Grosvenor Prints

[La Signora Zamperini in the Character of Cecchina. La Buona Figliuola, Act 2d Scene 3d.]
N. Hone pinx.t. J. Finlayson fec.t. Publish'd Feb.y 1st 1769.
[Sold by Mr Parker No 82 Cornhill, & Mr Finlayson in Berwick Street Soho.]
Mezzotint, sheet 380 x 280mm (15 x 11"). Trimmed inside platemark; name of sitter in pencil
Anna Zamperini in the lead role in Niccolò Piccinni's 'La buona figliuola' ('the good-natured maid'), adapted from Samuel Richardson's novel 'Pamela'. Zamperini was portrayed in the same role by Scottish painter John Paxton. After a portrait by Nathaniel Hone (1718-84), one of two Irish founder members of the Royal Academy.
Ex: collection of the late Hon. C. Lennox-Boyd; CS 20, state i of ii.
[Ref: 36380] £240.00 (£288.00 incl.VAT)

[La Signora Zamperini in the Character of Cecchina. La Buona Figliuola, Act 2d Scene 3d.]
N. Hone pinx.t. J. Finlayson fec.t.
Publish'd Feb.y 1st 1769. [Sold by Mr Parker No 82 Cornhill, & Mr Finlayson in Berwick Street Soho.]
Mezzotint, platemark 380 x 280mm (15 x 11"). Small margins; rubbed; slight creasing
Anna Zamperini in the lead role in Niccolò Piccinni's 'La buona figliuola' ('the good-natured maid'), adapted from Samuel Richardson's novel 'Pamela'. Zamperini was portrayed in the same role by Scottish painter John Paxton. After a portrait by Nathaniel Hone (1718-84), one of two Irish founder members of the Royal Academy.
CS 20, state i of ii.
[Ref: 36381] £320.00

Varie pitture a fresco de' principali maestri Veneziani Ora La Prima volta con le stampe pubblicate.
[Antonio Maria Zannetti the younger.]
In Venezia MDCCLX [1760, but c.1778].
Large folio, disbound; pp. xii + [i] [memoria], engr. title, frontispiece portrait, 26 numbered plates, as called for. Large paper copy. Wear to edges, title stained.
A complete example of Zannetti's ''Frescoes by the most important Venetian Masters'', illustrating the remains of frescoes on the facades of buildings in Venice attributed to Giorgione, Titian, Tintoretto, Zelotti and Veronese. Antonio Maria Zanetti the younger (1706-78) was librarian of the Biblioteca Marciana, the library of S Marco, Venice. The inclusion of the 'Memoria' indicates this is a posthumous edition.
Ex: Collection of Edward Croft Murray, Ex Keeper of Prints & Drawings at British Museum.
[Ref: 62792] £680.00 view all images for this item

[Pietro Zani] L'Abbé Zani.
Denon del et Scul.
[n.d., c.1798.]
Scarce etching, printed in sanguine, proof before overprinting. 195 x 135mm (7¾ x 5¼"), large margins.
A portrait of Italian antiquarian Pietro Zani (1748-1821), looking at a print with a magnifying glass. He wrote Enciclopedia metodica critico-ragionata delle belle arti, 1817-24. The British Museum's example has been overprinted with an aquatint plate giving more detail to the print and background.
BM 1867,0309.716.
[Ref: 67175] £260.00 (£312.00 incl.VAT)

Habit of Zara, in the Tragedy of the Mourning Bride. Habillement de Zara, dans la Tragédie intituleé the Mourning Bride.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving. Sheet size: 270 x 200mm (10¾ x 8"). Fine original colour. Trimmed inside platemark.
The character of 'Zara' in full costume, wearing an exceptionally large floral dress. She is directed to the right and holds a dagger in her right hand and a handkerchief in her left. Plate 237 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 34891] £95.00 (£114.00 incl.VAT)

The Zealots for, & against the true Religion.
[n.d. c.1773.]
Etching with large margins on 3 sides. Plate 171 x 114mm (6¾ x 4½").
A tall column, on the top of which is a book on which stands a lamb bearing a cross to which is attached a pennon with a St. George's Cross, the whole representing Religion. Two opposing bodies of clergy strain at with ropes; the bishops in lawn sleeves on the left, ministers in gowns on the right. Over the ministers hovers Beelzebub, pointing to the column and saying: "My Children that is not your God, but I am". The bishops, whose aim is to prevent the opposing party from pulling down the column, strain from the other side.
BM Satires: 5107.
[Ref: 34694] £65.00 (£78.00 incl.VAT)

[Zebra.]
I.C. Philips fecit.
[Amsterdam: Isaac Tirion?, c.1740.]
Engraving. 145 x 180mm (5¾ x 7"), set in Dutch text.
A stylised engraving of a zebra, probably from a Dutch travel book. The text on the reverse is headed 'Kaap der Goede Hoope'.
[Ref: 30161] £180.00 (£216.00 incl.VAT) view all images for this item

Burchell's Zebra, Africa. [in pencil on verso.]
J.C.C. [in pencil on verso.]
[n.d. c.1820.]
Watercolour. 72 x 106mm. 2¾ x 4¼".
[Ref: 13046] £120.00 (£144.00 incl.VAT)

Histoire Naturelle. Le Zèbra.
[Paris, n.d., c.1780.]
Engraving, 90 x 140mm (3½ x 5½"), set in letterpress.
An engraved caprice chapter heading from the Comte de Buffon's 36-volume 'Histoire naturelle, générale et particulière', with stylised depictions of a zebra, a hippo, porcupine and other animals, being managed by two putti. The text describes the zebra.
[Ref: 41268] £45.00 (£54.00 incl.VAT)

The Zebu Bull. The property of M.r Cross, Exeter Change.
London: William Darton; 58 Holborn Hill. [n.d. c.1815]
Engraving, sheet 240 x 285mm (9½ x 11¼"). Trimmed within plate. A bit of staining in right corner.
A humped cow stands against an outdoor backdrop near a fence, another lies on the ground near a river. The zebu are a domestic cattle originating in South Asia. Edward Cross (1774 –1854) was an English zoo proprietor and dealer in animals. He owned the menagerie at the Exeter Exchange from 1814 to its demolition in 1829.
[Ref: 61530] £160.00 (£192.00 incl.VAT)

[Ships with landscape behind]
R. Zeeman [1656]
Etching, sheet 130 x 200mm (5 x 8"). Glued to backing sheet; wrinkling at corners.
The fifth from a series of seven seascapes (plus frontispiece), 'Quelque port dee Meer' (Some Sea Harbours), first published by Danckert Danckerts in 1656 with several subsequent editions. Etched by Reinier Nooms (1623-67), Dutch painter and printmaker who signed his prints 'Zeeman' ('Seaman'). Nooms travelled widely as a sailor on Dutch merchant vessels in his early life, and his works include views of Tunis, Tripoli and Algiers as well as many European ports. He produced some 170 etchings which as well as seascapes include architecturally accurate renderings of Amsterdam.
[Ref: 37665] £140.00 (£168.00 incl.VAT)

Alexander Zemlenutin. Kossack of the Don Regiment, Sulin the 9th.
Etched by Freschi.
Pub.d at R.Ackermann's, April 24, 1813.
Coloured etching. 445 x 305mm (17½ x 12"). Some creasing and soiling.
A member of one of the Cossack regiments fighting in Holland, 1813.
[Ref: 6967] £240.00 (£288.00 incl.VAT)

Alexander Zemlenutin. Kossack of the Don Regiment, Sulin the 9th.
[n.d., c.1813.]
Watercolour. Sheet 365 x 260mm (14½ x 10¼"). Small split in fold.
A finely-executed portrait of a member of one of the Cossack regiments fighting in Holland. A version of this portrait was etched by Andrea Freschi and published by Ackermann in 1813.
See Ref: 6967 for coloured etching.
[Ref: 53231] £260.00 (£312.00 incl.VAT)

Fred. Zemmerman having escaped from the Abbey of La Trappe & recover'd his beloved Mistress is Seiz'd and thrown into a Dungeon for Life.
Mr. Bunbury delt. J. Bretherton fecit.
London, Published 9 March 1787 by James Bretherton, New Bond Street.
Large etching with grey watercolour wash, published state. Image 430 x 545mm, 17 x 21½". Trimmed to platemark. Two closed tears to inscription.
Three soldiers capturing a young man, his kneeling lover clutching his arm, the scene watched by two monks standing in the left foreground, one shaking his fist in encouragement, and another soldier at right. Dedication to the Countess of Sutherland (owner of the drawing) to lower margin. After Henry William Bunbury (1750 - 1811).
[Ref: 22461] £280.00 (£336.00 incl.VAT)

[Zeno] Zenon Philosophe / Natif de l'Isle de Cypre mort a 98 ans / Severe dans ses moeurs, grave en ses entretiens, / Zeno fut reconnu Chef des Stoïciens [...]
Suite de Desrochers
a Paris chez Petit rue S. Jacques pres les Mathurins
Line engraving, sheet 140 x 100mm (5½ x 4"). Trimmed inside platemark; laid on album sheet.
Zeno of Citium (334-262BC), philosopher from Cyprus who founded the Stoic school in Athens c.300BC. The best-known of his recorded works was his utopian political tract 'The Republic'.
[Ref: 35597] £130.00 (£156.00 incl.VAT)

'Zenobia'. Engraved from an original Picture in the possession of Sr, Josa. Reynolds.
Michelangelo Buonarota pinxt. Willm. Sharp Sculpt.
Publish'd May 1st. 1787, by W. Sharp, & Sold by B.B. Evans, Poultry, & W. Skelton, No. 23 Hay Market. London'.
Greek characters in scratched open letters. Engraving. 208 x 276mm.
After Michelangelo; head and shoulders of a woman in rich classical dress in profile to left, head turned slightly towards the viewer, her hair dressed with a comb and with a jewelled band across her forehead; published state with title in Greek characters, in open letters.
[Ref: 6858] £230.00 (£276.00 incl.VAT)

Zenobia. Engraved from an original Picture in the possession of Sr, Josa. Reynolds.
Michelangelo Buonarota pinxt. Willm. Sharp Sculpt.
Published Jany. 1st. 1799, by William Sharp, London.
Engraving on india laid paper, 280 x 210mm. 11 x 8¼". Dent to lower platemark; a fine impression, with full margins.
Bust portrait in profile of a woman in rich classical dress, her hair dressed with a comb and with a jewelled band across her forehead; she is Zenobia (240 - after 274), a Syrian queen of the Palmyrene Empire, which encompassed the Roman provinces of Syria, Palestine, Egypt and large parts of Asia Minor. In 269, she conquered Egypt, expelling the Roman prefect, Tenagino Probus, whom she beheaded when he led an attempt to recapture the territory. She then proclaimed herself queen of Egypt. She ruled Egypt until 274, when she was defeated and taken as a hostage to Rome by Aurelian. Zenobia appeared in golden chains in Aurelian's military triumph parade. Impressed by Zenobia, Aurelian freed her and granted her an elegant villa in Tibur (modern Tivoli, Italy). She became a prominent philosopher, socialite and Roman matron. After the drawing by Michelangelo (1475 - 1564).
See Ref: 6858 for 1787 publication.
[Ref: 16978] £220.00 (£264.00 incl.VAT)

England's Glory. A View & Representation of ye Battle of Zenta, fought on ye 11th of Sept.ber 1696 [...]
Bickham junr sculpsit
Publish'd by W. Rayner Nov.r 22 1735 Acc.ing to Act of Parliament
Engraving, sheet 355 x 480mm (14 x 18¾"). Folds. Very slight hole in fold.
The Battle of Zenta, fought on 11 September 1697 near Senta (now part of Serbia). In a major engagement in the Great Turkish War (1683-99), Habsburg Imperial forces routed the Ottoman army as it crossed the river Tisa, as shown here. Engraving from the popular patriotic series depicting British naval achievements, 'England's Glory'. It was published to promote a pro-war (with Spain) agenda, and to undermine Prime Minister Robert Walpole's policy of avoiding military conflict, by William Rayner (1699 - 1761).
[Ref: 41181] £280.00 (£336.00 incl.VAT)

Anna Zerr.
Kriehuber 847. Gebr. bei J. Höfelich.
[n.d., c.1847.]
Lithograph, printed on india. Printed area: 370 x 260mm (14½ x 10¼"), with very large margins.
A portrait of German soprano Anna Zerr (1822-1881) who made her debut in Paris in 1839 and played the Queen of the Night in the Royal Opera House in 1851.
[Ref: 46495] £280.00 (£336.00 incl.VAT)

Anna Zerr.
J. Wagner 1846.
Impromerie de C. F. Muller à Carlsruhe.
Lithograph, printed on india. Printed area: 410 x 300mm (16 x 12"), with very large margins. Uncut
A portrait of German soprano Anna Zerr (1822-1881) who made her debut in Paris in 1839 and played the Queen of the Night in the Royal Opera House in 1851.
[Ref: 46501] £280.00 (£336.00 incl.VAT)

Zeta near Jaffa in Syria.
Sketched on the Spot by F.B. Spilsbury & drawn by D.l Orme. Edw.d Orme Excud.t. I.C. Stadler Aquaforte.
Sold & Published March 25. 1803, by Edw.d Orme, Printseller to His Majesty & the Royal Family, 59, New Bond Street.
Fine hand-coloured aquatint. J. Whatman 1801 watermark; Plate: 300 x 390mm (12 x 15¼"), with very large margins.
A scene near a well in Syria, a man draws water from the well while one woman carries a jug on her head, another woman kneels with a child clinging to her. In the distance is a camp with camels and figure sitting beneath a tree. A scene from 'Picturesque Scenery in the Holy Land and Syria'.
Abbey Scenery 383.
[Ref: 46231] £140.00 (£168.00 incl.VAT)

A Chart of the Islands to the Southward of Tchu-San on the Eastern Coast of China generally laid down from one published by Alexander Dalrymple Esq with additions and alterations by J Barrow.
Engraved by B. Baker Islington.
Published April 12, 1796 by George Nicol.
Engraved map. Sheet 560 x 420mm (22 x 16½"). Staining at bottom left & top right.
A chart of the coast around Ningbo, including Zhousan and other islands, mapped by members of the George Macartney mission to China, the first British embassy to that country, 1792-94. Insets show a 360° circular panorama of Zhousan harbour and a detail of the south ocast of the island. The chart was published in Sir George Staunton's 'An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China'. See item ref: 37515, 'Narrative of the British Embassy to China In the Years 1792, 1793 and 1794' for a detailed account of Æneas Anderson's voyage to China in the service of Lord Macartney, including a list of the retinue of Lord Macartney and a Glossary of Chinese words.
[Ref: 38159] £230.00

Natives of the North side the River Masumo, in their War Dress.
W.m White del.t. Scott Sculpt.
[n.d., c.1820.]
Engraving. Sheet: 210 x 130mm (8¼ x 5''). Trimmed.
A portrait of two men from Zimbabwe wearing their war dress. In the Masumo river behind are large sailing boats.
[Ref: 49590] £80.00 (£96.00 incl.VAT)

Natives of the North side the River Masumo, in their War Dress.
W.m White del.t. Storer Sculpt.
[n.d., c.1820.]
Engraving. Sheet: 210 x 130mm (8¼ x 5''). Trimmed
A scene showing two men and a woman in a village in Zimbabwe.
[Ref: 49591] £80.00 (£96.00 incl.VAT)

Christian Frederick Zincke Painter in Enamel & Elizabeth his Wife.
H. Hysing pinx. J. Faber fecit.
[n.d., c.1720]
Mezzotint. 310 x 360mm (12¼ x 14¼"). Thread margins.
Christian Frederick Zincke (1684?-1767), miniature painter born in Dresden but arriving in London c.1706. This double portrait shows him with his first wife Elizabeth, whom he married at St. Martin-in-the-Fields, London in 1718. Zincke had a successful career, benefitting from his relationships with George II and Frederick, Prince of Wales.
CS: 402.
[Ref: 56393] £320.00

[Twelve Months of the Year] Genaro [&] Febraro [&] Marzo [&] Aprile [&] Maggio [&] Giuno [&] Luglio [&] Agosto [&] Settembre [&] Ottobre [&] Novembre [&] Decembre.
G. Zocchi inven. F. Bartolozzi incid.
appo Wagner Ven.a C.P.E.S. [n.d. c.1761]
Set of 12 etchings with engraving on laid paper. Plate 365 x 360mm (14¼ x 18"), with margins. Mounted on album support, some surface dirt, occasional spotting and browning and old handling creases.
Twelve rustic scenes representing the months, including scenes such as ice skating, masquerade, fishing, sheep shearing, gardening, dancing, swimming, harvesting, fruit picking, trapping, truffle hunting and butchering.
Ex collection of the property of the Stirlings of Keir, including books from the library of Sir William Stirling Maxwell.
[Ref: 62413] £2,600.00 view all images for this item

Le Zodiaque.
Peint par Faléro.
Imprimé & Publié par Boussod, Valadon & C.ie, Editeurs successeurs de Goupil & C.ie, Le 1.er 8.bre 1885 _ Paris_Londres_La Haye.
Photogravure. 400 x 575mm.
Luis Ricardo Faléro (1851 - 1896), born in Granada, Spain, settled in London in the 1880s, dying there in 1896 at the age of 45. He specialised in the female nude in a mythological or fantasy setting.
[Ref: 7231] £620.00

The Seasons And Signs of the Zodiac.
[Drawn & Engraved by John Emslie]
London: J. Reynolds, 174, Strand. [n.d., c.1850]
Hand coloured engraving, sheet 230 x 285mm (9 x 11¼").
One of a set of 12 hand-tinted astronomical prints with explanatory text from the series 'Astronomical Diagrams'. Several of the images were drawn and engraved by John Emslie, who also collaborated with Reynolds on the set of diagrams, 'Popular Diagrams of Natural Philosophy'. Diagram depicting the science of the seasons and zodiac signs with explanatory text.
For French version see Ref 56893.
[Ref: 56886] £320.00

Vicissitudes des Saisons Signes du Zodiaque. Pl. IX.
[After John Emslie] Depose. Kiessling & Comp a Bruxelles.
Librairie de W. Nitzsche a Hall, Wurttemburg. [n.d., c.1862].
Hand coloured engraving, sheet 230 x 285mm (9 x 11¼"). Some creasing at corners.
Diagram depicting the science of the seasons and zodiac signs with explanatory text. One of twelve from the French version of the Astronomischer Bilder Atlas 'Astronomie Populare en Tableaux Tansparents', from Wilhelm Nitzschke, 1862.
For English version see Ref: 56886
[Ref: 56893] £360.00

The Theory of the Seasons And Signs of the Zodiac.
[Drawn & Engraved by John Emslie]
London: J. Reynolds, 174, Strand. [n.d., c.1850]
Fine hand coloured engraving, sheet 230 x 285mm (9 x 11¼"). Ink stamp on the back 'St Thomas's Schools Mount Vernon.'
One of a set of 12 hand-tinted astronomical prints with explanatory text from the series 'Astronomical Diagrams'. Several of the images were drawn and engraved by John Emslie, who also collaborated with Reynolds on the set of diagrams, 'Popular Diagrams of Natural Philosophy'. Diagram depicting the science of the seasons and zodiac signs with explanatory text.
[Ref: 56888] £360.00

Zodiacal Light.
[London: David Bogue, c. 1845.]
Coloured lithograph on card. Sheet 150 x 190mm (6 x 7½"). Edges clipped at corners.
An illustation of Zodiacal Light, or false dawn, caused by sunlight scattered by interplanetary dust, over the ruins of classical temples. Plate 97 of 'The Beauty of the Heavens: a pictorial display of the astronomical phenomena of the universe' by Charles F Blunt.
[Ref: 56795] £120.00 (£144.00 incl.VAT)

[Jan Pieterszoon Zomer] Dit's Vader Zomer, die den lof der Konst verbreyd...
A: Boone pinx: 1715.
N: Verkolje fec: et Exc: 1717.
Mezzotint, 18th century watermark. 325 x 250mm (12¾ x 9¾"). Trimmed within plate, paper tab over image top right, creasing.
A half-length portrait in oval of Dutch print dealer and collector Jan Pieterszoon Zomer (1641-1724), seated before books, holding a print (although in this 2nd state the print is blank). His print collection numbered over 30,000, including many Rembrandt etchings.
Ex Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 65777] £140.00 (£168.00 incl.VAT)

Fellows, of the Zoological Society.
Geo.Cruikshank.
[n.d., c.1850.]
Etching. Sheet 155 x 100mm (6 x 4"). Trimmed and backed onto album paper.
A satirical scene depicting various animals, dress in suits and wearing hats. The animals resemble humans, and are stood talking as though a part of the society.
[Ref: 66856] £160.00 (£192.00 incl.VAT)

Le Zouave Saxon aux avant =postes dans les environs d'Alger.
Nach der Nat: gem van Ferd. Schiertzsen. Lith: v. gedr. von Louis Lollner in Dresden.
[n.d. c.1840.]
Lithograph. 336 x 209mm. 13¼ x 8¼".
Zouave was the name used for infantry regiments in the French Army, serving in French North Africa, primarily made up of Algerian recruits. They were characterised by colourful uniforms and precision drilling.
[Ref: 16095] £140.00 (£168.00 incl.VAT)

From an Original Picture of Zuccarelli's
Zuccarelli Pinx.t. Pouncey sculp.t
London, Pub.d Dec.r 31 1777 by V.M. Picot N. 471 Strand
Engraving, plate 330 x 375mm (13¼ x 14½"). Very large margins; Good impression.
Landscape with a young farmer milking a cow, after the Italian painter Francesco Zuccarelli (1702-88), who spent much of the 1750s and 1760s in England (he was a founder member of the Royal Academy). Woman and child possibly asking for charity or money.
[Ref: 38621] £290.00 (£348.00 incl.VAT)

Piccola preda il desio nostro appaga
Zucarelli Pinx. in Domo J. Smith
appo Wagner in Merzeria Ven.a C.P.E.S.
Rare engraving, sheet 350 x 460mm (13¾ x 18"). Trimmed inside platemark. Slight foxing.
Rural landscape with fishermen by a stream and cattle led along a path to the left. Engraved after the Italian landscape painter Francesco Zuccarelli (1702-88), who spent much of the 1750s and 1760s in England (he was a founder member of the Royal Academy). This print was made from a picture in the collection of Joseph Smith., English collector, patron and British Consul in Venice who commissioned several works from Zuccarelli.
[Ref: 38608] £350.00

Engraved from an Original Picture of F. Zuccarelli In the Possession of W.m Herring Esq.r
F. Zuccarelli Pinx.t. F. Vivares Sculp
Publish'd by F. Vivares 15th January 1756
Engraving, platemark 405 x 500mm (16 x 19¾"). Creased. Large margins.
Landscape after the Italian painter Francesco Zuccarelli (1702-88), who spent much of the 1750s and 1760s in England (he was a founder member of the Royal Academy). Engraved by Francis Vivares (1709-80), widely considered to be the best engraver of Claude Lorrain's landscapes. His engraving of paintings by Zuccarelli may have resulted from his acquaintance with the artist's Venetian publisher Joseph Wagner.
[Ref: 38613] £270.00 (£324.00 incl.VAT)

Da cibo il prato al gregge, e l'amo a noi. C.5.
Zucarelli Pinx in Domo I. Schmid.
Appo Wagner in Merzeria Venezia C.P.E.S.
Engraving, 18th century watermark. 360 x 460mm (14¼ x 18¼"), large margins. Creases.
An Italianate pastoral scene, with a shepherd at the side of a river, with women and a child The title translates as ''The meadow gives food to the flock and love to us''.
[Ref: 67910] £280.00 (£336.00 incl.VAT)

Engraved from an Original Picture of F. Zuccarelli In the Possession of W.m Herring Esq.r
F. Zuccarelli pinx.t F. Vivares Sculp
Publish'd by F. Vivares 15th January 1756
Fine copper engraving with very large margins on 3 sides, platemark 400 x 500mm (15¾ x 19¾").
Landscape with two figures and dog resting on right, horseman driving cows and goat on left, and Italianate buildings in background. The British Museum have an impression numbered '15' lower left (absent here). The Italian landscape painter Francesco Zuccarelli (1702-88) spent much of the 1750s and 1760s in England (he was a founder member of the Royal Academy). This engraving from one of his paintings is by Francis Vivares (1709-1780), one of the foremost landscape engravers of his time.
[Ref: 28337] £420.00

[Zuccarelli Landscape.] Engraved from an Original Picture of F. Zuccarelli, in the Possession of Frederick Frankland Esq.r. No 16
F. Zuccarelli Pinx.t. F. Vivares Sculp.
Published by F. Vivares. 15th January 1756.
Fine engraving. Platemark: 400 x 500mm (15¾ x 19¾"). Very large margins. Repaired tear at top centre.
A decorative landscape scene with a woman holding a child talking to a man lying beside the road which leads upwards towards a farm in the centre. At the right is a stream with two men fishing with nets. After founding member of the Royal Academy, Francesco Zuccarelli (1702 - 1788).
[Ref: 37810] £360.00

[Italian landscape.] Engraved from an Original Picture of F: Zuccarelli, In the Possession of W:m Herring Esq.r.
F. Zuccarelli Pinx.t. F. Vivares Sculp.
Publish'd by F. Vivares 7th August 1753.
Etching. 410 x 500mm (16 x 19¾"), with very large margins. Rubbing in margins.
An Italianate landscape with an itinerant woman and child begging. A state with 'No.10' added bottom left.
[Ref: 68400] £260.00 (£312.00 incl.VAT)

[Zuccarelli Landscape.] Engraved from an Original Picture of F. Zuccarelli, in the Possession of William Herring Esq.r.
F. Zuccarelli Pinx.t. F. Vivares Sculp.
Published by F. Vivares. 7th August 1753.
Fine engraving. Platemark: 400 x 495mm (15¾ x 19¼"). Very large margins. Slight repaired tear top centre.
A landscape with a woman sitting at the side of a path, a child leaning against her shoulder. She has a basket attached to a stick beside her, holding out one hand towards a lady on horseback who pauses to listen to another woman, holding out both hands. In the middle gound, a man is driving cattle towards a town at the top of the hill in the background. After founding member of the Royal Academy, Francesco Zuccarelli (1702 - 1788).
[Ref: 37811] £360.00

[Zuccarelli Landscape.] Engraved from an Original Picture of F. Zuccarelli, In the Possession of William Herring Esq.r. No 11
F. Zuccarelli Pinx.t. F. Vivares Sculp.
Published by F. Vivares. 7th August 1753.
Fine engraving. Platemark: 400 x 495mm (15¾ x 19¼"). Very large margins.
A landscape with a woman lying asleep at the edge of a stream, her head on her basket, with one arm around her gourd and staff, which trails in the water. Two children are beside her, one reaching out with a stick to tickle her face. A woman stands next to them, with a basket, staff and a dog, pointing towards the town in the distance on the left, while a man driving cattle along the bank behind them turns to look at the travellers. After founding member of the Royal Academy, Francesco Zuccarelli (1702 - 1788).
[Ref: 37812] £360.00

[Engraved after the Original Picture in the Possession of James Connell Esq.r to whom this Plate is inscribed by W. Byrne]
Painted by F. Zuccarelli. Engraved by Will.m Byrne. The Figures by F. Bartolozzi
Published as the Act directs Jan 27th 1775 by Wm. Byrne No. 69 Wells Street Oxford Street London
Fine engraving proof impression, platemark 435 x 520mm (17 x 20½"). Large margins. Foxed & staining.
The Tempest: landscape with approaching storm, shepherd hurrying his flock and a woman reaching to help up another woman. Originally published as one of a pair (with The Calm) after the Italian landscape painter Francesco Zuccarelli (1702-88), who spent much of the 1750s and 1760s in England (he was a founder member of the Royal Academy). Like many engravings of the period, this was a collaboration between two printmakers: one specialising in landscape (William Byrne) and another specialising in figure engraving (Francesco Bartolozzi).
De Vesme 2473
[Ref: 38611] £320.00

Happy Villagers
F. Zucarelli Pinx. J. Mason sculp.t
Published by R. Pollard Printseller, Spa Fields, London.
Fine engraving, platemark 410 x 510mm (16 x 20"). Large margins, tears inside platemark top edge.
Rural landscape near river, engraved after the Italian landscape painter Francesco Zuccarelli (1702-88), who spent much of the 1750s and 1760s in England (he was a founder member of the Royal Academy).
[Ref: 38609] £260.00 (£312.00 incl.VAT)

[The Marriage of Orazio Farnese and Diane of Valois.] Henricus II Valesius Galliarum Rex [...]
G.C. de Prenner del. E. Coll'Acqua forte incise Roma MDCCXLVII
Etching with very large margins, uncut, platemark 260 x 295mm (10¼ x 11½"). Fine impression.
Diane of Valois on the left, with her family (including Catherine de' Medici) behind her; Henry II is in the centre with Orazio on the right with members of his family (including cardinal Alessandro Farnese) behind him. Plate from a series reproducing frescoes by the Zuccaro family in the Palazzo Caprarola near Rome. The first series, from which this plate is taken, shows the frescoes of the Sala dei Fasti, which celebrate the power of the Farnese family.
[Ref: 35238] £160.00 (£192.00 incl.VAT)

Zug. No.26.
Lith. par Cuvillier, Fig. par Bayot. Chapuy del.
Paris, chez Vreith et Hauser, Boul.d des Italiens, 11 [n.d., c.1840].
Lithograph, sheet 310 x 445mm. 12¼ x 17½".
View of Zug (French: Zoug, Italian: Zugo), a German-speaking city in Switzerland. The name ‘Zug’ originates from fishing vocabulary; in the Middle Ages it referred to the right to ‘pull up’ fishing nets and hence to the right to fish. With publisher's blindstamp 'V&H' to lower margin. From a topographical series, possibly 'Le Moyen Age pittoresque' 1837-39.
[Ref: 25939] £220.00 (£264.00 incl.VAT)

Characters from Lord Byron. Zuleika. - The Bride of Abydos.
[?Signed by the artist in plate.]
London: Published by Engelmann, Graf, Coindet & Co. 14, Newman Street, 1829.
Lithograph, sheet 270 x 220mm. 10½ x 8¾".
The Bride of Abydos is a poem written by George Gordon Byron, 6th Baron Byron (1788 - 1824) in 1813. One of his earlier works, The Bride of Abydos is considered to be one of his “Heroic Poems”, along with The Giaour, Lara, The Siege of Corinth, The Corsair, and Parisina. Four line quotation below title. From an edition of the works of Lord Byron?
[Ref: 22762] £95.00 (£114.00 incl.VAT)

[Joesph and Zuleika.] Quomodo possum hoc malum facere, et peccare in Deum meum? Gen: c.39.9
Carolus Cignanus pinx. Iac. Frei Sc.
[n.d., c.1720]
Fine copper engraving, 470 x 330mm (18½ x 13") to platemark. Crease through centre slightly visible, large margins.
Potiphar's wife Zuleika embracing Joseph, who attempts to escape.
[Ref: 19717] £180.00 (£216.00 incl.VAT)

Zuleika offrant une rose a Sélim. Sélim, blesse par la langage ironique de Giaffir, roule dans son esprit des projets de vengeance; il ne voit ni n’entend la charamante Zuleika qui lui présente une rose de lui adressant de douces paroles d’amour. Zuleika ofrece una Rosa á Selim. Selim, ofendido de las palabras ironicas Giaffir, revuelve en su imaginacion proyectos de venganza; no vé ni oye á la linda Zuleika que le ofrece una rosa, dirigiendole dulces palabras de amor.
Paris, L. Turgis & Fils, Edit. Imp. r. des Ecoles, 60. New-York, Barclay St. 39. [n.d.c.1830.]
Lithograph. 450 x 630mm (17¾ x 24¾").
Zuleika offers a rose to Selim. Relating to 'The Bride of Abydos', the poem of 1813 by Lord Byron.
[Ref: 31264] £180.00 (£216.00 incl.VAT)

Quick Search

Search by Ref. Number

Browse by Subject

Browse by Artist

Browse by Engraver

New - Catalogue 153

Catalogue 152

Catalogue 151

Advanced Search