A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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The Hon.ble Frederick Sylvester Douglas Nat. 8 Feb. 1797. Mort 21 Oct 1819.
Ingres Rome 1815.
[n.d., c.1820.]
Lithograph. Sheet 280 x 190mm (11 x 7½").
A half-length portrait of Frederick Sylvester North Douglas, MP for Banbury from 1812 until his early death at 28, sketched in Rome by John Dominique Ingres. This portrait is a close copy from one of four drawn directly onto one stone by the painter, but designed to be cut, printed by Charles Hullmandel. This version has the title in italics, 'North' added to the name and extra lines with darker detailing. The other sitters were: Frederick North, 5th Earl of Guildford; and North's sister Lady Glenbervie and her husband, Sylvester Douglas, parents of Douglas.
Man 12.
[Ref: 58027] £220.00 (£264.00 incl.VAT)
Ingres Rome 1815.
[n.d., c.1820.]
Lithograph. Sheet 280 x 190mm (11 x 7½").
A half-length portrait of Frederick Sylvester North Douglas, MP for Banbury from 1812 until his early death at 28, sketched in Rome by John Dominique Ingres. This portrait is a close copy from one of four drawn directly onto one stone by the painter, but designed to be cut, printed by Charles Hullmandel. This version has the title in italics, 'North' added to the name and extra lines with darker detailing. The other sitters were: Frederick North, 5th Earl of Guildford; and North's sister Lady Glenbervie and her husband, Sylvester Douglas, parents of Douglas.
Man 12.
[Ref: 58027] £220.00 (£264.00 incl.VAT)
The Hon.ble Frederick Sylvester Douglas Nat. 8 Feb. 1797. Mort 21 Oct 1819.
Ingres Rome 1815.
[n.d., c.1820.]
Lithograph, proof before title. Sheet 290 x 245mm (11½ x 9¾").
A half-length portrait of Frederick Sylvester North Douglas, MP for Banbury from 1812 until his early death at 28, sketched in Rome by John Dominique Ingres. This portrait is a close copy from one of four drawn directly onto one stone by the painter, but designed to be cut, printed by Charles Hullmandel. This version has extra lines with darker detailing. The other sitters were: Frederick North, 5th Earl of Guildford; and North's sister Lady Glenbervie and her husband, Sylvester Douglas, parents of Douglas.
Man 12.
[Ref: 58028] £480.00
Ingres Rome 1815.
[n.d., c.1820.]
Lithograph, proof before title. Sheet 290 x 245mm (11½ x 9¾").
A half-length portrait of Frederick Sylvester North Douglas, MP for Banbury from 1812 until his early death at 28, sketched in Rome by John Dominique Ingres. This portrait is a close copy from one of four drawn directly onto one stone by the painter, but designed to be cut, printed by Charles Hullmandel. This version has extra lines with darker detailing. The other sitters were: Frederick North, 5th Earl of Guildford; and North's sister Lady Glenbervie and her husband, Sylvester Douglas, parents of Douglas.
Man 12.
[Ref: 58028] £480.00
Katherine Anne (North) Lady Glenbervie. Nat. 16 Feb. 1760. Mort 6 Feb 1817.
Ingres Rome 1815. C. Hullmandel's Lithography.
[n.d., c.1820.]
Lithograph. Sheet 300 x 210mm (11¾ x 8¼"). Very light foxing and surface dirt. Small crease at bottom.
A half-length portrait of Katherine Anne Douglas, sketched in Rome by John Dominique Ingres. The portrait was one of four drawn directly onto one stone by the painter, but designed to be cut. The other sitters were: her brother Frederick North, 5th Earl of Guildford; her husband, Sylvester; and son Frederick Sylvester Douglas. The four portraits are lauded as masterpieces of the classical art of drawing. So great is their mastery that experts have disputed whether Ingres, having no previous documented experience of lithography, could have achieved such a feat. However, Felix Man argues convincingly that in Rome Ingres would have had the necessary facilities likely found at the printing and publishing establishment of Giovanni Dall'Armi (XXI-XXII, Man 1953). Though the portraits were drawn by Ingres in Rome, the family took the stone back to England to be printed by Charles Hullmandel in 1820, when he added the sitters' titles and biographical dates.
Man 12.
[Ref: 66191] £190.00 (£228.00 incl.VAT)
Ingres Rome 1815. C. Hullmandel's Lithography.
[n.d., c.1820.]
Lithograph. Sheet 300 x 210mm (11¾ x 8¼"). Very light foxing and surface dirt. Small crease at bottom.
A half-length portrait of Katherine Anne Douglas, sketched in Rome by John Dominique Ingres. The portrait was one of four drawn directly onto one stone by the painter, but designed to be cut. The other sitters were: her brother Frederick North, 5th Earl of Guildford; her husband, Sylvester; and son Frederick Sylvester Douglas. The four portraits are lauded as masterpieces of the classical art of drawing. So great is their mastery that experts have disputed whether Ingres, having no previous documented experience of lithography, could have achieved such a feat. However, Felix Man argues convincingly that in Rome Ingres would have had the necessary facilities likely found at the printing and publishing establishment of Giovanni Dall'Armi (XXI-XXII, Man 1953). Though the portraits were drawn by Ingres in Rome, the family took the stone back to England to be printed by Charles Hullmandel in 1820, when he added the sitters' titles and biographical dates.
Man 12.
[Ref: 66191] £190.00 (£228.00 incl.VAT)
Katherine Anne (North) Lady Glenbervie. Nat. 16 Feb. 1760. Mort 6 Feb 1817.
Ingres Rome 1815. C. Hullmandel's Lithography.
[n.d., c.1820.]
Lithograph. Sheet 300 x 210mm (11¾ x 8¼"). Light foxing and top corners creased.
A half-length portrait of Katherine Anne Douglas, sketched in Rome by John Dominique Ingres. The portrait was one of four drawn directly onto one stone by the painter, but designed to be cut. The other sitters were: her brother Frederick North, 5th Earl of Guildford; her husband, Sylvester; and son Frederick Sylvester Douglas. The four portraits are lauded as masterpieces of the classical art of drawing. So great is their mastery that experts have disputed whether Ingres, having no previous documented experience of lithography, could have achieved such a feat. However, Felix Man argues convincingly that in Rome Ingres would have had the necessary facilities likely found at the printing and publishing establishment of Giovanni Dall'Armi (XXI-XXII, Man 1953). Though the portraits were drawn by Ingres in Rome, the family took the stone back to England to be printed by Charles Hullmandel in 1820, when he added the sitters' titles and biographical dates.
Man 12.
[Ref: 66529] £220.00 (£264.00 incl.VAT)
Ingres Rome 1815. C. Hullmandel's Lithography.
[n.d., c.1820.]
Lithograph. Sheet 300 x 210mm (11¾ x 8¼"). Light foxing and top corners creased.
A half-length portrait of Katherine Anne Douglas, sketched in Rome by John Dominique Ingres. The portrait was one of four drawn directly onto one stone by the painter, but designed to be cut. The other sitters were: her brother Frederick North, 5th Earl of Guildford; her husband, Sylvester; and son Frederick Sylvester Douglas. The four portraits are lauded as masterpieces of the classical art of drawing. So great is their mastery that experts have disputed whether Ingres, having no previous documented experience of lithography, could have achieved such a feat. However, Felix Man argues convincingly that in Rome Ingres would have had the necessary facilities likely found at the printing and publishing establishment of Giovanni Dall'Armi (XXI-XXII, Man 1953). Though the portraits were drawn by Ingres in Rome, the family took the stone back to England to be printed by Charles Hullmandel in 1820, when he added the sitters' titles and biographical dates.
Man 12.
[Ref: 66529] £220.00 (£264.00 incl.VAT)
Sylvester (Douglas) Lord Glenbervie. Nat. 13. May O.S. 1744.
Ingres Rome 1815. C. Hullmandel's Lithography.
[n.d., c.1820.]
Lithograph. Sheet 310 x 240mm (12¼ x 9½"). Surface dirt on edges of paper, margins creased.
A seated portrait of British lawyer and politician, Sylvester Douglas, 1st Baron Glenbervie, sketched in Rome by John Dominique Ingres. Lord Glenbervie was Chief Secretary for Ireland between 1793 and 1794. The portrait was one of four drawn directly onto one stone by the painter, but designed to be cut. The other sitters were North's sister, Lady Glenbervie, her husband, Sylvester Douglas, and their son, Frederick Sylvester Douglas. The four portraits are lauded as masterpieces of the classical art of drawing. So great is their mastery that experts have disputed whether Ingres, having no previous documented experience of lithography, could have achieved such a feat. However, Felix Man argues convincingly that in Rome Ingres would have had the necessary facilities likely found at the printing and publishing establishment of Giovanni Dall'Armi (XXI-XXII, Man 1953). Though the portraits were drawn by Ingres in Rome, the family took the stone back to England to be printed by Charles Hullmandel in 1820, when he added the sitters' titles and biographical dates.
Man 12.
[Ref: 66531] £220.00 (£264.00 incl.VAT)
Ingres Rome 1815. C. Hullmandel's Lithography.
[n.d., c.1820.]
Lithograph. Sheet 310 x 240mm (12¼ x 9½"). Surface dirt on edges of paper, margins creased.
A seated portrait of British lawyer and politician, Sylvester Douglas, 1st Baron Glenbervie, sketched in Rome by John Dominique Ingres. Lord Glenbervie was Chief Secretary for Ireland between 1793 and 1794. The portrait was one of four drawn directly onto one stone by the painter, but designed to be cut. The other sitters were North's sister, Lady Glenbervie, her husband, Sylvester Douglas, and their son, Frederick Sylvester Douglas. The four portraits are lauded as masterpieces of the classical art of drawing. So great is their mastery that experts have disputed whether Ingres, having no previous documented experience of lithography, could have achieved such a feat. However, Felix Man argues convincingly that in Rome Ingres would have had the necessary facilities likely found at the printing and publishing establishment of Giovanni Dall'Armi (XXI-XXII, Man 1953). Though the portraits were drawn by Ingres in Rome, the family took the stone back to England to be printed by Charles Hullmandel in 1820, when he added the sitters' titles and biographical dates.
Man 12.
[Ref: 66531] £220.00 (£264.00 incl.VAT)
![[Cosimo Andrea Lazzerini's Family.]](jpegs/17809.jpg)
[Cosimo Andrea Lazzerini's Family.]
[Jean Coraboeuf? after J.A.D. Ingres]
Etching on india-laid paper, 520 x 410mm. 20½ x 16¼". Chalcographie du Louvre blindstamp.
Etching after Ingres' drawing of the physician and professor of medicine Cosimo Andrea Lazzerini and his family, which is now in the Musée du Louvre, Paris. The original inscription 'Ingres à Monsieur Lazzerini/ florence 1822' is replicated lower right. This may be the etching by Jean Coraboeuf exhibited at the Salon of 1906.
Jon Whiteley, 'Ingres', p.44
[Ref: 17809] £180.00 (£216.00 incl.VAT)
[Jean Coraboeuf? after J.A.D. Ingres]
Etching on india-laid paper, 520 x 410mm. 20½ x 16¼". Chalcographie du Louvre blindstamp.
Etching after Ingres' drawing of the physician and professor of medicine Cosimo Andrea Lazzerini and his family, which is now in the Musée du Louvre, Paris. The original inscription 'Ingres à Monsieur Lazzerini/ florence 1822' is replicated lower right. This may be the etching by Jean Coraboeuf exhibited at the Salon of 1906.
Jon Whiteley, 'Ingres', p.44
[Ref: 17809] £180.00 (£216.00 incl.VAT)
![[Margherita Luti] Fornarina.](jpegs/62201.jpg)
[Margherita Luti] Fornarina. N.º 79.
T.A. Ingres. Pinx.t. H. Dawe Sculp.
[n.d., c.1815.]
Mezzotint. Sheet 165 x 120mm (6½ x 4¾"). Trimmed to image on three sides, into plate at bottom, laid on album paper.
A half-length portrait of a woman in Renaissance costume, one hand touching a plant growing in an urn. This is an adapted detail of the painting 'Raphael and La Fornarina' by Jean-Auguste-Dominique Ingres (1813), which originally depicted the artist with his mistress (Margherita Luti, 'The Baker') on his knee.
[Ref: 62201] £160.00 (£192.00 incl.VAT)
T.A. Ingres. Pinx.t. H. Dawe Sculp.
[n.d., c.1815.]
Mezzotint. Sheet 165 x 120mm (6½ x 4¾"). Trimmed to image on three sides, into plate at bottom, laid on album paper.
A half-length portrait of a woman in Renaissance costume, one hand touching a plant growing in an urn. This is an adapted detail of the painting 'Raphael and La Fornarina' by Jean-Auguste-Dominique Ingres (1813), which originally depicted the artist with his mistress (Margherita Luti, 'The Baker') on his knee.
[Ref: 62201] £160.00 (£192.00 incl.VAT)
Frederic (North) Earl of Guildford. Nat 7 Feb 1766.
Ingres Rome 1815. C. Hullmandel's Lithography.
[n.d., c.1820.]
Lithograph. Sheet 320 x 230mm (12¾x 9"). Surface dirt on edges of paper. Right margin creased.
A seated portrait of Frederick North, 5th Earl of Guildford, sketched in Rome by John Dominique Ingres. The portrait was one of four drawn directly onto one stone by the painter, but designed to be cut. The other sitters were North's sister, Lady Glenbervie, her husband, Sylvester Douglas, and their son, Frederick Sylvester Douglas. The four portraits are lauded as masterpieces of the classical art of drawing. So great is their mastery that experts have disputed whether Ingres, having no previous documented experience of lithography, could have achieved such a feat. However, Felix Man argues convincingly that in Rome Ingres would have had the necessary facilities likely found at the printing and publishing establishment of Giovanni Dall'Armi (XXI-XXII, Man 1953). Though the portraits were drawn by Ingres in Rome, the family took the stone back to England to be printed by Charles Hullmandel in 1820, when he added the sitters' titles and biographical dates.
Man 12.
[Ref: 66530] £220.00 (£264.00 incl.VAT)
Ingres Rome 1815. C. Hullmandel's Lithography.
[n.d., c.1820.]
Lithograph. Sheet 320 x 230mm (12¾x 9"). Surface dirt on edges of paper. Right margin creased.
A seated portrait of Frederick North, 5th Earl of Guildford, sketched in Rome by John Dominique Ingres. The portrait was one of four drawn directly onto one stone by the painter, but designed to be cut. The other sitters were North's sister, Lady Glenbervie, her husband, Sylvester Douglas, and their son, Frederick Sylvester Douglas. The four portraits are lauded as masterpieces of the classical art of drawing. So great is their mastery that experts have disputed whether Ingres, having no previous documented experience of lithography, could have achieved such a feat. However, Felix Man argues convincingly that in Rome Ingres would have had the necessary facilities likely found at the printing and publishing establishment of Giovanni Dall'Armi (XXI-XXII, Man 1953). Though the portraits were drawn by Ingres in Rome, the family took the stone back to England to be printed by Charles Hullmandel in 1820, when he added the sitters' titles and biographical dates.
Man 12.
[Ref: 66530] £220.00 (£264.00 incl.VAT)
![[Frederick North, 5th Earl of Guildford and family]](jpegs/66527.jpg)
[Frederick North, 5th Earl of Guildford and family] Katherine Anne (North) Lady Glenbervie. Sylvester (Douglas) Lord Glenbervie. The Hon.ble Frederic Sylvester Douglas. Frederic (North) Earl of Guildford.
Ingres Rome 1815. C. Hullmandel's Lithography.
[n.d., c.1820.]
Rare lithograph. Sheet 620 x 440mm (24½ x 17¼"), with very large margins, edges uncut.
Four portraits printed from one stone but designed to be cut: Lord and Lady Glenbervie and their son Frederic Douglas, and Lady Glenbervie's brother Frederic North, 5th Earl of Guildford. These four portraits, drawn directly onto one stone by the painter John Dominique Ingres, are lauded as masterpieces of the classical art of drawing. So great is their mastery that experts have disputed whether Ingres, having no previous documented experience of lithography, could have achieved such a feat. However, Felix Man argues convincingly that in Rome Ingres would have had the necessary facilities likely found at the printing and publishing establishment of Giovanni Dall'Armi (XXI-XXII, Man 1953). Though the portraits were drawn by Ingres in Rome, the family took the stone back to England to be printed by Charles Hullmandel in 1820, when he added the sitters' titles and biographical dates. Man states that he has only seen 8 uncut examples, demonstrating its rarity.
Man 12.
[Ref: 66527] £620.00
Ingres Rome 1815. C. Hullmandel's Lithography.
[n.d., c.1820.]
Rare lithograph. Sheet 620 x 440mm (24½ x 17¼"), with very large margins, edges uncut.
Four portraits printed from one stone but designed to be cut: Lord and Lady Glenbervie and their son Frederic Douglas, and Lady Glenbervie's brother Frederic North, 5th Earl of Guildford. These four portraits, drawn directly onto one stone by the painter John Dominique Ingres, are lauded as masterpieces of the classical art of drawing. So great is their mastery that experts have disputed whether Ingres, having no previous documented experience of lithography, could have achieved such a feat. However, Felix Man argues convincingly that in Rome Ingres would have had the necessary facilities likely found at the printing and publishing establishment of Giovanni Dall'Armi (XXI-XXII, Man 1953). Though the portraits were drawn by Ingres in Rome, the family took the stone back to England to be printed by Charles Hullmandel in 1820, when he added the sitters' titles and biographical dates. Man states that he has only seen 8 uncut examples, demonstrating its rarity.
Man 12.
[Ref: 66527] £620.00
A. Tardieu.
Ingres del. Henriquel Dupont sc.
Gazette des Beaux Arts. Imp. Drouart, Paris. [n.d., c.1860.]
Etching with stipple. Printed area 230 x 145mm (9 x 5¾").
Portrait of Pierre-Alexandre Tardieu (1756-1844) by Louis Pierre Henriquel-Dupont after J.A.D. Ingres. Tardieu is best known for his engraved portraits.
[Ref: 29766] £75.00 (£90.00 incl.VAT)
Ingres del. Henriquel Dupont sc.
Gazette des Beaux Arts. Imp. Drouart, Paris. [n.d., c.1860.]
Etching with stipple. Printed area 230 x 145mm (9 x 5¾").
Portrait of Pierre-Alexandre Tardieu (1756-1844) by Louis Pierre Henriquel-Dupont after J.A.D. Ingres. Tardieu is best known for his engraved portraits.
[Ref: 29766] £75.00 (£90.00 incl.VAT)
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