A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
J.B. Booth Esq.r of the Theatre Royal Drury Lane. [From an original Painting.]
Ingrey & Madeley, Lithog. 310 Strand.
London Pubd. by Cowe & Strange, 2a FetterLane.
A rare lithograph. 145 x 96mm. 5¾ x 3¾". Cut.
Junius Brutus Booth (1796-1852), an English actor who performed alongside Edmund Kean in England in several Shakespearean production at the Drury Lane Theatre from 1817 to 1821.
Harvard Vol. I: p.136; 4.
[Ref: 19928] £50.00 (£60.00 incl.VAT)
Ingrey & Madeley, Lithog. 310 Strand.
London Pubd. by Cowe & Strange, 2a FetterLane.
A rare lithograph. 145 x 96mm. 5¾ x 3¾". Cut.
Junius Brutus Booth (1796-1852), an English actor who performed alongside Edmund Kean in England in several Shakespearean production at the Drury Lane Theatre from 1817 to 1821.
Harvard Vol. I: p.136; 4.
[Ref: 19928] £50.00 (£60.00 incl.VAT)
The Botanist.
[probably G. Spratt del.] Printed by G.E. Madeley, Wellington St. Stran[d].
Published by C. Tilt. Fleet Street [c.1830]
Hand coloured lithograph. Sheet 190 x 145mm (7½ x 6"). Trimmed, affecting inscriptions, creased, laid on album paper.
An assemblage portrait, with a woman's face and a body created from flowers, with a tulip forming her skirt, one of a series of professions. George Spratt, an English artist, and George E. Madeley, an English engraver and printmaker, produced a series of lithographed satirical designs of tradesmen composed of the objects of their profession. They were published by Charles Tilt, a London book and print seller.
[Ref: 57619] £230.00 (£276.00 incl.VAT)
[probably G. Spratt del.] Printed by G.E. Madeley, Wellington St. Stran[d].
Published by C. Tilt. Fleet Street [c.1830]
Hand coloured lithograph. Sheet 190 x 145mm (7½ x 6"). Trimmed, affecting inscriptions, creased, laid on album paper.
An assemblage portrait, with a woman's face and a body created from flowers, with a tulip forming her skirt, one of a series of professions. George Spratt, an English artist, and George E. Madeley, an English engraver and printmaker, produced a series of lithographed satirical designs of tradesmen composed of the objects of their profession. They were published by Charles Tilt, a London book and print seller.
[Ref: 57619] £230.00 (£276.00 incl.VAT)
![Sacred to the Memory of Isaac Hawkins Browne Esq.r of this Parish D.C.L. & F.R.S. who was born Dec.r 7 1745 & died May 30 1818 [...].](jpegs/53891.jpg)
Sacred to the Memory of Isaac Hawkins Browne Esq.r of this Parish D.C.L. & F.R.S. who was born Dec.r 7 1745 & died May 30 1818 [...]. This Representation of the Monument in the Church of Badger, in Shropshire, to the memory of Isaac Hawkins Browne, Esquire, executed by Francis Chantrey [...].
G.E. Madeley. lith. Wellington St. Strand.
[n.d. c. 1820]
Lithograph with 1pp lithographic facsimile handwritten text. 450 x 285mm (17¼ x 11¼"). Slight toning around the edges and bottom right corner is folded.
Lithograph print of the funerary monument to Isaac Hawkins Browne Junior (1745-1818) by Sir Francis Chantrey (1781-1841). Browne was a Tory politician, industrialist, essayist and a lord of the manor of Badger, Shropshire. His funerary monument is still in St. Giles's Church in Badger.
[Ref: 53891] £130.00 (£156.00 incl.VAT) view all images for this item
G.E. Madeley. lith. Wellington St. Strand.
[n.d. c. 1820]
Lithograph with 1pp lithographic facsimile handwritten text. 450 x 285mm (17¼ x 11¼"). Slight toning around the edges and bottom right corner is folded.
Lithograph print of the funerary monument to Isaac Hawkins Browne Junior (1745-1818) by Sir Francis Chantrey (1781-1841). Browne was a Tory politician, industrialist, essayist and a lord of the manor of Badger, Shropshire. His funerary monument is still in St. Giles's Church in Badger.
[Ref: 53891] £130.00 (£156.00 incl.VAT) view all images for this item
The Railway at Cheshunt in Hertfordshire; Invented by Henry R. Palmer, Civil-Engineer.
Ingrey & Madeley, Lithog. 310 Strand.
[n.d., c.1825.]
Coloured lithograph on chine collé. 130 x 285mm (5 x 11¼"). Margins messy.
A view of the world's first passenger monorail, designed by Henry Robinson Palmer (1795-1844) and opened in 1825. Robinson patented his design in 1821 (unaware of a monorail built near Moscow by Ivan Elmanov in 1820, with wheels on the beam rather than the carriage) and built his first in Deptford Dockyard in 1824, which was the first elevated railway. The Cheshunt monorail was the world's third monorail and the first to carry passengers, with horses pulling carriages along the mile-long track. Robinson also invented corrugated iron, designed and executed the Eastern Dock in London, and was instrumental in the founding of the Institution of Civil Engineeers.
[Ref: 56964] £360.00
Ingrey & Madeley, Lithog. 310 Strand.
[n.d., c.1825.]
Coloured lithograph on chine collé. 130 x 285mm (5 x 11¼"). Margins messy.
A view of the world's first passenger monorail, designed by Henry Robinson Palmer (1795-1844) and opened in 1825. Robinson patented his design in 1821 (unaware of a monorail built near Moscow by Ivan Elmanov in 1820, with wheels on the beam rather than the carriage) and built his first in Deptford Dockyard in 1824, which was the first elevated railway. The Cheshunt monorail was the world's third monorail and the first to carry passengers, with horses pulling carriages along the mile-long track. Robinson also invented corrugated iron, designed and executed the Eastern Dock in London, and was instrumental in the founding of the Institution of Civil Engineeers.
[Ref: 56964] £360.00
"Jemmy's" Last New Pattern. The "Dodworth Nob!! Sheffield Borough Election, July 28th. 1837. John Parker Esquire 2 18 6. Henry George Ward Esquire 19 76. John Thornely Esquire 6 55.
G.E. Madeley lithog. 3, Wellington St. Strand, London.
[n.d. c.1838.]
Coloured lithograph, very rare. 443 x 305mm (17½ x 12"). Tears, folds, creasing and soiling. Bottom trimmed.
In the 1837 United Kingdom general election Viscount Melborne's Whigs won their fourth election of the decade. However in Sheffield, John Parker and Henry George Ward were the liberal representatives and John Thornely stood as a Conservative. Out of the duck's beak "Noa" !
[Ref: 29019] £160.00 (£192.00 incl.VAT)
G.E. Madeley lithog. 3, Wellington St. Strand, London.
[n.d. c.1838.]
Coloured lithograph, very rare. 443 x 305mm (17½ x 12"). Tears, folds, creasing and soiling. Bottom trimmed.
In the 1837 United Kingdom general election Viscount Melborne's Whigs won their fourth election of the decade. However in Sheffield, John Parker and Henry George Ward were the liberal representatives and John Thornely stood as a Conservative. Out of the duck's beak "Noa" !
[Ref: 29019] £160.00 (£192.00 incl.VAT)
Eastdene near Bonchurch.
Drawn from Nature & Lithographed by G.E. Madeley. 3, Wellington St. Strand.
[n.d. c.1850.]
Lithograph, with large margins. 279 x 375mm. 11 x 14¾".
A country house in East Dene, Bonchurch, the small village to the East of Ventnor on the Isle of Wight.
[Ref: 24999] £95.00 (£114.00 incl.VAT)
Drawn from Nature & Lithographed by G.E. Madeley. 3, Wellington St. Strand.
[n.d. c.1850.]
Lithograph, with large margins. 279 x 375mm. 11 x 14¾".
A country house in East Dene, Bonchurch, the small village to the East of Ventnor on the Isle of Wight.
[Ref: 24999] £95.00 (£114.00 incl.VAT)
Lodge Gate at Eastdene, Bonchurch.
Drawn & Lithographed by G.E. Madeley. 3, Wellington St.
[n.d. c.1850.]
Lithograph. 279 x 375mm. 11 x 14¾". Large margins with folds.
Lodge Gate, a country house in East Dene, Bonchurch, the small village to the East of Ventnor on the Isle of Wight.
[Ref: 24998] £95.00 (£114.00 incl.VAT)
Drawn & Lithographed by G.E. Madeley. 3, Wellington St.
[n.d. c.1850.]
Lithograph. 279 x 375mm. 11 x 14¾". Large margins with folds.
Lodge Gate, a country house in East Dene, Bonchurch, the small village to the East of Ventnor on the Isle of Wight.
[Ref: 24998] £95.00 (£114.00 incl.VAT)
![[Giuseppe Marco Fieschi and his 'infernal machine'] Fieschi.](jpegs/62109.jpg)
[Giuseppe Marco Fieschi and his 'infernal machine'] Fieschi.
Madeley lith, from an original Drawing.
[n.d. c.1840.]
Rare lithograph. Sheet 220 x 190mm (8¾ x 7½"). Tear just entering image on right. Creasing.
A scene of Giuseppe Marco Fieschi (1790-1836) about to fire his 'infernal machine' at King Louis Philippe, 28th July 1835. Fieschi was a disaffected Corsican Republican who fought with Joachim Murat in his attempt to regain the Napoleonic kingdom of of Naples. Back in Corsica in 1816, he was condemned to ten years imprisonment for theft and forgery, but he eluded the police and escaped to Paris. After continuing a life of crime, he became involved in a plot to kill the king, building a 25-barrel volley gun and installing it at a house in Boulevard du Temple. As the king's entourage passed, the machine was fired, grazing the King's forehead and killing Marshal Mortier and seventeen other people. Fieschi was arrested, condemned to death and guillotined on February 19, 1836.
[Ref: 62109] £130.00 (£156.00 incl.VAT)
Madeley lith, from an original Drawing.
[n.d. c.1840.]
Rare lithograph. Sheet 220 x 190mm (8¾ x 7½"). Tear just entering image on right. Creasing.
A scene of Giuseppe Marco Fieschi (1790-1836) about to fire his 'infernal machine' at King Louis Philippe, 28th July 1835. Fieschi was a disaffected Corsican Republican who fought with Joachim Murat in his attempt to regain the Napoleonic kingdom of of Naples. Back in Corsica in 1816, he was condemned to ten years imprisonment for theft and forgery, but he eluded the police and escaped to Paris. After continuing a life of crime, he became involved in a plot to kill the king, building a 25-barrel volley gun and installing it at a house in Boulevard du Temple. As the king's entourage passed, the machine was fired, grazing the King's forehead and killing Marshal Mortier and seventeen other people. Fieschi was arrested, condemned to death and guillotined on February 19, 1836.
[Ref: 62109] £130.00 (£156.00 incl.VAT)
The Flight of Intellect. Portrait of Mr. Golightly experimenting on Mess.rs Quick of Speed's new patent high pressure steam Riding Pocket.
C.E. Madeley, Lith, 5 Wellington St. Strand.
Pub. by C. Tilt [n.d. c.1830].
Lithograph. Sheet 265 x 335mm (10½ x 13¼"). Central fold
Print satirising steam-powered travel, showing a man sitting astride a rocket, causing his hat to blow off and his cape to trail behind him. A label on the cylinder reads 'Warranted not to burst!'.
See Science Museum: 10410938.
[Ref: 68955] £390.00
C.E. Madeley, Lith, 5 Wellington St. Strand.
Pub. by C. Tilt [n.d. c.1830].
Lithograph. Sheet 265 x 335mm (10½ x 13¼"). Central fold
Print satirising steam-powered travel, showing a man sitting astride a rocket, causing his hat to blow off and his cape to trail behind him. A label on the cylinder reads 'Warranted not to burst!'.
See Science Museum: 10410938.
[Ref: 68955] £390.00
The Celebrated Minstrel Family, Mr. Frost, his Son, and Three Daughters.
Madeley, lith. 3, Wellington St. Strand.
[n.d. c.1840.]
A very scarce lithograph. 215 x 286mm. 8½ x 11¼". Large margins, extremities bit tatty.
A man sitting at a harpsichord, his children behind him preparing to sing. Advertised as 'The Minstral Family', the Frosts toured England in 1835-9, giving concerts of sacred and more poplar music, including Handel and Mozart.
[Ref: 22966] £220.00 (£264.00 incl.VAT)
Madeley, lith. 3, Wellington St. Strand.
[n.d. c.1840.]
A very scarce lithograph. 215 x 286mm. 8½ x 11¼". Large margins, extremities bit tatty.
A man sitting at a harpsichord, his children behind him preparing to sing. Advertised as 'The Minstral Family', the Frosts toured England in 1835-9, giving concerts of sacred and more poplar music, including Handel and Mozart.
[Ref: 22966] £220.00 (£264.00 incl.VAT)
Gnat Bites N.º 6. Oh Fredric! that nasty things has spunted all over Julian's sunday's!. _ what will be the consequence? / Vy cold, with running at the nose.
[signed in plate]
London Published by W. Soffe 380 Strand. Madeley Printer [n.d., c.1848.]
Coloured lithograph. Sheet 340 x 245mm (13¼ x 9½"). Nicks in edges.
An elephant in an enclosure sprays water from its trunk.
[Ref: 68064] £160.00 (£192.00 incl.VAT)
[signed in plate]
London Published by W. Soffe 380 Strand. Madeley Printer [n.d., c.1848.]
Coloured lithograph. Sheet 340 x 245mm (13¼ x 9½"). Nicks in edges.
An elephant in an enclosure sprays water from its trunk.
[Ref: 68064] £160.00 (£192.00 incl.VAT)
![[Laura Honey] Mrs Honey (as Psyche).](jpegs/60659.jpg)
[Laura Honey] Mrs Honey (as Psyche).
Lithographed, Printed & Pub.d by G.E. Madeley, 3, Wellington S.t, Strand [n.d., c.1835].
Coloured lithograph on chine collé, with printed backing paper. Sheet 260 x 210mm (10¼ x 8¼"). Edges soiled, crease. Bit messy.
Laura Honey (1816-43) as Psyché in the burlesque Cupid, performed at the Theatre Royal, Adelphi, in 1832.
[Ref: 60659] £70.00 (£84.00 incl.VAT)
Lithographed, Printed & Pub.d by G.E. Madeley, 3, Wellington S.t, Strand [n.d., c.1835].
Coloured lithograph on chine collé, with printed backing paper. Sheet 260 x 210mm (10¼ x 8¼"). Edges soiled, crease. Bit messy.
Laura Honey (1816-43) as Psyché in the burlesque Cupid, performed at the Theatre Royal, Adelphi, in 1832.
[Ref: 60659] £70.00 (£84.00 incl.VAT)
Mrs. Honey, (As Psyche)
Lithographed, Printed, & Published by G.E. Madeley, 3 Wellington St. Strand. [n.d., 1830.]
Hand coloured lithograph on india laid paper, sheet 360 x 265mm. 14¼ x 10½". Slightly soiled.
Laura Honey (1816? - 1843), actress and vocalist, with butterfly on head and lamp in left hand; as Psyche in the burlesque 'Cupid'. By George Edward Madeley.
Harvard Theatre Collection: pg.249, 21.
[Ref: 13318] £130.00 (£156.00 incl.VAT)
Lithographed, Printed, & Published by G.E. Madeley, 3 Wellington St. Strand. [n.d., 1830.]
Hand coloured lithograph on india laid paper, sheet 360 x 265mm. 14¼ x 10½". Slightly soiled.
Laura Honey (1816? - 1843), actress and vocalist, with butterfly on head and lamp in left hand; as Psyche in the burlesque 'Cupid'. By George Edward Madeley.
Harvard Theatre Collection: pg.249, 21.
[Ref: 13318] £130.00 (£156.00 incl.VAT)
![George Jones [facsimile signature]. Hamlet "What would your gracious figure?"](jpegs/34629.jpg)
George Jones [facsimile signature]. Hamlet "What would your gracious figure?" George Jones [facsimile signature]. (The American Tragedian) In the Character of Hamlet As successfully performed at the Theatre Royal, Drury Lane upon the occasion of his Complimentary Benefit from the Friends of Literature and the Drama JUne 4.th 1836.
From a Painting in the Royal Academy (1836) by C. Martin. Madeley, lith. 3. Wellington St. Strand.
Published by Ackerman & Co. 96 Strand.
Lithograph, rare. In pencil underneath "To Richard Potten Esq. with respectful compl. GJ". 392 x 274mm (15½ x 10¾").
George Jones (1810-1879), the English-American actor, author, journalist and litigator best known for his eccentric behaviour later in life.
[Ref: 34629] £260.00 (£312.00 incl.VAT)
From a Painting in the Royal Academy (1836) by C. Martin. Madeley, lith. 3. Wellington St. Strand.
Published by Ackerman & Co. 96 Strand.
Lithograph, rare. In pencil underneath "To Richard Potten Esq. with respectful compl. GJ". 392 x 274mm (15½ x 10¾").
George Jones (1810-1879), the English-American actor, author, journalist and litigator best known for his eccentric behaviour later in life.
[Ref: 34629] £260.00 (£312.00 incl.VAT)
Passage of the Jordan.
Madeley litho 3 Wellington St. Strand.
London. John Ollivier. 59 Pall Mall. [n.d. c.
Coloured lithograph, rare. 127 x 186mm. 5 x 7¼". Trimmed.
The crossing of the river Jordan. Black men swimming across with a large raft of boxes and equipment as European travellers wait for their turn on the near-side and a group of black spiritual leaders bowing down and praying.
[Ref: 26881] £70.00 (£84.00 incl.VAT)
Madeley litho 3 Wellington St. Strand.
London. John Ollivier. 59 Pall Mall. [n.d. c.
Coloured lithograph, rare. 127 x 186mm. 5 x 7¼". Trimmed.
The crossing of the river Jordan. Black men swimming across with a large raft of boxes and equipment as European travellers wait for their turn on the near-side and a group of black spiritual leaders bowing down and praying.
[Ref: 26881] £70.00 (£84.00 incl.VAT)
This Portrait of John Kay, of Bury, (Inventor of the Fly Shuttle &c), was saved, during the Earthquake that occurred on the Island of Juan Fernandes, and is dedicated to The Right Hon.ble Sir Rob.t Peel Bart. M. by his obedient, humble Servant, Tho.s Sutcliffe.
Proof. (Ent. Sta. Hall.) Madeley lith, 3 Wellington St. Strand.
Baines History of the County Palatine of Lancaster.
Lithograph, printed on india. Sheet: 380 x 280mm (15 x 11").
A bust portrait of John Kay (1704-1779) who invented the flying shuttle which was one of the most important inventions of the Industrial Revolution.
[Ref: 46313] £190.00 (£228.00 incl.VAT)
Proof. (Ent. Sta. Hall.) Madeley lith, 3 Wellington St. Strand.
Baines History of the County Palatine of Lancaster.
Lithograph, printed on india. Sheet: 380 x 280mm (15 x 11").
A bust portrait of John Kay (1704-1779) who invented the flying shuttle which was one of the most important inventions of the Industrial Revolution.
[Ref: 46313] £190.00 (£228.00 incl.VAT)
![[Harriette Deborah Lacy] Miss Taylor as Nell Gwynne.](jpegs/60658.jpg)
[Harriette Deborah Lacy] Miss Taylor as Nell Gwynne.
Lithographed, Printed & Pub.d by G.E. Madeley, 3, Wellington S.t, Strand [n.d., c.1830].
Coloured lithograph on chine collé, with printed backing paper. Sheet 260 x 210mm (10¼ x 8¼"). Edges soiled. Bit messy
Harriette Deborah Lacy (1807-74), the daughter of a London tradesman named Taylor, as Nell Gwynne in Jerrold's play of that name, singing the once well-known song, ‘Buy my Oranges’. She retired from the stage in 1848.
[Ref: 60658] £95.00 (£114.00 incl.VAT)
Lithographed, Printed & Pub.d by G.E. Madeley, 3, Wellington S.t, Strand [n.d., c.1830].
Coloured lithograph on chine collé, with printed backing paper. Sheet 260 x 210mm (10¼ x 8¼"). Edges soiled. Bit messy
Harriette Deborah Lacy (1807-74), the daughter of a London tradesman named Taylor, as Nell Gwynne in Jerrold's play of that name, singing the once well-known song, ‘Buy my Oranges’. She retired from the stage in 1848.
[Ref: 60658] £95.00 (£114.00 incl.VAT)
![[John Liston] M.r Liston, as "Billy Lackaday" in "Sweethearts & Wives''.](jpegs/63919.jpg)
[John Liston] M.r Liston, as "Billy Lackaday" in "Sweethearts & Wives''.
GEM [George Edward Madeley].
[Printed and Pub.d at the Lithographic Office 310 Strand. [n.d., c.1824.]
Coloured lithograph. Sheet 280 x 205mm (11 x 8"). Trimmed, losing publication line.
A portrait of the comic actor John Liston (1776-1846) in character in James Kenney's most popular play, produced at the Haymarket Theatre in 1823 and revived several times.
[Ref: 63919] £75.00 (£90.00 incl.VAT)
GEM [George Edward Madeley].
[Printed and Pub.d at the Lithographic Office 310 Strand. [n.d., c.1824.]
Coloured lithograph. Sheet 280 x 205mm (11 x 8"). Trimmed, losing publication line.
A portrait of the comic actor John Liston (1776-1846) in character in James Kenney's most popular play, produced at the Haymarket Theatre in 1823 and revived several times.
[Ref: 63919] £75.00 (£90.00 incl.VAT)
![[John Liston] M.r Liston, as Tristram Sappy, in ''Deaf as a Post''.](jpegs/63918.jpg)
[John Liston] M.r Liston, as Tristram Sappy, in ''Deaf as a Post''. ''Let me see, what was I going to say?"
GEM [George Edward Madeley].
[Pub.d at the Lithographic Office 310 Strand May 1st 1824.]
Coloured lithograph. Sheet 350 x 155mm (13¾ x 6"). Trimmed, affecting monogram, losing publication line, tear taped.
A portrait of the comic actor John Liston (1776-1846) in character in John Poole's one-act farce.
[Ref: 63918] £60.00 (£72.00 incl.VAT)
GEM [George Edward Madeley].
[Pub.d at the Lithographic Office 310 Strand May 1st 1824.]
Coloured lithograph. Sheet 350 x 155mm (13¾ x 6"). Trimmed, affecting monogram, losing publication line, tear taped.
A portrait of the comic actor John Liston (1776-1846) in character in John Poole's one-act farce.
[Ref: 63918] £60.00 (£72.00 incl.VAT)
![[John Liston] M.r Liston as Sam Swipes, (in ''Exchange no Robbery'').](jpegs/68057.jpg)
[John Liston] M.r Liston as Sam Swipes, (in ''Exchange no Robbery''). ''No_am I a Gentleman!_ upon your soul tho' Mother?''. N.º 7.
Pub.d by Ingrey & Madeley, Lithog.c Office, 310 Strand, London. Jan.y 1826.
Fine coloured lithograph. Sheet 345 x 240mm (13½ x 9½"), paper watermarked 'J Whatman 1825'.
A caricature portrait of comedian John Liston (c.1776-1846) in character as cockney pot boy Sam Swipes, hands in his pockets, wearing a green jacket, white apron, brown breeches and striped leggings Theodore Hook's play 'Exchange no Robbery' was first produced at the Haymarket Theatre in 1820 and revived at Drury Lane in 1826.
[Ref: 68057] £130.00 (£156.00 incl.VAT)
Pub.d by Ingrey & Madeley, Lithog.c Office, 310 Strand, London. Jan.y 1826.
Fine coloured lithograph. Sheet 345 x 240mm (13½ x 9½"), paper watermarked 'J Whatman 1825'.
A caricature portrait of comedian John Liston (c.1776-1846) in character as cockney pot boy Sam Swipes, hands in his pockets, wearing a green jacket, white apron, brown breeches and striped leggings Theodore Hook's play 'Exchange no Robbery' was first produced at the Haymarket Theatre in 1820 and revived at Drury Lane in 1826.
[Ref: 68057] £130.00 (£156.00 incl.VAT)
![[John Liston] The Celebrated Preacher (M.r Liston as Maw-worm, in the Hypocrite.)](jpegs/68055.jpg)
[John Liston] The Celebrated Preacher (M.r Liston as Maw-worm, in the Hypocrite.) Encored in his Sermon by His Majesty.
Pub.d by Ingrey & Madeley, Lithographic Office, 310 Strand, 1825.
Coloured lithograph. Sheet 260 x 200mm (10¼ x 8"). Glue stains at corners.
A caricature portrait of comedian John Liston (c.1776-1846), standing above a screen with pictures of him in other roles: Van Dunder, Paul Pry, Tristram Sappy and Billy Lackaday. 'The Hypocrite' was a play by Isaac Bickerstaffe.
[Ref: 68055] £60.00 (£72.00 incl.VAT)
Pub.d by Ingrey & Madeley, Lithographic Office, 310 Strand, 1825.
Coloured lithograph. Sheet 260 x 200mm (10¼ x 8"). Glue stains at corners.
A caricature portrait of comedian John Liston (c.1776-1846), standing above a screen with pictures of him in other roles: Van Dunder, Paul Pry, Tristram Sappy and Billy Lackaday. 'The Hypocrite' was a play by Isaac Bickerstaffe.
[Ref: 68055] £60.00 (£72.00 incl.VAT)
![[London Bridge pier and cofferdam]](jpegs/43683.jpg)
[London Bridge pier and cofferdam] To, The Rt. Hon.ble John Garratt Lord Mayor and Aldermen of the City of London. Herewith is a Sketch of the Geometrical Plan and Section of the First Pier and the Coffer Dams erected for the New London Bridge over the River Thames [...]
Ingrey & Madeley Lithog. 310 Strand [1825]
Lithograph, scarce item; printed area approx 330 x 170mm (13 x 6¾"). Creasing.
Plan by architect R.W. Backhouse of the pier and cofferdam erected as part of construction work on the 'new' London Bridge in 1825. The cofferdam enclosed an area of water, enabling it to be pumped out and filled in with the foundations of the new bridge.
[Ref: 43683] £160.00 (£192.00 incl.VAT)
Ingrey & Madeley Lithog. 310 Strand [1825]
Lithograph, scarce item; printed area approx 330 x 170mm (13 x 6¾"). Creasing.
Plan by architect R.W. Backhouse of the pier and cofferdam erected as part of construction work on the 'new' London Bridge in 1825. The cofferdam enclosed an area of water, enabling it to be pumped out and filled in with the foundations of the new bridge.
[Ref: 43683] £160.00 (£192.00 incl.VAT)
Lander's Grave, at Fernando-Po. From a Sketch taken by Mr. S.L. Crofton, of H.M.S. Pelosus.
G.E. Madeley, lith. 3. Wellington St. Strand.
Pub. July 1834, by Ackermann & Co. 96, Strand.
Very scarce lithograph, sheet 185 x 215mm. 7¼ x 8½". Sheet trimmed.
Two European travellers visiting the tomb of Richard Lemon Lander (1804 - 1834), who explored the course of the Niger river, West Africa. The son of a Truro innkeeper, Lander's explorations began as an assistant to the Scottish explorer Hugh Clapperton, on an expedition to Western Africa in 1825. After Clapperton's death near Sokoto, Lander proceeded southeast to Kano and then returned to the coast through the country of the Yoruba people. He returned to Western Africa in 1830, accompanied by his brother John. They landed at Badagri and followed the lower Niger River from Bussa to the sea. After exploring about 160 kilometres of the Niger River upstream, they returned to explore the Benue River and Niger Delta before travelling back to England. On a trading expedition up the Niger in 1832, Lander was wounded by tribesmen attacking his canoe, and he died soon thereafter. Probably from ‘A Journal of the Niger Expedition...by Macgregor Laird and D. N. R. Oldfield,’ London, 1834, 2 vols. Laird and Oldfield are likely the two men here depicted.
Not in Abbey Travel. From: Charborough House, residence to the Erle-Drax family.
[Ref: 14920] £160.00 (£192.00 incl.VAT)
G.E. Madeley, lith. 3. Wellington St. Strand.
Pub. July 1834, by Ackermann & Co. 96, Strand.
Very scarce lithograph, sheet 185 x 215mm. 7¼ x 8½". Sheet trimmed.
Two European travellers visiting the tomb of Richard Lemon Lander (1804 - 1834), who explored the course of the Niger river, West Africa. The son of a Truro innkeeper, Lander's explorations began as an assistant to the Scottish explorer Hugh Clapperton, on an expedition to Western Africa in 1825. After Clapperton's death near Sokoto, Lander proceeded southeast to Kano and then returned to the coast through the country of the Yoruba people. He returned to Western Africa in 1830, accompanied by his brother John. They landed at Badagri and followed the lower Niger River from Bussa to the sea. After exploring about 160 kilometres of the Niger River upstream, they returned to explore the Benue River and Niger Delta before travelling back to England. On a trading expedition up the Niger in 1832, Lander was wounded by tribesmen attacking his canoe, and he died soon thereafter. Probably from ‘A Journal of the Niger Expedition...by Macgregor Laird and D. N. R. Oldfield,’ London, 1834, 2 vols. Laird and Oldfield are likely the two men here depicted.
Not in Abbey Travel. From: Charborough House, residence to the Erle-Drax family.
[Ref: 14920] £160.00 (£192.00 incl.VAT)
Richard Oastler, 12 Coffee Gallery, Fleet Prison Dec. 9 1840
Madeley lith. 5 Wellington St. Strand
Lithograph, rare, sheet 230 x 150mm (9 x 6"). Trimmed. Bit messy.
Richard Oastler (1789 - 1861), factory reformer. Oastler was famously 'awakened' in 1830 to the cruelties routinely practiced in English textile mills, and throughout the 1830s was an infuential advocate of factory reform, his oratorical skills earned him the sobriquet 'The factory king'. His paternalistic view of society meant that Oastler, the quintessential Tory radical, abhorred the idea of strikes, trade unions and universal suffrage. Eventually, in 1838, Thomas Thornhill, the squire of Fixby who employed Oastler as a steward on his estate, turned against Oastler, dismissing him and initiating legal proceedings against him. Unable to repay debts to Thornhill which he had accumulated, Oastler was committed to the Fleet prison for three and a half years (the date on this print is the date his sentence began). As this portrait suggests, Oastler kept busy in prison editing a weekly newspaper, and continued to edit a magazine after his release, but these had little influence. It was not as a writer but as a presence and speaker that Oastler was most influential.
[Ref: 41659] £140.00 (£168.00 incl.VAT)
Madeley lith. 5 Wellington St. Strand
Lithograph, rare, sheet 230 x 150mm (9 x 6"). Trimmed. Bit messy.
Richard Oastler (1789 - 1861), factory reformer. Oastler was famously 'awakened' in 1830 to the cruelties routinely practiced in English textile mills, and throughout the 1830s was an infuential advocate of factory reform, his oratorical skills earned him the sobriquet 'The factory king'. His paternalistic view of society meant that Oastler, the quintessential Tory radical, abhorred the idea of strikes, trade unions and universal suffrage. Eventually, in 1838, Thomas Thornhill, the squire of Fixby who employed Oastler as a steward on his estate, turned against Oastler, dismissing him and initiating legal proceedings against him. Unable to repay debts to Thornhill which he had accumulated, Oastler was committed to the Fleet prison for three and a half years (the date on this print is the date his sentence began). As this portrait suggests, Oastler kept busy in prison editing a weekly newspaper, and continued to edit a magazine after his release, but these had little influence. It was not as a writer but as a presence and speaker that Oastler was most influential.
[Ref: 41659] £140.00 (£168.00 incl.VAT)
Western Entrance, Oundle Church.
Drawn from Nature & on Stone by B. Rudge, Bedford. Madeley, lith, 3 Wellington St. Strand.
Published by Richard Todd, Bookseller, Oundle. [n.d. c.1841.]
Rare lithograph. Sheet 275 x 365mm (10¾ x 14½") very large margins.
A view of the churchyard, cemetery and western entrance to St Peter's parish church. From a collection of "Lithographic views of Oundle and Fotheringhay".
[Ref: 51670] £130.00 (£156.00 incl.VAT)
Drawn from Nature & on Stone by B. Rudge, Bedford. Madeley, lith, 3 Wellington St. Strand.
Published by Richard Todd, Bookseller, Oundle. [n.d. c.1841.]
Rare lithograph. Sheet 275 x 365mm (10¾ x 14½") very large margins.
A view of the churchyard, cemetery and western entrance to St Peter's parish church. From a collection of "Lithographic views of Oundle and Fotheringhay".
[Ref: 51670] £130.00 (£156.00 incl.VAT)
The Royal Elephant Preserving the true Prince (Mr. Hemmings) from the Conspirators. Now performing with distinguished success at the Theatre Royal, Adelphi.
R.J.H. [in image.]
Pub.d by W. Kenneth, corner Bow Street, Covent Garden, London. G.E. Madeley, Lithog. Wellington St. Strand. [n.d. c.1829.]
Rare lithograph. 197 x 282mm (7¼ x 10½").
A depiction of the elephant from 'The Elephant of Siam and the Fire Fiend!', first produced at the Adelphi on Thursday 3 December 1829. The mid-Victorian period marked the height of the British public's fascination with Britain's colonies; hence, the introduction of elephants across the capital. Three elephants were brought to England in East India Company ships between 1809 and 1811.
[Ref: 52455] £230.00 (£276.00 incl.VAT)
R.J.H. [in image.]
Pub.d by W. Kenneth, corner Bow Street, Covent Garden, London. G.E. Madeley, Lithog. Wellington St. Strand. [n.d. c.1829.]
Rare lithograph. 197 x 282mm (7¼ x 10½").
A depiction of the elephant from 'The Elephant of Siam and the Fire Fiend!', first produced at the Adelphi on Thursday 3 December 1829. The mid-Victorian period marked the height of the British public's fascination with Britain's colonies; hence, the introduction of elephants across the capital. Three elephants were brought to England in East India Company ships between 1809 and 1811.
[Ref: 52455] £230.00 (£276.00 incl.VAT)
The Royal Elephant at Dinner Now performing with distinguised success, at the Theatre Royal, Adelphi.
R.J. Hamerton [in image.]
Pub.d by W. Kenneth, corner Bow Street, Covent Garden, London. G.E. Madeley, Lithog. Wellington St. Strand. [n.d. c.1829.]
Rare lithograph. 214 x 280mm (8 x 10½"). Some creasing.
Three elephants were brought to England in East India Company ships between 1809 and 1811. The elephants were either exhibited at the Covent Garden Theatre or bought by circus owner Stephani Polito, where they joined his menagerie at Exeter Exchange on the Strand in London. The mid-Victorian period marked the height of the British public's fascination with Britain's colonies; hence, the introduction of elephants across the capital.
[Ref: 52456] £230.00 (£276.00 incl.VAT)
R.J. Hamerton [in image.]
Pub.d by W. Kenneth, corner Bow Street, Covent Garden, London. G.E. Madeley, Lithog. Wellington St. Strand. [n.d. c.1829.]
Rare lithograph. 214 x 280mm (8 x 10½"). Some creasing.
Three elephants were brought to England in East India Company ships between 1809 and 1811. The elephants were either exhibited at the Covent Garden Theatre or bought by circus owner Stephani Polito, where they joined his menagerie at Exeter Exchange on the Strand in London. The mid-Victorian period marked the height of the British public's fascination with Britain's colonies; hence, the introduction of elephants across the capital.
[Ref: 52456] £230.00 (£276.00 incl.VAT)
Extraordinary Exploit On Tuesday the 17th of January 1826, Mr. Henry Hunt Jun.r for a bet of 100 Guineas made with a Noble Lord of sporting celebrity drove his Father's Matchless Blacking Van with four blood horses upon the Ice over the Serpentine at the broadest part[...]
Ingrey & Madeley Lithog. 310 Strand
J. Limbird 143 Strand [1826]
Scarce lithograph, sheet 255 x 350mm (10 x 13¾"). Glued to backing sheet at top corners. Bottom left corner made up.
Illustration of a man driving a van across the Serpentine river in London's Hyde Park for a bet. The text assures us that 'he accomplished the hazardous task in the grandest style without the smallest accident'.
[Ref: 39595] £480.00
Ingrey & Madeley Lithog. 310 Strand
J. Limbird 143 Strand [1826]
Scarce lithograph, sheet 255 x 350mm (10 x 13¾"). Glued to backing sheet at top corners. Bottom left corner made up.
Illustration of a man driving a van across the Serpentine river in London's Hyde Park for a bet. The text assures us that 'he accomplished the hazardous task in the grandest style without the smallest accident'.
[Ref: 39595] £480.00
![[Shooting] Now Jack, hit him hard. but mind me!](jpegs/57794.jpg)
[Shooting] Now Jack, hit him hard. but mind me!
Madeley lith. 3 Wellington St. Strand.
[n.d., c.1830.]
Coloured lithograph. Sheet 175 x 150mm (7 x 6"). Trimmed, corners snipped, laid on album paper.
A man cowering behind a tree shouts instructions to a man aiming a blunderbuss at a cockeral on a fence.
[Ref: 57794] £65.00 (£78.00 incl.VAT)
Madeley lith. 3 Wellington St. Strand.
[n.d., c.1830.]
Coloured lithograph. Sheet 175 x 150mm (7 x 6"). Trimmed, corners snipped, laid on album paper.
A man cowering behind a tree shouts instructions to a man aiming a blunderbuss at a cockeral on a fence.
[Ref: 57794] £65.00 (£78.00 incl.VAT)
The Wounded Smuggler.
Madeley lith.
Pub.d by J. Williams, 129, Strand. [n.d., c.1835.]
Rare lithograph. Sheet: 255 x 180mm (10 x 7''). Trimmed.
A scene in front of a fire in which several figures including a black man crowd around a wounded smuggler, sitting in a chair.
[Ref: 50029] £140.00 (£168.00 incl.VAT)
Madeley lith.
Pub.d by J. Williams, 129, Strand. [n.d., c.1835.]
Rare lithograph. Sheet: 255 x 180mm (10 x 7''). Trimmed.
A scene in front of a fire in which several figures including a black man crowd around a wounded smuggler, sitting in a chair.
[Ref: 50029] £140.00 (£168.00 incl.VAT)
Plan of the Proposed Alterations in St James's Park.
G.E.M [George Edward Madeley] del.
Printed and Published by Ingrey & Madeley, Lithographic Office 310 Strand [n.d., c1827].
Lithographic map with hand colour. Printed border 230 x 430mm (9 x 17"). Laid on album paper with two other lithographs.
John Nash's planned redevelopment of the area around St James's Park, including the buuildings of Pall Mall. The two matching lithographs show the St James's Canal before and after it was redesigned to look more natural.
[Ref: 64139] £190.00
G.E.M [George Edward Madeley] del.
Printed and Published by Ingrey & Madeley, Lithographic Office 310 Strand [n.d., c1827].
Lithographic map with hand colour. Printed border 230 x 430mm (9 x 17"). Laid on album paper with two other lithographs.
John Nash's planned redevelopment of the area around St James's Park, including the buuildings of Pall Mall. The two matching lithographs show the St James's Canal before and after it was redesigned to look more natural.
[Ref: 64139] £190.00
![[Sutherland Highlanders] To Lieu.t Colonel M.cGregor and the Officers of the 93rd Highlanders,](jpegs/57649.jpg)
[Sutherland Highlanders] To Lieu.t Colonel M.cGregor and the Officers of the 93rd Highlanders, This Print, reprsenting the ceremony of presenting new Colours to their Regiment at Canterbury, on Tuesday, October 7th, 1834, by Field Marshal , his Grace the Duke of Wellington, is most respectfully inscribed by their very humble servant, Henry Ward.
Drawn on the Spot by H. Martens. Ackermann & Co Execu.t. Printed by G.E. Madeley, 3 Wellington S.t. Strand.
Published by Henry Ward, Canterbury, Nov.r 1834.
Scarce coloured lithograph. Sheet 430 x 585mm (17 x 23"), large margins on 3 sides. Repaired tears.
A parade of the Sutherland Highlanders in Canterbury, when the Duke of Wellington presented them with new Colours following their return from their posting to Antigua and Saint Kitts, 1826-34. The towers of Canterbury Cathedral can be seen behind.
[Ref: 57649] £350.00
Drawn on the Spot by H. Martens. Ackermann & Co Execu.t. Printed by G.E. Madeley, 3 Wellington S.t. Strand.
Published by Henry Ward, Canterbury, Nov.r 1834.
Scarce coloured lithograph. Sheet 430 x 585mm (17 x 23"), large margins on 3 sides. Repaired tears.
A parade of the Sutherland Highlanders in Canterbury, when the Duke of Wellington presented them with new Colours following their return from their posting to Antigua and Saint Kitts, 1826-34. The towers of Canterbury Cathedral can be seen behind.
[Ref: 57649] £350.00
Tan.
Derby 1844.
Scarce etching. 45 x 50mm (1¾ x 2") very large margins. Spotted.
A portrait of a terrier, with a sleeping cat behind. Engraving by my cousin A E Madeley.
[Ref: 63453] £90.00 (£108.00 incl.VAT)
Derby 1844.
Scarce etching. 45 x 50mm (1¾ x 2") very large margins. Spotted.
A portrait of a terrier, with a sleeping cat behind. Engraving by my cousin A E Madeley.
[Ref: 63453] £90.00 (£108.00 incl.VAT)
![[Louis Philippe instructing his children at Orleans House.]](jpegs/23472.jpg)
[Louis Philippe instructing his children at Orleans House.]
Lithographed & Printed by G.E. Madeley, 3, Wellington Stt. Strand.
Presented with the Atlas Newspaper of August 29th. 1830 [on stone].
Lithograph, supplement to the 'Atlas' periodical. Image 175 x 265mm. 7 x 10½".
An interior scene of domesticity at Orleans House, Twickenham, featuring at its centre the house's most famous resident Louis Philippe, Duc d'Orleans (1773 - 1850). Forced into exile from France in the period leading up to Napoleon's defeat at Waterloo, Louis Philippe made this house his home in London between 1815 and 1817. Attracted to the tranquillity of the area he wrote to a friend: 'I bless heaven, noon and night that I am in my peaceful house in old Twick'. In 1844 he returned to England as King of the French, and visited his former residence accompanied by Queen Victoria. The pupils are portraits of his children.
For other lithographs of the same scene, see refs. 7988 and 8065.
[Ref: 23472] £130.00 (£156.00 incl.VAT)
Lithographed & Printed by G.E. Madeley, 3, Wellington Stt. Strand.
Presented with the Atlas Newspaper of August 29th. 1830 [on stone].
Lithograph, supplement to the 'Atlas' periodical. Image 175 x 265mm. 7 x 10½".
An interior scene of domesticity at Orleans House, Twickenham, featuring at its centre the house's most famous resident Louis Philippe, Duc d'Orleans (1773 - 1850). Forced into exile from France in the period leading up to Napoleon's defeat at Waterloo, Louis Philippe made this house his home in London between 1815 and 1817. Attracted to the tranquillity of the area he wrote to a friend: 'I bless heaven, noon and night that I am in my peaceful house in old Twick'. In 1844 he returned to England as King of the French, and visited his former residence accompanied by Queen Victoria. The pupils are portraits of his children.
For other lithographs of the same scene, see refs. 7988 and 8065.
[Ref: 23472] £130.00 (£156.00 incl.VAT)
The Two Chancellors. Oxford. Great Britain.
G.E. Madeley lith. 3. Wellington St. Strand.
Pub.d by T. Bird, 1. Wells St. Oxford St. [n.d. c.1834.]
Coloured lithograph with added gum arabic, original colour. 278 x 386mm. 11 x 15¼". Some staining; top left and right-hand side.
Two statuettes, with caricature features of the Duke of Wellington, Chancellor of the University of Oxford 1834-52 marked 'Oxford', the other of Henry Peter, 1st Baron Brougham and Vaux, Lord Chancellor 1830-34, marked "Great Britain". The highlights of Brougham's tenure was the passing of the 1832 Reform Act, of which he was a staunch supporter, and the Slavery Abolition Act of 1833, the cause to which he had been devoted to for so many years. He was offered the post by Grey following the defeat of Wellington's Government in 1830.
[Ref: 17816] £95.00 (£114.00 incl.VAT)
G.E. Madeley lith. 3. Wellington St. Strand.
Pub.d by T. Bird, 1. Wells St. Oxford St. [n.d. c.1834.]
Coloured lithograph with added gum arabic, original colour. 278 x 386mm. 11 x 15¼". Some staining; top left and right-hand side.
Two statuettes, with caricature features of the Duke of Wellington, Chancellor of the University of Oxford 1834-52 marked 'Oxford', the other of Henry Peter, 1st Baron Brougham and Vaux, Lord Chancellor 1830-34, marked "Great Britain". The highlights of Brougham's tenure was the passing of the 1832 Reform Act, of which he was a staunch supporter, and the Slavery Abolition Act of 1833, the cause to which he had been devoted to for so many years. He was offered the post by Grey following the defeat of Wellington's Government in 1830.
[Ref: 17816] £95.00 (£114.00 incl.VAT)
![[Issac van Amburgh with his big cats.]](jpegs/55483.jpg)
[Issac van Amburgh with his big cats.]
Madeley, lith.
[n.d., c.1840.]
Lithograph. Sheet 175 x 250mm (7 x 9¾"). Timmed losing Madeley's address, indelible pencil in bottom corner.
Isaac van Amburgh (1808-65), American animal trainer, wearing Roman dress on stage, resting on a lion, while a tiger licks his face. Van Amburgh arrived in London in 1838, performing first at Astleys then at Drury Lane. In 1839 Queen Victoria saw van Amburgh's show six times, and later commissioned Landseer to paint a portrait of him and and his cats. By George Edward Madeley.
[Ref: 55483] £180.00 (£216.00 incl.VAT)
Madeley, lith.
[n.d., c.1840.]
Lithograph. Sheet 175 x 250mm (7 x 9¾"). Timmed losing Madeley's address, indelible pencil in bottom corner.
Isaac van Amburgh (1808-65), American animal trainer, wearing Roman dress on stage, resting on a lion, while a tiger licks his face. Van Amburgh arrived in London in 1838, performing first at Astleys then at Drury Lane. In 1839 Queen Victoria saw van Amburgh's show six times, and later commissioned Landseer to paint a portrait of him and and his cats. By George Edward Madeley.
[Ref: 55483] £180.00 (£216.00 incl.VAT)
![[Issac van Amburgh with his big cats.]](jpegs/55480.jpg)
[Issac van Amburgh with his big cats.]
Madeley, lith.
[n.d., c.1840.]
Lithograph. Sheet 175 x 250mm (7 x 9¾"). Timmed losing Madeley's address, indelible pencil in bottom corner.
Isaac van Amburgh (1808-65), American animal trainer, wearing Roman dress on stage with a lion, tiger and three leopards. Van Amburgh arrived in London in 1838, performing first at Astleys then at Drury Lane. In 1839 Queen Victoria saw van Amburgh's show six times, and later commissioned Landseer to paint a portrait of him and and his cats. By George Edward Madeley.
[Ref: 55480] £180.00 (£216.00 incl.VAT)
Madeley, lith.
[n.d., c.1840.]
Lithograph. Sheet 175 x 250mm (7 x 9¾"). Timmed losing Madeley's address, indelible pencil in bottom corner.
Isaac van Amburgh (1808-65), American animal trainer, wearing Roman dress on stage with a lion, tiger and three leopards. Van Amburgh arrived in London in 1838, performing first at Astleys then at Drury Lane. In 1839 Queen Victoria saw van Amburgh's show six times, and later commissioned Landseer to paint a portrait of him and and his cats. By George Edward Madeley.
[Ref: 55480] £180.00 (£216.00 incl.VAT)
Madame Vestris, as Venus, in the Paphian Bower. (No.2."Fair Favorites.")
London_.Lithographed, Printed & Pubd.by G.E. Madeley 3, Wellington St. Strand. [n.d. c.1835.]
A rare lithograph. 381 x 285mm. 15 x 11¼". Tear to right hand side.
Lucia Elizabeth Vestris (1797-1856), actress whose contralto voice and attractive appearance helped her obtain many successful roles.
[Ref: 15714] £260.00 (£312.00 incl.VAT)
London_.Lithographed, Printed & Pubd.by G.E. Madeley 3, Wellington St. Strand. [n.d. c.1835.]
A rare lithograph. 381 x 285mm. 15 x 11¼". Tear to right hand side.
Lucia Elizabeth Vestris (1797-1856), actress whose contralto voice and attractive appearance helped her obtain many successful roles.
[Ref: 15714] £260.00 (£312.00 incl.VAT)
This Print represents the Attempted Assassination of Her Most Gracious Majesty Queen Victoria and H.R.H. Prince Albert, at Constitution Hill by Edward Oxford, on the Evening of Wednesday June 10th 1840.
Madeley, lith, 5, Wellington St, Strand.
[n.d., c.1840.]
Lithograph, rare. Sheet 260 x 355mm (10¼ x 14").
The scene of the first attempt on Queen Victoria's life, showing the pregnant monarch and her husband travelling on Constitution Hill in a phæton, the Wellington Arch in the background, and Edward Oxford with his pistol raised. After firing two shots he was seized by onlookers. He was charged with treason, but, as no bullets could be found at the scene, it could not be proved his pistols had more than powder in them. He was found 'not guilty by reason of insanity' and sent to Bethlem asylum, where he was a model prisoner for nearly quarter of a century. In 1864 he was transferred to Broadmoor, still a model prisoner, and in 1867 it was decided to release him on the proviso he left the country and never returned. He left for Australia, where he changed his name to John Freeman, married, served as a churchwarden in Melbourne and published a book called Lights and Shadows of Melbourne Life in 1888. He died in 1900.
[Ref: 33868] £290.00 (£348.00 incl.VAT)
Madeley, lith, 5, Wellington St, Strand.
[n.d., c.1840.]
Lithograph, rare. Sheet 260 x 355mm (10¼ x 14").
The scene of the first attempt on Queen Victoria's life, showing the pregnant monarch and her husband travelling on Constitution Hill in a phæton, the Wellington Arch in the background, and Edward Oxford with his pistol raised. After firing two shots he was seized by onlookers. He was charged with treason, but, as no bullets could be found at the scene, it could not be proved his pistols had more than powder in them. He was found 'not guilty by reason of insanity' and sent to Bethlem asylum, where he was a model prisoner for nearly quarter of a century. In 1864 he was transferred to Broadmoor, still a model prisoner, and in 1867 it was decided to release him on the proviso he left the country and never returned. He left for Australia, where he changed his name to John Freeman, married, served as a churchwarden in Melbourne and published a book called Lights and Shadows of Melbourne Life in 1888. He died in 1900.
[Ref: 33868] £290.00 (£348.00 incl.VAT)
This Print represents the Attempted Assassination of Her Most Gracious Majesty Queen Victoria and H.R.H. Prince Albert, at Constitution Hill by Edward Oxford, on the Evening of Wednesday June 10th 1840.
Madeley, lith, 5, Wellington St, Strand.
[n.d., c.1840.]
Lithograph with hand-colouring, sheet 240 x 335mm (9½ x 13¼"). Creasing through centre and upper left.
The first attempt on Queen Victoria's life, showing the pregnant monarch and her husband travelling on Constitution Hill in a phæton, the Wellington Arch in the background, and Edward Oxford with his pistol raised. After firing two shots he was seized by onlookers. He was charged with treason, but, as no bullets could be found at the scene, it could not be proved his pistols had more than powder in them. He was found 'not guilty by reason of insanity' and sent to Bethlem asylum, where he was a model prisoner for nearly quarter of a century. In 1864 he was transferred to Broadmoor, still a model prisoner, and in 1867 it was decided to release him on the proviso he left the country and never returned. He left for Australia, where he changed his name to John Freeman, married, served as a churchwarden in Melbourne and published a book called Lights and Shadows of Melbourne Life in 1888. He died in 1900. Australian interest.
[Ref: 37659] £160.00 (£192.00 incl.VAT)
Madeley, lith, 5, Wellington St, Strand.
[n.d., c.1840.]
Lithograph with hand-colouring, sheet 240 x 335mm (9½ x 13¼"). Creasing through centre and upper left.
The first attempt on Queen Victoria's life, showing the pregnant monarch and her husband travelling on Constitution Hill in a phæton, the Wellington Arch in the background, and Edward Oxford with his pistol raised. After firing two shots he was seized by onlookers. He was charged with treason, but, as no bullets could be found at the scene, it could not be proved his pistols had more than powder in them. He was found 'not guilty by reason of insanity' and sent to Bethlem asylum, where he was a model prisoner for nearly quarter of a century. In 1864 he was transferred to Broadmoor, still a model prisoner, and in 1867 it was decided to release him on the proviso he left the country and never returned. He left for Australia, where he changed his name to John Freeman, married, served as a churchwarden in Melbourne and published a book called Lights and Shadows of Melbourne Life in 1888. He died in 1900. Australian interest.
[Ref: 37659] £160.00 (£192.00 incl.VAT)
Who's Your Hatter?
Madeley litho. 3 Wellington St. Strand.
London, Pub. by John Mabley, 143, Strand. [n.d., c.1850.]
Lithograph, very rare. Printed area 180 x 265mm, 7 x 10½".
A putto and a young satyr facing each other, hands on knees, both wearing hats. The title probably refers to 'Who's Your Hatter?', a comic song by E. J. Westrop.
[Ref: 24593] £160.00 (£192.00 incl.VAT)
Madeley litho. 3 Wellington St. Strand.
London, Pub. by John Mabley, 143, Strand. [n.d., c.1850.]
Lithograph, very rare. Printed area 180 x 265mm, 7 x 10½".
A putto and a young satyr facing each other, hands on knees, both wearing hats. The title probably refers to 'Who's Your Hatter?', a comic song by E. J. Westrop.
[Ref: 24593] £160.00 (£192.00 incl.VAT)
Mr. George Wild as Demosthenes Dodge Esq.re, in E.L. Blanchard's Original Farce entitled, "The Artful Dodge". [Facsimile autograph:] George Wild Royal Olympia.
Madeley Lith 3 Wellington St. Strand.
[n.d. c.1842.]
Rare coloured lithograph. 458 x 318mm. 18 x 12½". Cut, small tears in lower edge. Soiling.
George Wild (1805-1856) was an actor and manager. Edward L. Blanchard (1820-1889) was a drama critic and a playwright who specialised in pantomimes.
Not in Harvard.
[Ref: 19926] £130.00 (£156.00 incl.VAT)
Madeley Lith 3 Wellington St. Strand.
[n.d. c.1842.]
Rare coloured lithograph. 458 x 318mm. 18 x 12½". Cut, small tears in lower edge. Soiling.
George Wild (1805-1856) was an actor and manager. Edward L. Blanchard (1820-1889) was a drama critic and a playwright who specialised in pantomimes.
Not in Harvard.
[Ref: 19926] £130.00 (£156.00 incl.VAT)
N. Wiseman.
M.R.Giberne delt. 1846. G.E.Madeley, lith. 3, Wellington St. Strand.
Published by Hering & Remington: 157 Regent Street. 1st, Augt. 1846.
Lithograph. Sheet 380 x 280mm (15 x 11").
Nicholas Wiseman, Cardinal, first Archbishop of Westminster; b. at Seville, 2 Aug., 1802; d. in London, 15 Feb., 1865.
[Ref: 2683] £95.00 (£114.00 incl.VAT)
M.R.Giberne delt. 1846. G.E.Madeley, lith. 3, Wellington St. Strand.
Published by Hering & Remington: 157 Regent Street. 1st, Augt. 1846.
Lithograph. Sheet 380 x 280mm (15 x 11").
Nicholas Wiseman, Cardinal, first Archbishop of Westminster; b. at Seville, 2 Aug., 1802; d. in London, 15 Feb., 1865.
[Ref: 2683] £95.00 (£114.00 incl.VAT)
The Market House & High Street Woburn.
R.C. Stratfold del. G.E. Madeley Lithog. 3 Wellington St. Strand.
[n.d. c.1850.]
Very rare lithograph. 210 x 278mm (8¼ x 11").
A view along the High Street with the Town Hall to the right, in Woburn, Bedfordshire. Individual shop fronts and names are visible, making this a valuable record of the businesses operating in the area at the time.
[Ref: 28509] £70.00 (£84.00 incl.VAT)
R.C. Stratfold del. G.E. Madeley Lithog. 3 Wellington St. Strand.
[n.d. c.1850.]
Very rare lithograph. 210 x 278mm (8¼ x 11").
A view along the High Street with the Town Hall to the right, in Woburn, Bedfordshire. Individual shop fronts and names are visible, making this a valuable record of the businesses operating in the area at the time.
[Ref: 28509] £70.00 (£84.00 incl.VAT)
![Worlingworth Hall. The Property of the Hon.ble John Henniker. [&] View of Worlingwort Church, from Worlingworth Hall. Dedicated to the Right Hon.ble Lord Henniker, Patron.](jpegs/31074.jpg)
Worlingworth Hall. The Property of the Hon.ble John Henniker. [&] View of Worlingwort Church, from Worlingworth Hall. Dedicated to the Right Hon.ble Lord Henniker, Patron.
Lithographed by G.E. Madeley, 3, Wellington St. Strand.
[n.d. c.1850.]
Lithograph. Sheet 345 x 254mm (13½ x 10"). Rare.
A view of Worlingworth Hall, the former medieval manor house dating back to the 13th century; and a view of St Mary's Church; Suffolk.
[Ref: 31074] £70.00 (£84.00 incl.VAT)
Lithographed by G.E. Madeley, 3, Wellington St. Strand.
[n.d. c.1850.]
Lithograph. Sheet 345 x 254mm (13½ x 10"). Rare.
A view of Worlingworth Hall, the former medieval manor house dating back to the 13th century; and a view of St Mary's Church; Suffolk.
[Ref: 31074] £70.00 (£84.00 incl.VAT)