Grosvenor Prints

The Bank.
T. Malton delin.t & fecit.
Publish'd Oc.t 1.st 1781 by T. Malton N.o 8 Carlisle Street. Soho, London.
Etching with aquatint and fine hand-colour. Plate 370 x 505mm (14½ x 19¾"), with very large margins
View from the Mansion House, looking towards the Bank of England, with the church of St Christopher le Stocks before the bank on the left; the view clustered with other buildings, a sign on the far right building reads "By her Majestys Royal / Letters Patent Irwins / Fruit Lozenge Drops"; many figures in foreground including a man on crutches with one leg, men unloading a cart on the left and groups of smartly dressed men in black hats.
[Ref: 68920] £680.00

Principal Front of the Bank of England [&] View of the West Quadrangle at the Bank of England with the Court Room. Designed by Sir Rob.t Taylor.
Drawn and Engav'd by T. Malton.
Publish'd as the Act directs Jan: 1.st 1790 by M.A. Taylor.
Pair of etchings with aquatint. Sheets 400 x 525mm (15¾ x 20¾"). On 18th century watermarked paper. Trimmed within plate. 'Principal' laid on archival paper. Faint mountburn.
Two views of the Bank of England as designed by English architect and sculptor, Sir Robert Taylor (1714 -88).
[Ref: 68919] £950.00 view all images for this item

North Front of the Bank. Pl.65.
Published July 31.st 1797 by T. Malton.
Coloured aquatint, sheet 415 x 310mm (16¼ x 12¼"). Slight rubbing in sky. Trimmed to platemark.
A view looking towards Lothbury, Corinthian columns support the portico on the left, elegantly dressed figures roam the street. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801.
Crace 1878 XXII.9. Adams 1983 72.65. Abbey Scenery 204.65
[Ref: 58331] £180.00 (£216.00 incl.VAT)

[The Banqueting House.]
[T. Malton Delin & Fecit.]
[Publish'd May 21st 1781 & sold by T Malton No 8 Carlisle Street Soho]
Aquatint with etching, hand coloured. 325 x 470mm (12¾ x 18½"). Trimmed to image, laid on sheet with watercolour border. Repaired tears to mount edges.
A view of the Banquesting House by Thomas Malton (1748-1804), from his first series of London views, a dozen plates published 1781-87, larger than his better known 'Pictureque Tour' series. Malton etched a smaller version of this scene, duplicating even the staffage, for the Tour.
See Adams 72.
[Ref: 37784] £460.00

The North Parade at Bath.
T. Malton junr. del; J. Ganton archt. fecit.
Published March 3 1779 & sold by T. Malton in Poland Street & J. Ganton No. 48 Broad Street, Carnaby Market.
Sepia aquatint, 500 x 365mm. Minor spotting and creasing, one small marginal tear.
[Ref: 4036] £900.00

Blackfriars Bridge [in pencil].
Sketched by Malton. [in pencil]
[n.d. c.1790]
Pencil drawing, sheet 465 x 415mm (18¼ x 16¼"). Laid on backing sheet.
Possibly a rare unpublished sketch by Thomas Malton of part of the underneath of Blackfriars Bridge. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
Ex: Gardner Colection.
[Ref: 68923] £650.00

Queens College in the University of Cambridge.
Drawn & Engraved by Tho.s Malton.
Published Jan.y 1. 1800, by D. Hood Cambridge, & S.W. Fores, No.50 Piccadilly.
Fine aquatint, 410 x 550mm (16 x 21½"). Uncut sheet.
Queens College, Cambridge, with the famous' mathematical bridge' designed by William Etheridge spanning the River Cam. From Thomas Malton's Views of Cambridge (1798-1800.)
[Ref: 9171] £820.00

Emanuel College in the University of Cambridge.
Drawn & Engraved by Tho.s Malton.
Published, July 12th 1799, by D. Hood, Cambridge & S.W. Fores No. 50 Piccadilly.
Fine aquatint, 410 x 550mm. 16 x 21½". Scarce. Uncut sheet; some foxing.
A view of Emmanuel College in Cambridge, by Thomas Malton (1748-1804), from his Views of Cambridge (1798-1800.)
[Ref: 9162] £860.00

Jesus College in the University of Cambridge.
Drawn & Engraved by Tho.s Malton.
[Published April 20th 1799 by D. Hood, Cambridge & S.W. Fores No 50 Piccadilly.]
Aquatint and etching. Sheet 390 x 540mm (15¼ x 21¼"). Trimmed within plate, losing publisher's address.
A view of Jesus College from a field with grazing horses.
[Ref: 56091] £480.00

King's College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge.
Drawn & Engraved by Tho.s Malton.
Pub. June 25th 1798 by David Hood, Printseller, Cambridge.
Coloured aquatint. 400 x 540mm (15¾ x 21¼"), with small margins. Repaired tear entering plate on right.
From King's Parade.
[Ref: 55298] £480.00

The South Front of the Senate House and West end of St. Mary's Church in the University of Cambridge.
Drawn & Engraved by Tho.s Malton.
Published, July 12th 1799, by D. Hood, Cambridge & S.W. Fores No. 50 Piccadilly.
Aquatint, 410 x 550mm. 16 x 21½". Scarce. Uncut sheet; some foxing.
The Senate House in Cambridge University, where the university's governing body assembled until 1926, when the Regent House assumed that function. St. Mary's Church is on the right. Thomas Malton (1748-1804), from his Views of Cambridge (1798-1800.)
[Ref: 9164] £620.00

Carlton House.
Published Novr. 29, 1800 by T. Malton.
Hand-coloured aquatint with etching; wide margins, image 210 x 300mm. 8¼" x 11¾".
From 1783 to 1826, Carlton House, in St James's between Pall Mall and The Mall, served as the palatial London residence of the Prince of Wales. There, as Prince and later Prince Regent, George IV lived and entertained lavishly. The Prince decorated Carlton House sparing no expense. 'How sick one shall be, after this chaste palace, of Mr Adam's gingerbread and snippets of embroidery.' Thus wrote Horace Walpole to Lady Ossory in 1785 describing a visit. Carlton House was demolished in 1825 and replaced with two grand white stuccoed terraces of expensive houses known as Carlton House Terrace. The proceeds of the leases were put towards the cost of Buckingham Palace. From 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
Abbey Scenery: 204, 99.
[Ref: 26225] £260.00 (£312.00 incl.VAT)

Cavendish Square. Pl 89.
Published July 28, 1800 by T. Malton.
Etching and aquatint, printed in sepia. 290 x 380mm (11¼ x 15"). Repaired tear near title.
The artist, Thomas Malton (1748-1804), taught watercolour to Thomas Girtin and Joseph Mallord William Turner. He was also skilled in aquatint, and published many of his own designs, including 'A Picturesque Tour Through the Cities of London and Westminster', one of the key topographical resources for late Georgian London from which this view comes.
[Ref: 30824] £160.00 (£192.00 incl.VAT)

Chairing Cross [in ink].
T. Malton fecit.
[Published Feb: 25, 1795 by T. Malton.]
Rare scratched proof etching with aquatint and fine hand-colour. Plate 380 x 530mm (15 x 20¾"). Faint mountburn. Light staining. Left corner torn. Thread margins.
Illustration to Malton's 'Picturesque Tour.' A view of Charing Cross looking toward Northumberland House. In the right foreground stands the equestrian statue of Charles I on a raised plinth enclosed by iron railings, with people lounging around its base, while a coach passes on the left.
[Ref: 68917] £420.00

Cockspur Street.
Publish'd March 18.th 1797 by T. Malton.
Coloured aquatint, sheet 310 x 415mm (12¼ x 16¼"). Some foxing, slight marks outside image. Trimmed to platemark.
A view on Cockspur Street (in the City of Westminster) with the Phoenix Fire Engine Station on the right, a horse-drawn carriage travels down the centre of street and elegantly dressed pedestrians roam the pavements. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801.
Crace 1878 XI.130. Adams 1983 72.20. Abbey Scenery 204.20.
[Ref: 58332] £220.00 (£264.00 incl.VAT)

The College of Arms, of Heralds Office, London, MDCCLXVIII. Heralds have been in this Kingdom from Time immemorial. There were Kings, Heralds, and Pursuivants of Arms, in the Reign of King Hen. III: They had particular Charters from King Rich. III...In the Heralds Office are recorded the Genealogies, Arms, &c of the Nobility and Gentry, which preserving the Right if Inheritance, evidently tends to the Public Benefit.
T. Malton delin. W: Sherwin sculp. T: White sculp.
[1768.]
Engraving and etching. Plate 407 x 508mm. Trimmed close to the plate.
View of the inner court of the College on Bennett Hill, Doctors' Commons, engraved by Thomas White, surrounded by seventeen coats of arms of the various officers of college, engraved by William Sherwin.
BM: 1978,U.3631.
[Ref: 19297] £260.00 (£312.00 incl.VAT)

The College of Arms, or Heralds Office, London, MDCCLXVIII.
T. Malton delin. W: Sherwin sculp. T: White sculp.
[1768.]
Engraving and etching. 405 x 510mm (16 x 20"). Tears repaired.
View of the inner court of the College on Bennett Hill, Doctors' Commons, engraved by Thomas White, surrounded by seventeen coats of arms of the various officers of college, engraved by William Sherwin.
BM: 1978,U.3631.
[Ref: 53480] £260.00 (£312.00 incl.VAT)

Piazza, Covent Garden.
[Drawn and etched by Thomas Malton.]
Published March 15th. 1796 by T. Malton.
Aquatint. Sheet 270 x 340mm (10½ x 13½").
A view of Covent Garden piazza from King Street, including Lord Archer's House, which still stands in the northwest corner of the square. From 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801.
Abbey Scenery: 204.
[Ref: 64169] £260.00 (£312.00 incl.VAT)

Covent Garden.
Publish'd March 15th. 1796 by T. Malton.
Hand coloured aquatint with etching, sheet 370 x 285mm. 14½" x 11¼". Trimmed to plate.
A view of Covent Garden piazza from King Street, including Lord Archer's House, which still stands in the northwest corner of the square. From 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
Abbey Scenery: 204, 34.
[Ref: 15846] £320.00

Piazza, Covent Garden.
[drawn and engraved by Thomas Malton]
Published March 15th 1796, by T. Malton
Coloured aquatint, sheet 305 x 410mm (12 x 16").
The arches on the East side of Inigo Jones' Covent Garden Piazza, looking from North to South. Plate from Thomas Malton's 'Picturesque Tour through London' consisting of 100 London views, all drawn, engraved and published by Malton himself.
Abbey Scenery: 204.35
[Ref: 23155] £260.00 (£312.00 incl.VAT)

The Custom House. Plate. 76.
Published May 29th 1799 by T. Malton.
Coloured etching and aquatint, printed in sepia. 290 x 380mm (11¼ x 15").
Thomas Ripley's Custom House, begun 1715, from the Thames, with the dome of St Paul's Cathedral and the Monument on the skyline. The artist, Thomas Malton (1748-1804), taught watercolour to Thomas Girtin and Joseph Mallord William Turner. He was also skilled in aquatint, and published many of his own designs, including 'A Picturesque Tour Through the Cities of London and Westminster', one of the key topographical resources for late Georgian London from which this view comes.
[Ref: 30826] £240.00 (£288.00 incl.VAT)

The Great Court Of Greenwich Hospital.
Published Sepr 2nd 1799, by T. Malton.
Aquatint with etching, sheet 275 x 360mm. 10¾" x 14¼". Trimmed within plate and tipped into album page.
View with figures and dogs in the grounds of Greenwich Hospital, designed by Christopher Wren, and built between 1696 and 1712. The hospital closed in 1869. Between 1873 and 1998 it was the Royal Naval College, Greenwich. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views. For coloured impression, see item ref: 33819.
Abbey Scenery: 204, 80.
[Ref: 10923] £220.00 (£264.00 incl.VAT)

North Front Of The Chapel And Hall Of Greenwich Hospital. Plate 81.
Published Sep.r 2.d 1799, by T. Malton.
Coloured aquatint, sheet 415 x 310mm (16¼ x 12¼"). Slight mount burn.
View with figures and dogs in the grounds of Greenwich Hospital, designed by Christopher Wren, and built between 1696 and 1712. The hospital closed in 1869. Between 1873 and 1998 it was the Royal Naval College, Greenwich. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views. Numbered 'Plate 81' below title.
Abbey Scenery: 204, 81.
[Ref: 58333] £260.00 (£312.00 incl.VAT)

The Great Court Of Greenwich Hospital. Plate 80.
Published Sepr 2d 1799, by T. Malton.
Aquatint with etching. Printed area: 275 x 360mm (10¾ x 14¼"). Trimmed inside plate.
A view with figures and dogs in the grounds of Greenwich Hospital, designed by Christopher Wren, and built between 1696 and 1712. The hospital closed in 1869. Between 1873 and 1998 it was the Royal Naval College, Greenwich. A plate to Malton's 'Picturesque Tour', 1792 - 1801. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views. For un-coloured impression, see item ref: 10923. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
Abbey Scenery: 204, 80.
[Ref: 33819] £260.00 (£312.00 incl.VAT)

Grosvenor Square [London]. Pl.91.
Published July 28, 1800 by T. Malton.
Hand-coloured aquatint with etching, image 215 x 310mm. 8½ x 12¼". Some finger soiling to wide margins. Lower edge a little ragged.
The north side of Grosvenor Square, Mayfair, London. It is the centrepiece of the Mayfair property of the Duke of Westminster, and takes its name from their surname, "Grosvenor". From 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
Abbey Scenery: 204, 91.
[Ref: 26226] £280.00 (£336.00 incl.VAT)

Hyde Park Corner [London].
Published Decr. 15, 1800 by T. Malton.
Aquatint with etching, image 215 x 315mm. 8½" x 12½". Trimmed to plate.
From 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
Abbey Scenery: 204, 95.
[Ref: 25695] £230.00 (£276.00 incl.VAT)

To the Right Honourable Lord Hawkesbury, Principal Secretary of State for the Foreign Department, and Chairman of the Select Committee for Improving the Port of London, This Perspective View of the Design for A Cast Iron Bridge, consisting of a single Arch 600 Feet in the Span and calculated to supply the place of the Present London Bridge; [...] Thomas Telford & James Douglas.
Drawn and Aquatinted by Tho.s Malton. The Bridge Engraved by Will.m Lowry.
[London, 1801.]
Coloured aquatint with line. 450 x 1220mm. Part of inscription excised, with new names stuck on; varnished, laid on linen and mounted on original hangers. Hole in title area and paper crack in sky.
Telford's design for the replacement to London Bridge, beaten by Rennie.
[Ref: 4046] £2,000.00

[King's Mews, Charing Cross.] Inside of the Mews.
Published Decr 30th 1794 by T. Malton.
Aquatint with hand colour. Sheet 410 x 310mm (16 x 12¼"). Trimmed to platemark.
A view of an arcade in the stables of the King's Mews, which housed the King's horses and hunting dogs. Design by William Kent and built in 1732 on the north side of Charing Cross, it was demolished in the 1820s when the area was redeveloped as Trafalgar Square, with the National Gallery built on the site. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views. For coloured impression, see item ref: 33819.
Abbey Scenery: 204.
[Ref: 48128] £180.00 (£216.00 incl.VAT)

London Bridge.
Published May 29.th 1799 by T.Malton.
Fine hand coloured aquatint with etching, 315 x 415mm (12½ x 16½"). Some tape stains in margins where previously mounted. Title and publishing line slightly faded.
A view of London Bridge from the south bank looking towards the north and the Monument. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
[Ref: 53670] £280.00 (£336.00 incl.VAT)

Lothbury Court, Bank. Pl.64.
Published March 1. 1801 by T. Malton.
Coloured aquatint, sheet 310 x 415mm (12¼ x 16¼"). Trimmed to platemark.
A view of the Bank of England within the court built by John Soane (1753-1837), the outer walls of the court are lined with Corinthian columns with a large archway in centre and elegantly dressed figures roam. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801.
Abbey Scenery 204.64. Crace 1878 XXII.10. Adams 1983 72.64.
[Ref: 58330] £180.00 (£216.00 incl.VAT)

The Mansion House from the Poultry.
Published Nov.r 5, 1798 by T.Malton.
Fine hand coloured aquatint with etching, 315 x 415mm (12½ x 16½"). Some tape stains in margins where previously mounted.
A view of the Mansion house from Poultry street. T. Malton [jun.], A picturesque tour through the cities of London & Westminster, London 1792 [-1801], vol.II, pl.59. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
[Ref: 53669] £320.00 (£384.00 incl.VAT)

The Monument.
Publish'd March 31st. 1798 by T.Malton.
Fine hand coloured aquatint with etching, 380 x 310mm (15 x 12½"). Some tape stains in margins where previously mounted.
A view of the Monument to the Great Fire of London. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
[Ref: 53667] £270.00 (£324.00 incl.VAT)

New Palace Yard.
T. Malton delin.t & fecit.
Publish'd as the Act directs May 28. 1782 by T. Malton N.o8 Carlisle Street. Soho.
Etching with aquatint and fine hand-colour. Sheet 360 x 495mm (14¼ x 19½"). Trimmed within plate. Laid on card repairing damage.
A view of New Palace Yard, with Westminster Hall on the left and the Abbey visible above the adjoining buildings in the centre. Carriages and pedestrians fill the street, including three men dressed in wigs and black robes.
[Ref: 68918] £450.00

Old Palace Yard from Margaret Street.
T. Malton delin.t & fecit.
Publish'd as the Act directs, May 28. 1782 by T. Malton, N.o 8 Carlisle Street, Soho.
Etching with aquatint. Plate 370 x 505mm (14½ x 19¾"), with large margins. Laid on board. Tears to margins.
A view along a Westminster street looking toward Old Palace Yard, flanked by grand buildings on either side. Two carriages travel along the road, while a sedan chair sits on the pavement to the left, with other elegantly dressed figures gathered on both sides.
[Ref: 68921] £720.00

Entrance to All Souls College, and St Mary's Church from the High Street.
Published Feb. 24th 1802 by T. Malton.
Aquatint. Sheet 430 x 330mm (17 x 13"). Trimmed within plate.
A view of the High Street, Oxford.
[Ref: 53454] £160.00 (£192.00 incl.VAT)

Queens College from the High Street.
Published Feb. 27th 1802 by T.Malton.
Aquatint. Sheet 315 x 400mm (12¼ x 15¾").
A good view of Oxford High Street.
[Ref: 48129] £190.00 (£228.00 incl.VAT)

[Frontispiece to 'A Compleat Treatise on Perspective, in theory and practice, on the true principles of Dr. Brook Taylor'.]
[by Thomas Malton.]
Publishd by Tho.s Malton April 1st 1774. (but c. 1805)
Engraving, paper watermarked 1805. 320 x 230mm (12½ x 9"). Small margins on 3 sides; trimmed to image on left.
An architectural caprice with a mausoleum dedicated 'To the Memory of Dr Brook Taylor; in gratitude for his sublime Principles, on Perspective'. Brook Taylor (1685-1731) was an English mathematician whose 1715 essay 'Linear Perspective' set forth the principles of perspective in a more understandable form
[Ref: 57903] £160.00 (£192.00 incl.VAT)

The Royal Exchange.
T. Malton Delin.t & fecit.
Publish'd Oct.r 1. 1781 by T.Malton, No. 8 Carlisle Street, Soho, London.
Aquatint printed in sepia. Platemark: 370 x 505mm, 14½ x 19¾". Repaired damage. Trimmed close to plate.
A view of London's second Royal Exchange, designed by Edward Jerman and opened in 1669, destroyed by fire in 1838. Behind is the dome of St Paul's Cathedral. This plate was drawn and etched by Thomas Malton (1748-1804) for his first series of London views, a dozen plates published 1781-87, larger than his better known 'Pictureque Tour' series. Malton etched a smaller version of this scene, duplicating even the staffage, for the Tour.
Adams 72.
[Ref: 40037] £520.00

Arcade of the North Front of the Royal Exchange. Plate 66.
Published May 16.th 1795 by T. Malton.
Aquatint, sheet 415 x 310mm (16¼ x 12¼"). to
A view below the arcade, looking towards the Bank of England; two elegantly dressed women and a child buying goods from a street trader, two men on the left have a conversation. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801.
Adams 1983 72.66. Abbey Scenery 204.66
[Ref: 58336] £140.00 (£168.00 incl.VAT)

Somerset Terrace.
Publish'd June 15 1796, by T. Malton.
Hand coloured aquatint with etching, sheet 410 x 305mm. 16" x 12".
Figures in front of Somerset House on the Thames, with a distant view of St. Paul's Cathedral. From 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
Abbey Scenery: 204, 41.
[Ref: 15854] £230.00 (£276.00 incl.VAT)

Part of Somerset Place.
Publish'd June 15, 1796 by T, Malton.
Etching and aquatint, printed in sepia. 370 x 270mm (14½ x 10½".
View looking south from the Strand, through an arch to part of Sir William Chambers' Somerset House development. Chambers died the year of publication. The artist, Thomas Malton (1748-1804), taught watercolour to Thomas Girtin and Joseph Mallord William Turner. He was also skilled in aquatint, and published many of his own designs, including 'A Picturesque Tour Through the Cities of London and Westminster', one of the key topographical resources for late Georgian London from which this view comes.
[Ref: 28567] £220.00 (£264.00 incl.VAT)

St. George's Bloomsbury. Plate 86.
Published Nov 30 1799 by T. Malton.
Hand coloured etching and aquatint. Printed area: 305 x 225mm (12 x 9"). Trimmed inside plate. Repairs in margin on left & publication line.
An illustration to Malton's 'Picturesque Tour'. A view of the church of St. George, in Bloomsbury, London, from the street, showing the portico with Corinthian columns at the entrance, and the peculiar steeple with the statue of George I at the top in Roman dress. Elegantly dressed figures can be seen on street in front. The artist, Thomas Malton (1748-1804), taught watercolour to Thomas Girtin and Joseph Mallord William Turner. He was also skilled in aquatint, and published many of his own designs, including 'A Picturesque Tour Through the Cities of London and Westminster', one of the key topographical resources for late Georgian London from which this view comes.
[Ref: 33818] £230.00 (£276.00 incl.VAT)

St James's Street. [Pl 94.]
[Published Nov.r 15 1800 by T. Malton.]
Coloured aquatint, sheet 250 x 320mm (9¼ x 12½"). Trimmed within publication line. Slight mountburn.
A view looking down St James's Street to St James's Palace, from 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801. The first building on the left is Boodle's, before the ground floor was remodelled by John Buonarotti Papworth between 1821-34. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London & Dublin views.
Abbey Scenery: 204.
[Ref: 58334] £260.00 (£312.00 incl.VAT)

St James's Street. Pl 94.
Published Nov.r 15 1800 by T. Malton.
Fine aquatint with etching, sheet 275 x 360mm (10¾" x 14¼"). Trimmed within plate.
A view looking down St James's Street to St James's Palace, from 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801. The first building on the left is Boodle's, before the ground floor was remodelled by John Buonarotti Papworth between 1821-34. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London & Dublin views.
Abbey Scenery: 204.
[Ref: 44440] £320.00

The Inside of St Martin's in the Fields. ~ in the Liberty of Westminster.
T. Malton delin. G. Bickham sculp.
[n.d., c.1770.]
Coloured etching, rare. 395 x 450mm (15½ x 17¾"), with large margins. Some creasing.
A view of the interior of St Martin's in the Fields, built by James Gibbs in Charing Cross (now Trafalgar Square) 1722-6, detailing the ceiling.
[Ref: 45301] £320.00

The inside of S.t Martins in the Fields. in the Liberty of Westminster.
T. Malton delin. G. Bickham sculp.
[n.d. c. 1770]
Engraving, 390 x 450mm (15½ 17¾"), with margins. Damaged. Laid on archival paper.
A view of the church’s grand interior, the main space largely empty save for a few elegantly dressed figures. Corinthian columns line both sides, supporting a domed, vaulted ceiling, while a gallery runs around the space.
[Ref: 68922] £90.00 (£108.00 incl.VAT)

S.t Pauls Cathedral. [Plate 53.]
[by Thomas Malton]
[Published May 22nd 1797 by T. Malton.]
Aquatint. Sheet 285 x 405mm (11¼ x 16"). Trimmed within plate, losing publication line.
A view of the interior of St Paul's Cathedral, taken from under the cupola. Plate 53 of Malton's 'Picturesque Tour'.
[Ref: 57900] £140.00 (£168.00 incl.VAT)

S.t Pauls Cathedral. Plate 53.
[by Thomas Malton]
[Published May 22nd 1797 by T. Malton.]
Aquatint with hand colour. Sheet 295 x 395mm (11¾ x 15½"). Trimmed within plate, losing publication line.
A view of the interior of St Paul's Cathedral, taken from under the cupola. Plate 53 of Malton's 'Picturesque Tour'.
[Ref: 58705] £160.00 (£192.00 incl.VAT)

Transept of S.t Paul's from the North Entrance. Plate 54,
[by Thomas Malton]
Published Sep.r 29th 1797 by T. Malton.
Aquatint. Sheet 400 x 270mm (15¾ x 10½"). Trimmed within plate.
A view of the interior of St Paul's Cathedral, looking towards the interior of the cupola. Plate 54 of Malton's 'Picturesque Tour'.
[Ref: 57902] £95.00 (£114.00 incl.VAT)

St. Bennet's Fink, Threadneedle Street.
Published Sep.r 29th. 1797 by T.Malton.
Fine hand coloured aquatint with etching, 380 x 310mm (15 x 12½"). Some tape stains in margins where previously mounted.
A view of St Benet Fink church. This version of the church was built to the designs of Sir Christopher Wren after the Great Fire of London. The Wren church was demolished between 1841 and 1846. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
[Ref: 53668] £220.00 (£264.00 incl.VAT)

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