Mons.r de Voltaire. 65
L.Sen delin.t. C.Corbutt [pseudonym of Richard Purcell] fec.t
[London, Sayer?, c.1760.]
Mezzotint. 355 x 250mm, large margins.
A portrait of philosopher François-Marie Arouet (21 November 1694 - 30 May 1778), better known by the pen name Voltaire, sitting at a table writing. Corbutt was a pseudonym used by the Irish engraver Richard Purcell when plagarising the work of others, usually for the publisher Robert Sayer. The original of this plate was engraved by Houston for John Bowles. C.S. Purcell 73. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65609] £490.00
[Voltaire.] Dedié à Belle et Bonne fille adoptive de Voltaire.
Peint par Garnerey. Gravé par P.M. Alix.
[n.d., 1791 or 1803.]
Aquatint, printed in colours, very fine impression. Sheet 185 x 230mm (11¼ x 9"). Trimmed, corners snipped, some abrasion around letters.
An oval bust portrait of the philosopher Voltaire wearing a wig and blue jacket with a fur collar. From the series of portraits 'Collection des Grands Hommes'.
[Ref: 58064] £280.00
(£336.00 incl.VAT)
Mons.r de Voltaire.
L.Sen delin.t. C.Corbutt [pseudonym of Richard Purcell] fec.t
[London, Sayer?, c.1760.]
Mezzotint, 18th century watermark 355 x 250mm. Trimmed to plate, vertical crease.
A portrait of philosopher François-Marie Arouet (21 November 1694 - 30 May 1778), better known by the pen name Voltaire, sitting at a table writing. Corbutt was a pseudonym used by the Irish engraver Richard Purcell when plagarising the work of others, usually for the publisher Robert Sayer. The original of this plate was engraved by Houston for John Bowles. C.S. Purcell 73. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65611] £450.00
Mons.r de Voltaire.
L. Sen, delin.t. Houston fec.t.
London Printed for John Bowles. Price 1/6. [n.d., c.1770.]
Mezzotint. 350 x 250mm (13¾ x 9¾") very large margins.
A portrait of philosopher François-Marie Arouet (21 November 1694 - 30 May 1778), better known by the pen name Voltaire, sitting at a table writing. CS: 119. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65613] £480.00
Voltaire No.39.
Julien [signed on stone.] Lith. de Ducarme.
Publiee par Blaisot Galerie Universelle [French, n.d., c.1827].
Lithograph, sheet 300 x 220mm. 11¾ x 8¾". Large margins.
Portrait of François Marie Arouet de Voltaire (1694 - 1778) French philosopher. From the 'Galerie Universelle' series of c.350 portraits of famous men through the ages, published 1826-28. See BNF FRBNF41517962 for comment on the series.
[Ref: 23474] £95.00
(£114.00 incl.VAT)
[Caricature of Voltaire] Esquisse d'apre nature faite a Ferney e 1769.
Etching, sheet 200 x 150mm (8 x 6"). Trimmed to image.
François-Marie Arouet, better known by his pen-name Voltaire (1694-1778), French Enlightenment writer, essayist, deist and philosopher known for his wit, philosophical sport, and defense of civil liberties, including freedom of religion and the right to a fair trial. He was an outspoken supporter of social reform despite strict censorship laws in France and harsh penalties for those who broke them. A satirical polemicist, he frequently made use of his works to criticize Christian Church dogma and the French institutions of his day. Caricature after Jean 'Voltaire' Huber (1721-86), artist famed for his portraits of Voltaire, who he first met in Geneva in 1754.
[Ref: 46389] £95.00
(£114.00 incl.VAT)
[Voltaire] The Hero of Ferney at the Theatre of Chatelaine. / ''Your conceit my good friend, is too glaring by half, / ''Your Lines draw my tears, but your gestures a laugh. Anon.
T. O. ft. 1772.
[n.d., c.1790.]
Etching on wove paper. 195 x 145mm (7¾ x 6"). Titled in old ink.
A caricature of Voltaire (according to the ink mss) in the charade of Julius Caesar, wearing a plumed helmet and frock coat. A rare image by Thomas Orde (1740-1807), Lord Bolton. Voltaire (1694-1778) moved to Ferney in 1759, where he delighted in the theatre de Chatelaine on the border between Ferney and Geneva, in which theatre was banned. He encouraged the theatre and they often performed his plays, drawing in huge crowds. BM Satire 5071. State ii of ii.
[Ref: 51709] £450.00
Marie François Arouet de Voltaire de l'Academie Francoise...
ex [erasure].
à Paris chez Petit rue S. Jacques à la Couronne d'epines [n.d., c.1742.]
Engraving. 145 x 100mm (5¾ x 4"), with large margins.
Portrait of François Marie Arouet de Voltaire (1694-1778) French philosopher.
[Ref: 56871] £120.00
(£144.00 incl.VAT)
François Marie de Voltaire, MDCCLXIX. Praesenti tibi maturos largimur honores. HOR.
J. June sculp.
[n.d., c.1769.]
Etching. 135 x 90mm (5¼ x 3¾"). Trimmed into plate on right.
Medallion portrait of François Marie Arouet de Voltaire (1694-1778), French philosopher, after a bust by Lemoyne.
[Ref: 57198] £50.00
(£60.00 incl.VAT)
Voltaire.
J. Pass sc. [After Maurice Quentin de La Tour.]
Engraved for the Encyclopaedia Londinensis, 1828.
Stipple, pt printed in colours, 175 x 125mm (7 x 5"). Small margins.
Oval half-length portrait of French philosopher, François Marie Arouet de Voltaire (1694-1778).
[Ref: 60397] £130.00
(£156.00 incl.VAT)
[Voltaire.] Sez talens l'oni déifié...
Dessine par P.A. Dauzel au Ch.teau de [?] en 1764 et Grave par J.B. Michel...
[n.d., c.1764.]
Scarce etching. 235 x 175mm (9¼ x 6¾"), with large margins.. Some staining.
Portrait of French writer and philosopher François Marie Arouet de Voltaire (1694-1778). sitting at a desk, interlocking hands covered by sleeves of his robe, a globe and inscribed papers before him, with quill in and ink pot. His papers read 'Changemens arrivés dans le Globe'.
[Ref: 65255] £450.00
Volunteer. Inns of Court.
Alf Cooke. Leeds.
[n.d., 1887.]
Chromolithograph. Sheet 250 x 145mm, 9¾ x 9¾".
A dancer in a glamourous version of the uniform of the Volunteers. The costume was made for the Army and Navy ballet at London's Alhambra Theatre. Although the theatre 'specialized in beautiful ballets' it was notorious as a meeting place for prostitutes and their clients. Not in Ogilby.
[Ref: 16940] £60.00
(£72.00 incl.VAT)
Volunteer Movement_ Jones & Family go under Canvass. Punch's Pocket book for 1861.
[John Leech]
[London: Bradbury, Evans & Co., 1861.]
Coloured etching, 120 x 305mm (4¾ x 12"). Folded as issued. Some time stains.
An illustration depicting a nineteenth century scene of the volunteer movement many of whom are women. The ladies' are seen guns over their shoulders, emerging from tents and cutting up vegetables. Possibly inspired by scenes of the 1861 Volunteer Movement, in Melbourne. By John Leech (1817 - 1864), draughtsman on wood, comic illustrator, lithographer, etcher and painter; born at London. He contributed to 'Punch' between 1841-64, and also practised book illustration, including Dicken's 'Christmas Carol.'
[Ref: 63841] £130.00
(£156.00 incl.VAT)
The Volunteer_1803. [&] The Volunteer_1860.
Painted by J. Absolon_ G. McCulloch lith. Day & Son, Lithrs to the Queen.
London Published Nov.r 1.st 1860 by Lloyd Brothers & Co. 96 Gracechurch Street.
Pair of scarce lithographs with fine handcolour. Sheet: 350 x 430mm (13¾ x 17"); large margins.
The first scene shows a member of the British Volunteer Corps helping a young woman over a stile. Following the breakdown of the Truce of Amiens, Britain declared war on Napoleon in 1803 and a huge volunteer force the like of which had not been seen before was created to protect Britain from invasion. The second scene shows a young volunteer officer from 1860 holding the hand of a young lady. Following the Crimean War it became apparent that Britiain did not have enough forces to defend itself should its defences be threatened; and with fears that Britain might be caught up in the war between the French and the Prusssian Empire the new Volunteer Force was formed emulating that of 1804. The pair serves to both encourage young men to sign up to the Volunteer force and to perhaps also encourage young women to persuade their men to sign up.
[Ref: 40760] £510.00
Volunteer Wit or not Enough for a Prime. 227
Woodward Del. Rowlandson scul.
[n.d., c.1808.]
Hand-coloured etching. Plate: 245 x 350mm (9¾ x 13¾''). Crease on left.
A scene in a gothic-style room in which seven elderly men in uniforms at dessert, the colonel asks the men to toast the king but a second man complains that the glasses are not large enough. BM Satire 11136.
[Ref: 50787] £230.00
(£276.00 incl.VAT)
Lobsters for the Ladies i.e. Jessamin soldiers or a Veteran Corps Going on Duty.
Pubd July 2d 1798 by S.W. Fores 50 Piccadilly.
Coloured etching, 1794 watermark. Sheet 270 x 445mm (10½ x 18"). Trimmed to plate, some toning of edges.
A troop of volunteers parade in the rain, using umbrellas to keep themselves dry, one soldier even coverting his musket to an umbrella. Two veterans, one with a wooden leg, mock their effeteness. BM Satires 9221. Copy of this, not in BM.
[Ref: 63867] £360.00
To the King's Most Excellent Majesty This Print, representing His Majesty Reviewing the Volunteer Corps Assembled in Hyde Park. in honor of his Birth day, June 4, 1799, [Is by his gracious permission dedicated by his faithful & loyal subjects John & Josiah Boydell.]
Drawn & Etch'd by Rob.t Smirke Jun.r. Aqua-tinta by R. Earlom.
[Pub. June 1. 1801 by J. & J. Boydell, N.º 90, Cheapside; & at the Shakespeare Gallery, Pall Mall, London.]
Aquatint, printed in sepia, blue wash in sky. Two sheets conjoined, total 560 x 895mm (22 x 35¼"). Trimmed into plate, into image at top, folded twice, some paper tone, partially mounted on album paper.
An elevated view looking down on the Volunteer regiments of infantry and Cavalry parading in the north-east corner of Hyde Park. The view also includes Park Lane on the right, Oxford Street and Bayswater Road beyond the park and Edgware Road in the distance.
[Ref: 64292] £320.00
[In pencil underneath image:] This formed part of the cover of an old Copy book of S. Crosby 1810 and evidently shows the uniforms of some volunteers of that date.
[n.d. c.1780.]
Etching. 153 x 108mm. 6 x 4¼".
Two men dressed in the attire for one of the London Volunteer corps. c.1810.
[Ref: 18385] £65.00
(£78.00 incl.VAT)
This Print of the Loyal Associated Ward and Volunteer Corps of the City of London is respectfully Dedicated to those Ladies who Honored them with the Presentation of Colours by their most obedient humble Serv.ts LI & N Schiavonetti. [&] This Print of the Loyal Associated Ward and Volunteer Corps of the City of Westminster is respectfully Dedicated to those Ladies who Honored them with the Presentation of Colours by their most obedient humble Serv.ts LI & N Schiavonetti.
Painted by R. K. Porter. Engraved by M. Place.
London. Pub. May 30 1799 by Mess.rs Schiavonetti No. 12 Michaels Place Brompton
Pair of coloured stipples, each approx. 490 x 640mm (19¼ x 25¼"). Some staining.
Pair of impressive scenes of London volunteer corps. The uniform of each individual ward can be identified from the key plates published by Schiavonetti, examples of which are in the British Museum.
[Ref: 19299] £750.00
view all images for this item
[A volvelle disk with a map of the Northern Hemisphere.]
[n.d., c.1820.]
Scarce engraving with original hand colour. Cut into a circle, 115mm (4½") diameter, pinhole in centre. Lacking backing sheet.
A volvelle disk, probably for calculating time difference. See reference 56881
[Ref: 56798] £320.00
Gen. Benningsen. Ritter v. Alexander Nevsky, v. S.t Annen 1.ter Cl., v. S.t Georgen 3.ter Cl., Gross Creutz 2.ter Cl., v. St. Vladimir u. des Schwarz u. roth Adler Ordens.
Bei B. Weiss in Berlin. [n.d., c.1820.]
Hand-coloured engraving, rare. Sheet: 185 x 260mm (7½ x 10¼"). Trimmed within plate.
A full-length portrait of General Levin August von Bennigsen (1745-1826) a German officer who served in the Russian army during the Napoleonic Wars.
[Ref: 44551] £120.00
(£144.00 incl.VAT)
Gen.l G. L. von Blucher.
Dahling pinx.t A. Smith sculp.t London: Pub.d Dec.r 21. 1813.
London, 1813.
Engraving. 275 x 215mm (10¾ x 8½"). Rippling across middle of the sheet and foxing in the margins.
A head and shoulders portrait of Gebhard Leberecht von Blucher (1742-1819). Blucher was a successful and well respected, his most well known victories being against Napoleon at the Battle of the Nations at Leipzig (1813) and at the Battle of Waterloo (1815).
[Ref: 53872] £90.00
(£108.00 incl.VAT)
Frederic Baron Trenck.
[n.d. c.1790.]
Engraving. 178 x 114mm. 7 x 4½".
Friedrich Freiherr von der Trenck (1726-1794), Prussian officer, adventurer, and author. This is a copy of the title page of the first German edition of "Friedrich Trenck's Memories", 1787.
[Ref: 24554] £60.00
(£72.00 incl.VAT)
Hieronimus von Erlach.
Germahlet Von dem Ritter Rusca. Gegraben Von Will.
[n.d., c.1800].
Engraving. Size: 320 x 470mm. (12½ x 18½"). Collector's stamp on verso of Dr. C. D. Ginsburg. Trimmed inside platemark. Repaired small hole to upper right in printed area.
Portrait of general and statesman Hieronymos von Erlach (1667 - 1748) standing behind a table, with the baton of his charge in his right hand and behind him, a helmet. At the outbreak of the Spanish War of Succession, Erlach joined the Austrian service and commanded as colonel in a regiment of the city of Bern. In 1721 he was appointed as head of the Schultheiss City and Republic of Bern. Inscription underneath in German with crest in the centre. Lugt: 1145
[Ref: 31534] £260.00
(£312.00 incl.VAT)
Field-Marshall Freytag.
Orme Jun.r. sculp 1795.
Published as the Act directs Dec.r. 1. 1795.
Stipple with small margins. 110 x 160mm (4¼ x 6¼").
Half portrait set in a roundel of Field-Marshall Wilhelm von Freytag (1720-1798) a Prussian army officer who rose to prominence during the Seven Years War commanding a corps of light infantry called the Freytag Jägers.
[Ref: 33542] £60.00
(£72.00 incl.VAT)
Augusto Comiti Neidh. de Gneisenau. Hoc Monumentum Exiguum Pietas Suorum Dignum Historia Posuit. Anno MDCCCXXXI. Fortiter Fideliter. Feliciter.
A. O'Etxel n. il Natur entworfen Posen 1831. H. Papin gex u lith. Berlin 1832.
Lithograph. 325 x 211mm. 12¾ x 8¼".
August Wilhelm Antonius Graf Neidhardt von Gneisenau (1760-1831) was a Prussian field marshal. Here is a bust in profile and his memorial stone.
[Ref: 16096] £85.00
(£102.00 incl.VAT)
Albrecht v. Haller.
S. Freudenberger pinx. Bern. I.F. Bause sculps. Lips. 1773.
zu Finden in Leipzig [Germany] beij Bause.
Engraving, image 250 x 175mm. 9¾ x 7". Trimmed to plate.
Portrait in oval frame of Baron Albrecht von Haller (Bern, 1708 - 1777), Swiss anatomist, physiologist, naturalist and poet. In 1736 he was called to the chair of medicine, anatomy, botany and surgery in the newly founded University of Göttingen. He became a Fellow of the Royal Society in 1743, a foreign member of the Royal Swedish Academy of Sciences in 1747, and was ennobled in 1749. The quantity of work achieved by Haller in the seventeen years during which he occupied his Göttingen professorship was immense. In 1776 the king of Sweden invested Haller with the North Star, which was added to Freudenberger's painting, but is missing in the engravings. After Sigmund Freudenberger (Swiss, 1745 - 1801). Wellcome 1279-8.
[Ref: 21597] £180.00
(£216.00 incl.VAT)
[General Heidegger.] [pencil inscription:] Member of the Greek Regency, Com.-in-Chef of the Bavarian Troops in Greece.
Hanfstaengl fc 1831 [facsimile under image.] I.M. Epmann.
[n.d. c.1831.]
Lithograph, very scarce. 419 x 335mm. 16½ x 13¼".
Carl Wilhelm von Heideck (1788-1861), the military officer, philhellene and a Bavarian painter. From a collection relating to the Greek War of Independence, Otto I and Bavaria.
[Ref: 27794] £320.00
B.F.I. Hermann. Hütten-Direction zu Catharinenburg u. Mitglied d. Acad. d. Wissensch. zu St. Petersburg. Gebor. zu Marienhof in Ob. Steuermark. d.14. Mrt. 1755.
[n.d. c.1780.]
Stipple. Plate 140 x 89mm. 5½ x 3½".
Benedict Franz Johann von Hermann (1755-1815),the mining engineer, and academician of the St. Petersburg Academy of Sciences (1786). An Austrian by origin, Hermann migrated to Russia in 1782. In 1801 he became director of the Ekaterinburg mining directorate.
[Ref: 25986] £50.00
(£60.00 incl.VAT)
August von Kotzebue.
Engraved by Ridley from an Original Picture Painted at Berlin.
Published as the Act directs by Vernor & Hood, 31 Poultry, April 30, 1799."
Stipple with etching, 160 x 110mm. 6¼ x 4¼".
Portrait, bust in oval, of August von Kotzebue (1761 - 1819), German dramatist, poet, and politician; hair tied at the nape with bow, white shirt frilled at front, dark jacket.
[Ref: 16653] £50.00
(£60.00 incl.VAT)
Mechel [ink].
[stuck on verso:] G.J. Scholl 1775. Joh: H. Lips sculpsit 1775.
Engraving. 109 x 89mm (4¼ x 3½"). Trimmed and laid on card.
Christian von Mechel (1737-1817) the Swiss print publisher and engraver. He trained first in Nuremberg and then under Wille from 1757. In 1764 he set up in Basle as a publisher with a large 'factory' of engravers in his employment. Between 1778-1793 he took three long visits to Vienna as curator/publisher of the Habsburg painting collection.
[Ref: 29914] £60.00
(£72.00 incl.VAT)
Christianus A Mechel. Chalcographus Basiliensis. Academie Atrium Lib. Imp: et Reg: Vienn: nob: Florent: Venet: aliarumque Sodalis, Ser: Elect: Bav: Palat: ut et Patriae Urbis ac Universit: Chalcogr: et Reipubli: Ducentumvic.
In Signum gratitudinis mentisque dudum devotae Vultum Patroni ad viv: delin: aerique: incidit Barth: Hubner A.V.: Basileae Ao. 1784.
Engraving with very large margins. Plate 184 x 134mm (7¼ x 5¼").
Christian von Mechel (1737-1817) the Swiss print publisher and engraver. He trained first in Nuremberg and then under Wille from 1757. In 1764 he set up in Basle as a publisher with a large 'factory' of engravers in his employment. Between 1778-1793 he took three long visits to Vienna as curator/publisher of the Habsburg painting collection.
[Ref: 29915] £160.00
(£192.00 incl.VAT)
Joh. Herm. Frhr. v. Riedesel. Geb. zu Eisenbach d. 10.t Nov.1740. Gestorb. d.19.t Sept. 1785.
Bögehold Sc.
[n.d. c.1780.]
Stipple. Plate 140 x 89mm. 5½ x 3½".
Johann Hermann von Riedesel (1740-1785) was a classicist who travelled all over Europe. He was Baron of Eisenbach and later became a diplomat at the Prussian Court of Frederick II. He traced the steps of ancient explorers along the coasts of the Magna Grecia and southern Italy. He was very close friends with Johann Joachim Winckelmann with whom he corresponded with via letters, which then made up the basis of his 'Viaggio attraverso la Sicilia e la Magna Grecia' (1771).
[Ref: 25985] £60.00
(£72.00 incl.VAT)
Von Schongauer Bis Beckmann Zeichnungen un Druckgraphik Aus Fünfhundert Jahren.
Museum der Bildenden Künste Leipzig. Georgi-Dimitroff-Platz 1.9. November 1990 - 2. Januar 1991.
Printed in Germany, im Oktober 1990. Eine Ausstellung von C.G. Boerner im 165. Jahr des Bestehens anläßlich der Gründung des Neuen Leipziger Kunstvereins.
4to (272 x 202mm. 10¾ x 8".), with original dustjacket glued to the book at the spine.
An illustrated catalogue produced for an exhibition held at the Museum of Fine Arts, Leipzig: 'From Schongauer to Beckmann - drawings and prints from five centuries; [CG Boerner, an exhibition of the 165th Year of existence on the occasion of the founding of the Leipzig Art Association]'.
[Ref: 22088] £20.00
Jo: Martin Wagner.
C. Küssler del. ad nat. et sculp. Roma 1836.
Etching, printed on chine collé. Plate: 230 x 185mm (9 x 7¼'') very large margins. Foxing and creasing in the margins. Uncut.
A portrait of German artist and sculptor Johann von Wagner (1777-1858).
[Ref: 49204] £120.00
(£144.00 incl.VAT)
Carl Maria von Weber.
M. Gauci lit.
Printed by C. Motte 23, Leicester Square. [n.d. c.1825.]
Rare lithograph. 197 x 165mm. 7¾ x 6½".
Carl Maria Friedrich Ernst von Weber (1786-1826) was a German composer, conductor, pianist, guitarist and critic. He was an influtential figure in the development of Romantic opera in Germany. His other vocal compositions were significant in terms of popularity and that he was one the earliest composers to write song-cycles. From the Collection of J.S. Bumpus.
[Ref: 17265] £130.00
(£156.00 incl.VAT)
Carl Maria von Weber. Died June 5th.1826. [In ink underneath:] From a picture in the possession of Mr. Hawes. [Facsimile on slip:] Carl Maria von Weber.
[n.d. c.1830.]
Lithograph. Sheet 203 x 160mm. 8 x 6¼". Trimmed close to image.
Carl Maria Friedrich Ernst von Weber (1786-1826) was a German composer, conductor, pianist, guitarist and critic. He was an influtential figure in the development of Romantic opera in Germany. His other vocal compositions were significant in terms of popularity and that he was one the earliest composers to write song-cycles. From the Collection of J.S. Bumpus.
[Ref: 17267] £75.00
(£90.00 incl.VAT)
Carl Maria von Weber.
T. Bradley aq. f. fec.
London: Pub.d March 1,1894, by S.Leigh, 18 Strand.
Engraving. 240 x 178mm. 9½ x 7". Trimmed inside platemark.
Carl Maria Friedrich Ernst von Weber (1786-1826) was a German composer, conductor, pianist, guitarist and critic. He was an influtential figure in the development of Romantic opera in Germany. His other vocal compositions were significant in terms of popularity and that he was one the earliest composers to write song-cycles. From the Collection of J.S. Bumpus.
[Ref: 17268] £90.00
(£108.00 incl.VAT)
Weber.
C. Jager pinx. C. Preisel sculps.
Friedr. Bruckmann's Verlag in Munchen, Berlin & London [n.d., c.1840s].
Engraving, 290 x 230mm. 11½ x 9". Full margins.
Karl Maria Friedrich Ernst von Weber (1786 - 1826), German composer, conductor, pianist, guitarist and critic.
[Ref: 22444] £130.00
(£156.00 incl.VAT)
[Karl Maria von Weber.]
Drawn on Stone from the Life by Richard J. Lane. Octr. 1826.
Printed by C. Hullmandel.
Lithograph on india laid paper, india 180 x 155mm. 7 x 6". A good impression.
Karl Maria Friedrich Ernst von Weber (1786 - 1826), German composer, conductor, pianist, guitarist and critic. By Richard James Lane (1800-72). NPG: D22059.
[Ref: 15792] £130.00
(£156.00 incl.VAT)
[Johanna Franul von Weißenthurn.]
[n.d., c.1790.]
Rare proof before letters stipple engraving. 185 x 120mm (7¼ x 4¾"), with large margins.
Portrait of Johanna Franul von Weißenthurn (1773 - 1845), German actress and playwright. She was a member of the Burgtheater company in Vienna from 1789 until 1842.
[Ref: 65269] £90.00
(£108.00 incl.VAT)
Pretorius. South Africa. [Slip below image.:] From daybreak to sunset, 100,000 persons took part to-day in the Voortrekker celebrations. Fours days of festival culminated in the inauguration of the memorial to the pioneers who made the great trek 100 years ago, fleeing northward from British Rule in the Cape. [&] [On verso:] Dear me, things have altered. [In pencil below image:] according to the Chief Medical Officer of the Ministry of Health, we are none the worse for rationed fare x a little tightening of the belt.
T.W. Ellison.
[n.d. c.1930.]
Pen and ink. 300 x 235mm (11¾ x 9¼").
A satire depicting Andries Wilhelmus Jacobus Pretorius (1798-1853), the leader of the Boers who was instrumental in the creation of the South African Republic. During the 1830s and 1840s, there were emigrants known as the Voortrekkers who left the Cape Colony, which was under British rule at the time, and moved into the interior of what is now northern South Africa.
[Ref: 30738] £180.00
(£216.00 incl.VAT)
[Mikhail Semyonovich Vorontsov] Lieut.t Gen.l Count Michael Woronzow, Aide de Ca,p of H.I.M. the Emperor of Russia. [title repeated in Cyrillic] Proof.
Painted by order of the Emperor Alexander 1st by Geo. Dawe Esq.r Member of the Roy.l Acad.y of London, that of St Petersburg &c &c: Engraved by Hen.y Dawe London.
[Russian publishers in Cyrillic] & Mess.rs Colnaghi & C.º Cockspur St.t London, Jan. 1823.
Rare proof mezzotint. 555 x 405mm (21¾ x 16"), large margins Some spotting, small tear in bottom margin taped. Slight horizontal crease at bottom.
A half-length portrait of Prince Mikhail Semyonovich Vorontsov (1782-1856) in dress uniform and fur cloak. After commanding a grenadier division during the Napoleonic Wars, fighting at both Borodino and Leipzig, Vorontsov commanded the corps of occupation in France 1815-18. In 1823, the year this portrait was published, he was appointed governor-general of 'Novorossiya'. George Dawe (1781-1829) spent from 1819 to 1828 in St Petersburg, invited by Tsar Alexander to paint the portraits of the superior officers who had fought in the Napoleonic Wars. Over 300 of these are in the Hermitage Museum.
[Ref: 65791] £320.00
Lucas Vorstermans. Desine Lysikkos iactare animosa vetustas / Hic Vir, hic excudit spirantia mollius æra.
Ant. van Dÿck pinxit Luc. Vorstermans iunior sculpsit et excudit [c.1640]
Engraving, platemark 250 x 175mm (9¾ x 7"). Trimmed to platemark.
Lucas Vorsterman I (1595-1675), engraver and art dealer whose early career was closely intertwined with that of Rubens (who trained Vorsterman and was a godparent to his eldest son). Their relationship soured however, to the extent that Vorsterman made an attempt on Rubens' life. After returning to Antwerp from several years in England, Vorsterman worked extensively for van Dyck, who was godfather to Vorsterman's daughter and who painted the portrait from which this engraving is taken (the painting is now in the Museu Nacional de Arte Antiga, Lisbon). Etched by Vorsterman's son, who studied with his father, for the 'Iconographia' series of portraits after van Dyck.
[Ref: 45464] £110.00
(£132.00 incl.VAT)
Adolfus Vorstius Euer. Fil. Medicinae Et Botanicus Professor Lugd. Bat.
Gerardus Petri pinxit. P.Pontius Sculpsit. C.Bankeining excud.
Line engraving. Plate 312 x 235mm.
Adolfus Vorstius, Professor of Medicine and Botany [at Leyden]. C. 1640.
[Ref: 4620] £95.00
(£114.00 incl.VAT)
[Vortigern and Rowena or the Settlement of the Saxons in Britain.]
J.F. Rigaud R.A. Pinx.t F. Bartolozzi R.A. Sculp.t
London Publish'd Feb.y 14. 1788 by W. Palmer, No.163 Strand.
Stipple printed in red, proof before title. Plate 336 x 406mm. 13¼ x 16".
Vortigern was the Saxon King of Britain in 5 AD. He forged an alliance with brothers, Hengist and Horsa, who were given lands in Lincolshire in return for help in suppressing the Picts. The alliance was further enforced when King Vortigern fell in love with Renwein (or Rowena), the beautiful daughter of Hengist who agreed to their marriage in exchange for the whole of Kent. The scene captured here is clearly the banquet scene depicting the meeting of Vortigern and Rowena. The helmeted brooding figure of Hengist is seen seated on the left. Sometime later, in an attempt to bring all of Britain under Saxon control Vortigern arranged a meeting with Hengist, then King of the Jutes. However, Hengist armed his men who then massacred some 500 Saxon noblemen in an attack which became known as ‘the night of the long knives'
[Ref: 24990] £260.00
(£312.00 incl.VAT)
Vortigern King of Britain espouses Rowena a Saxon Lady, which occasioned the Settlement of the Saxons in Britain.
Ravenet fc.
[n.d. c.1770.]
Etching and engraving; paper watermarked, small margins. Plate 210 x 145mm (8¼ x 5¾"). Creasing.
The marriage of Vortigern and Rowena. Vortigern was the Saxon King of Britain in 5 AD. He forged an alliance with brothers, Hengist and Horsa, who were given lands in Lincolshire in return for help in suppressing the Picts. The alliance was further enforced when King Vortigern fell in love with Renwein (or Rowena), the beautiful daughter of Hengist who agreed to their marriage in exchange for the whole of Kent. Engraved by Simon Francois Ravenet (1704-74), who after moving from France to London worked for Hogarth (on his 'Marriage à la Mode') amongst others.
[Ref: 28944] £60.00
(£72.00 incl.VAT)
[Catherine Voss] St. Agnes.
G.Kneller S.R.Imp: et Mag: Brit. Baronet Pinx. J.Smith Fec et ex.
1716. [But later]
Mezzotint. 350 x 250mm (13¾ x 9¾"). Horizontal crease across lower centre of image.
Portrait of Catherine Voss (1685/90-1714) as St Agnes, half-length to front embracing lamb on bank before her, holding book in her left hand, head turned to right. The illegitimate daughter of Godfrey Kneller by Mrs. Voss (proprietress of a coffee-house in St. James's Market). Called Catherine, but also known as Agnes, she later married a Mr. Huckle by whom she had son, Godfrey Huckle Kneller. Kneller left her his fortune with a request that her son should assume his name. CS 262 iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd. See also [Ref: 68880].
[Ref: 68540] £180.00
(£216.00 incl.VAT)
[Catherine Voss as Saint Agnes.]
[after Godfrey Kneller.]
[Published by John Smith, n.d., c.1716.]
Mezzotint, rare proof before letters. 150 x 110mm (6 x 4¼"), with large margins. Paper toning.
A portrait of Catherine Voss (1685/90-1714) portrayed as Saint Agnes of Rome, holding a book and lamb. Voss was the illegitimate daughter of Godfrey Kneller by Mrs. Voss (proprietress of a coffee-house in St. James's Market). Called Catherine, but also known as Agnes, she later married a Mr. Huckle by whom she had son, Godfrey Huckle Kneller. Kneller left her his fortune with a request that her son should assume his name. Kneller's oil is in the Fitzwilliam Museum. Not in CS. Russell 262a i of ii.
[Ref: 35624] £160.00
(£192.00 incl.VAT)
[Catherine Voss] Devotion in such looks does Gracefull Shine, And forces us to own her pow'r divine.
G. Kneller S.R. Imp. & Angl. Eques Aur. pinx. I. Smith fec. 1705.
Sold by I. Smith at ye Lyon & Crown in Russell Street Covent Garden.
Fine mezzotint, watermark Beauvais, sheet 350 x 255mm (13¾ x 10"). Trimmed to plate, glued on album sheet on three sides. Slightly foxed and scuffed.
Half-length portrait of Catherine Voss (1685/90-1714), wearing a veil at the back of her head, hands clasped in prayer and eyes almost closed, with an open book leaning against a small vase on a table before her. The illegitimate daughter of Godfrey Kneller by Mrs. Voss (proprietress of a coffee-house in St. James's Market). Called Catherine, but also known as Agnes, she later married a Mr. Huckle by whom she had son, Godfrey Huckle Kneller. Kneller left her his fortune with a request that her son should assume his name. CS 261, ii of iii.
[Ref: 59387] £190.00
(£228.00 incl.VAT)