Results 1-14 of 14
<<< Previous 1 Next >>>
Food for the Body [&] Food for the Soul Engrav'd from the original Painting of Adrian Brower in 1747
A. Brower pinx Major sculp
Pair of engravings, each approx. 185 x 120mm (7¼ x 4¾"). Both trimmed inside platemark and glued to backing sheet
Pair of genre scenes after Adriaen Brouwer (1605-38), Flemish artist who made a significant contribution to peasant genre painting during his brief career. His admirers included Rembrandt and Rubens, both of whom reputedly owned several of his works. Private Collection.
[Ref: 43378] £160.00
(£192.00 incl.VAT)
Frances Lady Carteret Baroness of Hawnes. Wife to John Lord Carteret, Daughter of Sr. Robert Worsley by Frances Lady Worsley only Daughter to Thomas Lord Viscount Weymouth. [Latin text in plinth and below.]
F. Zinke pinx.t. T. Major Sculp.t.
Publish'd as the Act Directs 1755.
Engraving. 322 x 222mm (12¾ x 8¾").
Frances Worsley, Lady Carteret (c.1693-1743) was the first wife of John Carteret, Baron Carteret and later second Earl Granville. Baron Carteret was an influential politician of his time. Highly educated and one of the few able to speak German therefore able to converse with George I who spoke no English. At one time he owned a major swathe of land in North Carolina for which he was handsomely compensated after 1776. NPG: D21456.
[Ref: 17120] £130.00
(£156.00 incl.VAT)
Sophia Countess Granville Viscountess Carteret, Baroness Carteret of Hawnes. Wife to John Earl Granville...
F. Zinke pinxt. T. Major Sculpt.
Publish'd as the Act Directs 1755.
Engraving. 320 x 215mm (12½ x 8½"). Trimmed to plate. Faint foxing across the sheet
Sophia Carteret (née Fermor), Countess Granville (1721 - 1745), second wife of John Carteret, 1st Earl Granville, Secretary of State. In a decorative oval frame surrounded by roses, on a lettered pedestal. Sophia was described by Lady M. W. Montagu as having ‘few equals in beauty or graces’; died of fever in October 1745 aged 25, a few weeks after the birth of her daughter Sophia. After Christian Friedrich Zincke (1684? - 1767). NPG D21010.
[Ref: 53823] £130.00
(£156.00 incl.VAT)
The Death of the Stag. To Philip, Earl of Chesterfield, this Print Ingraved after a Capital Picture of P. Wouvermanns, is humbly Dedicated to his Lordship, by his most Obedient and Dutiful Servant Tho.s Major.
P. Wouvermans pinx. A. Lawrence fe. aqua forti. Tho.s Major Sculpsit.
London sold by T. Major Ingraver to H. R. H. the Prince of Wales at the Golden Head in Chandois Street the lower end of St Martins Lane. Publish'd accord.g to Act of Parliament Feb.y 10 1753.
A large & fine etching and engraving. 505 x 670mm (19¾ x 26½"), with large margins. Centre fold as normal.
A hunting party outside an inn, with one of the group blowing his horn, after Philips Wouwerman (1619 - 1668), etched by Andrew Lawrence and finished by Thomas Major. From a bound issue of the series 'The Most Capital Paintings in England' (1763-86, issued in parts and available as volumes of prints from 1769 onwards).
[Ref: 53479] £350.00
Ingrav'd from an Original Painting of Gaspar Poussin of the same Size in the Collection of Mr. Langton No. 1
G. Poussin [Gaspard Dughet] pinx.t. T. Major sculp.t
Publish'd April 9th 1750 according to Act of Parliament / London sold by T. Major at the Golden Head in West Street the upper end of St. Martin's Lane
Engraving, sheet 360 x 455mm (14¼ x 18"). Trimmed to plate.
Landscape after Gaspard Dughet (1615-75), artist also known as Poussin after his brother-in-law and teacher Nicolas Poussin. Engraved by the leading line engraver Thomas Major (1720-99) soon after he returned from a spell in France which included three months imprisoned in the Bastille.
[Ref: 38588] £160.00
(£192.00 incl.VAT)
Ingrav'd from an Original Painting of G. Poussin 1 foot 9 inches wide by 15 inches high
G. Poussin [Gaspard Dughet] pinx.t. T. Major sculp.t
Publish'd Jan.y 25 1752 accord.g to Act of Parl.t In the Collection B. Cleeve Esq.r. London sold by T. Major Ingraver to H.R.H. the Prince of Wales, at the Golden Head in West Street.
Engraving, fine impression, sheet 360 x 455mm (14¼ x 18"). Small margins; repaired tear from top edge.
Landscape after Gaspard Dughet (1615-75), artist also known as Poussin after his brother-in-law and teacher Nicolas Poussin. Engraved by the leading line engraver Thomas Major (1720-99) after a painting in the collection of the pewterer and financial writer Bourchier Cleeve.
[Ref: 40661] £230.00
(£276.00 incl.VAT)
The Right Honourable The Lady Charlotte Finch.
Robinson pinx: Major sculp.
Publish'd according to Act of Parliament July 28 1755.
Engraving. 320 x 225mm (12½ x 9"). Thread margins.
A portrait of Lady Charlotte Fermor (1725-1813), painted by John Robinson. As Robinson died in 1745 the portrait was probably painted on her betrothal to the Hon. William Finch (1691–1766), who she married in 1746. She served as governess to the children of King George III and Queen Charlotte for over thirty years, holding the position from 1762 to 1793.
[Ref: 42429] £160.00
(£192.00 incl.VAT)
[Hammersmith.] To Baptist May Esq.r. This View of his House at Hamersmith and Union Yatch under sail is Dedicated by his most obedient Humb.le Serv.t. T.Major.
J.Fayram Pinx.t. Major sculp.t.
Publish'd accord.g to Act [of Parl.t. Nov.r. 22nd 1751.]
Rare engraving. Sheet 295 x 250mm (11¾ x 10"). Trimmed.
A view of the Thames at Hammersmith. In the foreground the Union Yacht sailing and in the left background Baptist May Esq.r.'s house. Baptist May Esq..r (1628 - 1698) was a Royal courtier during the reign of Charles II of England.
[Ref: 68813] £360.00
The Miraculous Draught of Fishes. To the Most Rev.d Father in God Thomas Lord Archbishop of Canterbury, Primate of all England & Metropolitan This print Engrav'd from a Capital Painting of David Teniers, is most humbly Dedicated by his Grace's most Dutiful & Obedient Servant Tho.s Major.
D. Teniers Pinx.t. Tho.s Major Sculp.t.
London sold by the Author Engraver to his R.H. the Prince of Wales at the Golden Head in West Street the upper end of St. Martin's Lane. Publish'd accord.g to Act of Parl.t April 1st 1752.
Etching with engraving. 495 x 605mm (19½ x 23¾"), with very large margins. Centre fold as usual. Uncut.
David Tenier's painting of 'The 153 Fish', the second fishing miracle of the Gospels. After the Resurrection, Christ (unrecognised) calls from the shore, telling the exhausted apostles to throw their nets once more. Unable to pull the catch onto the boat they have to come to shore and Peter leaps from the boat to greet Jesus. Plate 20 of 'The Most Capital Paintings in England'.
[Ref: 44341] £360.00
Le Calme. Grave d'apres le Tableau original de Vandervelde de 15. pounces de large sur 12. pounces de haut.
Vandervelde pinx. T. Major sculp.
[A Londres chez l'Auteur Graveur de S.A.R. le Prince de Galles à la Tête d'or dans West Street.][c.1752]
Engraving, watermark, sheet 300 x 395mm (11¾ x 15½"). Trimmed within plate at bottom losing publication line. Small margins on other three sides.
A seascape with sailing boats. One man stands in the shallows seemingly waiting for another man who stands at the sheets of a small sailboat while another approaches in a small rowing boat to the right of it. Vandervelde could either mean Willem van de Velde I (1610-1693) or his son Willem II (1633-1707) as their work can rarely be distinguished.
[Ref: 56581] £160.00
(£192.00 incl.VAT)
Le Manege. Dedie a Messire Marc-Rene de Voyer Marquis d'Argenson, Marechal de Camp des Arnees du Roy, Lieutenant General de la Province d'Alsace, Gouverneur de Romorantin. Tire de son Cabinet; et Grave de la meme grandeur que l'Original Parson tres-humble et tre Obeissant Serviteur T. Major.
P. Wouvermans pinx. T. Major sculp.
A Londres chez l'Auteur Graveur de S.A.R. Frederic Prince de Galles, a la Tete d'or dans West-Street [n.d., c.1750.]
Very rare engraving. 360 x 450mm (14¼ x 17¾"), with wide margins. Centrefold as normal.
A Riding School in a country estate, after Philip Wouvermans the 17th Century Dutch painter. Thomas Major studied in Paris under Jacques-Philippe Le Bas (1707-83), tutor to many of the century's best engravers. Examples of Wouwerman's work could be found in the leading 18th century collections of Dutch and Flemish masters in both France and England. The subject of a riding school was one he tackled many times in his career. The painting was in the collection of Marc-Rene de Voyer, 3rd Marquis d'Argenson (1722-87) who had become a friend after his father, the 2nd Marquis, had helped to secure Major's release from the Bastille where he had been incarcerated shortly after his arrival in Paris. On Major's return to England he developed a reputation as one of the best engravers of his day.
[Ref: 21625] £380.00
[Marine Society.] For the Service of Our Country.
S. Wale delin.t et donavit. T. Major sculp.t et donavit.
[London: Marine Society, c.1770.]
Etching, part 18th century watermark. 115 x 180mm (4½ x 7"), with large margins. Two tears, one entering plate, taped.
The trade card of the Marine Society, a charity founded in 1756 by Jonas Hanway (1712-86), to encourage young men to go and join the Royal Navy during the Seven Years' War. Later the Scociety turned to the education of poor boys in preperation for their joining the navy, as depicted here. Ragged boys are being directed to Britannia outside the Marine Society's Warehouse, where they are dressed as cadets. As well as founding the Marine Society in 1756, Hanway was a vice president of the Foundling Hospital, instrumental in the establishment of the Magdalen Hospital and a commissioner for victualling the navy (experimenting with ways to alleviate scurvy amongst seamen). He is said to be the first male Londoner to carry an umbrella, facing down heckling hackney coachmen.
[Ref: 55195] £190.00
(£228.00 incl.VAT)
To the Right Honourable George Earl of Cardigan, &c, &c, This Print is humbley Inscribed by his Lordship's most Obedient and Dutiful Servant, Tho.s Major. {In the Collection of John Barnard Esq.r.}
J. Asselyn, &c, Bercham Pinx.t. Thi,s Major Sculp.t.
London Sold by T. Major Engraver on the Paved Stones St. Martin's Lane.
Very fine & rare engraving. Platemark: 510 x 600mm (20 x 23½") very large margins. Central vertical fold. Small area of surface damage in centre of sheet.
A pastoral landscape with peasants watering their horse and donkeys in a shallow river in the foreground, with one donkey kicking his legs to the right. Ruins can be seen behind, with a stone bridge in the background. A coat of arms and motto are inscribed below the image. After Dutch painter Jan Asselyn (c.1610 - 1652).
[Ref: 40050] £480.00
A View of the Pseudodipteral Temple or Basilica, taken from the South East. Vue du Temple Pseudodiptere ou de la Basilique, prise du cote du Sud Est.
T. Major sculp.
Publish'd Jan. 1768.
Etching. 370 x 270mm (14½ x 10½").
From a series of views of ancient classical ruins, this view probably in Selinunte (Selinus), a Greek archaeological site situated on the south coast of Sicily. Numbered 'Tab: XIX'. By Thomas Major (1720 - 1799).
[Ref: 26965] £220.00
(£264.00 incl.VAT)
<<< Previous 1 Next >>>