A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Martha Alden, Murdering her Husband. Whom she afterwards buried in the Garden, at Attleburgh, Norfolk, on the 18, July, 1807.
Pub. by Alex. Hog & Co, Jan, 23, 1808.
Engraving. Sheet 185 x 120mm (7¼ x 4¾"). Trimmed into plate left & right
Portrait of Martha Alden who was executed on the 31st of July, 1807, for murdering her Husband in a Cottage near Attleborough, Norfolk on the 18th July 1807. A witness Sarah Leeder, was asked by Alden to borrow a spade following the murder. On the 22nd July Leeder went to Alden's house and saw a large pit in the garden, to her horror she noticed two hands of a man, with the arms of a shirt stained with blood. Alarmed, she returned to her home and after a quarter of an hour she returned again to the Alden's garden, and found that in her absence the body had been taken out. She knew it to be the body of Samuel Alden. His face was dreadfully chopped, and his head cut very nearly off. The body was put into a cart and carried to the house of the deceased.
[Ref: 68728] £130.00 (£156.00 incl.VAT)
Pub. by Alex. Hog & Co, Jan, 23, 1808.
Engraving. Sheet 185 x 120mm (7¼ x 4¾"). Trimmed into plate left & right
Portrait of Martha Alden who was executed on the 31st of July, 1807, for murdering her Husband in a Cottage near Attleborough, Norfolk on the 18th July 1807. A witness Sarah Leeder, was asked by Alden to borrow a spade following the murder. On the 22nd July Leeder went to Alden's house and saw a large pit in the garden, to her horror she noticed two hands of a man, with the arms of a shirt stained with blood. Alarmed, she returned to her home and after a quarter of an hour she returned again to the Alden's garden, and found that in her absence the body had been taken out. She knew it to be the body of Samuel Alden. His face was dreadfully chopped, and his head cut very nearly off. The body was put into a cart and carried to the house of the deceased.
[Ref: 68728] £130.00 (£156.00 incl.VAT)
![5th Anacreontic Society Meeting [Wednesday 5th Jan 1780]](jpegs/69281.jpg)
5th Anacreontic Society Meeting [Wednesday 5th Jan 1780]
Lawrenson inv. F. Bartolozzi sc.
Rare etching, printed in sepia. Sheet 150 x 110mm (6 x 4¼"). Trimmed inside platemark, ink mss. date, creasing.
Ticket for a meeting of the Anacreontic Society, a club for noblemen and professional singers, showing a man and woman placing garlands around a bust of Anacreon. Engraved by Francesco Bartolozzi (1725-1815) after a design by William Lawranson (c.1742-c.1783).
Calabi & de Vesme 1976, ii of iv.
[Ref: 69281] £280.00 (£336.00 incl.VAT)
Lawrenson inv. F. Bartolozzi sc.
Rare etching, printed in sepia. Sheet 150 x 110mm (6 x 4¼"). Trimmed inside platemark, ink mss. date, creasing.
Ticket for a meeting of the Anacreontic Society, a club for noblemen and professional singers, showing a man and woman placing garlands around a bust of Anacreon. Engraved by Francesco Bartolozzi (1725-1815) after a design by William Lawranson (c.1742-c.1783).
Calabi & de Vesme 1976, ii of iv.
[Ref: 69281] £280.00 (£336.00 incl.VAT)
![8th Anacreontic Society Meeting [Wednesday 5th Jan 1780]](jpegs/69282.jpg)
8th Anacreontic Society Meeting [Wednesday 5th Jan 1780]
Lawrenson inv. F. Bartolozzi sc.
Rare etching, in ink verso "G Beaumont". Sheet 150 x 110mm (6 x 4¼"). Trimmed inside platemark, ink mss. date, creasing.
Ticket for a meeting of the Anacreontic Society, a club for noblemen and professional singers, showing a man and woman placing garlands around a bust of Anacreon. Engraved by Francesco Bartolozzi (1725-1815) after a design by William Lawranson (c.1742-c.1783).
Calabi & de Vesme 1976, ii of iv.
[Ref: 69282] £280.00 (£336.00 incl.VAT)
Lawrenson inv. F. Bartolozzi sc.
Rare etching, in ink verso "G Beaumont". Sheet 150 x 110mm (6 x 4¼"). Trimmed inside platemark, ink mss. date, creasing.
Ticket for a meeting of the Anacreontic Society, a club for noblemen and professional singers, showing a man and woman placing garlands around a bust of Anacreon. Engraved by Francesco Bartolozzi (1725-1815) after a design by William Lawranson (c.1742-c.1783).
Calabi & de Vesme 1976, ii of iv.
[Ref: 69282] £280.00 (£336.00 incl.VAT)
![[Emily Anderson] Little red-riding- Hood.](jpegs/69328.jpg)
[Emily Anderson] Little red-riding- Hood.
Sir Tho.s Lawrence P.R.A &c. &c. pinx.t. Richard Lane sculpsit. Printed by M.c Queen.
Published Dec.r 1824, by Messs.rs Hurst, Robinson & C.o London.
Engraving, 355 x 280mm (14 x 11"), with very large margins. Very slight creasing. Stain in printed border.
Whole length standing portrait of Emily Anderson (fl 1821, the daughter of Rev. William Anderson of Udale, Cromarty Bay, Firth, Scotland), in a landscape, slightly to left, head tilted to left and looking to front, holding a small basket in her right hand and her left holding a white cloth at her chest and wearing a hooded cape.
[Ref: 69328] £65.00 (£78.00 incl.VAT)
Sir Tho.s Lawrence P.R.A &c. &c. pinx.t. Richard Lane sculpsit. Printed by M.c Queen.
Published Dec.r 1824, by Messs.rs Hurst, Robinson & C.o London.
Engraving, 355 x 280mm (14 x 11"), with very large margins. Very slight creasing. Stain in printed border.
Whole length standing portrait of Emily Anderson (fl 1821, the daughter of Rev. William Anderson of Udale, Cromarty Bay, Firth, Scotland), in a landscape, slightly to left, head tilted to left and looking to front, holding a small basket in her right hand and her left holding a white cloth at her chest and wearing a hooded cape.
[Ref: 69328] £65.00 (£78.00 incl.VAT)
Her Royall Highness the Princess Ann of Denmark.
G Kneller Eques pinx. I.Smith fec: et excudit.
[n.d., c.1690.][But later]
Mezzotint, plate 345 x 250mm (13½ x 10"). Small margins, laid on paper at edges
Three-quarter length seated portrait of Queen Anne (1665 -1714), when Princess Ann of Denmark, wearing dress and ermine robe; ornamental Cupids on wall to right, coronet on table to left, and, in the distance, trees. Queen of England, Scotland, and Ireland from 8 March 1702, and Queen of Great Britain and Ireland following the ratification of the Acts of Union 1707 merging the kingdoms of England and Scotland, until her death in 1714. During the Glorious Revolution of 1688, Anne abandoned her Catholic father, James II & VII, to support her Protestant brother-in-law, William of Orange (William III), and her sister, Mary II. She succeeded William III in 1702 as the last Stuart monarch, continuing the Protestant line.
CS 4 II or III of III. Ex: collection of The Hon. Christopher Lennox-Boyd
[Ref: 69367] £190.00 (£228.00 incl.VAT)
G Kneller Eques pinx. I.Smith fec: et excudit.
[n.d., c.1690.][But later]
Mezzotint, plate 345 x 250mm (13½ x 10"). Small margins, laid on paper at edges
Three-quarter length seated portrait of Queen Anne (1665 -1714), when Princess Ann of Denmark, wearing dress and ermine robe; ornamental Cupids on wall to right, coronet on table to left, and, in the distance, trees. Queen of England, Scotland, and Ireland from 8 March 1702, and Queen of Great Britain and Ireland following the ratification of the Acts of Union 1707 merging the kingdoms of England and Scotland, until her death in 1714. During the Glorious Revolution of 1688, Anne abandoned her Catholic father, James II & VII, to support her Protestant brother-in-law, William of Orange (William III), and her sister, Mary II. She succeeded William III in 1702 as the last Stuart monarch, continuing the Protestant line.
CS 4 II or III of III. Ex: collection of The Hon. Christopher Lennox-Boyd
[Ref: 69367] £190.00 (£228.00 incl.VAT)
Her Royall Highness the Princess Ann of Denmark.
G Kneller Eques pinx. I.Smith fec: et excudit.
[n.d., c.1690.]
Fine mezzotint. 345 x 250mm (13½ x 10"). False mount added to margins.
Three-quarter length seated portrait of Queen Anne (1665 -1714), when Princess Ann of Denmark, wearing dress and ermine robe; ornamental cherubs on wall to right, coronet on table to left, and, in the distance, trees. Queen of England, Scotland, and Ireland from 8 March 1702, and Queen of Great Britain and Ireland following the ratification of the Acts of Union 1707 merging the kingdoms of England and Scotland, until her death in 1714. During the Glorious Revolution of 1688, Anne abandoned her Catholic father, James II & VII, to support her Protestant brother-in-law, William of Orange (William III), and her sister, Mary II. She succeeded William III in 1702 as the last Stuart monarch, continuing the Protestant line.
CS 4 II of III. Ex: collection of The Hon. Christopher Lennox-Boyd
[Ref: 69366] £240.00 (£288.00 incl.VAT)
G Kneller Eques pinx. I.Smith fec: et excudit.
[n.d., c.1690.]
Fine mezzotint. 345 x 250mm (13½ x 10"). False mount added to margins.
Three-quarter length seated portrait of Queen Anne (1665 -1714), when Princess Ann of Denmark, wearing dress and ermine robe; ornamental cherubs on wall to right, coronet on table to left, and, in the distance, trees. Queen of England, Scotland, and Ireland from 8 March 1702, and Queen of Great Britain and Ireland following the ratification of the Acts of Union 1707 merging the kingdoms of England and Scotland, until her death in 1714. During the Glorious Revolution of 1688, Anne abandoned her Catholic father, James II & VII, to support her Protestant brother-in-law, William of Orange (William III), and her sister, Mary II. She succeeded William III in 1702 as the last Stuart monarch, continuing the Protestant line.
CS 4 II of III. Ex: collection of The Hon. Christopher Lennox-Boyd
[Ref: 69366] £240.00 (£288.00 incl.VAT)
Her Highness Princess Ann. Eldest Daughter to his Royal Highness George Prince of Wales.
G. Kneller Baronet pinx. 1719. Ab Originali J. Simon fec. 1720.
Sold by J. Simon at y.e Lyon & Crown in Russsel Covent Garden.
Very fine mezzotint 345 x 245mm (13½ x 9¾"). Small margins.
Anne, Princess Royal and Princess of Hanover (1709-1759), was the second child and eldest daughter of George II and his consort, Queen Caroline. She was the wife of William IV of Orange, the first hereditary stadtholder of the Netherlands. Princess Anne was the second daughter of a British sovereign to hold the title Princess Royal.
Ex: Collection of The Hon. C. Lennox-Boyd. CS11 I of II.
[Ref: 69365] £260.00 (£312.00 incl.VAT)
G. Kneller Baronet pinx. 1719. Ab Originali J. Simon fec. 1720.
Sold by J. Simon at y.e Lyon & Crown in Russsel Covent Garden.
Very fine mezzotint 345 x 245mm (13½ x 9¾"). Small margins.
Anne, Princess Royal and Princess of Hanover (1709-1759), was the second child and eldest daughter of George II and his consort, Queen Caroline. She was the wife of William IV of Orange, the first hereditary stadtholder of the Netherlands. Princess Anne was the second daughter of a British sovereign to hold the title Princess Royal.
Ex: Collection of The Hon. C. Lennox-Boyd. CS11 I of II.
[Ref: 69365] £260.00 (£312.00 incl.VAT)
Gateway in the Temple of Baalbec.
L.T. [Louisa Tenison]. Dickinson & Son Lith.
[London: Dickinson and Son, 1846.]
Rare tinted lithograph with fine hand colour. Printed area 340 x 440mm (13½ x 17¼"), very large margins.
A view of a Roman temple with a fallen keystone, made famous by David Roberts. Baalbek was called Heliopolis by Alexander the Great. From the rare 'Sketches in the East by Lady Louisa Tenison. Drawn on stone by Dickinson & Son', which contaained 30 plates. Lady Louisa Mary Anne Tenison (c.1820-82), the daughter of the 1st Earl of Lichfield, married Edward King Tenison of Kilronan Castle (Lord Lieutenant of Ireland in 1856) in 1838 visited Egypt, Syria and Palestine with him in 1843.
Not in Abbey Travel.
[Ref: 69503] £320.00
L.T. [Louisa Tenison]. Dickinson & Son Lith.
[London: Dickinson and Son, 1846.]
Rare tinted lithograph with fine hand colour. Printed area 340 x 440mm (13½ x 17¼"), very large margins.
A view of a Roman temple with a fallen keystone, made famous by David Roberts. Baalbek was called Heliopolis by Alexander the Great. From the rare 'Sketches in the East by Lady Louisa Tenison. Drawn on stone by Dickinson & Son', which contaained 30 plates. Lady Louisa Mary Anne Tenison (c.1820-82), the daughter of the 1st Earl of Lichfield, married Edward King Tenison of Kilronan Castle (Lord Lieutenant of Ireland in 1856) in 1838 visited Egypt, Syria and Palestine with him in 1843.
Not in Abbey Travel.
[Ref: 69503] £320.00
Ruins of Baalbec.
L.T. [Louisa Tenison]. Dickinson & Son Lith.
[London: Dickinson and Son, 1846.]
Rare tinted lithograph with fine hand colour. Printed area 300 x 440mm (11¾ x 17¼") very large margins.
A view of the ruins of a Grecian temple with Corinthian columns in Baalbek, called Heliopolis by Alexander the Great. From the rare 'Sketches in the East by Lady Louisa Tenison. Drawn on stone by Dickinson & Son', which contaained 30 plates. Lady Louisa Mary Anne Tenison (c.1820-82), the daughter of the 1st Earl of Lichfield, married Edward King Tenison of Kilronan Castle (Lord Lieutenant of Ireland in 1856) in 1838 visited Egypt, Syria and Palestine with him in 1843.
Not in Abbey Travel.
[Ref: 69502] £360.00
L.T. [Louisa Tenison]. Dickinson & Son Lith.
[London: Dickinson and Son, 1846.]
Rare tinted lithograph with fine hand colour. Printed area 300 x 440mm (11¾ x 17¼") very large margins.
A view of the ruins of a Grecian temple with Corinthian columns in Baalbek, called Heliopolis by Alexander the Great. From the rare 'Sketches in the East by Lady Louisa Tenison. Drawn on stone by Dickinson & Son', which contaained 30 plates. Lady Louisa Mary Anne Tenison (c.1820-82), the daughter of the 1st Earl of Lichfield, married Edward King Tenison of Kilronan Castle (Lord Lieutenant of Ireland in 1856) in 1838 visited Egypt, Syria and Palestine with him in 1843.
Not in Abbey Travel.
[Ref: 69502] £360.00
![[Giovanna Baccelli] Mademoiselle Baccelli.](jpegs/69346.jpg)
[Giovanna Baccelli] Mademoiselle Baccelli.
Painted by S.r Joshua Reynolds. Engraved by J.R. Smith.
Pub.d. Jan.y 20, 1793 by J.R. Smith N.º 83 Oxford Street.
Mezzotint, sheet 355 x 255mm (14 x 10"). On 18th century watermarked paper. Trimmed to plate with printer's crease.
A half-length portrait in oval of Venetian ballerina Giovanna Bacchelli (Francesca Antonia Giuseppa Zanerini, 1753-1801), holding a mask. She was the mistress of John Sackville, 3rd Duke of Dorset, who commissioned this portrait from Reynolds (now at Knole, Kent).
CS 6.
[Ref: 69346] £280.00 (£336.00 incl.VAT)
Painted by S.r Joshua Reynolds. Engraved by J.R. Smith.
Pub.d. Jan.y 20, 1793 by J.R. Smith N.º 83 Oxford Street.
Mezzotint, sheet 355 x 255mm (14 x 10"). On 18th century watermarked paper. Trimmed to plate with printer's crease.
A half-length portrait in oval of Venetian ballerina Giovanna Bacchelli (Francesca Antonia Giuseppa Zanerini, 1753-1801), holding a mask. She was the mistress of John Sackville, 3rd Duke of Dorset, who commissioned this portrait from Reynolds (now at Knole, Kent).
CS 6.
[Ref: 69346] £280.00 (£336.00 incl.VAT)
The Bank.
T. Malton delin.t & fecit.
Publish'd Oc.t 1.st 1781 by T. Malton N.o 8 Carlisle Street. Soho, London.
Etching with aquatint and fine hand-colour. Plate 370 x 505mm (14½ x 19¾"), with very large margins
View from the Mansion House, looking towards the Bank of England, with the church of St Christopher le Stocks before the bank on the left; the view clustered with other buildings, a sign on the far right building reads "By her Majestys Royal / Letters Patent Irwins / Fruit Lozenge Drops"; many figures in foreground including a man on crutches with one leg, men unloading a cart on the left and groups of smartly dressed men in black hats.
[Ref: 68920] £680.00
T. Malton delin.t & fecit.
Publish'd Oc.t 1.st 1781 by T. Malton N.o 8 Carlisle Street. Soho, London.
Etching with aquatint and fine hand-colour. Plate 370 x 505mm (14½ x 19¾"), with very large margins
View from the Mansion House, looking towards the Bank of England, with the church of St Christopher le Stocks before the bank on the left; the view clustered with other buildings, a sign on the far right building reads "By her Majestys Royal / Letters Patent Irwins / Fruit Lozenge Drops"; many figures in foreground including a man on crutches with one leg, men unloading a cart on the left and groups of smartly dressed men in black hats.
[Ref: 68920] £680.00
![[Untitled portrait of a young lady] Tiré du Cabinet de Cusiosités de Sa. Majesté Danoise, dessiné d'après le tableau original du fameux Titian,](jpegs/69480.jpg)
[Untitled portrait of a young lady] Tiré du Cabinet de Cusiosités de Sa. Majesté Danoise, dessiné d'après le tableau original du fameux Titian, de 4 piés de hauteur sur 2 piés de largeur par J.M. Preisler Graveur du Roi.
[after Federico Barocci.]
Val. Dan. Prsisler Norib sc. et exc. 1755.
Mezzotint. 385 x 255mm (15¼ x 10"). Repaired tears in large margins. Restoration in left of inscription area and margin top right.
A three-quarter portrait of a woman in 16th century costume, after a painting once thought to be by Titian. Now attributed to Federico Barocci (c.1535-1612), the painting is in the Danish 'Statens Museum for Kunst'.
[Ref: 69480] £240.00 (£288.00 incl.VAT)
[after Federico Barocci.]
Val. Dan. Prsisler Norib sc. et exc. 1755.
Mezzotint. 385 x 255mm (15¼ x 10"). Repaired tears in large margins. Restoration in left of inscription area and margin top right.
A three-quarter portrait of a woman in 16th century costume, after a painting once thought to be by Titian. Now attributed to Federico Barocci (c.1535-1612), the painting is in the Danish 'Statens Museum for Kunst'.
[Ref: 69480] £240.00 (£288.00 incl.VAT)
![[Bath] No. 4. Select Views of Bath, Bristol, Malvern, Cheltenham, and Weymouth.](jpegs/69379.jpg)
[Bath] No. 4. Select Views of Bath, Bristol, Malvern, Cheltenham, and Weymouth.
London: Published by William Miller, Albemarle Street, and William Sheppard, Bristol. Price One Guinea. Printed by W. Bulmer and Co. Cleveland-row, St. James's [n.d., 1805].
One part only, colour of plates very fine. Folio, original blue wrappers with letterpress title label; pp. 25-32, with 4 aquatints with very fine hand colour, each c. 295 x 370mm (11½ x 14½"). Wrapper distressed, contents loose.
A very rare subscriber's issue of part 4 of a publication that would be eventually published as ''Bath, Illustrated by A Series of Views, from the Drawings of John Claude Nattes; with Description to each Plate'. Abbey writes that ''The comparative scarcity of the book would appear to argue for a limited circulation''; he does not mention this earlier title or list any publication with plates of Bristol, Malvern, Cheltenham or Weymouth by Nattes. The plates (which tally with the order of the book, but one number less due to the inclusion of the vignette on the title page) are: 'Sidney Hotel &c', aquatinted by John Hill; 'The Bridges over the Canal in Sidney Gardens' by F.C. Lewis; 'Old Bridge' by Hill; & 'Pump-Room' by Hill.
See Abbey Scenery 41 for the completed book.
[Ref: 69379] £900.00 view all images for this item
London: Published by William Miller, Albemarle Street, and William Sheppard, Bristol. Price One Guinea. Printed by W. Bulmer and Co. Cleveland-row, St. James's [n.d., 1805].
One part only, colour of plates very fine. Folio, original blue wrappers with letterpress title label; pp. 25-32, with 4 aquatints with very fine hand colour, each c. 295 x 370mm (11½ x 14½"). Wrapper distressed, contents loose.
A very rare subscriber's issue of part 4 of a publication that would be eventually published as ''Bath, Illustrated by A Series of Views, from the Drawings of John Claude Nattes; with Description to each Plate'. Abbey writes that ''The comparative scarcity of the book would appear to argue for a limited circulation''; he does not mention this earlier title or list any publication with plates of Bristol, Malvern, Cheltenham or Weymouth by Nattes. The plates (which tally with the order of the book, but one number less due to the inclusion of the vignette on the title page) are: 'Sidney Hotel &c', aquatinted by John Hill; 'The Bridges over the Canal in Sidney Gardens' by F.C. Lewis; 'Old Bridge' by Hill; & 'Pump-Room' by Hill.
See Abbey Scenery 41 for the completed book.
[Ref: 69379] £900.00 view all images for this item
![Marie Bayer-Bürck [facsimile signature].](jpegs/69321.jpg)
Marie Bayer-Bürck [facsimile signature].
Kriehuber 853.
Tinted lithograph with hand colour, on oval chine collé, with printed backing sheet. Backing sheet 450 x 300mm (17¾ x 11¾"). Repaired tear in title area. Slight hole bottom left. Damaged.
A three-quarter portrait of Austrian actress Marie Bayer-Bürck (1820-1910), who debuted aged only 15, acting in Prague, Hanover and Dresden. Her Shakespearean roles included Juliette, Cleopatra, Cordelia and Ophelia.
[Ref: 69321] £80.00 (£96.00 incl.VAT)
Kriehuber 853.
Tinted lithograph with hand colour, on oval chine collé, with printed backing sheet. Backing sheet 450 x 300mm (17¾ x 11¾"). Repaired tear in title area. Slight hole bottom left. Damaged.
A three-quarter portrait of Austrian actress Marie Bayer-Bürck (1820-1910), who debuted aged only 15, acting in Prague, Hanover and Dresden. Her Shakespearean roles included Juliette, Cleopatra, Cordelia and Ophelia.
[Ref: 69321] £80.00 (£96.00 incl.VAT)
![[Madame la Comtesse du Barry.]](jpegs/68621.jpg)
[Madame la Comtesse du Barry.]
B Wilson delin. W.m Humphrey fecit. R Sayer Ecudit.
London Printed for Rob.t Sayer N.o 53 in Fleet Street, Published as the Act Directs 1.st Dec.r 1779.
Fine & rare mezzotint proof before title, 395 x 280mm (15½ x 11"), with very large margins.
Three-quarter-length standing portrait of Madame du Barry, turned to the right and glancing at the viewer, leaning her left elbow on a table, or windowsill, while holding a cameo, her right hand resting on her wrist, dressed in a low-neck gown with a pearl choker and pearls in her hair, with a curtain to the left and a landscape seen through a window on the right. Jeanne Bécu, Comtesse du Barry (1743-93) was the last mistress of King Louis XV of France, she was renowned for her influence in the court of Versailles. During the Reign of Terror in the French Revolution, Jeanne was imprisoned over accusations of treason by her servant Zamor; particularly being suspected of assisting émigrés to flee from the Revolution. She was executed by guillotine on 8th December 1793.
CS 8 I of III. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68621] £480.00
B Wilson delin. W.m Humphrey fecit. R Sayer Ecudit.
London Printed for Rob.t Sayer N.o 53 in Fleet Street, Published as the Act Directs 1.st Dec.r 1779.
Fine & rare mezzotint proof before title, 395 x 280mm (15½ x 11"), with very large margins.
Three-quarter-length standing portrait of Madame du Barry, turned to the right and glancing at the viewer, leaning her left elbow on a table, or windowsill, while holding a cameo, her right hand resting on her wrist, dressed in a low-neck gown with a pearl choker and pearls in her hair, with a curtain to the left and a landscape seen through a window on the right. Jeanne Bécu, Comtesse du Barry (1743-93) was the last mistress of King Louis XV of France, she was renowned for her influence in the court of Versailles. During the Reign of Terror in the French Revolution, Jeanne was imprisoned over accusations of treason by her servant Zamor; particularly being suspected of assisting émigrés to flee from the Revolution. She was executed by guillotine on 8th December 1793.
CS 8 I of III. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68621] £480.00
John Bellingham. Who Shot The Honourable Spencer Percival in the Lobby of the House of Commons on Monday May 11th 1812.
Engraved by S.Humble, 1 Featherstone Buildings Holborn.
[n.d., c.1800.]
Engraving. 165 x 110mm (6½ x 4¼"), large margins on 3 sides. Trimmed into left of plate.
Portrait of John Bellingham (c. 1769 - 1812), English merchant and perpetrator of the 1812 murder of Spencer Perceval, the only British prime minister to be assassinated.
[Ref: 68772] £95.00 (£114.00 incl.VAT)
Engraved by S.Humble, 1 Featherstone Buildings Holborn.
[n.d., c.1800.]
Engraving. 165 x 110mm (6½ x 4¼"), large margins on 3 sides. Trimmed into left of plate.
Portrait of John Bellingham (c. 1769 - 1812), English merchant and perpetrator of the 1812 murder of Spencer Perceval, the only British prime minister to be assassinated.
[Ref: 68772] £95.00 (£114.00 incl.VAT)
John Bellingham. Shooting the R.t Hon.ble Spencer Percival in the Lobby of the House of Commons. May 1812.
Engraved by S.Humble, 1 Featherstone Buildings Holborn.
[n.d., c.1800.]
Engraving. 165 x 110mm (6½ x 4¼"), with large margins on 3 sides. Trimmed to plate at bottom.
A scene depicting the moment in which John Bellingham (c. 1769 - 1812), English merchant, murdered Spencer Perceval (1762 - 1812), British statesman and barrister who was Prime Minister of the United Kingdom from October 1809.
[Ref: 68776] £90.00 (£108.00 incl.VAT)
Engraved by S.Humble, 1 Featherstone Buildings Holborn.
[n.d., c.1800.]
Engraving. 165 x 110mm (6½ x 4¼"), with large margins on 3 sides. Trimmed to plate at bottom.
A scene depicting the moment in which John Bellingham (c. 1769 - 1812), English merchant, murdered Spencer Perceval (1762 - 1812), British statesman and barrister who was Prime Minister of the United Kingdom from October 1809.
[Ref: 68776] £90.00 (£108.00 incl.VAT)
Great Meeting of the Political Unions, On New-Hall Hill, Birmingham, May 1832.
Green Delt. Garner Sct.
London, Thomas Kelly. [c.1832.]
Steel engraving. 175 x 240mm (7 x 9½"0. Trimmed to plate.
The mass meeting of the Birmingham Political Union, formed in 1829 to campaign for parliamentary reform, on Newhall Hill, Birmingham, held on 7th May 1832. In the right foreground can be seen the political reformer and the Union's founder Thomas Attwood (1783 - 1856), in his carriage in the midst of the crowd. Attwood brought Birmingham to the edge of insurrection in 1832 to help ensure the passing of the Reform Act. Elected as Birmingham's first MP, he was a rare Parliamentary ally of Chartism and presented the first national petition to the House of Commons in 1839. Birmingham suffered two weeks of rioting following the petition's rejection. Attwood subsequently retired from public office and concentrated his energies on economic theory.
[Ref: 69473] £75.00 (£90.00 incl.VAT)
Green Delt. Garner Sct.
London, Thomas Kelly. [c.1832.]
Steel engraving. 175 x 240mm (7 x 9½"0. Trimmed to plate.
The mass meeting of the Birmingham Political Union, formed in 1829 to campaign for parliamentary reform, on Newhall Hill, Birmingham, held on 7th May 1832. In the right foreground can be seen the political reformer and the Union's founder Thomas Attwood (1783 - 1856), in his carriage in the midst of the crowd. Attwood brought Birmingham to the edge of insurrection in 1832 to help ensure the passing of the Reform Act. Elected as Birmingham's first MP, he was a rare Parliamentary ally of Chartism and presented the first national petition to the House of Commons in 1839. Birmingham suffered two weeks of rioting following the petition's rejection. Attwood subsequently retired from public office and concentrated his energies on economic theory.
[Ref: 69473] £75.00 (£90.00 incl.VAT)
Bloodhound.
C. Hancock pinx.t. H. Beckwith sculp.
Pub.d Jan.y 1834, by R. Ackermann, Jun.r at his Eclipse Gallery, 191 Regent St.
Steel engraving. Sheet 285 x 225mm (11¼ x 9"). Trimmed within plate.
Probably from 'A Series of Heads of Sporting Dogs'.
[Ref: 69391] £95.00 (£114.00 incl.VAT)
C. Hancock pinx.t. H. Beckwith sculp.
Pub.d Jan.y 1834, by R. Ackermann, Jun.r at his Eclipse Gallery, 191 Regent St.
Steel engraving. Sheet 285 x 225mm (11¼ x 9"). Trimmed within plate.
Probably from 'A Series of Heads of Sporting Dogs'.
[Ref: 69391] £95.00 (£114.00 incl.VAT)
Costumes Anglais. Le Bon Genre, N.º 69.
[Pierre La Mesangere] [n.d. c.1814.]
Coloured etching with fine colour. Fine decorative interior design frame, sight size 220 x 270mm (8¾ x 10½"). Spotting. Unexamined out of frame.
A satire of British fashion, three women, a man wearing a cylindrical hat and an army officer with tight trousers emphasising his buttocks. 'Le Bon Genre', a series of semi-satirical costume plates, was published separately between plate 1 in 1800 & plate 104 in 1817, when Pierre La Mésangère republished the complete set with text. He issued eleven new plates (105-115), between 1818 and 1822, when another full set with text was issued. A final issue was published in 1827.
BM Satire 12381. See BM 1868,0822.7243 for 'Le Bon Genre'.
[Ref: 69568] £260.00 (£312.00 incl.VAT)
[Pierre La Mesangere] [n.d. c.1814.]
Coloured etching with fine colour. Fine decorative interior design frame, sight size 220 x 270mm (8¾ x 10½"). Spotting. Unexamined out of frame.
A satire of British fashion, three women, a man wearing a cylindrical hat and an army officer with tight trousers emphasising his buttocks. 'Le Bon Genre', a series of semi-satirical costume plates, was published separately between plate 1 in 1800 & plate 104 in 1817, when Pierre La Mésangère republished the complete set with text. He issued eleven new plates (105-115), between 1818 and 1822, when another full set with text was issued. A final issue was published in 1827.
BM Satire 12381. See BM 1868,0822.7243 for 'Le Bon Genre'.
[Ref: 69568] £260.00 (£312.00 incl.VAT)
Costumes Anglais. Le Bon Genre, N.º 72.
[Pierre La Mesangere] [n.d. c.1814.]
Coloured etching with fine colour. Fine decorative interior design frame, sight size 220 x 270mm (8¾ x 10½"). Spotting and stains. Unexamined out of frame.
A satire of British fashion, depicting four women and an army officer. 'Le Bon Genre', a series of semi-satirical costume plates, was published separately between plate 1 in 1800 & plate 104 in 1817, when Pierre La Mésangère republished the complete set with text. He issued eleven new plates (105-115), between 1818 and 1822, when another full set with text was issued. A final issue was published in 1827.
BM Satire 12383. See BM 1868,0822.7243 for 'Le Bon Genre'.
[Ref: 69567] £260.00 (£312.00 incl.VAT)
[Pierre La Mesangere] [n.d. c.1814.]
Coloured etching with fine colour. Fine decorative interior design frame, sight size 220 x 270mm (8¾ x 10½"). Spotting and stains. Unexamined out of frame.
A satire of British fashion, depicting four women and an army officer. 'Le Bon Genre', a series of semi-satirical costume plates, was published separately between plate 1 in 1800 & plate 104 in 1817, when Pierre La Mésangère republished the complete set with text. He issued eleven new plates (105-115), between 1818 and 1822, when another full set with text was issued. A final issue was published in 1827.
BM Satire 12383. See BM 1868,0822.7243 for 'Le Bon Genre'.
[Ref: 69567] £260.00 (£312.00 incl.VAT)
Les Modes Anglaises a Paris. Le Supreme Bon Ton, No. 22.
AG [monogram of Adrien Godefroy].
A Paris, chez Martinet, Libraire, Rue du Coq. [n.d., c.1814.]
Hand coloured etching. Fine decorative interior design frame, sight size 210 x 300mm (8¼ x 11¾"). Unexamined out of frame.
A young officer (right) walks, right to left, with a lady on each arm. He wears cocked hat and top-boots; his sword-belt is worn over his coat, and he supports his heavy sabre in his left hand. One lady uses a tall parasol as a walking-stick, and is plainly dressed, wearing an odd straw bonnet, a frill encircling her neck and shoulders. The other has a more elaborate and longer gown, with a festooned flounce. Her hat is a small fluted plateau with ribbon or lace tied under the chin. Walking towards them (from left) are a civilian with a lady whose small bonnet is covered with a long lace scarf falling well below the waist. She wears a tunic dress, the edge vandyked, over a plain skirt. Her companion wears long gaiters. The centre figure is a very tall young man who drifts along (right to left) with his arms folded behind him. He wears trousers strapped under his boots. Both civilians wear the usual flowerpot hat, and coat with long tails. In the background is a lake. From a series of 30 plates satirizing fashions observed in Paris by Aaron Martinet (1762 - 1841).
BM Satires 12358.
[Ref: 69571] £260.00 (£312.00 incl.VAT)
AG [monogram of Adrien Godefroy].
A Paris, chez Martinet, Libraire, Rue du Coq. [n.d., c.1814.]
Hand coloured etching. Fine decorative interior design frame, sight size 210 x 300mm (8¼ x 11¾"). Unexamined out of frame.
A young officer (right) walks, right to left, with a lady on each arm. He wears cocked hat and top-boots; his sword-belt is worn over his coat, and he supports his heavy sabre in his left hand. One lady uses a tall parasol as a walking-stick, and is plainly dressed, wearing an odd straw bonnet, a frill encircling her neck and shoulders. The other has a more elaborate and longer gown, with a festooned flounce. Her hat is a small fluted plateau with ribbon or lace tied under the chin. Walking towards them (from left) are a civilian with a lady whose small bonnet is covered with a long lace scarf falling well below the waist. She wears a tunic dress, the edge vandyked, over a plain skirt. Her companion wears long gaiters. The centre figure is a very tall young man who drifts along (right to left) with his arms folded behind him. He wears trousers strapped under his boots. Both civilians wear the usual flowerpot hat, and coat with long tails. In the background is a lake. From a series of 30 plates satirizing fashions observed in Paris by Aaron Martinet (1762 - 1841).
BM Satires 12358.
[Ref: 69571] £260.00 (£312.00 incl.VAT)
Rencontre D'Anglaises a Paris. Le Suprême Bon Ton, No. 23.
AG [monogram of Adrien Godefroy].
A Paris chez Martinet, Libraire, Rue du Coq. No.15 [n.d., July 1814].
Coloured etching. Fine decorative interior design frame, sight size 205 x 270mm (8 x 10½").
Two British soldiers greet each other enthusiastically, one accompanied by his wife and daughter. From a series of 30 plates satirizing fashions observed in Paris by Aaron Martinet (1762 - 1841).
BNF FRBNF41515493.
[Ref: 69570] £260.00 (£312.00 incl.VAT)
AG [monogram of Adrien Godefroy].
A Paris chez Martinet, Libraire, Rue du Coq. No.15 [n.d., July 1814].
Coloured etching. Fine decorative interior design frame, sight size 205 x 270mm (8 x 10½").
Two British soldiers greet each other enthusiastically, one accompanied by his wife and daughter. From a series of 30 plates satirizing fashions observed in Paris by Aaron Martinet (1762 - 1841).
BNF FRBNF41515493.
[Ref: 69570] £260.00 (£312.00 incl.VAT)
![[Marie Louise, Archiduchesse d'Austriche, Impératrice des Français, Reine d'Italie.]](jpegs/69475.jpg)
[Marie Louise, Archiduchesse d'Austriche, Impératrice des Français, Reine d'Italie.]
Dessine par Durand Duclos, d'après le buste sculpté d'après nature, à Compiègne, par Bosio. Gravé par J. F. Ribault.
A Paris chez Ribault, rue St Jean de Beauvais No.10 - et chez tous les Marchands d'Estampes [n.d., 1811].
Etching with engraving. Sheet 365 x 255mm (14¼ x 10"). Trimmed within plate, creasing. Bit messy.
A profile portrait of Empress Marie Louise of Austria (1791-1874), second wife of Napoleon Bonaparte, drawn from a bust by François Joseph Bosio (1768–1845).
[Ref: 69475] £140.00 (£168.00 incl.VAT)
Dessine par Durand Duclos, d'après le buste sculpté d'après nature, à Compiègne, par Bosio. Gravé par J. F. Ribault.
A Paris chez Ribault, rue St Jean de Beauvais No.10 - et chez tous les Marchands d'Estampes [n.d., 1811].
Etching with engraving. Sheet 365 x 255mm (14¼ x 10"). Trimmed within plate, creasing. Bit messy.
A profile portrait of Empress Marie Louise of Austria (1791-1874), second wife of Napoleon Bonaparte, drawn from a bust by François Joseph Bosio (1768–1845).
[Ref: 69475] £140.00 (£168.00 incl.VAT)
View of Botany Bay, in New South Wales. [With explanatory text. Copied from an engraving for Portlock's New Collection of Voyages & Travels.]
[Engraved from a Drawing on the Spot.]
[n.d., c.1800.]
Scarce engraving. Sheet 125 x 210mm (5 x 8¼'').
A view of Botany Bay which is full of European ships and a small rowing boat with two aborigines. With explanatory text entitled 'A Concise and Faithful Account of the Rise, Progress, and present State of the English Colony of Botany Bay, or Port Jackson, in New South Wales; and the other Settlements of the Great Southern Pacific Ocean.
8 pages 569-576
[Ref: 68727] £380.00
[Engraved from a Drawing on the Spot.]
[n.d., c.1800.]
Scarce engraving. Sheet 125 x 210mm (5 x 8¼'').
A view of Botany Bay which is full of European ships and a small rowing boat with two aborigines. With explanatory text entitled 'A Concise and Faithful Account of the Rise, Progress, and present State of the English Colony of Botany Bay, or Port Jackson, in New South Wales; and the other Settlements of the Great Southern Pacific Ocean.
8 pages 569-576
[Ref: 68727] £380.00
![[Anne Brett] The Lady Brandon.](jpegs/69450.jpg)
[Anne Brett] The Lady Brandon.
W. Wissing Pinxit. I. Smith fecit.
Cum Privilegio Regis. Sold by E.Cooper at y.e 3 Pidgeons in Bedford Street. [n.d. c.1700]
Very rare mezzotint, sheet 350 x 250mm (13¾ x 10"). 'E.M.H.' ink stamp of collector Mrs. E.M. Hamilton on reverse. Trimmed to plate.
Three-quarter-length portrait of Anne Brett, while Lady Brandon (also Anna; née Mason. c.1668-1753) seated and wearing a low-cut dress trimmed with lace, adorned with pearls, jewels, and brooches at the shoulders. A stone block appears to the left, with a column and flowers behind her. In the distance are formal gardens featuring a statue and fountain, with palatial buildings beyond. A courtier and the daughter of Sir Richard Mason, she was born in Shropshire. She married first Charles Gerard, Viscount Brandon, in 1683, and later Henry Brett in 1700. During her separation from Gerard, she had two illegitimate children with Richard Savage, 4th Earl Rivers.
CS 22 II of II. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 69450] £260.00 (£312.00 incl.VAT)
W. Wissing Pinxit. I. Smith fecit.
Cum Privilegio Regis. Sold by E.Cooper at y.e 3 Pidgeons in Bedford Street. [n.d. c.1700]
Very rare mezzotint, sheet 350 x 250mm (13¾ x 10"). 'E.M.H.' ink stamp of collector Mrs. E.M. Hamilton on reverse. Trimmed to plate.
Three-quarter-length portrait of Anne Brett, while Lady Brandon (also Anna; née Mason. c.1668-1753) seated and wearing a low-cut dress trimmed with lace, adorned with pearls, jewels, and brooches at the shoulders. A stone block appears to the left, with a column and flowers behind her. In the distance are formal gardens featuring a statue and fountain, with palatial buildings beyond. A courtier and the daughter of Sir Richard Mason, she was born in Shropshire. She married first Charles Gerard, Viscount Brandon, in 1683, and later Henry Brett in 1700. During her separation from Gerard, she had two illegitimate children with Richard Savage, 4th Earl Rivers.
CS 22 II of II. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 69450] £260.00 (£312.00 incl.VAT)
![[The Bridge and Cows.]](jpegs/69390.jpg)
[The Bridge and Cows.] P.
Drawn & Etched by J.M.W. Turner. Engraved by C. Turner.
Published as the Act directs by J.M.W. Turner, Harley Street [1807].
Mezzotint, printed in brown. 210 x 290mm (8¼ x 11½"). Trimmed to plate, scuffs and stains.
Cows being watered under a rustic wooden bridge, from the 'Liber Studiorum'.
Whitman: 864, state i of iv.
[Ref: 69390] £280.00 (£336.00 incl.VAT)
Drawn & Etched by J.M.W. Turner. Engraved by C. Turner.
Published as the Act directs by J.M.W. Turner, Harley Street [1807].
Mezzotint, printed in brown. 210 x 290mm (8¼ x 11½"). Trimmed to plate, scuffs and stains.
Cows being watered under a rustic wooden bridge, from the 'Liber Studiorum'.
Whitman: 864, state i of iv.
[Ref: 69390] £280.00 (£336.00 incl.VAT)
A British battering-Ram preparing the way for a Popish Bull.
H.H.[Henry Heath].
Pubd May 10th 1827 by S.W. Fores Piccadilly.
Coloured etching. 250 x 350mm (9¾ x 13¾"). Tear entering plate at top & small hole taped, creased. Stain on right not showing on front.
Four Catholic clerics use a battering-ram with the head of George Canning to break down a church door. A smiling Jesuit says 'Now we have got the right Tool and we shall soon get possession of all our Own Churches again'.
BM Satires 15389.
[Ref: 69469] £180.00 (£216.00 incl.VAT)
H.H.[Henry Heath].
Pubd May 10th 1827 by S.W. Fores Piccadilly.
Coloured etching. 250 x 350mm (9¾ x 13¾"). Tear entering plate at top & small hole taped, creased. Stain on right not showing on front.
Four Catholic clerics use a battering-ram with the head of George Canning to break down a church door. A smiling Jesuit says 'Now we have got the right Tool and we shall soon get possession of all our Own Churches again'.
BM Satires 15389.
[Ref: 69469] £180.00 (£216.00 incl.VAT)
Buckingham Palace. Her Majesty's Escort _ 16th Lancers. Ackerrmann's Series, N.º 9.
Drawn by G.S. Shepherd _ T. Picken lith. Day & Son, Lith.rs to the Queen.
[n.d., 1851.]
Lithograph with very fine hand colour. Sheet 240 x 310mm (9½ x 14¼"). Laid on album paper at edges.
A view of the new East Wing of Buckingham Palace, designed by Edward Blore and built by Thomas Cubitt between 1847 & 1849, with Queen Victoria's carriage being escorted towards Birdcage Walk.
[Ref: 69300] £260.00 (£312.00 incl.VAT)
Drawn by G.S. Shepherd _ T. Picken lith. Day & Son, Lith.rs to the Queen.
[n.d., 1851.]
Lithograph with very fine hand colour. Sheet 240 x 310mm (9½ x 14¼"). Laid on album paper at edges.
A view of the new East Wing of Buckingham Palace, designed by Edward Blore and built by Thomas Cubitt between 1847 & 1849, with Queen Victoria's carriage being escorted towards Birdcage Walk.
[Ref: 69300] £260.00 (£312.00 incl.VAT)
Buckingham Palace.
E. Walker, Del et Lith. Day & Son, Lithrs. to the Queen.
London, Published May 1st 1852, by Mess.rs Lloyd Brothers & Co., 22 Ludgate Hill.
Fine hand coloured lithograph, sheet 425 x 585mm (16¾ x 23"), very large margins.
The principal façade, the East Front, of Buckingham Palace, figures watching the guard marching in foreground. The palace was designed by Edward Blore and built by Thomas Cubitt, completed in 1850. Buckingham House, the building which forms the core of today's Buckingham Palace, was a large townhouse built for the Duke of Buckingham in 1703 and acquired by George III in 1761 as a private residence, known as "The Queen's House". It was enlarged over the next 75 years, and Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. From a series of 12 views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes the folio as 'Views of the Principal Buildings in London'.
Abbey Scenery 247, 1.
[Ref: 68983] £550.00
E. Walker, Del et Lith. Day & Son, Lithrs. to the Queen.
London, Published May 1st 1852, by Mess.rs Lloyd Brothers & Co., 22 Ludgate Hill.
Fine hand coloured lithograph, sheet 425 x 585mm (16¾ x 23"), very large margins.
The principal façade, the East Front, of Buckingham Palace, figures watching the guard marching in foreground. The palace was designed by Edward Blore and built by Thomas Cubitt, completed in 1850. Buckingham House, the building which forms the core of today's Buckingham Palace, was a large townhouse built for the Duke of Buckingham in 1703 and acquired by George III in 1761 as a private residence, known as "The Queen's House". It was enlarged over the next 75 years, and Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. From a series of 12 views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes the folio as 'Views of the Principal Buildings in London'.
Abbey Scenery 247, 1.
[Ref: 68983] £550.00
Lady Sarah Bunbury.
J Reynolds pinx.t. E Fisher Sculp.t.
Publish'd as the Act directs Nov: 8, 1766, & Sold by E . Fisher at the Golden head in Leicester Square.
Fine mezzotint. 600 x 340mm (23½ x 14½"). Narrow margins.
Lady Sarah Napier (1745-1826), noblewoman and society beauty, offering incense to a statue of the Three Graces. A great-granddaughter of Charles II and daughter of Charles Lennox, 2nd Duke of Richmond and Lennox, she married Charles Bunbury in 1762, shortly after which he commissioned this portrait. The marriage was not successful, and she was soon involved in affairs, becoming pregnant by her cousin Lord William Gordon.
CS: 6, ii of ii. Hamilton: p.87, ii of iv. The painting is now in the Kimball Collection, Art Institute of Chicago.
[Ref: 68731] £520.00
J Reynolds pinx.t. E Fisher Sculp.t.
Publish'd as the Act directs Nov: 8, 1766, & Sold by E . Fisher at the Golden head in Leicester Square.
Fine mezzotint. 600 x 340mm (23½ x 14½"). Narrow margins.
Lady Sarah Napier (1745-1826), noblewoman and society beauty, offering incense to a statue of the Three Graces. A great-granddaughter of Charles II and daughter of Charles Lennox, 2nd Duke of Richmond and Lennox, she married Charles Bunbury in 1762, shortly after which he commissioned this portrait. The marriage was not successful, and she was soon involved in affairs, becoming pregnant by her cousin Lord William Gordon.
CS: 6, ii of ii. Hamilton: p.87, ii of iv. The painting is now in the Kimball Collection, Art Institute of Chicago.
[Ref: 68731] £520.00
The Right Reverend Father in God Gilbert Lord Bishop of Sarum & Chancellor of y.e most Noble Order of y.e Garter.
Painted from y.e life by M:r In.o Riley Principall Painter in Ordinary to their Maj:tys. I. Smith fecit. Cum Privilegio Regis.
Sold by R Tompson at y.e Sun in Bedford-berry & E Cooper at y.e 3 Pidgeons in Bedford Street. [n.d. c.1690].
Rare mezzotint, sheet 365 x 270mm (14½ x 13¾"). Trimmed to plate.
Bust portrait of religious official and writer, Gilbert Burnet (1643-1715) within oval frame, eyes to front, wearing cloak, bands, badge of the Garter and pendant, his dark hair loose. Raised in the Scottish Presbyterian Church, he remained a committed Protestant throughout his life, though he showed a degree of tolerance toward Catholics. He was disliked by Charles II, whom he openly rebuked for his profligacy, and by James II, but enjoyed the favour of William III. In 1689, he was appointed Bishop of Salisbury and Chancellor of the Order of the Garter. He authored, ‘The History of the Reformation in England and History of His Own Times.’
CS 29 II of III. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 69381] £160.00 (£192.00 incl.VAT)
Painted from y.e life by M:r In.o Riley Principall Painter in Ordinary to their Maj:tys. I. Smith fecit. Cum Privilegio Regis.
Sold by R Tompson at y.e Sun in Bedford-berry & E Cooper at y.e 3 Pidgeons in Bedford Street. [n.d. c.1690].
Rare mezzotint, sheet 365 x 270mm (14½ x 13¾"). Trimmed to plate.
Bust portrait of religious official and writer, Gilbert Burnet (1643-1715) within oval frame, eyes to front, wearing cloak, bands, badge of the Garter and pendant, his dark hair loose. Raised in the Scottish Presbyterian Church, he remained a committed Protestant throughout his life, though he showed a degree of tolerance toward Catholics. He was disliked by Charles II, whom he openly rebuked for his profligacy, and by James II, but enjoyed the favour of William III. In 1689, he was appointed Bishop of Salisbury and Chancellor of the Order of the Garter. He authored, ‘The History of the Reformation in England and History of His Own Times.’
CS 29 II of III. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 69381] £160.00 (£192.00 incl.VAT)
The Right Reverend Father in God Gilbert Lord Bishop of Sarum & Chancellor of y.e most Noble Order of y.e Garter.
[after Mary Beale] [Engraved by John Smith the mezzotinter]
Sold by J. Smith at y.e Lyon & Crown in Russel Street Covent Garden. [n.d. c.1730].
Fine mezzotint, 235 x 190mm (9¼ x 7½"). Tripped into album paper at edges.
Bust portrait of religious official and writer, Gilbert Burnet (1643-1715) within oval frame, eyes to front, wearing robes, bands, jewel of the Garter around his neck, his dark hair loose. Raised in the Scottish Presbyterian Church, he remained a committed Protestant throughout his life, though he showed a degree of tolerance toward Catholics. He was disliked by Charles II, whom he openly rebuked for his profligacy, and by James II, but enjoyed the favour of William III. In 1689, he was appointed Bishop of Salisbury and Chancellor of the Order of the Garter. He authored, ‘The History of the Reformation in England and History of His Own Times.’
CS 30. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 69425] £230.00 (£276.00 incl.VAT)
[after Mary Beale] [Engraved by John Smith the mezzotinter]
Sold by J. Smith at y.e Lyon & Crown in Russel Street Covent Garden. [n.d. c.1730].
Fine mezzotint, 235 x 190mm (9¼ x 7½"). Tripped into album paper at edges.
Bust portrait of religious official and writer, Gilbert Burnet (1643-1715) within oval frame, eyes to front, wearing robes, bands, jewel of the Garter around his neck, his dark hair loose. Raised in the Scottish Presbyterian Church, he remained a committed Protestant throughout his life, though he showed a degree of tolerance toward Catholics. He was disliked by Charles II, whom he openly rebuked for his profligacy, and by James II, but enjoyed the favour of William III. In 1689, he was appointed Bishop of Salisbury and Chancellor of the Order of the Garter. He authored, ‘The History of the Reformation in England and History of His Own Times.’
CS 30. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 69425] £230.00 (£276.00 incl.VAT)
The Right Reverend Father in God Gilbert Lord Bishop of Sarum & Chancellor of y.e most Noble Order of y.e Garter.
[after Mary Beale] [Engraved by John Smith the mezzotinter]
Sold by J. Smith at y.e Lyon & Crown in Russel Street Covent Garden. [n.d. c.1730].
Fine mezzotint, 235 x 190mm (9¼ x 7½"). Small margins
Bust portrait of religious official and writer, Gilbert Burnet (1643-1715) within oval frame, eyes to front, wearing robes, bands, jewel of the Garter around his neck, his dark hair loose. Raised in the Scottish Presbyterian Church, he remained a committed Protestant throughout his life, though he showed a degree of tolerance toward Catholics. He was disliked by Charles II, whom he openly rebuked for his profligacy, and by James II, but enjoyed the favour of William III. In 1689, he was appointed Bishop of Salisbury and Chancellor of the Order of the Garter. He authored, ‘The History of the Reformation in England and History of His Own Times.’
CS 30. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 69423] £220.00 (£264.00 incl.VAT)
[after Mary Beale] [Engraved by John Smith the mezzotinter]
Sold by J. Smith at y.e Lyon & Crown in Russel Street Covent Garden. [n.d. c.1730].
Fine mezzotint, 235 x 190mm (9¼ x 7½"). Small margins
Bust portrait of religious official and writer, Gilbert Burnet (1643-1715) within oval frame, eyes to front, wearing robes, bands, jewel of the Garter around his neck, his dark hair loose. Raised in the Scottish Presbyterian Church, he remained a committed Protestant throughout his life, though he showed a degree of tolerance toward Catholics. He was disliked by Charles II, whom he openly rebuked for his profligacy, and by James II, but enjoyed the favour of William III. In 1689, he was appointed Bishop of Salisbury and Chancellor of the Order of the Garter. He authored, ‘The History of the Reformation in England and History of His Own Times.’
CS 30. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 69423] £220.00 (£264.00 incl.VAT)
Isabella the Sister of Rob.t Burns. Dedicated to John Wilson, Professor of Moral Philosophy In The University of Edin.r By his Ob.t Serv.ts W. & J. Bonnar.
Painted by W. Bonnar Jun.r & Eng.d by W. T. Bonnar 28 London S.t Edin.r. Printed by A M.c Glashon.
Edinburgh Published July 19.th 1844.
Rare mezzotint proof on chine collé, sheet 330 x 250mm (13 x 10"). Trimmed to image.
Bust portrait of Isabella Burns (1771-1858) wearing a dark shawl and a lace bonnet tied with a dark bow under the chin; set within in an oval frame. Isabella (or Isobel) Burns, the youngest sister of poet Robert Burns, was the last surviving member of his immediate family. During her final sixteen years at Bridge House in Alloway, she welcomed visitors interested in Burns and provided many published insights into his life, character, and relationships. Isabella married John Begg.
Not in O'Dench. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 69347] £260.00 (£312.00 incl.VAT)
Painted by W. Bonnar Jun.r & Eng.d by W. T. Bonnar 28 London S.t Edin.r. Printed by A M.c Glashon.
Edinburgh Published July 19.th 1844.
Rare mezzotint proof on chine collé, sheet 330 x 250mm (13 x 10"). Trimmed to image.
Bust portrait of Isabella Burns (1771-1858) wearing a dark shawl and a lace bonnet tied with a dark bow under the chin; set within in an oval frame. Isabella (or Isobel) Burns, the youngest sister of poet Robert Burns, was the last surviving member of his immediate family. During her final sixteen years at Bridge House in Alloway, she welcomed visitors interested in Burns and provided many published insights into his life, character, and relationships. Isabella married John Begg.
Not in O'Dench. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 69347] £260.00 (£312.00 incl.VAT)
The most Noble Prince James, Duke, Marquis and Earle of Ormond, Earl of Brecknock and, Ossery, Baron of Lanthony and Lord Butler of Moor Park, Baron of Arclo and Cheif Butler of the Kingdome of Ireland Knight of the most Noble Order of the Garter, &c.
G. Kneller S.R.Emp. et Angl. Eques Aur. pinx. I. Smith fec.
Sold by I. Smith at ye Lyon & Crown in Russel street Covent Garden. [n.d. c.1701]
Mezzotint, 345 x 250mm (13½ x 9¾") Thread margins reworked.
Three-quarter portrait of James Butler, 2nd Duke of Ormond (1665-1745), wearing long wig, armour, chain and St George, embroidered sash around waist, sword, and holding a baton. A plumed helmet sits on a block to right with a tree in the background to right. A battle involving cavalry rages on in the background to left. Butler was an army officer and politician, born Dublin Castle; succeeded his grandfather James Butler as Duke of Ormond. Jacobite, though reconciled to William III and fought at the battle of the Boyne. He was involved in the 1715 rebellion against the Hanoverians and thereafter lived in exile.
CS 193 III of III. Sharp 557 III of III. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68700] £290.00 (£348.00 incl.VAT)
G. Kneller S.R.Emp. et Angl. Eques Aur. pinx. I. Smith fec.
Sold by I. Smith at ye Lyon & Crown in Russel street Covent Garden. [n.d. c.1701]
Mezzotint, 345 x 250mm (13½ x 9¾") Thread margins reworked.
Three-quarter portrait of James Butler, 2nd Duke of Ormond (1665-1745), wearing long wig, armour, chain and St George, embroidered sash around waist, sword, and holding a baton. A plumed helmet sits on a block to right with a tree in the background to right. A battle involving cavalry rages on in the background to left. Butler was an army officer and politician, born Dublin Castle; succeeded his grandfather James Butler as Duke of Ormond. Jacobite, though reconciled to William III and fought at the battle of the Boyne. He was involved in the 1715 rebellion against the Hanoverians and thereafter lived in exile.
CS 193 III of III. Sharp 557 III of III. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68700] £290.00 (£348.00 incl.VAT)
![[Carina Anna] Carina.](jpegs/69320.jpg)
[Carina Anna] Carina.
Eduard Kaiser 1865. Druck v. Reiffenstein & Rösch.
Commissions. Verlag v. F. Wessely vormals H.F. Müller's W.we in Wein. Mit Vorbehalt der Vervielfaltigung.
Tinted lithograph on chine collé, printed backing sheet. Total 415 x 320mm (16¼ x 12½"). Scuffs and stains, signed dedication old ink mss. in inscription area. 1863
A three-quarter length portrait of Austrian soprano Katharina Gschmeidler (stage name Anna Carina, 1839-85).
[Ref: 69320] £160.00 (£192.00 incl.VAT)
Eduard Kaiser 1865. Druck v. Reiffenstein & Rösch.
Commissions. Verlag v. F. Wessely vormals H.F. Müller's W.we in Wein. Mit Vorbehalt der Vervielfaltigung.
Tinted lithograph on chine collé, printed backing sheet. Total 415 x 320mm (16¼ x 12½"). Scuffs and stains, signed dedication old ink mss. in inscription area. 1863
A three-quarter length portrait of Austrian soprano Katharina Gschmeidler (stage name Anna Carina, 1839-85).
[Ref: 69320] £160.00 (£192.00 incl.VAT)
Near Gangwaugh Colly, on the River Hoogly.
Drawn & Engraved by Tho.s & Will.m Daniell.
Published by Mess.rs Longman, Hurst, Rees & Orme, Paternoster Row Nov.r 1 1810.
Coloured aquatint. 180 x 250mm (7 x 9¾"). very large margins. Faint mount burn around image.
A view of a small temple and a village at the side of the Hoogley River. From ''A Picturesque Voyage to India; By the Way of China'', by Thomas Daniell (1749-1840) and his nephew William Daniell (1769-1837).
Abbey Travel 516.
[Ref: 69247] £140.00 (£168.00 incl.VAT)
Drawn & Engraved by Tho.s & Will.m Daniell.
Published by Mess.rs Longman, Hurst, Rees & Orme, Paternoster Row Nov.r 1 1810.
Coloured aquatint. 180 x 250mm (7 x 9¾"). very large margins. Faint mount burn around image.
A view of a small temple and a village at the side of the Hoogley River. From ''A Picturesque Voyage to India; By the Way of China'', by Thomas Daniell (1749-1840) and his nephew William Daniell (1769-1837).
Abbey Travel 516.
[Ref: 69247] £140.00 (£168.00 incl.VAT)
View of Calcutta from the Garden Reach.
Drawn & Engraved by Tho.s & Will.m Daniell.
Published by Mess.rs Longman, Hurst, Rees & Orme, Paternoster Row Nov.r 1 1810.
Coloured aquatint. 180 x 250mm (7 x 9¾"), very large margins. Faint mount burn around image.
A distant ciew of Chennai with the Hoogly river filled with merchant ships. From ''A Picturesque Voyage to India; By the Way of China'', by Thomas Daniell (1749-1840 and his nephew William Daniell (1769-1837).
Abbey Travel 516.
[Ref: 69246] £280.00 (£336.00 incl.VAT)
Drawn & Engraved by Tho.s & Will.m Daniell.
Published by Mess.rs Longman, Hurst, Rees & Orme, Paternoster Row Nov.r 1 1810.
Coloured aquatint. 180 x 250mm (7 x 9¾"), very large margins. Faint mount burn around image.
A distant ciew of Chennai with the Hoogly river filled with merchant ships. From ''A Picturesque Voyage to India; By the Way of China'', by Thomas Daniell (1749-1840 and his nephew William Daniell (1769-1837).
Abbey Travel 516.
[Ref: 69246] £280.00 (£336.00 incl.VAT)
Old Fort Gaut, Calcutta.
Drawn & Engraved by Tho.s & Will.m Daniell.
Published by Mess.rs Longman, Hurst, Rees & Orme, Paternoster Row Nov.r 1 1810.
Coloured aquatint. 180 x 250mm (7 x 9¾"), very large margins. Faint mount burn around image.
A view of Old Fort Ghaut, part of Fort William, Chennai, taken from a boat on the Hoogly river. From ''A Picturesque Voyage to India; By the Way of China'', by Thomas Daniell (1749-1840 and his nephew William Daniell (1769-1837).
Abbey Travel 516.
[Ref: 69245] £220.00 (£264.00 incl.VAT)
Drawn & Engraved by Tho.s & Will.m Daniell.
Published by Mess.rs Longman, Hurst, Rees & Orme, Paternoster Row Nov.r 1 1810.
Coloured aquatint. 180 x 250mm (7 x 9¾"), very large margins. Faint mount burn around image.
A view of Old Fort Ghaut, part of Fort William, Chennai, taken from a boat on the Hoogly river. From ''A Picturesque Voyage to India; By the Way of China'', by Thomas Daniell (1749-1840 and his nephew William Daniell (1769-1837).
Abbey Travel 516.
[Ref: 69245] £220.00 (£264.00 incl.VAT)
Demetrius Cantemir. S. Rossiaci Imperiii, et Moldaviae Princeps Petri. M. Russoru Imperatoris Senator, et Ab Intimis Consiliis.
[n.d. c.1734]
Rare mezzotint, 215 x 145mm (8¾ x 5¾"), with margins. Stained. Laid on album paper.
Half-length portrait of Moldavian encyclopaedist, poet and author, Demetrius Cantemir (1673-1723), standing to right, looking towards the viewer, wearing armour, ermine-lined cloak, frilled cravat and long pale wig, holding a baton on a table in front of him, with books piled beside it. Information from the Lennox-Boyd database: this print is found bound into the sitter's 'History of the Growth and Decay of the Othman Empire', part I, translated from the original Latin by N. Tindal (London, James, John & Paul Knapton, 1734)
CS: undescribed. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 69359] £160.00 (£192.00 incl.VAT)
[n.d. c.1734]
Rare mezzotint, 215 x 145mm (8¾ x 5¾"), with margins. Stained. Laid on album paper.
Half-length portrait of Moldavian encyclopaedist, poet and author, Demetrius Cantemir (1673-1723), standing to right, looking towards the viewer, wearing armour, ermine-lined cloak, frilled cravat and long pale wig, holding a baton on a table in front of him, with books piled beside it. Information from the Lennox-Boyd database: this print is found bound into the sitter's 'History of the Growth and Decay of the Othman Empire', part I, translated from the original Latin by N. Tindal (London, James, John & Paul Knapton, 1734)
CS: undescribed. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 69359] £160.00 (£192.00 incl.VAT)
![[Canterbury Cathedral] Dean Fotherby.](jpegs/69344.jpg)
[Canterbury Cathedral] Dean Fotherby. Plate 15.
[n.d., 1726.]
Rare & fine mezzotint with added line engraving, 210 x 350mm (8¼ x 13¾), with large margins. Nicks to edges.
The tomb of Charles Fotherby (c. 1549-1619), Dean of Canterbury (1615-1619), in the Lady Chapel in the cathedral, published in John Dart's 'The History and Antiquities of the Cathedral Church of Canterbury'. A more recent history described it as 'a bone-encrusted tomb-chest [which] is a fine example of that obsessive early seventeenth-century morbidity which repelled later, more squeamish observers'.
Ex Collection of the Hon. Christopher Lennox-Boyd. Collinson, Ramsay & Sparks 'A History of Canterbury Cathedral'.
[Ref: 69344] £260.00 (£312.00 incl.VAT)
[n.d., 1726.]
Rare & fine mezzotint with added line engraving, 210 x 350mm (8¼ x 13¾), with large margins. Nicks to edges.
The tomb of Charles Fotherby (c. 1549-1619), Dean of Canterbury (1615-1619), in the Lady Chapel in the cathedral, published in John Dart's 'The History and Antiquities of the Cathedral Church of Canterbury'. A more recent history described it as 'a bone-encrusted tomb-chest [which] is a fine example of that obsessive early seventeenth-century morbidity which repelled later, more squeamish observers'.
Ex Collection of the Hon. Christopher Lennox-Boyd. Collinson, Ramsay & Sparks 'A History of Canterbury Cathedral'.
[Ref: 69344] £260.00 (£312.00 incl.VAT)
![[The Captain of the Eleven.]](jpegs/68762.jpg)
[The Captain of the Eleven.]
Philip H. Calderon. Rich.d Josey [pencil signatures]
London Published June 1st 1883 by the Fine Art Society Limited 148 New Bond Street.
Scarce & fine mezzotint, artists' proof on chine collé, signed by the artist and engraver. Printsellers' Association blind stamp. 605 x 400mm (23¾ x 15¾") with large margins.
A young boy takes guard, playing cricket in a garden. This portrait, by Philip Hermogenes Calderon (1833-98), was famously used in a Pears soap advert. Calderon was a keeper of the Royal Academy and a friend of Frederick, Lord Leighton. The original oil painting sold on 11th July 2012 at Bonhams for £289,250, setting a new world record for the artist.
Printsellers' Association AP 100, P 25, LP 50.
[Ref: 68762] £780.00
Philip H. Calderon. Rich.d Josey [pencil signatures]
London Published June 1st 1883 by the Fine Art Society Limited 148 New Bond Street.
Scarce & fine mezzotint, artists' proof on chine collé, signed by the artist and engraver. Printsellers' Association blind stamp. 605 x 400mm (23¾ x 15¾") with large margins.
A young boy takes guard, playing cricket in a garden. This portrait, by Philip Hermogenes Calderon (1833-98), was famously used in a Pears soap advert. Calderon was a keeper of the Royal Academy and a friend of Frederick, Lord Leighton. The original oil painting sold on 11th July 2012 at Bonhams for £289,250, setting a new world record for the artist.
Printsellers' Association AP 100, P 25, LP 50.
[Ref: 68762] £780.00
Miss Carter.
Painted & Engraved by J. R. Smith.
Publishd 24 June, 1777 by J. R. Smith, N.º 10, Batesmans Buildings, Soho Square & W.m Humphrey, Gerrard Street.
Mezzotint, 265 x 200mm (10½ x 8"), with margins. Light foxing.
Portrait of a Miss Carter wearing a shawl and large hat with tassels and hair in curls, within an oval frame. Probably a relative of George Carter, who painted a 'Miss Carter' as Maria in Yorick's Sentimental Journey, also engraved by Smith (BM 1981,U.590).
CS: 34. Frankau: 64; O' Dench: 100 I of II. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 69348] £260.00 (£312.00 incl.VAT)
Painted & Engraved by J. R. Smith.
Publishd 24 June, 1777 by J. R. Smith, N.º 10, Batesmans Buildings, Soho Square & W.m Humphrey, Gerrard Street.
Mezzotint, 265 x 200mm (10½ x 8"), with margins. Light foxing.
Portrait of a Miss Carter wearing a shawl and large hat with tassels and hair in curls, within an oval frame. Probably a relative of George Carter, who painted a 'Miss Carter' as Maria in Yorick's Sentimental Journey, also engraved by Smith (BM 1981,U.590).
CS: 34. Frankau: 64; O' Dench: 100 I of II. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 69348] £260.00 (£312.00 incl.VAT)
![The Lady Cartteret [in ink].](jpegs/69448.jpg)
The Lady Cartteret [in ink].
I. Kerseboom pinxit. I. Smith fecit. 1693 [in ink]
[Sold by E. Cooper at ye 3 Pidgeons in Bedford street. Cum privilegio Regis.]
Very fine & rare proof before letters mezzotint, 375 x 280mm (14¾ x 11"), with large margins Foxing, mostly localised to margins. Wormhole left margin.
Full-length portrait, probably of Grace Carteret (c.1667-1744), seated and dressed in a loose gown, holding a bunch of grapes. A bowl of fruit stands beside her, while a curtain and fluted pillar frame the scene. In the distance, a formal garden with fountains can be seen. Carteret was Countess Granville in her own right and the wife of George Carteret, 1st Baron Carteret. She was the second daughter of Sir John Granville, and his wife, Jane Wyche. In 1660, her father was raised to the peerage as Earl of Bath.
CS 34 I of IV. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 69448] £650.00
I. Kerseboom pinxit. I. Smith fecit. 1693 [in ink]
[Sold by E. Cooper at ye 3 Pidgeons in Bedford street. Cum privilegio Regis.]
Very fine & rare proof before letters mezzotint, 375 x 280mm (14¾ x 11"), with large margins Foxing, mostly localised to margins. Wormhole left margin.
Full-length portrait, probably of Grace Carteret (c.1667-1744), seated and dressed in a loose gown, holding a bunch of grapes. A bowl of fruit stands beside her, while a curtain and fluted pillar frame the scene. In the distance, a formal garden with fountains can be seen. Carteret was Countess Granville in her own right and the wife of George Carteret, 1st Baron Carteret. She was the second daughter of Sir John Granville, and his wife, Jane Wyche. In 1660, her father was raised to the peerage as Earl of Bath.
CS 34 I of IV. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 69448] £650.00
![[Catherine the Great] The Moment of Reflection or a Tale for Future Times.](jpegs/69463.jpg)
[Catherine the Great] The Moment of Reflection or a Tale for Future Times.
IC [Isaac Cruikshank].
London Pubd by S W Fores N 50 Piccadilly Dece.r 26 1796.
Rare coloured etching. Sheet 285 x 380mm (11¼ x 15"). Trimmed within plate, creasing.
A moustached and cloven-hoofed Catherine the Great of Russia sits in her closet about to die, with a skeletal Death about to spear her. She looks on horrified at visions of her misdeeds, including the sack of Warsaw. On the wall is a portrait of Fox. Lower right two demons open a box 'For Kates Spirit'.
BM Satires 8844.
[Ref: 69463] £420.00
IC [Isaac Cruikshank].
London Pubd by S W Fores N 50 Piccadilly Dece.r 26 1796.
Rare coloured etching. Sheet 285 x 380mm (11¼ x 15"). Trimmed within plate, creasing.
A moustached and cloven-hoofed Catherine the Great of Russia sits in her closet about to die, with a skeletal Death about to spear her. She looks on horrified at visions of her misdeeds, including the sack of Warsaw. On the wall is a portrait of Fox. Lower right two demons open a box 'For Kates Spirit'.
BM Satires 8844.
[Ref: 69463] £420.00
![[Two untitled plates of vases in ornamental designs.]](jpegs/69405.jpg)
[Two untitled plates of vases in ornamental designs.]
G.P. Cauvet inv. et del. Viel Sculp.
[Paris: Gilles Paul Cauvet, 1777.]
Two plates on one sheet: each 205 x 150mm (8 x 6") very large margins Spotting, margins and damp stained at top
Engraved by Pierre Viel after Gilles Paul Cauvet for Cauvet's 'Recueil d'Ornemens à l'Usage des Jeunes Artistes qui se Destinent à la Décoration des Bâtimens'.
[Ref: 69405] £280.00 (£336.00 incl.VAT)
G.P. Cauvet inv. et del. Viel Sculp.
[Paris: Gilles Paul Cauvet, 1777.]
Two plates on one sheet: each 205 x 150mm (8 x 6") very large margins Spotting, margins and damp stained at top
Engraved by Pierre Viel after Gilles Paul Cauvet for Cauvet's 'Recueil d'Ornemens à l'Usage des Jeunes Artistes qui se Destinent à la Décoration des Bâtimens'.
[Ref: 69405] £280.00 (£336.00 incl.VAT)
![[Two untitled plates of ewers in ornamental designs.]](jpegs/69401.jpg)
[Two untitled plates of ewers in ornamental designs.]
Cauvet del. Martini Sculp.
[Paris: Gilles Paul Cauvet, 1777.]
Two plates on one sheet, each 315 x 210mm (12½ x 8¼"), with large margins. Spotting, crease.
Engraved by Pierre Antoine Martini after Gilles Paul Cauvet for Cauvet's 'Recueil d'Ornemens à l'Usage des Jeunes Artistes qui se Destinent à la Décoration des Bâtimens'.
[Ref: 69401] £280.00 (£336.00 incl.VAT)
Cauvet del. Martini Sculp.
[Paris: Gilles Paul Cauvet, 1777.]
Two plates on one sheet, each 315 x 210mm (12½ x 8¼"), with large margins. Spotting, crease.
Engraved by Pierre Antoine Martini after Gilles Paul Cauvet for Cauvet's 'Recueil d'Ornemens à l'Usage des Jeunes Artistes qui se Destinent à la Décoration des Bâtimens'.
[Ref: 69401] £280.00 (£336.00 incl.VAT)
![[Two untitled plates of vases in ornamental designs.]](jpegs/69402.jpg)
[Two untitled plates of vases in ornamental designs.]
Cauvet del. Hemery Sculp.
[Paris: Gilles Paul Cauvet, 1777.]
Two plates on one sheet: 250 x 200mm (9¾ x 8") & 260 x 160mm (10¼ x 6¼"), large margins Spotting
Engraved by Antoine François Hémery after Gilles Paul Cauvet for Cauvet's 'Recueil d'Ornemens à l'Usage des Jeunes Artistes qui se Destinent à la Décoration des Bâtimens'.
[Ref: 69402] £280.00 (£336.00 incl.VAT)
Cauvet del. Hemery Sculp.
[Paris: Gilles Paul Cauvet, 1777.]
Two plates on one sheet: 250 x 200mm (9¾ x 8") & 260 x 160mm (10¼ x 6¼"), large margins Spotting
Engraved by Antoine François Hémery after Gilles Paul Cauvet for Cauvet's 'Recueil d'Ornemens à l'Usage des Jeunes Artistes qui se Destinent à la Décoration des Bâtimens'.
[Ref: 69402] £280.00 (£336.00 incl.VAT)
![[Two untitled plates of urns in ornamental designs.]](jpegs/69400.jpg)
[Two untitled plates of urns in ornamental designs.]
Cauvet del. Hemery Sculp.
[Paris: Gilles Paul Cauvet, 1777.]
Two plates on one sheet, each 220 x 135mm (8¾ x 5¼"), with large margins. Damp stain in top margins
Engraved by Antoine François Hémery after Gilles Paul Cauvet for Cauvet's 'Recueil d'Ornemens à l'Usage des Jeunes Artistes qui se Destinent à la Décoration des Bâtimens'.
[Ref: 69400] £280.00 (£336.00 incl.VAT)
Cauvet del. Hemery Sculp.
[Paris: Gilles Paul Cauvet, 1777.]
Two plates on one sheet, each 220 x 135mm (8¾ x 5¼"), with large margins. Damp stain in top margins
Engraved by Antoine François Hémery after Gilles Paul Cauvet for Cauvet's 'Recueil d'Ornemens à l'Usage des Jeunes Artistes qui se Destinent à la Décoration des Bâtimens'.
[Ref: 69400] £280.00 (£336.00 incl.VAT)