A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Defence of the Breach at S.t Jean D'Acre, May 8.th 1799.
W. Heath del.t. T. Sutherland sculp.t.
London. Pub. Nov.r 1815 by J. Jenkins, 48 Strand.
Hand coloured aquatint with accompanying letterpress, J. Whatman 1812 watermark; 210 x 295mm (8¼ x 11¾"), with large margins. Damp stain right corner.
From, 'The Martial Achievements of Great Britain and Her Allies; From 1799 to 1815.' The Siege of Acre,18th March to 20th May 1799, was the unsuccessful French siege of the Ottoman-defended walled city of Acre, where he was defeated by Sir Sidney Smith; also the turning point of Napoleon's invasion of Egypt and Syria.
[Ref: 67652] £260.00 (£312.00 incl.VAT)
W. Heath del.t. T. Sutherland sculp.t.
London. Pub. Nov.r 1815 by J. Jenkins, 48 Strand.
Hand coloured aquatint with accompanying letterpress, J. Whatman 1812 watermark; 210 x 295mm (8¼ x 11¾"), with large margins. Damp stain right corner.
From, 'The Martial Achievements of Great Britain and Her Allies; From 1799 to 1815.' The Siege of Acre,18th March to 20th May 1799, was the unsuccessful French siege of the Ottoman-defended walled city of Acre, where he was defeated by Sir Sidney Smith; also the turning point of Napoleon's invasion of Egypt and Syria.
[Ref: 67652] £260.00 (£312.00 incl.VAT)
A Quinta (Farm).
E.E. Vidal, Esq. del.t. Sutherland & Maile sculp.t.
London. Published Aug.t 1st 1820 at R. Ackermann's, 101 Strand.
Aquatint, printed in colours & hand finished. 255 x 305mm (10 x 12"). Thread margin at top; bottom of inscription area rubbed, repairs to margins.
A view of an opulent house from the Rio de la Plata, surrounded by fruit trees, with women washing clothes in the foreground, with high-wheeled carts in the middle distance. From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698.23. Vidal's text is available on Google Books.
[Ref: 45752] £180.00 (£216.00 incl.VAT)
E.E. Vidal, Esq. del.t. Sutherland & Maile sculp.t.
London. Published Aug.t 1st 1820 at R. Ackermann's, 101 Strand.
Aquatint, printed in colours & hand finished. 255 x 305mm (10 x 12"). Thread margin at top; bottom of inscription area rubbed, repairs to margins.
A view of an opulent house from the Rio de la Plata, surrounded by fruit trees, with women washing clothes in the foreground, with high-wheeled carts in the middle distance. From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698.23. Vidal's text is available on Google Books.
[Ref: 45752] £180.00 (£216.00 incl.VAT)
Travelling Post.
E.E. Vidal, Esq. del.t. T. Sutherland sculp.t.
London. Published June 1st 1820 at R. Ackermann's, 101 Strand.
Fine aquatint, printed in colours & hand finished. 325 x 520mm (12¾" x 20½"). Centre fold, as issued, repairs to centre fold and nicks in margins.
A coach pulled by four mules with a lead horse. One of the few double-page plates from Emeric Essex Vidal's "Picturesque Illustrations of Buenos Ayres and Monte Video". Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816, the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile. From one of the earliest representations of Argentinian life.
Abbey Travel: 698. Vidal's text is available on Google Books.
[Ref: 52872] £320.00
E.E. Vidal, Esq. del.t. T. Sutherland sculp.t.
London. Published June 1st 1820 at R. Ackermann's, 101 Strand.
Fine aquatint, printed in colours & hand finished. 325 x 520mm (12¾" x 20½"). Centre fold, as issued, repairs to centre fold and nicks in margins.
A coach pulled by four mules with a lead horse. One of the few double-page plates from Emeric Essex Vidal's "Picturesque Illustrations of Buenos Ayres and Monte Video". Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816, the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile. From one of the earliest representations of Argentinian life.
Abbey Travel: 698. Vidal's text is available on Google Books.
[Ref: 52872] £320.00
Convoy of Wine Mules.
E.E. Vidal, Esq. del.t. G. Maile & T. Sutherland sculp.t.
London. Published Aug.t 1st 1820 at R. Ackermann's, 101 Strand.
Aquatint, printed in colours & hand finished. 255 x 305mm (10 x 12"), on Whatman Turkey Mill paper dated 1819. Mount burn around image.
Early wine related image showing a rider on horse leading a convoy of mules, each laden with two barrels of wine. Vidal saw these coming from Mendoza in Cuyo, describing the convoy as between two-and-three hundred mules, each with two ten-gallon casks, accompanied by only three or four riders. From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698.19. Vidal's text is available on Google Books.
[Ref: 45753] £190.00 (£228.00 incl.VAT)
E.E. Vidal, Esq. del.t. G. Maile & T. Sutherland sculp.t.
London. Published Aug.t 1st 1820 at R. Ackermann's, 101 Strand.
Aquatint, printed in colours & hand finished. 255 x 305mm (10 x 12"), on Whatman Turkey Mill paper dated 1819. Mount burn around image.
Early wine related image showing a rider on horse leading a convoy of mules, each laden with two barrels of wine. Vidal saw these coming from Mendoza in Cuyo, describing the convoy as between two-and-three hundred mules, each with two ten-gallon casks, accompanied by only three or four riders. From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698.19. Vidal's text is available on Google Books.
[Ref: 45753] £190.00 (£228.00 incl.VAT)
Monte Video, From the Anchorage outside the Harbour. Buenos Ayres, From the Bank between the Outer and Inner Roads.
E.E. Vidal, Esq. del.t. T. Sutherland sculp.t.
London. Published May 1st 1820 at R. Ackermann's, 101 Strand.
Fine aquatint, printed in colours & hand finished. 325 x 510mm (12¾" x 20"). Centre fold, as issued, repairs to centre fold left edge.
Separate views of the capital cities of Uruguay and Argentina from the sea. One of the few double-page plates from Emeric Essex Vidal's "Picturesque Illustrations of Buenos Ayres and Monte Video". Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816, the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile. From one of the earliest representations of Argentinian life.
Abbey Travel: 698. Vidal's text is available on Google Books.
[Ref: 52875] £380.00
E.E. Vidal, Esq. del.t. T. Sutherland sculp.t.
London. Published May 1st 1820 at R. Ackermann's, 101 Strand.
Fine aquatint, printed in colours & hand finished. 325 x 510mm (12¾" x 20"). Centre fold, as issued, repairs to centre fold left edge.
Separate views of the capital cities of Uruguay and Argentina from the sea. One of the few double-page plates from Emeric Essex Vidal's "Picturesque Illustrations of Buenos Ayres and Monte Video". Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816, the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile. From one of the earliest representations of Argentinian life.
Abbey Travel: 698. Vidal's text is available on Google Books.
[Ref: 52875] £380.00
Fort.
E.E. Vidal Esq. del.t. T. Sutherland sculp.t
London. Published July 1st 1820 at R. Ackermann's, 101 Strand.
Aquatint, printed in colours & hand finished. 255 x 305mm (10 x 12").
The Fort, residence of the Chief Director of the United Provinces, on the edge of the river at Buenos Aires. Vidal describes the spot as a popular spot to bathe, both men and women. In the background are the churches of San Francisco and Dan Domingo. From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698.3. Vidal's text is available on Google Books.
[Ref: 45750] £160.00 (£192.00 incl.VAT)
E.E. Vidal Esq. del.t. T. Sutherland sculp.t
London. Published July 1st 1820 at R. Ackermann's, 101 Strand.
Aquatint, printed in colours & hand finished. 255 x 305mm (10 x 12").
The Fort, residence of the Chief Director of the United Provinces, on the edge of the river at Buenos Aires. Vidal describes the spot as a popular spot to bathe, both men and women. In the background are the churches of San Francisco and Dan Domingo. From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698.3. Vidal's text is available on Google Books.
[Ref: 45750] £160.00 (£192.00 incl.VAT)
General View of Buenos Ayres, from the Plaza de Toros.
E.E. Vidal Esq. del.t. G.Maile & T. Sutherland sculp.t.
London. Published Oct.r 1st 1820 at R. Ackermann's, 101 Strand.
Aquatint, printed in colours & hand finished. Sheet 310 x 490mm. Folded as issued, trimmed within plate, surface scuffed, paper toned, laid on card.
From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698. Vidal's text is available on Google Books.
[Ref: 45946] £160.00 (£192.00 incl.VAT)
E.E. Vidal Esq. del.t. G.Maile & T. Sutherland sculp.t.
London. Published Oct.r 1st 1820 at R. Ackermann's, 101 Strand.
Aquatint, printed in colours & hand finished. Sheet 310 x 490mm. Folded as issued, trimmed within plate, surface scuffed, paper toned, laid on card.
From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698. Vidal's text is available on Google Books.
[Ref: 45946] £160.00 (£192.00 incl.VAT)
Fort.
E.E. Vidal, Esq. del.t. T. Sutherland sculp.t.
London: Published July 1. 1820, at R. Ackermann's, 101, Strand.
Fine coloured aquatint. 250 x 300mm (10 x 11¾") with wide margins. Holes in top edge where it has previously been bound. Light staining in margins.
The Fort, residence of the Chief Director of the United Provinces, on the edge of the river at Buenos Aires. Vidal describes the spot as a popular spot to bathe, both men and women. In the background are the churches of San Francisco and Dan Domingo. From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698.3. Vidal's text is available on Google Books.
[Ref: 52746] £260.00 (£312.00 incl.VAT)
E.E. Vidal, Esq. del.t. T. Sutherland sculp.t.
London: Published July 1. 1820, at R. Ackermann's, 101, Strand.
Fine coloured aquatint. 250 x 300mm (10 x 11¾") with wide margins. Holes in top edge where it has previously been bound. Light staining in margins.
The Fort, residence of the Chief Director of the United Provinces, on the edge of the river at Buenos Aires. Vidal describes the spot as a popular spot to bathe, both men and women. In the background are the churches of San Francisco and Dan Domingo. From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698.3. Vidal's text is available on Google Books.
[Ref: 52746] £260.00 (£312.00 incl.VAT)
Milk Boys.
E.E. Vidal, Esq. del.t. T. Sutherland sculp.
London: Published May 1. 1820, at R. Ackermann's, 101, Strand.
Fine coloured aquatint. 250 x 300mm (10 x 11¾") with wide margins. Holes in top edge were previously bound. Light staining in margins.
Two riders with saddles with special holders for jugs of milk. From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698. Vidal's text is available on Google Books.
[Ref: 52749] £240.00 (£288.00 incl.VAT)
E.E. Vidal, Esq. del.t. T. Sutherland sculp.
London: Published May 1. 1820, at R. Ackermann's, 101, Strand.
Fine coloured aquatint. 250 x 300mm (10 x 11¾") with wide margins. Holes in top edge were previously bound. Light staining in margins.
Two riders with saddles with special holders for jugs of milk. From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698. Vidal's text is available on Google Books.
[Ref: 52749] £240.00 (£288.00 incl.VAT)
Balling Ostriches.
E.E. Vidal, Esq. del.t. T. Sutherland sculp.
London: Published May 1. 1820, at R. Ackermann's, 101, Strand.
Coloured aquatint. 250 x 300mm (10 x 11¾" with wide margins. Holes in top edge where it has previously been bound. Light staining in margins.
A gaucho chasing a Rhea, swinging a bolas. From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698. Vidal's text is available on Google Books.
[Ref: 52752] £240.00 (£288.00 incl.VAT)
E.E. Vidal, Esq. del.t. T. Sutherland sculp.
London: Published May 1. 1820, at R. Ackermann's, 101, Strand.
Coloured aquatint. 250 x 300mm (10 x 11¾" with wide margins. Holes in top edge where it has previously been bound. Light staining in margins.
A gaucho chasing a Rhea, swinging a bolas. From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698. Vidal's text is available on Google Books.
[Ref: 52752] £240.00 (£288.00 incl.VAT)
![[A Quinta (Farm).]](jpegs/25019.jpg)
[A Quinta (Farm).]
E.E. Vidal, Esq. del.t Sutherland & Maile sculp.t
[London: Published by R. Ackermann, 101, Strand. Printed by L. Harrison, 373, Strand. M.DCCC.XX. (1820).]
Coloured aquatint. 203 x 267mm. 8 x 10½". Cut.
At the river's edge two women wash clothes, with a large residence behind; in the middle cows pull carts. From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698.23. Vidal's text is available on Google Books.
[Ref: 25019] £170.00 (£204.00 incl.VAT)
E.E. Vidal, Esq. del.t Sutherland & Maile sculp.t
[London: Published by R. Ackermann, 101, Strand. Printed by L. Harrison, 373, Strand. M.DCCC.XX. (1820).]
Coloured aquatint. 203 x 267mm. 8 x 10½". Cut.
At the river's edge two women wash clothes, with a large residence behind; in the middle cows pull carts. From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698.23. Vidal's text is available on Google Books.
[Ref: 25019] £170.00 (£204.00 incl.VAT)
A Horse Race.
E.E. Vidal Esq. del.t. G.Maile & T. Sutherland sculp.t.
London. Published Oct.r 1st 1820 at R. Ackermann's, 101 Strand.
Aquatint, printed in colours & hand finished. Sheet 310 x 490mm. Folded as issued, trimmed within plate, surface scuffed, paper toned, laid on card.
From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698. Vidal's text is available on Google Books.
[Ref: 45677] £260.00 (£312.00 incl.VAT)
E.E. Vidal Esq. del.t. G.Maile & T. Sutherland sculp.t.
London. Published Oct.r 1st 1820 at R. Ackermann's, 101 Strand.
Aquatint, printed in colours & hand finished. Sheet 310 x 490mm. Folded as issued, trimmed within plate, surface scuffed, paper toned, laid on card.
From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698. Vidal's text is available on Google Books.
[Ref: 45677] £260.00 (£312.00 incl.VAT)
![[Fort.]](jpegs/25009.jpg)
[Fort.]
E.E. Vidal, Esq. del.t. T. Sutherland sculp.t
[London: Published by R. Ackermann, 101, Strand. Printed by L. Harrison, 373, Strand. M.DCCC.XX. (1820).]
Coloured aquatint. 203 x 267mm. 8 x 10½". Cut.
The Fort, residence of the Chief Director of the United Provinces, on the edge of the river at Buenos Aires. Vidal describes the spot as a popular spot to bathe, both men and women. In the background are the churches of San Francisco and Dan Domingo. From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698.3. Vidal's text is available on Google Books.
[Ref: 25009] £140.00 (£168.00 incl.VAT)
E.E. Vidal, Esq. del.t. T. Sutherland sculp.t
[London: Published by R. Ackermann, 101, Strand. Printed by L. Harrison, 373, Strand. M.DCCC.XX. (1820).]
Coloured aquatint. 203 x 267mm. 8 x 10½". Cut.
The Fort, residence of the Chief Director of the United Provinces, on the edge of the river at Buenos Aires. Vidal describes the spot as a popular spot to bathe, both men and women. In the background are the churches of San Francisco and Dan Domingo. From Emeric Essex Vidal's ''Picturesque Illustrations of Buenos Ayres and Monte Video'', one of the earliest descriptions of Argentinian life. Born c. 1788, Vidal entered the Navy in 1808 and retired in 1862. He visited Buenos Aires and Montevideo twice at the end of 1816 (the year Argentina became independent), returning 1828-9. He was stationed on St Helena 1820-1, during Bonaparte's exile.
Abbey Travel: 698.3. Vidal's text is available on Google Books.
[Ref: 25009] £140.00 (£168.00 incl.VAT)
Capture of the Argus, Aug.t. 14.th. 1813.
Painted by T. Whitcombe. Engraved by T. Sutherland.
Publish'd Feb.y. 1. 1817 at 48 Strand for J. Jenkin's Naval Achievements.
Handcoloured aquatint. With letterpress. Plate: 300 x 220, (12 x 8¾"). Very large margins.
A naval battle scene showing the capture of the American brig Argus under the command of Lieutenant W. H. Allen by the British brig Pelican under the command of Commander J. F. Maples off St. David's lighthouse. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker: 232.
[Ref: 39372] £360.00
Painted by T. Whitcombe. Engraved by T. Sutherland.
Publish'd Feb.y. 1. 1817 at 48 Strand for J. Jenkin's Naval Achievements.
Handcoloured aquatint. With letterpress. Plate: 300 x 220, (12 x 8¾"). Very large margins.
A naval battle scene showing the capture of the American brig Argus under the command of Lieutenant W. H. Allen by the British brig Pelican under the command of Commander J. F. Maples off St. David's lighthouse. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker: 232.
[Ref: 39372] £360.00
Capture of the Argus, August 14th, 1813. From a painting in the possession of Capt.n Maples.
Painted by Whitcombe. Engraved by T. Sutherland.
[n.d., c.1813].
Hand coloured aquatint. Sheet size: 155 x 225mm (6 x 8¾"). Sligh stain in sky. Cut inside platemark.
The first USS Argus, originally named USS Merrimack, was a brig in the United States Navy commissioned in 1803. Under the command of Master Commandant William Henry Allen, Argus broke out of New York Harbor on 18 June 1813, eluding the British blockade. The heavier British ship HMS Pelican intercepted Argus on the morning of August 14th 1813. A sharp fight commenced, during which Captain Allen was mortally wounded, and the American crew surrendered when the crew of the Pelican were about to board. Pelican and the captured Argus then sailed to Plymouth, England, where Allen died of his wounds a week after the battle. He was buried with full military honours. The rest of the crew, including sailing master Uriah P. Levy, were held as prisoners of war in Dartmoor, England for the duration of the war.
[Ref: 33621] £160.00 (£192.00 incl.VAT)
Painted by Whitcombe. Engraved by T. Sutherland.
[n.d., c.1813].
Hand coloured aquatint. Sheet size: 155 x 225mm (6 x 8¾"). Sligh stain in sky. Cut inside platemark.
The first USS Argus, originally named USS Merrimack, was a brig in the United States Navy commissioned in 1803. Under the command of Master Commandant William Henry Allen, Argus broke out of New York Harbor on 18 June 1813, eluding the British blockade. The heavier British ship HMS Pelican intercepted Argus on the morning of August 14th 1813. A sharp fight commenced, during which Captain Allen was mortally wounded, and the American crew surrendered when the crew of the Pelican were about to board. Pelican and the captured Argus then sailed to Plymouth, England, where Allen died of his wounds a week after the battle. He was buried with full military honours. The rest of the crew, including sailing master Uriah P. Levy, were held as prisoners of war in Dartmoor, England for the duration of the war.
[Ref: 33621] £160.00 (£192.00 incl.VAT)
Babbacombe.
T. Fidlor Delint. T. Sutherland Sculpt.
Published by E. Croydon, Public Library, Teignmouth.
Aquatint, image 190 x 300mm. 7½ x 11¾". Trimmed within plate. Slight stain bottom left and right off image
A coastal village, boats and figures on beach to foreground; Babbacombe is now a district of Torquay, Devon.
Not in Abbey.
[Ref: 20289] £95.00 (£114.00 incl.VAT)
T. Fidlor Delint. T. Sutherland Sculpt.
Published by E. Croydon, Public Library, Teignmouth.
Aquatint, image 190 x 300mm. 7½ x 11¾". Trimmed within plate. Slight stain bottom left and right off image
A coastal village, boats and figures on beach to foreground; Babbacombe is now a district of Torquay, Devon.
Not in Abbey.
[Ref: 20289] £95.00 (£114.00 incl.VAT)
Capture of the Badere Zaffir, July 6.th. 1808.
Painted by Whitcombe. Engraved by T. Sutherland.
Pub.d. Dec.r. 1. 1816, at 48 Strand, for J. Jenkins's Naval Achievements.
Hand coloured aquatint. Plate: 300 x 215mm (12 x 8½"). Very large margins.
A naval scene showing the capture of the Turkish vessel Badere-I-Zaffér by the British frigate Seahorse under the command of Captain J. Stewart. The Badere-I-Zaffér was so badly damaged that she was useless to the British navy. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
[Ref: 39264] £240.00 (£288.00 incl.VAT)
Painted by Whitcombe. Engraved by T. Sutherland.
Pub.d. Dec.r. 1. 1816, at 48 Strand, for J. Jenkins's Naval Achievements.
Hand coloured aquatint. Plate: 300 x 215mm (12 x 8½"). Very large margins.
A naval scene showing the capture of the Turkish vessel Badere-I-Zaffér by the British frigate Seahorse under the command of Captain J. Stewart. The Badere-I-Zaffér was so badly damaged that she was useless to the British navy. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
[Ref: 39264] £240.00 (£288.00 incl.VAT)
Destruction of the French Fleet in Basque Roads_ April 12.th. 1809.
Painted by T. Whitcombe. Engraved by T. Sutherland.
Published Feb.y. 1. 1817 at 48 Strand for J. Jenkin's Naval Achievements.
Handcoloured aquatint. Plate: 300 x 220, (12 x 8¾"). Very large margins.
A naval scene showing the defeat of the French fleet under Vice-Admiral Willaumez, by the British under the command of Admiral Lord Gambier and Lord Thomas Cochrane off the coast of the Isle d'Aix. The British failed to defeat the entire fleet and Cochrane publically accused Gambier of not persuing the French hard enough. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker: 200.
[Ref: 39369] £240.00 (£288.00 incl.VAT)
Painted by T. Whitcombe. Engraved by T. Sutherland.
Published Feb.y. 1. 1817 at 48 Strand for J. Jenkin's Naval Achievements.
Handcoloured aquatint. Plate: 300 x 220, (12 x 8¾"). Very large margins.
A naval scene showing the defeat of the French fleet under Vice-Admiral Willaumez, by the British under the command of Admiral Lord Gambier and Lord Thomas Cochrane off the coast of the Isle d'Aix. The British failed to defeat the entire fleet and Cochrane publically accused Gambier of not persuing the French hard enough. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker: 200.
[Ref: 39369] £240.00 (£288.00 incl.VAT)
Lansdown Crescent Bath.
D. Cox Delt. Smart & Sutherland, Sculpt.
London, Published Jany. 1st 1820, by S. & J. Fuller, 34 Rathbone Place.
Aquatint in original colour by hand, very rare; 275 x 325mm. 10¾ x 12¾". An early issue on Whatman paper.
View of the Royal Crescent, Bath, which was designed by John Palmer and built between 1789 and 1793. It enjoys a view over central Bath, being sited on Lansdown Hill near to but higher than the Royal Crescent. From 'Six Views of the City of Bath. From drawings made by David Cox' ("Price £1 10s. In Colours"). David Cox (1783-1859), landscape painter; Cox stayed in Bath in 1819, in 1836 and again in 1840.
Abbey Scenery 44, 3. Bath Central Library Collection IOB 560 1104675272.
[Ref: 27400] £250.00 (£300.00 incl.VAT)
D. Cox Delt. Smart & Sutherland, Sculpt.
London, Published Jany. 1st 1820, by S. & J. Fuller, 34 Rathbone Place.
Aquatint in original colour by hand, very rare; 275 x 325mm. 10¾ x 12¾". An early issue on Whatman paper.
View of the Royal Crescent, Bath, which was designed by John Palmer and built between 1789 and 1793. It enjoys a view over central Bath, being sited on Lansdown Hill near to but higher than the Royal Crescent. From 'Six Views of the City of Bath. From drawings made by David Cox' ("Price £1 10s. In Colours"). David Cox (1783-1859), landscape painter; Cox stayed in Bath in 1819, in 1836 and again in 1840.
Abbey Scenery 44, 3. Bath Central Library Collection IOB 560 1104675272.
[Ref: 27400] £250.00 (£300.00 incl.VAT)
Bath from the Beacon Cliffs.
D. Cox Delt. Smart & Sutherland Sculpt.
London, Published Jany. 1st 1820, by S. & J. Fuller, 34 Rathbone Place.
Aquatint in original colour by hand, very rare; 275 x 325mm. 10¾ x 12¾". An early issue on Whatman paper.
A prospect of the City of Bath. From 'Six Views of the City of Bath. From drawings made by David Cox' ("Price £1 10s. In Colours"). David Cox (1783-1859), landscape painter; Cox stayed in Bath in 1819, in 1836 and again in 1840.
Abbey Scenery 44, 6. Bath Central Library Collection IOB 194 1104675272.
[Ref: 27402] £250.00 (£300.00 incl.VAT)
D. Cox Delt. Smart & Sutherland Sculpt.
London, Published Jany. 1st 1820, by S. & J. Fuller, 34 Rathbone Place.
Aquatint in original colour by hand, very rare; 275 x 325mm. 10¾ x 12¾". An early issue on Whatman paper.
A prospect of the City of Bath. From 'Six Views of the City of Bath. From drawings made by David Cox' ("Price £1 10s. In Colours"). David Cox (1783-1859), landscape painter; Cox stayed in Bath in 1819, in 1836 and again in 1840.
Abbey Scenery 44, 6. Bath Central Library Collection IOB 194 1104675272.
[Ref: 27402] £250.00 (£300.00 incl.VAT)
The Town of Bingen.
Schutz del.t. T. Sutherland sculp.t.
London, Pub.d Octo.r 1819, at 101 Strand for R. Ackermann's Views on the Rhine.
Coloured aquatint. 250 x 295mm (10 x 11¾"). Faint mount burn in margins.
A view of Bingen am Rhein in Rhineland-Palatinate, with the Basilica of St. Martin on the right. From 'A Picturesque tour along the Rhine from Mentz to Cologne' by Baron Johann Issac von Gerning.
Abbey 217: 'important book', also published in German and Spanish.
[Ref: 48135] £140.00 (£168.00 incl.VAT)
Schutz del.t. T. Sutherland sculp.t.
London, Pub.d Octo.r 1819, at 101 Strand for R. Ackermann's Views on the Rhine.
Coloured aquatint. 250 x 295mm (10 x 11¾"). Faint mount burn in margins.
A view of Bingen am Rhein in Rhineland-Palatinate, with the Basilica of St. Martin on the right. From 'A Picturesque tour along the Rhine from Mentz to Cologne' by Baron Johann Issac von Gerning.
Abbey 217: 'important book', also published in German and Spanish.
[Ref: 48135] £140.00 (£168.00 incl.VAT)
View of Blackfriars Bridge and St Paul's Cathedral, from the Patent Shot Manufactory on the South Side of the River.
Drawn & Etch'd by Danl. Turner. Aquatinted by Thos.Sutherland.
Publish'd Septr. 1, 1803, by Laurie & Whittle, 53 Fleet Street London.
Aquatint and Etching. 290 x 410mm
Watt's Shot Tower on the Lambeth bank of the River Thames in the foreground. The area around the 1789 square tower was known as Prince's Meadow made up of dwelling houses, warehouses, dyehouses, storehouses, accounting houses, brewhouses, coachhouses, carthouses, stables, sawhouses, cranes, sheds, wharves, yards, gardens, fields, ponds and canals.
[Ref: 6201] £420.00
Drawn & Etch'd by Danl. Turner. Aquatinted by Thos.Sutherland.
Publish'd Septr. 1, 1803, by Laurie & Whittle, 53 Fleet Street London.
Aquatint and Etching. 290 x 410mm
Watt's Shot Tower on the Lambeth bank of the River Thames in the foreground. The area around the 1789 square tower was known as Prince's Meadow made up of dwelling houses, warehouses, dyehouses, storehouses, accounting houses, brewhouses, coachhouses, carthouses, stables, sawhouses, cranes, sheds, wharves, yards, gardens, fields, ponds and canals.
[Ref: 6201] £420.00
View of Blackfriars Bridge & S.t Pauls, from the Patent Shot Manufactory on the South Side of the River.
Drawn & Etch'd by Dan.l Turner. Aquatinted by Tho.s Sutherland.
Publish'd Sept.r 1. 1803 by Laurie & Whittle, 53, Fleet Street, London.
Aquatint with etching. 300 x 410mm (11¾ x 16"). Laid on card at edges.
A view of St Paul's Cathedral and Blackfriars Bridge, with the shot tower built by William Watt in 1789, taken from the Thames.
[Ref: 62009] £320.00
Drawn & Etch'd by Dan.l Turner. Aquatinted by Tho.s Sutherland.
Publish'd Sept.r 1. 1803 by Laurie & Whittle, 53, Fleet Street, London.
Aquatint with etching. 300 x 410mm (11¾ x 16"). Laid on card at edges.
A view of St Paul's Cathedral and Blackfriars Bridge, with the shot tower built by William Watt in 1789, taken from the Thames.
[Ref: 62009] £320.00
The West or Garden Front of The Pavilion at Brighton, the Marine Palace of his Majesty, George IVth.
[Engraved by T.Sutherland.]
Drawn and Published by J. Cordwell, at his Repository, 20 Great East Street, Brighton, 1824.
Aquatint, fine impression. 290 x 350mm (11½ x 13¾"), with very large margins.
View of the back entrance of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. This example lacks the engraver's name.
Ford: Images of Brighton, 538.
[Ref: 44556] £180.00 (£216.00 incl.VAT)
[Engraved by T.Sutherland.]
Drawn and Published by J. Cordwell, at his Repository, 20 Great East Street, Brighton, 1824.
Aquatint, fine impression. 290 x 350mm (11½ x 13¾"), with very large margins.
View of the back entrance of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. This example lacks the engraver's name.
Ford: Images of Brighton, 538.
[Ref: 44556] £180.00 (£216.00 incl.VAT)
![Brighton Pavilion. View of the Steyne Front. [Old ink mss.]](jpegs/21553.jpg)
Brighton Pavilion. View of the Steyne Front. [Old ink mss.] [Perspective view of the Steine Front.]
[G.F. Robinson Del.t. T.Sutherland Acqua.t.]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, April, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued, again laid on later board. Image 200 x 320mm, 8 x 12½". Pinholes in card corners, soiling of card edges, number label bottom right.
View of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 436.
[Ref: 21553] £280.00 (£336.00 incl.VAT)
[G.F. Robinson Del.t. T.Sutherland Acqua.t.]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, April, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued, again laid on later board. Image 200 x 320mm, 8 x 12½". Pinholes in card corners, soiling of card edges, number label bottom right.
View of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 436.
[Ref: 21553] £280.00 (£336.00 incl.VAT)
![Brighton Pavilion. North Wing of the West Front. The Private Apartments of his Majesty George IV. [Old ink mss.]](jpegs/21554.jpg)
Brighton Pavilion. North Wing of the West Front. The Private Apartments of his Majesty George IV. [Old ink mss.] [The King's Private Apartment.]
[Cha.s Moore, del.t. T.Sutherland Acqua.t.]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, April, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued, again laid on later board. Image 200 x 320mm, 8 x 12½". Pinholes in card corners, soiling of card edges, number label bottom right.
View of the rear of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 442.
[Ref: 21554] £280.00 (£336.00 incl.VAT)
[Cha.s Moore, del.t. T.Sutherland Acqua.t.]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, April, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued, again laid on later board. Image 200 x 320mm, 8 x 12½". Pinholes in card corners, soiling of card edges, number label bottom right.
View of the rear of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 442.
[Ref: 21554] £280.00 (£336.00 incl.VAT)
![Brighton Pavilion. North Front of the Stables. Brighton Pavilion. The Riding Stables [Old ink mss.]](jpegs/21556.jpg)
Brighton Pavilion. North Front of the Stables. Brighton Pavilion. The Riding Stables [Old ink mss.] [Stables towards Church Street. Riding House]
[A. Pugin, Del.t. T.Sutherland Aqua.t. [&] Augs. Pugin Del.t. M.Dubourg Sculp.t ]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, March 1, [& July 1] 1824 ]
Two aquatints printed in colours and hand finished, trimmed and mounted on brown card together, as issued, again laid on later board. Images 110 x 180mm, 4¼ x 7" & 110 x 190, 4¼ x 7½". Pinholes in card corners, soiling of card edges, number label bottom right.
The exterior of the Stables from Church Street and the interior of the Riding House of the Royal Pavilion at Brighton, built 1803-8, before the main buildings were re-designed by John Nash between 1815-1822. Designed by William Porden in an Indian style, the building provided stabling for sixty horses. The Stables now form part of the Dome arts venue; the Riding School became the Brighton Corn Exchange. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 460 & 461.
[Ref: 21556] £250.00 (£300.00 incl.VAT)
[A. Pugin, Del.t. T.Sutherland Aqua.t. [&] Augs. Pugin Del.t. M.Dubourg Sculp.t ]
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, March 1, [& July 1] 1824 ]
Two aquatints printed in colours and hand finished, trimmed and mounted on brown card together, as issued, again laid on later board. Images 110 x 180mm, 4¼ x 7" & 110 x 190, 4¼ x 7½". Pinholes in card corners, soiling of card edges, number label bottom right.
The exterior of the Stables from Church Street and the interior of the Riding House of the Royal Pavilion at Brighton, built 1803-8, before the main buildings were re-designed by John Nash between 1815-1822. Designed by William Porden in an Indian style, the building provided stabling for sixty horses. The Stables now form part of the Dome arts venue; the Riding School became the Brighton Corn Exchange. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 460 & 461.
[Ref: 21556] £250.00 (£300.00 incl.VAT)
![[Perspective View of the Stable Building.]](jpegs/21558.jpg)
[Perspective View of the Stable Building.]
[A. Pugin, Del.t. T.Sutherland Aqua.t.
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued. Image 190 x 330mm, 7½ x 13". Card spotted.
The Stables as seen from the Royal Pavilion at Brighton, built 1803-8 to provided stabling for sixty horses, completed before the main buildings of the Pavilion were re-designed by John Nash between 1815-1822. Designed by William Porden in an Indian style, the main feature was a vast 24-metre glass dome which many detractors predicted would collapse as soon as the scaffolding was removed. It survived and is now part of the Dome arts venue. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 458.
[Ref: 21558] £280.00 (£336.00 incl.VAT)
[A. Pugin, Del.t. T.Sutherland Aqua.t.
[John Nash Esq.r and Sold by Ackermann, 101, Strand, London, 1824.]
Aquatint printed in colours and hand finished, trimmed and mounted on brown card, as issued. Image 190 x 330mm, 7½ x 13". Card spotted.
The Stables as seen from the Royal Pavilion at Brighton, built 1803-8 to provided stabling for sixty horses, completed before the main buildings of the Pavilion were re-designed by John Nash between 1815-1822. Designed by William Porden in an Indian style, the main feature was a vast 24-metre glass dome which many detractors predicted would collapse as soon as the scaffolding was removed. It survived and is now part of the Dome arts venue. From John Nash's 'The Royal Pavilion at Brighton', published by Nash at the command of George IV. The title in square brackets above is taken from the Index of Subjects.
Abbey: Scenery, 62; Ford: Images of Brighton, 458.
[Ref: 21558] £280.00 (£336.00 incl.VAT)
The Pavilion at Brighton, the Marine Palace of his Majesty, George IVth.
Engraved by T.Sutherland.
Drawn and Published by J. Cordwell, at his Repository, 20 Great East Street, Brighton, 1821.
Aquatint printed in colours and hand finished, cut and laid on album paper. Sheet 235 x 305mm, 9¼ x 12".
View of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. In the foreground is the traffic on the Steine; above the title the rooms are identified, marking the Kitchen, drawing rooms, the Round Salon and the Music Room.
Ford: Images of Brighton, 491.
[Ref: 21576] £160.00 (£192.00 incl.VAT)
Engraved by T.Sutherland.
Drawn and Published by J. Cordwell, at his Repository, 20 Great East Street, Brighton, 1821.
Aquatint printed in colours and hand finished, cut and laid on album paper. Sheet 235 x 305mm, 9¼ x 12".
View of the front of the Royal Pavilion at Brighton, as re-designed by John Nash between 1815-1822. Although the exterior was in the Indo-Saracenic style the interiors were in the most extravagant chinoiserie style ever executed in the British Isles. In the foreground is the traffic on the Steine; above the title the rooms are identified, marking the Kitchen, drawing rooms, the Round Salon and the Music Room.
Ford: Images of Brighton, 491.
[Ref: 21576] £160.00 (£192.00 incl.VAT)
Cart Horse, Now in the possession of C. Blake, Esq.r Aged 31 Years.
Painted by S. Alken. Engraved by T. Sutherland.
London, Published Jan.y 1.st 1821 by J. Hudson, 85, Cheapside.
Scarce coloured aquatint with fine hand colour. Sheet 265 x 290mm (10½ x 11½"). Trimmed.
An elderly horse in its tackle, in a stable.
[Ref: 62337] £160.00 (£192.00 incl.VAT)
Painted by S. Alken. Engraved by T. Sutherland.
London, Published Jan.y 1.st 1821 by J. Hudson, 85, Cheapside.
Scarce coloured aquatint with fine hand colour. Sheet 265 x 290mm (10½ x 11½"). Trimmed.
An elderly horse in its tackle, in a stable.
[Ref: 62337] £160.00 (£192.00 incl.VAT)
Claremont. The Residence of the late much beloved and ever lamented Princess Charlotte of Wales and Saxe Coburg
E.F. Burney Esq. Del.t. T. Sutherland sculp.
London, Published Jan.y 26 1813 by Messrs S & J Fuller, 34 Rathbone Place.
Fine coloured aquatint with very large margins, platemark 230 x 305mm (9 x 12"). Paper watermarked Whatman 1817
A fine view of Claremont, an 18th century Palladian mansion situated less than a mile south of Esher in Surrey; now Claremont Fan Court School. Its landscape garden, with follies including the Belvedere Tower, a turf amphitheatre and grottoes, was redesigned by Lancelot 'Capability' Brown in the 1770s.
[Ref: 34689] £230.00 (£276.00 incl.VAT)
E.F. Burney Esq. Del.t. T. Sutherland sculp.
London, Published Jan.y 26 1813 by Messrs S & J Fuller, 34 Rathbone Place.
Fine coloured aquatint with very large margins, platemark 230 x 305mm (9 x 12"). Paper watermarked Whatman 1817
A fine view of Claremont, an 18th century Palladian mansion situated less than a mile south of Esher in Surrey; now Claremont Fan Court School. Its landscape garden, with follies including the Belvedere Tower, a turf amphitheatre and grottoes, was redesigned by Lancelot 'Capability' Brown in the 1770s.
[Ref: 34689] £230.00 (£276.00 incl.VAT)
Domestick Ducks.
D. Cox Del.t. T. Sutherland sculp.t.
London, Published May 1823 by S. & J. Fuller, 34, Rathbone Place.
Fine aquatint, printed in colours and hand finished; Watermark J. Whatman, Turkey Mill 1822; Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate.
Sleeping ducks by a pond.
[Ref: 57503] £85.00 (£102.00 incl.VAT)
D. Cox Del.t. T. Sutherland sculp.t.
London, Published May 1823 by S. & J. Fuller, 34, Rathbone Place.
Fine aquatint, printed in colours and hand finished; Watermark J. Whatman, Turkey Mill 1822; Sheet 210 x 270mm (8¼ x 10½"). Trimmed within plate.
Sleeping ducks by a pond.
[Ref: 57503] £85.00 (£102.00 incl.VAT)
Sir J. T. Duckworth's Action off S.t. Domingo, Feb.r. 6.th. 1806.
Painted by T. Whitcombe. Engraved by T. Sutherland.
Published Feb.y. 1. 1817, at 48 Strand for J. Jenkin's Naval Achievements.
Hand coloured aquatint. J. Whatman 1831 watermark. Plate: 300 x 220m, (12 x 8¾"). Very large margins.
A naval scene showing the defeat of the French fleet under Vice-Admiral Leissegues by a British squadron under the commane of Vice-Admiral Sir John Duckworth off the coast of San Domingo. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker: 178.
[Ref: 39367] £240.00 (£288.00 incl.VAT)
Painted by T. Whitcombe. Engraved by T. Sutherland.
Published Feb.y. 1. 1817, at 48 Strand for J. Jenkin's Naval Achievements.
Hand coloured aquatint. J. Whatman 1831 watermark. Plate: 300 x 220m, (12 x 8¾"). Very large margins.
A naval scene showing the defeat of the French fleet under Vice-Admiral Leissegues by a British squadron under the commane of Vice-Admiral Sir John Duckworth off the coast of San Domingo. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker: 178.
[Ref: 39367] £240.00 (£288.00 incl.VAT)
Edinburgh, from the Calton Hill. No. 2.
Painted by J. Gendall. Engraved by T. Sutherland.
London, Published July 1st 1824, at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand finished. Sheet 420 x 570mm (16½ x 22½"), paper watermarked 'J Whatman 1827'. Trimmed to plate on three sides.
A large and fine view of Edinburgh, looking up Princes Street towards Edinburgh Castle, one of a set of four prints after Gendall.
[Ref: 58257] £420.00
Painted by J. Gendall. Engraved by T. Sutherland.
London, Published July 1st 1824, at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand finished. Sheet 420 x 570mm (16½ x 22½"), paper watermarked 'J Whatman 1827'. Trimmed to plate on three sides.
A large and fine view of Edinburgh, looking up Princes Street towards Edinburgh Castle, one of a set of four prints after Gendall.
[Ref: 58257] £420.00
Edinburgh, from Craigleith Quarry. No. 4.
Painted by J. Gendall. Engraved by T. Sutherland.
London, Published July 1st 1824, at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand finished. 420 x 585mm (16½ x 23"), paper watermarked 'J Whatman 1820'. Slight mount burn, slight foxing.
A large and fine view of Edinburgh from Craigleith, looking south-east, with Calton Hill in the centre left, Edinburgh Castle to the right and Arthur's Seat behind. One of a set of four prints after Gendall.
[Ref: 58258] £420.00
Painted by J. Gendall. Engraved by T. Sutherland.
London, Published July 1st 1824, at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand finished. 420 x 585mm (16½ x 23"), paper watermarked 'J Whatman 1820'. Slight mount burn, slight foxing.
A large and fine view of Edinburgh from Craigleith, looking south-east, with Calton Hill in the centre left, Edinburgh Castle to the right and Arthur's Seat behind. One of a set of four prints after Gendall.
[Ref: 58258] £420.00
Excise Office, Broad Street.
Rowlandson & Pugin del.t. et sculp.t. Sutherland aqua.t.
London. Pub. Feb 1, 1810 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. 225 x 270mm. 9¾ x 10½". Slight offset from test.
The Excise Office was responsible for collecting taxes on products including alchohol; tea, coffee and chocolate; malt, hops, starch, candles; and paper, vellum and parchment Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 11451] £130.00 (£156.00 incl.VAT)
Rowlandson & Pugin del.t. et sculp.t. Sutherland aqua.t.
London. Pub. Feb 1, 1810 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. 225 x 270mm. 9¾ x 10½". Slight offset from test.
The Excise Office was responsible for collecting taxes on products including alchohol; tea, coffee and chocolate; malt, hops, starch, candles; and paper, vellum and parchment Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 11451] £130.00 (£156.00 incl.VAT)
The Squadron under the command of Sir J Brisbane attacking Fort Maurigio. From a sketch by Sir J. Brisbane.
Painted by T. Whitcombe. Engraved by T. Sutherland.
[London, c.1820.]
Hand coloured aquatint, sheet 150 x 210mm. 6 x 8¼". Trimmed within plate.
A British naval bombardment on April 11th 1814 of the French Port Maurigio, close to Monaco in the Mediterranean. The ships are HMS Aigle, HMS Alcmene, and HMS Pembroke, of which Brisbane was Captain. For James Ralfe's 'The Naval Chronology of Great Britain'.
Parker: 235. NMM: PAD5848.
[Ref: 14894] £240.00 (£288.00 incl.VAT)
Painted by T. Whitcombe. Engraved by T. Sutherland.
[London, c.1820.]
Hand coloured aquatint, sheet 150 x 210mm. 6 x 8¼". Trimmed within plate.
A British naval bombardment on April 11th 1814 of the French Port Maurigio, close to Monaco in the Mediterranean. The ships are HMS Aigle, HMS Alcmene, and HMS Pembroke, of which Brisbane was Captain. For James Ralfe's 'The Naval Chronology of Great Britain'.
Parker: 235. NMM: PAD5848.
[Ref: 14894] £240.00 (£288.00 incl.VAT)
View of Gibraltar.
Painted by Whitcombe. T. Sutherland sculp.t.
London, Pub. March 1. 1816, at 48 Strand for J. Jenkins's Naval Achievements.
Handcoloured aquatint. Plate: 300 x 215mm (11¾ x 8½"). Very large margins.
A view of Gibraltar from along the Devil's Tongue Battery on the Old Mole. Gibraltar's fortifications were greatly improved between 1760s and 1780s under Col. William Green which proved useful during the Siege of Gibraltar 1779-1783. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
[Ref: 39079] £260.00 (£312.00 incl.VAT)
Painted by Whitcombe. T. Sutherland sculp.t.
London, Pub. March 1. 1816, at 48 Strand for J. Jenkins's Naval Achievements.
Handcoloured aquatint. Plate: 300 x 215mm (11¾ x 8½"). Very large margins.
A view of Gibraltar from along the Devil's Tongue Battery on the Old Mole. Gibraltar's fortifications were greatly improved between 1760s and 1780s under Col. William Green which proved useful during the Siege of Gibraltar 1779-1783. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
[Ref: 39079] £260.00 (£312.00 incl.VAT)
This Print of the Lord Mayor, Alderman, & Common Council in the Council Chamber Guildhall. Is Dedicated by Permission to the Right Hon.ble John Garratt Lord Mayor of London by His Lordhsips Most Respectful and Oblig'd humble Servant Richard Dighton.
Drawn & Etched by Richard Dighton. Aquatinted by Tho.s Sutherland.
London Published August 1.st 1825 by Richard Dighton 53 Sloane Sq.re.
Fine & scarce etching with aquatint, sheet 520 x 675mm (20½ x 26½") on paper watermarked 'J. Whatman.' Foxing, creasing at top, tears repaired with acid free tape.
An interrior view of the Council Chamber, Guildhall, City of London. Includes John Garratt (1786-1859) and 127 other sitters
[Ref: 67725] £380.00
Drawn & Etched by Richard Dighton. Aquatinted by Tho.s Sutherland.
London Published August 1.st 1825 by Richard Dighton 53 Sloane Sq.re.
Fine & scarce etching with aquatint, sheet 520 x 675mm (20½ x 26½") on paper watermarked 'J. Whatman.' Foxing, creasing at top, tears repaired with acid free tape.
An interrior view of the Council Chamber, Guildhall, City of London. Includes John Garratt (1786-1859) and 127 other sitters
[Ref: 67725] £380.00
Quadrangle, Hampton Court.
W. Westall A.R.A. del.t. T. Sutherland sculp.t.
Pub. July 1.1819, by A. Dry, 36 Upper Charlotte Str.t Fitzroy Sq.e
Aquatint, printed in colours and hand-finished. 250 x 310mm (10 x 12¼").
View of part of the original Tudor-period Hampton Court, with the Clock tower at the centre and the Great Hall behind left. Published in Pyne's 'History of the Royal Residences'.
Adams (London) 132; Abbey: Scenery 396.
[Ref: 53207] £230.00 (£276.00 incl.VAT)
W. Westall A.R.A. del.t. T. Sutherland sculp.t.
Pub. July 1.1819, by A. Dry, 36 Upper Charlotte Str.t Fitzroy Sq.e
Aquatint, printed in colours and hand-finished. 250 x 310mm (10 x 12¼").
View of part of the original Tudor-period Hampton Court, with the Clock tower at the centre and the Great Hall behind left. Published in Pyne's 'History of the Royal Residences'.
Adams (London) 132; Abbey: Scenery 396.
[Ref: 53207] £230.00 (£276.00 incl.VAT)
Cutting Out the Hermione from the Harbour of Porto Cavallo, Oct.r. 25.th. 1799.
Painted by T.Whitcombe. Engrav'd by T.Sutherland.
Published Oct.r.1.1816, at 48 Strand, for J.Jenkins's Naval Achievements.
Handcoloured aquatint. Plate: 300 x 215mm (11¾ x 8½"). Very large margins.
From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker 148.
[Ref: 39014] £260.00 (£312.00 incl.VAT)
Painted by T.Whitcombe. Engrav'd by T.Sutherland.
Published Oct.r.1.1816, at 48 Strand, for J.Jenkins's Naval Achievements.
Handcoloured aquatint. Plate: 300 x 215mm (11¾ x 8½"). Very large margins.
From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker 148.
[Ref: 39014] £260.00 (£312.00 incl.VAT)
The High Mettled Racer. The Foal./ In Training./ The Racer./ The Hunter./ The Post Horse./ The Death.
H. Alken Del. H. Alken & T. Sutherland Sculpt.
London, Published March 1. 1821, by S&J Fuller at their Sporting Gallery, 34, Rathbone Place.
Set of six coloured aquatints, each 355 x 430mm (13¾ x 17"), on Whatman paper watermarked 1820. Plate II slightly stained.
A fine first state set of this famous sporting series, depicting the life story of a race horse.
Siltzer: pg.59.
[Ref: 8800] £1,950.00 view all images for this item
H. Alken Del. H. Alken & T. Sutherland Sculpt.
London, Published March 1. 1821, by S&J Fuller at their Sporting Gallery, 34, Rathbone Place.
Set of six coloured aquatints, each 355 x 430mm (13¾ x 17"), on Whatman paper watermarked 1820. Plate II slightly stained.
A fine first state set of this famous sporting series, depicting the life story of a race horse.
Siltzer: pg.59.
[Ref: 8800] £1,950.00 view all images for this item
The High Mettled Racer. The Foal./ In Training./ The Racer./ The Hunter./ The Post Horse./ The Death.
H. Alken Del. H. Alken & T. Sutherland Sculpt.
London, Published March 1. 1821, by S. & J. Fuller at their Sporting Gallery, 34, Rathbone Place.
Set of six coloured aquatints, each 355 x 430mm. 13¾ x 17".
A fine set of this famous sporting series, depicting the life story of a race horse, on Whatman paper watermarked 1864. Matching colour.
Siltzer: pg.59.
[Ref: 8526] £1,200.00 view all images for this item
H. Alken Del. H. Alken & T. Sutherland Sculpt.
London, Published March 1. 1821, by S. & J. Fuller at their Sporting Gallery, 34, Rathbone Place.
Set of six coloured aquatints, each 355 x 430mm. 13¾ x 17".
A fine set of this famous sporting series, depicting the life story of a race horse, on Whatman paper watermarked 1864. Matching colour.
Siltzer: pg.59.
[Ref: 8526] £1,200.00 view all images for this item
The Northumberland, Capt.n Hotham engaging two French frigates. From a painting in the possession of Sir H. Hotham.
Painted by T. Whitcombe. Engraved by T. Sutherland.
[Pub.d by Pyall & Stroud , 19 Hanway Street, Oxford Street.]
Rare hand-coloured aquatint. Sheet: 175 x 245mm (7 x 9½''). Slight staining.
A naval battle showing the battle between the French navy and HMS Northumberland under the command of Henry Hotham.
[Ref: 49945] £140.00 (£168.00 incl.VAT)
Painted by T. Whitcombe. Engraved by T. Sutherland.
[Pub.d by Pyall & Stroud , 19 Hanway Street, Oxford Street.]
Rare hand-coloured aquatint. Sheet: 175 x 245mm (7 x 9½''). Slight staining.
A naval battle showing the battle between the French navy and HMS Northumberland under the command of Henry Hotham.
[Ref: 49945] £140.00 (£168.00 incl.VAT)
Lord Hotham's Action, March 14.th. 1795.
Painted by T. Whitcombe. Engraved by T. Sutherland.
Published Sept.r. 1. 1816, at 48 Strand, for J. Jenkins's Naval Achievements.
Handcoloured aquatint. Plate: 300 x 215mm (11¾ x 8½"). Very large margins.
Admiral Hotham, having recieved information that a fleet of French ships was headed for Corsica lost no time in pursuing them with a fleet of 24. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker: 106.
[Ref: 39067] £220.00 (£264.00 incl.VAT)
Painted by T. Whitcombe. Engraved by T. Sutherland.
Published Sept.r. 1. 1816, at 48 Strand, for J. Jenkins's Naval Achievements.
Handcoloured aquatint. Plate: 300 x 215mm (11¾ x 8½"). Very large margins.
Admiral Hotham, having recieved information that a fleet of French ships was headed for Corsica lost no time in pursuing them with a fleet of 24. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker: 106.
[Ref: 39067] £220.00 (£264.00 incl.VAT)
Plate I. Lord Howe in the Queen Charlotte, Breaking the Enemy's Line_May 29.th. 1794.
Painted by Whitcombe. T. Sutherland sculp.t.
London, Pub.March 1 1816, at 48 Strand, for J. Jenkins's Naval Achievements.
Handcoloured aquatint. Plate: 300 x 215mm (11¾ x 8½"). Very large margins.
Naval scene showing Lord Howe, commander of the Queen Charlotte braking through the enemy's line in the battle between the British fleet, under the command of Lord Howe, and the French fleet which had sailed from Brest. At the end of the battle, though many French ships had got away, Howe had captured seven, though one of which, Le Vengeur, sank before their arrival at Spithead. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker 102.
[Ref: 39069] £240.00 (£288.00 incl.VAT)
Painted by Whitcombe. T. Sutherland sculp.t.
London, Pub.March 1 1816, at 48 Strand, for J. Jenkins's Naval Achievements.
Handcoloured aquatint. Plate: 300 x 215mm (11¾ x 8½"). Very large margins.
Naval scene showing Lord Howe, commander of the Queen Charlotte braking through the enemy's line in the battle between the British fleet, under the command of Lord Howe, and the French fleet which had sailed from Brest. At the end of the battle, though many French ships had got away, Howe had captured seven, though one of which, Le Vengeur, sank before their arrival at Spithead. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker 102.
[Ref: 39069] £240.00 (£288.00 incl.VAT)
Lord Howe's Victory, June 1.st. 1794. Plate II.
Painted by Whitcombe. T. Sutherland sculp.t.
London, Pub. April. 1. 1816, at 48 Strand, for J. Jenkins's Naval Achievments.
Handcoloured aquatint; printed on J. Whatman 1831 watermarked paper. Plate: 300 x 215mm (11¾ x 8½"). Very large margins.
Naval scene showing the battle between the British fleet under the command of Lord Howe and the French fleet which had sailed from Brest. At the end of the battle, though many French ships has got away, Howe had captured seven, though one of which, Le Vengeur, sank before their arrival at Spithead. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker: 102.
[Ref: 39068] £240.00 (£288.00 incl.VAT)
Painted by Whitcombe. T. Sutherland sculp.t.
London, Pub. April. 1. 1816, at 48 Strand, for J. Jenkins's Naval Achievments.
Handcoloured aquatint; printed on J. Whatman 1831 watermarked paper. Plate: 300 x 215mm (11¾ x 8½"). Very large margins.
Naval scene showing the battle between the British fleet under the command of Lord Howe and the French fleet which had sailed from Brest. At the end of the battle, though many French ships has got away, Howe had captured seven, though one of which, Le Vengeur, sank before their arrival at Spithead. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by J.Jenkins.
Parker: 102.
[Ref: 39068] £240.00 (£288.00 incl.VAT)
Capture of L'Immortalité, Oct.r. 20.th. 1798.
Painted by T. Whitcombe. Engraved by T. Sutherland.
Published November 1, 1816, at 48, Strand for J.Jenkins's Naval Achievements.
Coloured aquatint. 215 x 300mm (8½ x 11¾"). Slightly faded.
A naval scene showing the capture of the French ship L'Imortalité by the frigate HMS Fisgard (itself a captured French ship, Résistance, renamed after Fishguard) under the command of Captain T. B. Martin. L'Imortalité had been part of the French fleet sent to Ireland in support of Wolfe Tone's rebellion. After the Battle of Tory Island on 12th October, L'Imortalité had nearly reached Brest when it was captured. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by James Jenkins.
Parker: 139.
[Ref: 60363] £130.00 (£156.00 incl.VAT)
Painted by T. Whitcombe. Engraved by T. Sutherland.
Published November 1, 1816, at 48, Strand for J.Jenkins's Naval Achievements.
Coloured aquatint. 215 x 300mm (8½ x 11¾"). Slightly faded.
A naval scene showing the capture of the French ship L'Imortalité by the frigate HMS Fisgard (itself a captured French ship, Résistance, renamed after Fishguard) under the command of Captain T. B. Martin. L'Imortalité had been part of the French fleet sent to Ireland in support of Wolfe Tone's rebellion. After the Battle of Tory Island on 12th October, L'Imortalité had nearly reached Brest when it was captured. From 'The Naval Achievements of Great Britain from the Year 1793-1817' by James Jenkins.
Parker: 139.
[Ref: 60363] £130.00 (£156.00 incl.VAT)
The Imperieuse & Thames attacking a Castle and Gun boats, Novr. 2nd 1811. From a drawing by Mr. Hood of the Imperieuse.
Painted by T. Whitcombe. Engraved by T. Sutherland.
[London, c.1820.]
Hand coloured aquatint, sheet 145 x 210mm. 5¾ x 8¼". Trimmed within plate.
The two British ships in the harbour of Palinuro on the coast of Calabria near Naples, November 2nd, 1811. The Royal Marines disembarked, surprising the garrison and forcing its surrender. For James Ralfe's 'The Naval Chronology of Great Britain'.
Parker: 219. NMM: PAD5810.
[Ref: 14897] £180.00 (£216.00 incl.VAT)
Painted by T. Whitcombe. Engraved by T. Sutherland.
[London, c.1820.]
Hand coloured aquatint, sheet 145 x 210mm. 5¾ x 8¼". Trimmed within plate.
The two British ships in the harbour of Palinuro on the coast of Calabria near Naples, November 2nd, 1811. The Royal Marines disembarked, surprising the garrison and forcing its surrender. For James Ralfe's 'The Naval Chronology of Great Britain'.
Parker: 219. NMM: PAD5810.
[Ref: 14897] £180.00 (£216.00 incl.VAT)
Kew Palace, as seen from Brentford.
J.Gendall Del.t. T. Sutherland Sculp.t.
London. Published Jan.y 1819 at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand finished. 395 x 505mm (5½ x 19¾"), with narrow margins.
A view of the 'third' Kew Palace, begun in 1802 by James Wyatt with much input from George III. It was much-ridiculed: in 1820 John Bew, in his 'The ambulator; or, The stranger's companion in a tour round London', wrote; 'This Angleo-Teutonic, castellated, gothized structure, (which has never been completed, and probably never will be,) must be considered as an abortive production, at once illustrative of bad taste and defective judgement'. The Prince Regent didn't like it and after the George III’s confinement at Windsor Queen Charlotte refused to live there. In 1828 it was demolished with the interiors used elsewhere: the main staircase was installed in Buckingham Palace.
[Ref: 54951] £420.00
J.Gendall Del.t. T. Sutherland Sculp.t.
London. Published Jan.y 1819 at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand finished. 395 x 505mm (5½ x 19¾"), with narrow margins.
A view of the 'third' Kew Palace, begun in 1802 by James Wyatt with much input from George III. It was much-ridiculed: in 1820 John Bew, in his 'The ambulator; or, The stranger's companion in a tour round London', wrote; 'This Angleo-Teutonic, castellated, gothized structure, (which has never been completed, and probably never will be,) must be considered as an abortive production, at once illustrative of bad taste and defective judgement'. The Prince Regent didn't like it and after the George III’s confinement at Windsor Queen Charlotte refused to live there. In 1828 it was demolished with the interiors used elsewhere: the main staircase was installed in Buckingham Palace.
[Ref: 54951] £420.00