A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![Design of a Chimney Piece executed in the Great Salon of the Queen’s House. Dessein d’une Cheminée executé dans le Grand Salon du Palais de la Reine. [&] A Chimney Piece designed for one of the Rooms in St. James's Palace. Dessein d'une Cheminée pour une](jpegs/27737.jpg)
Design of a Chimney Piece executed in the Great Salon of the Queen’s House. Dessein d’une Cheminée executé dans le Grand Salon du Palais de la Reine. [&] A Chimney Piece designed for one of the Rooms in St. James's Palace. Dessein d'une Cheminée pour une des Chambres dans la Palais de St. Jacques. Plate IV.
R. Adam Architect 1762. D. Cunego Sculp.
Published as the Act directs 1773.
Engraving. 605 x 460mm (23¾ x 8¼"). Narrow margins.
Two chimney designs, one of which is execued in the great saloon of the Queen's House, and the other proposed for a room in the palace of St James's. In the freeze of the former, the crown and supporters are introduced as part of the ornament, and on the tablet of the latter is a bas-relief of the Aldo-brandini marriage; Volume I, part 5, "Works in Architecture". Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas.
[Ref: 27737] £230.00 (£276.00 incl.VAT)
R. Adam Architect 1762. D. Cunego Sculp.
Published as the Act directs 1773.
Engraving. 605 x 460mm (23¾ x 8¼"). Narrow margins.
Two chimney designs, one of which is execued in the great saloon of the Queen's House, and the other proposed for a room in the palace of St James's. In the freeze of the former, the crown and supporters are introduced as part of the ornament, and on the tablet of the latter is a bas-relief of the Aldo-brandini marriage; Volume I, part 5, "Works in Architecture". Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas.
[Ref: 27737] £230.00 (£276.00 incl.VAT)
![[Carlton House.]](jpegs/27734.jpg)
[Carlton House.] Plate III.
J.s Adam architect, 1767. D. Cunego Sculp Romae.
Published as the Act directs 1775.
Engraving with small margins. Plate 466 x 602mm. 18¼ x 23¾".
Carlton House, London., designs of the trophies for the pediments, panels over the doors, pateras and trophies over the columns and pilasters; Volume I, part 5, "Works in Architecture". Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
[Ref: 27734] £280.00 (£336.00 incl.VAT)
J.s Adam architect, 1767. D. Cunego Sculp Romae.
Published as the Act directs 1775.
Engraving with small margins. Plate 466 x 602mm. 18¼ x 23¾".
Carlton House, London., designs of the trophies for the pediments, panels over the doors, pateras and trophies over the columns and pilasters; Volume I, part 5, "Works in Architecture". Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
[Ref: 27734] £280.00 (£336.00 incl.VAT)
Obitus S. Caeciliae Virginis et Martyris. 32.
H Domenichino pinxit. Dom. Cunego sculpsit Romae 1772.
Romae in Ecclesia vulgo di S. Luigi de' Francesi.
Engraving. 420 x 393mm (16½ x 15½"). Water stain lower left of margin; cut on left top platemark.
The death of St Cecilia, the angel of martyrdom in the upper centre arriving with a palm and crown. After the fresco by Domenico Zampieri (1581-1641, known as Domenichino) in the Polet Chapel of San Luigi dei Francesi in Rome. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 30994] £160.00 (£192.00 incl.VAT)
H Domenichino pinxit. Dom. Cunego sculpsit Romae 1772.
Romae in Ecclesia vulgo di S. Luigi de' Francesi.
Engraving. 420 x 393mm (16½ x 15½"). Water stain lower left of margin; cut on left top platemark.
The death of St Cecilia, the angel of martyrdom in the upper centre arriving with a palm and crown. After the fresco by Domenico Zampieri (1581-1641, known as Domenichino) in the Polet Chapel of San Luigi dei Francesi in Rome. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 30994] £160.00 (£192.00 incl.VAT)
![[Angle in the vault of the Sistine Chapel] Pio Septimo Pont. Opt. Max.](jpegs/22902.jpg)
[Angle in the vault of the Sistine Chapel] Pio Septimo Pont. Opt. Max. Eleazar Mathan Michael Angelus Bonarotius pinxit in Sixtino Vaticano Sacello [in design] .
Ang. di Angelis del. Aloys. Cunego sculp. Romae.
Venit Romae apud Montagnani - Mirabili ad Forum Pasquini [Rome, n.d., c.1800].
Engraving, laid on original album sheet, 405 x 585mm. 16 x 23", large margins. Some creasing.
Two figures from the Hebrew Bible: Eleazar (Elazar) was the second Kohen Gadol (High Priest), succeeding his father Aaron. He was a nephew of Moses. Nathan (fl. c.1000 BC) was a court prophet who lived in the time of King David and Queen Bathsheba. Dedication to Pope Pius VII to lower margin. From a series of plates reproducing the famous frescos by Italian Renaissance painter Michelangelo (1475 - 1564) in the Sistine Chapel, Vatican City, Rome.
[Ref: 22902] £230.00 (£276.00 incl.VAT)
Ang. di Angelis del. Aloys. Cunego sculp. Romae.
Venit Romae apud Montagnani - Mirabili ad Forum Pasquini [Rome, n.d., c.1800].
Engraving, laid on original album sheet, 405 x 585mm. 16 x 23", large margins. Some creasing.
Two figures from the Hebrew Bible: Eleazar (Elazar) was the second Kohen Gadol (High Priest), succeeding his father Aaron. He was a nephew of Moses. Nathan (fl. c.1000 BC) was a court prophet who lived in the time of King David and Queen Bathsheba. Dedication to Pope Pius VII to lower margin. From a series of plates reproducing the famous frescos by Italian Renaissance painter Michelangelo (1475 - 1564) in the Sistine Chapel, Vatican City, Rome.
[Ref: 22902] £230.00 (£276.00 incl.VAT)
![[The Expulsion (from Paradise).]](jpegs/22885.jpg)
[The Expulsion (from Paradise).] Tulit Igitur Mulier de Fructu, et Comedit...
Michael Angelus Bonarotius pinxit in Sixtino Vaticano Sacello. Dom. Cunego del. et sculp. Romae.
Venit Romae apud Montagnani - Mirabili ad Forum Pasquini [Rome, n.d., c.1800].
Engraving, laid on original album sheet, 305 x 480mm. 12 x 19". A fine impression with full margins.
Two Latin biblical quotations from the Book of Genesis to lower margin, from a series of 37 plates published under the title 'La volta della Cappella Sistina' between 1772 and 1834 after the master painter Michelangelo (1475 - 1564) in the Sistine Chapel, Vatican City, Rome, by Domenico Cunego (Italian, 1727 - 1803).
See V&A DYCE.1655.
[Ref: 22885] £260.00 (£312.00 incl.VAT)
Michael Angelus Bonarotius pinxit in Sixtino Vaticano Sacello. Dom. Cunego del. et sculp. Romae.
Venit Romae apud Montagnani - Mirabili ad Forum Pasquini [Rome, n.d., c.1800].
Engraving, laid on original album sheet, 305 x 480mm. 12 x 19". A fine impression with full margins.
Two Latin biblical quotations from the Book of Genesis to lower margin, from a series of 37 plates published under the title 'La volta della Cappella Sistina' between 1772 and 1834 after the master painter Michelangelo (1475 - 1564) in the Sistine Chapel, Vatican City, Rome, by Domenico Cunego (Italian, 1727 - 1803).
See V&A DYCE.1655.
[Ref: 22885] £260.00 (£312.00 incl.VAT)
![[Man and Woman Embracing.] 20.](jpegs/31000.jpg)
[Man and Woman Embracing.] 20.
Giorgione pinxit. Dom. Cunego sculpsit 1773.
Ex Tabula Romae in Aedibus Burghesianis asservata.
Engraving. 246 x 172mm (9¾ x 6¾"), with large margins. Water stain lower left of margin.
A man and woman embracing. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 31000] £220.00 (£264.00 incl.VAT)
Giorgione pinxit. Dom. Cunego sculpsit 1773.
Ex Tabula Romae in Aedibus Burghesianis asservata.
Engraving. 246 x 172mm (9¾ x 6¾"), with large margins. Water stain lower left of margin.
A man and woman embracing. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 31000] £220.00 (£264.00 incl.VAT)
Providentia. Providit ille maximus Mundi Parens, Cum tam rapaces cerneret Fati minas, Ut damna semper sobole repararet nove. Sen. Hip. 27.
Lud. Carracci Pinxit. Dom. Cunego Sculpsit Romae 1772.
E Tabula Romae in Capitolio asservata.
Engraving, very large margins. Plate 425 x 293mm (16¾ x 11½"). Water stain lower left of margin.
Allegory of Providence; a seated female suckling a child and looking up at a cherub leaning on her shoulder; at her feet, a putto carrying a torch and another a cornucopia and handing fruits to his companions. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 30997] £160.00 (£192.00 incl.VAT)
Lud. Carracci Pinxit. Dom. Cunego Sculpsit Romae 1772.
E Tabula Romae in Capitolio asservata.
Engraving, very large margins. Plate 425 x 293mm (16¾ x 11½"). Water stain lower left of margin.
Allegory of Providence; a seated female suckling a child and looking up at a cherub leaning on her shoulder; at her feet, a putto carrying a torch and another a cornucopia and handing fruits to his companions. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 30997] £160.00 (£192.00 incl.VAT)
Innocentia. Ut flos in septis secretus nascitur hortis, / Ignotus pecori, nullo contusus aratro [...]
Gavinus Hamilton pinxit 1766 Dominicus Cunego sculp.t Romae
E Tabula in Oedibus Nobilis Viri Ducis de Rochefoucault
Fine engraving. platemark 465 x 275mm (18¼ x 10¾"), with very large margins.
Fine engraving after a painting by Gavin Hamilton (1723-98), Scottish painter, archaeologist and dealer. While Hamilton's only identifiable pupil was David Allan, his encouragement assisted and influenced artists in Rome, where he worked, for over thirty years. He was instrumental, for instance, in persuading the sculptor Antonio Canova to abandon Rococo for a more restrained Neo-classical style. As the inscription states, this painting was then in the collection of the duke of Rochefoucault, French writer and explorer.
[Ref: 43151] £160.00 (£192.00 incl.VAT)
Gavinus Hamilton pinxit 1766 Dominicus Cunego sculp.t Romae
E Tabula in Oedibus Nobilis Viri Ducis de Rochefoucault
Fine engraving. platemark 465 x 275mm (18¼ x 10¾"), with very large margins.
Fine engraving after a painting by Gavin Hamilton (1723-98), Scottish painter, archaeologist and dealer. While Hamilton's only identifiable pupil was David Allan, his encouragement assisted and influenced artists in Rome, where he worked, for over thirty years. He was instrumental, for instance, in persuading the sculptor Antonio Canova to abandon Rococo for a more restrained Neo-classical style. As the inscription states, this painting was then in the collection of the duke of Rochefoucault, French writer and explorer.
[Ref: 43151] £160.00 (£192.00 incl.VAT)
Loth. 36.
Guido Reni pinxit. Dom. Cunego sculpsit Romae 1771.
Romae ex Tabula in Aedibus Lancellotti.
Engraving. 266 x 322mm (10½ x 12¾"), with large margins.
Lot and his daughters, one holding an elaborate urn. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 31003] £130.00 (£156.00 incl.VAT)
Guido Reni pinxit. Dom. Cunego sculpsit Romae 1771.
Romae ex Tabula in Aedibus Lancellotti.
Engraving. 266 x 322mm (10½ x 12¾"), with large margins.
Lot and his daughters, one holding an elaborate urn. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 31003] £130.00 (£156.00 incl.VAT)
Nereides Nymphae. 38.
Franc Albano pinxit. Dom. Cunego sculpsit Romae 1771.
Exstat Romae in Aedibus Ghisus.
Engraving, very large margins. Plate 241 x 406mm (9½ x 16"). Water staining to left and upper edge; tears to right.
Two Nereids on a shore, one reclining while a cupid scatters pearls over her body, and the other one holding a seashell containing pearls and flanked by two cupids holding coral; in the background, to the right, a cupid with a fishrod. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 31011] £230.00 (£276.00 incl.VAT)
Franc Albano pinxit. Dom. Cunego sculpsit Romae 1771.
Exstat Romae in Aedibus Ghisus.
Engraving, very large margins. Plate 241 x 406mm (9½ x 16"). Water staining to left and upper edge; tears to right.
Two Nereids on a shore, one reclining while a cupid scatters pearls over her body, and the other one holding a seashell containing pearls and flanked by two cupids holding coral; in the background, to the right, a cupid with a fishrod. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 31011] £230.00 (£276.00 incl.VAT)
![[Allegory of Divine Providence.]](jpegs/35214.jpg)
[Allegory of Divine Providence.] Providentia / Providit ille maximus Mundi Parens, Cum tam rapaces cerneret Fati minas, Ut damna semper sobole repararet nova. Sen. Hipp. / E Tabula Romae in Capitolio affervata
Lud. Caracci pinxit. Domenicus Cunego sculpsit Romae 1772/
Engraving, platemark 420 x 300mm (16½ x 11¾"). Uncut sheet; later impression on wove paper.
After a panel by Annibale Carracci now in the National Gallery, London. The work, now believed to represent Marsyas (who was flayed by Apollo after losing a musical contest against him) and Olympus. It was made as a lid for a musical instrument, and is one of three such panels in the National Gallery collection. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 35214] £160.00 (£192.00 incl.VAT)
Lud. Caracci pinxit. Domenicus Cunego sculpsit Romae 1772/
Engraving, platemark 420 x 300mm (16½ x 11¾"). Uncut sheet; later impression on wove paper.
After a panel by Annibale Carracci now in the National Gallery, London. The work, now believed to represent Marsyas (who was flayed by Apollo after losing a musical contest against him) and Olympus. It was made as a lid for a musical instrument, and is one of three such panels in the National Gallery collection. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 35214] £160.00 (£192.00 incl.VAT)
![[Fresco in the Sistine Chapel] Pio Septimo Pont. Opt. Max.](jpegs/22906.jpg)
[Fresco in the Sistine Chapel] Pio Septimo Pont. Opt. Max. Hieremias [lettered on plaque in centre]. Michael Angelus Bonarotius pinxit in Sixtino Vaticano Sacello [in design, to upper corners].
Aloys. Agricola del. Dom. Cunego sculp Romae.
Venit Romae apud Montagnani - Mirabili ad Forum Pasquini [Rome, n.d., c.1800].
Engraving, 400 x 530mm (15¾ x 20¾").
Jeremiah, meaning "Yahweh exalts", or called the "Weeping prophet", was one of the main prophets of the Hebrew Bible. His writings are put together in the Book of Jeremiah. Dedication to Pope Pius VII to lower margin. From a series of plates reproducing the famous frescos by Italian Renaissance painter Michelangelo (1475 - 1564) in the Sistine Chapel, Vatican City, Rome. By Domenico Cunego (Italian, 1727 - 1803).
[Ref: 22906] £420.00
Aloys. Agricola del. Dom. Cunego sculp Romae.
Venit Romae apud Montagnani - Mirabili ad Forum Pasquini [Rome, n.d., c.1800].
Engraving, 400 x 530mm (15¾ x 20¾").
Jeremiah, meaning "Yahweh exalts", or called the "Weeping prophet", was one of the main prophets of the Hebrew Bible. His writings are put together in the Book of Jeremiah. Dedication to Pope Pius VII to lower margin. From a series of plates reproducing the famous frescos by Italian Renaissance painter Michelangelo (1475 - 1564) in the Sistine Chapel, Vatican City, Rome. By Domenico Cunego (Italian, 1727 - 1803).
[Ref: 22906] £420.00
![[God creates the Day and the Night.]](jpegs/22895.jpg)
[God creates the Day and the Night.] Divisit Lucem a Tenebris...
Michael Angelus Bonarotius pinxit in Sixtino Vaticano Sacello. Aloys Agricola del. Dom. Cunego sculp. Romae.
Venit Romae apud Montagnani - Mirabili ad Forum Pasquini [Rome, n.d., c.1800].
Engraving, laid on original album sheet, 210 x 235mm. 8¼ x 9¼". Some marginal creasing else a fine impression with full margins.
Latin biblical quotation from the Book of Genesis to lower margin. Numbered 'No.1' upper left; from a series of plates reproducing the famous frescos by Italian Renaissance painter Michelangelo (1475 - 1564) in the Sistine Chapel, Vatican City, Rome. By Domenico Cunego (Italian, 1727 - 1803).
[Ref: 22895] £120.00 (£144.00 incl.VAT)
Michael Angelus Bonarotius pinxit in Sixtino Vaticano Sacello. Aloys Agricola del. Dom. Cunego sculp. Romae.
Venit Romae apud Montagnani - Mirabili ad Forum Pasquini [Rome, n.d., c.1800].
Engraving, laid on original album sheet, 210 x 235mm. 8¼ x 9¼". Some marginal creasing else a fine impression with full margins.
Latin biblical quotation from the Book of Genesis to lower margin. Numbered 'No.1' upper left; from a series of plates reproducing the famous frescos by Italian Renaissance painter Michelangelo (1475 - 1564) in the Sistine Chapel, Vatican City, Rome. By Domenico Cunego (Italian, 1727 - 1803).
[Ref: 22895] £120.00 (£144.00 incl.VAT)
Nativitas Sancti Johannis Baptiste. 28.
Ludovius Caracci pinxit. Domenicus Cunego sculpsit Romae 1769.
Londini ex Tabula apud Comitem de Ossory asservata.
Engraving, very large margins. Plate 285 x 394mm (11¼ x 15½"). Water stain to upper left and lower right corners; creases and nicks to upper right corner.
The birth of St John the Baptist who is held in his mother's arms at centre. After the fresco by Michelangelo on the ceiling of the Sistine Chapel. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 31015] £130.00 (£156.00 incl.VAT)
Ludovius Caracci pinxit. Domenicus Cunego sculpsit Romae 1769.
Londini ex Tabula apud Comitem de Ossory asservata.
Engraving, very large margins. Plate 285 x 394mm (11¼ x 15½"). Water stain to upper left and lower right corners; creases and nicks to upper right corner.
The birth of St John the Baptist who is held in his mother's arms at centre. After the fresco by Michelangelo on the ceiling of the Sistine Chapel. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 31015] £130.00 (£156.00 incl.VAT)
![[The Birth of St. John the Baptist.]](jpegs/35213.jpg)
[The Birth of St. John the Baptist.] Nativitas Sancti Johannis Baptiste. 28.
Ludovius Caracci pinxit. Domenicus Cunego sculpsit Romae 1769.
Londini ex Tabula apud Comitem de Ossory asservata.
Engraving, very large margins, platemark 285 x 394mm (11¼ x 15½"). Late impression on wove paper. Uncut.
The birth of St John the Baptist who is held in his mother's arms at centre., after Ludovico Carracci. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 35213] £160.00 (£192.00 incl.VAT)
Ludovius Caracci pinxit. Domenicus Cunego sculpsit Romae 1769.
Londini ex Tabula apud Comitem de Ossory asservata.
Engraving, very large margins, platemark 285 x 394mm (11¼ x 15½"). Late impression on wove paper. Uncut.
The birth of St John the Baptist who is held in his mother's arms at centre., after Ludovico Carracci. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 35213] £160.00 (£192.00 incl.VAT)
![[Clarice Strozzi] Filia Roberti Strozzi nobilis Florentini. Vid. Epist. P. Aretini. 21.](jpegs/30993.jpg)
[Clarice Strozzi] Filia Roberti Strozzi nobilis Florentini. Vid. Epist. P. Aretini. 21.
Titianus pinxit. Dom. Cunego Sculp. Romae 1770.
E Tabula in Aedibus Ducis Strozzi Romae asservata.
Engraving. 312 x 254mm (12¼ x 10"), with wide margins Water stain lower left of margin.
Portrait of Clarice Strozzi (1540-1581), a child on the old Florentine family, standing next to a table upon which sits a Cavalier King Charles Spaniel, to whom she is giving a biscuit. Titian's oil is now in the Gemäldegalerie, Berlin. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 30993] £230.00 (£276.00 incl.VAT)
Titianus pinxit. Dom. Cunego Sculp. Romae 1770.
E Tabula in Aedibus Ducis Strozzi Romae asservata.
Engraving. 312 x 254mm (12¼ x 10"), with wide margins Water stain lower left of margin.
Portrait of Clarice Strozzi (1540-1581), a child on the old Florentine family, standing next to a table upon which sits a Cavalier King Charles Spaniel, to whom she is giving a biscuit. Titian's oil is now in the Gemäldegalerie, Berlin. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
[Ref: 30993] £230.00 (£276.00 incl.VAT)
![[Clarissa Strozzi]](jpegs/35212.jpg)
[Clarissa Strozzi] Filia Roberti Strozzi nobilis Florentini. Vid. Epist. P. Aretini. 21.
Titianus pinxit. Dom. Cunego Sculp. Romae 1770.
E Tabula in Aedibus Ducis Strozzi Romae asservata.
Engraving with small margins, platemark 312 x 254mm (12¼ x 10"). Glued to backing sheet.
Portrait of Clarice Strozzi (1540-1581), part of the great Florentine Strozzi family, standing next to a table upon which sits a Cavalier King Charles Spaniel, to whom she is giving a biscuit. After the painting by Titian (Berlin, Gemäldegalerie) which is acknowledged as a landmark in the portrayal of children in art. During the Renaissance, child portraiture was uncommon, although it was later popularised by Rubens and van Dyck. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
see Von Luba Freedman, 'Titian's Portrait of Clarissa Strozzi: the State Portrait of a Child', Jahrbuch der Berliner Museen, 1989, pp.165-80.
[Ref: 35212] £140.00 (£168.00 incl.VAT)
Titianus pinxit. Dom. Cunego Sculp. Romae 1770.
E Tabula in Aedibus Ducis Strozzi Romae asservata.
Engraving with small margins, platemark 312 x 254mm (12¼ x 10"). Glued to backing sheet.
Portrait of Clarice Strozzi (1540-1581), part of the great Florentine Strozzi family, standing next to a table upon which sits a Cavalier King Charles Spaniel, to whom she is giving a biscuit. After the painting by Titian (Berlin, Gemäldegalerie) which is acknowledged as a landmark in the portrayal of children in art. During the Renaissance, child portraiture was uncommon, although it was later popularised by Rubens and van Dyck. From "Schola Italica Picturae sive Selectae Quaedam Summorum e Schola Italica Pictorum Tabulae Aere Incisae Cura et Impensis Gavini Hamilton Pictoris", a series of forty plates.
see Von Luba Freedman, 'Titian's Portrait of Clarissa Strozzi: the State Portrait of a Child', Jahrbuch der Berliner Museen, 1989, pp.165-80.
[Ref: 35212] £140.00 (£168.00 incl.VAT)
![[Triumph of History over Time.]](jpegs/47560.jpg)
[Triumph of History over Time.] Pio. VI. P. M. Praeclarissimo Bonarum Artum Fautori Celeberrimam tabulam ab Equite Antonio Raphaele Mengs in Vaticanis Aedibus depictam Michael Angelus Mazzoli obsequii causa D.D.D.
Franciscus Ramos delin. Domini. Cunego sculp. Romae 1782.
Engraving. Plate: 580 x 365mm (22¾ x 14½"), with large margins. Uncut.
A scene showing the allegorical figure of History and the figure of Time. A fresco by Jewish-Danish artist Anton Raphael Mengs (1728-1779) on the ceiling of the Vatican Library. From a series of engravings of Vatican frescos by Domenico Cuego.
[Ref: 47560] £320.00
Franciscus Ramos delin. Domini. Cunego sculp. Romae 1782.
Engraving. Plate: 580 x 365mm (22¾ x 14½"), with large margins. Uncut.
A scene showing the allegorical figure of History and the figure of Time. A fresco by Jewish-Danish artist Anton Raphael Mengs (1728-1779) on the ceiling of the Vatican Library. From a series of engravings of Vatican frescos by Domenico Cuego.
[Ref: 47560] £320.00