Grosvenor Prints

The Queen giving audience to Lord Beaconsfield at Osborne after his return from Berlin bringing 'Peace with Honour'.
Painted by T.B. Wirgman. Engraved by T.L. Atkinson.
London. Published by Messers. Dickinson Publishers by Special Appointment to H.M. the Queen, 114, New Bond Street. w. and Mr. J. Garle Brown. Wymondham, near Leicester, January 3rd 1887. Copyright Registered.
Mixed method engraving on india laid paper, 770 x 870mm. 30¼ x 34¼".
Queen Victoria with Benjamin Disraeli, Earl of Beaconsfield (1804 - 1881), Prime Minister and novelist. Through his outstanding abilities as a politician and orator, Disraeli became Prime Minister in 1868 and guided the Second Reform Bill through Parliament. His diplomatic triumphs included the Congress of Berlin (June 13 - July 13, 1878), a meeting of the European Great Powers' and the Ottoman Empire's leading statesmen. In the wake of the Russo-Turkish War, 1877–78, the meeting's aim was to reorganize the countries of the Balkan peninsula.
[Ref: 8490] £330.00

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[Dedication from Queen Victoria to Victor, prince of Hohenlohe-Langenburg] To my dear Nephew Victor Hohenlohe on his passing his Examination for Lieutenant This record of the glorious Services of Nelson is given With every pryaer for his Welfare & distinction in the noble Service to which he belongs By his most affectionate Aunt Victoria R. December 16 1854
Ms, sheet 180 x 115mm (7 x 4½"). Glued to backing sheet.
Victor, prince of Hohenlohe-Langenburg (1833-91), naval officer and sculptor, was the daughter of Princess Victoria of Saxe-Coburg-Saalfeld (later the duchess of Kent), half-sister to Queen Victoria. In 1848, through the interest of Queen Victoria, he entered the British navy as a midshipman, and this dedication shows the monarch's delight at Prince Victor's promotion to Lieutenant six years later. Prince Victor was forced to retire from the navy in 1866 due to repeated illness; he then devoted himself to a second career as a sculptor, in which capacity his main achievement was a large statue of Alfred the Great for the market place at Wantage, Oxfordshire.
[Ref: 41976] £260.00 (£312.00 incl.VAT)

Queen Victoria 1st leaving the Palace to be Crown'd at Westminster Abbey, London, June 28th, 1838.
[Printed & Sold by W. Belch. 6, Bridge St., Union St., Boro.]
Wood engraving with fine hand-colouring, sheet 185 x 255mm (7 x 10"). Trimmed, losing part of image left and right, and bottom line of text; glued to album sheet.
Queen Victoria leaving Buckingham Palace, where the Gold State Coach waits to drive her to her coronation at Westminster Abbey. The coach, designed by William Chambers and made by Samuel Butler in 1762, has been used at every Coronation from George IV onwards.
The artist and publication details are supplied here on the basis of similarities between this print and ref. 32278.
[Ref: 32280] £140.00 (£168.00 incl.VAT)

[The Victoria Memorial and the entrance to The Mall.]
Fred. A. Farrell [pencil]
[n.d. c.1925,]
Etching, signed by the artist. 185 x 375mm (7¼ x 14¾"), with very large margins.
A view of the Victoria Memorial in front of Buckingham Palace, although the viewpoint, in Constitution Hill, looks away from the palace and towards The Mall, with Big Ben's clock tower and Westminster Abbey. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 61071] £280.00 (£336.00 incl.VAT)

[Victoria of Saxe-Coburg-Saalfeld] German Lady. Dame Allemande.
Painted by Sir Thomas Lawrence Late President of the Royal Academy. S.W. Reynolds Engraver to their Majesties Sculp.t & W. Reynolds. Imp.e par Chardon Jn.e.
A Paris chez Scroth Editeur Rue St. Honore No. 353 bis. [n.d., c.1825.]
Mezzotint. 355 x 260mm (14 x 10¼"), large margins. Slight surface wear.
Half-length portrait of Victoria of Saxe-Coburg-Saalfeld (1786-1861), Duchess of Kent as wife to Prince Edward, and mother of Queen Victoria. She is wearing a large-brimmed feathered hat, a dark dress with full sleeves and a frilled white collar, bedecked with pearlsher hand raised to display a ring.
Whitman 1717, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66949] £190.00 (£228.00 incl.VAT)

[Victoria of Saxe-Coburg-Saalfeld] [German Lady. Dame Allemande.]
[Painted by Sir Thomas Lawrence Late President of the Royal Academy. S.W. Reynolds Engraver to their Majesties Sculp.t & W. Reynolds. Imp.e par Chardon Jn.e.]
[A Paris chez Scroth Editeur Rue St. Honore No. 353 bis.] [n.d., c.1825.]
Mezzotint, proof before letters. 355 x 260mm (14 x 10¼"), with large margins Repaired tears in margins.
Half-length portrait of Victoria of Saxe-Coburg-Saalfeld (1786-1861), Duchess of Kent as wife to Prince Edward, and mother of Queen Victoria. She is wearing a large-brimmed feathered hat, a dark dress with full sleeves and a frilled white collar, bedecked with pearls, her hand raised to display a ring. In this early state the collar has no etched lines.
Whitman 1717, i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66980] £230.00 (£276.00 incl.VAT)

Key to Mr. Leslie's Picture of the Christening of the Princess Royal.
London: F.G. Moon, Her Majesty's Publisher in Ordinary, 20, Threadneedle Street.
Pen lithograph. Sheet: 255 x 410mm (10 x 16"). Trimmed and laid on an album sheet.
A keyplate to Leslie's painting of the christening of Victoria, the Princess Royal, on the 10th February 1841. Leslie was given special permission to attend the ceremony in order to capture the scene in sketches, he then spent time studying the portraits of the various figures over the coming months. The painting was finished in 1842 and an engraving was published in 1849. The work is still housed in the Royal Collection.
[Ref: 45923] £120.00 (£144.00 incl.VAT)

Queen Victoria going to dine with the Lord Mayor & Citizens of London at Guildhall. November 9.th 1837. 83.
Printed & Sold by W. Belch. 6, Bridge S.t Union, S.t Boro. [n.d. c.1837.]
Etching with hand colours, sheet 200 x 310mm (8 x 12¼"). Trimmed to plate and laid on album sheet at edges. Tears, nicks and creases at edges.
Royal procession with Queen Victoria riding in a gilded coach pulled by eight white horses and entering the City of London at Temple Bar on Fleet Street.
[Ref: 60470] £70.00 (£84.00 incl.VAT)

Sunday Evening Preaching in the Victoria Theatre.
[n.d., c.1840.]
Lithograph on card. Sheet 105 x 160mm (4 x 6¼"). Top right corner slightly torn off with old repair. Time stained.
A view from backstage, with a preacher and six men seated facing the audience.
[Ref: 61136] £75.00 (£90.00 incl.VAT)

[Keyplate to the Wedding of Queen Victoria and Prince Albert.]
[After George Hayter.]
[n.d., c.1845.]
Lithograph. Sheet: 260 x 410mm (10¼ x 16"). Trimmed, laid on album sheet with some paper toning.
A keyplate to George Hayter's painting of the wedding of Queen Victoria and Prince Albert on the 10th February 1840 at the Chapel Royal in St. James's Palace. Victoria had been pleased with Hayter's painting of her coronation and so commissioned him to work on the ceremony, the work contains the portraits of 56 of those present and in the following months many sittings took place.
[Ref: 45924] £120.00 (£144.00 incl.VAT)

Royal Arms, as Executed in the Carved Wood supplied by The Patent Wood Carving Company, Ranelagh Road, Thames Bank, Pimlico.
Bayliss Lith.r.
[n.d., 1851?]
Lithograph. Printed border 295 x 230mm (11½ x 9"), with very wide margins.
The Patent Wood Carving Company displayed examples of their machine-carved furniture at the Great Exhibition of 1851, publishing illustrations of their exhibits.
[Ref: 53413] £130.00 (£156.00 incl.VAT)

The Queen's Visit to the City. No.v.r 9.th 1837. Drawn on the Spot from the corner of Chancery Lane.
W. Lake. lith. 50. Old Bailey.
[Pub.d by E. Davies, 437. Oxford St.] [n.d., c.1837]
Lithograph with fine hand colour. Sheet: 210 x 300mm (8¼ x 12''). Trimmed, losing publication line.
A scene of Queen Victoria's first official visit to the City of London, on Lord Mayor's Day 1837, five months after her coronation. She is shown arriving in the Royal Carriage.
[Ref: 48909] £240.00 (£288.00 incl.VAT)

The Queen's Visit to the City. No.v.r 9.th 1837. Drawn on the Spot from the corner of Chancery Lane.
W. Lake. lith. 50. Old Bailey.
Pub.d by E. Davies, 437. Oxford St. [n.d., c.1837]
Lithograph with fine hand colour. Sheet 275 x 380mm (14¾ x 15"). Paper toned
A scene of Queen Victoria's first official visit to the City of London, on Lord Mayor's Day 1837, five months after her coronation. She is shown arriving in the Royal Carriage.
[Ref: 55488] £240.00 (£288.00 incl.VAT)

[Victoria, Princess Royal] ''The Rosebud of Briton''. And a Correct Representation of its Magnificent Cot.
Published for the Proprietor, 3, Johnson S.t, Westminster. [n.d., c.1840.]
Lithograph, rare, Sheet: 325 x 260mm (12¾ x 10¼").
A portrait of Queen Victoria's eldest child Princess Victoria (1840-1901), or the Princess Royal, in her elaborate cot.
[Ref: 45922] £85.00 (£102.00 incl.VAT)

[Figures done after the Grecian Manner: Victory.]
[Engraved by George Townly Stubbs.]
London, Pub.d 1. Aug.t 1796, by G.T. Stubbs, at the Turf Gallery, Conduit Street.
Stipple, scarce. 450 x 325mm (17½ x 12¾"), with very large margins.
The winged figure of Victory, laurel wreath in hand.
Lennox-Boyd, Stubbs GTS 89.
[Ref: 45225] £280.00 (£336.00 incl.VAT)

The Spot Where Nelson Fell. Quarter Deck of H.M.S. Victory, Portsmouth.
Rooke & Co, No 4093, 13 Aug 1859.
Steel engraving, 90 x 115mm (3½ x 4½"). Trimmed close to image.
Sight-seers on the deck of the Victory. Above the wheel is Nelson's famous phrase, 'England Expects Every Man to do his Duty'.
[Ref: 44754] £50.00 (£60.00 incl.VAT)

H.M.S. Victory, First Rate. 104 Guns. Portsmouth Harbour. The Flag Ship of the late Lord Nelson. On board which he was killed Off Trafalgar. Oct.r 21st, 1805.
Drawn by E.W. Cooke. Etched by E.W. Cooke. 1830
Pub'd by R. Lambe & Son, 96 Gracechurch Street.
Etching. 270 x 325mm (10½ x 12¾").
H.M.S. Victory at anchor off Portsmouth, serving as a harbour ship. Her career included the First and Second Battles of Ushant and St Vincent, with a three-year refit (1800-3) before the Battle of Trafalgar in 1805. In 1922 she was moved into a dry dock at Portsmouth for preservation as a museum ship. Today she is the flagship of the First Sea Lord and is the world's oldest naval ship still in commission.
[Ref: 34043] £180.00 (£216.00 incl.VAT)

[Vicuña] Camelus Vicugna Mol.
De Seve del. J.C. Bock sc.
[Erlangen: Wolfgang Walther, c.1775.]
Engraving with fine original hand colour.. 230 x 180mm (9 x 11"), with large margins, 18th century watermark.
A Chilean Vicuña, here with the name given to it by Juan Ignacio Molina (1740-1829), a Jesuit priest and naturalist.
[Ref: 52339] £110.00 (£132.00 incl.VAT)

Alfred Vidil [facsimile signature.]
A. D'Orsay fecit. 23 Mai 1840.
London, Published by J. Mitchell, Royal Library, 33. Old Bond St.
Lithograph on india. Sheet 381 x 286mm. 15 x 11¼". Very small repaired hole below image.
Baron de Vidil, Alfred Vidil, was the son of a glove-maker at Nancy in France. He came to England around 1830 and was in the employment of a wholesale glove warehouse in Bread-street, Cheapside. He managed to induce Miss Jackson to marry him, the daughter of Mr. Jackson, of Chapel-street, Grosvenor Place. Her father was a man of considerable wealth, but refused to acknowledge her marriage to Vidil, and therefore on the birth of their son, he relented so far as to leave her the sum of £30,000 away from her husband and eventually settled on their son. Following the death of Mr Jackson and later Miss Jackson, Vidil started to loose wealth and could only survive on that of his son. He became embarrassed by his circumstances that he planned and attempted to execute the horrible crime of murdering his only son.
[Ref: 23386] £120.00 (£144.00 incl.VAT)

[Vieillard.]
Johann Martin Will excudit Aug. Vind. [n.d. c.1777.]
Mezzotint. Plate 362 x 241mm. 14¼ x 9½". Large margins.
An old man in a turban.
[Ref: 22836] £160.00 (£192.00 incl.VAT)

Francisco Vieira.
P. Violet pinxt. F. Bartolozzi R.A. sculp.
Published as the Act directs by F. Vieira Sepr. 1st. 1801, London.
A rare stipple. 192 x 140mm. 7½ x 5½".
Francisco Vieira de Matos (1765-1805), who choose the artistic name of Vieira Portuense, was a Portuguese painter, one of the introducers of Neoclassicism in Portuguese painting. He was, in the neoclassical style, one of the two great Portuguese painters of his generation, with Domingos Sequeira. He first studied in Lisbon, later moving to Rome. He travelled through Italy, Germany, Austria and England, before returning to Portugal, in 1800. He met Swiss painter Angelika Kauffmann, from who he seems to have received influences. He seems to anticipate some motives of the romantic painting, in several of his historical paintings. He contracted tuberculosis, and moved to Madeira, were he died, aged only 39.
[Ref: 12738] £120.00 (£144.00 incl.VAT)

[Vienna] Ansicht der Vorstaedte Weissgaerber und Landstrasse.
J. Wett del. A. Leitner sc.
[Vienna: P. P. Mechitaristen, 1832.]
Engraving with hand colour. 205 x 580mm (8 x 22¾). Some creasing, repairs on left edge.
A rare Panorama of Landstrasse, a district of Vienna.
[Ref: 51374] £450.00

Templum S. Petri Versus Domum Custodiarum Viennae La Yglesia de S. Pedro hazia la Guarda de Vienna.
[Raimondini. n.d., c.1760.]
Coloured engraving, 315 x 425mm. 12½ x 16¾". Stains top and bottom; trimmed at bottom.
A view d'optique of Peterskirche (St. Peter's Church) in Vienna. Vues d’optique are hand-colored etchings and engravings intended to be viewed through a convex lens. The devices, known variously as zograscopes, optiques, optical machines and peepshows, were an optical entertainment of the late 18th and early 19th centuries. Vues d’optiques were rendered in high-key color and dramatic linear perspective, which enhanced the illusion of three-dimensionality when viewed through the lens.
[Ref: 9117] £240.00 (£288.00 incl.VAT)

Prospectus Primarii Telonii Caesarei Prope Turrim Rubram Viennae Prospetiva de l'Aduana Imper. Cabe de la Torre Colorada de Viena
[Raimondini. n.d., c.1760.]
Engraving, 320 x 430mm. 12½ x 17". Vertical creasing.
A view d'optique of the custom house in Vienna. Vues d’optique are hand-colored etchings and engravings intended to be viewed through a convex lens. The devices, known variously as zograscopes, optiques, optical machines and peepshows, were an optical entertainment of the late 18th and early 19th centuries. Vues d’optiques were rendered in high-key color and dramatic linear perspective, which enhanced the illusion of three-dimensionality when viewed through the lens.
[Ref: 9134] £280.00 (£336.00 incl.VAT)

[Vienna] Weenen, de Stoel des H. Roomschen Ryx, gelegen aen den Donau. Vienna, priscis Vindibona, sacri Romani Imperii sedes, Austriae ornamentum.
Pet. Schenk Amst: C.P
[n.d. c.1702.]
Copper engraving. Plate 209 x 267mm. 8¼ x 10½". Large margins.
A view from across the Danube river towards Vienna, Austria.
[Ref: 20406] £320.00

A View of the City of Vienna.
Engraved for the Lady's Magazine.
[n.d. c.1796.]
Engraving. 108 x 182mm (4¼ x 7¼").
A view across the Danube River towards the City of Vienna, Austria.
[Ref: 28550] £60.00 (£72.00 incl.VAT)

Les clefs de Vienne.
Girodet pinx.t Lith: de C: Motte.
[n.d. c.1826.]
Lithograph. Sheet 444 x 596mm (17½ x 23½"), with very large margins.
The handing over of the keys of Vienna to Napoleon at the Schonbrunn Palace, as part of the 1805 treaty of friendship and co-operation, which was signed at the palace. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826.
[Ref: 30836] £220.00 (£264.00 incl.VAT)

[Siege of Vienna.] Vienna Assediata da Turchi e Liberata da Christiani. All Ill.mo Sig,r Marchese Sachetti Suo riueritissimo Signore.
Era.co Bufalini D.D.D.
[n.d., c.1683.]
Engraving, scarce. Key on verso. Sheet: 400 x 365mm (15¾ x 14¼"). Trimmed and laid on album sheet. Central vertical fold.
A plan of Vienna showing the city during the siege and Battle of Vienna by the Ottoman Empire in 1683. The Ottomans were badly defeated by the Christian Allies and the battle staged the recapture of much of Eastern Europe from the Turks. Key to the plan on verso.
[Ref: 42670] £320.00

[Seige of Vienna.]Belegeringe en onset de Stadt Weenen.
C. Decker fe.
[n.d., c.1683.]
Engraving, with letterpress descriptions. Sheet: 350 x 285mm (13¾ x 11¼"). Trimmed and laid on album sheet.
A plan of Vienna showing the city during the seige and Battle of Vienna by the Ottoman Empire in 1683. The Ottomans were badly defeated by the Christian Allies and the battle staged the recapture of much of Eastern Europe from the Turks. Key to the plan on album sheet adjoining and description below, both in French.
[Ref: 42671] £450.00

[Vienna] Weenen, de Stoel des H. Roomschen Ryx, gelegen aen den Donau. Vienna, priscis Vindibona, sacri Romani Imperii sedes, Austriae ornamentum.
Pet Schenk exc: Amst: C. P. [n.d., c.1702.]
Hand-coloured engraving, 210 x 265mm. 8¼ x 10½". Pin hole in sky.
A prospect of Vienna from across the Danube. Numbered '13' lower right. From the series of city prospects engraved and published in Amsterdam by Pieter Schenk (1660 - 1718/1719). Titles in Dutch and Latin.
See 20408.
[Ref: 22331] £280.00 (£336.00 incl.VAT)

[Vienna] Vûe de la Ville de Vienne du Coté du palais impérial.
[Engraved by Lopold Beyer after Jakob Alt.]
Proprieté des Editeurs [Vienna: Artaria & Comp., c.1815].
Fine coloured etching with hand colour. Sheet 465 x 730mm (18¼ x 28¾"), watermarked 'J Whatman 1813'. Repaired tears bottom right.
A large and scarce prospect of Vienna with the city walls and the Imperial Palace.
[Ref: 59232] £650.00

[Vienna] Prospectus areæ à trunco ferrato nominatæ.
Sal. Kleiner I.E.M. del. C. Rembshart sculp.
[Vienna, c.1750.]
Engraving. 230 x 350mm (9 x 13¾"). Uncut; very large margins.
An architectural scene of Stock im Eisen Platz, Vienna, by Salomon Kleiner (1702-61).
[Ref: 38854] £120.00 (£144.00 incl.VAT)

[Vienna] Prospectus Domûs Visendicæ infra tabernas pannarias. In secunda Consignatione exercetur Academia Cæsarea privilegiata Pictorum et Sculptorum.
Sal. Kleiner I.E.M. del. I.A. Corvinus sculp.
[Vienna, c.1750.]
Engraving. 230 x 350mm (9 x 13¾"). Uncut; very large margins.
An architectural street scene in Vienna, by Salomon Kleiner (1702-61).
[Ref: 38855] £140.00 (£168.00 incl.VAT)

Wien.
Nach d. Nat. gez u. lith. v. Wage. Gedr. v. G. Reiffenstein.
[n.d., c.1840.]
Tinted lithograph. Sheet: 285 x 420mm (11¼ x 16½''). Trimmed.
A view of Vienna from Nussdorf in the west. Nussdorf was once a separate municipality but is now a suburb of the city.
[Ref: 49597] £230.00 (£276.00 incl.VAT)

[Vienna] Ansicht des Platzes und der Kirche von S.t Peter. Vue de la Place et de L'Eglise de S. Pierre.
dessiné et gravé d'apres nature par C. Shütz.
Cum Priv. S.C.M. [Vienna: Artaria c.1805.]
Etching with fine hand colour. 335 x 440mm (13¼ x 17¼").
A view of the Peterskirche, a Baroque Roman Catholic parish church, built 1701-33. It is now run by Opus Dei.
[Ref: 58738] £330.00

Prospectus Viae Imperialis Versus Columnam SS. Trinitatis Viennae. Prospectiva de la Calle Imperiale Hacia la Coluna de la SS. Trinidad de Vienna.
[Bassano Remondini.]
[n.d., c.1780.]
Hand-coloured engraving. Plate: 420 x 320mm (16½ x 12½"). Staining and tears in the top and bottom edges.
A view of the Graben and the high baroque statue of the Holy Trinity, started in 1683 by Matthias Rauchmuller, in the centre of Vienna.
[Ref: 44687] £160.00 (£192.00 incl.VAT)

The City of Vienna, with a Part of its Suburbs.
Published 1st May, 1811, by Rob.t Laurie & Ja.s Whttle, 53, Fleet Street.
Coloured engraving. 300 x 450mm (11¾ x 17¾"). A few creases. Bit messy.
A view of Vienna from an ornamental garden, with contemporary hand colour.
[Ref: 57611] £260.00 (£312.00 incl.VAT)

Vienna Austriae.
[Frankfurt, Matthaus Merian, 1640.]
Engraved map. 210 x 330mm (8¼ x 13"). Original binding folds as normal.
A map of Vienna in the style of a bird's-eye view, with a 42 point key. From Johann Gottfried's 'Neuwe Archontologia Cosmica'.
[Ref: 59628] £260.00

[Vienna] Der Hohemarkt. Vue du Haut Marché.
Nach der Natur gezeichnet und gestochen von C. Shütz.
Wein, bey Artaria u. Comp. [n.d., c.1793.]
Etching with fine hand colour. Sheet 415 x 425mm (12½ x 16¾"). Trimmed within plate, glue stains at corners, repaired tear top left. Central crease.
A view of Hoher Markt Square, Vienna, with the 'Vermählungsbrunnen' (The Marriage Fountain), a baroque, white marble temple based on a drawing by Joseph Emanuel Fischer von Erlach, consecrated 1732.
[Ref: 58739] £320.00

Vienne.
Ed. de Montulé del. Lith de Langlumé. Al. Leroy.
Lithograph. Sheet: 370 x 260mm, (14 x 10¼"), very large margins.
A view of Vienna in Austria. From 'Voyage en Angleterre et en Russie, pendent les années 1821, 1822 et 1823' by Edouard Montulé published in 1825 in which he described his travels to Great Britain and Eastern Europe.
[Ref: 39451] £130.00 (£156.00 incl.VAT)

Bombardement de Vienne. la nuit du 11 au 12 Mai.
Hoehte del. Piringer sculp.
[Paris, c.1840.]
Etching with aquatint, sheet 240 x 325mm. 9½ x 12¾". Trimmed within plate.
Numbered 'Tom. I.' upper right. From a series of views of the Napoleonic Wars 1800-15 issued by Bernard Edouard Swebach (1800-70).
BNF: FRBNF40344234.
[Ref: 15522] £130.00 (£156.00 incl.VAT)

[Karlskirche, Vienna] Prospect Der Neüen Kirchen S. Caroli Borromoei [...]
Fischers V:E: inv:
Cum Privil: Sacr: Caesar Majest. [Leipzig, 1725]
Engraving with very large margins, platemark 300 x 430mm (11¾ x 17"). Text in French and German; foxing to edges.
The baroque Karlskirche (St. Charles Church) in Vienna, commissioned by Emperor Charles VI in 1713, following a plague epidemic in Vienna. It was dedicated to 16th cerntury reformer Carlo Borromeo, who was known for healing plague sufferers. The church was designed by Johann Bernard Fischer von Erlach and completed, after Fischer's death, by his son. Plate from Fischer's 'Entwurf einer historischen Architektur' ('Outline of Historical Architecture', first published 1721) , the first comparative architecture of all periods and nations.
[Ref: 33400] £450.00

[Turkish Attacks Repelled by the Besieged Viennese] Mines et assauts des Turcqs, Contremines et Sorties des Assieges [parallel text in Dutch]
Per R. de Hooghe Amst:
apud N. Visscher cum Privil. [n.d., c.1688]
Etching, platemark 165 x 205mm (6½ x 8").
Plate five of a series depicting the Battle of Vienna in 1683, by Romeyn de Hooghe (bapt.1645-d.1708), Dutch artist who was an important representative of the late Dutch Baroque and was a prolific producer of military, political, ceremonial and satirical prints engaging with contemporary Dutch life. He also wrote a number of historical and political treatises.
[Ref: 41992] £160.00 (£192.00 incl.VAT)

[Defeat of the Turks in the Vienna Woods] Opening en slaen der Turken aen t Weener Wald, Ouverture du Grand Bois de Vienne et defaicte des Turqs.
Per R. de Hooghe Amst:
apud N. Visscher cum Privil. [n.d., c.1688]
Etching, platemark 165 x 205mm (6½ x 8").
Plate seven of a series depicting the Battle of Vienna in 1683, by Romeyn de Hooghe (bapt.1645-d.1708), Dutch artist who was an important representative of the late Dutch Baroque and was a prolific producer of military, political, ceremonial and satirical prints engaging with contemporary Dutch life. He also wrote a number of historical and political treatises.
Landwehr Bookplates 60.
[Ref: 41990] £130.00 (£156.00 incl.VAT)

[Imperial Forces fight the Turks to raise the Siege of Vienna] Bataille des Imperiaux contre les Turcqs pour lever le Siege de Vienne [parallel text in Dutch]
Per R. de Hooghe Amst:
apud N. Visscher cum Privil. [n.d., c.1688]
Etching, sheet 160 x 200mm (6½ x 8"). Trimmed to subject.
Plate eight of a series depicting the Battle of Vienna in 1683, by Romeyn de Hooghe (bapt.1645-d.1708), Dutch artist who was an important representative of the late Dutch Baroque and was a prolific producer of military, political, ceremonial and satirical prints engaging with contemporary Dutch life. He also wrote a number of historical and political treatises.
[Ref: 41991] £130.00 (£156.00 incl.VAT)

[First plan for Schönbrun Palace and grounds, Vienna] Premier project que l'auteur a formé pour placer la Venerie Imperiale sur la hauteur de Schönbrun [...]
J:B: Fischers d'Erl: inv: et del: / J.A. Delsenbach fecit
[Leipzig, 1725]
Engraving with very large margins, platemark 300 x 430mm (11¾ x 17"). Text in French; ingrained dirt in title area. Foxing.
Austrian architect Johann Bernard Fischer von Erlach's first plan for the famous palace of Schönbrun in Vienna. It has been claimed that the audacious 'mega-Versailles' envisaged here, with the palace on the crest of a hill and claiming improbably to offer view of 'the borders of Hungary', were 'intended to display the "universal claim to power" of the Habsburg dynasty, but never seriously considered as a concrete architectural project'. The palace was eventually built at the bottom of the hill, rather than the top as shown here, along with other adjustments. Plate from Fischer's 'Entwurf einer historischen Architektur' ('Outline of Historical Architecture', first published 1721) , the first comparative architecture of all periods and nations.
see Martin Mutschlechner, 'From castle in the air to château de plaisance – Schönbrunn and Fischer von Erlach', www.habsburger.net
[Ref: 33405] £450.00

[Imperial Stables, Vienna] Prospect Des Gross Neuen Kaisl. Stalls vor 600 Pferde [...]
Fischers V:E:
Cum Privil: Sacr: Caesar Majest. [Leipzig, 1725]
Engraving with very large margins, platemark 300 x 430mm (11¾ x 17"). Text in French and German; foxing to top of image.
The Imperial Stables in Vienna, designed by Austrian architect Johann Bernard Fischer von Erlach and inspired by the Emperor Nero's 'Domus Aurea'. The building included stables for six hundred horses, room for two hundred state coaches, and an amphitheatre for public displays, and a horse pond. The stables were severely damaged during the French Occupation of Vienna in the Napoleonic Wars, after which they were renovated and expanded. After the stables became redundant in the twentieth century, the site was used for trade fairs before recently becoming 'MuseumsQuartier Wien', an arts centre including several museums, galleries and other cultural institutions. In the background are the Vienna districts of Laimgrube and St. Ulrich Plate from Fischer's 'Entwurf einer historischen Architektur' ('Outline of Historical Architecture', first published 1721) , the first comparative architecture of all periods and nations.
for Nero's Domus Aurea, see ref.33418
[Ref: 33399] £480.00

[Palais Trautson, Vienna] Veüe et Perspective de l'Hôtel, du Jardin, et de l'Orangerie [...]
Jos. Emanu: Fischers d'Erl: deline:
Cum Priv: Sacr: Cas: Maj: [Leipzig, 1725]
Engraving with very large margins, platemark 300 x 430mm (11¾ x 17"). Text in French; foxing.
The baroque Palais Trautson in Vienna, designed by Austrian architect Johann Bernard Fischer von Erlach. It now houses Austria's Ministry of Justice. The palace was built adjacent to the Imperial Stables, also designed by Fischer. Plate from Fischer's 'Entwurf einer historischen Architektur' ('Outline of Historical Architecture', first published 1721) , the first comparative architecture of all periods and nations.
for the Imperial Stables, see ref. 33399
[Ref: 33403] £480.00

[Winter Palace of Prince Eugene of Savoy] Außerliches Ansehen des Pallasts, wechen S. Durche Prinz Eugenius von Savoien [...]
Cette Maison avec le Grand escalier est du dessein de J.B. Fischers d'E / Delsenbach fecit.
[Leipzig, 1725]
Engraving with very large margins, platemark 300 x 430mm (11¾ x 17"). Text in French and German; foxing to margins only.
The Winter Palace on Himmelpfortgasse in Vienna, built for Prince Eugene of Savoy. It was subsequently owned by Empress Maria Theresa, used as the Court Treasury and Ministry of Finance, and has recently become an exhibition space run by the Belvedere. This print shows the visit of the Grand Vizier's emissary to Vienna on the 9th April 1711. Plate from Austrian architect Johann Bernard Fischer von Erlach's 'Entwurf einer historischen Architektur' ('Outline of Historical Architecture', first published 1721) , the first comparative architecture of all periods and nations.
for the Imperial Stables, see ref. 33399
[Ref: 33404] £450.00

Cav. Francesco. Vierira Lusitano.
Sim. Watts sculp. 1775. CR. edidit.
Rare stipple, printed in sanguine. Sheet: 240 x 170mm (9½ x 6¾''). Trimmed.
A portrait of Portuguese court painted Francisco de Matos Viera (1699-1785) after Joaquin Manuel da Rocha.
[Ref: 48793] £140.00 (£168.00 incl.VAT)

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