A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Rt. Hon. John Bright M.P.]](jpegs/4240.jpg)
[Rt. Hon. John Bright M.P.]
John Everett Millais. Thos Oldham Barlow [Pencil signatures.]
Published March 1st 1882, by Thomas Agnew & Sons, London, Liverpool & Manchester, Copyright Registered.
Mezzotint, Printsellers' blindstamp. Limited to 500. 420 x 570mm (16½ x 22½"). Trimmed to plate.
Half-length portrait of Radical politician John Bright (1811-89), one of the greatest orators of his generation and a promoter of free trade policies. A Quaker, he campaigned for an end to social, political, or religious inequalities between individuals and between peoples. He became MP for Durham in 1843 and for Manchester in 1847. He spoke against the Corn Laws in parliament during Peel's second ministry until the laws were repealed in 1846. Bright was a member of the Peace Society and denounced the Crimean War (1854-56) as un-Christian, contrary to the principles of international free trade, and harmful to British interests.
Printsellers: 38. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4240] £330.00
John Everett Millais. Thos Oldham Barlow [Pencil signatures.]
Published March 1st 1882, by Thomas Agnew & Sons, London, Liverpool & Manchester, Copyright Registered.
Mezzotint, Printsellers' blindstamp. Limited to 500. 420 x 570mm (16½ x 22½"). Trimmed to plate.
Half-length portrait of Radical politician John Bright (1811-89), one of the greatest orators of his generation and a promoter of free trade policies. A Quaker, he campaigned for an end to social, political, or religious inequalities between individuals and between peoples. He became MP for Durham in 1843 and for Manchester in 1847. He spoke against the Corn Laws in parliament during Peel's second ministry until the laws were repealed in 1846. Bright was a member of the Peace Society and denounced the Crimean War (1854-56) as un-Christian, contrary to the principles of international free trade, and harmful to British interests.
Printsellers: 38. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4240] £330.00
![[Rt. Hon. John Bright M.P.]](jpegs/39505.jpg)
[Rt. Hon. John Bright M.P.]
John Everett Millais. Thos Oldham Barlow [Pencil signatures.]
Published March 1st 1882, by Thomas Agnew & Sons, London, Liverpool & Manchester, Copyright Registered.
Mezzotint. Fine impression. Printsellers' blindstamp. Limited to 500. Platemark: 610 x 460mm (24 x 18"); very large margins. Mountburn.
A three-quater length portrait of Quaker John Bright (1811 - 1889), a British Radical and Liberal statesman, one of the greatest orators of his generation and a promoter of free trade policies.
Printsellers: 38.
[Ref: 39505] £240.00 (£288.00 incl.VAT)
John Everett Millais. Thos Oldham Barlow [Pencil signatures.]
Published March 1st 1882, by Thomas Agnew & Sons, London, Liverpool & Manchester, Copyright Registered.
Mezzotint. Fine impression. Printsellers' blindstamp. Limited to 500. Platemark: 610 x 460mm (24 x 18"); very large margins. Mountburn.
A three-quater length portrait of Quaker John Bright (1811 - 1889), a British Radical and Liberal statesman, one of the greatest orators of his generation and a promoter of free trade policies.
Printsellers: 38.
[Ref: 39505] £240.00 (£288.00 incl.VAT)
![[Clarissa.]](jpegs/4238.jpg)
[Clarissa.]
[Painted by J.E. Millais, 1887. Etched by Rajon.]
[n.d., c.1887.]
Etching. 445 x 300mm. Edges knocked.
[Ref: 4238] £240.00 (£288.00 incl.VAT)
[Painted by J.E. Millais, 1887. Etched by Rajon.]
[n.d., c.1887.]
Etching. 445 x 300mm. Edges knocked.
[Ref: 4238] £240.00 (£288.00 incl.VAT)
Effie Deans.
Painted by John Everett Millais. R.A. Engraved by T. Oldham Barlow, A.R.A [Artist's monogram and 1877 in image lower left].
Published Oct. 20th 1879, by Thomas Agnew & Sons, London, Liverpool and Manchester__Copyright Registered.
Mixed method engraving on india laid paper, 780 x 580mm. 30¾ x 22¾".
Effie Deans is one of the central characters in The Heart of Midlothian, a novel by Sir Walter Scott, written in 1818. Effie had been imprisoned on a false charge, accused of having killed her illegitimate child. When an angry crowd stormed the goal, she had an opportunity to escape. But Effie decided to stay. Prison seemed a better prospect than a life of freedom with a tarnished reputation. A fine impression. Sir John Everett Millais (1829 - 1896) painter of history, genre, landscape, and portraits, and president of the Royal Academy. Printseller's Association blindstamp lower right.
[Ref: 8844] £520.00
Painted by John Everett Millais. R.A. Engraved by T. Oldham Barlow, A.R.A [Artist's monogram and 1877 in image lower left].
Published Oct. 20th 1879, by Thomas Agnew & Sons, London, Liverpool and Manchester__Copyright Registered.
Mixed method engraving on india laid paper, 780 x 580mm. 30¾ x 22¾".
Effie Deans is one of the central characters in The Heart of Midlothian, a novel by Sir Walter Scott, written in 1818. Effie had been imprisoned on a false charge, accused of having killed her illegitimate child. When an angry crowd stormed the goal, she had an opportunity to escape. But Effie decided to stay. Prison seemed a better prospect than a life of freedom with a tarnished reputation. A fine impression. Sir John Everett Millais (1829 - 1896) painter of history, genre, landscape, and portraits, and president of the Royal Academy. Printseller's Association blindstamp lower right.
[Ref: 8844] £520.00
Dr. Fraser, Bishop of Manchester.
J. E. Millais [signed in pencil]. T. L. Atkinson [signed in pencil].
Published July 20th 1882 by Thos. Agnew & Sons, London, Liverpool and Manchester.
Mezzotint. Artist Proof limited to 175. 560mm x 440mm (22" x 17"). Very large margins.
Portrait of Dr James Fraser (1818-1885) who was made Bishop of Manchester in 1870.
Ex: Collection of Thomas Agnew
[Ref: 32035] £220.00 (£264.00 incl.VAT)
J. E. Millais [signed in pencil]. T. L. Atkinson [signed in pencil].
Published July 20th 1882 by Thos. Agnew & Sons, London, Liverpool and Manchester.
Mezzotint. Artist Proof limited to 175. 560mm x 440mm (22" x 17"). Very large margins.
Portrait of Dr James Fraser (1818-1885) who was made Bishop of Manchester in 1870.
Ex: Collection of Thomas Agnew
[Ref: 32035] £220.00 (£264.00 incl.VAT)
Going to the Park. 2.
J.E.Millais R.A.
[n.d. c.1872] [Published by the Etching Club for 'Etchings for the Art Union of London', 1872 (no 9).]
Etching on india. Signed with the monogram in the plate. Plate 184 x 133mm. 7¼" x 5¼".
Two little girls, one in a three-wheeler pram being pushed by nursemaid.
[Ref: 8949] £280.00 (£336.00 incl.VAT)
J.E.Millais R.A.
[n.d. c.1872] [Published by the Etching Club for 'Etchings for the Art Union of London', 1872 (no 9).]
Etching on india. Signed with the monogram in the plate. Plate 184 x 133mm. 7¼" x 5¼".
Two little girls, one in a three-wheeler pram being pushed by nursemaid.
[Ref: 8949] £280.00 (£336.00 incl.VAT)
![[Sir John Hare.]](jpegs/17383.jpg)
[Sir John Hare.]
Painted by Sir John E. Millais, Bart. R.A.
Printed in Paris, Goupil. Gravure. 1893.
Photogravure. 545 x 368mm. 21½ x 14½".
Sir John Hare (1844-1921) was an English actor and manager of the Garrick Theatre in London from 1889 to 1895. He started his stage career in Liverpool in 1864, before moving to London and acting with the Bancrofts at the Prince of Wales Theatre. He was famous particulary in T. W. Robertson's comedies, and in 1875 he was made manager of the Court Theatre. After leaving the Garrick Theatre he took the Globe Theatre in 1897. He was knighted in 1907 and retired from the stage in 1912. Hanging on the wall behind him is a print of Garrick after Reynolds, probably by Thomas Watson.
for the Reynolds/Watson portrait of Garrick, see ref. 22369
[Ref: 17383] £190.00 (£228.00 incl.VAT)
Painted by Sir John E. Millais, Bart. R.A.
Printed in Paris, Goupil. Gravure. 1893.
Photogravure. 545 x 368mm. 21½ x 14½".
Sir John Hare (1844-1921) was an English actor and manager of the Garrick Theatre in London from 1889 to 1895. He started his stage career in Liverpool in 1864, before moving to London and acting with the Bancrofts at the Prince of Wales Theatre. He was famous particulary in T. W. Robertson's comedies, and in 1875 he was made manager of the Court Theatre. After leaving the Garrick Theatre he took the Globe Theatre in 1897. He was knighted in 1907 and retired from the stage in 1912. Hanging on the wall behind him is a print of Garrick after Reynolds, probably by Thomas Watson.
for the Reynolds/Watson portrait of Garrick, see ref. 22369
[Ref: 17383] £190.00 (£228.00 incl.VAT)
The Baby-House
J.E. Millais R.A. [1872]
Etching on india, platemark 145 x 185mm (5¾ x 7¼"). Uncut sheet.
Etching by Pre-Raphaelite painter John Everett Millais (1829-96), who frequently returned to the theme of childhood in his popular etchings. Lewis Carroll's 'Alice in Wonderland' had been published in 1865/6 with John Tenniel's famous illustrations, and this etching reflects the widespread influence of that book. This print was published the year after Millais' caricature was published in 'Vanity Fair' with the caption 'A converted Pre-Raphaelite', demonstrating how much Millais' art had changed since his Pre-Raphaelite years (c.1848-54).
Hartnoll 30 (only published edition)
[Ref: 35881] £350.00
J.E. Millais R.A. [1872]
Etching on india, platemark 145 x 185mm (5¾ x 7¼"). Uncut sheet.
Etching by Pre-Raphaelite painter John Everett Millais (1829-96), who frequently returned to the theme of childhood in his popular etchings. Lewis Carroll's 'Alice in Wonderland' had been published in 1865/6 with John Tenniel's famous illustrations, and this etching reflects the widespread influence of that book. This print was published the year after Millais' caricature was published in 'Vanity Fair' with the caption 'A converted Pre-Raphaelite', demonstrating how much Millais' art had changed since his Pre-Raphaelite years (c.1848-54).
Hartnoll 30 (only published edition)
[Ref: 35881] £350.00
![[Summer Indolence.]](jpegs/41168.jpg)
[Summer Indolence.]
J.E. Millais 1861.
Etching on india, platemark 180 x 255mm (7 x 10") very large margins. Foxing to edges.
Two girls in a field, one of whom chains together newly-picked flowers. Etching by Pre-Raphaeilite painter John Everett Millais (1829-96), who frequently returned to the theme of childhood in his popular etchings. This print was made in 1861, the year that Millais returned from Scotland to live in London (residing in Cromwell Place, South Kensington). Plate from 'Passages from 'Modern English Poets Illustrated by the Junior Etching Club' (1862). This plate was reissued in 1874/5 (reissues can be identified by the absence of the 1861 publication line found on this impression).
Hartnoll 28; for 1870s restrike see ref. 35880.
[Ref: 41168] £190.00 (£228.00 incl.VAT)
J.E. Millais 1861.
Etching on india, platemark 180 x 255mm (7 x 10") very large margins. Foxing to edges.
Two girls in a field, one of whom chains together newly-picked flowers. Etching by Pre-Raphaeilite painter John Everett Millais (1829-96), who frequently returned to the theme of childhood in his popular etchings. This print was made in 1861, the year that Millais returned from Scotland to live in London (residing in Cromwell Place, South Kensington). Plate from 'Passages from 'Modern English Poets Illustrated by the Junior Etching Club' (1862). This plate was reissued in 1874/5 (reissues can be identified by the absence of the 1861 publication line found on this impression).
Hartnoll 28; for 1870s restrike see ref. 35880.
[Ref: 41168] £190.00 (£228.00 incl.VAT)
![[Summer Indolence.]](jpegs/35880.jpg)
[Summer Indolence.]
J.E. Millais 1861.
Etching, platemark 180 x 255mm (7 x 10"). Crease top left; soiling and scuff marks.
Two girls in a field, one of whom chains together newly-picked flowers. Etching by Pre-Raphaeilite painter John Everett Millais (1829-96), who frequently returned to the theme of childhood in his popular etchings. This print was made in 1861, the year that Millais returned from Scotland to live in London (residing in Cromwell Place, South Kensington). This impression is a reissue of the plate dating to 1874/5 (the original 1861 publication line has been scratched out).
Hartnoll 28
[Ref: 35880] £160.00 (£192.00 incl.VAT)
J.E. Millais 1861.
Etching, platemark 180 x 255mm (7 x 10"). Crease top left; soiling and scuff marks.
Two girls in a field, one of whom chains together newly-picked flowers. Etching by Pre-Raphaeilite painter John Everett Millais (1829-96), who frequently returned to the theme of childhood in his popular etchings. This print was made in 1861, the year that Millais returned from Scotland to live in London (residing in Cromwell Place, South Kensington). This impression is a reissue of the plate dating to 1874/5 (the original 1861 publication line has been scratched out).
Hartnoll 28
[Ref: 35880] £160.00 (£192.00 incl.VAT)
![[Pomona.]](jpegs/29288.jpg)
[Pomona.]
Painted by J.E. Millais, R.A. Engraved by S. Cousins, R.A. [also signed in pencil by both.]
London, Published Oct. 2.nd 1882 by Arthur Tooth & Sons, 5 & 6 Haymarket, S.W. & The Fine Art Society, New Bond Street. Copyright Registered. Entered according to Act of Congress in the Year 1882 by Mess.rs Knoedler & Co. in the Office of the Librarian of Congress at Washington.
Mixed method on chine collé. Signed in pencil by artist and engraver, Printseller's Association stamp. Plate 540 x 400mm (21¼ x 15¾"). Mint.
A little girl standing in profile beside an apple barrow, holding an apple in one hand, gathering her apron in the other, turning her head to look slightly towards the viewer, in an orchard.
Whitman: 220.
[Ref: 29288] £280.00 (£336.00 incl.VAT)
Painted by J.E. Millais, R.A. Engraved by S. Cousins, R.A. [also signed in pencil by both.]
London, Published Oct. 2.nd 1882 by Arthur Tooth & Sons, 5 & 6 Haymarket, S.W. & The Fine Art Society, New Bond Street. Copyright Registered. Entered according to Act of Congress in the Year 1882 by Mess.rs Knoedler & Co. in the Office of the Librarian of Congress at Washington.
Mixed method on chine collé. Signed in pencil by artist and engraver, Printseller's Association stamp. Plate 540 x 400mm (21¼ x 15¾"). Mint.
A little girl standing in profile beside an apple barrow, holding an apple in one hand, gathering her apron in the other, turning her head to look slightly towards the viewer, in an orchard.
Whitman: 220.
[Ref: 29288] £280.00 (£336.00 incl.VAT)