A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Baptism.
R. Westall R.A. Delt. R.M. Meadows Sculpt.
Pub.d by R. Boywer Historic Gallery Pall Mall, Sept.r 1. 1806.
Stipple. 630 x 480mm, 24¾ x 19". Edges chipped, creased.
A priest conducting a baptism, with the participants in Elizabethen dress. One of a series, with 'Marriage', 'Sacrament' & 'Confirmation'.
[Ref: 11226] £160.00 (£192.00 incl.VAT)
R. Westall R.A. Delt. R.M. Meadows Sculpt.
Pub.d by R. Boywer Historic Gallery Pall Mall, Sept.r 1. 1806.
Stipple. 630 x 480mm, 24¾ x 19". Edges chipped, creased.
A priest conducting a baptism, with the participants in Elizabethen dress. One of a series, with 'Marriage', 'Sacrament' & 'Confirmation'.
[Ref: 11226] £160.00 (£192.00 incl.VAT)
![Baptism. [&] Marriage.](jpegs/8027.jpg)
Baptism. [&] Marriage.
R. Westall R.A. Delt. R.M. Meadows Sculpt.
Pubd. by R. Boywer Historic Gallery Pall Mall, Sept.r 1.1806.
Pair of stipple engravings with etching and aquatint, sheets c.630 x 470mm. Trimmed to plate. Foxing to upper edge of images.
Two scenes in church interiors showing a priest conducting the respective ceremonies, with the participants in Elizabethen dress. Titles in open letters. 'Sacrament' and 'Confirmation' (in the BM) also engraved in the same style and issued as companion prints by Meadows after Westall, published earlier the same year, in January 1806.
[Ref: 8027] £380.00 view all images for this item
R. Westall R.A. Delt. R.M. Meadows Sculpt.
Pubd. by R. Boywer Historic Gallery Pall Mall, Sept.r 1.1806.
Pair of stipple engravings with etching and aquatint, sheets c.630 x 470mm. Trimmed to plate. Foxing to upper edge of images.
Two scenes in church interiors showing a priest conducting the respective ceremonies, with the participants in Elizabethen dress. Titles in open letters. 'Sacrament' and 'Confirmation' (in the BM) also engraved in the same style and issued as companion prints by Meadows after Westall, published earlier the same year, in January 1806.
[Ref: 8027] £380.00 view all images for this item
![Girl Gathering Mushrooms. [&] A Fern Cutter's Child.](jpegs/65183.jpg)
Girl Gathering Mushrooms. [&] A Fern Cutter's Child. From the Original Drawing in the possession of Tho.s Streatfield Esq.r. [&] From the Original Drawing in the possession of Will.m Chamberlain Esq.r.
Painted by R. Westall R.A. Engraved by Meadow.
Pub. May 1. 1800 by J. & J. Boydell No. 90 Cheapside & at the Shakspeare Gallery Pall Mall London.
A pair of stipples, sheet size 330 x 405mm (13 x 16"). Both slightly trimmed.
Two rustic scenes: A young girl kneels as she picks mushrooms on a bank, her left hand resting on the handle of her basket. To the left, cattle drink from a pond, with more grazing in the field beyond. In the background to the left, another girl stands next to a jug watching on. A girl with short, dark, curly hair sits on the ground to the right, her profile facing left as she entwines her fingers around her left knee. A dog sits beside her. Behind her, sheep graze near a forest, while a figure on the left is cutting ferns. In the background, to the left, there’s a house amidst the landscape.
[Ref: 65183] £550.00 view all images for this item
Painted by R. Westall R.A. Engraved by Meadow.
Pub. May 1. 1800 by J. & J. Boydell No. 90 Cheapside & at the Shakspeare Gallery Pall Mall London.
A pair of stipples, sheet size 330 x 405mm (13 x 16"). Both slightly trimmed.
Two rustic scenes: A young girl kneels as she picks mushrooms on a bank, her left hand resting on the handle of her basket. To the left, cattle drink from a pond, with more grazing in the field beyond. In the background to the left, another girl stands next to a jug watching on. A girl with short, dark, curly hair sits on the ground to the right, her profile facing left as she entwines her fingers around her left knee. A dog sits beside her. Behind her, sheep graze near a forest, while a figure on the left is cutting ferns. In the background, to the left, there’s a house amidst the landscape.
[Ref: 65183] £550.00 view all images for this item
No. 2 Gathering Wood
Painted by G. Morland. Engrav'd by R.M. Meadows
Published Jan. 4 1816 by T. Palser Surrey side Westminster Bridge
Stipple, platemark 450 x 350mm (17¾ x 13¾"). Large margins.
Two children gathering wood. Originally published as a pair with 'Gathering Fruit'. After English painter, George Morland (1762/3 - 1804) renowned for his scenes of English rural life and picturesque landscapes. Later edition of a print first published by J.R. Smith in 1795.
[Ref: 38618] £180.00 (£216.00 incl.VAT)
Painted by G. Morland. Engrav'd by R.M. Meadows
Published Jan. 4 1816 by T. Palser Surrey side Westminster Bridge
Stipple, platemark 450 x 350mm (17¾ x 13¾"). Large margins.
Two children gathering wood. Originally published as a pair with 'Gathering Fruit'. After English painter, George Morland (1762/3 - 1804) renowned for his scenes of English rural life and picturesque landscapes. Later edition of a print first published by J.R. Smith in 1795.
[Ref: 38618] £180.00 (£216.00 incl.VAT)
To The Queen's Most Excellent Majesty this Print of The King. Is most respectfully Inscribed by Her Majesty's Most devoted and most obedient humble servant William Grimaldi.
From a Miniature by W. Grimaldi, after Sir W. Beechey R.A. Engraved by R.M. Meadows.
Published Mar. 1. 1804, as the Act directs, by W. Grimaldi, No.2, Albermarle Street, Enamel & Miniature Painter to their Royal Hignesses the Duke & Duchess of York.
Hand-coloured stipple, partly printed in colours. 299 x 210mm. 11¾ x 8¼". Trimmed.
George III (1738-1820), King of Great Britain and King of Ireland, until the union of the two countries at the start of 1801. He was also Duke and Prince-Elector of Brunswick-Luneburg in the Holy Roman Empire until in 1814 he was promoted to King of Hanover. Another engraving from the same portrait by Beechey was used for a broadside on the death of King George III in 1820, a "Monody to the Memory of His Sacred Majesty King George III".
Ex Collection: Norman Blackburn Collection. Ex Collection: R. Hobson of Hove.
[Ref: 25445] £95.00 (£114.00 incl.VAT)
From a Miniature by W. Grimaldi, after Sir W. Beechey R.A. Engraved by R.M. Meadows.
Published Mar. 1. 1804, as the Act directs, by W. Grimaldi, No.2, Albermarle Street, Enamel & Miniature Painter to their Royal Hignesses the Duke & Duchess of York.
Hand-coloured stipple, partly printed in colours. 299 x 210mm. 11¾ x 8¼". Trimmed.
George III (1738-1820), King of Great Britain and King of Ireland, until the union of the two countries at the start of 1801. He was also Duke and Prince-Elector of Brunswick-Luneburg in the Holy Roman Empire until in 1814 he was promoted to King of Hanover. Another engraving from the same portrait by Beechey was used for a broadside on the death of King George III in 1820, a "Monody to the Memory of His Sacred Majesty King George III".
Ex Collection: Norman Blackburn Collection. Ex Collection: R. Hobson of Hove.
[Ref: 25445] £95.00 (£114.00 incl.VAT)
![Gipsey's Stealing a Child. [&] The Child Restored.](jpegs/21749.jpg)
Gipsey's Stealing a Child. [&] The Child Restored.
Painted by H.Singleton. Engraved by R.M.Meadows.
London Published May 10, 1798, by I.R. Smith King Street Covent Garden.
Pair of stipples, each image c.350 x 435mm (13¾ x 17"). First plate lacking margins; the second with large margins and marginal tears. Both sheets rather creased.
The first composition shows a group of gipsies gathered with their animals in a landscape, including a woman in the centre who lifts a child onto the pannier of a donkey; a young man holding up an apple to tempt the child. The second is an elegant interior where a mother is embracing her child while her husband, sister and grandmother look on with grateful surprise. The child gestures towards a coachman standing on the left, beside a weeping gipsy woman and two of her children. After Henry Singleton (1766 - 1839).
See Slater p.475.
[Ref: 21749] £280.00 (£336.00 incl.VAT) view all images for this item
Painted by H.Singleton. Engraved by R.M.Meadows.
London Published May 10, 1798, by I.R. Smith King Street Covent Garden.
Pair of stipples, each image c.350 x 435mm (13¾ x 17"). First plate lacking margins; the second with large margins and marginal tears. Both sheets rather creased.
The first composition shows a group of gipsies gathered with their animals in a landscape, including a woman in the centre who lifts a child onto the pannier of a donkey; a young man holding up an apple to tempt the child. The second is an elegant interior where a mother is embracing her child while her husband, sister and grandmother look on with grateful surprise. The child gestures towards a coachman standing on the left, beside a weeping gipsy woman and two of her children. After Henry Singleton (1766 - 1839).
See Slater p.475.
[Ref: 21749] £280.00 (£336.00 incl.VAT) view all images for this item
![[Henry V] [Fluellen Making Pistol Eat the Leek.]](jpegs/64414.jpg)
[Henry V] [Fluellen Making Pistol Eat the Leek.]
[H. Bunbury Esq.r del. Meddows sculp.t.]
[London, Publish'd August 1. 1795 by Tho.s Macklin, Poets Gallery, Fleet Street.]
Stipple and etching, scarce progress proof before letters. Sheet 390 x 485mm (15¾ x 19¼"). Trimmed within plate, edges chipped and soiled.
In France campaigning with Henry V, Pistol feuds with Fluellen, who knocks him down and forces him to eat a raw leek. From the series 'Macklin's Shakespeare Gallery'.
[Ref: 64414] £180.00 (£216.00 incl.VAT)
[H. Bunbury Esq.r del. Meddows sculp.t.]
[London, Publish'd August 1. 1795 by Tho.s Macklin, Poets Gallery, Fleet Street.]
Stipple and etching, scarce progress proof before letters. Sheet 390 x 485mm (15¾ x 19¼"). Trimmed within plate, edges chipped and soiled.
In France campaigning with Henry V, Pistol feuds with Fluellen, who knocks him down and forces him to eat a raw leek. From the series 'Macklin's Shakespeare Gallery'.
[Ref: 64414] £180.00 (£216.00 incl.VAT)
![[Much Ado About Nothing] [Dogberry and Verges with the Watch.](jpegs/64407.jpg)
[Much Ado About Nothing] [Dogberry and Verges with the Watch. From the original drawing in the collection of Her Royal Highness the Duchess of York.]
[H. Bunbury Esq.r del. R.M. Meadows Sculp.t.]
[London, Publish'd Jan.y 1.st 1794 by Tho.s Macklin, Poets Gallery, Fleet Street.]
Stipple with etching, unfinished proof before letters. Sheet 390 x 480mm (15¼ x 19"). Trimmed to plate on three sides, into blank inscription area at bottom, right edge chipped and stained.
Dogberry, the chief of Messina's citizen-police, stands with members of his watch. His character was a satire of the English amateur policemen of the period. A scene from 'Much Ado About Nothing', produced for 'Macklin's Shakespeare Gallery'.
[Ref: 64407] £240.00 (£288.00 incl.VAT)
[H. Bunbury Esq.r del. R.M. Meadows Sculp.t.]
[London, Publish'd Jan.y 1.st 1794 by Tho.s Macklin, Poets Gallery, Fleet Street.]
Stipple with etching, unfinished proof before letters. Sheet 390 x 480mm (15¼ x 19"). Trimmed to plate on three sides, into blank inscription area at bottom, right edge chipped and stained.
Dogberry, the chief of Messina's citizen-police, stands with members of his watch. His character was a satire of the English amateur policemen of the period. A scene from 'Much Ado About Nothing', produced for 'Macklin's Shakespeare Gallery'.
[Ref: 64407] £240.00 (£288.00 incl.VAT)
![[Much Ado About Nothing] Dogberry and Verges with the Watch.](jpegs/64406.jpg)
[Much Ado About Nothing] Dogberry and Verges with the Watch. From the original drawing in the collection of Her Royal Highness the Duchess of York.
H. Bunbury Esq.r del. R.M. Meadows Sculp.t.
London, Publish'd Jan.y 1.st 1794 by Tho.s Macklin, Poets Gallery, Fleet Street.
Stipple with etching. 420 x 485mm (16½ x 19"). Area of loss in top margin just entering plate.
Dogberry, the chief of Messina's citizen-police, stands with members of his watch. His character was a satire of the English amateur policemen of the period. Spire of St. Pauls in background. A scene from 'Much Ado About Nothing', produced for 'Macklin's Shakespeare Gallery'.
[Ref: 64406] £180.00 (£216.00 incl.VAT)
H. Bunbury Esq.r del. R.M. Meadows Sculp.t.
London, Publish'd Jan.y 1.st 1794 by Tho.s Macklin, Poets Gallery, Fleet Street.
Stipple with etching. 420 x 485mm (16½ x 19"). Area of loss in top margin just entering plate.
Dogberry, the chief of Messina's citizen-police, stands with members of his watch. His character was a satire of the English amateur policemen of the period. Spire of St. Pauls in background. A scene from 'Much Ado About Nothing', produced for 'Macklin's Shakespeare Gallery'.
[Ref: 64406] £180.00 (£216.00 incl.VAT)
![[Much Ado About Nothing] [Dogberry and Verges with the Watch.](jpegs/64408.jpg)
[Much Ado About Nothing] [Dogberry and Verges with the Watch. From the original drawing in the collection of Her Royal Highness the Duchess of York.]
[H. Bunbury Esq.r del. R.M. Meadows Sculp.t.]
[London, Publish'd Jan.y 1.st 1794 by Tho.s Macklin, Poets Gallery, Fleet Street.]
Stipple with etching, unfinished proof before letters, 18th century watermark. Sheet 400 x 470mm (15¾ x 18½"). Trimmed to plate.
Dogberry, the chief of Messina's citizen-police, stands with members of his watch. His character was a satire of the English amateur policemen of the period. A scene from 'Much Ado About Nothing', produced for 'Macklin's Shakespeare Gallery'.
[Ref: 64408] £240.00 (£288.00 incl.VAT)
[H. Bunbury Esq.r del. R.M. Meadows Sculp.t.]
[London, Publish'd Jan.y 1.st 1794 by Tho.s Macklin, Poets Gallery, Fleet Street.]
Stipple with etching, unfinished proof before letters, 18th century watermark. Sheet 400 x 470mm (15¾ x 18½"). Trimmed to plate.
Dogberry, the chief of Messina's citizen-police, stands with members of his watch. His character was a satire of the English amateur policemen of the period. A scene from 'Much Ado About Nothing', produced for 'Macklin's Shakespeare Gallery'.
[Ref: 64408] £240.00 (£288.00 incl.VAT)
Newton with the Prism.
Romney Pinx. Meadows Sculp.
[Published April 14th 1809 by Thomas Payne Pall Mall]
Stipple engraving, sheet 200 x 270mm (8 x 10½"). Trimmed to plate losing publication line, glued on album sheet at edges.
A reconstruction of Isaac Newton's prism experiment in which Newton holds a prism in a beam of sunlight to cast a spectrum on the wall behind. Two women look, one carrying a tray on which is a carafe of water.
[Ref: 59388] £260.00 (£312.00 incl.VAT)
Romney Pinx. Meadows Sculp.
[Published April 14th 1809 by Thomas Payne Pall Mall]
Stipple engraving, sheet 200 x 270mm (8 x 10½"). Trimmed to plate losing publication line, glued on album sheet at edges.
A reconstruction of Isaac Newton's prism experiment in which Newton holds a prism in a beam of sunlight to cast a spectrum on the wall behind. Two women look, one carrying a tray on which is a carafe of water.
[Ref: 59388] £260.00 (£312.00 incl.VAT)
![[The Greeks fighting the Amazons.]](jpegs/66617.jpg)
[The Greeks fighting the Amazons.]
[Engraved by Robert Mitchell Meadows after Rubens & van Dyke.]
[n.d., c.1800.]
Very fine stipple, possibly a working proof. Sheet 530 x 640mm (21 x 25¼"). Tear entering plate in left taped, top edge chipped.
The Greek army, led by Achilles, drive back the Amazons over a narrow bridge, with women and horses falling into the river below. Troy, in flames, can be seen through the arch of the bridge. The original painting is in the Alte Pinakothek, Munich.
[Ref: 66617] £480.00
[Engraved by Robert Mitchell Meadows after Rubens & van Dyke.]
[n.d., c.1800.]
Very fine stipple, possibly a working proof. Sheet 530 x 640mm (21 x 25¼"). Tear entering plate in left taped, top edge chipped.
The Greek army, led by Achilles, drive back the Amazons over a narrow bridge, with women and horses falling into the river below. Troy, in flames, can be seen through the arch of the bridge. The original painting is in the Alte Pinakothek, Munich.
[Ref: 66617] £480.00