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A Barber's Shop.
A Barber's Shop.
H. Bunbury Esq.r Del.t. C. Knight Sculp.t.
Published April 21, 1803 by Jn.º Harris, N.º 3, Sweetings Alley, Cornhill, & 8, Old Broad Street, London.
Coloured stipple, sheet 390 x 490mm (15¼ x 19¼"). On 18th century watermarked paper. Trimmed within plate.
A busy interior, with hair being dressed, shaving and dogs sparring over a wig.
[Ref: 69236]   £320.00  
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James Barnett Esq MP.
James Barnett Esq MP. the Patriotic Representative of the City of Rochester.
B. De la Cour Delin.t. C. Knight Sculp.t. 1818.
London Pub.d June 13 1818 by B. De La Cour at Mess.rs Colnaghi & Co., Cockspur Street.
Stipple engraving, very large margins. 405 x 305mm (16 x 12").
James Barnett (c.1760-1836), banker and Whig M.P. 1806-7 & 1817-20.
[Ref: 33146]   £160.00   (£192.00 incl.VAT)
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Inside of a Cottage in Buckinghamshire. [&] Outside of a Cottage in Buckinghamshire.
Inside of a Cottage in Buckinghamshire. [&] Outside of a Cottage in Buckinghamshire.
Designed by Edw.d Orme for his Essays on Transparencies. Engraved by C. Knight & H. Merke.
Published Jan.y 1, 1807 by Edw.d Orme, Bond Street, London.
Pair of aquatints, printed in blue and brown. Sheets 260 x 365mm (10¼ x 14½"). Trimmed within plates.
Two rustic scenes from 'An Essay on Transparent Prints and Transparencies in General' by Edward Orme, designed to be treated with varnish to give a translucent effect. 'Inside' the family sit by a fire, a child in a primitive 'baby bouncer', an open door looking out to a moonlit pigsty. 'Outside' a young girl stitches while receiving a suitor, a turkey looking on.
[Ref: 43480]   £280.00   (£336.00 incl.VAT)
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Lindorf's, First View of Caroline.
Lindorf's, First View of Caroline.
Thos. Stothard, Pinxit. C. Knight, Sculp.
London: Published Jany. 1st. 1788, by John Harris, Sweetings Alley Cornhill & No.8 Broad Street.
Stipple with etching in brown ink, sheet 390 x 340mm. 15¼ x 13½". Trimmed to plate.
A hunter with his gun and dogs looks up at a women singing from a song book on a balcony, accompanying herself on a guitar. Illustrates 'Caroline de Lichtfield, ou Mémoires d'une Famille Prussienne', by Swiss novelist Isabelle de Montolieu (1751 - 1832), an influential instant best-seller in the 1780s that stayed in print until the mid-19th century. Six line quotation from volume I in English and French below title. After Thomas Stothard (1755 - 1834).
[Ref: 13885]   £190.00   (£228.00 incl.VAT)
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[Caroline de Lichtfield] The Baron, proposing Walstein, to Caroline.  A thousand confused ideas were crossing & combating...held in her white and virgin hand.
[Caroline de Lichtfield] The Baron, proposing Walstein, to Caroline. A thousand confused ideas were crossing & combating...held in her white and virgin hand. [&] Lindorf's, first View of Caroline. As Caroline was singing in the Pavilion, accompanying herself with her Guitar....Indiffrence is of Bliss the foe. Caroline de Lichtfield, tom. I.
Thos. Stothard, Pinxit. C. Knight, Sculp.
London: Published Jany. 1st. 1788, by John Harris, Sweetings Alley Cornhill & No.8, Broad Street.
Pair of stipple engravings with etching. Each sheet c.440 x 340mm (17¼ x 13½"). Trimmed to plate except at top.
Illustrating the novel 'Caroline de Lichtfield' by Isabelle de Montolieu (1751 - 1832). After Thomas Stothard (1755 - 1834). Quotations in the original French to right of the English translations.
[Ref: 9741]   £520.00   view all images for this item
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Cupid Disarmed.
Cupid Disarmed.
J.H. Benwell Delin.t. Engrav'd by C.Knight.
London, Publish'd Jan.y 2d; 1786, by W.Dickinson, Engraver & Printseller N.º 158, Bond Street.
Stipple, printed in brown. 195 x 275mm (7¾ x 10¾"), with large margins.
A young woman takes Cupid's bow and arrow.
[Ref: 69293]   £260.00   (£312.00 incl.VAT)
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Cupid Disarmed. [&] Cupid's Revenge.
Cupid Disarmed. [&] Cupid's Revenge.
J.H.Benwell Delin.t Engrav'd by C.Knight.
London, Publish'd Jan.y 2d; 1786, by W.Dickinson, Engraver & Printseller No. 158, Bond Street.
Pair of stipples. Ea. 195 x 275mm (7¾ x 10¾"). Mint.
[Ref: 624]   £490.00   view all images for this item
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Sigr: Giuseppe De Begnis
Sigr: Giuseppe De Begnis of the Italian Opera London.
Engrav'd by C. Knight 1822 from a Miniature Painted by Titus G. Perlotti.
[British, c.1822.]
Scarce stipple, sheet 260 x 200mm. 10¼ x 8". Sheet trimmed.
Portrait of Giuseppe De Begnis (1793 - 1849), bass opera singer. In 1816 he married the noted prima-donna and famous beauty, Signorina Giuseppina Ronzi. They sang throughout Italy with great success, and in 1819 made their first appearance at the Italian opera in Paris, remaining three seasons. In 1821 they came to London, Begnis debuting there as Don Geronio opposite his wife's Fiorilla in Rossini's 'Il Turco in Italia' at the King's Theatre on May 19, 1821. They continued to appear in opera together until their separation in 1825. Begnis remained at the King's Theatre until 1827, but also served as an opera manager in Bath (1823-24) and later in Dublin (1834-37) before settling in New York.
[Ref: 19542]   £130.00   (£156.00 incl.VAT)
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Israelites passing through the Red Sea.
Israelites passing through the Red Sea.
Eng.d. Publish'd May 15. 1806. by C Knight Lambeth.
Coloured etching. Sheet 340 x 235mm (13¼ x 9¼"). Trimmed to printed border.
Alexander Trotter carrys a kilted Lord Melville on his shoulders, menaced by curling waves, in which is a large foaming tankard of 'Whitbread Entire' and fish with the heads of judges. Although Trotter declares he will be safe, the inference is that Melville is in serious trouble. A satire on the impeachment of Henry Dundas, Lord Melville, for irregular financial dealings as Treasurer of the navy, begun by Samuel Whitbread. Alexander Trotter (1750-1830) was Paymaster to the Navy in 1805, and so involved with the corruption, but was given immunity in return for testifying.
BM Satires 10565.
[Ref: 51765]   £190.00   (£228.00 incl.VAT)
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The Farewell.
The Farewell.
Morland Jun.r Pinx.t. Knight Sculp.t.
[n.d., c.1786.]
Colour-printed stipple. Sheet: 305 x 305mm (12 x 12"). Trimmed to printed image and laid on French mount board. Title in ink.
A scene in which a young woman waves goodbye to a ship setting sail from a rowing boat. The print was originally called 'Susan's Farewell' when published. American & Australian interest. See 46914.
[Ref: 46707]   £240.00   (£288.00 incl.VAT)
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The Fifth of November.
The Fifth of November.
T. Stothard delint. C Knight sculpt.
London Pubd: Jany. 1 1790 by J.F. Tomkins No.18 New Bond Street.
Stipple, 175 x 200mm. 7 x 8". Large margins.
A group of children excitedly burning a guy over a wooden pyre; one child in the foreground fans the flames with his hat. After Thomas Stothard (1755 - 1834).
[Ref: 21780]   £260.00   (£312.00 incl.VAT)
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Gleaners.
Gleaners.
H. Bunbury Esq.r Delint. C. Knight Fecit.
London, Published March 1;st 1787, by W. Dickinson, Engraver & Printseller N.º 158 New Bond Street.
Stipples printed in brown, 400 x 450mm (15¾ x 17¾"), with large margins and original tissue guard stuck on left edge. On 18th century watermarked paper. Small tears in margins, spotting, staining and creasing.
An oval scene of women and girls working in the fields bundling and carrying sheaves of corn.
[Ref: 69299]   £290.00   (£348.00 incl.VAT)
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Hebe.
Hebe.
T. Lawrence del. C. Knight sculp.
Published May 2.nd 1808 by Edw.d Orme, London.
Coloured stipple, very fine. Plate 210 x 151mm (8¼ x 6"). Cut to platemark.
Head of a woman in clouds, with a large feather as a head-dress. Hebe, the goddess of youth; daughter of Zeus/Jupiter and Hera/Juno. She was the cup-bearer and handmaiden of the gods until she married Hercules after his apotheosis.
[Ref: 30432]   £190.00   (£228.00 incl.VAT)
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[John Jebb] Hinc Virtutem Verumque Laborem! J. Jebb, M.D. F.R.S. Th'unconquerable Mind and Freedom's holy Flame!
[John Jebb] Hinc Virtutem Verumque Laborem! J. Jebb, M.D. F.R.S. Th'unconquerable Mind and Freedom's holy Flame!
[Engrav'd by C. Knight.]
[n.d. c.1782.]
Rare stipple. 145 x 109mm (5¾ x 4¼"). Cut.
John Jebb (1736-1786) was an English divine, medical doctor, and religious and political reformer.
W: 1523-1. NPG: D10782.
[Ref: 24603]   £90.00   (£108.00 incl.VAT)
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I will be a Lady. [&] I will be a Soldier.
I will be a Lady. [&] I will be a Soldier.
H. Singleton Delin.t. C. Knight Sculp.t.
London Publish'd Jan. 1.st 1795 by C. Knight No.53 Piccadilly.
Pair of stipples. Plate: 240 x 180mm (9½ x 8''). Trimmed.
A pair of childhood scenes, in one a little girl tries on a woman's hat and in the second a little boy tries on a soldier's hat.
[Ref: 48086]   £360.00  

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Love & Hope. [&] Love and Jealousy.
Love & Hope. [&] Love and Jealousy.
H. Bunbury Esq.r Delint. C. Knight fecit.
London: Published Dec.r 1st 1786 by W. Dickinson, Engraver and Printseller, No. 158 New Bond Street.
Pair of stipples, printed in brown, 400 x 450mm (15¾ x 17¾"), with large margins and original tissue guards stuck on left edge. On 18th century watermarked paper. 'Hope' with tear touching bottom platemark; both with spotting and staining, faint creasing.
A pair of of oval scenes: in 'Love & Hope' a soldier flirts with a woman by a gate; in 'Love and Jealousy' a woman with a spindle is courted by a sailor as another looks on.
[Ref: 69298]   £690.00   view all images for this item
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Love and Hope.
Love and Hope.
H. Bunbury Esq,,r Delint. C. Knight fecit.
London, Publish'd: Decr. 1st; 1786 by W. Dickinson, Engraver & Printseller No.158 New Bond Street.
Stipple, printed in colour. Sheet 400 x 450mm. Some restoration.
An oval scene of a young woman flirting with a seated soldier holding a rifle, as another woman watches from a gate. A pair to 'Love and Jealousy', both after Henry William Bunbury (1750 - 1811). The colour is particularly fine.
[Ref: 51465]   £450.00  
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[Unidentified man.]
[Unidentified man.]
Fraser Pinx.t. C. Knight Sculp.t. 1820.
[London: Charles Knight, c.1820.
Stipple, proof before title. Sheet 265 x 210mm (10½ x 8¼"). Trimmed to plate, creases to right edge.
A man with waistcoat and neck band.
[Ref: 44312]   £65.00   (£78.00 incl.VAT)
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The Mischievous Boy.
The Mischievous Boy.
Charles Knight, sculp.
Sep.t 5. 1792, by Jee & Eginton.
Stipple engraving printed in sanguine, platemark 160 x 185mm (6¼ x 7¼"). Damage to left of image.
Scene with a girl comforting a dog, seemingly to protect it from a boy from the titular 'mischievous boy'. Engraved by Charles Knight (1742-1825).
[Ref: 23153]   £160.00   (£192.00 incl.VAT)
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The Most Noble John Duke, Marquis and Earl of Atholl,
The Most Noble John Duke, Marquis and Earl of Atholl, Marquis and Earl of Tullibardine, Earl of Strathtay and Strathardle, Viscount of Balquhidder, Glenalmond and Glenlyon, Lord Murray... Lord Lieutenant of the County of Perth, One of His Majesties Most Hon.ble Privy Council, and Knight of the Most Ancient and Most Noble Order of the Thistle.
Painted by John Hoppner R.A. Engraved by Charles Knight, 1811.
London Pub.d Aug.t 1 1811. C. Knight Hammersmith at Colnaghi & Co., Cockspur Street, Charing Cross.
Stipple with roulette, with large margins. 660 x 450mm, 26 x 17½". Margins creased.
John Murray (1755-1830), 4th Duke of Atholl, wearing the Order of the Thistle.
[Ref: 24508]   £420.00  
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Stefano Egidio Petroni.
Stefano Egidio Petroni.
Drawn by G. Cardini. Engraved by C. Knight. 1823.
Stipple engraving. 160 x 230mm.
Author who wrote an Italian rhymed version of the bible 'Proverbi Di Salomone' in 1815.
[Ref: 1165]   £45.00   (£54.00 incl.VAT)
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Henry and Emma.
Henry and Emma.
Design'd by S.Shelley. Engraved by C.Knight.
London, Publish'd Jan.y 18, 1785 by W.Dickinson Engraver & Printseller, No 158 Bond Street.
Pair of stipples, printed in sanguine. Ea. 180 x 130mm. Faint damp stain on one plate.
With verse from 'Prior's Poems'.
[Ref: 5508]   £320.00   view all images for this item
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R.M.I.G. - New Senior School at Rickmansworth.
R.M.I.G. - New Senior School at Rickmansworth.
Charles Knight(?) [19]34. [Signed and dated in pencil lower right.]
Etching, 250 x 200mm. 9¾ x 8". Light foxing.
The Royal Masonic School for Girls is an independent school in Rickmansworth, England with both day and boarding pupils. The school was instituted in 1788, with the aim of maintaining the daughters of indigent Freemasons, unable through death, illness, or incapacitation to support their families. Today, the school accepts the children of both masons and non-masons. It began in 1789 with fifteen pupils and a Matron in Somers Place, East London. During its history, the school has moved premises three times, twice within London and finally in 1934 (the date of this etching) to Rickmansworth in Hertfordshire, where it still is today. Possibly the etcher is landscape painter Charles Knight (1901 - 1990), who was Vice President of the Royal Watercolour Society 1961-64.
[Ref: 13410]   £120.00   (£144.00 incl.VAT)
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Tom and his Pidgeons. [&] The Favorite Rabbit.
Tom and his Pidgeons. [&] The Favorite Rabbit.
J.Russell Esq.r pinx.t. C.Knight sculp.t.
Published June 1. 1792 by C.Knight, Stoke Bucks & Random, Stainbank & Sayer, 17 Old Bond Street, London.
Pair of oval stipples. Each 160 x 170mm. Trimmed to platemarks.
Tom protecting his pigeons from a cat, and a girl feeding her rabbit.
[Ref: 5309]   £250.00   (£300.00 incl.VAT) view all images for this item
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Scarcity in India [&] British Plenty.
Scarcity in India [&] British Plenty.
Painted by H. Singleton. Engraved by C: Knight.
Pub.d Jan.y 1st 1794 by C. Knight, Stoke, Bucks, & Random Stainbank & Sayer, 17 Old Bond Street, London.
Pair of stipple engravings with hand colour. Each c. 600 x 455mm (23½ x 18"), with large margins. 'Scarcity' with surface wear in inscription area and margins. 'Plenty' with worming in inscription area and some wear in margins.
A rare pair of scenes after Henry Singleton (1766-1839) which contrast British wealth with food shortages in India at a time of famine in Bengal between 1769-1770. 'British Plenty' shows a single seaman between two women who, although they appear to be selling the man vegetables, are marked as prostitutes by their fine dresses. In contrast, 'Scarcity in India' depicts two young Englishmen offering cheap trinkets to a young Indian girl outside an impoverished village.
[Ref: 50059]   £850.00   view all images for this item

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Tantalizing.
Tantalizing. He that denies what Beauty has beseech'd,/ Should like the little Churl be overeach'd. [&] The Charmers. Music can soften pain to ease,/ And make despair and madness please:
The Revd. Mr. Peters R.A. Pinxt. Peters. C. Knight Sculpt. [&] Painted by the Revd. Mr. Peters. Engraved by C. Knight.
London Pub. Jan. 1. 1795, by C. Knight, No. 53, Piccadilly. [&] London: Published Novr. 1st. 1796, by C. Knight, at Mr. Bradshaw's, Brewer Street, Golden Square.
Pair of stipples with etching, each c.390 x 440mm. 15¼ x 17¼". Trimmed to lower platemark. Slightly soiled.
A girl and child by foliage laden with grapes or berries; in the second image four children, the nearest playing a lute with her back to the viewer, with two boys opposite singing from sheets of music, and a younger child to right playing a triangle. The artist is Matthew William Peters (1742-1814), most famous for his provocative painting of a courtesan (known as 'Lydia' in the mezzotint copy). He came to regret his choice of subject, as he was ordained in 1781, becoming the Royal Academy's chaplain (1784-8), then chaplain to the Prince of Wales.
Lady Victoria Manners' 'Matthew William Peters, R.A.' p.65
[Ref: 10010]   £420.00   view all images for this item
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[A woman and cupid.]
[A woman and cupid.]
J.H. Benwell Delin. Engraved by C: Knight.
[n.d., c.1790.]
Hand coloured stipple with etching, sheet 170 x 135mm. 6¾ x 5¼". Trimmed within plate. Soiled.
Cupid has loosed an arrow that seems about to penetrate the heart of a seated woman, who thinks about her love. After John Hodges Benwell (1764 - 1785).
[Ref: 10012]   £120.00   (£144.00 incl.VAT)
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