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[Ape.]
[Edward Julius Detmold.]
[n.d., c.1925.]
Etching with aquatint. In pencil bottom left "3rd" proof, 330 x 390mm (13 x 15¼"). Narrow margins top and bottom.
Two apes feeding. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking.
[Ref: 64304] £290.00
(£348.00 incl.VAT)
[An Arab and his camel in the desert.]
[Edward Julius Detmold.]
[n.d., c.1925.]
Etching. 205 x 430mm (8 x 17"). Platemark cracked, reinforced on reverse.
An Arab stands before this camel, rifle over his shoulder, looking down at something coming out of the ground. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking. An edition of 'The Arabian Nights' illustrated by Detmold was published in 1924. See V&A SP.215 for a reversed colour etching of the same subject.
[Ref: 64345] £260.00
(£312.00 incl.VAT)
[Two Arab horsemen in a fantasy city landscape with monkeys and peacocks.]
E. J. Detmold [signed in pencil].
[n.d., 1925.]
Etching. Signed. 270 x 430mm, 10½ x 17". Creased.
Edward Julius Detmold (1883-1957) and his twin Charles Maurice Detmold (1883-1908) were twins and child protegés who worked very closely together until C.M. Detmold committed suicide in 1908. Traumatised, Edward produced only one etching in the next fifteen years, returning to the art only in 1923.
[Ref: 21421] £350.00
[Aztec chief?]
E.J.D. trial proof. E. J. Detmold [signed in pencil].
[n.d., 1925.]
Etching, scarce. Signed. 560 x 310mm, 22 x 12¼". Brown tape around edges, stitch holes in lower margin.
A man wearing a headress and carrying a spear, The thick pencil-sketch style is a departure from Detmold's usual realistic etchings. Edward Julius Detmold (1883-1957) and his twin Charles Maurice Detmold (1883-1908) were twins and child protegés who worked very closely together until C.M. Detmold committed suicide in 1908. Traumatised, Edward produced only one etching in the next fifteen years, returning to the art only in 1923.
[Ref: 21422] £450.00
[Camel in Desert.]
E.J. Detmold [signed in pencil.]
[n.d. c.1900.]
Drypoint with pencil signature, with very large margins. Plate 196 x 401mm (7¾ x 15¾").
A rider and camel run towards people and a town to the right, by Edward Julius Detmold (1883-1957), twin brother to Charles Maurice Detmold (1883-1908). The pair were among the artists associated with the Golden Age of Illustration. They worked together making sketches at the Zoological Gardens and exhibited together from the age of fourteen. He became one of the best Edwardian animal illustrators, known for his subtle placement of animals within their natural environment. Edward expressed artistic versatility and published a number of books of fine fantasy drawings in the 1920s; they portrayed a vivid imagination and he utilised warm colouring, which suited the period. The Jungle Book (1908) was to be the last substantial commission that the brothers worked on - due to the death of Charles in that same year. The extraordinary success of their illustrations to accompany Kipling's classic tale, however, firmly established the reputation for Edward and the following year, a suite of illustrations prepared to Aesop's tales were published in The Fables of Aesop (1909).
[Ref: 28872] £290.00
(£348.00 incl.VAT)
[Camel train at an oasis.]
[Edward Julius Detmold.]
[n.d., c.1925.]
Etching on india paper. 300 x 400mm (11¾ x 15¾"), with large margins. Edges taped.
Laden camels standing at an oasis, two in water. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking. An edition of 'The Arabian Nights' illustrated by Detmold was published in 1924.
[Ref: 64344] £380.00
[The Captive.]
E.J.D. imp. E.J. Detmold. [all pencil.]
[1923.]
Etching on india paper, printed by the artist, unfinished proof. 350 x 300mm (13¾ x 12"), with large margins.
A superb impression of this fantastic image of an eagle perched on a rock with a middle eastern city in the background with the temple to the left. To the right can be seen two camels seated with the city walls and mountains in the background. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking.
[Ref: 64301] £600.00
[The Captive.]
[Edward Julius Detmold.]
[1923.]
Etching on india paper, unfinished proof. 350 x 300mm (13¾ x 12"), with large margins.
A fantastic image of an eagle perched on a rock with a middle eastern city in the background with the temple to the left. To the right can be seen two camels seated with the city walls and mountains in the background. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking.
[Ref: 64302] £600.00
[The Captive.]
E.J. Detmold. [pencil signature.]
[1923.]
Etching, signed by the artist, published edition of 100 proofs. 350 x 300mm (13¾ x 12"), with large margins.
A fantastic image of an eagle perched on a rock with a middle eastern city in the background with the temple to the left. To the right can be seen two camels seated with the city walls and mountains in the background. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking.
[Ref: 64303] £850.00
[Kittie.]
E. J. Detmold [signed in pencil].
[n.d., 1926.]
Drypoint etching 230 x 310mm. Framed. Unexamined out of frame.
A very fine etching of a cat. Edward Julius Detmold (1883-1957).
[Ref: 8457] £850.00
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
[Eagle.]
C.M.D. E.D. [printed] E.J. Detmold. M.D. E.J.D. [ pencil.]
[n.d. c.1908.]
Etching. Plate 110 x 110mm. 4¼ x 4¼".
This etching is one of the very few produced over four years by the Detmold twins for distribution at Christmas. This impression is double initalled for both brothers and signed in pencil by Edward. The brothers' individual monograms appear upper left and right in the etching. Edward supervised and edition of the etchings in a very limited number of proofs in 1920. An Eagle with wings spread stands on a branch, below is a bag with 'amitié ' written on it. Edward Julius Detmold (1883-1957) was twin brother to Charles Maurice Detmold (1883-1908). The pair were among the artists associated with the Golden Age of Illustration. They worked together making sketches at the Zoological Gardens and exhibited together from the age of fourteen. After the death of Charles in 1908, Edward became one of the best Edwardian animal illustrators, known for his subtle placement of animals within their natural environment.
[Ref: 17294] £280.00
(£336.00 incl.VAT)
[Rhinoceros, Elephant, and Crane in Jungle vegetation.]
[Edward Julius Detmold.]
[n.d., c.1925.]
Etching on india paper.. 305 x 220mm (12 x 8¾"). Laid on card.
A fantastical view of an elephant, rhinoceros and crane among palm trees, a building on a hill to the right. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking.
[Ref: 64300] £240.00
(£288.00 incl.VAT)
[The Happy Family.]
[Drawn and etched by Edward Julius Detmold.]
[n.d., 1925.]
Etching. 300 x 405mm, 11¾ x 16".
A stag, doe and fawn. Edward Julius Detmold (1883-1957) and his twin Charles Maurice Detmold (1883-1908) were twins and child protegés who worked very closely together until C.M. Detmold committed suicide in 1908. Traumatised, Edward produced only one etching in the next fifteen years, returning to the art only in 1923.
[Ref: 21414] £260.00
(£312.00 incl.VAT)
[The Lily Trotter.]
EJD [monogram]. E. J. Detmold [signed in pencil].
[n.d., 1924.]
Etching, signed in pencil, 230 x 230mm, 9 x 9". Slight creasing.
A jacanas chick on a lily pad. Edward Julius Detmold (1883-1957) and his twin Charles Maurice Detmold (1883-1908) were twins and child protegés who worked very closely together until C.M. Detmold committed suicide in 1908. Traumatised, Edward produced only one etching in the next fifteen years, returning to the art only in 1923. Guichard: p. 35, 'as exquisitely detailed as any'.
[Ref: 21417] £220.00
(£264.00 incl.VAT)
[The Morning Ride.]
E.J.D. imp; E.J. Detmold [pencil signatures].
[n.d., c.1925.]
Etching, signed by the artist. 300 x 470mm (10½ x 16¾"), with large margins. Paper lightly toned.
Two Arab men on horseback rear up in front of a fantastical city landscape with monkeys, peacocks and water-lilies. This example was printed by Detmold himself, and is an early state before the unprinted part of plate was cut down. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking. An edition of 'The Arabian Nights' illustrated by Detmold was published in 1924.
[Ref: 64342] £280.00
(£336.00 incl.VAT)
[The Morning Ride.]
E.J. Detmold [pencil signatures].
[n.d., c.1925.]
Etching, signed by the artist. 270 x 430mm (10½ x 17"), with large margins. Paper lightly toned.
Two Arab men on horseback rear up in front of a fantastical city landscape with monkeys, peacocks and water-lilies. A state afterthe unprinted part of plate was cut down. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking. An edition of 'The Arabian Nights' illustrated by Detmold was published in 1924.
[Ref: 64343] £280.00
(£336.00 incl.VAT)
[The Oasis at Daybreak.]
E.J. Detmold [signed in pencil.]
[n.d. c.1900.]
Drypoint with pencil signature, with large margins. Plate 182 x 395mm (7¼ x 15½"). Slight ink loss top left; paper tone.
Two figures and laden camels with coconut palms beyond, by Edward Julius Detmold (1883-1957), twin brother to Charles Maurice Detmold (1883-1908). The pair were among the artists associated with the Golden Age of Illustration. They worked together making sketches at the Zoological Gardens and exhibited together from the age of fourteen. He became one of the best Edwardian animal illustrators, known for his subtle placement of animals within their natural environment. Edward expressed artistic versatility and published a number of books of fine fantasy drawings in the 1920s; they portrayed a vivid imagination and he utilised warm colouring, which suited the period. The Jungle Book (1908) was to be the last substantial commission that the brothers worked on - due to the death of Charles in that same year. The extraordinary success of their illustrations to accompany Kipling's classic tale, however, firmly established the reputation for Edward and the following year, a suite of illustrations prepared to Aesop's tales were published in The Fables of Aesop (1909).
[Ref: 28871] £220.00
(£264.00 incl.VAT)
[The Quiet of the Desert.]
E. J. Detmold [pencil signature.]
[n.d., c.1920.]
Etching, 150 x 305mm. 6 x 12".
A solitary Arab figure seated on carpet in prayer towards a mosque in distance; three camels to left.
Edward Julius Detmold (1883 - 1957).
[Ref: 16054] £350.00
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
[A flat, watery landscape with two windmills.]
E.J.Detmold [pencil signature.]
[British, n.d., c.1925.]
Etching on watermarked J. Whatman paper, 145 x 285mm. 5¾ x 11¼". Worm holes to lower margin, with large margins.
A stark landscape study by Edward Julius Detmold (1883 - 1957).
[Ref: 27410] £240.00
(£288.00 incl.VAT)
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