1801. Little is known about Pergolesi other than he came to England to work for Robert Adam, designing furniture, mantelpieces, ceilings, chandeliers, doors and mural ornament. He returned to Italy c.1801.
[Ref: 55691]   £260.00   (£312.00 incl.VAT)
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Engraved after an Original Picture of Mr. George Smith, in the possession of Mr Rob.t Saltonstall.
Engraved after an Original Picture of Mr. George Smith, in the possession of Mr Rob.t Saltonstall.
G Smith of Chichester pinxit. T. Morris Sculpsit Pupil to Mr Woollett.
Published April 4th. 1774 by John Boydell Engraver No. 90 in Cheapside, & Rob.t Sayer, Map & Printseller opposite Fetter Lane, Fleet Street.
Etching. Sheet 320 x 355mm (12½ x 14"). Trimmed within plate.
Thatched farm buildings by a river, overlooked by a ruined church, after George Smith of Chichester (1714-76).
[Ref: 55669]   £180.00   (£216.00 incl.VAT)
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The Evening.
The Evening. Phoebus now setting, Collin then retires...
Vangoen pinx.t. Austin sculp.t.
Sold by the Printsellers of London & Westminster [Thomas Major, c.1740, but later].
Etching with sepia wash. 275 x 365mm (10¾ x 14¼"), on wove paper. Very small tear in top right margin.
Houses at the side of a river, after Jan van Goyen. One of four plates of the times of day engraved by William Austin after Dutch masters, with 'Morning' after Anthonie Waterloo, 'Noon' by Jacob van Ruisdael, and 'Night' after Aert van der Neer.
[Ref: 55619]   £230.00   (£276.00 incl.VAT)
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Premio della virtu.
Premio della virtu.
G. Zocchi inv. F. Bartollozi Scul.
Wagner Ven.a C.P.E.S. [n.d., c.1761.]
Very fine engraving, 18th century watermark. 515 x 335mm (20¼ x 13¼"), with large margins.
'The First of Virtue'. A female angel kneels on a monument, blowing a trumpet as three figures festoon the monument with garlands. A half-naked woman with sagging breasts (a Sin?) covers her ears.
De Vesme 740.
[Ref: 55692]   £320.00  
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[Italianate landscape.]
[Italianate landscape.]
G. Vitalba inv. et incis.
Publish'd as the Act directs, March 17, 1792, by the Author, Mo 19 Weymouth Street.
Etching, printed in brown and hand finished with original coloured borders; Sheet 190 x 250mm (7½ x 9¾"). Trimmed within plate, mounted on 18th century album paper in borders.
A landscape with a lake, with a man angling. Giovanni Vitalba (1738-c.1816, a pupil of Bartolozzi, is best known for his plate of Kenwood House in Robert and James Adam's 'The Works in Architecture', 1774.
[Ref: 55601]   £130.00   (£156.00 incl.VAT)
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A Country Scene in Winter.
A Country Scene in Winter. Boys Making a Snow Man. Breaking the Ice for the Cattle.
[n.d., c.1840.]
Lithograph with hand colour. Sheet 205 x 295mm (8 x 11¾"). Original folds, laid on fabric.
In the background a coach struggles through the snow. A Magic Print.
[Ref: 55625]   £130.00   (£156.00 incl.VAT)
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[Dutch landscape] Engraved from the Original Picture.
[Dutch landscape] Engraved from the Original Picture.
Ph. Wouvermans Pinxit. Aliamet Sculpsit.
Published Oct.r 2.d 1775 by John Boydell Engraver in Cheapside London.
Engraving with sepia wash. 200 x 280mm (8 x 11"), on wove paper. Glue stains in very large margins at corners.
A river with a half-dead tree on the bank.
[Ref: 55617]   £140.00   (£168.00 incl.VAT)
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