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[Campi Phlegraei] IIII [View of Naples from the Sea Shore.]
[after Pietro Fabris.]
[Naples, 1776-9.]
Etching with superb hand colour, 18th century watermark. 215 x 395mm (8 x 15"), with grey washed margins, as issued, very large margins
A view of the city with an ox cart in the foreground. A plate from Hamilton's famous work on Italian volcanos, the 'Campi Phlegraei'. Hamilton was 'Envoy Extraordinary to the Kingdom of the Two Sicilies' in Naples from 1764 until 1800, during which time he published books on his two favourite subjects, classical vases and vulcanology. He and Fabris visited both Etna and Vesuvius, often risking their lives to record volcanic events. The resulting book of 1776, the rare 'Campi Phlegraei', with a supplement of 1779, is regarded as one of the best colour-plate books of the 18th century.
[Ref: 67564] £950.00
[Campi Phlegraei] XI. [View of the Monte S. Angelo on which there is a Convent of Camaldolesi Monks]
[after Pietro Fabris.]
[Naples, 1776-9.]
Etching with superb hand colour 18th century watermark. 215 x 395mm (8 x 15"), with grey washed margins, as issued, very large margins.
A view of a volcanic outcrop between Torre del Greco and Torre dell' Annonciata, looking north to a smoking Vesuvius, from Hamilton's famous work on Italian volcanos, the 'Campi Phlegraei'. Hamilton was 'Envoy Extraordinary to the Kingdom of the Two Sicilies' in Naples from 1764 until 1800, during which time he published books on his two favourite subjects, classical vases and vulcanology. He and Fabris visited both Etna and Vesuvius, often risking their lives to record volcanic events. The resulting book of 1776, the rare 'Campi Phlegraei', with a supplement of 1779, is regarded as one of the best colour-plate books of the 18th century.
[Ref: 67558] £950.00
[Campi Phlegraei] XVII [Bird's eye view from the Convent of Camaldoli.]
[after Pietro Fabris.]
[Naples, 1776-9.]
Etching with superb hand colour, 18th century watermark. 215 x 395mm (8 x 15"), with grey washed margins, as issued, large margins.
A view from one of the highest points above Naples, with Sir William Hamilton examining the volcanic landscape through a telescope. The artist Pietro Fabris talks to a monk. A plate from Hamilton's famous work on Italian volcanos, the 'Campi Phlegraei'. Hamilton was 'Envoy Extraordinary to the Kingdom of the Two Sicilies' in Naples from 1764 until 1800, during which time he published books on his two favourite subjects, classical vases and vulcanology. He and Fabris visited both Etna and Vesuvius, often risking their lives to record volcanic events. The resulting book of 1776, the rare 'Campi Phlegraei', with a supplement of 1779, is regarded as one of the best colour-plate books of the 18th century.
[Ref: 67568] £950.00
[Campi Phlegraei] XXII. [View of the Porto Pavone.]
[after Pietro Fabris.]
[Naples, 1776-9.]
Etching with superb hand colour, 18th century watermark. 215 x 395mm (8 x 15"), with grey washed margins, as issued, very large margins.
A view of Porto Pavone, a sunken crater on the island of Nisida in the Bay of Naples, with William Hamilton and Pietro Fabris sketching in the foreground. A plate from Hamilton's famous work on Italian volcanos, the 'Campi Phlegraei'. Hamilton was 'Envoy Extraordinary to the Kingdom of the Two Sicilies' in Naples from 1764 until 1800, during which time he published books on his two favourite subjects, classical vases and vulcanology. He and Fabris visited both Etna and Vesuvius, often risking their lives to record volcanic events. The resulting book of 1776, the rare 'Campi Phlegraei', with a supplement of 1779, is regarded as one of the best colour-plate books of the 18th century.
[Ref: 67562] £800.00
[Campi Phlegraei] XXIV. [View of Puzzoli.]
[after Pietro Fabris.]
[Naples, 1776-9.]
Etching with superb hand colour. 215 x 395mm (8 x 15"), with grey washed margins, as issued, very large margins.
A view looking down at Pozzuoli and the sea, with Sir William Hamilton and a woman (probably Catherine, his first wife) in the foreground, a plate from Hamilton's famous work on Italian volcanos, the 'Campi Phlegraei'. The title is taken from the letterpress description from the book. Hamilton was 'Envoy Extraordinary to the Kingdom of the Two Sicilies' in Naples from 1764 until 1800, during which time he published books on his two favourite subjects, classical vases and vulcanology. He and Fabris visited both Etna and Vesuvius, often risking their lives to record volcanic events. The resulting book of 1776, the rare 'Campi Phlegraei', with a supplement of 1779, is regarded as one of the best colour-plate books of the 18th century.
[Ref: 67557] £950.00
[Campi Phlegraei] XXVI. [Pozzuoli]
[after Pietro Fabris.]
[Naples, 1776-9.]
Etching with superb hand colour, pt 18th century watermark. 215 x 395mm (8 x 15"), with grey washed margins, as issued, very large margins.
A view looking down at Pozzuoli and the sea, with Sir William Hamilton and his artist Pietro Fabris in the foreground, a plate from Hamilton's famous work on Italian volcanos, the 'Campi Phlegraei'. Hamilton was 'Envoy Extraordinary to the Kingdom of the Two Sicilies' in Naples from 1764 until 1800, during which time he published books on his two favourite subjects, classical vases and vulcanology. He and Fabris visited both Etna and Vesuvius, often risking their lives to record volcanic events. The resulting book of 1776, the rare 'Campi Phlegraei', with a supplement of 1779, is regarded as one of the best colour-plate books of the 18th century.
[Ref: 67556] £950.00
[Campi Phlegraei] XXVIIII. [The Lake of Agnano evidently the Crater of an ancient Volcano.]
[after Pietro Fabris.]
[Naples, 1776-9.]
Etching with superb hand colour. 215 x 395mm (8 x 15"), with grey washed margins, as issued, large margins. Remains of paper pasted on edge of margins.
A view of Lake Avernus (Lago d'Averno), a volcanic crater lake in Pozzuoli, with William Hamilton on horseback in the foreground. He identified the building on the left shore as a temple of Proserpine, and a grotto on the right bank as that of the Cumaean sibyl. A plate from Hamilton's famous work on Italian volcanos, the 'Campi Phlegraei'. Hamilton was 'Envoy Extraordinary to the Kingdom of the Two Sicilies' in Naples from 1764 until 1800, during which time he published books on his two favourite subjects, classical vases and vulcanology. He and Fabris visited both Etna and Vesuvius, often risking their lives to record volcanic events. The resulting book of 1776, the rare 'Campi Phlegraei', with a supplement of 1779, is regarded as one of the best colour-plate books of the 18th century.
[Ref: 67559] £900.00
[Campi Phlegraei] XXXX [View of a hollow road leading from the Grotta of Pausilipo.]
[after Pietro Fabris.]
[Naples, 1776-9.]
Etching with superb hand colour. 215 x 395mm (8 x 15"), with grey washed margins, as issued, very large margins
A view of a sunken road, the sides showing the volcanic strata. A plate from Hamilton's famous work on Italian volcanos, the 'Campi Phlegraei'. Hamilton was 'Envoy Extraordinary to the Kingdom of the Two Sicilies' in Naples from 1764 until 1800, during which time he published books on his two favourite subjects, classical vases and vulcanology. He and Fabris visited both Etna and Vesuvius, often risking their lives to record volcanic events. The resulting book of 1776, the rare 'Campi Phlegraei', with a supplement of 1779, is regarded as one of the best colour-plate books of the 18th century.
[Ref: 67563] £680.00
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