A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Mr John Anderson, Falconer, at Barrowchaw, Renfrewshire, as he appear'd at the Coronation of His Majesty George the 4th, July 19th 1821.
Drawn & Engraved by I.R. Cruikshank.
Pub. by G. Humphrey, 27 St James's St. London, Aug. 16th 1821.
Rare coloured aquatint. 300 x 225mm (11¾ x 9"). Paper lightly toned.
John Anderson (c 1750-1833). falconer to Malcolm Fleming of Barochan, the Earl of Morton and Sir Alexander Donne of Ochiltree. At the coronation Anderson presented the king a pair of falcons on behalf of the 4th Duke of Atholl, Governor of the Isle of Man, accounting for the Manx triskelion on his sleeve.
[Ref: 41430] £260.00 (£312.00 incl.VAT)
Drawn & Engraved by I.R. Cruikshank.
Pub. by G. Humphrey, 27 St James's St. London, Aug. 16th 1821.
Rare coloured aquatint. 300 x 225mm (11¾ x 9"). Paper lightly toned.
John Anderson (c 1750-1833). falconer to Malcolm Fleming of Barochan, the Earl of Morton and Sir Alexander Donne of Ochiltree. At the coronation Anderson presented the king a pair of falcons on behalf of the 4th Duke of Atholl, Governor of the Isle of Man, accounting for the Manx triskelion on his sleeve.
[Ref: 41430] £260.00 (£312.00 incl.VAT)
The Pleasures Of Angling. to face Page 158.
Designed and Etched by J.R Cruikshank.
Published by Thomas Boys, Ludgate Hill London, Dec 1.1819.
Bit messy.
Isaac Robert Cruikshank was the brother of fellow caricaturist, George Cruikshank.
[Ref: 56113] £130.00 (£156.00 incl.VAT)
Designed and Etched by J.R Cruikshank.
Published by Thomas Boys, Ludgate Hill London, Dec 1.1819.
Bit messy.
Isaac Robert Cruikshank was the brother of fellow caricaturist, George Cruikshank.
[Ref: 56113] £130.00 (£156.00 incl.VAT)
![[Going to a Fight.]](jpegs/56766.jpg)
[Going to a Fight.]
Isaac Robert Cruikshank.
Sherwood & co [n.d. September 1st 1819.]
Etching and aquatint. 60 x 495mm (2¼ x 19½"). Some creasing and staining with nicks and holes in the margins.
The seventh strip in Cruikshank's 'Going to a Fight' series, which measured roughly four feet in total. When altogether the strips were rolled tightly into a container with a printed inscription reading '[Illustra]ting the sporting world in all its variety of style and costume along the road from Hyde Park Corner to Moulsey Hurst.' In this strip parts 27-34 are labelled from right to left. The central scene depicts a popular boxing match, with large semi-circular crowd and a 'betting stand' at the back.
F. Siltzer: 325.
[Ref: 56766] £480.00
Isaac Robert Cruikshank.
Sherwood & co [n.d. September 1st 1819.]
Etching and aquatint. 60 x 495mm (2¼ x 19½"). Some creasing and staining with nicks and holes in the margins.
The seventh strip in Cruikshank's 'Going to a Fight' series, which measured roughly four feet in total. When altogether the strips were rolled tightly into a container with a printed inscription reading '[Illustra]ting the sporting world in all its variety of style and costume along the road from Hyde Park Corner to Moulsey Hurst.' In this strip parts 27-34 are labelled from right to left. The central scene depicts a popular boxing match, with large semi-circular crowd and a 'betting stand' at the back.
F. Siltzer: 325.
[Ref: 56766] £480.00
Hans Buling, a Mountebank of great Notoriety who frequently exhibited in Covent Garden. From a Delft Plate on the back of which are the inetials B.S. 1750.
I.R. Cruikshank fecit.
[n.d c.1820]
Etching and aquatint, 255 x 240mm (10 x 9½"). Thread margins.
Full-length portrait of Hans Buling (fl. 1670's), a Dutch mountebank, turned slightly to the left. He holds a piece of paper in one hand and, with the other, grasps the chain of a small, clothed monkey. He is dressed in petticoat breeches, a doublet with a ruff at the neck, and a cloak draped over his shoulders. A broad-brimmed hat rests on his head. Behind him, a harlequin peeks out from behind a curtain, while a chest sits at his feet. The rim of the plate is adorned with playing card motifs.
O'Donoghue 1908-25 3. Ricky Jay Collection.
[Ref: 65893] £130.00 (£156.00 incl.VAT)
I.R. Cruikshank fecit.
[n.d c.1820]
Etching and aquatint, 255 x 240mm (10 x 9½"). Thread margins.
Full-length portrait of Hans Buling (fl. 1670's), a Dutch mountebank, turned slightly to the left. He holds a piece of paper in one hand and, with the other, grasps the chain of a small, clothed monkey. He is dressed in petticoat breeches, a doublet with a ruff at the neck, and a cloak draped over his shoulders. A broad-brimmed hat rests on his head. Behind him, a harlequin peeks out from behind a curtain, while a chest sits at his feet. The rim of the plate is adorned with playing card motifs.
O'Donoghue 1908-25 3. Ricky Jay Collection.
[Ref: 65893] £130.00 (£156.00 incl.VAT)
Hans Buling, a Mountebank of great Notoriety who frequently exhibited in Covent Garden. From a Delft Plate on the back of which are the inetials B.S. 1750.
I.R. Cruikshank fecit.
[n.d c.1820]
Etching and aquatint, 255 x 240mm (10 x 9½"). Thread margins. Tipped into album sheet. Foxed.
Full-length portrait of Hans Buling (fl. 1670's), a Dutch mountebank, turned slightly to the left. He holds a piece of paper in one hand and, with the other, grasps the chain of a small, clothed monkey. He is dressed in petticoat breeches, a doublet with a ruff at the neck, and a cloak draped over his shoulders. A broad-brimmed hat rests on his head. Behind him, a harlequin peeks out from behind a curtain, while a chest sits at his feet. The rim of the plate is adorned with playing card motifs.
O'Donoghue 1908-25 3. Ricky Jay Collection.
[Ref: 65894] £130.00 (£156.00 incl.VAT)
I.R. Cruikshank fecit.
[n.d c.1820]
Etching and aquatint, 255 x 240mm (10 x 9½"). Thread margins. Tipped into album sheet. Foxed.
Full-length portrait of Hans Buling (fl. 1670's), a Dutch mountebank, turned slightly to the left. He holds a piece of paper in one hand and, with the other, grasps the chain of a small, clothed monkey. He is dressed in petticoat breeches, a doublet with a ruff at the neck, and a cloak draped over his shoulders. A broad-brimmed hat rests on his head. Behind him, a harlequin peeks out from behind a curtain, while a chest sits at his feet. The rim of the plate is adorned with playing card motifs.
O'Donoghue 1908-25 3. Ricky Jay Collection.
[Ref: 65894] £130.00 (£156.00 incl.VAT)
A Correct Representation of Her Majesty Queen Caroline Returning From the House of Lords, 1820
I.R. Cruikshank fecit. R W ad vivam del.t.
Pub.d by G. Humphrey 27 S.t James's Street, London [n.d., c.1820].
Aquatint with fine hand colour. Sheet 215 x 410mm (8½ x 16"). Trimmed into printed border at sides
Caroline of Brunswick in an open coach with six horses and liveried footmen, being cheered by crowds in New Palace Yard.
[Ref: 62136] £260.00 (£312.00 incl.VAT)
I.R. Cruikshank fecit. R W ad vivam del.t.
Pub.d by G. Humphrey 27 S.t James's Street, London [n.d., c.1820].
Aquatint with fine hand colour. Sheet 215 x 410mm (8½ x 16"). Trimmed into printed border at sides
Caroline of Brunswick in an open coach with six horses and liveried footmen, being cheered by crowds in New Palace Yard.
[Ref: 62136] £260.00 (£312.00 incl.VAT)
![[Caroline of Brunswick] A late Arrival at Mother Wood's.](jpegs/61866.jpg)
[Caroline of Brunswick] A late Arrival at Mother Wood's.
[George Cruikshank.]
Pub.d June 19 1820 by G. Humphrey 27 St James Street.
Hand-coloured etching. 260 x 390mm (10¼ x 15¾"), with very large margins. Uncut. Slight staining, mostly in margins on left, repaired tear in margin on left.
Queen Caroline, stout and flamboyant, stands on the balcony at Alderman Sir Matthew Wood's house in South Audley Street, looking down complacently with folded arms at the cheering crowd which fills the street. Wood (1768-1843), a Whig politician, persuaded Caroline not to be paid off by Brougham's mission to France and to return to England to confront her husband, George IV.
BM Satires 13734.
[Ref: 61866] £280.00 (£336.00 incl.VAT)
[George Cruikshank.]
Pub.d June 19 1820 by G. Humphrey 27 St James Street.
Hand-coloured etching. 260 x 390mm (10¼ x 15¾"), with very large margins. Uncut. Slight staining, mostly in margins on left, repaired tear in margin on left.
Queen Caroline, stout and flamboyant, stands on the balcony at Alderman Sir Matthew Wood's house in South Audley Street, looking down complacently with folded arms at the cheering crowd which fills the street. Wood (1768-1843), a Whig politician, persuaded Caroline not to be paid off by Brougham's mission to France and to return to England to confront her husband, George IV.
BM Satires 13734.
[Ref: 61866] £280.00 (£336.00 incl.VAT)
Doctor Syntax at Vauxhall Gardens.
[Drawn & etched by Isaac Robert Cruikshank?.]
[London, J Johnston, 1820.]
Hand-coloured aquatint. Sheet: 145 x 235mm (5¾ x 9¼''). Trimmed at bottom, losing publisher's inscription.
The cleric, his wife and another couple dine finely in an open-air booth, as other visitors to Vauxhall Gardens walk by. From 'The tour of Doctor Syntax through London, or the pleasures and miseries of the metropolis', an imitation of the original work by William Combe. Both Thomas Rowlandson (artist of the original work) and Cruikshank have been credited with the illustrations; the BM thinks it is more likely Cruikshank.
[Ref: 53393] £50.00 (£60.00 incl.VAT)
[Drawn & etched by Isaac Robert Cruikshank?.]
[London, J Johnston, 1820.]
Hand-coloured aquatint. Sheet: 145 x 235mm (5¾ x 9¼''). Trimmed at bottom, losing publisher's inscription.
The cleric, his wife and another couple dine finely in an open-air booth, as other visitors to Vauxhall Gardens walk by. From 'The tour of Doctor Syntax through London, or the pleasures and miseries of the metropolis', an imitation of the original work by William Combe. Both Thomas Rowlandson (artist of the original work) and Cruikshank have been credited with the illustrations; the BM thinks it is more likely Cruikshank.
[Ref: 53393] £50.00 (£60.00 incl.VAT)
Doctor Syntax Going to Richmond in the Steam Boat.
[Drawn & etched by Isaac Robert Cruikshank?.]
[London, J Johnston, 1820.]
Hand-coloured aquatint. Sheet: 145 x 235mm (5¾ x 9¼''). Mount burn.
The cleric is sprayed in the face by a fellow passenger opening a bottle. From 'The tour of Doctor Syntax through London, or the pleasures and miseries of the metropolis', an imitation of the original work by William Combe. Both Thomas Rowlandson (artist of the original work) and Cruikshank have been credited with the illustrations; the BM thinks it is more likely Cruikshank.
[Ref: 56868] £60.00 (£72.00 incl.VAT)
[Drawn & etched by Isaac Robert Cruikshank?.]
[London, J Johnston, 1820.]
Hand-coloured aquatint. Sheet: 145 x 235mm (5¾ x 9¼''). Mount burn.
The cleric is sprayed in the face by a fellow passenger opening a bottle. From 'The tour of Doctor Syntax through London, or the pleasures and miseries of the metropolis', an imitation of the original work by William Combe. Both Thomas Rowlandson (artist of the original work) and Cruikshank have been credited with the illustrations; the BM thinks it is more likely Cruikshank.
[Ref: 56868] £60.00 (£72.00 incl.VAT)
![[George IV and Caroline of Brunswick] The Beggar's Petition.](jpegs/55202.jpg)
[George IV and Caroline of Brunswick] The Beggar's Petition. Pity the sorrows of a poor old man...
I.R. Cruikshank fecit.
London: Published by J. Dawson, Camden Town; and Sold by Every Bookseller and Newsman in the Kingdom. Entered at Stationers' Hall. Price One Shilling. Printed by W. Smith, King Street, Seven Dials [n.d., c.1819].
Rare coloured etching with letterpress, watermark T. Edmonds 1819. Sheet 410 x 260mm (16 x 10¼"). Tears entering image at top, edges with archival tape on reverse, some other wear and loss at bottom.
George as a beggar, baggage marked 'Vice' on his back, crown held out as a begging bowl, on the road from The Royal Lodge in Windsor Great Park (''The Cottage'') to Brandenburg House, Hammersmith, home of his estranged wife, Caroline of Brunswick. She looks out of a window as he sings to her: ''I ling'ring fall a victim to dispair, / Scorned by the World, by Justice, and by Thee''.
Not in BM; the Bodleian 'Broadside Ballads Online' only has the letterpress.
[Ref: 55202] £260.00 (£312.00 incl.VAT)
I.R. Cruikshank fecit.
London: Published by J. Dawson, Camden Town; and Sold by Every Bookseller and Newsman in the Kingdom. Entered at Stationers' Hall. Price One Shilling. Printed by W. Smith, King Street, Seven Dials [n.d., c.1819].
Rare coloured etching with letterpress, watermark T. Edmonds 1819. Sheet 410 x 260mm (16 x 10¼"). Tears entering image at top, edges with archival tape on reverse, some other wear and loss at bottom.
George as a beggar, baggage marked 'Vice' on his back, crown held out as a begging bowl, on the road from The Royal Lodge in Windsor Great Park (''The Cottage'') to Brandenburg House, Hammersmith, home of his estranged wife, Caroline of Brunswick. She looks out of a window as he sings to her: ''I ling'ring fall a victim to dispair, / Scorned by the World, by Justice, and by Thee''.
Not in BM; the Bodleian 'Broadside Ballads Online' only has the letterpress.
[Ref: 55202] £260.00 (£312.00 incl.VAT)
M.r Kean as Lear. in King Lear.
[Attributed to Isaac Robert Cruikshank.]
[n.d. c.1823]
Hand-coloured stipple, 215 x 130mm (8½ x 5). Trimmed and laid on album paper.
Full length portrait of actor, Edmund Kean (1787-1833), wearing fur-trimmed robe poiting with a staff in his right hand and gesticulating with his left. The National Portrait Gallery have attributed this print to Isaac Robert Cruikshank.
NPG D21266.
[Ref: 68395] £60.00 (£72.00 incl.VAT)
[Attributed to Isaac Robert Cruikshank.]
[n.d. c.1823]
Hand-coloured stipple, 215 x 130mm (8½ x 5). Trimmed and laid on album paper.
Full length portrait of actor, Edmund Kean (1787-1833), wearing fur-trimmed robe poiting with a staff in his right hand and gesticulating with his left. The National Portrait Gallery have attributed this print to Isaac Robert Cruikshank.
NPG D21266.
[Ref: 68395] £60.00 (£72.00 incl.VAT)
Sam Snatch; or, The Fashionable Bailiff. My name's Sam Snatch---a grab, d'ye see, Never was a bolder / Vith high and low I can make free, And tap 'em on the shoulder [...]
Cruikshank
Printed and published by R. Harrild, 20, Great Eastcheap
Etching with hand-colouring and letterpress, sheet 270 x 190mm (10½ x 7½"). Tears top left and bottom. Damaged.
A bailiff grips a terrified dandy by the shoulders while others flee; song text beneath.
[Ref: 41572] £65.00 (£78.00 incl.VAT)
Cruikshank
Printed and published by R. Harrild, 20, Great Eastcheap
Etching with hand-colouring and letterpress, sheet 270 x 190mm (10½ x 7½"). Tears top left and bottom. Damaged.
A bailiff grips a terrified dandy by the shoulders while others flee; song text beneath.
[Ref: 41572] £65.00 (£78.00 incl.VAT)
Westminster Election.
I.R. Cruikshank. del & fec.t.
London Pu.d by J.J. Stockdale, 41 Pall Mall, 16th July 1818.
Coloured etching. 220 x 260mm (8¾ x 10¼"). Trimmed into plate top and bottom.
A view of the hustings erected in front of St Paul's Church, with Henry Hunt haranguing the crowd. Frontispiece to 'The Poll Book, for electing Two Representatives in Parliament for ... Westminster'. John James Stockdate was the publisher who tried to blackmail the Duke of Wellington with the ''Memoirs of Harriette Wilson'', receiving the reply 'Publish and be damned'.
BM Satires 13003.
[Ref: 51686] £260.00 (£312.00 incl.VAT)
I.R. Cruikshank. del & fec.t.
London Pu.d by J.J. Stockdale, 41 Pall Mall, 16th July 1818.
Coloured etching. 220 x 260mm (8¾ x 10¼"). Trimmed into plate top and bottom.
A view of the hustings erected in front of St Paul's Church, with Henry Hunt haranguing the crowd. Frontispiece to 'The Poll Book, for electing Two Representatives in Parliament for ... Westminster'. John James Stockdate was the publisher who tried to blackmail the Duke of Wellington with the ''Memoirs of Harriette Wilson'', receiving the reply 'Publish and be damned'.
BM Satires 13003.
[Ref: 51686] £260.00 (£312.00 incl.VAT)
Thomas Jonathan Wooler.
[n.d., c.1817.]
Rare stipple. Sheet 160 x 140mm (6¼ x 5½"). Trimmed into plate top and bottom, laid on album paper.
Thomas Jonathan Wooler (1786-1853), publisher active in the Radical movement, shown with a copy of his satirical journal 'The Black Dwarf' in his hand. It was published as a response to the Gagging Acts (Treason Act 1817 and Seditious Meetings Act 1817). He was soon charged with seditious libel, but was acquitted on the grounds he was the publisher, not the author, of the offending articles. This portrait would have been issued at the time of the trial.
[Ref: 67438] £180.00 (£216.00 incl.VAT)
[n.d., c.1817.]
Rare stipple. Sheet 160 x 140mm (6¼ x 5½"). Trimmed into plate top and bottom, laid on album paper.
Thomas Jonathan Wooler (1786-1853), publisher active in the Radical movement, shown with a copy of his satirical journal 'The Black Dwarf' in his hand. It was published as a response to the Gagging Acts (Treason Act 1817 and Seditious Meetings Act 1817). He was soon charged with seditious libel, but was acquitted on the grounds he was the publisher, not the author, of the offending articles. This portrait would have been issued at the time of the trial.
[Ref: 67438] £180.00 (£216.00 incl.VAT)