A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Abraham stopped from sacrificing Isaac.]](jpegs/65257.jpg)
[Abraham stopped from sacrificing Isaac.]
Bickham Jn.r fecit.
[n.d., c.1750.]
Etching. Sheet 200 x 145mm (8 x 5¾"). Trimmed within plate.
An untitled plate of the angel of the Lord interrupting the sacrifice.
[Ref: 65257] £45.00 (£54.00 incl.VAT)
Bickham Jn.r fecit.
[n.d., c.1750.]
Etching. Sheet 200 x 145mm (8 x 5¾"). Trimmed within plate.
An untitled plate of the angel of the Lord interrupting the sacrifice.
[Ref: 65257] £45.00 (£54.00 incl.VAT)
Duo. Hymne des Marseillois et Air Militaire by L. von Esch. Pr. 2.s 6d.
F. Bartolozzi fecit. Ent.d at Sta. Hall.
Printed & Sold by Preston, at his Wholesale Warehouse, 97, Strand [n.d, c.1800].
Stipple 80 x 115mm (3¼ x 4½"), with large margins.
The title page to a music book, featuring a cherub writing music and another engraving the title. Louis von Esch (c.1765-1829) was appointed music teacher to Princess Charlotte in 1802.
De Vesme 1952 v of V. Different publisher.
[Ref: 65143] £190.00 (£228.00 incl.VAT)
F. Bartolozzi fecit. Ent.d at Sta. Hall.
Printed & Sold by Preston, at his Wholesale Warehouse, 97, Strand [n.d, c.1800].
Stipple 80 x 115mm (3¼ x 4½"), with large margins.
The title page to a music book, featuring a cherub writing music and another engraving the title. Louis von Esch (c.1765-1829) was appointed music teacher to Princess Charlotte in 1802.
De Vesme 1952 v of V. Different publisher.
[Ref: 65143] £190.00 (£228.00 incl.VAT)
Alfredus Saxonum. Rex Coll. Universitatis Oxon Fundr. Circa A. Chr. 872. Hujus summi Regis Effigiem a Tabula in Bibl Bodleiana factam Reverendo Viro Arthuro Charlett, S.T.P. et istius Collegij Magistro & c:
Summa cum Humil & Observantia D.D.D. H.Parker. A.1712.
[n.d., c.1730.] Printed and Sold by Tho.s Bakewell next door to the Horn Tavern in Fleetstreet London.
Mezzotint. 260 x 200mm (10¼ x 8").
Portrait of Alfred the Great (c. 84 - 899), King of the West Saxons from 871 to 886, and King of the Anglo-Saxons from 886 until his death in 89. For many centuries it was agreed that University was founded by King Alfred, to the point that it was formally admitted as fact after a court case in 1727.
CS 34 III of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65120] £150.00 (£180.00 incl.VAT)
Summa cum Humil & Observantia D.D.D. H.Parker. A.1712.
[n.d., c.1730.] Printed and Sold by Tho.s Bakewell next door to the Horn Tavern in Fleetstreet London.
Mezzotint. 260 x 200mm (10¼ x 8").
Portrait of Alfred the Great (c. 84 - 899), King of the West Saxons from 871 to 886, and King of the Anglo-Saxons from 886 until his death in 89. For many centuries it was agreed that University was founded by King Alfred, to the point that it was formally admitted as fact after a court case in 1727.
CS 34 III of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65120] £150.00 (£180.00 incl.VAT)
Alfredus Saxonum. Rex Coll. Universitatis Oxon Fundr. Circa A. Chr. 872. Hujus summi Regis Effigiem a Tabula in Bibl Bodleiana factam Reverendo Viro Nathan Wetherell, S.T.P. et istius Collegij Magistro & c:
Summa cum Humil & Observantia D.D.D. H.Parker.
[n.d., c.1740.]
Mezzotint. 260 x 200mm (10¼ x 8"). Small margins.
Portrait of Alfred the Great (c. 84 - 899), King of the West Saxons from 871 to 886, and King of the Anglo-Saxons from 886 until his death in 89. For many centuries it was agreed that University was founded by King Alfred, to the point that it was formally admitted as fact after a court case in 1727.
CS 34 IV of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65112] £150.00 (£180.00 incl.VAT)
Summa cum Humil & Observantia D.D.D. H.Parker.
[n.d., c.1740.]
Mezzotint. 260 x 200mm (10¼ x 8"). Small margins.
Portrait of Alfred the Great (c. 84 - 899), King of the West Saxons from 871 to 886, and King of the Anglo-Saxons from 886 until his death in 89. For many centuries it was agreed that University was founded by King Alfred, to the point that it was formally admitted as fact after a court case in 1727.
CS 34 IV of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65112] £150.00 (£180.00 incl.VAT)
Edward Athawes, Esq.r. from a Picture painted by Memory.
R.P. pinx. S. Smith fecit [William Dickinson].
[William Dickinson. n.d., c.1780.]
Rare mezzotint. Sheet size: 355 x 250mm (14 x 9¾"). Trimmed to plate.
Probably a portrait of Virginia tobacco trade merchant and financier Edward Athawes (d.1767), sitting three-quarter to left, with a tricorn in his lap. His right arm is curled around his cane. Edward Athawes was a prominent London merchant in the tobacco trade, which financed American plantations, (owners including Thomas Jefferson and George Washington) with sizeable loans from London. When tobacco prices dropped precipitously in the 1750s, many plantations struggled to remain financially solvent. Jefferson, on the verge of losing his own farm, aggressively espoused various conspiracy theories. Though never verified, Jefferson accused London merchants of unfairly depressing tobacco prices and forcing Virginia farmers to take on unsustainable debt loads. Chaloner Smith quotes Bromley's description of a second state with Dickinson's name added. This suggests that Dickinson engraved this when still working for Carington Bowles. He also describes another Edward Athawes, clerk for the Cordwainer's Company, who died in 1796; neither the dress nor the need for 'memory' suits that attribution,
CS: Dickinson 2. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64868] £260.00 (£312.00 incl.VAT)
R.P. pinx. S. Smith fecit [William Dickinson].
[William Dickinson. n.d., c.1780.]
Rare mezzotint. Sheet size: 355 x 250mm (14 x 9¾"). Trimmed to plate.
Probably a portrait of Virginia tobacco trade merchant and financier Edward Athawes (d.1767), sitting three-quarter to left, with a tricorn in his lap. His right arm is curled around his cane. Edward Athawes was a prominent London merchant in the tobacco trade, which financed American plantations, (owners including Thomas Jefferson and George Washington) with sizeable loans from London. When tobacco prices dropped precipitously in the 1750s, many plantations struggled to remain financially solvent. Jefferson, on the verge of losing his own farm, aggressively espoused various conspiracy theories. Though never verified, Jefferson accused London merchants of unfairly depressing tobacco prices and forcing Virginia farmers to take on unsustainable debt loads. Chaloner Smith quotes Bromley's description of a second state with Dickinson's name added. This suggests that Dickinson engraved this when still working for Carington Bowles. He also describes another Edward Athawes, clerk for the Cordwainer's Company, who died in 1796; neither the dress nor the need for 'memory' suits that attribution,
CS: Dickinson 2. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64868] £260.00 (£312.00 incl.VAT)
Thomas Attwood, Founder of Political Unions. Proof.
Painted by G. Sharples. Engraved by C. Turner.
Published in London, July 10, 1832, by M.r Turner, 50, Warren Street, Fitzroy Square, M.r Cribb, King Street, Covent Garden, M.r Moon, City, M.r Drake, Birmingham, & all other Printsellers.
Rare mezzotint. Sheet 345 x 235mm (13½ x 9¼"). Trimmed within plate, faint mount burn, laid on card.
Half-length seated portrait of political reformer Thomas Attwood (1783-1856), arms folded. He founded the Birmingham Political Union in 1830, campaigning for cities and large towns to be directly represented in Parliament. The portrait was published a month after the Reform Act of 1832 received Royal Assent. Attwood was elected to Parliament in December that year.
Whitman 21, ii of ii.
[Ref: 65214] £280.00 (£336.00 incl.VAT)
Painted by G. Sharples. Engraved by C. Turner.
Published in London, July 10, 1832, by M.r Turner, 50, Warren Street, Fitzroy Square, M.r Cribb, King Street, Covent Garden, M.r Moon, City, M.r Drake, Birmingham, & all other Printsellers.
Rare mezzotint. Sheet 345 x 235mm (13½ x 9¼"). Trimmed within plate, faint mount burn, laid on card.
Half-length seated portrait of political reformer Thomas Attwood (1783-1856), arms folded. He founded the Birmingham Political Union in 1830, campaigning for cities and large towns to be directly represented in Parliament. The portrait was published a month after the Reform Act of 1832 received Royal Assent. Attwood was elected to Parliament in December that year.
Whitman 21, ii of ii.
[Ref: 65214] £280.00 (£336.00 incl.VAT)
![[Giovanna Baccelli] Mademoiselle Baccelli.](jpegs/64947.jpg)
[Giovanna Baccelli] Mademoiselle Baccelli.
Painted by S.r Joshua Reynolds. Engraved by J.R. Smith.
Pub.d. Jan.y 20, 1793 by J.R. Smith N.º 83 Oxford Street.
Mezzotint. 355 x 255mm (14 x 10"). 'E.M.H.' ink stamp of collector Mrs. E.M. Hamilton, London, on reverse. Small tear in left margin.
A half-length portrait in oval of Venetian ballerina Giovanna Bacchelli (Francesca Antonia Giuseppa Zanerini, 1753-1801), holding a mask. She was the mistress of John Sackville, 3rd Duke of Dorset, who commissioned this portrait from Reynolds (now at Knole, Kent).
CS 6, state ii of iii. Hamilton iii of iv. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64947] £360.00
Painted by S.r Joshua Reynolds. Engraved by J.R. Smith.
Pub.d. Jan.y 20, 1793 by J.R. Smith N.º 83 Oxford Street.
Mezzotint. 355 x 255mm (14 x 10"). 'E.M.H.' ink stamp of collector Mrs. E.M. Hamilton, London, on reverse. Small tear in left margin.
A half-length portrait in oval of Venetian ballerina Giovanna Bacchelli (Francesca Antonia Giuseppa Zanerini, 1753-1801), holding a mask. She was the mistress of John Sackville, 3rd Duke of Dorset, who commissioned this portrait from Reynolds (now at Knole, Kent).
CS 6, state ii of iii. Hamilton iii of iv. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64947] £360.00
Dervorguilla Mater. J.Balliol Scot: Regs. Fund. Coll Balliolensis. A.D.1266. Hanc Effisiem a Tabula in Bibl. Bodleiana factum Reverando viro Theoph. Leigh S.T.P et istius Coll. Magistro.
Summa cum Humil & Observantia. D.D.D. H.Parker.
[n.d., c.1740.] Printed for H.Parker. Print and Bookseller, at No.82 in Cornhill, London.
Mezzotint, pt 18th century watermark, 260 x 200mm (10¼ x 8"). Small margins.
Portrait of Dervorguilla of Galloway (c. 1210 - 1290), "lady of substance" in 13th century Scotland, the wife of John de Balliol co-founder of Balliol College, Oxford, and mother of John I, future King of Scotland.
CS 34 IV of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65125] £120.00 (£144.00 incl.VAT)
Summa cum Humil & Observantia. D.D.D. H.Parker.
[n.d., c.1740.] Printed for H.Parker. Print and Bookseller, at No.82 in Cornhill, London.
Mezzotint, pt 18th century watermark, 260 x 200mm (10¼ x 8"). Small margins.
Portrait of Dervorguilla of Galloway (c. 1210 - 1290), "lady of substance" in 13th century Scotland, the wife of John de Balliol co-founder of Balliol College, Oxford, and mother of John I, future King of Scotland.
CS 34 IV of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65125] £120.00 (£144.00 incl.VAT)
Dervorguilla Mater. J.Balliol Scot: Regs. Fund. Coll Balliolensis. A.D.1266. Hanc Effisiem a Tabula in Bibl. Bodleiana factum Reverando viro Johanni Baron S.T.P et istius Coll. Magistro.
Summa cum Humil & Observantia. D.D.D. J.Faber. A.1712.
[n.d., c.1730.] Printed and Sold by Tho.s Bakewell next door to the Horn Tavern in Fleetstreet London.
Mezzotint, 18th century watermark; 260 x 200mm (10¼ x 8").
Portrait of Dervorguilla of Galloway (c. 1210 - 1290), "lady of substance" in 13th century Scotland, the wife of John de Balliol co-founder of Balliol College, Oxford, and mother of John I, future King of Scotland.
CS 34 III of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65126] £150.00 (£180.00 incl.VAT)
Summa cum Humil & Observantia. D.D.D. J.Faber. A.1712.
[n.d., c.1730.] Printed and Sold by Tho.s Bakewell next door to the Horn Tavern in Fleetstreet London.
Mezzotint, 18th century watermark; 260 x 200mm (10¼ x 8").
Portrait of Dervorguilla of Galloway (c. 1210 - 1290), "lady of substance" in 13th century Scotland, the wife of John de Balliol co-founder of Balliol College, Oxford, and mother of John I, future King of Scotland.
CS 34 III of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65126] £150.00 (£180.00 incl.VAT)
Dervorguilla Mater. J.Balliol Scot: Regs. Fund. Coll Balliolensis. A.D.1266. Hanc Effisiem a Tabula in Bibl. Bodleiana factum Reverando viro Johanni Baron S.T.P et istius Coll. Magistro.
Summa cum Humil & Observantia. D.D.D. J.Faber. A.1712.
[n.d., c.1712.]
Mezzotint. 260 x 200mm (10¼ x 8").
Portrait of Dervorguilla of Galloway (c. 1210 - 1290), "lady of substance" in 13th century Scotland, the wife of John de Balliol co-founder of Balliol College, Oxford, and mother of John I, future King of Scotland.
CS 34 I of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65127] £140.00 (£168.00 incl.VAT)
Summa cum Humil & Observantia. D.D.D. J.Faber. A.1712.
[n.d., c.1712.]
Mezzotint. 260 x 200mm (10¼ x 8").
Portrait of Dervorguilla of Galloway (c. 1210 - 1290), "lady of substance" in 13th century Scotland, the wife of John de Balliol co-founder of Balliol College, Oxford, and mother of John I, future King of Scotland.
CS 34 I of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65127] £140.00 (£168.00 incl.VAT)
![[John Balliol.] Johannis Balliol.](jpegs/65123.jpg)
[John Balliol.] Johannis Balliol. Pater J.Balliol Scot: Regis Fundr. Coll. Balliolensis. Han Effigiem a Fabula in Bibl. Bodleiana factum Reverendo viro Johanni Baron S.T.P. et istus Coll. Magistro.
Summa cum Humil & Observantia. D.D.D. J.Faber. A.1712.
[n.d., c.1730.] Printed and Sold by Tho.s Bakewell next door to the Horn Tavern in Fleetstreet.
Mezzotint. 260 x 200mm (10¼ x 8").
Portrait of John de Balliol (prior to 1208 - 1268), English nobleman, belonging to the House of Balliol. Balliol College, in Oxford, is named after him. Following a dispute with the Bishop of Durham, he agreed to provide funds for scholars studying at Oxford. Support for a house of students began in around 1263; further endowments, made after his death by Dervorguilla, resulted in the establishment of Balliol College.
CS 34 III of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65123] £150.00 (£180.00 incl.VAT)
Summa cum Humil & Observantia. D.D.D. J.Faber. A.1712.
[n.d., c.1730.] Printed and Sold by Tho.s Bakewell next door to the Horn Tavern in Fleetstreet.
Mezzotint. 260 x 200mm (10¼ x 8").
Portrait of John de Balliol (prior to 1208 - 1268), English nobleman, belonging to the House of Balliol. Balliol College, in Oxford, is named after him. Following a dispute with the Bishop of Durham, he agreed to provide funds for scholars studying at Oxford. Support for a house of students began in around 1263; further endowments, made after his death by Dervorguilla, resulted in the establishment of Balliol College.
CS 34 III of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65123] £150.00 (£180.00 incl.VAT)
![[John Balliol.] Johannis Balliol.](jpegs/65124.jpg)
[John Balliol.] Johannis Balliol. Pater J.Balliol Scot: Regis Fundr. Coll. Balliolensis. A.D. 1263. Han Effigiem a Fabula in Bibl. Bodleiana factum Reverendo viro Theoph. Leigh S.T.P. et istus Coll. Magistro.
Summa cum Humil & Observantia. D.D.D. H.Parker.
[n.d., c.1740.] Printed for H.Parker. Print and Bookseller, at No.82 in Cornhill, London.
Mezzotint, 18th century watermark. 260 x 195mm (10¼ x 7¾"), with large margins.
Portrait of John de Balliol (prior to 1208 - 1268), English nobleman, belonging to the House of Balliol. Balliol College, in Oxford, is named after him. Following a dispute with the Bishop of Durham, he agreed to provide funds for scholars studying at Oxford. Support for a house of students began in around 1263; further endowments, made after his death by Dervorguilla, resulted in the establishment of Balliol College.
CS 34 IV of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65124] £120.00 (£144.00 incl.VAT)
Summa cum Humil & Observantia. D.D.D. H.Parker.
[n.d., c.1740.] Printed for H.Parker. Print and Bookseller, at No.82 in Cornhill, London.
Mezzotint, 18th century watermark. 260 x 195mm (10¼ x 7¾"), with large margins.
Portrait of John de Balliol (prior to 1208 - 1268), English nobleman, belonging to the House of Balliol. Balliol College, in Oxford, is named after him. Following a dispute with the Bishop of Durham, he agreed to provide funds for scholars studying at Oxford. Support for a house of students began in around 1263; further endowments, made after his death by Dervorguilla, resulted in the establishment of Balliol College.
CS 34 IV of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65124] £120.00 (£144.00 incl.VAT)
![[J.G.Barlace.]](jpegs/65272.jpg)
[J.G.Barlace.]
[after W. Behnes] Rob.t Cooper Scul.t
[n.d., c.1820.]
Proof. Stipple on india. Sheet 215 x 170mm (8½ x 6¾").
Portrait of James George Barlace (1803-24), a child prodigy who was both an author and artist. He wrote 'An historical sketch of the progress of knowledge in England, from the conversion of the Anglo-Saxons, to the end of the reign of Elisabeth' published in 1819, London, sold by J. and A. Arch.
[Ref: 65272] £90.00 (£108.00 incl.VAT)
[after W. Behnes] Rob.t Cooper Scul.t
[n.d., c.1820.]
Proof. Stipple on india. Sheet 215 x 170mm (8½ x 6¾").
Portrait of James George Barlace (1803-24), a child prodigy who was both an author and artist. He wrote 'An historical sketch of the progress of knowledge in England, from the conversion of the Anglo-Saxons, to the end of the reign of Elisabeth' published in 1819, London, sold by J. and A. Arch.
[Ref: 65272] £90.00 (£108.00 incl.VAT)
![John Barrow [facsimile signature].](jpegs/64974.jpg)
John Barrow [facsimile signature].
Painted by John Lucas. Engraved by G.T. Payne.
London, Published May 27th. 1847, by Henry Graves & Comp.y Printsellers to the Queen, 6, Pall Mall.
Mezzotint. 385 x 305mm (15¼ x 12"), with large margins. Some faint spotting.
A half-length portrait of Sir John Barrow (1764-1848), who accompanied Lord Macartney to China in 1792 (authoring the official account) and to South Africa in 1797 to settle the government of the new colony of the Cape of Good Hope. He was appointed Second Secretary to the Admiralty in 1804 and was one of the founding members of the Royal Geographical Society.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64974] £360.00
Painted by John Lucas. Engraved by G.T. Payne.
London, Published May 27th. 1847, by Henry Graves & Comp.y Printsellers to the Queen, 6, Pall Mall.
Mezzotint. 385 x 305mm (15¼ x 12"), with large margins. Some faint spotting.
A half-length portrait of Sir John Barrow (1764-1848), who accompanied Lord Macartney to China in 1792 (authoring the official account) and to South Africa in 1797 to settle the government of the new colony of the Cape of Good Hope. He was appointed Second Secretary to the Admiralty in 1804 and was one of the founding members of the Royal Geographical Society.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64974] £360.00
![[Richard, Earl of Barrymore]](jpegs/65199.jpg)
[Richard, Earl of Barrymore]
Painted by R. Cosway. Engraved by J Jehner.
Published June 24. 1778, by John Boydell Engraver in Cheapside London
Mezzotint with fantastic colour, 18th century watermark; 380 x 280mm (15 x 11"). Trimmed to plate.
Portrait of Richard Barry, Earl of Barrymore (1769-93), depicted as Cupid sitting on the grass beside a rose bush. With his back to the viewer, he looks over his shoulder while playing a lyre, all within a circular frame.
CS 1 I of I. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65199] £360.00
Painted by R. Cosway. Engraved by J Jehner.
Published June 24. 1778, by John Boydell Engraver in Cheapside London
Mezzotint with fantastic colour, 18th century watermark; 380 x 280mm (15 x 11"). Trimmed to plate.
Portrait of Richard Barry, Earl of Barrymore (1769-93), depicted as Cupid sitting on the grass beside a rose bush. With his back to the viewer, he looks over his shoulder while playing a lyre, all within a circular frame.
CS 1 I of I. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65199] £360.00
![[Diana Beauclerk] Her Grace the Dutchess of S.t Albans.](jpegs/65161.jpg)
[Diana Beauclerk] Her Grace the Dutchess of S.t Albans.
G. Kneller Bar.t pinx. J. Faber fec.
[J. Cooper exc.] [n.d. c.1723.]
Mezzotint, 455 x 310mm (18 x 12¼") with large margins.
A full-length portrait of Diana Beauclerk (nee de Vere) (c. 1679-1742) standing beside an orange tree, with the left foot placed on the plinth beneath it. The left arm rests on the large urn containing the tree, while the other hand holds a fruit and gestures toward it. The figure smiles at the viewer. This is from a series of thirteen engravings after Kneller of the Hampton Court Beauties. State with Cooper's name erased. Not to be confused with the artist Lady Diana Beauclerk, this is the wife of Charles Beauclerk, 1st Duke and the daughter and heiress of Aubrey de Vere, 20th Earl of Oxford.
CS 28 III of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65161] £320.00
G. Kneller Bar.t pinx. J. Faber fec.
[J. Cooper exc.] [n.d. c.1723.]
Mezzotint, 455 x 310mm (18 x 12¼") with large margins.
A full-length portrait of Diana Beauclerk (nee de Vere) (c. 1679-1742) standing beside an orange tree, with the left foot placed on the plinth beneath it. The left arm rests on the large urn containing the tree, while the other hand holds a fruit and gestures toward it. The figure smiles at the viewer. This is from a series of thirteen engravings after Kneller of the Hampton Court Beauties. State with Cooper's name erased. Not to be confused with the artist Lady Diana Beauclerk, this is the wife of Charles Beauclerk, 1st Duke and the daughter and heiress of Aubrey de Vere, 20th Earl of Oxford.
CS 28 III of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65161] £320.00
The Battle of Belgrade. August the 16 1717.
A. Benoist del. Cl. Du Bosc fecit.
Publish'd by Cl. Du Bosc, September the 22 1735, according to Act of Parliament.
Engraving. 265 x 195mm (10½ x 7¾"), with large margins.
A scene in the Austro-Turkish War (1716-18), with a cavalry skirmish between the Habsburg forces under Prince Eugene of Savoy and the Ottomans, on a hill overlooking army camps. Eugene's victory led to the capture of Belgrade. A plate from 'The Military History of the Late Prince Eugene of Savoy, and of the Late John Duke of Marlborough: Including a Particular Description of the Several Battles, Sieges, &c. in which Either or Both Those Generals Commanded'. The scene is surrounded by a decorative frame.
[Ref: 64715] £160.00 (£192.00 incl.VAT)
A. Benoist del. Cl. Du Bosc fecit.
Publish'd by Cl. Du Bosc, September the 22 1735, according to Act of Parliament.
Engraving. 265 x 195mm (10½ x 7¾"), with large margins.
A scene in the Austro-Turkish War (1716-18), with a cavalry skirmish between the Habsburg forces under Prince Eugene of Savoy and the Ottomans, on a hill overlooking army camps. Eugene's victory led to the capture of Belgrade. A plate from 'The Military History of the Late Prince Eugene of Savoy, and of the Late John Duke of Marlborough: Including a Particular Description of the Several Battles, Sieges, &c. in which Either or Both Those Generals Commanded'. The scene is surrounded by a decorative frame.
[Ref: 64715] £160.00 (£192.00 incl.VAT)
G. Belzoni.
Drawn from Life and on Stone by M. Gauci. Printed by C. Hullmandel.
[n.d., c.1820].
Scarce lithograph. J. Whatman 181? watermark. Sheet 275 x 210mm (10¾ x 8¼"). Trimmed into image.
A three-quarter length portrait of Italian adventurer and antiquities dealer, Giovanni Battista Belzoni (1778-1823) in native dress, leaning on a stone carved with hieroglyphics, pyramid behind.
[Ref: 64742] £260.00 (£312.00 incl.VAT)
Drawn from Life and on Stone by M. Gauci. Printed by C. Hullmandel.
[n.d., c.1820].
Scarce lithograph. J. Whatman 181? watermark. Sheet 275 x 210mm (10¾ x 8¼"). Trimmed into image.
A three-quarter length portrait of Italian adventurer and antiquities dealer, Giovanni Battista Belzoni (1778-1823) in native dress, leaning on a stone carved with hieroglyphics, pyramid behind.
[Ref: 64742] £260.00 (£312.00 incl.VAT)
![[Rev. Edward Bickersteth.]](jpegs/64861.jpg)
[Rev. Edward Bickersteth.]
[Painted by Alex.r Mosses. Engraved by S.W. Reynolds.]
[London Published May 1st 1826, by Dobbs & Comp.y Ornamental Stationers to the King, 13, Soho Square and 2, New Bridge Street.
Mezzotint, early progress proof. Sheet 270 x 205mm (10½ x 8"). Trimmed to plate, some spotting, laid on album paper.
A very early progress proof of a half-length portrait of Reverend Edward Bickersteth (1786-1850). His head is completed but, apart from a faint halo around the head, the rest of the plate is untouched. The outlines of his jacket have been added in pencil.
Whitman 28. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64861] £160.00 (£192.00 incl.VAT)
[Painted by Alex.r Mosses. Engraved by S.W. Reynolds.]
[London Published May 1st 1826, by Dobbs & Comp.y Ornamental Stationers to the King, 13, Soho Square and 2, New Bridge Street.
Mezzotint, early progress proof. Sheet 270 x 205mm (10½ x 8"). Trimmed to plate, some spotting, laid on album paper.
A very early progress proof of a half-length portrait of Reverend Edward Bickersteth (1786-1850). His head is completed but, apart from a faint halo around the head, the rest of the plate is untouched. The outlines of his jacket have been added in pencil.
Whitman 28. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64861] £160.00 (£192.00 incl.VAT)
![[Trade Card of George Bickham the Elder.]](jpegs/65059.jpg)
[Trade Card of George Bickham the Elder.]
Sold by C. Dicey & Co, in Aldermary Church Y.d [n.d., published by Dicey c.1760, this example later c. 1820's].
Engraving with etching. 335 x 250mm (13¼ x 9¾"). Narrow margins, mounted on album paper.
The trade card of George Bickham the Elder, with his address at Hoop Alley, Old Street. It is a medley including a portrait, a ballad 'The Scotch Wedding', a playing card and a sheet with 'Graven, Written & Sold by George Bickham'.
BM: Heal,59.16.
[Ref: 65059] £320.00
Sold by C. Dicey & Co, in Aldermary Church Y.d [n.d., published by Dicey c.1760, this example later c. 1820's].
Engraving with etching. 335 x 250mm (13¼ x 9¾"). Narrow margins, mounted on album paper.
The trade card of George Bickham the Elder, with his address at Hoop Alley, Old Street. It is a medley including a portrait, a ballad 'The Scotch Wedding', a playing card and a sheet with 'Graven, Written & Sold by George Bickham'.
BM: Heal,59.16.
[Ref: 65059] £320.00
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![[Biondina.]](jpegs/64898.jpg)
[Biondina.]
[Painted by Sir F.Leighton.P.R.A. Engraved by Sam.l.Cousins.R.A.]
London Published July, 1st 1881 by The Fine Art Society (Limited), 148 New Bond Street.
Fine Mezzotint, signed by artist & engraver. 425 x 315mm (16¾ x 12½") large margins. Printsellers Association blindstamp 'JUF'.
Portrait of a young girl, her left profile in view. She is wearing a pleated shirt and bodice with small bows, with wavy blond hair tied in a bun at the nape of her neck.
Whitman: 206 state i of iii signed. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64898] £320.00
[Painted by Sir F.Leighton.P.R.A. Engraved by Sam.l.Cousins.R.A.]
London Published July, 1st 1881 by The Fine Art Society (Limited), 148 New Bond Street.
Fine Mezzotint, signed by artist & engraver. 425 x 315mm (16¾ x 12½") large margins. Printsellers Association blindstamp 'JUF'.
Portrait of a young girl, her left profile in view. She is wearing a pleated shirt and bodice with small bows, with wavy blond hair tied in a bun at the nape of her neck.
Whitman: 206 state i of iii signed. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64898] £320.00
Biondina.
Painted by Sir F.Leighton.P.R.A. Engraved by Sam.l.Cousins.R.A.
London Published July, 1st 1881 by The Fine Art Society (Limited), 148 New Bond Street.
Fine Mezzotint. 440 x 330mm (17¼ x 13"), with large margins. Printsellers Association blindstamp 'CJU'.
Portrait of a young girl, her left profile in view. She is wearing a pleated shirt and bodice with small bows, with wavy blond hair tied in a bun at the nape of her neck.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64900] £320.00
Painted by Sir F.Leighton.P.R.A. Engraved by Sam.l.Cousins.R.A.
London Published July, 1st 1881 by The Fine Art Society (Limited), 148 New Bond Street.
Fine Mezzotint. 440 x 330mm (17¼ x 13"), with large margins. Printsellers Association blindstamp 'CJU'.
Portrait of a young girl, her left profile in view. She is wearing a pleated shirt and bodice with small bows, with wavy blond hair tied in a bun at the nape of her neck.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64900] £320.00
Henry R. Bishop.
Painted by T. Foster. Engraved by S.W. Reynolds Engraver to the King.
London Published July 1822 by J. Power 34 Strand and Colnaghi & C.o 23 Cockspur Street. To be had of C. Lonsdale, 26, Old Bond Street.
Rare mezzotint. Sheet 510 x 345mm (20 x 13½"). Trimmed into image at sides, to plate at bottom.
Seated portrait of early Romantic composer Sir Henry Rowley Bishop (1787-1856), holding a score and a document granting the Freedom of the City of Dublin on a table. Despite his success he died in poverty. He is the only 19th century British composer represented on the Albert Memorial's 'Frieze of Parnassus'.
Whitman 29 iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64909] £160.00 (£192.00 incl.VAT)
Painted by T. Foster. Engraved by S.W. Reynolds Engraver to the King.
London Published July 1822 by J. Power 34 Strand and Colnaghi & C.o 23 Cockspur Street. To be had of C. Lonsdale, 26, Old Bond Street.
Rare mezzotint. Sheet 510 x 345mm (20 x 13½"). Trimmed into image at sides, to plate at bottom.
Seated portrait of early Romantic composer Sir Henry Rowley Bishop (1787-1856), holding a score and a document granting the Freedom of the City of Dublin on a table. Despite his success he died in poverty. He is the only 19th century British composer represented on the Albert Memorial's 'Frieze of Parnassus'.
Whitman 29 iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64909] £160.00 (£192.00 incl.VAT)
Napoleon, Emperor of the French taken from life 1815.
[n.d., c.1820.]
Coloured etching. 325 x 220mm (12¾ x 8¾"). Few worm holes. Repaired tear bottom centre.
A portrait of Napoleon mounted on Marengo during the Hundred Days.
[Ref: 65253] £320.00
[n.d., c.1820.]
Coloured etching. 325 x 220mm (12¾ x 8¾"). Few worm holes. Repaired tear bottom centre.
A portrait of Napoleon mounted on Marengo during the Hundred Days.
[Ref: 65253] £320.00
![[Napoleon Bonaparte.]](jpegs/64747.jpg)
[Napoleon Bonaparte.]
Charlet Pinx.t. S.W. Reynolds Grav. du Roi d'Ang.re sculp.t.
à Paris chez Schroth Editeur rue St Honoré No 353 bis London published february 1829 by Rittner, 8 Surrey St., Strand.
Rare mezzotint. 385 x 290mm (15 x 11½") very large margins. Publisher's blindstamp below image, some surface soiling.
Full-length portrait of Napoleon, standing, one hand inside his waistcoat, in a landscape, probably St Helena. The artist, Nicolas-Toussaint Charlet (1792-1845), was originally a soldier (he distinguished himself in the defence of Clichy in 1814) before losing his commission upon the restoration of the monarchy and turning to painting. He specialised in Napoleonic scenes, which made him popular with the opposition under the Restoration and influential in the propagation of a mythic view of the Napoleonic era. Engraved by the leading British printmaker S.W. Reynolds, who also worked in Paris.
Whitman 204, unrecorded state between i and ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64747] £280.00 (£336.00 incl.VAT)
Charlet Pinx.t. S.W. Reynolds Grav. du Roi d'Ang.re sculp.t.
à Paris chez Schroth Editeur rue St Honoré No 353 bis London published february 1829 by Rittner, 8 Surrey St., Strand.
Rare mezzotint. 385 x 290mm (15 x 11½") very large margins. Publisher's blindstamp below image, some surface soiling.
Full-length portrait of Napoleon, standing, one hand inside his waistcoat, in a landscape, probably St Helena. The artist, Nicolas-Toussaint Charlet (1792-1845), was originally a soldier (he distinguished himself in the defence of Clichy in 1814) before losing his commission upon the restoration of the monarchy and turning to painting. He specialised in Napoleonic scenes, which made him popular with the opposition under the Restoration and influential in the propagation of a mythic view of the Napoleonic era. Engraved by the leading British printmaker S.W. Reynolds, who also worked in Paris.
Whitman 204, unrecorded state between i and ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64747] £280.00 (£336.00 incl.VAT)
The Siege of Bouchain. August 10, 1711.
A. Benoist Inv. C. Du Bosc fecit.
Publish'd according to Act of Parliament [London: Claude du Bosc, 1737].
Engraving, 275 x 195mm (10¾ x 7¾"), on 18th century watermarked paper, with large margins.
A view of the siege of Bouchain, with John Churchill, Duke of Marlborough, on horseback, overlooking the city. The fall of Bouchain on September 13 was to be his last victory, as he was stripped of his offices later in the year, three years before the end of the War of the Spanish Succession. A plate from 'The Military History of the Late Prince Eugene of Savoy, and of the Late John Duke of Marlborough: Including a Particular Description of the Several Battles, Sieges, &c. in which Either or Both Those Generals Commanded'. The scene is surrounded by a decorative frame.
[Ref: 64713] £140.00 (£168.00 incl.VAT)
A. Benoist Inv. C. Du Bosc fecit.
Publish'd according to Act of Parliament [London: Claude du Bosc, 1737].
Engraving, 275 x 195mm (10¾ x 7¾"), on 18th century watermarked paper, with large margins.
A view of the siege of Bouchain, with John Churchill, Duke of Marlborough, on horseback, overlooking the city. The fall of Bouchain on September 13 was to be his last victory, as he was stripped of his offices later in the year, three years before the end of the War of the Spanish Succession. A plate from 'The Military History of the Late Prince Eugene of Savoy, and of the Late John Duke of Marlborough: Including a Particular Description of the Several Battles, Sieges, &c. in which Either or Both Those Generals Commanded'. The scene is surrounded by a decorative frame.
[Ref: 64713] £140.00 (£168.00 incl.VAT)
Matthew Boulton, Esq.r.
Painted by C.F. de Breda R.A. of Stockholm & Painter to the King of Sweden. Engraved by S.W. Reynolds.
London: Published March 1st 1796 by S.W. Reynolds. N.º 6 Rolls Buildings, Fetter Lane.
Mezzotint. 355 x 255mm (14 x 10").
A seated portrait of Matthew Boulton (1728-1809), a Birmingham industrialist and entrepreneur (called 'the first manufacturer in England' by Josiah Wedgwood), holding a miniature and magnifying glass. Behind is his 'Soho Manufactory', where Boulton installed the first Watt steam engine with the sun and planet gear in a factory. It was also the first steam-powered mint. The original painting, by Carl Frederik von Breda (1759-1818), is in the Birmingham Museums Trust.
Whitman 34, ii of ii, before etching in the hair and glass. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64751] £280.00 (£336.00 incl.VAT)
Painted by C.F. de Breda R.A. of Stockholm & Painter to the King of Sweden. Engraved by S.W. Reynolds.
London: Published March 1st 1796 by S.W. Reynolds. N.º 6 Rolls Buildings, Fetter Lane.
Mezzotint. 355 x 255mm (14 x 10").
A seated portrait of Matthew Boulton (1728-1809), a Birmingham industrialist and entrepreneur (called 'the first manufacturer in England' by Josiah Wedgwood), holding a miniature and magnifying glass. Behind is his 'Soho Manufactory', where Boulton installed the first Watt steam engine with the sun and planet gear in a factory. It was also the first steam-powered mint. The original painting, by Carl Frederik von Breda (1759-1818), is in the Birmingham Museums Trust.
Whitman 34, ii of ii, before etching in the hair and glass. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64751] £280.00 (£336.00 incl.VAT)
Matthew Boulton, Esq.r.
Painted by C.F. de Breda R.A. of Stockholm & Painter to the King of Sweden. Engraved by S.W. Reynolds.
London: Published March 1st 1796 by S.W. Reynolds. N.º 6 Rolls Buildings, Fetter Lane.
Mezzotint. 355 x 255mm (14 x 10"). Faint foxing.
A seated portrait of Matthew Boulton (1728-1809), a Birmingham industrialist and entrepreneur (called 'the first manufacturer in England' by Josiah Wedgwood), holding a miniature and magnifying glass. Behind is his 'Soho Manufactory', where Boulton installed the first Watt steam engine with the sun and planet gear in a factory. It was also the first steam-powered mint. The original painting, by Carl Frederik von Breda (1759-1818), is in the Birmingham Museums Trust.
Whitman 34, ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64750] £280.00 (£336.00 incl.VAT)
Painted by C.F. de Breda R.A. of Stockholm & Painter to the King of Sweden. Engraved by S.W. Reynolds.
London: Published March 1st 1796 by S.W. Reynolds. N.º 6 Rolls Buildings, Fetter Lane.
Mezzotint. 355 x 255mm (14 x 10"). Faint foxing.
A seated portrait of Matthew Boulton (1728-1809), a Birmingham industrialist and entrepreneur (called 'the first manufacturer in England' by Josiah Wedgwood), holding a miniature and magnifying glass. Behind is his 'Soho Manufactory', where Boulton installed the first Watt steam engine with the sun and planet gear in a factory. It was also the first steam-powered mint. The original painting, by Carl Frederik von Breda (1759-1818), is in the Birmingham Museums Trust.
Whitman 34, ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64750] £280.00 (£336.00 incl.VAT)
![[Battle of the Boyne] The Fortunate Escape of King William the Third. Vide Smollet, Vol 1. Chap. 2.](jpegs/64736.jpg)
[Battle of the Boyne] The Fortunate Escape of King William the Third. Vide Smollet, Vol 1. Chap. 2. Dedicated by permission to the Earl of Essex in whose possession the Handkerchief and part of the Coat still remain.
Painted by Ab.m Cooper R.A. Engraved by W. Giller.
London, Published Nov.r 2, 1829, by Moon, Boys & Graves, Printsellers to the King 6, Pall Mall.
Scarce mezzotint. 400 x 315mm (15¾ x 12½"), with large margins.
The day before the Battle of the Boyne, William III was surveying the fords over which his troops would cross the river to reach James's forces. A Jacobite artillery shot wounded the king in the sholder. Here Thomas Coningsby presses his handkerchief to the wound.
[Ref: 64736] £260.00 (£312.00 incl.VAT)
Painted by Ab.m Cooper R.A. Engraved by W. Giller.
London, Published Nov.r 2, 1829, by Moon, Boys & Graves, Printsellers to the King 6, Pall Mall.
Scarce mezzotint. 400 x 315mm (15¾ x 12½"), with large margins.
The day before the Battle of the Boyne, William III was surveying the fords over which his troops would cross the river to reach James's forces. A Jacobite artillery shot wounded the king in the sholder. Here Thomas Coningsby presses his handkerchief to the wound.
[Ref: 64736] £260.00 (£312.00 incl.VAT)
William Brockedon Esq.r F.R.S. Member of the Florentine and Roman Academies of the Fine Arts. Author of the Passes of the Alps &c. Proof.
Drawn and Engraved by C. Turner A.R.A.
London, Published Jan.y 23, 1835. by C. Turner 50 Warren Street Fitzroy Square, Mess.rs Colnaghi Son & Co. Pall Mall East, and S. Rodwell Bond Street.
Mezzotint. 355 x 255mm (14 x 10"), with large margins on 2 sides. Trimmed to plate top and left.
A three quarter portrait of painter William Brockedon (1787-1854), holding a porte-crayon and sketchbook. The son of a watch-maker, Brockedon continued the business for five years after his father's death, before turning to painting. He travelled extensively, publishing books with prints of his landscapes. He also wrote the descriptive portion of the text of David Roberts's Egypt and Holy Land, published in 1855, the year after his death. Brockedon also patented several inventions, including one to coat felt with vulcanised india-rubber, creating a substitute for corks, and another for refining graphite for better lead pencils.
Whitman 69, state iii of three. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65242] £260.00 (£312.00 incl.VAT)
Drawn and Engraved by C. Turner A.R.A.
London, Published Jan.y 23, 1835. by C. Turner 50 Warren Street Fitzroy Square, Mess.rs Colnaghi Son & Co. Pall Mall East, and S. Rodwell Bond Street.
Mezzotint. 355 x 255mm (14 x 10"), with large margins on 2 sides. Trimmed to plate top and left.
A three quarter portrait of painter William Brockedon (1787-1854), holding a porte-crayon and sketchbook. The son of a watch-maker, Brockedon continued the business for five years after his father's death, before turning to painting. He travelled extensively, publishing books with prints of his landscapes. He also wrote the descriptive portion of the text of David Roberts's Egypt and Holy Land, published in 1855, the year after his death. Brockedon also patented several inventions, including one to coat felt with vulcanised india-rubber, creating a substitute for corks, and another for refining graphite for better lead pencils.
Whitman 69, state iii of three. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65242] £260.00 (£312.00 incl.VAT)
![[Charlotte Brontë.]](jpegs/65293.jpg)
[Charlotte Brontë.]
[After G.Richmond.] Signed in pencil, G.Sidney Hunt.
Published 1922 by The Museum Galleries, 26 Museum Street, London. W.C. Copyright.
Stipple. 330 x 225mm (13 x 9"), with large margins.
Portrait of Charlotte Nicholls (1816 - 1855), commonly known as Charlotte Brontë, English novelist and poet, and the eldest of the three Brontë sisters who survived into adulthood. She is best known for her novel Jane Eyre, which she published under the male pseudonym Currer Bell.
[Ref: 65293] £180.00 (£216.00 incl.VAT)
[After G.Richmond.] Signed in pencil, G.Sidney Hunt.
Published 1922 by The Museum Galleries, 26 Museum Street, London. W.C. Copyright.
Stipple. 330 x 225mm (13 x 9"), with large margins.
Portrait of Charlotte Nicholls (1816 - 1855), commonly known as Charlotte Brontë, English novelist and poet, and the eldest of the three Brontë sisters who survived into adulthood. She is best known for her novel Jane Eyre, which she published under the male pseudonym Currer Bell.
[Ref: 65293] £180.00 (£216.00 incl.VAT)
The Bruising Match by Hemskerck. Le Combat a Coup de Pogno par Hemskerck.
Printed for John Bowles at ye Black Horse in Cornhill [n.d., c.1750].
Mezzotint, 18th century watermark; 355 x 250mm (14 x 9¾"). Trimmed to plate
Two men brawl in a yard, probably outside a Dutch inn, with another man holding back onlookers. Signs of erasure in the inscription area suggest an earlier, unknown state. The BM & Lennox-Boyd suggest the engraver was Isaac Becket.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64831] £450.00
Printed for John Bowles at ye Black Horse in Cornhill [n.d., c.1750].
Mezzotint, 18th century watermark; 355 x 250mm (14 x 9¾"). Trimmed to plate
Two men brawl in a yard, probably outside a Dutch inn, with another man holding back onlookers. Signs of erasure in the inscription area suggest an earlier, unknown state. The BM & Lennox-Boyd suggest the engraver was Isaac Becket.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64831] £450.00
Mark Isambard Brunel Esq.r F.R.S. Author of the Block Machinery in his Majesty's Dock Yard at Portsmouth, and of other eminent works belonging to the British Government, &c. &c. Whose public works will best attest his fame While private worth adds value to his name. Dedicated by permission to the R.t Hon.ble Lord Viscount Melville, First Lord of the Admiralty, &c. &c. &c. by his Lordship's most ob.t. & hum.ble s.t Cha.s Turner.
Painted by James Northcote Esq.r R.A. Engraved by C.Turner.
London. Pub.d. March 30th, 1815 by C.Turner, 50, Warren Street, Fitzroy Square.
Fine mezzotint. With label "Pass the Bearer to the Shield" in ink Brunel's signature 1840; 505 x 355mm (19¾ x 14"), with large margins.
Three-quarter portrait of civil engineer Marc Isambard Brunel (1769-1849), seated, studying mechanical drawings.
Whitman 77, state ii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65236] £580.00
Painted by James Northcote Esq.r R.A. Engraved by C.Turner.
London. Pub.d. March 30th, 1815 by C.Turner, 50, Warren Street, Fitzroy Square.
Fine mezzotint. With label "Pass the Bearer to the Shield" in ink Brunel's signature 1840; 505 x 355mm (19¾ x 14"), with large margins.
Three-quarter portrait of civil engineer Marc Isambard Brunel (1769-1849), seated, studying mechanical drawings.
Whitman 77, state ii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65236] £580.00
![[Bulldogs] To Henry Boynton Esq, This Plate of Wasp, Child & Billy,](jpegs/64880.jpg)
[Bulldogs] To Henry Boynton Esq, This Plate of Wasp, Child & Billy, is respectfully dedicated (with Permission) by His most obedient humble Servants, Random & Sneath.
Painted by H.B. Chalon, Animal Painter to their R.H.s the Prince of Wales & the Duke & Duchess of York. Engraved by W. Ward Engraver (Extraordinary to his H.R.H. the Prince of Wales) & Duke of York
London Pub.d 15 May 1809 by Random & Sneath, Sporting Gallery, 5 Hart Str.t Bloomsbury Square.
Mezzotint with very fine printed colour. 505 x 605mm (19¾ x 23¾"). Trimmed to plate top and bottom.
A boy leans over a fence into a pen holding three bulldogs, holding out his hat.
Ex: Collection of The Hon. Christopher Lennox-Boyd, state with lettering strengthened. Frankau 314. Sitltzer p.93
[Ref: 64880] £680.00
Painted by H.B. Chalon, Animal Painter to their R.H.s the Prince of Wales & the Duke & Duchess of York. Engraved by W. Ward Engraver (Extraordinary to his H.R.H. the Prince of Wales) & Duke of York
London Pub.d 15 May 1809 by Random & Sneath, Sporting Gallery, 5 Hart Str.t Bloomsbury Square.
Mezzotint with very fine printed colour. 505 x 605mm (19¾ x 23¾"). Trimmed to plate top and bottom.
A boy leans over a fence into a pen holding three bulldogs, holding out his hat.
Ex: Collection of The Hon. Christopher Lennox-Boyd, state with lettering strengthened. Frankau 314. Sitltzer p.93
[Ref: 64880] £680.00
Contadina degli Stati di Parma e Modena.
H.W.Bunbury delin. J.Bretherton. f.
[Publish'd as the Act dircts 3.d Feb.y 1773. By J.Bretherton No.134 New Bond Street.]
Etching, sheet 265 x 185mm (10½ x 7¼"). Trimmed losing publication line and laid down onto album sheet at corners.
Two Italian women, wearing traditional costumes from Parma and Modena, stand next to a customs building, 'Qui si paga la gabella', accompanied by a dog. One of a series of costume prints. Etched after Henry Bunbury, an amateur printmaker who subsequently enjoyed a successful career as a designer for printsellers. 'Prints by Bunbury an his imitators were conspicuously 'polite' and appealed, like novels, 'To the Fashionable World and Polite circles'. Of good family, amply endowed with social skills, a beautiful wife and connections in high society, Bunbury's appeal was not solely aesthetic' and his admirers 'recognized his comic talent, his informed enthusiasm for literature, and his ability to draw a momentary pang with something of the sensitivity with which Sterne could write it' (Clayton).
[Ref: 65181] £110.00 (£132.00 incl.VAT)
H.W.Bunbury delin. J.Bretherton. f.
[Publish'd as the Act dircts 3.d Feb.y 1773. By J.Bretherton No.134 New Bond Street.]
Etching, sheet 265 x 185mm (10½ x 7¼"). Trimmed losing publication line and laid down onto album sheet at corners.
Two Italian women, wearing traditional costumes from Parma and Modena, stand next to a customs building, 'Qui si paga la gabella', accompanied by a dog. One of a series of costume prints. Etched after Henry Bunbury, an amateur printmaker who subsequently enjoyed a successful career as a designer for printsellers. 'Prints by Bunbury an his imitators were conspicuously 'polite' and appealed, like novels, 'To the Fashionable World and Polite circles'. Of good family, amply endowed with social skills, a beautiful wife and connections in high society, Bunbury's appeal was not solely aesthetic' and his admirers 'recognized his comic talent, his informed enthusiasm for literature, and his ability to draw a momentary pang with something of the sensitivity with which Sterne could write it' (Clayton).
[Ref: 65181] £110.00 (£132.00 incl.VAT)
Contadina degli Stati di Parma e Modena.
H.W.Bunbury delin. J.Bretherton. f.
Publish'd as the Act dircts 3.d Feb.y 1773. By J.Bretherton No.134 New Bond Street.
Etching with fine hand colour, sheet 265 x 185mm (10½ x 7¼"). Trimmed to plate. Top right corner of paper missing.
Two Italian women, wearing traditional costumes from Parma and Modena, stand next to a customs building, 'Qui si paga la gabella', accompanied by a dog. One of a series of costume prints. Etched after Henry Bunbury, an amateur printmaker who subsequently enjoyed a successful career as a designer for printsellers. 'Prints by Bunbury an his imitators were conspicuously 'polite' and appealed, like novels, 'To the Fashionable World and Polite circles'. Of good family, amply endowed with social skills, a beautiful wife and connections in high society, Bunbury's appeal was not solely aesthetic' and his admirers 'recognized his comic talent, his informed enthusiasm for literature, and his ability to draw a momentary pang with something of the sensitivity with which Sterne could write it' (Clayton).
[Ref: 65180] £75.00 (£90.00 incl.VAT)
H.W.Bunbury delin. J.Bretherton. f.
Publish'd as the Act dircts 3.d Feb.y 1773. By J.Bretherton No.134 New Bond Street.
Etching with fine hand colour, sheet 265 x 185mm (10½ x 7¼"). Trimmed to plate. Top right corner of paper missing.
Two Italian women, wearing traditional costumes from Parma and Modena, stand next to a customs building, 'Qui si paga la gabella', accompanied by a dog. One of a series of costume prints. Etched after Henry Bunbury, an amateur printmaker who subsequently enjoyed a successful career as a designer for printsellers. 'Prints by Bunbury an his imitators were conspicuously 'polite' and appealed, like novels, 'To the Fashionable World and Polite circles'. Of good family, amply endowed with social skills, a beautiful wife and connections in high society, Bunbury's appeal was not solely aesthetic' and his admirers 'recognized his comic talent, his informed enthusiasm for literature, and his ability to draw a momentary pang with something of the sensitivity with which Sterne could write it' (Clayton).
[Ref: 65180] £75.00 (£90.00 incl.VAT)
Amelia Countess of Ossory. From the Original Picture in His Majesty's Collection at Windsor.
Painted by Sir Peter Lely. Engrav'd by Thomas Watson.
Publish'd Jan.y 1.st 1779, for W: Shropshire, No.158, & T. Watson, No.142, New Bond-Street, London.
Mezzotint, fine impression. 455 x 330mm (18 x 13"). Backed onto album paper at corners. Crease in lower left and faint time-staining. Small margins.
Portrait of Emilia Butler, Countess of Ossory (1635 - 1688 (buried), born Æmilia van Nassau-Beverweerd, was an Anglo-Dutch courtier. Emilia was married in Den Bosch in the Netherlands on 14 November 1659 to Thomas Butler, viscount Thurles (1633 - 1680). Lady Ossory served Queen Catherine for over twenty years, retiring from service after the death of Charles II (1685). From a set of six prints after a series of paintings by Sir Peter Lely of women at the court of Charles II, known as 'The Beauties of Windsor'.
Goodwin: 34; CS 5 iii/iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64929] £360.00
Painted by Sir Peter Lely. Engrav'd by Thomas Watson.
Publish'd Jan.y 1.st 1779, for W: Shropshire, No.158, & T. Watson, No.142, New Bond-Street, London.
Mezzotint, fine impression. 455 x 330mm (18 x 13"). Backed onto album paper at corners. Crease in lower left and faint time-staining. Small margins.
Portrait of Emilia Butler, Countess of Ossory (1635 - 1688 (buried), born Æmilia van Nassau-Beverweerd, was an Anglo-Dutch courtier. Emilia was married in Den Bosch in the Netherlands on 14 November 1659 to Thomas Butler, viscount Thurles (1633 - 1680). Lady Ossory served Queen Catherine for over twenty years, retiring from service after the death of Charles II (1685). From a set of six prints after a series of paintings by Sir Peter Lely of women at the court of Charles II, known as 'The Beauties of Windsor'.
Goodwin: 34; CS 5 iii/iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64929] £360.00
His Grace James Duke, Marquis & E. of Ormond Earl of Ossory & Brecknock, Viscount Thurles, Baron of Arklon, Dingwell, Langthory & Moor-Park [...]
S.r G. Kneller Pinx. P. Pelham Fecit.
Sold by John Bowles at the Black Horse in Cornhill [n.d., c.1735.]
Mezzotint, 18th century watermark. Sheet 340 x 250mm (13½ x 9¾"). Trimmed to image on three sides.
Three quarter portrait of James Butler (1665-1745), second Duke of Ormonde, in wig and armour. After the dismissal of the Duke of Marlborough in 1711, Ormonde was appointed Commander-in-Chief of the Forces but was impeached as a Jacobite in 1715. The engraver, Peter Pelham, emigrated to Boston in 1727, becoming America's first mezzotinter. In 1748 he married John Singleton Copley's mother.
CS 30, state not listed. O'D ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd. Sharp 555.
[Ref: 64855] £220.00 (£264.00 incl.VAT)
S.r G. Kneller Pinx. P. Pelham Fecit.
Sold by John Bowles at the Black Horse in Cornhill [n.d., c.1735.]
Mezzotint, 18th century watermark. Sheet 340 x 250mm (13½ x 9¾"). Trimmed to image on three sides.
Three quarter portrait of James Butler (1665-1745), second Duke of Ormonde, in wig and armour. After the dismissal of the Duke of Marlborough in 1711, Ormonde was appointed Commander-in-Chief of the Forces but was impeached as a Jacobite in 1715. The engraver, Peter Pelham, emigrated to Boston in 1727, becoming America's first mezzotinter. In 1748 he married John Singleton Copley's mother.
CS 30, state not listed. O'D ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd. Sharp 555.
[Ref: 64855] £220.00 (£264.00 incl.VAT)
![[James Butler, 2nd Duke of Ormonde.]](jpegs/65142.jpg)
[James Butler, 2nd Duke of Ormonde.] Illustrifsimo Principi Iacobo Ormondia Duci, & c. Academice Oxon Cancellario.
Summa cum Humil: & Observantia D.D.D. J.Faber.
[n.d., c.1730. Sold by Tho. Bakewell at the Golden Lion in Fleetstreet London.]
Mezzotint with Collector's mark. 255 x 200mm (10 x 8"). Tear on right margin into image. Publication faded.
Portrait of James Fitz James Butler, 2nd Duke of Ormonde, KG (1665 - 1745), Irish statesman and soldier. In 1688 he also became Chancellor of the University of Oxford until 1715.
CS 34 IV of IV. Sharp 561. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65142] £80.00 (£96.00 incl.VAT)
Summa cum Humil: & Observantia D.D.D. J.Faber.
[n.d., c.1730. Sold by Tho. Bakewell at the Golden Lion in Fleetstreet London.]
Mezzotint with Collector's mark. 255 x 200mm (10 x 8"). Tear on right margin into image. Publication faded.
Portrait of James Fitz James Butler, 2nd Duke of Ormonde, KG (1665 - 1745), Irish statesman and soldier. In 1688 he also became Chancellor of the University of Oxford until 1715.
CS 34 IV of IV. Sharp 561. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65142] £80.00 (£96.00 incl.VAT)
His Grace James Duke, Marquis & E. of Ormond Earl of Ossory & Brecknock, Viscount Thurles, Baron of Arklon, Dingwell, Langthory & Moor-Park [...]
S.r G. Kneller Pinx. P. Pelham Fecit.
Sold by J. Sympson Engraver & Printseller in Russell Court Covent Graden [Printed label, probably pasted over address of John Bowles at the Black Horse in Cornhill, n.d., c.1735.]
Mezzotint, 18th century watermark. 340 x 250mm (13½ x 9¾"), with large margins.
Three quarter portrait of James Butler (1665-1745), second Duke of Ormonde, in wig and armour. After the dismissal of the Duke of Marlborough in 1711, Ormonde was appointed Commander-in-Chief of the Forces but was impeached as a Jacobite in 1715. The engraver, Peter Pelham, emigrated to Boston in 1727, becoming America's first mezzotinter. In 1748 he married John Singleton Copley's mother.
CS 30, state not listed. O'D ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd. Sharp 555
[Ref: 64856] £360.00
S.r G. Kneller Pinx. P. Pelham Fecit.
Sold by J. Sympson Engraver & Printseller in Russell Court Covent Graden [Printed label, probably pasted over address of John Bowles at the Black Horse in Cornhill, n.d., c.1735.]
Mezzotint, 18th century watermark. 340 x 250mm (13½ x 9¾"), with large margins.
Three quarter portrait of James Butler (1665-1745), second Duke of Ormonde, in wig and armour. After the dismissal of the Duke of Marlborough in 1711, Ormonde was appointed Commander-in-Chief of the Forces but was impeached as a Jacobite in 1715. The engraver, Peter Pelham, emigrated to Boston in 1727, becoming America's first mezzotinter. In 1748 he married John Singleton Copley's mother.
CS 30, state not listed. O'D ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd. Sharp 555
[Ref: 64856] £360.00
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
![[James Butler, 2nd Duke of Ormonde.]](jpegs/65144.jpg)
[James Butler, 2nd Duke of Ormonde.] Illustrifsimo Principi Iacobo Ormondia Duci, & c. Academice Oxon Cancellario.
Summa cum Humil: & Observantia D.D.D. J.Faber.
[n.d., c.1730.]
Mezzotint. 260 x 195mm (10¼ x 7¾"). Publication faded.
Portrait of James FitzJames Butler, 2nd Duke of Ormonde, KG (1665 - 1745), Irish statesman and soldier. In 1688 he also became Chancellor of the University of Oxford until 1715.
CS 34 IV of IV. Sharp 561. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65144] £120.00 (£144.00 incl.VAT)
Summa cum Humil: & Observantia D.D.D. J.Faber.
[n.d., c.1730.]
Mezzotint. 260 x 195mm (10¼ x 7¾"). Publication faded.
Portrait of James FitzJames Butler, 2nd Duke of Ormonde, KG (1665 - 1745), Irish statesman and soldier. In 1688 he also became Chancellor of the University of Oxford until 1715.
CS 34 IV of IV. Sharp 561. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65144] £120.00 (£144.00 incl.VAT)
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
![Caernarvon Castle [pencil].](jpegs/64962.jpg)
Caernarvon Castle [pencil].
Francis Wells [pencil signature.]
[n.d., c.1930.]
Etching with aquatint printed in colours. 165 x 315mm (6½ x 12¼"), with large margins, blind-stamped 'Rembrandt Guild Artist's Proof'.
A view of Caernarvon Castle from the sea. Francis Wells (exh. 1897-1938), portrait and landscape painter who studied at the Slade and Royal Academy Schools; lived Milton Abbas, Dorset.
[Ref: 64962] £75.00 (£90.00 incl.VAT)
Francis Wells [pencil signature.]
[n.d., c.1930.]
Etching with aquatint printed in colours. 165 x 315mm (6½ x 12¼"), with large margins, blind-stamped 'Rembrandt Guild Artist's Proof'.
A view of Caernarvon Castle from the sea. Francis Wells (exh. 1897-1938), portrait and landscape painter who studied at the Slade and Royal Academy Schools; lived Milton Abbas, Dorset.
[Ref: 64962] £75.00 (£90.00 incl.VAT)
George Campbell D.D.
J. Bogle pinx.t Caroline Watson engraver to her Majesty sculpt.
London, Published Novr 25. 1798, by J. Johnson, St. Paul's Churchyard.
Stipple, sheet 165 x 130mm (6¾ x 5¼"). Light staining.
A bust-length portrait of professor of divinity at Marischal College, Aberdeen, George Campbell (1719-96), shown in an oval frame, slightly turned to the left. He is dressed in an academic gown with bands at his neck and wears a powdered bobwig on his head.
[Ref: 65196] £65.00 (£78.00 incl.VAT)
J. Bogle pinx.t Caroline Watson engraver to her Majesty sculpt.
London, Published Novr 25. 1798, by J. Johnson, St. Paul's Churchyard.
Stipple, sheet 165 x 130mm (6¾ x 5¼"). Light staining.
A bust-length portrait of professor of divinity at Marischal College, Aberdeen, George Campbell (1719-96), shown in an oval frame, slightly turned to the left. He is dressed in an academic gown with bands at his neck and wears a powdered bobwig on his head.
[Ref: 65196] £65.00 (£78.00 incl.VAT)
Thomas Campbell, Esq.re. Proof.
Painted by Thomas Lonsdale. Engraved by S.W. Reynolds, Engraver to the King.
London. Published Jan.y 1. 1827, by W. Sams, Book & Printseller to the Royal Family, opposite S.t James's Palace.
Proof mezzotint. 400 x 320mm (15¾ x 12½"). Some creasing, mainly to margins, small tear in margin taped. Small margins, bit dusty.
Half-length portrait of Scottish poet Thomas Campbell (1777-1844), seated at a desk, quill in hand. He helped found London University (now University College London). In this third state, the plate has been cut down, publication line altered, window replaced by a bookcase and the column fluted.
Whitman 46, state iii of iii. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 64764] £190.00 (£228.00 incl.VAT)
Painted by Thomas Lonsdale. Engraved by S.W. Reynolds, Engraver to the King.
London. Published Jan.y 1. 1827, by W. Sams, Book & Printseller to the Royal Family, opposite S.t James's Palace.
Proof mezzotint. 400 x 320mm (15¾ x 12½"). Some creasing, mainly to margins, small tear in margin taped. Small margins, bit dusty.
Half-length portrait of Scottish poet Thomas Campbell (1777-1844), seated at a desk, quill in hand. He helped found London University (now University College London). In this third state, the plate has been cut down, publication line altered, window replaced by a bookcase and the column fluted.
Whitman 46, state iii of iii. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 64764] £190.00 (£228.00 incl.VAT)
Thomas Campbell, Esq.re. Proof.
Painted by Thomas Lonsdale. Engraved by S.W. Reynolds, Engraver to the King.
London. Published April 14.th 1826, by W. Sams, Book & Printseller to the Royal Family, opposite S.t James's Palace.
Proof mezzotint. 510 x 355mm (20 x 14"). Trimmed to plate, tear touching image at top repaired, bottom corner reinforced, some spotting.
Half-length portrait of Scottish poet Thomas Campbell (1777-1844), seated at a desk, quill in hand. He helped found London University (now University College London). An example of the first lettered state, before the plate was cut down.
Whitman 46, state ii of iii. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 64765] £260.00 (£312.00 incl.VAT)
Painted by Thomas Lonsdale. Engraved by S.W. Reynolds, Engraver to the King.
London. Published April 14.th 1826, by W. Sams, Book & Printseller to the Royal Family, opposite S.t James's Palace.
Proof mezzotint. 510 x 355mm (20 x 14"). Trimmed to plate, tear touching image at top repaired, bottom corner reinforced, some spotting.
Half-length portrait of Scottish poet Thomas Campbell (1777-1844), seated at a desk, quill in hand. He helped found London University (now University College London). An example of the first lettered state, before the plate was cut down.
Whitman 46, state ii of iii. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 64765] £260.00 (£312.00 incl.VAT)
![[Thomas Campbell, Esq.re.]](jpegs/64766.jpg)
[Thomas Campbell, Esq.re.]
[Painted by Thomas Lonsdale. Engraved by S.W. Reynolds, Engraver to the King.]
[London. Published April 14.th 1826, by W. Sams, Book & Printseller to the Royal Family, opposite S.t James's Palace.]
Mezzotint, proof before letters. 510 x 355mm (20 x 14"). Some creasing, small tear in the bottom margin,
Half-length portrait of Scottish poet Thomas Campbell (1777-1844), seated at a desk, quill in hand. He helped found London University (now University College London).
Whitman 46, state i of iii. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 64766] £320.00
[Painted by Thomas Lonsdale. Engraved by S.W. Reynolds, Engraver to the King.]
[London. Published April 14.th 1826, by W. Sams, Book & Printseller to the Royal Family, opposite S.t James's Palace.]
Mezzotint, proof before letters. 510 x 355mm (20 x 14"). Some creasing, small tear in the bottom margin,
Half-length portrait of Scottish poet Thomas Campbell (1777-1844), seated at a desk, quill in hand. He helped found London University (now University College London).
Whitman 46, state i of iii. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 64766] £320.00
Fish Market Canton.
From nature by Heine. Lith. of Sarony & Cº New York.
[New York: G. P. Putnam & Company, 1856.]
Tinted lithograph. Sheet 210 x 290mm (8¼ x 11½").
A street scene with a litter. From Francis Hawk's 'Narrative of the Expedition of an American Squadron to the China Seas and Japan', the account of Commodore Matthew Perry's mission to Japan. Wilhelm Heine (1827 - 1885), a German-American, was the official artist to the expedition.
[Ref: 64741] £180.00 (£216.00 incl.VAT)
From nature by Heine. Lith. of Sarony & Cº New York.
[New York: G. P. Putnam & Company, 1856.]
Tinted lithograph. Sheet 210 x 290mm (8¼ x 11½").
A street scene with a litter. From Francis Hawk's 'Narrative of the Expedition of an American Squadron to the China Seas and Japan', the account of Commodore Matthew Perry's mission to Japan. Wilhelm Heine (1827 - 1885), a German-American, was the official artist to the expedition.
[Ref: 64741] £180.00 (£216.00 incl.VAT)
The R.t Hon.ble the Countess of Essex.
G.Kneller Bart Pinxt. I.Faber Fecit.
[n.d., c.1723] London Printed for & Sold by Rob.t Sayer at the Golden Buck opposite Fetter Lane, Fleet Street & In King at the Globe in Poultrey.
Mezzotint on 18th century watermarked paper. 350 x 245mm (13¾ x 9¾"). Small margins. Tiny cut into lower plate. Faint crease across upper right. Some time-staining.
Portrait of Mary Capell, Countess of Essex (1679 - 1726), born Lady Mary Bentinck, the daughter of William Bentinck, 1st Earl of Portland, a Dutch and English nobleman who became in an early stage the favourite of stadtholder William, Prince of Orange (the future King of England) and his wife Anne Villiers. From the series of thirteen plates 'Beauties at Hampton Court'.
CS 28 iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64945] £220.00 (£264.00 incl.VAT)
G.Kneller Bart Pinxt. I.Faber Fecit.
[n.d., c.1723] London Printed for & Sold by Rob.t Sayer at the Golden Buck opposite Fetter Lane, Fleet Street & In King at the Globe in Poultrey.
Mezzotint on 18th century watermarked paper. 350 x 245mm (13¾ x 9¾"). Small margins. Tiny cut into lower plate. Faint crease across upper right. Some time-staining.
Portrait of Mary Capell, Countess of Essex (1679 - 1726), born Lady Mary Bentinck, the daughter of William Bentinck, 1st Earl of Portland, a Dutch and English nobleman who became in an early stage the favourite of stadtholder William, Prince of Orange (the future King of England) and his wife Anne Villiers. From the series of thirteen plates 'Beauties at Hampton Court'.
CS 28 iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64945] £220.00 (£264.00 incl.VAT)
The Right Hon.ble the Countess of Essex.
G.Kneller Bart. Pinx. J.Faber fecit.
[n.d., c.1723. Printed & Sold by Rob.t Sayer Near St. Dunstans Church in Fleetstreet, & John King at the Globe in the Poultrey.]
Fine mezzotint, 18th century watermark 455 x 305mm (18 x 12"), with large margins.
Portrait of Mary Capell, Countess of Essex (1679 - 1726), born Lady Mary Bentinck, was the daughter of William Bentinck, 1st Earl of Portland, a Dutch and English nobleman who became in an early stage the favourite of stadtholder William, Prince of Orange (the future King of England) and his wife Anne Villiers (died 30 November 1688). From the series of thirteen plates 'Beauties at Hampton Court'.
CS 28 iii of iv. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65000] £360.00
G.Kneller Bart. Pinx. J.Faber fecit.
[n.d., c.1723. Printed & Sold by Rob.t Sayer Near St. Dunstans Church in Fleetstreet, & John King at the Globe in the Poultrey.]
Fine mezzotint, 18th century watermark 455 x 305mm (18 x 12"), with large margins.
Portrait of Mary Capell, Countess of Essex (1679 - 1726), born Lady Mary Bentinck, was the daughter of William Bentinck, 1st Earl of Portland, a Dutch and English nobleman who became in an early stage the favourite of stadtholder William, Prince of Orange (the future King of England) and his wife Anne Villiers (died 30 November 1688). From the series of thirteen plates 'Beauties at Hampton Court'.
CS 28 iii of iv. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65000] £360.00
Serenissima Carolina. D.G Mag: Brit: Fran: et Hib: Regina.
Amiconi Pinx. A.Vanhaeken Fecit.
1736. Sold by T.Jefferys in the Strand and W.Herbert on London Bridge.
Fine mezzotint. 355 x 250 (14 x 10"). Faint crease in upper left corner. Small margins.
Portrait of Caroline of Brandenburg-Ansbach (1683 - 1737), Queen of Great Britain and Ireland and Electress of Hanover from 11 June 1727 until her death in 1737 as the wife of King George II.
CS 3. O'Donoghue 347/3. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65188] £260.00 (£312.00 incl.VAT)
Amiconi Pinx. A.Vanhaeken Fecit.
1736. Sold by T.Jefferys in the Strand and W.Herbert on London Bridge.
Fine mezzotint. 355 x 250 (14 x 10"). Faint crease in upper left corner. Small margins.
Portrait of Caroline of Brandenburg-Ansbach (1683 - 1737), Queen of Great Britain and Ireland and Electress of Hanover from 11 June 1727 until her death in 1737 as the wife of King George II.
CS 3. O'Donoghue 347/3. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65188] £260.00 (£312.00 incl.VAT)