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![3.e Cahier Pl.12. [&] 6.e Cahier Pl. 23.](jpegs/20553.jpg)
3.e Cahier Pl.12. [&] 6.e Cahier Pl. 23.
J.L. Prevost pinx. Ruotte sculp. [&] L.C. Ruotte sculp.
A Paris chez Vilquin, M.d d'Estampes, rande cour du Palais du Tribunat, No. 20. [n.d., 1805.]
Pair of colour-printed stipples, partly printed in colour, very scarce. Sheets 505 x 330, 19¾ x 13" Trimmed to plate. Staining on paper edges. Paper discolouration visible on reverse.
air of fine flower prints from Prévost's 'Collection des Fleurs et des Fruits peints d'aprés Nature'. The text names the flowers on each plate: according to Dunthorne, plate 12 shows 'Bouquet de Jacinte [Hyacinth], Auricules, Narcisse tardif, Rose Panachée, branche de Cerisier en fleur [Cherry in flower]; and 23 shows 'Bouquet en Rose blanche, Géranium, Molène [Mullein] et Gesse'.
Jean Louis Prévost (c. 1760- after 1810), a very successful painter of flowers. A contemporary of Redouté, his interest was not primarily scientific: he intended his 'Collection' to be a reference work for china and fabric pattern designers.
Dunthorne: 229.
[Ref: 20553] £980.00 view all images for this item
J.L. Prevost pinx. Ruotte sculp. [&] L.C. Ruotte sculp.
A Paris chez Vilquin, M.d d'Estampes, rande cour du Palais du Tribunat, No. 20. [n.d., 1805.]
Pair of colour-printed stipples, partly printed in colour, very scarce. Sheets 505 x 330, 19¾ x 13" Trimmed to plate. Staining on paper edges. Paper discolouration visible on reverse.
air of fine flower prints from Prévost's 'Collection des Fleurs et des Fruits peints d'aprés Nature'. The text names the flowers on each plate: according to Dunthorne, plate 12 shows 'Bouquet de Jacinte [Hyacinth], Auricules, Narcisse tardif, Rose Panachée, branche de Cerisier en fleur [Cherry in flower]; and 23 shows 'Bouquet en Rose blanche, Géranium, Molène [Mullein] et Gesse'.
Jean Louis Prévost (c. 1760- after 1810), a very successful painter of flowers. A contemporary of Redouté, his interest was not primarily scientific: he intended his 'Collection' to be a reference work for china and fabric pattern designers.
Dunthorne: 229.
[Ref: 20553] £980.00 view all images for this item
The Finding of Moses.
Painted by Frederick Goodall, R.A. Engraved by Richard Josey.
London, April 17th, 1888. Published by Fairless & Beeforth, Doré Gallery, 35 New Bond Street W. Copyright Registered. Entered according to Act of Congress in the year 1888 by Frank Hunter Potter in the Office of the Librarian of Congress at Washington, USA.
Mezzotint on Indian laid paper, Open letters. 785 x 585mm to platemark. Uncut. Mint.
Engraving after the painting by Frederick Goodall (1822-1904). Goodall was taught by his artist father, Edward, and first exhibited at the Royal Academy in 1838. After painting landscapes and rural scenes early in his career, a trip to Egypt in 1858-9 led to a change in direction. Thereafter Goodall painted mainly scenes from Egyptian life with Biblical associations. Goodall was elected RA in 1864 and enjoyed great popularity during this time, but his fortunes later declined greatly and in 1902 he was declared bankrupt.
Briony Llewellyn, 'Edward Goodall', in the Grove Dictionary of Art
[Ref: 14090] £450.00
Painted by Frederick Goodall, R.A. Engraved by Richard Josey.
London, April 17th, 1888. Published by Fairless & Beeforth, Doré Gallery, 35 New Bond Street W. Copyright Registered. Entered according to Act of Congress in the year 1888 by Frank Hunter Potter in the Office of the Librarian of Congress at Washington, USA.
Mezzotint on Indian laid paper, Open letters. 785 x 585mm to platemark. Uncut. Mint.
Engraving after the painting by Frederick Goodall (1822-1904). Goodall was taught by his artist father, Edward, and first exhibited at the Royal Academy in 1838. After painting landscapes and rural scenes early in his career, a trip to Egypt in 1858-9 led to a change in direction. Thereafter Goodall painted mainly scenes from Egyptian life with Biblical associations. Goodall was elected RA in 1864 and enjoyed great popularity during this time, but his fortunes later declined greatly and in 1902 he was declared bankrupt.
Briony Llewellyn, 'Edward Goodall', in the Grove Dictionary of Art
[Ref: 14090] £450.00
![[Newcastle from the wharfs across the Tyne.]](jpegs/19125.jpg)
[Newcastle from the wharfs across the Tyne.]
T.M. Richardson Del.t. S. Humble Sculp.t.
[n.d., c.1815.]
Copper Engraving. Sheet 250 x 310mm, 9¾ x 12¼". Trimmed, on board, pencil annotations on border.
[Ref: 19125] £120.00 (£144.00 incl.VAT)
T.M. Richardson Del.t. S. Humble Sculp.t.
[n.d., c.1815.]
Copper Engraving. Sheet 250 x 310mm, 9¾ x 12¼". Trimmed, on board, pencil annotations on border.
[Ref: 19125] £120.00 (£144.00 incl.VAT)
The Papyrus.
[n.d. c.1823.]
Hand-coloured aquatint. Plate 222 x 178mm. 8¾ x 7". Laid on album sheet, two horizonatl folds. Trimmed to the plate along the lower edge.
The papyrus reed. The stem of the reed was used by the Ancient Egyptians to make a form of paper. It was similarly used to produce fibre for sails, mats and cloth, amongst other things. The roots were used as a fuel and the pith as food.
[Ref: 19231] £45.00
[n.d. c.1823.]
Hand-coloured aquatint. Plate 222 x 178mm. 8¾ x 7". Laid on album sheet, two horizonatl folds. Trimmed to the plate along the lower edge.
The papyrus reed. The stem of the reed was used by the Ancient Egyptians to make a form of paper. It was similarly used to produce fibre for sails, mats and cloth, amongst other things. The roots were used as a fuel and the pith as food.
[Ref: 19231] £45.00
Psyche.
Drawn By T. Harper, Engraved by G. Maile [Trimmed
London Published Jany. 1, 1824 by J. Brooker, 5 Southampton Row, Russell Square.
Mezzotint printed in colours, image 205 x 155mm. 8 x 6". Trimmed close to image, letters and publication line lost, and glued to scrap sheet at corners; title excised and glued below.
Sometimes catalogued as Lucille Grahn in teh Ballet La Sylphide. A young woman with butterfly wings as Psyche, mythological lover of Eros/Cupid, holding in both hands a small box on which sits a butterfly. In fine colour.
Ballet:Cavers.
[Ref: 11679] £140.00 (£168.00 incl.VAT)
Drawn By T. Harper, Engraved by G. Maile [Trimmed
London Published Jany. 1, 1824 by J. Brooker, 5 Southampton Row, Russell Square.
Mezzotint printed in colours, image 205 x 155mm. 8 x 6". Trimmed close to image, letters and publication line lost, and glued to scrap sheet at corners; title excised and glued below.
Sometimes catalogued as Lucille Grahn in teh Ballet La Sylphide. A young woman with butterfly wings as Psyche, mythological lover of Eros/Cupid, holding in both hands a small box on which sits a butterfly. In fine colour.
Ballet:Cavers.
[Ref: 11679] £140.00 (£168.00 incl.VAT)
The "Leda" Yacht, R.W.Y.C.
Painted by N.M. Condy. T.G. Dutton, Lith.
London, Published Jany 1st. 1850, by Messrs. Fores, At Their Sporting & Fine Print Repository, & Frame Manufactory, 41 Piccadilly, Corner of Sackville Street.
Lithograph with hand colouring, image 315 x 450mm. 12½ x 17¾". Unexamined out of frame.
Founded as the Port of Plymouth Royal Clarence Regatta Club in 1827, the Royal Western Yacht Club was founded in 1833. Its original aims were to hold an annual regatta, to organise an active social programme and to stimulate improvements in naval architecture through yacht racing, and the Club still holds to the principles of those original aims today. In those early years the Club's principal strength proved to be in long distance cruising. Its members' yachts, wearing the Blue Ensign, a privilege given to them in a Warrant granted by Queen Victoria, were to be seen in the farthest corners of the globe, from France and St Petersburg to Cape Town, Ceylon, South America and the USA.
At the same time the Club's active involvement in racing grew consistently. As well as running an annual regatta the Club was soon organising an annual series of races for J Class Yachts, an event which continued for over 100 years until 1934.
After Nicholas Matthew Condy (1818 - 1851).
NMM: PAH8679.
[Ref: 11978] £950.00
Painted by N.M. Condy. T.G. Dutton, Lith.
London, Published Jany 1st. 1850, by Messrs. Fores, At Their Sporting & Fine Print Repository, & Frame Manufactory, 41 Piccadilly, Corner of Sackville Street.
Lithograph with hand colouring, image 315 x 450mm. 12½ x 17¾". Unexamined out of frame.
Founded as the Port of Plymouth Royal Clarence Regatta Club in 1827, the Royal Western Yacht Club was founded in 1833. Its original aims were to hold an annual regatta, to organise an active social programme and to stimulate improvements in naval architecture through yacht racing, and the Club still holds to the principles of those original aims today. In those early years the Club's principal strength proved to be in long distance cruising. Its members' yachts, wearing the Blue Ensign, a privilege given to them in a Warrant granted by Queen Victoria, were to be seen in the farthest corners of the globe, from France and St Petersburg to Cape Town, Ceylon, South America and the USA.
At the same time the Club's active involvement in racing grew consistently. As well as running an annual regatta the Club was soon organising an annual series of races for J Class Yachts, an event which continued for over 100 years until 1934.
After Nicholas Matthew Condy (1818 - 1851).
NMM: PAH8679.
[Ref: 11978] £950.00
The "Leda" Yacht, R.W.Y.C. Dedicated by Permission to the owner William Russell of Brancepeth Castle, Esq.re by His obedient and obliged Servants, Mess.rs Fores.
Painted by N.M. Condy. T.G. Dutton, Lith. Day & Son, Lith.rs to the Queen.
London, Published Jany 1st. 1850, by Mess.rs Fores, At Their Sporting & Fine Print Repository, & Frame Manufactory, 41 Piccadilly, Corner of Sackville Street.
Lithograph with hand colouring. 438 x 570mm. 17¼ x 22½". Large margins.
The Leda, Royal Western Yacht Club, seen here by the Eddystone Lighthouse, Cornwall.
Founded as the Port of Plymouth Royal Clarence Regatta Club in 1827, the Royal Western Yacht Club was founded in 1833. Its original aims were to hold an annual regatta, to organise an active social programme and to stimulate improvements in naval architecture through yacht racing, and the Club still holds to the principles of those original aims today. In those early years the Club's principal strength proved to be in long distance cruising. Its members' yachts, wearing the Blue Ensign, a privilege given to them in a Warrant granted by Queen Victoria, were to be seen in the farthest corners of the globe, from France and St Petersburg to Cape Town, Ceylon, South America and the USA.
At the same time the Club's active involvement in racing grew consistently. As well as running an annual regatta the Club was soon organising an annual series of races for J Class Yachts, an event which continued for over 100 years until 1934.
William Russell (1798-1850) was a British Whig politician who sat in the House of Commons between 1822 and 1832, and was elected MP for Saltash, Cornwall; Bletchingley, Surrey' and for County Durham, where in 1841 he was made High Sheriff of Durham.
Parker: 2286.
[Ref: 19558] £1,250.00
Painted by N.M. Condy. T.G. Dutton, Lith. Day & Son, Lith.rs to the Queen.
London, Published Jany 1st. 1850, by Mess.rs Fores, At Their Sporting & Fine Print Repository, & Frame Manufactory, 41 Piccadilly, Corner of Sackville Street.
Lithograph with hand colouring. 438 x 570mm. 17¼ x 22½". Large margins.
The Leda, Royal Western Yacht Club, seen here by the Eddystone Lighthouse, Cornwall.
Founded as the Port of Plymouth Royal Clarence Regatta Club in 1827, the Royal Western Yacht Club was founded in 1833. Its original aims were to hold an annual regatta, to organise an active social programme and to stimulate improvements in naval architecture through yacht racing, and the Club still holds to the principles of those original aims today. In those early years the Club's principal strength proved to be in long distance cruising. Its members' yachts, wearing the Blue Ensign, a privilege given to them in a Warrant granted by Queen Victoria, were to be seen in the farthest corners of the globe, from France and St Petersburg to Cape Town, Ceylon, South America and the USA.
At the same time the Club's active involvement in racing grew consistently. As well as running an annual regatta the Club was soon organising an annual series of races for J Class Yachts, an event which continued for over 100 years until 1934.
William Russell (1798-1850) was a British Whig politician who sat in the House of Commons between 1822 and 1832, and was elected MP for Saltash, Cornwall; Bletchingley, Surrey' and for County Durham, where in 1841 he was made High Sheriff of Durham.
Parker: 2286.
[Ref: 19558] £1,250.00
![[Woman kneeling beside an urn inscribed 'Werter', reading from a book.]](jpegs/16251.jpg)
[Woman kneeling beside an urn inscribed 'Werter', reading from a book.]
Publish'd April ye 1st. 1803 by T. Hancock, No.14 Congreve St_ Birmingham.
Stipple with engraved decorative octagonal border, probably a ceramic design. 135 x 130mm. 5¼ x 5". A fine impression, rare in good condition.
The image seems to reference 'Die Leiden des Jungen Werthers (The Sorrows of the Young Werter)' by Johann Wolfgang von Goethe (1749 - 1832).
Thomas Hancock (1774 - 1809; last date) was one of the sons of the engraver Robert Hancock. He was known for his designs for pottery.
[Ref: 16251] £320.00
Publish'd April ye 1st. 1803 by T. Hancock, No.14 Congreve St_ Birmingham.
Stipple with engraved decorative octagonal border, probably a ceramic design. 135 x 130mm. 5¼ x 5". A fine impression, rare in good condition.
The image seems to reference 'Die Leiden des Jungen Werthers (The Sorrows of the Young Werter)' by Johann Wolfgang von Goethe (1749 - 1832).
Thomas Hancock (1774 - 1809; last date) was one of the sons of the engraver Robert Hancock. He was known for his designs for pottery.
[Ref: 16251] £320.00
Grotte St. Michel. à Gibraltar.
de Sainson pinx. Arnout lith. 1830
Tastu Editeur. Lith. de Langlumé. [Paris, 1833.]
Lithograph. Printed area 280 x 340mm. Some foxing in the margin, title area rubbed.
From 'Voyage de la Corvette l'Astrolabe', the account of Jules Dumont D'Urville's important expedition to the South Seas between 1826 and 1829. St Michael's Cave, one of 150 in the Rock of Gibraltar.
[Ref: 8149] £140.00 (£168.00 incl.VAT)
de Sainson pinx. Arnout lith. 1830
Tastu Editeur. Lith. de Langlumé. [Paris, 1833.]
Lithograph. Printed area 280 x 340mm. Some foxing in the margin, title area rubbed.
From 'Voyage de la Corvette l'Astrolabe', the account of Jules Dumont D'Urville's important expedition to the South Seas between 1826 and 1829. St Michael's Cave, one of 150 in the Rock of Gibraltar.
[Ref: 8149] £140.00 (£168.00 incl.VAT)
Femme de Ste. Croix de Tenériffe. Femme de Gibraltar. Homme d'Algésiras.
de Sainson pinx. J.M.Michel lith.
Tastu Editeur. Lith. de Langlumé. [Paris, 1833.]
Lithograph. Printed area 230 x 400mm.
From 'Voyage de la Corvette l'Astrolabe', the account of Jules Dumont D'Urville's important expedition to the South Seas between 1826 and 1829. On the outward leg he visited Algeciras, Gibraltar and Teneriffe
[Ref: 8148] £140.00 (£168.00 incl.VAT)
de Sainson pinx. J.M.Michel lith.
Tastu Editeur. Lith. de Langlumé. [Paris, 1833.]
Lithograph. Printed area 230 x 400mm.
From 'Voyage de la Corvette l'Astrolabe', the account of Jules Dumont D'Urville's important expedition to the South Seas between 1826 and 1829. On the outward leg he visited Algeciras, Gibraltar and Teneriffe
[Ref: 8148] £140.00 (£168.00 incl.VAT)