A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
London Market. No. 3. Poultry.
J.Pollard del.t. M.Dubourg Sculp.t.
Published May 10, 1822, by Edw,d Orme, Editor of Prints to the King, Bond Street, corner of Brook Street, and T. & I. Elvey, 83 Fleet Street, & 30, Castle Street, Holborn, London.
Hand coloured aquatint. 280 x 340mm, 11 x 13½". A little colour fading with glue stains outside the plate mark and affecting the title area. Repaired tear upper left through margin into upper part of the engraved area.
A poultry shop, displaying turkeys, geese, ducks, and, oddly, pigs and rabbits. One of a rare set of four London markets.
[Ref: 16492] £380.00
J.Pollard del.t. M.Dubourg Sculp.t.
Published May 10, 1822, by Edw,d Orme, Editor of Prints to the King, Bond Street, corner of Brook Street, and T. & I. Elvey, 83 Fleet Street, & 30, Castle Street, Holborn, London.
Hand coloured aquatint. 280 x 340mm, 11 x 13½". A little colour fading with glue stains outside the plate mark and affecting the title area. Repaired tear upper left through margin into upper part of the engraved area.
A poultry shop, displaying turkeys, geese, ducks, and, oddly, pigs and rabbits. One of a rare set of four London markets.
[Ref: 16492] £380.00
To His Grace Charles Duke Of Richmond, Lenox & Aubigny, Earl Of March And Darnley, Knight Companion of the Most Noble Order of the Garter, Lieutenant General of His Majesty's Forces, High Steward of the City of Chichester, F.R.S. &c. &c. This Plate representing one of the most interesting Views in Chichester, is with permission, humbly inscribed, by His Graces very faithful and obedient Servant Joseph Francis Gilbert.
Painted by I.F. Gilbert. Engraved by M. Dubourg.
Published June, 1814, by I.F. Gilbert, High Street, Portsmouth, and may be had of E.A. Gilbert, East Street, Chichester.
Stipple engraving with etching and aquatint. 500 x 674mm. Trimmed to plate on all sides, platemark mostly just visible. Three small repaired tears into paper edge, largest lower right c.15mm into plate.
Fine impression of this splendid view of a sheep and livestock market in the West Sussex town of Chichester, printed on paper watermarked 'J. Whatman'. The famous Chichester Cross, built by the local bishop in the late 15th century, is clearly visible in the centre background of the composition. The armorial in the centre of the letterpress is that of Charles Lennox, 4th Duke of Richmond and Lennox [1764 - 1819], to whom the print is dedicated. By Joseph Francis Gilbert [1792 - 1855], painter who in 1813 was residing at High Street, Portsmouth, and exhibited at the Royal Academy a ‘Landscape and Figures.' In 1814 he sent ‘The Rustic Traveller crossing the Style,' and occasionally exhibited in the following years. Subsequently he removed to Sussex, and resided for many years at Chichester. He continued to exhibit at the British Institution, Suffolk Street, Royal Manchester Institution, and other exhibitions, principally views in Sussex.
[Ref: 2692] £1,250.00
Painted by I.F. Gilbert. Engraved by M. Dubourg.
Published June, 1814, by I.F. Gilbert, High Street, Portsmouth, and may be had of E.A. Gilbert, East Street, Chichester.
Stipple engraving with etching and aquatint. 500 x 674mm. Trimmed to plate on all sides, platemark mostly just visible. Three small repaired tears into paper edge, largest lower right c.15mm into plate.
Fine impression of this splendid view of a sheep and livestock market in the West Sussex town of Chichester, printed on paper watermarked 'J. Whatman'. The famous Chichester Cross, built by the local bishop in the late 15th century, is clearly visible in the centre background of the composition. The armorial in the centre of the letterpress is that of Charles Lennox, 4th Duke of Richmond and Lennox [1764 - 1819], to whom the print is dedicated. By Joseph Francis Gilbert [1792 - 1855], painter who in 1813 was residing at High Street, Portsmouth, and exhibited at the Royal Academy a ‘Landscape and Figures.' In 1814 he sent ‘The Rustic Traveller crossing the Style,' and occasionally exhibited in the following years. Subsequently he removed to Sussex, and resided for many years at Chichester. He continued to exhibit at the British Institution, Suffolk Street, Royal Manchester Institution, and other exhibitions, principally views in Sussex.
[Ref: 2692] £1,250.00
The Dance.
J.H. Clark Del. M. Dubourg Sculp.t.
Published & Sold October 1st 1813, by Edw.d Orme, Bond Street, London.
Fine hand-coloured aquatint with very large margins. Platemark: 180 x 230mm (7¼ x 9¼").
Plate 7 from 'The Field Sports &c. &c. of the Native Inhabitants of New South Wales', published by Edward Orme, London, 1813, the first book devoted solely to the Aboriginal people of Australia. This scene depicts a group of Aboriginal Australians, sat watching a figure performing a dance, with traditional white markings on his face and body. After John Heaviside Clark, later known as "Waterloo Clark" for his depictions of Wellington's triumph in 1815.
NGV ref: 1999.400.7.
[Ref: 32077] £220.00 (£264.00 incl.VAT)
J.H. Clark Del. M. Dubourg Sculp.t.
Published & Sold October 1st 1813, by Edw.d Orme, Bond Street, London.
Fine hand-coloured aquatint with very large margins. Platemark: 180 x 230mm (7¼ x 9¼").
Plate 7 from 'The Field Sports &c. &c. of the Native Inhabitants of New South Wales', published by Edward Orme, London, 1813, the first book devoted solely to the Aboriginal people of Australia. This scene depicts a group of Aboriginal Australians, sat watching a figure performing a dance, with traditional white markings on his face and body. After John Heaviside Clark, later known as "Waterloo Clark" for his depictions of Wellington's triumph in 1815.
NGV ref: 1999.400.7.
[Ref: 32077] £220.00 (£264.00 incl.VAT)
The French Conscripts.
J.A. Atkinson Del. M. Dubourg Sculp.t.
Published & Sold June 4th 1817, by Edw.d Orme, Bond Street, corner of Brook St. London.
Coloured aquatint. 255 x 360mm (10 x 14¼"), with large margins watermarked 'J Whatman 1816'. Mint
Soldiers pull young men from their rural home, probably to reinforce Napoleon Bonaparte's army for the Hundred Days. From Orme's ''Historic, Military, and Naval Anecdotes, of Personal Valour, Bravery, and particular Incidents which occurred to the Armies of Great Britian and her Allies, in the last long-contested War, terminating with the Battle of Waterloo''. John Augustus Atkinson (1775-1830) was a British etcher, painter, draughtsman and printmaker. He spent 1784-1801 in Russia with James Walker who is thought to be his uncle. After returning to London in 1801, he made prints after his works, of Russian subjects, and made outline etchings for other artists. He also executed paintings on military subjects and battles.
[Ref: 55803] £130.00 (£156.00 incl.VAT)
J.A. Atkinson Del. M. Dubourg Sculp.t.
Published & Sold June 4th 1817, by Edw.d Orme, Bond Street, corner of Brook St. London.
Coloured aquatint. 255 x 360mm (10 x 14¼"), with large margins watermarked 'J Whatman 1816'. Mint
Soldiers pull young men from their rural home, probably to reinforce Napoleon Bonaparte's army for the Hundred Days. From Orme's ''Historic, Military, and Naval Anecdotes, of Personal Valour, Bravery, and particular Incidents which occurred to the Armies of Great Britian and her Allies, in the last long-contested War, terminating with the Battle of Waterloo''. John Augustus Atkinson (1775-1830) was a British etcher, painter, draughtsman and printmaker. He spent 1784-1801 in Russia with James Walker who is thought to be his uncle. After returning to London in 1801, he made prints after his works, of Russian subjects, and made outline etchings for other artists. He also executed paintings on military subjects and battles.
[Ref: 55803] £130.00 (£156.00 incl.VAT)
Procession of the Dean and Prebendaries of Westminster, with The Regalia, July 19.th 1821.
Charles Wild, Del.t M. Dubourg Scu.t
London Published as the Act directs Jan.y 1824, by Sir George Nayler, Garter.
Hand-coloured aquatint. 412 x 565mm. 16¼ x 22¼". Cut inside platemark.
John Ireland (1761-1842) served as Dean of Westminster and carried the crown during the coronation of George IV. From Sir G. Nayler's "The Coronation of His Most Sacred Majesty King George the Fourth, solemnized in the Collegiate Church of Saint Peter Westminster upon the Nineteenth Day of July MDCCCXXI."
See Abbey Scenery: 260.4. Collage: p5419264.
[Ref: 23698] £320.00
Charles Wild, Del.t M. Dubourg Scu.t
London Published as the Act directs Jan.y 1824, by Sir George Nayler, Garter.
Hand-coloured aquatint. 412 x 565mm. 16¼ x 22¼". Cut inside platemark.
John Ireland (1761-1842) served as Dean of Westminster and carried the crown during the coronation of George IV. From Sir G. Nayler's "The Coronation of His Most Sacred Majesty King George the Fourth, solemnized in the Collegiate Church of Saint Peter Westminster upon the Nineteenth Day of July MDCCCXXI."
See Abbey Scenery: 260.4. Collage: p5419264.
[Ref: 23698] £320.00
His Majesty George IV. Travelling. View Hyde Park.
Pollard Jun.r del.t. M. Dubourg sculp.t.
London, Published & Sold Jan.y 1., 1821 By Edw.d Orme, Publisher to the King, Bond Street, corner of Brook Street.
Coloured aquatint. Framed, sight size 340 x 460mm (13¼ x 18"). Unexamined out of frame.
King George IV's coach in Hyde Park.
Siltzer: p. 215.
[Ref: 28314] £580.00
Pollard Jun.r del.t. M. Dubourg sculp.t.
London, Published & Sold Jan.y 1., 1821 By Edw.d Orme, Publisher to the King, Bond Street, corner of Brook Street.
Coloured aquatint. Framed, sight size 340 x 460mm (13¼ x 18"). Unexamined out of frame.
King George IV's coach in Hyde Park.
Siltzer: p. 215.
[Ref: 28314] £580.00
![[Kingston Bridge] To the Right Hon.ble John Garratt Lord Mayor of London,](jpegs/53086.jpg)
[Kingston Bridge] To the Right Hon.ble John Garratt Lord Mayor of London, This Perspective View of a Design for a Cast Iron Bridge, proposed to be erected at Kingston, Surrey, and which obtained the Premium of 100 Guineas in the Public Competition 1824. is by Permission dedicated by his Lordship's obedient Servant, John Burges Watson, Arch.t.
Drawn by J.B. Watson. Engraved by M. Dubourg.
London Published by J.B. Watson
Aquatint. 225 x 545mm (9 x 21½"). Creases and repaired tear on left. Bit messy. Small margins.
Despite winning the competition, it was decided not to use this design because of the rising price of iron. Instead a bridge of Portland stone designed by Edward Lapidge was built, still in use today.
[Ref: 53086] £180.00 (£216.00 incl.VAT)
Drawn by J.B. Watson. Engraved by M. Dubourg.
London Published by J.B. Watson
Aquatint. 225 x 545mm (9 x 21½"). Creases and repaired tear on left. Bit messy. Small margins.
Despite winning the competition, it was decided not to use this design because of the rising price of iron. Instead a bridge of Portland stone designed by Edward Lapidge was built, still in use today.
[Ref: 53086] £180.00 (£216.00 incl.VAT)
Returning Thanks to Almighty God, Spontaneously on the field of Battle, after the great victory over the French & Saxons, at Leipzig 1813, by the Emperors of Russia, Austria & King of Prussia.
J.A. Atkinson Del. M. Dubourg Sculp.t.
Published & Sold March 1st. 1814 by Edw.d Orme, Publisher to his Majesty and H.R.H. the Prince Regent Bond St. (corner of Brook St.) London.
Hand-coloured aquatint. Sheet: 260 x 360mm (10¼ x 14''), Whatman watermark. Trimmed, loss in top left corner.
A scene showing the commanders of the allies of the Sixth Coalition giving thanks following their victory at the Battle of Leipzig in October 1813. The victory was a decisive moment compelling Napoleon to return to France.
[Ref: 50534] £140.00 (£168.00 incl.VAT)
J.A. Atkinson Del. M. Dubourg Sculp.t.
Published & Sold March 1st. 1814 by Edw.d Orme, Publisher to his Majesty and H.R.H. the Prince Regent Bond St. (corner of Brook St.) London.
Hand-coloured aquatint. Sheet: 260 x 360mm (10¼ x 14''), Whatman watermark. Trimmed, loss in top left corner.
A scene showing the commanders of the allies of the Sixth Coalition giving thanks following their victory at the Battle of Leipzig in October 1813. The victory was a decisive moment compelling Napoleon to return to France.
[Ref: 50534] £140.00 (£168.00 incl.VAT)
A Plan & View of a Chain Bridge, erecting over the Menal at Bangor Ferry, 1820.
[Aquatinted by Matthew Dubourg.]
Published by J. Taylor, Architectural Library, High Holborn, 1820.
Aquatint and etching. 270 x 375mm (10½ x 14¾"), on paper watermarked 'J Whatman 1820', large margins.
Two illustrations: a view looking along the length of the bridge, looking from Anglesey, with features named; and an elevation showing the arches and span, with a ship passing underneath. Underneath is a list of statistics.
[Ref: 44522] £240.00 (£288.00 incl.VAT)
[Aquatinted by Matthew Dubourg.]
Published by J. Taylor, Architectural Library, High Holborn, 1820.
Aquatint and etching. 270 x 375mm (10½ x 14¾"), on paper watermarked 'J Whatman 1820', large margins.
Two illustrations: a view looking along the length of the bridge, looking from Anglesey, with features named; and an elevation showing the arches and span, with a ship passing underneath. Underneath is a list of statistics.
[Ref: 44522] £240.00 (£288.00 incl.VAT)
Repose.
J.H. Clark Del. M. Dubourg Sculp.t.
Published & Sold October 1st 1813, by Edw.d Orme, Bond Street, London.
Fine hand-coloured aquatint, very large margins. Platemark: 180 x 230mm (7¼ x 9¼").
Plate 10 from 'The Field Sports &c. &c. of the Native Inhabitants of New South Wales', published by Edward Orme, London, 1813, the first book devoted solely to the Aboriginal people of Australia. This scene depicts an Aboriginal settlement, with a number of men and women lying under small, tent-like shelters, by a fire, who have been woken by a figure returning from a hunt. The figure holds a spear and is greeted by a dog rushing towards him. After John Heaviside Clark, later known as "Waterloo Clark" for his depictions of Wellington's triumph in 1815.
NGV ref: 1999.400.10.
[Ref: 32075] £220.00 (£264.00 incl.VAT)
J.H. Clark Del. M. Dubourg Sculp.t.
Published & Sold October 1st 1813, by Edw.d Orme, Bond Street, London.
Fine hand-coloured aquatint, very large margins. Platemark: 180 x 230mm (7¼ x 9¼").
Plate 10 from 'The Field Sports &c. &c. of the Native Inhabitants of New South Wales', published by Edward Orme, London, 1813, the first book devoted solely to the Aboriginal people of Australia. This scene depicts an Aboriginal settlement, with a number of men and women lying under small, tent-like shelters, by a fire, who have been woken by a figure returning from a hunt. The figure holds a spear and is greeted by a dog rushing towards him. After John Heaviside Clark, later known as "Waterloo Clark" for his depictions of Wellington's triumph in 1815.
NGV ref: 1999.400.10.
[Ref: 32075] £220.00 (£264.00 incl.VAT)
Bonaparte's Flight in Disguise, from his Ruined Grand Army in Russia 1812. Dedicated to all the Patriotic Subscribers to the Fund for the relief of the brave Victorious, but suffering Russians By Edw.d Orme.
Atkinson Del. M. Dubourg Sculp.t.
Published & Sold Jan.y. 20.th 1813, by Edw.d Orme, Bond St. London.
Hand-coloured aquatint. Sheet: 305 x 405mm (12 x 16''). Laid on album sheet at corners, foxing.
A scene showing Napoleon, wrapped in a large fur coat and hat escaping from a battle on a sled. Following Napoleon's invasion of Russia in 1812, Napoleon had held Moscow for one month but as winter drew in and with no negotiations from the Russians, Napoleon decided to retreat. Lack of food and fodder for animals, cold and repeated attacks from the Cossacks caused the French to lose huge numbers of men.
[Ref: 50513] £90.00 (£108.00 incl.VAT)
Atkinson Del. M. Dubourg Sculp.t.
Published & Sold Jan.y. 20.th 1813, by Edw.d Orme, Bond St. London.
Hand-coloured aquatint. Sheet: 305 x 405mm (12 x 16''). Laid on album sheet at corners, foxing.
A scene showing Napoleon, wrapped in a large fur coat and hat escaping from a battle on a sled. Following Napoleon's invasion of Russia in 1812, Napoleon had held Moscow for one month but as winter drew in and with no negotiations from the Russians, Napoleon decided to retreat. Lack of food and fodder for animals, cold and repeated attacks from the Cossacks caused the French to lose huge numbers of men.
[Ref: 50513] £90.00 (£108.00 incl.VAT)
Throwing the Spear.
J.H. Clark Del. M. Dubourg Sculp.t.
Published & Sold October 1st 1813, by Edw.d Orme, Bond Street, London.
Fine hand-coloured aquatint, very large margins. Platemark: 180 x 230mm (7¼ x 9¼").
Plate 3 from 'The Field Sports &c. &c. of the Native Inhabitants of New South Wales', published by Edward Orme, London, 1813, the first book devoted solely to the Aboriginal people of Australia. The scene depicts a group of Aborigines skillfully throwing spears at birds in flight. After John Heaviside Clark, later known as "Waterloo Clark" for his depictions of Wellington's triumph in 1815.
NGV ref: 1999.400.3.
[Ref: 32074] £220.00 (£264.00 incl.VAT)
J.H. Clark Del. M. Dubourg Sculp.t.
Published & Sold October 1st 1813, by Edw.d Orme, Bond Street, London.
Fine hand-coloured aquatint, very large margins. Platemark: 180 x 230mm (7¼ x 9¼").
Plate 3 from 'The Field Sports &c. &c. of the Native Inhabitants of New South Wales', published by Edward Orme, London, 1813, the first book devoted solely to the Aboriginal people of Australia. The scene depicts a group of Aborigines skillfully throwing spears at birds in flight. After John Heaviside Clark, later known as "Waterloo Clark" for his depictions of Wellington's triumph in 1815.
NGV ref: 1999.400.3.
[Ref: 32074] £220.00 (£264.00 incl.VAT)
Trial.
J.H. Clark Del. M. Dubourg Sculp.t.
Published & Sold October 1st 1813, by Edw.d Orme, Bond Street, London.
Fine hand-coloured aquatint with very large margins. Platemark: 180 x 230mm (7¼ x 9¼").
Plate 9 from 'The Field Sports &c. &c. of the Native Inhabitants of New South Wales', published by Edward Orme, London, 1813, the first book devoted solely to the Aboriginal people of Australia. This scene depicts four Aboriginal men throwing spears at a figure holding a shield for protection. A large group, some standing, some sitting, look on intently. Possibly an act of judgement or a test of skill. After John Heaviside Clark, later known as "Waterloo Clark" for his depictions of Wellington's triumph in 1815.
NGV ref: 1999.400.9.
[Ref: 32076] £220.00 (£264.00 incl.VAT)
J.H. Clark Del. M. Dubourg Sculp.t.
Published & Sold October 1st 1813, by Edw.d Orme, Bond Street, London.
Fine hand-coloured aquatint with very large margins. Platemark: 180 x 230mm (7¼ x 9¼").
Plate 9 from 'The Field Sports &c. &c. of the Native Inhabitants of New South Wales', published by Edward Orme, London, 1813, the first book devoted solely to the Aboriginal people of Australia. This scene depicts four Aboriginal men throwing spears at a figure holding a shield for protection. A large group, some standing, some sitting, look on intently. Possibly an act of judgement or a test of skill. After John Heaviside Clark, later known as "Waterloo Clark" for his depictions of Wellington's triumph in 1815.
NGV ref: 1999.400.9.
[Ref: 32076] £220.00 (£264.00 incl.VAT)
The Marquis of Angelsea Wounded, Whilst heading a charge of heavy Cavalry at the close of the Battle of Waterloo. June 18.th. 1815.
J. A. Atkinson Del. M. Dubourg Sculp.
Published & Sold Sep.r. 1. 1815 by EDW.D. ORME, Publisher to his Majesty & H.R.H th Prince Regent Bond St., corner of Brook St. London.
Fine coloured aquatint with very large margins. Plate: 330 x 250mm (13 x 9¾"). Some slight staining in lower right-hand corner of plate.
Battle scene depicting the moment Henry Paget, 1st Marquess of Angelsea was wounded in the leg by artillery fire. Paget's, horse rears up and two cavalrymen near by look concerned. Meanwhile, the battle rages on with clouds of smoke billowing above the ranks of soldiers. On losing his leg Paget is reported to have cried 'By God, sir, I've lost my leg!,' to which Wellington replied, 'By God, sir, so you Have!'. Following the amputation of the wounded leg, it went on to have career as a tourist attraction in the village of Waterloo.
[Ref: 33577] £190.00 (£228.00 incl.VAT)
J. A. Atkinson Del. M. Dubourg Sculp.
Published & Sold Sep.r. 1. 1815 by EDW.D. ORME, Publisher to his Majesty & H.R.H th Prince Regent Bond St., corner of Brook St. London.
Fine coloured aquatint with very large margins. Plate: 330 x 250mm (13 x 9¾"). Some slight staining in lower right-hand corner of plate.
Battle scene depicting the moment Henry Paget, 1st Marquess of Angelsea was wounded in the leg by artillery fire. Paget's, horse rears up and two cavalrymen near by look concerned. Meanwhile, the battle rages on with clouds of smoke billowing above the ranks of soldiers. On losing his leg Paget is reported to have cried 'By God, sir, I've lost my leg!,' to which Wellington replied, 'By God, sir, so you Have!'. Following the amputation of the wounded leg, it went on to have career as a tourist attraction in the village of Waterloo.
[Ref: 33577] £190.00 (£228.00 incl.VAT)
Head Quarters Waterloo 1815.
Manskirch del. M. Dubourg Sculp.t.
Published & Sold March 25.th. 1817. by Edw.d. Orme, Bond Street, corner of Brook Str. London.
Very fine coloured aquatint with large margins. Plate: 330 x 250mm (13 x 9¾).
Exterior scene depicting a large house, around which wounded soldiers are carried and cared for. One soldier is lifted down from a wagon, whilst on the left two mounted soldiers gallop into the scene. The house may be a depiction of Chateau d'Hougoumont, the house and farm of which were garrisoned by the allied British and Prussian troop before the battle, and around which a significant part of the Battle of Waterloo was fought.
[Ref: 33578] £160.00 (£192.00 incl.VAT)
Manskirch del. M. Dubourg Sculp.t.
Published & Sold March 25.th. 1817. by Edw.d. Orme, Bond Street, corner of Brook Str. London.
Very fine coloured aquatint with large margins. Plate: 330 x 250mm (13 x 9¾).
Exterior scene depicting a large house, around which wounded soldiers are carried and cared for. One soldier is lifted down from a wagon, whilst on the left two mounted soldiers gallop into the scene. The house may be a depiction of Chateau d'Hougoumont, the house and farm of which were garrisoned by the allied British and Prussian troop before the battle, and around which a significant part of the Battle of Waterloo was fought.
[Ref: 33578] £160.00 (£192.00 incl.VAT)
The Battle of Waterloo Decided by the Duke of Wellington, Heading a charge upon the French Imperial Guards, June 18.th. 1815.
J. A. Atkinson Del. M. Dubourg Sculp.
Published & Sold Sep.r.1. 1815 by Edw.d Orme, Publisher to his Majesty & H. R. H. the Prince Regent, Bond Street corner of Brook Street London.
Aquatint with fine hand colour. 330 x 250mm (13 x 9¾"), with large margins.
Wellington, mounted upon his horse Copenhagen, calls the charge on the Imperial Guard, brandishing his sword. Napoleon watches the battle from a platform built to allow him an overall view of the battlefield.
[Ref: 59516] £260.00 (£312.00 incl.VAT)
J. A. Atkinson Del. M. Dubourg Sculp.
Published & Sold Sep.r.1. 1815 by Edw.d Orme, Publisher to his Majesty & H. R. H. the Prince Regent, Bond Street corner of Brook Street London.
Aquatint with fine hand colour. 330 x 250mm (13 x 9¾"), with large margins.
Wellington, mounted upon his horse Copenhagen, calls the charge on the Imperial Guard, brandishing his sword. Napoleon watches the battle from a platform built to allow him an overall view of the battlefield.
[Ref: 59516] £260.00 (£312.00 incl.VAT)
The Battle of Waterloo Decided by the Duke of Wellington, Heading a charge upon the French Imperial Guards, June 18.th. 1815.
J. A. Atkinson Del. M. Dubourg Sculp.
Published & Sold Sep.r.1. 1815 by Edw.d Orme, Publisher to his Majesty & H. R. H. the Prince Regent, Bond Street corner of Brook St London.
Coloured aquatint. Sheet 220 x 285mm (8¾ x 11¼"). Tear taped. Cut inside plate.
Battle scene depicting Wellington's charge on the Imperial Guard. Wellington, mounted upon his horse Copenhagen, calls the charge, brandishing his sword. A figure in a recognisable bicorne hat (perhaps Napoleon) watches the battle from the safety of a platform behind the French line. Wellington's charge, which took place several hours into the Battle of Waterloo, combined with Blücher's attack on Napoleon's right-flank, drove the French troops into disorder allowing the coalition forces to win the day.
[Ref: 37132] £120.00 (£144.00 incl.VAT)
J. A. Atkinson Del. M. Dubourg Sculp.
Published & Sold Sep.r.1. 1815 by Edw.d Orme, Publisher to his Majesty & H. R. H. the Prince Regent, Bond Street corner of Brook St London.
Coloured aquatint. Sheet 220 x 285mm (8¾ x 11¼"). Tear taped. Cut inside plate.
Battle scene depicting Wellington's charge on the Imperial Guard. Wellington, mounted upon his horse Copenhagen, calls the charge, brandishing his sword. A figure in a recognisable bicorne hat (perhaps Napoleon) watches the battle from the safety of a platform behind the French line. Wellington's charge, which took place several hours into the Battle of Waterloo, combined with Blücher's attack on Napoleon's right-flank, drove the French troops into disorder allowing the coalition forces to win the day.
[Ref: 37132] £120.00 (£144.00 incl.VAT)
Plan and Elevation of the Waterloo Bridge over the River Thames.
Engraved by M. Dubourg 1 Buxton Place Lambeth.
1822 London Publish'd by J. Taylor at the Architectural Library, High Holborn.
Large folding aquatint plan, 300 x 675mm. 11¾ x 26½". Perspective view above, with plans and details and vignette view of the toll gate below. Two chips to upper margin, just into plate. Hole in title area.
George Dodd, a civil engineer who worked for John Rennie (1761 - 1821), proposed to build this bridge across the Thames from a point near Somerset House. Dodd left Rennie’s firm, and after the necessary funds had been raised by public subscription, the bridge was built to Rennie’s design between 1811 and 1817. The granite bridge had nine arches, each of 120 ft span, and was 2,456 ft long, including approaches. When it opened, the bridge was christened Waterloo Bridge, in honour of Wellington’s victory over Napoleon in 1815; before its opening it was known as 'Strand Bridge'. The bridge was replaced by the present Waterloo Bridge in 1945.
See Guildhall Library Record: 29748 for plan dated 1816. See BL Maps K.Top.22.40.a. for a plan by Dubourg dated 1811.
[Ref: 23279] £360.00
Engraved by M. Dubourg 1 Buxton Place Lambeth.
1822 London Publish'd by J. Taylor at the Architectural Library, High Holborn.
Large folding aquatint plan, 300 x 675mm. 11¾ x 26½". Perspective view above, with plans and details and vignette view of the toll gate below. Two chips to upper margin, just into plate. Hole in title area.
George Dodd, a civil engineer who worked for John Rennie (1761 - 1821), proposed to build this bridge across the Thames from a point near Somerset House. Dodd left Rennie’s firm, and after the necessary funds had been raised by public subscription, the bridge was built to Rennie’s design between 1811 and 1817. The granite bridge had nine arches, each of 120 ft span, and was 2,456 ft long, including approaches. When it opened, the bridge was christened Waterloo Bridge, in honour of Wellington’s victory over Napoleon in 1815; before its opening it was known as 'Strand Bridge'. The bridge was replaced by the present Waterloo Bridge in 1945.
See Guildhall Library Record: 29748 for plan dated 1816. See BL Maps K.Top.22.40.a. for a plan by Dubourg dated 1811.
[Ref: 23279] £360.00
The Horse Guards at the Battle of Waterloo. One of the officers having Killed a French Colonel cuts off his Epaulette in triumph.
Heath Del. M. Dubourg Sc.
Published & Sold June 4.th. 1817 by Edw.d. Orme, Bond st. corner of Brook St. London.
Fine coloured aquatint with large margins. Plate: 330 x 250mm (13 x 9¾").
Battle scene in which an officer of the Horse Guards bends over a dead French officer cutting off his epaulette while his horse is held by a soldier behind. Around them British soldiers march from the right while French cavalrymen charge from the left.
[Ref: 33579] £190.00 (£228.00 incl.VAT)
Heath Del. M. Dubourg Sc.
Published & Sold June 4.th. 1817 by Edw.d. Orme, Bond st. corner of Brook St. London.
Fine coloured aquatint with large margins. Plate: 330 x 250mm (13 x 9¾").
Battle scene in which an officer of the Horse Guards bends over a dead French officer cutting off his epaulette while his horse is held by a soldier behind. Around them British soldiers march from the right while French cavalrymen charge from the left.
[Ref: 33579] £190.00 (£228.00 incl.VAT)
The Prince of Orange at the Battle of Waterloo, distributing, at the moment, to the brave Troops the Orders he then wore.
J. A. Atkinson Del.t. M. Dubourg Sculp.t.
Published & Sold, Aug.t. 20, 1815 by EDW.D. ORME, Publisher to his Majesty & H.R.H the Regent, Bond Street, corner of Brook Street, London.
Fine coloured aquatint with large margins. Plate: 330 x 250mm (13 x 9¾").
Battle scene in which The Prince of Orange, mounted hands out his medals to foot soldiers in the midst of the battle. Dead and wounded men and horses lie on the ground and ranks of charging cavalrymen lead an attack in the distance.
[Ref: 33575] £160.00 (£192.00 incl.VAT)
J. A. Atkinson Del.t. M. Dubourg Sculp.t.
Published & Sold, Aug.t. 20, 1815 by EDW.D. ORME, Publisher to his Majesty & H.R.H the Regent, Bond Street, corner of Brook Street, London.
Fine coloured aquatint with large margins. Plate: 330 x 250mm (13 x 9¾").
Battle scene in which The Prince of Orange, mounted hands out his medals to foot soldiers in the midst of the battle. Dead and wounded men and horses lie on the ground and ranks of charging cavalrymen lead an attack in the distance.
[Ref: 33575] £160.00 (£192.00 incl.VAT)
![[Set of four whaling prints.] A Ships Boat Attacking a Whale. [&] Boats Approaching a Whale. [&] A Whale Brought Along-Side a Ship. [&] Shooting the Harpoon an a Whale.](jpegs/58022.jpg)
[Set of four whaling prints.] A Ships Boat Attacking a Whale. [&] Boats Approaching a Whale. [&] A Whale Brought Along-Side a Ship. [&] Shooting the Harpoon an a Whale.
J.H. Clark del. Dubourg sculp.t.
Published & Sold March 1t 1813 by Edw.d Orme, Bond St, London.
Four aquatints with fine hand colour. 185 x 235mm (7¼ x 9¼"), with large margins. With 9pp letterpress describing the plates.
From 'Foreign Field Sports, Fisheries, Sporting, Anecdotes, &c.' by Samuel Howitt.
[Ref: 58022] £450.00 view all images for this item
J.H. Clark del. Dubourg sculp.t.
Published & Sold March 1t 1813 by Edw.d Orme, Bond St, London.
Four aquatints with fine hand colour. 185 x 235mm (7¼ x 9¼"), with large margins. With 9pp letterpress describing the plates.
From 'Foreign Field Sports, Fisheries, Sporting, Anecdotes, &c.' by Samuel Howitt.
[Ref: 58022] £450.00 view all images for this item