A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
The Beauty unmasked.
[After Henry Morland.]
London: Printed for Rob.t Sayer. N.o 53 in Fleet Street. [n.d. c.1760.]
Scarce mezzotint, 150 x 110mm (6 x 4¼") with large margins. Glued on an album sheet.
A portrait of a young woman, holding a mask in right hand and wearing an ermine-trimmed cloak over a low-necked gown with pearl jewellery and her hair up in a plumed turban with a coil hanging over left shoulder.
[Ref: 60085] £260.00 (£312.00 incl.VAT)
[After Henry Morland.]
London: Printed for Rob.t Sayer. N.o 53 in Fleet Street. [n.d. c.1760.]
Scarce mezzotint, 150 x 110mm (6 x 4¼") with large margins. Glued on an album sheet.
A portrait of a young woman, holding a mask in right hand and wearing an ermine-trimmed cloak over a low-necked gown with pearl jewellery and her hair up in a plumed turban with a coil hanging over left shoulder.
[Ref: 60085] £260.00 (£312.00 incl.VAT)
Joannes Brown Norvicencis Chirurgis. Aetatis suae 35 Ano Dom: 1677.
H Morland delin. R White sculp.
[n.d. c.1677.]
Rare engraving. Plate 159 x 108mm (6¼ x 4¼"). Trimmed to the platemark on 2 sides. Small margins on left & right.
Portrait of the surgeon John Browne; half length, to the right, looking at viewer; wearing long wig, gown, and lace cravat; in oval frame on pedestal; frontispiece to his 'A Compleat Treatise of Preternatural Tumours' (1678). John Browne (1642-c.1700); surgeon to Charles II and William III
[Ref: 52511] £140.00 (£168.00 incl.VAT)
H Morland delin. R White sculp.
[n.d. c.1677.]
Rare engraving. Plate 159 x 108mm (6¼ x 4¼"). Trimmed to the platemark on 2 sides. Small margins on left & right.
Portrait of the surgeon John Browne; half length, to the right, looking at viewer; wearing long wig, gown, and lace cravat; in oval frame on pedestal; frontispiece to his 'A Compleat Treatise of Preternatural Tumours' (1678). John Browne (1642-c.1700); surgeon to Charles II and William III
[Ref: 52511] £140.00 (£168.00 incl.VAT)
Joannes Browne Regius Chirurgus Ordinarius. Aetatis suae 42 Ano Dom 1684.
R. White sculp.
[n.d. c.1684]
Engraving. Sheet 255 x 165mm (10 x 6½"). Trimmed into plate.
Half-length portrait of John Browne (1642-c.1700), surgeon to both Charles II and William III, wearing long wig, gown, and lace cravat; in oval frame on pedestal. The plate was used as the frontispiece to his 'A Compleat Treatise of Preternatural Tumours' (1678), but was updated to use in 'Adeno-Choiradelogia, or an Anatomick-Chirurgical Treatise', with the date altered to 1684. On this example a mustache has been added.
Wellcome 446-3.
[Ref: 67426] £160.00 (£192.00 incl.VAT)
R. White sculp.
[n.d. c.1684]
Engraving. Sheet 255 x 165mm (10 x 6½"). Trimmed into plate.
Half-length portrait of John Browne (1642-c.1700), surgeon to both Charles II and William III, wearing long wig, gown, and lace cravat; in oval frame on pedestal. The plate was used as the frontispiece to his 'A Compleat Treatise of Preternatural Tumours' (1678), but was updated to use in 'Adeno-Choiradelogia, or an Anatomick-Chirurgical Treatise', with the date altered to 1684. On this example a mustache has been added.
Wellcome 446-3.
[Ref: 67426] £160.00 (£192.00 incl.VAT)
![[The Connoisseur; sometimes called The Connoisseur and Tired Boy.]](jpegs/11911.jpg)
[The Connoisseur; sometimes called The Connoisseur and Tired Boy.]
[Henry Morland.]
[n.d., c.1840.]
Hand coloured aquatint, sheet 230 x 185mm. 9 x 7¼". Trimmed to image.
A man holds up a candle to light a painted landscape in a heavy frame, which is held up for him by a yawning boy. After Henry Morland (c.1719 - 1797, father of George), who exhibited the painting on which this is based several times at the Free Society of Artists. In 1775 he published this description of it: 'An Italian Connoisseur and tired boy. The connoisseur is an admirer of no pictures but Italian, therefore his taste is greatly affronted on being shown a Dutch picture; nevertheless his attention is engaged by some effect he sees in the landscape - has forgotten the boy, who is tired with holding the picture in a heavy frame, which he is just ready to drop.'
[Ref: 11911] £130.00 (£156.00 incl.VAT)
[Henry Morland.]
[n.d., c.1840.]
Hand coloured aquatint, sheet 230 x 185mm. 9 x 7¼". Trimmed to image.
A man holds up a candle to light a painted landscape in a heavy frame, which is held up for him by a yawning boy. After Henry Morland (c.1719 - 1797, father of George), who exhibited the painting on which this is based several times at the Free Society of Artists. In 1775 he published this description of it: 'An Italian Connoisseur and tired boy. The connoisseur is an admirer of no pictures but Italian, therefore his taste is greatly affronted on being shown a Dutch picture; nevertheless his attention is engaged by some effect he sees in the landscape - has forgotten the boy, who is tired with holding the picture in a heavy frame, which he is just ready to drop.'
[Ref: 11911] £130.00 (£156.00 incl.VAT)
![[The Connoisseur; sometimes called The Connoisseur and Tired Boy.]](jpegs/11912.jpg)
[The Connoisseur; sometimes called The Connoisseur and Tired Boy.]
[Henry Morland.]
[n.d., c.1840.]
Hand coloured aquatint, excised and glued to album page, set into embossed gold leaf frame. Original guard leaf. Frame 245 x 200mm, 9¾ x 8". Cut around image.
A man holds up a candle to light a painted landscape in a heavy frame, which is held up for him by a yawning boy. After Henry Morland (c.1719 - 1797, father of George), who exhibited the painting on which this is based several times at the Free Society of Artists. In 1775 he published this description of it: 'An Italian Connoisseur and tired boy. The connoisseur is an admirer of no pictures but Italian, therefore his taste is greatly affronted on being shown a Dutch picture; nevertheless his attention is engaged by some effect he sees in the landscape - has forgotten the boy, who is tired with holding the picture in a heavy frame, which he is just ready to drop.'
[Ref: 11912] £180.00 (£216.00 incl.VAT)
[Henry Morland.]
[n.d., c.1840.]
Hand coloured aquatint, excised and glued to album page, set into embossed gold leaf frame. Original guard leaf. Frame 245 x 200mm, 9¾ x 8". Cut around image.
A man holds up a candle to light a painted landscape in a heavy frame, which is held up for him by a yawning boy. After Henry Morland (c.1719 - 1797, father of George), who exhibited the painting on which this is based several times at the Free Society of Artists. In 1775 he published this description of it: 'An Italian Connoisseur and tired boy. The connoisseur is an admirer of no pictures but Italian, therefore his taste is greatly affronted on being shown a Dutch picture; nevertheless his attention is engaged by some effect he sees in the landscape - has forgotten the boy, who is tired with holding the picture in a heavy frame, which he is just ready to drop.'
[Ref: 11912] £180.00 (£216.00 incl.VAT)
The Connoisseur and Tired Boy. (from Morland.)
[Henry Morland.]
[n.d., c.1835.]
Hand coloured aquatint. Sheet 255 x 190mm (10 x 7½"). Trimmed within plate.
A man holds up a candle to light a painted landscape in a heavy frame, which is held up for him by a yawning boy. After Henry Morland (c.1719 - 1797, father of George), who exhibited the painting on which this is based several times at the Free Society of Artists. In 1775 he published this description of it: 'An Italian Connoisseur and tired boy. The connoisseur is an admirer of no pictures but Italian, therefore his taste is greatly affronted on being shown a Dutch picture; nevertheless his attention is engaged by some effect he sees in the landscape - has forgotten the boy, who is tired with holding the picture in a heavy frame, which he is just ready to drop'.
[Ref: 60880] £230.00 (£276.00 incl.VAT)
[Henry Morland.]
[n.d., c.1835.]
Hand coloured aquatint. Sheet 255 x 190mm (10 x 7½"). Trimmed within plate.
A man holds up a candle to light a painted landscape in a heavy frame, which is held up for him by a yawning boy. After Henry Morland (c.1719 - 1797, father of George), who exhibited the painting on which this is based several times at the Free Society of Artists. In 1775 he published this description of it: 'An Italian Connoisseur and tired boy. The connoisseur is an admirer of no pictures but Italian, therefore his taste is greatly affronted on being shown a Dutch picture; nevertheless his attention is engaged by some effect he sees in the landscape - has forgotten the boy, who is tired with holding the picture in a heavy frame, which he is just ready to drop'.
[Ref: 60880] £230.00 (£276.00 incl.VAT)
Georgius III. Magn: Brit: Franc: et Hibern: Rex. Defensor Fidei Dux Brunsv: et Luneb: et Elector. nat: d: 4 Juny. 1738.
Morland Efig: pinx. J: E: Nilson fec: et excud: Aug: Vind.
[n.d., c.1770.]
Engraving. Plate: 220 x 160mm (8¾ x 6¼''), with large margins.
A portrait of George III (1738-1820) after a painting by Henry Morland.
[Ref: 48645] £130.00 (£156.00 incl.VAT)
Morland Efig: pinx. J: E: Nilson fec: et excud: Aug: Vind.
[n.d., c.1770.]
Engraving. Plate: 220 x 160mm (8¾ x 6¼''), with large margins.
A portrait of George III (1738-1820) after a painting by Henry Morland.
[Ref: 48645] £130.00 (£156.00 incl.VAT)
Ladys Maid Soaping Linnen.
Hen. Morland pinx.t. Phil. Dawe fecit.
Carington Bowles excudit. [n.d. c.1769.]
Mezzotint, sheet 490 x 360mm (19¼ x 14¼"). Trimmed within plate on bottom edge losing publication line. Slightly creased top left. Time stained.
A young woman wearing a cap and printed cotton dress, standing over a basin in which she is washing linen. A good example of an 18th century "risque" image.
CS 21.
[Ref: 59410] £450.00
Hen. Morland pinx.t. Phil. Dawe fecit.
Carington Bowles excudit. [n.d. c.1769.]
Mezzotint, sheet 490 x 360mm (19¼ x 14¼"). Trimmed within plate on bottom edge losing publication line. Slightly creased top left. Time stained.
A young woman wearing a cap and printed cotton dress, standing over a basin in which she is washing linen. A good example of an 18th century "risque" image.
CS 21.
[Ref: 59410] £450.00
![[A young woman shielding a candle.]](jpegs/60175.jpg)
[A young woman shielding a candle.]
Moreland Pinx.t. Purcell fecit.
[n.d., c.1760.].
Mezzotint. 355 x 255mm (14 x 10"), large margins. Nicks in edges of margins.
Engraved by Richard Purcell after Henry Morland (1716-97), father of George Morland.
CS 85.
[Ref: 60175] £320.00
Moreland Pinx.t. Purcell fecit.
[n.d., c.1760.].
Mezzotint. 355 x 255mm (14 x 10"), large margins. Nicks in edges of margins.
Engraved by Richard Purcell after Henry Morland (1716-97), father of George Morland.
CS 85.
[Ref: 60175] £320.00
![[A young woman shielding a candle.]](jpegs/60176.jpg)
[A young woman shielding a candle.]
Moreland Pinx.t. Purcell fecit.
[n.d., c.1760.].
Mezzotint. 355 x 255mm (14 x 10"). Trimmed to plate.
Engraved by Richard Purcell after Henry Morland (1716-97), father of George Morland.
CS 85.
[Ref: 60176] £220.00 (£264.00 incl.VAT)
Moreland Pinx.t. Purcell fecit.
[n.d., c.1760.].
Mezzotint. 355 x 255mm (14 x 10"). Trimmed to plate.
Engraved by Richard Purcell after Henry Morland (1716-97), father of George Morland.
CS 85.
[Ref: 60176] £220.00 (£264.00 incl.VAT)
The Unlucky Boy. 217.
Hen.y Morland Inven.t et Pinx.t.
London Printed for Rob.t Sayer Map & Printseller No. 53 Fleet Street, as the Act directs 25 Feb.y 1773.
Very fine hand-coloured mezzotint, sheet 350 x 250mm (15¼ x 10"). On 18th century watermarked paper. Trimmed to plate.
A young boy leans across a small round table, using a thin strip of paper to tickle the nose of a girl asleep in a high-backed wooden chair to the right. He raises a finger to his lips as he stifles a laugh, both figures softly illuminated by the candle on the table. Plate re-issued by Robert Sayer with the series number '217' added to right.
CS 19. State recorded in the Lennox-Boyd database III of III. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68851] £280.00 (£336.00 incl.VAT)
Hen.y Morland Inven.t et Pinx.t.
London Printed for Rob.t Sayer Map & Printseller No. 53 Fleet Street, as the Act directs 25 Feb.y 1773.
Very fine hand-coloured mezzotint, sheet 350 x 250mm (15¼ x 10"). On 18th century watermarked paper. Trimmed to plate.
A young boy leans across a small round table, using a thin strip of paper to tickle the nose of a girl asleep in a high-backed wooden chair to the right. He raises a finger to his lips as he stifles a laugh, both figures softly illuminated by the candle on the table. Plate re-issued by Robert Sayer with the series number '217' added to right.
CS 19. State recorded in the Lennox-Boyd database III of III. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68851] £280.00 (£336.00 incl.VAT)