A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[William Astell.] W:Astell [facsimile signature].](jpegs/66258.jpg)
[William Astell.] W:Astell [facsimile signature].
Painted by Frederic R. Say. Engraved by G. Raphael Ward. 31, Flitzroy Square.
[n.d., c.1850.]
Mezzotint on chine collé. 405 x 305mm (16 x 12"), with wide margins..
Half-length seated portrait of William Astell (1774-1847), a director of the East India Company for the unprecedented period of forty-seven years. He led early negotiations with the government that resulted in the Charter Act of 1833, which extended the royal charter granted to the East India Company for twenty years and restructured the governance of British India.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66258] £260.00 (£312.00 incl.VAT)
Painted by Frederic R. Say. Engraved by G. Raphael Ward. 31, Flitzroy Square.
[n.d., c.1850.]
Mezzotint on chine collé. 405 x 305mm (16 x 12"), with wide margins..
Half-length seated portrait of William Astell (1774-1847), a director of the East India Company for the unprecedented period of forty-seven years. He led early negotiations with the government that resulted in the Charter Act of 1833, which extended the royal charter granted to the East India Company for twenty years and restructured the governance of British India.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66258] £260.00 (£312.00 incl.VAT)
![[James Duff, 5th Earl Fife.]](jpegs/60961.jpg)
[James Duff, 5th Earl Fife.]
[Engraved by George Raphael Ward, from a Sketch by Francis Grant, A.R.A.]
[n.d., c.1850.]
Mezzotint, proof before letters. 590 x 400mm (23¼ x 15¾") very large margins. Some creasing, a few small nicks in margins.
Full length portrait of James Duff, 5th Earl of Fife (1814-79) in Highland dress, with kilt, sporran, sword, gun and dog.
BM 2010,7081.5180, identifying him as James Duff, 4th Earl (1776-1857).
[Ref: 60961] £280.00 (£336.00 incl.VAT)
[Engraved by George Raphael Ward, from a Sketch by Francis Grant, A.R.A.]
[n.d., c.1850.]
Mezzotint, proof before letters. 590 x 400mm (23¼ x 15¾") very large margins. Some creasing, a few small nicks in margins.
Full length portrait of James Duff, 5th Earl of Fife (1814-79) in Highland dress, with kilt, sporran, sword, gun and dog.
BM 2010,7081.5180, identifying him as James Duff, 4th Earl (1776-1857).
[Ref: 60961] £280.00 (£336.00 incl.VAT)
![[Caroline Gordon-Lennox, Duchess of Richmond.]](jpegs/68199.jpg)
[Caroline Gordon-Lennox, Duchess of Richmond.]
Painted by the late Sir T. Lawrence President of the Royal Academy. Engraved by George Raphael Ward. No. 31 Fitz-roy Square.
London, Published, March 1. 1842, by Thomas M.cLean, 26, Haymarket.
Mezzotint, proof before title, on chine collé. 510 x 325mm (20 x 12¾"), with large margins Slight scuffing.
A full-length portrait of Lady Caroline Paget (1797-1874) daughter of Henry Paget, 1st Marquess of Anglesey. She married Charles Gordon-Lennox, 5th Duke of Richmond, in 1817. The oil, painted by Thomas Lawrence in 1829, is in the Goodwood Collection.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68199] £240.00 (£288.00 incl.VAT)
Painted by the late Sir T. Lawrence President of the Royal Academy. Engraved by George Raphael Ward. No. 31 Fitz-roy Square.
London, Published, March 1. 1842, by Thomas M.cLean, 26, Haymarket.
Mezzotint, proof before title, on chine collé. 510 x 325mm (20 x 12¾"), with large margins Slight scuffing.
A full-length portrait of Lady Caroline Paget (1797-1874) daughter of Henry Paget, 1st Marquess of Anglesey. She married Charles Gordon-Lennox, 5th Duke of Richmond, in 1817. The oil, painted by Thomas Lawrence in 1829, is in the Goodwood Collection.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68199] £240.00 (£288.00 incl.VAT)
![[Caroline Gordon-Lennox, Duchess of Richmond.]](jpegs/68381.jpg)
[Caroline Gordon-Lennox, Duchess of Richmond.]
Painted by the late Sir T. Lawrence President of the Royal Academy. Engraved by George Raphael Ward. No. 31 Fitz-roy Square.
London, Published, March 1. 1842, by Thomas M.cLean, 26, Haymarket.
Mezzotint, on chine collé. 510 x 325mm (20 x 12¾"), with large margins. Cracks in plate area repaired.
A full-length portrait of Lady Caroline Paget (1797-1874) daughter of Henry Paget, 1st Marquess of Anglesey. She married Charles Gordon-Lennox, 5th Duke of Richmond, in 1817. The oil, painted by Thomas Lawrence in 1829, is in the Goodwood Collection.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68381] £240.00 (£288.00 incl.VAT)
Painted by the late Sir T. Lawrence President of the Royal Academy. Engraved by George Raphael Ward. No. 31 Fitz-roy Square.
London, Published, March 1. 1842, by Thomas M.cLean, 26, Haymarket.
Mezzotint, on chine collé. 510 x 325mm (20 x 12¾"), with large margins. Cracks in plate area repaired.
A full-length portrait of Lady Caroline Paget (1797-1874) daughter of Henry Paget, 1st Marquess of Anglesey. She married Charles Gordon-Lennox, 5th Duke of Richmond, in 1817. The oil, painted by Thomas Lawrence in 1829, is in the Goodwood Collection.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68381] £240.00 (£288.00 incl.VAT)
![[Charles Grey] Shall I Resign?](jpegs/40327.jpg)
[Charles Grey] Shall I Resign? Earl Grey Musing after a day's labour in his room, Downing Street. Sketched from Life, with the furniture and room of the First Lord of the Treasury faithfully copied.
Painted by R. B. Haydon. Engraved by G. R. Ward. printed by Ross & Dixon.
London, Published Feb.y. 1. 1836, by F. G. Moon, Printseller to the King, 20 Threadneedle Street.
Rare mezzotint. Plate: 270 x 330mm (10½ x 13"). Foxing and staining. Small margins.
An interior scene showing Charles Grey, 2nd Earl Grey (1764-1845) in his rooms at Downing Street. Grey served as Prime Minister from 1806-1807 and 1830-1834. The 'Literary Gazette' 1836 stated 'A more interesting peep at a distinquished statesman, in his private moments of meditation was never produced'.
[Ref: 40327] £180.00 (£216.00 incl.VAT)
Painted by R. B. Haydon. Engraved by G. R. Ward. printed by Ross & Dixon.
London, Published Feb.y. 1. 1836, by F. G. Moon, Printseller to the King, 20 Threadneedle Street.
Rare mezzotint. Plate: 270 x 330mm (10½ x 13"). Foxing and staining. Small margins.
An interior scene showing Charles Grey, 2nd Earl Grey (1764-1845) in his rooms at Downing Street. Grey served as Prime Minister from 1806-1807 and 1830-1834. The 'Literary Gazette' 1836 stated 'A more interesting peep at a distinquished statesman, in his private moments of meditation was never produced'.
[Ref: 40327] £180.00 (£216.00 incl.VAT)
![[Charles Grey] [Shall I Resign?](jpegs/66394.jpg)
[Charles Grey] [Shall I Resign? Earl Grey Musing after a day's labour in his room, Downing Street. Sketched from Life, with the furniture and room of the First Lord of the Treasury faithfully copied.]
Painted by R. B. Haydon. Engraved by G. R. Ward.
[London, Published Feb.y. 1. 1836, by F. G. Moon, Printseller to the King, 20 Threadneedle Street.]
Mezzotint, rare proof before title and publication line. 270 x 330mm (10½ x 13"), with large margins.
An interior scene showing Prime Minister Charles Grey (1764-1845), 2nd Earl Grey, in his rooms at Downing Street. The 'Literary Gazette' 1836 stated 'A more interesting peep at a distinquished statesman, in his private moments of meditation was never produced'.
Ex: collection of The Hon. Christopher Lennox-Boyd. O'd 387/2
[Ref: 66394] £260.00 (£312.00 incl.VAT)
Painted by R. B. Haydon. Engraved by G. R. Ward.
[London, Published Feb.y. 1. 1836, by F. G. Moon, Printseller to the King, 20 Threadneedle Street.]
Mezzotint, rare proof before title and publication line. 270 x 330mm (10½ x 13"), with large margins.
An interior scene showing Prime Minister Charles Grey (1764-1845), 2nd Earl Grey, in his rooms at Downing Street. The 'Literary Gazette' 1836 stated 'A more interesting peep at a distinquished statesman, in his private moments of meditation was never produced'.
Ex: collection of The Hon. Christopher Lennox-Boyd. O'd 387/2
[Ref: 66394] £260.00 (£312.00 incl.VAT)
![[Mohammed Ali.]](jpegs/29100.jpg)
[Mohammed Ali.]
[T. Brigstocke. G.R. Ward].
[n.d. c.1850].
Mezzotint on india, proof before all letters. Platemark: 775 x 495mm. (30½ x 19½"). Large repaired tear from bottom edge to map on floor; second repaired tear to upper left margin.
Mohammed Ali, in the Palace of the Citadel, Cairo with 'Barrace of Nil' and 'Plans of Railway, From Cairo to Suez' by his feet. Muhammad Ali Pasha (1769-1849) is regarded as the founder of modern Egypt. Although neither born in Egypt nor a speaker of Arabic, he can readily be identified as someone who strove to defend the country against outsiders, to build up its power and to develop its economic and administrative resources. The dynasty that he established would rule Egypt and Sudan until the Egyptian Revolution of 1952. In 1833 he considered building a railway between Suez and Cairo to improve transit between Europe and India as he proved to boost Egypt's economy with exports of cotton and Egyptian goods. After his death, Abbas I contracted Robert Stephenson to build Egpyt's first standard gauge railway. Thomas Brigstocke (1809-1881), was a British portrait painter. He first studied in Sass's studio, then in the Royal Academy Schools, and under H.P. Briggs, and subsequently under J.P. Kni-lit. He also studied at Paris, Florence, Rome and Naples, during eight years. He exhibited his first picture, 'Alnaschar, the Barber's fifth Brother', at the Royal Academy in 1842. Five years later he went to Egypt with a letter of introduction to Mohammed Ali Pasha, by whom he was kindly received, and well employed in painting portraits of himself and his family. There Brigstocke spent sixteen months painting chiefly at the Palace of Shoubra, on the Nile, near Cairo, and at Ras el Tin, Alexandria; where Mohammed Ali established the first Egpytian navy.
[Ref: 29100] £350.00
[T. Brigstocke. G.R. Ward].
[n.d. c.1850].
Mezzotint on india, proof before all letters. Platemark: 775 x 495mm. (30½ x 19½"). Large repaired tear from bottom edge to map on floor; second repaired tear to upper left margin.
Mohammed Ali, in the Palace of the Citadel, Cairo with 'Barrace of Nil' and 'Plans of Railway, From Cairo to Suez' by his feet. Muhammad Ali Pasha (1769-1849) is regarded as the founder of modern Egypt. Although neither born in Egypt nor a speaker of Arabic, he can readily be identified as someone who strove to defend the country against outsiders, to build up its power and to develop its economic and administrative resources. The dynasty that he established would rule Egypt and Sudan until the Egyptian Revolution of 1952. In 1833 he considered building a railway between Suez and Cairo to improve transit between Europe and India as he proved to boost Egypt's economy with exports of cotton and Egyptian goods. After his death, Abbas I contracted Robert Stephenson to build Egpyt's first standard gauge railway. Thomas Brigstocke (1809-1881), was a British portrait painter. He first studied in Sass's studio, then in the Royal Academy Schools, and under H.P. Briggs, and subsequently under J.P. Kni-lit. He also studied at Paris, Florence, Rome and Naples, during eight years. He exhibited his first picture, 'Alnaschar, the Barber's fifth Brother', at the Royal Academy in 1842. Five years later he went to Egypt with a letter of introduction to Mohammed Ali Pasha, by whom he was kindly received, and well employed in painting portraits of himself and his family. There Brigstocke spent sixteen months painting chiefly at the Palace of Shoubra, on the Nile, near Cairo, and at Ras el Tin, Alexandria; where Mohammed Ali established the first Egpytian navy.
[Ref: 29100] £350.00
[Thomas Moore Esq.r. To the most noble the Marquis of Lansowne &c. &c. This Portrait is by permission and with graet respect, dedicated by his Lordship's very Obedient Servant, George G. Mulvany. Proof.]
Painted by George F. Mulvany, R.H.A. Engraved by George Raphael Ward.
Published Dec.r 1.st 1835, by the Proprietor, G.F. Mulvany, H.R.A. 24 Upper Sackville Street, Dublin, G.R. Ward, 30, Fitzroy Square, London.
Proof mezzotint, printed on chnine collé. 390 x 295mm (15¼ x 11½"). Scratch on face, small tear in chine collé, backing sheet lost lower right, some staining.
A half-length portrait of the Irish poet, musician and entertainer Thomas Moore (1779-1832), holding a monocle. He found fame for his ballads whilst studying the law at Middle Temple. Byron was a friend.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67804] £260.00 (£312.00 incl.VAT)
Painted by George F. Mulvany, R.H.A. Engraved by George Raphael Ward.
Published Dec.r 1.st 1835, by the Proprietor, G.F. Mulvany, H.R.A. 24 Upper Sackville Street, Dublin, G.R. Ward, 30, Fitzroy Square, London.
Proof mezzotint, printed on chnine collé. 390 x 295mm (15¼ x 11½"). Scratch on face, small tear in chine collé, backing sheet lost lower right, some staining.
A half-length portrait of the Irish poet, musician and entertainer Thomas Moore (1779-1832), holding a monocle. He found fame for his ballads whilst studying the law at Middle Temple. Byron was a friend.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67804] £260.00 (£312.00 incl.VAT)
Thomas Moore Esq.r. To the most noble the Marquis of Lansowne &c. &c. This Portrait is by permission and with graet respect, dedicated by his Lordship's very Obedient Servant, George G. Mulvany. Proof.
Painted by George F. Mulvany, R.H.A. Engraved by George Raphael Ward.
Published Dec.r 1.st 1835, by the Proprietor, G.F. Mulvany, H.R.A. 24 Upper Sackville Street, Dublin, G.R. Ward, 30, Fitzroy Square, London.
Proof mezzotint. 390 x 295mm (15¼ x 11½"), with wide margins.
A half-length portrait of the Irish poet, musician and entertainer Thomas Moore (1779-1832), holding a monocle. He found fame for his ballads whilst studying the law at Middle Temple. Byron was a friend.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67805] £320.00
Painted by George F. Mulvany, R.H.A. Engraved by George Raphael Ward.
Published Dec.r 1.st 1835, by the Proprietor, G.F. Mulvany, H.R.A. 24 Upper Sackville Street, Dublin, G.R. Ward, 30, Fitzroy Square, London.
Proof mezzotint. 390 x 295mm (15¼ x 11½"), with wide margins.
A half-length portrait of the Irish poet, musician and entertainer Thomas Moore (1779-1832), holding a monocle. He found fame for his ballads whilst studying the law at Middle Temple. Byron was a friend.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67805] £320.00
![[John Charles Ogilby-Grant, 7th Earl] [The Earl of Seafield, Laird of Grant, & His Son, Viscount ReidHaven.]](jpegs/67738.jpg)
[John Charles Ogilby-Grant, 7th Earl] [The Earl of Seafield, Laird of Grant, & His Son, Viscount ReidHaven.]
[Painted by Francis Grant, R.A. Engraved by G. Raphael Ward.]
[London, Published by G.R. Ward, 38, Fitzroy Square, W.] [n.d., c.1860.]
Mixed-method engraving, proof before letters. Sheet 660 x 425mm (22 x 16¾"). Unidentified collector's stamp ''I F P'' on reverse. Nicks and tears in edges.
Full-length portraits of John Charles Ogilby-Grant (1815-81) and his son Ian (1851-84), in Scottish dress with kilts and sporrans, the father with sword and dagger.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67738] £320.00
[Painted by Francis Grant, R.A. Engraved by G. Raphael Ward.]
[London, Published by G.R. Ward, 38, Fitzroy Square, W.] [n.d., c.1860.]
Mixed-method engraving, proof before letters. Sheet 660 x 425mm (22 x 16¾"). Unidentified collector's stamp ''I F P'' on reverse. Nicks and tears in edges.
Full-length portraits of John Charles Ogilby-Grant (1815-81) and his son Ian (1851-84), in Scottish dress with kilts and sporrans, the father with sword and dagger.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67738] £320.00
Admiral The Honourable Sir Robert Stopford, G.C.B. &c. &c. &c. Rear Admiral of the United Kingdom & Governor of Greenwich Hospital.
Painted by Frederic R. Say. Engraved by G.R. Ward.
London: Published May 1st. 1843, by Thomas McLean, 26, Haymarket.
A fine mezzotint. 495 x 367mm. 19½ Cut to the platemark.
Sir Robert Stopford (1768-1847), Admiral; son of the second Earl of Courtown. He was present at the Relief of Gibraltar in 1781, and Rodney's victory in the West Indies a year later. He commanded the Aquilon in the Glorious First of June in 1794 and Phaeton in Cornwalli's retreat a year later. He was made Commander-in-Chief at the Cape of Good Hope in 1810, commanding in the Java expedition in 1811 and fighting in 1816 at San Domingo. 1827-30 he held the position of Commander-in-Chief at Portsmouth, commanding in Syria in 1840. In 1841-7 he was Governor of Greenwich Hospital.
Parker: 1031. From the Collection of Viscount Hood.
[Ref: 12397] £220.00 (£264.00 incl.VAT)
Painted by Frederic R. Say. Engraved by G.R. Ward.
London: Published May 1st. 1843, by Thomas McLean, 26, Haymarket.
A fine mezzotint. 495 x 367mm. 19½ Cut to the platemark.
Sir Robert Stopford (1768-1847), Admiral; son of the second Earl of Courtown. He was present at the Relief of Gibraltar in 1781, and Rodney's victory in the West Indies a year later. He commanded the Aquilon in the Glorious First of June in 1794 and Phaeton in Cornwalli's retreat a year later. He was made Commander-in-Chief at the Cape of Good Hope in 1810, commanding in the Java expedition in 1811 and fighting in 1816 at San Domingo. 1827-30 he held the position of Commander-in-Chief at Portsmouth, commanding in Syria in 1840. In 1841-7 he was Governor of Greenwich Hospital.
Parker: 1031. From the Collection of Viscount Hood.
[Ref: 12397] £220.00 (£264.00 incl.VAT)
![Tatton Sykes, Sledmere, Jan, 1st 1850. [facsimile mss.]](jpegs/49811.jpg)
Tatton Sykes, Sledmere, Jan, 1st 1850. [facsimile mss.]
Painted by Francis Grant, Esq.re, A.R.A. Engraved by G. Raphael Ward, Esq.re, 34 Fitzroy Square.
[n.d., c.1850.]
Mezzotint. Sheet 790 x 520mm (31 x 21½") Trimmed within plate, some surface wear & damaged.
Sir Tatton Sykes (1772-1863), 4th Baronet, on horseback. A landowner and stock breeder, his interest in horse racing led him to walk from London to Epsom to see the Derby in 1791. In 1846 Harry Hall painted him leading in a horse named 'Sir Tatton Sykes' after its St Leger win.
[Ref: 49811] £230.00 (£276.00 incl.VAT)
Painted by Francis Grant, Esq.re, A.R.A. Engraved by G. Raphael Ward, Esq.re, 34 Fitzroy Square.
[n.d., c.1850.]
Mezzotint. Sheet 790 x 520mm (31 x 21½") Trimmed within plate, some surface wear & damaged.
Sir Tatton Sykes (1772-1863), 4th Baronet, on horseback. A landowner and stock breeder, his interest in horse racing led him to walk from London to Epsom to see the Derby in 1791. In 1846 Harry Hall painted him leading in a horse named 'Sir Tatton Sykes' after its St Leger win.
[Ref: 49811] £230.00 (£276.00 incl.VAT)
![[Cardinal Nicholas Wiseman.]](jpegs/68205.jpg)
[Cardinal Nicholas Wiseman.]
[Painted by T.R. Herbert, R.A. Engraved by G.R. Ward.]
[London: Published March 1.st 1855, by the Engraver at 31, Fitzroy Square.]
Mezzotint, proof before letters, printed on chine collé. 515 x 375mm (20¼ x 14¾"). Trimmed to plate at bottom, surface scrapes, tears in backing sheet.
A three-quarter length seated portrait of Nicholas Wiseman (1802-1865), Cardinal and first Archbishop of Westminster, in his robes.
Ex Collection Hon. Christopher Lennox-Boyd.
[Ref: 68205] £260.00 (£312.00 incl.VAT)
[Painted by T.R. Herbert, R.A. Engraved by G.R. Ward.]
[London: Published March 1.st 1855, by the Engraver at 31, Fitzroy Square.]
Mezzotint, proof before letters, printed on chine collé. 515 x 375mm (20¼ x 14¾"). Trimmed to plate at bottom, surface scrapes, tears in backing sheet.
A three-quarter length seated portrait of Nicholas Wiseman (1802-1865), Cardinal and first Archbishop of Westminster, in his robes.
Ex Collection Hon. Christopher Lennox-Boyd.
[Ref: 68205] £260.00 (£312.00 incl.VAT)
![[Nicholas Wiseman] N. Card. Wiseman [facsimile signature].](jpegs/68207.jpg)
[Nicholas Wiseman] N. Card. Wiseman [facsimile signature].
[ainted by T.R. Herbert, R.A. Engraved by G.R. Ward.
London: Published March 1.st 1855, by the Engraver at 31, Fitzroy Square.
Mezzotint on chine collé, signed in ink by sitter. 515 x 375mm (20¼ x 14¾"), withlarge margins. Tear entering plate but not image on right.
A three-quarter length seated portrait of Nicholas Wiseman (1802-1865), Cardinal and first Archbishop of Westminster, in his robes.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68207] £360.00
[ainted by T.R. Herbert, R.A. Engraved by G.R. Ward.
London: Published March 1.st 1855, by the Engraver at 31, Fitzroy Square.
Mezzotint on chine collé, signed in ink by sitter. 515 x 375mm (20¼ x 14¾"), withlarge margins. Tear entering plate but not image on right.
A three-quarter length seated portrait of Nicholas Wiseman (1802-1865), Cardinal and first Archbishop of Westminster, in his robes.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68207] £360.00
![[Cardinal Nicholas Wiseman.]](jpegs/68206.jpg)
[Cardinal Nicholas Wiseman.]
[Painted by T.R. Herbert, R.A. Engraved by G.R. Ward.]
[London: Published March 1.st 1855, by the Engraver at 31, Fitzroy Square.]
Mezzotint, proof before letters. 515 x 375mm (20¼ x 14¾"), with large margins. Repaired nicks to margins.
A three-quarter length seated portrait of Nicholas Wiseman (1802-1865), Cardinal and first Archbishop of Westminster, in his robes.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68206] £260.00 (£312.00 incl.VAT)
[Painted by T.R. Herbert, R.A. Engraved by G.R. Ward.]
[London: Published March 1.st 1855, by the Engraver at 31, Fitzroy Square.]
Mezzotint, proof before letters. 515 x 375mm (20¼ x 14¾"), with large margins. Repaired nicks to margins.
A three-quarter length seated portrait of Nicholas Wiseman (1802-1865), Cardinal and first Archbishop of Westminster, in his robes.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68206] £260.00 (£312.00 incl.VAT)
![[Cardinal Nicholas Wiseman.]](jpegs/68311.jpg)
[Cardinal Nicholas Wiseman.]
[Painted by T.R. Herbert, R.A. Engraved by G.R. Ward.]
[London: Published March 1.st 1855, by the Engraver at 31, Fitzroy Square.]
Mezzotint, proof before letters, printed on chine collé. 515 x 375mm (20¼ x 14¾"). Chine collé scraped in lower left corner, backing sheet cracked top right corner.
A three-quarter length seated portrait of Nicholas Wiseman (1802-1865), Cardinal and first Archbishop of Westminster, in his robes.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68311] £260.00 (£312.00 incl.VAT)
[Painted by T.R. Herbert, R.A. Engraved by G.R. Ward.]
[London: Published March 1.st 1855, by the Engraver at 31, Fitzroy Square.]
Mezzotint, proof before letters, printed on chine collé. 515 x 375mm (20¼ x 14¾"). Chine collé scraped in lower left corner, backing sheet cracked top right corner.
A three-quarter length seated portrait of Nicholas Wiseman (1802-1865), Cardinal and first Archbishop of Westminster, in his robes.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68311] £260.00 (£312.00 incl.VAT)