A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Richmond Bridge.]](jpegs/62569.jpg)
[Richmond Bridge.]
James Ness.
[n.d., c.1930.]
Etching, signed by the artist in pencil. 195 x 270mm (7¾ x 10½"). Small margins.
A view of Richmond Bridge from the East Twickenham bank.
Not in: Bamber Gascoigne.
[Ref: 62569] £140.00 (£168.00 incl.VAT)
James Ness.
[n.d., c.1930.]
Etching, signed by the artist in pencil. 195 x 270mm (7¾ x 10½"). Small margins.
A view of Richmond Bridge from the East Twickenham bank.
Not in: Bamber Gascoigne.
[Ref: 62569] £140.00 (£168.00 incl.VAT)
On The Banks of the Thames.
A. Evershed. Printed By Delatre London.
Gazette Des Beaux-Arts. 1876
Etching, 150 x 220mm (6 x 8¾"), with large margins.
A view of the Thames in the suburbs of London, most likely Twickenham; a wharf in the foreground and houses in the background. Published in 1876 as part of an article in the Gazette des Beaux-Arts. The Gazette was a major champion of the etching revival publishing etchings from both British and French artists. Dr Arthur Evershed MRCP (1835 - 1919). After retiring from a medical career specialising in tuberculosis, he dedicated himself to etching, gaining renown for his ability to draw directly onto a copper plate, reversing the image without mirrors. He exhibited at the Royal Academy regularly and became treasurer of the Royal Society of Painter Etchers.
[Ref: 62614] £140.00 (£168.00 incl.VAT)
A. Evershed. Printed By Delatre London.
Gazette Des Beaux-Arts. 1876
Etching, 150 x 220mm (6 x 8¾"), with large margins.
A view of the Thames in the suburbs of London, most likely Twickenham; a wharf in the foreground and houses in the background. Published in 1876 as part of an article in the Gazette des Beaux-Arts. The Gazette was a major champion of the etching revival publishing etchings from both British and French artists. Dr Arthur Evershed MRCP (1835 - 1919). After retiring from a medical career specialising in tuberculosis, he dedicated himself to etching, gaining renown for his ability to draw directly onto a copper plate, reversing the image without mirrors. He exhibited at the Royal Academy regularly and became treasurer of the Royal Society of Painter Etchers.
[Ref: 62614] £140.00 (£168.00 incl.VAT)
At Twickenham.
A. Evershed. Printed By Delatre London.
Gazette Des Beaux-Arts. [n.d. c.1876].
Etching, 100 x 200mm (4 x 8"), with very large margins.
A scene on the Thames at Twickenham, with men fishing in boats on the river and houses and trees in the background. Published in 1876 as part of an article in the Gazette des Beaux-Arts. The Gazette was a major champion of the etching revival publishing etchings from both British and French artists. Dr Arthur Evershed MRCP (1835 - 1919). After retiring from a medical career specialising in tuberculosis, he dedicated himself to etching, gaining renown for his ability to draw directly onto a copper plate, reversing the image without mirrors. He exhibited at the Royal Academy regularly and became treasurer of the Royal Society of Painter Etchers.
[Ref: 62613] £140.00 (£168.00 incl.VAT)
A. Evershed. Printed By Delatre London.
Gazette Des Beaux-Arts. [n.d. c.1876].
Etching, 100 x 200mm (4 x 8"), with very large margins.
A scene on the Thames at Twickenham, with men fishing in boats on the river and houses and trees in the background. Published in 1876 as part of an article in the Gazette des Beaux-Arts. The Gazette was a major champion of the etching revival publishing etchings from both British and French artists. Dr Arthur Evershed MRCP (1835 - 1919). After retiring from a medical career specialising in tuberculosis, he dedicated himself to etching, gaining renown for his ability to draw directly onto a copper plate, reversing the image without mirrors. He exhibited at the Royal Academy regularly and became treasurer of the Royal Society of Painter Etchers.
[Ref: 62613] £140.00 (£168.00 incl.VAT)
![[Orleans House] Vue de la Maison occupée par Son Altesse Sérénissime Monseigneur de Duc D'Orleans a Twickenham en 1815 et 1816.](jpegs/62282.jpg)
[Orleans House] Vue de la Maison occupée par Son Altesse Sérénissime Monseigneur de Duc D'Orleans a Twickenham en 1815 et 1816.
L. Attbalin Del.t. J.C. Stadler Sculp.
Published Jan.y 17.th 1817, at R. Ackermann's Repository of Arts, N.º 101, Strand, London.
Aquatint, printed in brown and blue hand finished, J. Whatman watermark. 450 x 770mm (17¾ x 30¼"). Trimmed to plate on left, repaired tears at edges.
A large & rare coloured aquatint showing view of the entourage of Louis Philippe, Duke of Orleans (1773-1850, later King of the French), in a carriage and on horseback, crossing the Thames from his house in exile, Orleans House to the Ham bank. The main house shown here was demolished in 1926, but the baroque octagonal room designed by James Gibb remains as part of the Orleans House Gallery. In 'Images of Twickenham' Gascoigne states that Ackermann's 1830 catalogue attributed the print to 'Athalin', the name of one of Louis Philippe's ADCs.
Gascoigne: Images of Twickenham 114.
[Ref: 62282] £650.00
L. Attbalin Del.t. J.C. Stadler Sculp.
Published Jan.y 17.th 1817, at R. Ackermann's Repository of Arts, N.º 101, Strand, London.
Aquatint, printed in brown and blue hand finished, J. Whatman watermark. 450 x 770mm (17¾ x 30¼"). Trimmed to plate on left, repaired tears at edges.
A large & rare coloured aquatint showing view of the entourage of Louis Philippe, Duke of Orleans (1773-1850, later King of the French), in a carriage and on horseback, crossing the Thames from his house in exile, Orleans House to the Ham bank. The main house shown here was demolished in 1926, but the baroque octagonal room designed by James Gibb remains as part of the Orleans House Gallery. In 'Images of Twickenham' Gascoigne states that Ackermann's 1830 catalogue attributed the print to 'Athalin', the name of one of Louis Philippe's ADCs.
Gascoigne: Images of Twickenham 114.
[Ref: 62282] £650.00