Grosvenor Prints

[Nina.]
Sydney E. Wilson [signed in pencil lower right.] [after J.B. Greuze.]
Published 1909 by Vicars Brothers. 12, Old Bond Street, London.
Mezzotint, signed in pencil, rare, working proof. Printseller's Association Stamp. Plate 356 x 393mm. 14 x 15½".
A girl lying on a bed with her head on the pillow, left arm under her head and her right hand pushed into her hair; in an oval frame. Sydney E. Wilson (1869-1963) was a master of the English mezzotint revival style of the early 1900's. He was a contemporary of Samuel Arlent Edwards. He work was mostly published by the firm of Vicars Brothers of Bond Street, London.
PSA: Vol.I. 475 signed proofs.
[Ref: 23388] £180.00 (£216.00 incl.VAT)

This Plate is dedicated to William Lock, Esq. by his most Obliged and Devoted Servant F. Bartolozzi.
G.B. Cipriani inv. F. Bartolozzi sculp.
Publish'd pursuant to an Act of Parliament Jan.y ye 28.th 1772.
Stipple printed in red. Sheet: 260 x 305mm (10 x 12"). Trimmed.
Niobe, head turned to left, eyes turned upwards, touching her uncovered right breast with her left hand; below, a shield held by an angel, seated on a cloud.
De Vesme: 456.ii.
[Ref: 22936] £320.00

The Noble French Sheperdess in St. James Park.
Le Roy del. J: P. Levilly sculp.
[n.d. c.1780.]
Stipple. Plate 432 x 337mm. 17 x 13¼". Very fine and rare.
A young maiden walking through the park holding fresh flower and grass cuttings in her apron; a sheep follows nibbling at the bits hanging over the edge.
Oettingen-Wallerstein Collection.
[Ref: 21683] £400.00

Son grati a chi invecchio studi maturi
Nogari Pinx. P. Peiroleri del et sculp.
[n.d., c.1755]
Rare engraving, sheet 290 x 240mm (11½ x 9½"). Trimmed inside platemark top and bottom.
Old man holding pencil and spectacles, after the Venetian painter Giuseppe Nogari (1699-1766). Nogari's master is believed to have been Giovanni Battista Piazzetta, whose influential portrait busts were surely an influence on Nogari on this evidence. Nogari was popular with patrons from Italy, Germany and England. He worked for the British Consul in Venice, Joseph Smith (also an important patron to Canaletto) and also contributed to the decorations of the Palazzo Reale in Turin, which may be relevant to the Turin-based printmaker Pietro Peiroleri engraving this print.
[Ref: 38314] £260.00 (£312.00 incl.VAT)

Varian l'eta varian le voglie ancora.
Nogari Pinx. P. Peirolerj del et sculp.
[n.d., c.1755]
Rare engraving, sheet 295 x 240mm (11½ x 9½"). Trimmed to platemark top and bottom.
Old woman counting rosary beads, after the Venetian painter Giuseppe Nogari (1699-1766). Nogari's master is believed to have been Giovanni Battista Piazzetta, whose influential portrait busts were surely an influence on Nogari on this evidence. Nogari was popular with patrons from Italy, Germany and England. He worked for the British Consul in Venice, Joseph Smith (also an important patron to Canaletto) and also contributed to the decorations of the Palazzo Reale in Turin, which may be relevant to the Turin-based printmaker Pietro Peiroleri engraving this print.
[Ref: 38315] £260.00 (£312.00 incl.VAT)

The Note of Admiration. Star, No. 2.
Gunthorp, del. Alvey, lith, London Road.
[n.d., c.1840.]
Lithograph. Sheet 265 x 205mm (10½ x 8"). Damp stains.
A young girl with ringlets stands on a pouffe to reach the keys of a piano.
[Ref: 53239] £75.00 (£90.00 incl.VAT)

Nurse and Child. [Drawn by E. Edwards from ye Original Picture of ye same size, painted by Sebasts. Bourdon, the Orig. Drawing in ye Possessn. of R. Sayer.]
Rob.t Lowrie fecit. [after Sébastien Bourdon]. R. Sayer Excudit.
[ London, Printed for Robt. Sayer, No. 53 Fleet Street as the Act directs, 2 Jany. 1772.]
Mezzotint, sheet 375 x 300mm (14¾ x 11¾"). Trimmed losing second half of title and publication line and glued to a backing sheet.
A nurse wearing a turban lifting a child from cushions, cleans the infant with a cloth it as it looks back over left shoulder and puts its arm around the nurse's neck. Scene within an oval stone frame.
[Ref: 61598] £260.00 (£312.00 incl.VAT)

O Dear What Can the Matter Be, / Dear Dear What Shall I Do. / Nobody Coming to Marry Me. / Nobody Coming to Woo. / The Old Song.
W.m Nicolas fecit.
London Dean & Co. Threadneedle Street [n.d., c.1840].
Mezzotint with fine hand colour. 190 x 160mm (7½ x 6¼"), large margins With album paper pasted to edges.
A pretty young woman resting her head in one hand on a window sill.
[Ref: 56334] £95.00 (£114.00 incl.VAT)

[An old man with white beard and fur hat.]
Rembran. h.c.s. [Honoré Coussin]
[n.d., c.1750.]
Etching, 18th century watermark. 120 x 85mm (4¾ x 3¼"), with large margins. Titled in pencil in margins, with other notes.
The head of an old man, possibly Jewish, etched by Honoré Coussin (1698-1779) after Rembrandt.
[Ref: 59463] £280.00 (£336.00 incl.VAT)

[Head and shoulders of an old man]
G.L. f [c.1800]
Scarce etching, fine early impression; platemark 160 x 135mm (6¼ x 5¼") very large margins. Slight foxing.
Etching by Giuseppe Longhi (1766-1831), Italian printmaker and writer who did much to promote the Neo-classical movement in Milan. In 1801 he became professor of engraving at the Accademia di Brera in Milan, and also wrote influential texts on printmaking. Impressions of this print in the British Museum are lettered 'Longhi f' rather than the scratched 'G.L. f' on this impression.
[Ref: 40303] £130.00 (£156.00 incl.VAT)

[Bust of an old man]
T.W. [...] Worlidge Fecit [in image]
Etching, platemark 195 x 135mm (7¾ x 5¼"). Glued to backing sheet. Etching of man playing hurdy-gurdy (by Callot?) verso. Small margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with a number added to correspond with the catalogue of his prints she produced.
[Ref: 47685] £160.00 (£192.00 incl.VAT)

[Profile of an Old Man.]
I.B. Piazetta delineavit F.X. Iungwirth sculpsit Mon. Cum Privil. Sac. Caes. Maj. I.C. Leopold excudit Aug. Vindelic.
[n.d., c.1790.]
Engraving. Plate: 145 x 100mm (5¾ x 4''), with very large margins.
[Ref: 49898] £130.00 (£156.00 incl.VAT)

[Head of an old man]
T Worlidge fecit 1752
Etching, platemark 125 x 100mm (5 x 4"). Trimmed on platemark; light foxing; signed verso 'J.B.' (for John Barnard, Lugt 1419).
Portrait study by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression from the collection of John Barnard (1709-84), print-collector and one of the foremost connoisseurs of his day.
State ii/iv; W24; D150
[Ref: 32761] £260.00 (£312.00 incl.VAT)

[Head of an old man]
T Worlidge fecit 1752.
Etching, platemark 125 x 100mm (5 x 4"). Trimmed on platemark; light foxing; glued to backing sheet; lifetime impression.
Portrait study by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
State ii/iv; W24; D150
[Ref: 32760] £260.00 (£312.00 incl.VAT)

[Head of an old man] [3 top left, 24 top right, 25 in reverse bottom right]
T Worlidge fecit 1752.
Etching, platemark 125 x 100mm (5 x 4"). Good impression with margins.
Portrait study by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression with number '24' added in top right by Worlidge's widow to correspond with number in her 1767 catalogue of his prints.
State iii/iv; W24; D150
[Ref: 32762] £140.00 (£168.00 incl.VAT)

[Head of an old man]
[after Thomas Worlidge, c.1800.]
Etching, platemark 135 x 100mm (5¼ x 4"). Margins; on 19th century laid paper; rare.
Copy in reverse of a portrait study by Thomas Worlidge (1700-66). The 'English Rembrandt', Worlidge was a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
W24 (copy); D150 (copy). For Worlidge's print see refs 32760-3.
[Ref: 32764] £45.00 (£54.00 incl.VAT)

[Old woman holding flower]
[J.G. Wille?, c.1770]
Engraving, platemark 255 x 190mm (10 x 7½"). Fine proof before all letters; collector's stamp of Dr. C.D. Ginsburg verso.
Fine proof engraving formerly in the collection of Dr C.D. Ginsburg (1821-1914), Bible scholar and missionary, and a recognized authority on biblical and Hebrew matters.
L.1145
[Ref: 40294] £160.00 (£192.00 incl.VAT)

[An old woman's head] [22 in reverse top left]
T.W. [Thomas Worlidge]
Etching, platemark 95 x 80mm (3¾ x 3"). Thread margins; good impression; tipped into album sheet.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '127' added upper right to correspond with the catalogue of his prints she produced.
State i/iii; W127; D227.
[Ref: 32938] £90.00 (£108.00 incl.VAT)

[An elderly peasant woman]
T. Worlidge inv. H. Roberts sculp.
[n.d., c.1760]
Etching, platemark 195 x 140mm (7¾ x 5½"). Later impression with very large margins. Slight vertical crease.
An elderly woman, after a drawing by Thomas Worlidge, the 'English Rembrandt', and showing his interest in 17th century Dutch portraiture. Etched by Henry Roberts (1737-1771, fl.), printmaker and publisher whose small number of reproductive prints cover a range of subjects and styles.
[Ref: 32567] £95.00 (£114.00 incl.VAT)

[An old woman's head]
T.W. [Thomas Worlidge]
Etching, platemark 95 x 80mm (3¾ x 3"). Very large margins; on cream wove paper.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Late impression after retouching to the plate, erasing numbers in top corners.
State iii/iii; W127; D227.
[Ref: 32939] £60.00 (£72.00 incl.VAT)

[An old woman's head]
T.W. [Thomas Worlidge]
Etching, platemark 95 x 80mm (3¾ x 3"). Thread margins; good impression; tipped into album sheet.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '127' added upper right to correspond with the catalogue of his prints she produced.
State i/iii; W127; D227.
[Ref: 33021] £90.00 (£108.00 incl.VAT)

[Bust of an old woman] 4
T.W. [in image]
Etching, platemark 195 x 135mm (7¾ x 5¼"). Glued to backing sheet, trimmed etching by Callot verso. Small margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with a number added to correspond with the catalogue of his prints she produced.
For a copy of this print by Henry Roberts see ref. 32567.
[Ref: 47686] £120.00 (£144.00 incl.VAT)

[An old woman's head]
T.W. [Thomas Worlidge]
Etching, platemark 95 x 75mm (3¾ x 3"), with large margins.
Portrait study by Thomas Worlidge Senior (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Lifetime impression before Worlidge's widow Mary issued new impressions in 1767 with the number '127' added upper right to correspond with the catalogue of his prints she produced.
State i/iii; W127; D227.
[Ref: 47679] £95.00 (£114.00 incl.VAT)

The Opera.
Printed by W. Day, 17 Gate Street.
Pub.d by R. Ackermann, 96 Strand, 1829.
Chine collé lithograph. 265 x 205mm (10½ x 8"). Slight tear taped on right.
A woman dressed to go to the opera.
[Ref: 41330] £130.00 (£156.00 incl.VAT)

[Knight of the Garter.] Eques Balnei in Anglia.
[n.d., c.1710.]
Engraving. Plate: 200 x 140mm (8 x 5½'') very large margins. Foxing.
A costume plate showing the dress of a Knight of the Garter. From 'Torques Aurelius Magni Magisti Ordinis Anglici Constantiniani' 1710 a series of engravings showing the chivalric orders of Europe.
[Ref: 49199] £60.00 (£72.00 incl.VAT)

[Oriental figure behind bannister]
Tho.s Worlidge 1759
Etching with large margins, platemark 170 x 130mm (6¾ x 5"). Early state (cloak unfinished). Glued to backing sheet in corners; excellent condition.
Rembrandtesque print by Thomas Worlidge (1700-66) who specialised in etchings either copied from, or in the style of Rembrandt. The headgear worn by the figure here is adapted from Rembrandt's 'Second Oriental Head' (itself based loosely on a print by Lievens).
Ex: Collection of the Late Honourable Christopher Lennox-Boyd
[Ref: 32579] £220.00 (£264.00 incl.VAT)

Out of Work.
Drawn from Nature and on Stone by the Rev.d T. Kilby. Printed by T.H. Skelton, Southampton.
[n.d., c.1850.]
Tinted lithograph on india with very large margins. Printed area 255 x 205mm (10 x 8"). Foxing in borders.
A man in a smock, arms folded. The Reverend Thomas Kilby (1794-1868) is best known for his 'Scenery in the Vicinity of Wakefield', 1843.
[Ref: 35811] £130.00 (£156.00 incl.VAT)

[James Thomas Paine.]
Painted by G. Romney. Engraved by J. Dean.
Published Jan.y the 1.st 1780 by J. Dean. Berwick Street Soho.
Very fine mezzotint, proof before title. 461 x 330mm (18¼ x 13"), with collector's mark.
Whole-length, as a child, standing, naked except for a sash that comes around his chest, he holds it around the neck of a Pomeranian dog to the right, whose head is turned towards the boy. James Paine II (1745-1829), architect and sculptor, the son of James Paine I.
Ex Collection: Earl of Bute. Horne: 91, i/ii. CS: 19.
[Ref: 29163] £850.00

Painting and Design. From the Original Picture Painted by Guido Reni; In the Collection ofhis Grace the Duke of Devonshire at Chiswick.
Guido Reni Ponxt. S. F. Ravenet Sculpsit.
Frontispiece to Vol: the 1st. Size of Picture 2F.9I by 2F 11I. In Length. Published March 25th 1769 J. Boydell Engraver in Cheapside, London.
A very fine copper engraving 405 x 430mm 17¾ x 17inches.
"The Most Capital Paintings in England" series of engravings in five volumes, late 1760s-1786, the first three (1769 to 1773) originally published under the title Sculptura Britannica. These were a critical and financial success for the publisher John Boydell who promoted the interests of both artists, engravers and Patrons establishing a tradition in Britain for collecting prints.
[Ref: 14404] £450.00

Paris. Engraved after an Original Picture of the same size Painted by Rosalba.
WP. [Engraved by William Smith after Rosalba Carriera]
Published April 14 1773 & sold by Tho.s Pether Berwick, Street, Soho.
Rare mezzotint, title area uncleaned. 460 x 310mm (18 x 12¼), with large margins. Creasing in margins.
Head and shoulders portrait of a young man as Paris, a sheepskin over his shoulder, holding up an apple. The British Museum has a scratch letter proof before title, with the inscription 'W.Smith, Pupil to M. W. Pether Fecit'; it is possible that William Pether intended to put his name on the finished print, accounting for the 'WP' monogram on this example. As we can find only these two impressions it might never have been published. Smith's career was short, with plates dated 1773-6; it is said that in later life he became a stockbroker.
See BM 1858,1113.23 for the proof. CS 5, describing the BM's proof, this state not listed.
[Ref: 58828] £690.00

[Unidentified man.]
Pariset fec.t [after Pierre Etienne Falconet?].
[n.d., c.1770.]
Rare engraving, proof before title. 230 x 160mm (9 x 6¼"). Mounted in album paper.
Although the pencil mss. on the album paper, in two different hands, suggest the sitter is either Hugh Percy, 1st Duke of Northumberland, or Georges-Simon Harcourt, Viscount Nuneham, we have discounted these attributions. Neither the BM, NPG or Royal Academy have this portait in their collections of Pariset engravings.
[Ref: 53301] £290.00 (£348.00 incl.VAT)

A Parmesan Lady. In the Collection of John Taylor Esq.r.
W.m Peters pinxit. Engraved by J.R. Smith.
Published July 1st, 1776 by John Boydell Engraver in Cheapside London.
Mezzotint. 260 x 200mm (10¼ x 7¾").
Half-length portrait within an oval border. One of four 'Ladies in Foreign Dress'. The artist is Matthew William Peters (1742-1814), most famous for his provocative painting of a courtesan (known as 'Lydia' in the mezzotint copy). He came to regret his choice of subject, as he was ordained in 1781, becoming the Royal Academy's chaplain (1784-8), then chaplain to the Prince of Wales.
D'Oench: 74. From the Oettingen-Wallerstein Collection, Sotheby's London 1997; Lady Victoria Manners, 'Matthew William Peters, R.A.' p.60, iii/iii
[Ref: 4614] £260.00 (£312.00 incl.VAT)

[Series of 6 portraits of soldiers and bandits after Charles Parrocel.] To Sir William Forbes Bart. the following Plates are humbly inscribed by His much obliged, & most humble serv.t. Robert Blyth.
C. Parrocel Inv.t. R: Blyth Sculp.
[n.d., c.1780.]
6 etchings, stitched on left edge, rare complete. Each plate: 205 x 140mm (8 x 5½"), with large margins.
A series of six etchings showing soldiers and bandits, after Charles Parrocel (1688-1752).
From Forkes Sale Sothebys.
[Ref: 45976] £360.00 view all images for this item

Miss Harriet Parrot.
P. Falconet pinx.t V. Green fecit.
London, Printed for Rob.t Sayer No.53 in Fleet Street, as the Act directs, 1st. Jan.y 1772.
Fine mezzotint. Plate 150 x 115mm (6 x 4½"). Large margins.
Harriet Parrot (c.18th century); a young girl holding an apple and resting against a table covered in material, wearing a white ruffled cap.
See NPG: D3827. Whitman: 33. CS: 98. Oettingen-Wallerstein Collection.
[Ref: 20182] £140.00 (£168.00 incl.VAT)

[Unidentified Woman.]
G. Kneller pinx: I Beckett fec:
Sold by I. Beckett at ye Golden head in ye Old baily.
A rare mezzotint. Plate: 240 x 190mm (9½ x 7½"). Trimmed to plate, manuscript in plate. 2 stain spots.
A portrait by an identified woman. Manuscript in the plate names the sitter as 'The Lady Jane Parson'.
CS 101 I.
[Ref: 46906] £95.00 (£114.00 incl.VAT)

The Passion Flower.
Tho.s Harper pinx.t. J.P. Quilley sculp.t.
London, Published May 1st 1830 by Tho.s McLean, 26, Haymarket.
Aquatint, printed in colours, watermark J. Whatman 1830. 300 x 240mm (11¾ x 9½"), large margins.
A bare-breasted woman leaning on a rock in which a passion flower grows.
See also Refs: 54181 & 54056
[Ref: 58063] £240.00 (£288.00 incl.VAT)

[Heads. Representing the Various Passions of the Soul] Drawn by that Great Master Mons.r Le Brun]
[n.d., c.1763.]
18 (of 20) plates, each c. 185 x 140mm (7¼ x 5½") vry large margins. Stitch holes in left margins.
A collection of sketched portraits of heads, highlighting expressions: Attention; Admiration; Admiration with Astonishment; Veneration; Rapture; Desire; Joy with Tranquility; Laughter; Acute Pain; Simple Bodily Pain; Sadness; Weeping; Compassion; Terrour or Fright; Anger; Hatred or Jealousy; Dispair; Horreur; and Scorn. This series was first published by Henry Parker in his 'Compleat Drawing Master' in 1763.
[Ref: 60580] £680.00 view all images for this item

Patty.
H.W. Bunbury Esq.r. Cha.s White Sculp.t.
Publish'd Decem.r the 1 1783 by C. White, Stafford Row Pimlico and Mess.rs Torre Market Lane, London.
Oval stipple, printed in brown. 230 x 170mm (9 x 6¾") very large margins. Crack in platemark at top, dusty.
A portrait of a woman carrrying a straw hat, wearing 'pattens', shoes with an iron ring designed to raise the foot from muddy ground. The plate was originally issued with a rectangular image, without the cottage and trees in the background, and with a quote from John Gay: ''The patten now Supports each frugal Dame, Which from the blue eyd Patty takes the Name'' (BM 1940,1109.114).
[Ref: 54713] £140.00 (£168.00 incl.VAT)

Patty.
Hancock sc.t.
Publish'd Apr.l 9th 96 by J. Hancock Congreve St. Birm.m.
Stipple, printed in sanguine. Plate: 160 x 110mm (6¼ x 4¼''). Trimmed to plate.
A portrait of a woman carrying a basket, wearing 'pattens', shoes with an iron ring designed to raise the foot from muddy ground. Thomas Hancock was a skilfull engraver working in Birmingham during the latter part of the eighteenth and early part of the nineteenth centuries.
[Ref: 48077] £160.00 (£192.00 incl.VAT)

Adoration; Praise.
Painted by R.M.Paye. Engraved by W.Nutter. [Praise] Engraved by W.Ward.
London published May 12th 1785. by J.R.Smith No. 83 Oxford Street.
Pair of stipples, printed in colour. 250 x 230mm.
[Ref: 4579] £650.00 view all images for this item

Dedié a Madame Anne Gabrielle Babuty, feme de Mr. Greuze, Peintre du Roy. Par son très humble et très Obeissant Serviteur L. Cars.
Gravé d’après le Tableau Original de Mr. Greuze, Peintre du Roy, tiré du Cabinet Francois de Mr. De La Live de Jully, Introducteur des Ambassadeurs. Par Jean Jacque Flipart.
a Paris chez Laurent Cars Graveur du Roy, ruë St. Jacques, vis a vis le College du Plessis, A.P.D.R. [n.d. c.1760.]
Etching and engraving, rare, paper watermarked. Plate 330 x 424mm (13 x 16¾"). Small tear into upper edge of plate, corners of paper cut just outside platemark.
Young peasant girl seen half-length, seated on chair, and winding a wool ball whilst looking at a cat lying on a table on the left. A pair of scissors hangs portentously above the cat's head! The original painting was shown at the Salon in 1759, while the plate was shown in 1763.
[Ref: 28901] £230.00 (£276.00 incl.VAT)

[Peddlar and man with walking stick]
[probably by J.A.B. Nothnagel, c.1770]
Etching, platemark 95 x 65mm (3¾ x 2½). Foxing. Small margins.
Rembrandtesque etching believed to be by J.A.B. Nothnagel (1729-1804), painter and engraver, whose etchings were either after of 'in the style of'' the Dutchman.
[Ref: 38360] £140.00 (£168.00 incl.VAT)

[Penelope and the suitors] Ingratam Veneri pone superbiam. Non te Penelopem difficilem procis. Tyrrhenus genuit Parens. Horat. lib. 3.
Dom.us Magiotto pinx. Nicolaus Cavalli sculp Venetiis.
[Venice, n.d., c.1760.]
Rare engraving. 370 x 490mm (14½ x 19¼"), with very large margins. Creasing in margins.
A young man addresses a young woman in the centre who holds an apple, with an elderly bawd watching behind. The lines from Horace refers to the scene in the Oddysey in which Penelope receives unwelcome suitors.
BM 1951,0714.159. From the Airlie collection, Cortachy Castle.
[Ref: 57476] £340.00

The Pet.
Painted by A.E. Chalon R.A. Engraved by J. Richardson Jackson. [Etched inside plate:] A.E. Chalon R.A. Portrait Painter in Watercolors to Her Majesty. London 1850.
Printed by Holdgate Bro.s [Published Jan.y. 1873, by John Mitchell Bookseller & Publisher to Her Majesty, 33 Old Bond Street, London.]
Mixed method engraving. 461 x 369mm. 18¼ x 14½". Trimmed. Some damage to the margins. Crease top left-hand corner.
Portrait of a girl carrying her Bichon Frise.
[Ref: 19434] £160.00 (£192.00 incl.VAT)

[Head of a young man with open collar.] N.o 1.
Gio: Batta Piazzetta inv: Theodorus Viero sculp: Venet: 1774.
Scarce engraving printed in bistre. 415 x 315mm (16¼ x 12½"). Trimmed to plate on right, narrow margins elsewhere.
Engraved by Teodoro Viero (1740-1819) after Giovanni Battista Piazzetta (1682-1754), a Venetian painter known for his expressive portraits of heads.
[Ref: 60743] £320.00

[Mother & Child]
London Pub. Sep:r 4. 1777. By V.M. Picot. N: 171 Strand.
Stipple, printed in sanguine. 255 x 195mm.
[Ref: 4651] £260.00 (£312.00 incl.VAT)

Femme Picte.
Tire de Bru.
A Paris chez Duflos rue St. Victor. [n.d. c.1787].
Engraving with hand colour. 278 x 167mm.
Strong contemporary colour in gold leaf line surround. ['A.D.P.R.' (Avec Privilege Du Roi) inscribed lower right].
[Ref: 2116] £60.00 (£72.00 incl.VAT)

Pietas.
[Abraham Blooteling (?)].
[n.d. c.1700.]
Mezzotint. Plate 102 x 75mm (4 x 3"). Trimmed to plate.
Allegorical head and shoulders of a woman, wearing a veil. This is a copy in reverse of Blooteling's mezzotint titled 'Pietas' after Lairesse.
[Ref: 30879] £160.00 (£192.00 incl.VAT)

The Pilgrim.
W. Hamilton R.A. pinx.t. Jos.h Barney sculp.t.
London, March 1 1794; Published by Darling & Thompson, (Printsellers to the Duke & Duchess of York) Great Newport Street and M. Chamberlin No 51 Great Russel Street.
Stipple. 555 x 410mm (22 x 16"), very large margins. Slight paper soiling.
A woman seated at a rustic spring, staff and rosary in her hands, a Cavalier King Charles Spaniel lying at her feet. She wears a hat and short cape decorated with shells.
[Ref: 47934] £260.00 (£312.00 incl.VAT)

[The family of Robert Edge Pine] A Lady & Children.
R.Pine pinxit. W.Dickinson Excudit.
London, Publish'd July 1st 1780, by Watson & Dickinson No. 158, New Bond Street.
Mezzotint. 505 x 350mm (19¾ x 13¾").
The wife and children of Robert Edge Pine, the painter. He emigrated to America with them in 1782, settling in Philadelphia.
CS: 61. From the Oettingen-Wallerstein Collection, Sotheby's London 1997.
[Ref: 4662] £650.00

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