Grosvenor Prints

Playmates.
Painted by H. Merle. Engraved by Samuel Cousins, R.A.
London, Published by Thomas McLean, 7 Haymarket June 1.st 1877.
Mezzotint and mixed-method engraving, india paper. Printsellers Association stamp. Plate 356 x 280mm. 14 x 11".
A little girl sitting in a loose gown with her shoulders bare, cuddlng a kitten on her lap, smiling towards the viewer.
Ex Collection: Hon. Christopher Lennox-Boyd. W: 212 iii of iii.
[Ref: 19377] £180.00 (£216.00 incl.VAT)

Pleasures of Memory.
Painted by Sir Thomas Lawrence. Engraved by Samuel Cousins.
March 1, 1844 Published By J.C Grundy, Machester; R. H. Grundy, Liverpool; The Anaglyphic Company, Berners Street, London, & Goupil & Vibert, Paris.
Mezzotint with engraving, 460 x 350mm (18 x 13¾"), with very large margins. Repaired tear in top left margin. Very light creasing including one very small crease in her face.
Portrait in an oval frame of a woman looking at a picture book. She studies the book resting her hand on her head. The book is raised on a cushion. An illustration to poem 'The Pleasures of Memory', (1792) by Samuel Rogers (1763–1855).
[Ref: 60697] £240.00 (£288.00 incl.VAT)

[A Poet]
Spanulet pinx.t. Marchie fecit.
Publish'd by J. Wesson in Litchfield Street Soho [n.d., c.1766]
Mezzotint, with very large margins; platemark 330 x 230mm (13 x 9"). Repaired tears to margins.
Rare mezzotint by Joshua Reynolds' studio assistant Giuseppe Marchi, from a painting attributed here to José de Ribera (who as a Spanish painter working in Naples was widely known as Spagnoletto, 'the Spaniard'). The imagery recalls representations of Italian poets such as Tasso and Ariosto.
[Ref: 31377] £240.00 (£288.00 incl.VAT)

[Poetie.]
Macklin excud.t. John Ogborne Sculp.t.
London, Pub.d Oct.r 30, 1779 by Tho.s. Macklin, No 1 Lincolns Inn Fields.
Stipple, printed in sepia. 250 x 290mm.
'Poetie' written in pencil.
[Ref: 3993] £220.00 (£264.00 incl.VAT)

L' Amour est Guerre et Batterie...[etc.]
C. David, fe. et: ex cu' privilegio.
Le Blond excud Cum Privilegio [n.d., c.1630.]
Etching, 250 x 180mm. 9¾ x 7". Light spotting, mostly marginal; sandwiched in mount.
An unidentified female portrait. Four lines of verse below extoll her charms. By Charles David (1595 c. - 1631?), engraver at Paris. Published by Jean Leblond I (c.1590/1594 - 1666).
[Ref: 10410] £240.00 (£288.00 incl.VAT)

[Johann Friedrich I, Elector and Duke of Saxony?] Quadro di Luca Kranach.
Loren. Lorenzi del, P. Ant. Pazzi sc.
[n.d., c.1740.]
Engraving, 18th century watermark. 390 x 300mm (15¼ x 11¾"). Narrow margins, taped bottom left corner.
A man in a fur jacket with hat and a chain around his neck, which he grasps with one hand. The inscriptions state that this print was engraved by Pietro Antonio Pazzi from a drawing by Lorenzo Lorenzi, taken from a painting by Lucas Cranach. The BM identifies the sitter as Johann Friedrich I, Elector and Duke of Saxony, but there is little resemblence to existing paintings of the Duke by both Lucas Cranach the Elder (c.1472-1553) and the Younger (1515-86). These show him with narrower eyes and a prominent scar from his left temple to the base of his nose.
[Ref: 56507] £220.00 (£264.00 incl.VAT)

From a Picture by Guido Rheni [&] From a Picture by Elisabetta Sironi in the Collection of the Right Honorable Lord Viscount Cremorn
Drawn by Anna Louisa Lane. Engraved by Blackberd.
Published as the Act directs May 21 1795 by the Proprietor No 13 Church Street Soho
Rare pair of stipple engravings, each platemark 250 x 170mm (9¾ x 6¾"), very large margins.
Pair of bust portraits engraved after pictures by Italian artists Guido Reni and Elisabetta Sirani. The intermediary draughtsman, Anna Louisa Lane (1778-1995, fl.) was probably the elder sister of the gem engraver William Lane, from whose address she exhibited miniatures.
[Ref: 41283] £140.00 (£168.00 incl.VAT)

[A Collection of Studies.]
Worlidge del. J. le Claussin f. 1808.
Pub. Mar. 1. 1815 by Ed Doreell. No.13 Upper Castle St Leicester Square.
Etching. Plate: 170 x 190mm (6¾ x 7½"). Small margins.
A plate from 'A Collection of Etchings by Joseph Claussin'.
[Ref: 47618] £95.00 (£114.00 incl.VAT)

[Cupidon Habile en Hercule.]
Engrav'd by F. Bartolozzi.
London, Publish'd May 25; 1785 by W. Dickinson, Engraver & Printseller No 158 Bond Street.
Stipple, printed in brown, proof before title. 120 x 80mm (4¾ x 3¼") very large margins.
Cupid dressed as Hercules. A naked Cupid, lion skin over his shoulder, holding a club and bow. One of three portraits of Cupid and Psyche after gem-cutter Protarchos, engraved for a fan titled 'The Power of Love', first published by Poggi in 1780.
De Vesme 2219, state iv of iv. See Royal Collection Trust RCIN 25378 for the fan.
[Ref: 55513] £130.00 (£156.00 incl.VAT)

[Cupidon a Cheval d'un Lion & Jouant de la Lyre.]
Engrav'd by F. Bartolozzi.
London, Publish'd May 25; 1785 by W. Dickinson, Engraver & Printseller No 158 Bond Street.
Stipple, printed in brown, proof before title. 150 x 130mm (6 x 5") very large margins. Some spotting.
One of three portraits, Cupid riding a lion, playing a lyre. Cupid and Psyche after gem-cutter Protarchos, engraved for a fan titled 'The Power of Love', first published by Poggi in 1780.
De Vesme 2219, state iv of iv.
[Ref: 55514] £130.00 (£156.00 incl.VAT)

[Psyche Enfant.]
Engrav'd by F. Bartolozzi.
London, Publish'd May 25; 1785 by W. Dickinson, Engraver & Printseller No 158 Bond Street.
Stipple, printed in brown, proof before title. 150 x 130mm (6 x 5") very large margins. Some spotting.
A naked Psyche holding stick and ball, one of three portraits of Cupid and Psyche after gem-cutter Protarchos, engraved for a fan titled 'The Power of Love', first published by Poggi in 1780.
De Vesme 2219, state iv of iv.
[Ref: 55515] £130.00 (£156.00 incl.VAT)

Praise
Painted by R. M. Paye. Engraved by W. Ward.
London publish'd May 12th 1785 by J. R. Smith N.o 83 Oxford Street.
Stipple. 255 x 225mm (10 x 8¾"), with large margins. Some creasing at the corner. A little discolouration.
An angel reading intently from an open book, in an oval design. Appears to be a pair with 'Praise' by William Nutter (After Paye), published by John Raphael Smith (1785).
[Ref: 54113] £230.00 (£276.00 incl.VAT)

Pray Give A Trifle.
E. Purcell del.t
Pubd. by S & J. Fuller at the Temple of Fancy 34 Rathbone Place 1826.
Coloured lithograph. 240 x 184mm. 9½ x 7¼".
A young lady sat on the grass with a basket to her right and a broom to her left. She sits holding open a bag of scrap drawings and a note to a viewer 'Scraps thankfully received'. Behind are other groups of people admiring scraps.
[Ref: 24960] £110.00 (£132.00 incl.VAT)

Premieres Amours. The First love Die erste Liebe.
Peint Par L. Perrault. Grave Par C.A. Deblois.
Imprime et publié par Goupil & Cie Editeurs le 1er Avril 1870. Paris_Londres_la Haye. Berlin - Verlag von Goupil & Co. New York - Published by M. Knoedler.
Etching and engraving, 560 x 410mm. 22 x 16".
A young girl cuddles a cat on a step. By Charles Alphonse Deblois (1822 - 1883 c.) after Léon Bazile Perrault (1835 - 1908).
[Ref: 8496] £290.00 (£348.00 incl.VAT)

The Pretty Dress-Maker.
London Published by Tregear 123 Cheapside.
Hand-coloured lithograph. Sheet: 190 x 240mm (7½ x 9½"). Trimmed and laid on an album sheet.
A portrait of a young woman sewing.
[Ref: 44712] £120.00 (£144.00 incl.VAT)

The Pretty Laundress.
Dean & Munday Lithog 35 Threadneedle St.
Pub.d by Treagear 123 Cheapside 1828.
Coloured lithograph. Printed area 250 x 180mm (9¾ x 7").
A woman ironing a square of cloth.
[Ref: 37760] £120.00 (£144.00 incl.VAT)

The Pretty Milliner.
London Published by Tregear, 123 Cheapside 1828.
Hand-coloured lithograph. Sheet: 180 x 235mm (7 x 9¼"). Trimmed.
A portrait of a woman making a hat.
[Ref: 44713] £120.00 (£144.00 incl.VAT)

Pretty Miss, playing with Puppies.
155 Printed for Carington Bowles, N.o 69 in S.t Paul's Yard, London.
London [n.d.]
Coloured engraving. 150 x 110mm (6 x 4¼"), with wide margins. Some toning in the margins.
A well dressed young woman holding two puppies.
[Ref: 54084] £120.00 (£144.00 incl.VAT)

The Pretty Washerwoman.
London Pub.d by Tregear, 123 Cheapside 1828.
Hand-coloured lithograph. Sheet 250 x 185mm (9¾ x 7¼"). Some staining.
A portrait of a woman in a low-cut dress, working with a washing tub. One of a series of portraits of women in the trades and services titled 'The Pretty...'.
[Ref: 57690] £160.00 (£192.00 incl.VAT)

The Return of the Prodigal Son. From the Original Picture painted by Guerchino, In the Collection of Lady Leicester. Size of the Picture 3F, 4I by 4F, 5I in Height. Vol. II. No. 48.
Guerchino pinxit. John Boydell excudit 1772. S.F. Ravenet Sculpsit.
Published March 2.d 1772 by John Boydell Engraver, in Cheapside London.
Engraving, paper watermarked. Plate 517 x 380mm (2½ x 15"). Very large margins.
The return of the Prodigal son; the penitent son returns to his father and brother.
Ex Collection Duke of Westminster.
[Ref: 38178] £240.00 (£288.00 incl.VAT)

A person formed for Geometrical of Mechanical excellence.
Barlow sculp. [c.1780]
Engraving, platemark 170 x 105mm (6¾ x 4"). Small margins.
[Ref: 45705] £90.00 (£108.00 incl.VAT)

Prudence. In human breasts we various passions find; To regulate them is an act of mind: From constitution vice and virtue rise; But Prudence marks the foolish from the wise.
[n.d. c.1790.]
Engraving. Plate 171 x 113mm. 6¾ x 4½". Trimmed to plate along right; offsetting.
Prudence sat with a mirror and stood beside her is cupid offering up his arrow entwined by a snake to respresent serpent-like wisdom.
[Ref: 27007] £45.00 (£54.00 incl.VAT)

[Charlotte Raikes] Mrs J.M. Raikes.
Sir W.m Beechy R.A. pinx.t. T. Nugent sculp.t.
[London. Published Feby 1 1810 by Anty Molteno, Printseller to her R.H. the Dutchess of York, No 29 Pall Mall.]
Rare stipple with etching. Sheet 225 x 175mm (8¾ x 7"). Trimmed within plate, losing publication line. Bit messy.
Half length portrait of Charlotte Raikes (née Bayly), holding a book to her chest with both hands, wearing jewelled brooches and pearl necklace. She was married to Job Mathew Raikes of Welson, Yorks. According to Beechey 1807 Account Book, he charged five guineas extra for the painting.
W. Roberts: Sir William Beechey R.A, p.212.
[Ref: 57943] £140.00 (£168.00 incl.VAT)

Raphael and Fornarina. In the Collection of the Rt. Hon.ble Lord Northwick.
Painted by Sebastian del Piombo. Engraved by S.W. Reynolds, Engraver to the King.
London: Published July 1.st 1826, by Js. Ant.y Molteno 20 Pall Mall & Mess.rs Chaillou Potrelle, Paris.
Mezzotint and etching, with large margins. Plate 425 x 272mm. 16¾ x 10¾". Some tears into the margins.
A couple in Renaissance dress seated in conversation; the woman with a dog in her lap and holding a mirror in her left hand, while he sits beside her, pointing upwards at two doves; a cat standing on hind legs in front of him snarls at the dog; trees and a fountain in the background.
Whitman: 425.
[Ref: 23902] £180.00 (£216.00 incl.VAT)

Raphael's Mistress. From the Original Picture, painted by Raphael, In the Collection of his Grace the Duke of Marlborough, To Whom this Plate is with the greatest Submission, most humbly Dedicated; By his Grace's most Obliged, and most Obedient humble Servant, J. Boydell. Size of the Picture 2F.1I by 2F.6¾I high. No.23.
Raphael pinxt. R. Earlom delint. Thos. Chambars sculpsit.
Publish'd according to Act of Parliament, by J. Boydell Engraver, in Cheapside, London; Nov. 2d. 1765.
Engraving, paper watermarked. Plate 406 x 305mm (16 x 12"). Very large margins; water stain to lower right and crease to upper right margin.
A young woman shown in profile to right, holding a basket of fruit in her hand in front of her, left hand lifting the edge of her fur-trimmed cloak which has slipped from her shoulder, with a scarf in her hair, part braided; a view of a town in landscape through a window beyond to right.
Ex Collection Duke of Westminster.
[Ref: 38289] £240.00 (£288.00 incl.VAT)

[Portrait of a Man Reading.]
A: V: Ostade Pinx: J: Stolker Fecit.
S: Cruys, Excud. [n.d., c1780.]
Mezzotint. Plate: 280 x 200mm (11 x 8'') very large margins. Slight foxing.
A portrait of an old man reading a sheet of text; after a painting by Dutch artist Adriaen van Ostade (1610-1685).
[Ref: 48840] £190.00 (£228.00 incl.VAT)

Rebecca.
C.Marato del. Pitou Sculp.
A Paris, chez Bonnet, rue St. Jacques, au coin de celle de la Parcheminerie. [n.d., c. 1790]
Stipple, printed in colours. 230 x 190mm. Triimed into platemark.
[Ref: 4052] £320.00

[Head after Rembrandt]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, sheet 80 x 65mm (3 x 2½"). Fine impression; trimmed on platemark; 'J.B.' (for John Barnard) verso; mark on right.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '99' added top right to correspond with the catalogue of his prints she produced (in her catalogue this print is listed as 'head after Rembrandt'). From the Collection of John Barnard (1709-84), print-collector and one of the foremost connoisseurs of his day.
State i/iii; W99; D160.
[Ref: 32900] £280.00 (£336.00 incl.VAT)

[Head after Rembrandt]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, sheet 75 x 65mm (2¾ x 2½"). Fine impression; trimmed inside platemark; glued to backing sheet; glue stains at corners.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '99' added top right to correspond with the catalogue of his prints she produced (in her catalogue this print is listed as 'head after Rembrandt').
State i/iii; W99; D160; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32901] £140.00 (£168.00 incl.VAT)

[Head after Rembrandt]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 80 x 65mm (3 x 2½"). Fine impression; small margins; light foxing.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '99' added top right to correspond with the catalogue of his prints she produced (in her catalogue this print is listed as 'head after Rembrandt').
State i/iii; W99; D160.
[Ref: 32902] £280.00 (£336.00 incl.VAT)

[Head after Rembrandt] [2 in right corner]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 80 x 65mm (3 x 2½"). Trimmed on platemark
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '99' added top right to correspond with the catalogue of his prints she produced (in her catalogue this print is listed as 'head after Rembrandt').
State ii/iii; W99; D160.
[Ref: 32903] £180.00 (£216.00 incl.VAT)

[Head after Rembrandt]
T.W. [Thomas Worlidge]
[n.d., c.1760]
Etching, platemark 80 x 65mm (3 x 2½"). Very large margins; on cream laid paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '99' & '2' added top right to correspond with the catalogue of his prints she produced (in her catalogue this print is listed as 'head after Rembrandt').
State iii/iii; W99; D160.
[Ref: 32904] £120.00 (£144.00 incl.VAT)

Etch'd from an original Painting of Rembrandt, now in the Collection of Mr Hudson of Great Queen Street.
By T: Worlidge Portrait Painter, in the Piazza Covent Garden [c.1757-8]
Etching, platemark 195 x 140mm (7¾ x 5½"), with thread margins.
Unidentified portrait supposedly after Rembrandt, showing sitter in his study. Thomas Worlidge (1700-66) specialised in etchings either copied from, or in the style of Rembrandt.
Ex: Collection Hon. C. Lennox-Boyd.
[Ref: 55261] £160.00 (£192.00 incl.VAT)

Etch'd from an original Painting of Rembrandt, now in the Collection of Mr Hudson of Great Queen Street
By T: Worlidge Portrait Painter, in the Piazza Covent Garden
Etching, platemark 195 x 145mm (7¾ x 5¾"). Trimmed on platemark; very good impression; on cream laid paper.
Man in a gown and cap, seated in his study by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. The print claims to be after Rembrandt but this may not be the case.
State i/ii; D131.
[Ref: 33055] £220.00 (£264.00 incl.VAT)

Etch'd from an original Painting of Rembrandt, now in the Collection of Mr Hudson of Great Queen Street
By T: Worlidge Portrait Painter, in the Piazza Covent Garden
Etching, platemark 195 x 145mm (7¾ x 5¾"). Thread margins; good impression on cream laid paper.
Man in a gown and cap, seated in his study by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. The print claims to be after Rembrandt but this may not be the case.
State i/ii; D131.
[Ref: 33056] £220.00 (£264.00 incl.VAT)

Etch'd from an original Painting of Rembrandt, now in the Collection of Mr Hudson of Great Queen Street. 313
By T: Worlidge Portrait Painter, in the Piazza Covent Garden.
Etching, platemark 195 x 145mm (7¾ x 5¾"). Very large margins; good impression on cream laid paper.
Man in a gown and cap, seated in his study by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. The print claims to be after Rembrandt but this may not be the case.
State ii/ii; D131.
[Ref: 33057] £160.00 (£192.00 incl.VAT)

't Orgineele Schildery is in de Collectie van Heer Ketelar.
Rembrandt pinx. P. Louw fec.
AParis ches Basan. [n.d. c. 1760]
Mezzotint, 18th century watermark; 310 x 210mm (12¼ x8¼"). With small margins. Tipped into album sheet at sides. Creased.
Head and shoulders portrait of a bearded man wearing a turban.
Charrington 101 II of II.
[Ref: 61596] £240.00 (£288.00 incl.VAT)

[Grey-haired old man.]
Rembrandt Pinx.t. Rich. Houston Fecit.
London Printed for Rob.t Sayer at the Golden Buck in Fleet Street [n.d., c.1780]
Mezzotint. 120 x 100mm (4¾ x 4"), with very large margins. Mint.
Charrington 84.
[Ref: 51768] £160.00 (£192.00 incl.VAT)

[Woman in a Hat]
Rembrandt Pinx.t. Rich. Houston Fecit
London Printed for Rob.t Sayer at the Golden Buck in Fleet Street [n.d., c.1780]
Mezzotint with very large margins, platemark 120 x 100mm (4¾ x 4").
Woman in a hat, probably by a pupil of .Rembrandt.
Charrington 91; Not in Bredius Rembrandt catalogue raisonne. Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32362] £160.00 (£192.00 incl.VAT)

[Rembrand't father?]
[Remb: pinx: J:Stolker Fecit.
[n.d., c.1750.]
Mezzotint, proof before all letters. 285 x 205mm (11¼ x 8"), very large margins. Collector's stamp of Fritz Reiss on reverse.
A man wearing a plumed hat and gourget, a large earring in his left ear.
Charrington: state i of ii, before letters in image.
[Ref: 45201] £230.00 (£276.00 incl.VAT)

Rembrandt's Father. Done from an Original Painting by Rembrandt belonging to Will.m Baillie Esq.r.
Jn.o Greenwood fecit.
Published by J. Boydell Engraver in Cheapside, Jan.ry 1764.
Mezzotint, 350 x 250mm (13¾ x 10), with large margins. Late. Slight staining. Repaired tear left margin.
Head and shoulders of a bearded man with a wide-brimmed hat, then thought to be after Rembrandt.
CS 9. Charrington 60.
[Ref: 61593] £180.00 (£216.00 incl.VAT)

Rembrandt's Father.
Printed for Tho.s Bowles in S.t Pauls Church Yard, and John Bowles & Son, at the Black Horse in Cornhill. [n.d. c.1760]
Scarce and very fine mezzotint, 18th century watermark; 355 x 260mm (14 x 10¼"). Small margins.
So-called Rembrandt's father; portrait of an unidentified elderly man seated in an arm-chair, resting his left hand on the rest, the other holding a stick, wearing a high cap and a coat.
CS pg 1743 132. Charrington 12. Charrington had not seen a complete impression.
[Ref: 61594] £360.00

[Rembrandt's Mother.]
[Rembrandt pinx.t. R.Houston fecit.]
[n.d., c.1750.]
Mezzotint with large margins. Proof before letters impression. Platemark: 350 x 250mm (13¾ x 9¾").
A portrait of 'Rembrandt's Mother', after Rembrandt. An elderly woman plucking fowl, sitting whole-length to the left plucking a large fowl on her lap. For a lettered impression, see item ref: 36819.
Ex collection of Christopher Lennox-Boyd. Chaloner Smith: 148. I. Charrington: 85 I of II.
[Ref: 36820] £330.00

[Rembrandt's Mother.]
[Rembrandt pinx.t. R.Houston fecit.]
[n.d., c.1750.]
Mezzotint with small margins. Proof before letters. Collector's blind stamp, 'G' in lower right corner. Platemark: 350 x 250mm (13¾ x 9¾"). Cut to platemark at bottom.
A portrait of 'Rembrandt's Mother', after Rembrandt. An elderly woman plucking fowl, sitting whole-length to the left plucking a large fowl on her lap. For a lettered impression, see item ref: 36819.
Ex collection of Christopher Lennox-Boyd. Chaloner Smith: 148. I. Charrington: 85 I of II.
[Ref: 36821] £260.00 (£312.00 incl.VAT)

Repentance.
[n.d., c.1790.]
Stipple. Proof before letters. Plate: 290 x 220mm (11½ x 8¾''). Trimmed within plate on lower edge. Slight hole in bottom of image.
A scene showing a young well-dressed woman walking down a country road crying.
[Ref: 49325] £110.00 (£132.00 incl.VAT)

The Reverie. Proof.
Sir Joshua Reynolds, pinx. Thomas Cheesman, late Pupil to Bartolozzi, Sculp.
Pub.d May 16, 1792, by P. Borgnis, No. 40, Oxford Street
Stipple. 280 x 215mm (11 x 8½") very large margins.
A young woman wearing a broad-brimmed plumed hat over curly hair. Although attributed to Reynolds no corresponding painting is known.
BM: 1897,1117.174.
[Ref: 44045] £160.00 (£192.00 incl.VAT)

[Mrs Jane Roberts from a rare Print of Her.]
[George Perfect Harding, c.1810.]
Watercolour and wash, 150 x 130mm (6 x 5"). Cut into an oval and laid on album sheet.
A portrait of a woman wearing pearls. Watercolour by George Perfect Harding (1779/80-1853), miniature painter. Harding devoted himself to producing minute copies in watercolour of works of historical and antiquarian interest. Examples of his work are in several major British institutions.
[Ref: 42342] £360.00

Robinetta.
J. Jones excudit.
London, Publish'd as the Act directs, March 24th. 1787, by J. Jones, No. 63, Great Portland Street, Marylebone.
Stipple and etching, 380 x 270mm. 15 x 10½". Uncut.
A young girl sitting feeding a robin perched on her right shoulder; trees behind in a landscape. Dedication to the Honble William Tollemache by the printmaker over four lines around arms below title. After Sir Joshua Reynolds (1723 - 1792).
Hamilton: pg.155, II.
[Ref: 13939] £180.00 (£216.00 incl.VAT)

[Old man holding a sword.]
Painted by Sal. Rosa. engraved by C.W. Baillie 1763.
Etching with large margins, platemark 215 x 160mm (8½ x 6¼").
Etching supposedly after Salvator Rosa, the Italian artist whose work, including vertiginous landscapes and genre paintings of banditti, was immensely popular in England in the 18th century. This is an unusual image which may be taken from a painting no longer attributed to Rosa. Engraved by Captain William Baillie (1723-1810). Baillie retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of the Hon. C. Lennox-Boyd.
[Ref: 36370] £160.00 (£192.00 incl.VAT)

[Old man holding a sword.]
[Painted by Sal. Rosa. engraved by C.W. Baillie 1763.]
Etching, platemark 215 x 160mm (8½ x 6¼"), with very large margins. Proof before all letters.
Etching supposedly after Salvator Rosa, the Italian artist whose work, including vertiginous landscapes and genre paintings of banditti, was immensely popular in England in the 18th century. This is an unusual image which may be taken from a painting no longer attributed to Rosa. Engraved by Captain William Baillie (1723-1810). Baillie retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
[Ref: 40379] £180.00 (£216.00 incl.VAT)

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