A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Windsor Castle.]](jpegs/39904.jpg)
[Windsor Castle.]
Joseph Kirkpatrick [pencil signature.]
[British, c.1920.]
Aquatint printed in colours. Plate 135 x 200mm, (5¼ x 8"), with very large margins.
Picturesque prospect of Windsor Castle from the River Thames; boatmen and their craft on water to foreground. Joseph Kirkpatrick (1872 - 1930).
[Ref: 39904] £60.00 (£72.00 incl.VAT)
Joseph Kirkpatrick [pencil signature.]
[British, c.1920.]
Aquatint printed in colours. Plate 135 x 200mm, (5¼ x 8"), with very large margins.
Picturesque prospect of Windsor Castle from the River Thames; boatmen and their craft on water to foreground. Joseph Kirkpatrick (1872 - 1930).
[Ref: 39904] £60.00 (£72.00 incl.VAT)
Gate under Queen Elizabeth's Picture Gallery
P. Sandby Fecit. 1769
Published by T. Palser, Surry side Westminster Bridge, 1812.
Etching and aquatint. Sheet 205 x 280mm (8 x 11"). Trimmed inside platemark.
View at Windsor castle by Paul Sandby. Oppé identifies the print as one of a group which he describes as 'outline etchings of approximately the same size which formed part of a small Windsor set of 1780, some from drawings of 1769.' This is a later restrike, with aquatint added, published by Thomas Palser in 1812. The publication of many of Sandby's etchings is obscured by the fact that many were not published or only issued privately, and that many plates were acquired by commercial publishers such as Sayer and Boydell and issued as single plates or in groups. There is an almost identical drawing at Windsor (no. 14536; Oppé 14) while Robertson refers to another related drawing at the Yale Centre for British Art (B1975.4.1846), dated 1767.
For another in the series see ref. 28640
[Ref: 39597] £180.00 (£216.00 incl.VAT)
P. Sandby Fecit. 1769
Published by T. Palser, Surry side Westminster Bridge, 1812.
Etching and aquatint. Sheet 205 x 280mm (8 x 11"). Trimmed inside platemark.
View at Windsor castle by Paul Sandby. Oppé identifies the print as one of a group which he describes as 'outline etchings of approximately the same size which formed part of a small Windsor set of 1780, some from drawings of 1769.' This is a later restrike, with aquatint added, published by Thomas Palser in 1812. The publication of many of Sandby's etchings is obscured by the fact that many were not published or only issued privately, and that many plates were acquired by commercial publishers such as Sayer and Boydell and issued as single plates or in groups. There is an almost identical drawing at Windsor (no. 14536; Oppé 14) while Robertson refers to another related drawing at the Yale Centre for British Art (B1975.4.1846), dated 1767.
For another in the series see ref. 28640
[Ref: 39597] £180.00 (£216.00 incl.VAT)
Gate under Queen Elizabeth's Picture Gallery.
P. Sandby Fecit. 1769
Published by T. Palser, Surry side Westminster Bridge, 1812.
Etching and aquatint. 210 x 290mm (8¼ x 11½"), with large margins. Stitch holes in upper margin.
View of the vault of a gateway at Windsor castle by Paul Sandby. It is also titled on a stone in the wall, 'Under Queen Elizabeths Picture Gallery Windsor Castle 1780'.
[Ref: 55533] £180.00 (£216.00 incl.VAT)
P. Sandby Fecit. 1769
Published by T. Palser, Surry side Westminster Bridge, 1812.
Etching and aquatint. 210 x 290mm (8¼ x 11½"), with large margins. Stitch holes in upper margin.
View of the vault of a gateway at Windsor castle by Paul Sandby. It is also titled on a stone in the wall, 'Under Queen Elizabeths Picture Gallery Windsor Castle 1780'.
[Ref: 55533] £180.00 (£216.00 incl.VAT)
The Great Lake, near the Lodge.
T. Sandby Delin.t.
[n.d., c.1754-5.]
Etching. 345 x 585mm (13½ x 23"), with large margins.
A view of Virginia Water, with sheep and goats and a man filling a barrel with water from the lake. Thomas Sandby had been private secretary and draughtsman to Cumberland since 1743, and when Cumberland was appointed Ranger Thomas was made his deputy. While Thomas laid out improvements to the Park, including the creation of Virginia Water from a stream, he drew these eight scenes. The series was reissued by Boydell in 1772 with his address added.
[Ref: 49807] £350.00
T. Sandby Delin.t.
[n.d., c.1754-5.]
Etching. 345 x 585mm (13½ x 23"), with large margins.
A view of Virginia Water, with sheep and goats and a man filling a barrel with water from the lake. Thomas Sandby had been private secretary and draughtsman to Cumberland since 1743, and when Cumberland was appointed Ranger Thomas was made his deputy. While Thomas laid out improvements to the Park, including the creation of Virginia Water from a stream, he drew these eight scenes. The series was reissued by Boydell in 1772 with his address added.
[Ref: 49807] £350.00
View from the North side of the Virginia River, near the Manour Lodge.
T. Sandby Delin. P. Sandby Sculp.
[n.d., c.1754-5.]
Etching with hand colour. 345 x 585mm (13½ x 23"), with large margins. Repaired crack in left platemark.
Frederick and Augusta, Prince and Princess of Wales, descending from a carriage at the shore of Virginia Water, where the Royal Barge waits. They are being guided by his brother, William, Duke of Cumberland, who was Ranger of the Park. From the folio 'Eight Views of Windsor Great Park' by Thomas Sandby (1723-98), engraved by his younger brother Paul (1731-1809). Thomas Sandby had been private secretary and draughtsman to Cimberland since 1743, and when Cumberland was made Ranger Thomas was made his deputy and invited Paul to live with him. While Thomas laid out improvements to the Park, including the creation of Virginia Water from a stream, he drew these eight scenes which Paul then engraved. In this case examination of the preparatory drawing (now in the British Museum) has led experts to believe Paul drew the figures. The series was reissued by Boydell in 1772 with his address added.
BM: 1871,0812.2556, the drawing 1868,0328.303.
[Ref: 49805] £340.00
T. Sandby Delin. P. Sandby Sculp.
[n.d., c.1754-5.]
Etching with hand colour. 345 x 585mm (13½ x 23"), with large margins. Repaired crack in left platemark.
Frederick and Augusta, Prince and Princess of Wales, descending from a carriage at the shore of Virginia Water, where the Royal Barge waits. They are being guided by his brother, William, Duke of Cumberland, who was Ranger of the Park. From the folio 'Eight Views of Windsor Great Park' by Thomas Sandby (1723-98), engraved by his younger brother Paul (1731-1809). Thomas Sandby had been private secretary and draughtsman to Cimberland since 1743, and when Cumberland was made Ranger Thomas was made his deputy and invited Paul to live with him. While Thomas laid out improvements to the Park, including the creation of Virginia Water from a stream, he drew these eight scenes which Paul then engraved. In this case examination of the preparatory drawing (now in the British Museum) has led experts to believe Paul drew the figures. The series was reissued by Boydell in 1772 with his address added.
BM: 1871,0812.2556, the drawing 1868,0328.303.
[Ref: 49805] £340.00
The Moat Island.
T. Sandby Delin. F. Vivares Sculp.
[n.d., c.1754-5.]
Etching with hand colour, 18th century watermark. 340 x 580mm (13¼ x 22¾"), with large margins.
A view of Moat Island, with the Duke of Cumberland in the centre with his guests. Behind is a pleasure pavilion he had had built for his personal use. To the left workmen are clearing up leaves. From the folio 'Eight Views of Windsor Great Park' by Thomas Sandby (1723-98). Thomas Sandby had been private secretary and draughtsman to Cimberland since 1743, and when Cumberland was made Ranger Thomas was made his deputy. While he laid out improvements to the Park, including the creation of Virginia Water from a stream, he drew these eight scenes. The series was reissued by Boydell in 1772 with his address added.
[Ref: 49806] £340.00
T. Sandby Delin. F. Vivares Sculp.
[n.d., c.1754-5.]
Etching with hand colour, 18th century watermark. 340 x 580mm (13¼ x 22¾"), with large margins.
A view of Moat Island, with the Duke of Cumberland in the centre with his guests. Behind is a pleasure pavilion he had had built for his personal use. To the left workmen are clearing up leaves. From the folio 'Eight Views of Windsor Great Park' by Thomas Sandby (1723-98). Thomas Sandby had been private secretary and draughtsman to Cimberland since 1743, and when Cumberland was made Ranger Thomas was made his deputy. While he laid out improvements to the Park, including the creation of Virginia Water from a stream, he drew these eight scenes. The series was reissued by Boydell in 1772 with his address added.
[Ref: 49806] £340.00
The Fox Public House on Old Windsor Green.
Paul Sandby Fecit.
Printed for Robert Wilkinson, 125, Fenchurch Street [n.d., c.1800].
Rare coloured aquatint. 250 x 355mm (9¾ x 14"). Small margins.
A large tavern surrounded by trees by a pond, still extant as the Fox and Castle, 21 Burfield Road, Old Windsor. The pond has been filled in.
Gunn 333. Ex Collection of Sarah Baynton-Williams.
[Ref: 55981] £360.00
Paul Sandby Fecit.
Printed for Robert Wilkinson, 125, Fenchurch Street [n.d., c.1800].
Rare coloured aquatint. 250 x 355mm (9¾ x 14"). Small margins.
A large tavern surrounded by trees by a pond, still extant as the Fox and Castle, 21 Burfield Road, Old Windsor. The pond has been filled in.
Gunn 333. Ex Collection of Sarah Baynton-Williams.
[Ref: 55981] £360.00
The Fox Public House on Old Windsor Green.
Paul Sandby Fecit.
Printed for Robert Wilkinson, 125, Fenchurch Street [n.d., c.1800].
Aquatint printed in brown. Sheet 245 x 340mm (9½ x 13¼"). Trimmed into plate on three sides.
A large tavern surrounded by trees by a pond, still extant as the Fox and Castle, 21 Burfield Road, Old Windsor. The pond has been filled in.
Gunn 333.
[Ref: 55337] £140.00 (£168.00 incl.VAT)
Paul Sandby Fecit.
Printed for Robert Wilkinson, 125, Fenchurch Street [n.d., c.1800].
Aquatint printed in brown. Sheet 245 x 340mm (9½ x 13¼"). Trimmed into plate on three sides.
A large tavern surrounded by trees by a pond, still extant as the Fox and Castle, 21 Burfield Road, Old Windsor. The pond has been filled in.
Gunn 333.
[Ref: 55337] £140.00 (£168.00 incl.VAT)
The Windsor Macaroni.
Pubd by MDarly Apl 1. 1773.
Etching, 175 x 125mm. 7 x 5".
A large man seated full-face in informal/night dress holding a billiard cue across his chest. From 'Characters, Macaronies & Caricatures, by MDarly', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.6' upper left and '7' upper right.
BM Satires: 4667.
[Ref: 14342] £130.00 (£156.00 incl.VAT)
Pubd by MDarly Apl 1. 1773.
Etching, 175 x 125mm. 7 x 5".
A large man seated full-face in informal/night dress holding a billiard cue across his chest. From 'Characters, Macaronies & Caricatures, by MDarly', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.6' upper left and '7' upper right.
BM Satires: 4667.
[Ref: 14342] £130.00 (£156.00 incl.VAT)
To the most High Puissant & Noble Prince Charles Duke of Marlborough &c: &c: &c: This Plan of Windsor Park is most hum.bly Inscrib'd by His Graces most Devoted * Obe:t hum.ble Servant J: Rocque.
J: Rocque 1738
Very rare engraved plan. 475 x 630mm (18¾ x 24¾"), with margins. Central fold.
Plan of Windsor Castle and gardens, with smaller images on top showing the north view of the castle with cows in the foreground to the right; west view with a couple in the foreground to the left; the Duke of Marlborough's lodge, with a couple in the foreground looking at the house; the greenhouse with a worker in front; large decorative plate with dedication to Prince Charles Duke of Marlborough; and at the bottom the plan of the proposed gardens.
[Ref: 61710] £680.00
J: Rocque 1738
Very rare engraved plan. 475 x 630mm (18¾ x 24¾"), with margins. Central fold.
Plan of Windsor Castle and gardens, with smaller images on top showing the north view of the castle with cows in the foreground to the right; west view with a couple in the foreground to the left; the Duke of Marlborough's lodge, with a couple in the foreground looking at the house; the greenhouse with a worker in front; large decorative plate with dedication to Prince Charles Duke of Marlborough; and at the bottom the plan of the proposed gardens.
[Ref: 61710] £680.00
at Windsor. The Petty Cannons Houses in the form of a Fetterlock of King Edw.d ye IV.th's Royal Badges.
[George Vertue sculp.t]
[Society of Antiquaries, London. 1776.]
Copper engraving. Paper watermarked. Plate 317 x 477mm. 12½ x 18¾". Crease upper left-hand corner.
Plan of the entire building, one of the doors and part of the screen. The Dean and Canons of Windsor are the ecclesiastical body of St George's Chapel at Windsor Castle. From "A Description of Nine Historical Prints representing Kings, Queens, Princes, &c. of the Tudor family. Selected, drawn, and engraved, from the Original Paintings, by George Vertue, Late Engraver to the Society of Antiquaries of London. Republished by The Society, MDCCLXXVI. 1776."
[Ref: 20179] £140.00 (£168.00 incl.VAT)
[George Vertue sculp.t]
[Society of Antiquaries, London. 1776.]
Copper engraving. Paper watermarked. Plate 317 x 477mm. 12½ x 18¾". Crease upper left-hand corner.
Plan of the entire building, one of the doors and part of the screen. The Dean and Canons of Windsor are the ecclesiastical body of St George's Chapel at Windsor Castle. From "A Description of Nine Historical Prints representing Kings, Queens, Princes, &c. of the Tudor family. Selected, drawn, and engraved, from the Original Paintings, by George Vertue, Late Engraver to the Society of Antiquaries of London. Republished by The Society, MDCCLXXVI. 1776."
[Ref: 20179] £140.00 (£168.00 incl.VAT)
The Review in the Park at Windsor.
L. Huard, lith. From a drawing by G. Thomas. M. & N. Hanhart, Lithographers.
Published Dec.r 1st 1855, by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mall East, Publishers to Her Majesty.
Coloured lithograph, printed area 380 x 500mm (15 x 19½"). Outside of frame 630 x 770mm (24½ x 30¼".) Unexamined out of frame.
A rare and lively scene with good orginal colour. In wooden frame with gilt slip. One of G.H. Thomas' nine 'Royal Occasions' described as 'a collection more than a set' (Ogilby).
Ogilby 907.1
[Ref: 15456] £480.00
L. Huard, lith. From a drawing by G. Thomas. M. & N. Hanhart, Lithographers.
Published Dec.r 1st 1855, by Paul & Dominic Colnaghi & Co. 13 & 14, Pall Mall East, Publishers to Her Majesty.
Coloured lithograph, printed area 380 x 500mm (15 x 19½"). Outside of frame 630 x 770mm (24½ x 30¼".) Unexamined out of frame.
A rare and lively scene with good orginal colour. In wooden frame with gilt slip. One of G.H. Thomas' nine 'Royal Occasions' described as 'a collection more than a set' (Ogilby).
Ogilby 907.1
[Ref: 15456] £480.00
A View of the Virginia River, Chinese Boat &c, in Windsor Great Park. Vüe de la Riviere de la Virginie, du Batteau Chinois &c. dans le Grand Parc de Windsor. 12.
R. Hancock Sc.t [After Thomas Sandby.]
London Printed for Rob.t Sayer at the Golden Buck near Serjeants Inn, Fleet Street. [n.d. c.1790.]
Hand-coloured engraving with large margins. Plate 178 x 279mm. 7 x 11".
Men, women and children, many on horseback, gathered under large, spreading trees in Windsor Great Park, greeting the Prince and Princess of Wales, who descend from their carriage at the edge of the river to right, while the royal barge lies waiting on the water.
[Ref: 24098] £180.00 (£216.00 incl.VAT)
R. Hancock Sc.t [After Thomas Sandby.]
London Printed for Rob.t Sayer at the Golden Buck near Serjeants Inn, Fleet Street. [n.d. c.1790.]
Hand-coloured engraving with large margins. Plate 178 x 279mm. 7 x 11".
Men, women and children, many on horseback, gathered under large, spreading trees in Windsor Great Park, greeting the Prince and Princess of Wales, who descend from their carriage at the edge of the river to right, while the royal barge lies waiting on the water.
[Ref: 24098] £180.00 (£216.00 incl.VAT)
Winchester Tower.
P. Sandby Fecit. 1780.
Published by T. Palser Surry Side Westminster Bridge 1812.
Etching with some aquatint, hand-coloured. Sheet 195 x 265mm (7¾ x 10½"). Trimmed within plate, hole in sky.
A view of Winchester Tower, Windsor, with a man standing on the walls. The original title is written to his right. Originally published as an outline etching, this later state has some added aquatint.
Ex Collection of Sarah Baynton-Williams.
[Ref: 58533] £160.00 (£192.00 incl.VAT)
P. Sandby Fecit. 1780.
Published by T. Palser Surry Side Westminster Bridge 1812.
Etching with some aquatint, hand-coloured. Sheet 195 x 265mm (7¾ x 10½"). Trimmed within plate, hole in sky.
A view of Winchester Tower, Windsor, with a man standing on the walls. The original title is written to his right. Originally published as an outline etching, this later state has some added aquatint.
Ex Collection of Sarah Baynton-Williams.
[Ref: 58533] £160.00 (£192.00 incl.VAT)
Winchester Tower.
P. Sandby Fecit. 1780.
Published by T. Palser Surry Side Westminster Bridge 1812.
Etching with some aquatint. Sheet 205 x 280mm (8 x 11"). Trimmed within plate.
A view of Winchester Tower, Windsor, with a man standing on the walls. The original title is written to his right. Originally published as an outline etching.
Ex Collection of Sarah Baynton-Williams.
[Ref: 58534] £140.00 (£168.00 incl.VAT)
P. Sandby Fecit. 1780.
Published by T. Palser Surry Side Westminster Bridge 1812.
Etching with some aquatint. Sheet 205 x 280mm (8 x 11"). Trimmed within plate.
A view of Winchester Tower, Windsor, with a man standing on the walls. The original title is written to his right. Originally published as an outline etching.
Ex Collection of Sarah Baynton-Williams.
[Ref: 58534] £140.00 (£168.00 incl.VAT)
Geographical, Statisitical, and Historical Map of the Windward Islands.
Drawn by F. Lucas J.r. Boyd sc.
[n.d., c.1825.]
Engraved map with letterpress. Sheet: 445 x 550mm (17½ x 21¾"). Central fold as issued and tear along fold.
A map of the Windward Islands including Martinique to Trinidad and Tobago, each island has a letterpress description. From Carey & Lea's American Atlas.
[Ref: 47074] £140.00
Drawn by F. Lucas J.r. Boyd sc.
[n.d., c.1825.]
Engraved map with letterpress. Sheet: 445 x 550mm (17½ x 21¾"). Central fold as issued and tear along fold.
A map of the Windward Islands including Martinique to Trinidad and Tobago, each island has a letterpress description. From Carey & Lea's American Atlas.
[Ref: 47074] £140.00
![[Char de Bacchus]](jpegs/44111.jpg)
[Char de Bacchus]
[François Blondel]
[Paris, c.1745.]
Etching. Sheet 300 x 330mm (11¾ x 13"). Trimmed, losing some of the image on left.
From Fêtes publiques données par la ville de Paris à l'occasion du Mariage de Monseigneur le Dauphin, les 23 et 26 février MDCCXLV. Representing the festivities in Paris for the marrigae of the Dauphin, Louis XIV, to Maria Theresa of Spain that took place at Versailles 23rd February 1745. The Mercure de France of November 1751 specifies that the majority of the drawings were composed by François Blondel and not by the Cochin father and son team whom it had been previously attributed to. A beautiful baroque coach containing a driver, four male passagers and an infant Bacchus, at least six wine barrels, and a flower-laden trellis. The full published image includes four pairs of horses guided by four attendants.
[Ref: 44111] £130.00 (£156.00 incl.VAT)
[François Blondel]
[Paris, c.1745.]
Etching. Sheet 300 x 330mm (11¾ x 13"). Trimmed, losing some of the image on left.
From Fêtes publiques données par la ville de Paris à l'occasion du Mariage de Monseigneur le Dauphin, les 23 et 26 février MDCCXLV. Representing the festivities in Paris for the marrigae of the Dauphin, Louis XIV, to Maria Theresa of Spain that took place at Versailles 23rd February 1745. The Mercure de France of November 1751 specifies that the majority of the drawings were composed by François Blondel and not by the Cochin father and son team whom it had been previously attributed to. A beautiful baroque coach containing a driver, four male passagers and an infant Bacchus, at least six wine barrels, and a flower-laden trellis. The full published image includes four pairs of horses guided by four attendants.
[Ref: 44111] £130.00 (£156.00 incl.VAT)
![[Wine harvest]](jpegs/40662.jpg)
[Wine harvest] Vendemmia
Marco Ricci pinx.t Chatelain fecit Goupy direxit [c.1740s]
Etching, J. Whatman watermark; platemark 330 x 440mm (13 x 17¼"); large margins. Tears from top edge. Loss in margin at top right.
Man treading grapes in a barrel on wheels on right, with woman carrying a basket of grapes nearby. Several figures picking fruit from trees on left. One of a set of eight etchings after Marco Ricci originally published together by Joseph Goupy. Ricci (1676 - 1730) was a landscape painter who spent much of the period 1708-16 in England.
[Ref: 40662] £180.00 (£216.00 incl.VAT)
Marco Ricci pinx.t Chatelain fecit Goupy direxit [c.1740s]
Etching, J. Whatman watermark; platemark 330 x 440mm (13 x 17¼"); large margins. Tears from top edge. Loss in margin at top right.
Man treading grapes in a barrel on wheels on right, with woman carrying a basket of grapes nearby. Several figures picking fruit from trees on left. One of a set of eight etchings after Marco Ricci originally published together by Joseph Goupy. Ricci (1676 - 1730) was a landscape painter who spent much of the period 1708-16 in England.
[Ref: 40662] £180.00 (£216.00 incl.VAT)
![[Wine Merchant] From Windebank's Coffee Pot. 10, London Terrace, Hackney Road.](jpegs/60554.jpg)
[Wine Merchant] From Windebank's Coffee Pot. 10, London Terrace, Hackney Road. [...] Choice Old British Wines, 1s. per Bottle, Warrented Three Years Old.
[n.d., c1840.]
Letterpress. Sheet 285 x 225mm (11¼ x 8¾"). Some spotting, old pencil mss. on reverse.
A letterpress advertisement for a wine merchant.
[Ref: 60554] £160.00 (£192.00 incl.VAT)
[n.d., c1840.]
Letterpress. Sheet 285 x 225mm (11¼ x 8¾"). Some spotting, old pencil mss. on reverse.
A letterpress advertisement for a wine merchant.
[Ref: 60554] £160.00 (£192.00 incl.VAT)
![[Wine Merchant] Brett's. 109 Drury Lane 109. Promise to supply the Bearer with pure Patent Brandy](jpegs/61426.jpg)
[Wine Merchant] Brett's. 109 Drury Lane 109. Promise to supply the Bearer with pure Patent Brandy Patent Hollands and every other genune Article in the Wine and Spitit Trade at fair and reasonable princes or forfit One Thousand Pounds. 1832 Dec.r 1 London 1 Dec.r 1832. Henry Brett 109 Drury Lane.
[1832].
Etching. Sheet 135 x 215mm (5¼ x 8½"). Top edge lacking, toning, laid on album sheet.
An advert in imitation of a banknote. Henry Brett (born in 1787 in Holborn) became a wine merchant in 1829, establishing a business that continued as Henry Brett & Co. until 1883.
[Ref: 61426] £180.00 (£216.00 incl.VAT)
[1832].
Etching. Sheet 135 x 215mm (5¼ x 8½"). Top edge lacking, toning, laid on album sheet.
An advert in imitation of a banknote. Henry Brett (born in 1787 in Holborn) became a wine merchant in 1829, establishing a business that continued as Henry Brett & Co. until 1883.
[Ref: 61426] £180.00 (£216.00 incl.VAT)
![[Wine Merchant] Esplanade Corfu. 18[**]](jpegs/52883.jpg)
[Wine Merchant] Esplanade Corfu. 18[**] Bought of George Warren, Wine and Spirit Merchant, And Dealer in Groceries, Bottled Ale, Porter, &c. Every description of Goods procured from England & France. Agent to the Soverign Life Assurance Comapny, London. Cigars, Sauces, Pickles, Sperm & other Candles. Perfumery & Brushes of all kinds. Regimental Messes supplied. Naval Stores.
[n.d., c.1820.]
Engraved billhead. Sheet 75 x 205mm (3 x 8").
A wine merchant's bill head, from the time of the British Protectorate of Corfu.
[Ref: 52883] £120.00 (£144.00 incl.VAT)
[n.d., c.1820.]
Engraved billhead. Sheet 75 x 205mm (3 x 8").
A wine merchant's bill head, from the time of the British Protectorate of Corfu.
[Ref: 52883] £120.00 (£144.00 incl.VAT)
![[Wine Press.]](jpegs/44600.jpg)
[Wine Press.]
Printed for J. Hinton at the Kings Arms St Paul's Church Yard. 1747.
Engraving. Plate: 220 x 190mm (8¾ x 7½"), with large margins. Vertical creases as normal.
Two digarams one showing a wine press, the second showing a cider press.
[Ref: 44600] £70.00 (£84.00 incl.VAT)
Printed for J. Hinton at the Kings Arms St Paul's Church Yard. 1747.
Engraving. Plate: 220 x 190mm (8¾ x 7½"), with large margins. Vertical creases as normal.
Two digarams one showing a wine press, the second showing a cider press.
[Ref: 44600] £70.00 (£84.00 incl.VAT)
![[Wine Tasters.]](jpegs/40781.jpg)
[Wine Tasters.]
[E. Kurzbauer. E. Forberg.]
[n.d., c.1880.]
Engraving. Plate: 340 x 250mm, (13½ x 9¾").
A scene in an old tavern in which three men sit around a table, wine glasses in their hands.
[Ref: 40781] £65.00 (£78.00 incl.VAT)
[E. Kurzbauer. E. Forberg.]
[n.d., c.1880.]
Engraving. Plate: 340 x 250mm, (13½ x 9¾").
A scene in an old tavern in which three men sit around a table, wine glasses in their hands.
[Ref: 40781] £65.00 (£78.00 incl.VAT)
![[The Wine Tasters.]](jpegs/26065.jpg)
[The Wine Tasters.]
J.M. Kronheim & Co. London.
1st. September 1854.
Aquatint with etching. 380 x 459mm. 15 x 18".
Inside a cellar ten men sit around a barrel sampling various wines, an eleventh man to the far right passing-by with a candle. J.M. Kronheim & Co. London. were fine chromolithographers and embosseres based on Shoe Lane, London. They were Baxter licencees.
[Ref: 26065] £260.00 (£312.00 incl.VAT)
J.M. Kronheim & Co. London.
1st. September 1854.
Aquatint with etching. 380 x 459mm. 15 x 18".
Inside a cellar ten men sit around a barrel sampling various wines, an eleventh man to the far right passing-by with a candle. J.M. Kronheim & Co. London. were fine chromolithographers and embosseres based on Shoe Lane, London. They were Baxter licencees.
[Ref: 26065] £260.00 (£312.00 incl.VAT)
The Hunters Annual_No. 2 Plate 4. This Print of T. Winfields, Huntsman, to the Bucknell Hounds, is dedicated with permission to Tho.s Tyrnwhit Drake Esq.re by his most Obedient humble Servant R. B. Davis.
Painted by R. B. Davis. Drawn on Stone by J. W. Giles. J. Graf, Printer to Her Majesty.
London, May 1838 by R. B. Davis, No. 10, Wilton St. Grosvenor Place and Mess.rs A. H. Bailey & Co. No.83 Cornhill.
Proof lithograph on chine collé. Sheet: 425 x 475mm (16¾ x 18¾"). Repaired tears and damage to edges.
A mounted portrait of T. Winfield shown with his hounds.
[Ref: 47870] £240.00 (£288.00 incl.VAT)
Painted by R. B. Davis. Drawn on Stone by J. W. Giles. J. Graf, Printer to Her Majesty.
London, May 1838 by R. B. Davis, No. 10, Wilton St. Grosvenor Place and Mess.rs A. H. Bailey & Co. No.83 Cornhill.
Proof lithograph on chine collé. Sheet: 425 x 475mm (16¾ x 18¾"). Repaired tears and damage to edges.
A mounted portrait of T. Winfield shown with his hounds.
[Ref: 47870] £240.00 (£288.00 incl.VAT)
Vincentius Wing. Luffenhamiensis in com: Rutlandiae natus Anno 1619 Die 9 Aprilis.
T. Cross sculpsit.
[n.d., c.1652.]
Engraving, very scarce. Sheet size: 215 x 140mm (8½ x 5½"). Triimed to image. Glued to album sheet at corners.
A portrait of English astrologer and astronomer Vincent Wing (1619-1668). Half length, wearing cloak and white collar, seated at a desk facing front, turned slightly to the right. He is holding dividers, with a globe and compass on a desk in front. A landscape with a church and houses can be seen in the background to the right. This portrait was the frontispiece to Wing's 'Astronomia Britannica' (1652). Six lines of Latin inscribed below the image.
[Ref: 33851] £320.00
T. Cross sculpsit.
[n.d., c.1652.]
Engraving, very scarce. Sheet size: 215 x 140mm (8½ x 5½"). Triimed to image. Glued to album sheet at corners.
A portrait of English astrologer and astronomer Vincent Wing (1619-1668). Half length, wearing cloak and white collar, seated at a desk facing front, turned slightly to the right. He is holding dividers, with a globe and compass on a desk in front. A landscape with a church and houses can be seen in the background to the right. This portrait was the frontispiece to Wing's 'Astronomia Britannica' (1652). Six lines of Latin inscribed below the image.
[Ref: 33851] £320.00
![[Plate 5: Cherubs and Nature.]](jpegs/23007.jpg)
[Plate 5: Cherubs and Nature.]
Mondon Invenit. Aveline Sculpsit.
Avec privilege du Roy. [n.d. c.1736.]
Copper engraving, paper watermarked. Plate 241 x 171mm. Large margins, uncut.
On top of a Rococo style design sit two cherubs, one of which is winged. A dog just below to the right snarls and barks at a sheet to lower left. From a series of forty-two ornament prints, divided into six sets of seven plates each; this plates belongs to the first set: "Premier livre de formes rocailles et cartels".
[Ref: 23007] £140.00 (£168.00 incl.VAT)
Mondon Invenit. Aveline Sculpsit.
Avec privilege du Roy. [n.d. c.1736.]
Copper engraving, paper watermarked. Plate 241 x 171mm. Large margins, uncut.
On top of a Rococo style design sit two cherubs, one of which is winged. A dog just below to the right snarls and barks at a sheet to lower left. From a series of forty-two ornament prints, divided into six sets of seven plates each; this plates belongs to the first set: "Premier livre de formes rocailles et cartels".
[Ref: 23007] £140.00 (£168.00 incl.VAT)
Winged Victory Leptis Magna.
"SMW 44" [under image].
Wood engraving. 240 x 178mm. 9½ x 7". Creasing.
Taken from the sculptural relief of a winged victory from the Severan Arch, Leptis Magna (203-204 A.D.). Leptis Magna was a prominent city of the Roman Empire, its ruins are located in Al Khums, Libya. The arch took its name from Lucius Septimius Severus, a native who became emperor; so such monuments were built in his honour.
[Ref: 17441] £120.00 (£144.00 incl.VAT)
"SMW 44" [under image].
Wood engraving. 240 x 178mm. 9½ x 7". Creasing.
Taken from the sculptural relief of a winged victory from the Severan Arch, Leptis Magna (203-204 A.D.). Leptis Magna was a prominent city of the Roman Empire, its ruins are located in Al Khums, Libya. The arch took its name from Lucius Septimius Severus, a native who became emperor; so such monuments were built in his honour.
[Ref: 17441] £120.00 (£144.00 incl.VAT)
![[Sacramento Street].](jpegs/6661.jpg)
[Sacramento Street].
Joseph Winkler.
[n.d. c.1930]
Signed etching. 5 x 7½".
[Ref: 6661] £220.00 (£264.00 incl.VAT)
Joseph Winkler.
[n.d. c.1930]
Signed etching. 5 x 7½".
[Ref: 6661] £220.00 (£264.00 incl.VAT)
Gottf. Winkler. nat. 1700. denat 1771. Der wenn inn auch kein Eid zum Dienstder Welt verband, Beruf und Eid und Amt schon in sich selber sand.
Ant. Graff pinx. A.F. Oefer ornav. I.F. Bause sculps. 1773.
Engraving. Plate: 385 x 245mm (15 x 9¾'') very large margins.
A portrait of German banker and art collector Gottfried Winkler (1700-1771) set in an oval, below lies a putti holding up a garland.
[Ref: 48242] £130.00 (£156.00 incl.VAT)
Ant. Graff pinx. A.F. Oefer ornav. I.F. Bause sculps. 1773.
Engraving. Plate: 385 x 245mm (15 x 9¾'') very large margins.
A portrait of German banker and art collector Gottfried Winkler (1700-1771) set in an oval, below lies a putti holding up a garland.
[Ref: 48242] £130.00 (£156.00 incl.VAT)
![[Advert.] Winnowing Machine. Drill Plough.](jpegs/49057.jpg)
[Advert.] Winnowing Machine. Drill Plough. Chambers & Co. Wolverhampton 1813 [Printed in reverse.]
[1816.]
Engraving. Sheet: 170 x 170mm (6¾ x 6¾''). Trimmed, creasing.
Two diagrams of machines designed and produced by James Chambers & Co.
[Ref: 49057] £60.00 (£72.00 incl.VAT)
[1816.]
Engraving. Sheet: 170 x 170mm (6¾ x 6¾''). Trimmed, creasing.
Two diagrams of machines designed and produced by James Chambers & Co.
[Ref: 49057] £60.00 (£72.00 incl.VAT)
Winslow.
C.N. Cochin filius del. A. Romanet sculp.
[n.d., c.1740.]
Engraving very large margins. 270 x 190mm (10½ x 7½"). Paper toned.
Jacob B. Winsløw (1669-1760), a Danish-born French anatomist, known after his convertion to catholicism as Jacques-Bénigne Winslow.
Not in Wellcom.
[Ref: 31265] £220.00 (£264.00 incl.VAT)
C.N. Cochin filius del. A. Romanet sculp.
[n.d., c.1740.]
Engraving very large margins. 270 x 190mm (10½ x 7½"). Paper toned.
Jacob B. Winsløw (1669-1760), a Danish-born French anatomist, known after his convertion to catholicism as Jacques-Bénigne Winslow.
Not in Wellcom.
[Ref: 31265] £220.00 (£264.00 incl.VAT)
Fredc. Albert Winsor, Originator of Public Gas lighting. Founder of the first established Gas Light Companies in England and in France._Died at Paris 11th May 1830 Ages 68.
[n.d., c.1840.]
Lithograph, sheet size 250 x 215mm. Sheet trimmed close to image. Foxed.
Frederick Albert Winsor (Inventor. 1763-1830). On trips to France and England, Winsor searched for inventions in need of financing and development and, on one occasion, found gas lighting. After trying without success to buy the technology for Philippe Lebon's thermolamp, Winsor built his own gaslight and demonstrated it at London's Lyceum Theatre in 1804. Winsor's chemist did much of the initial work, which was done in competition with William Murdock and his employers, Matthew Boulton and James Watt. Winsor realized it would be more efficient and profitable to make gas in large amounts, distribute it through underground pipes to several places, and sell the leftover solid 'coke' as a low-quality fuel. Such an undertaking would require more money than any single person could provide, so Winsor mounted an advertising campaign that challenged anyone to join him in this bold venture. Although many people made fun of his approach, Winsor won the support of an influential committee in the English government, and in 1807 Winsor and his partners illuminated a garden wall for the king's birthday. They went on to stage the first gas streetlighting display in London. Parliament finally granted Winsor a charter for the first gas company, National Heat and Light, which was founded in 1812. Ironically, Winsor was ousted from the company's management later that year, and its name was changed to the Gas Light and Coke Company, better known today as British Gas.
ex. Blackburn Collection.
[Ref: 411] £180.00 (£216.00 incl.VAT)
[n.d., c.1840.]
Lithograph, sheet size 250 x 215mm. Sheet trimmed close to image. Foxed.
Frederick Albert Winsor (Inventor. 1763-1830). On trips to France and England, Winsor searched for inventions in need of financing and development and, on one occasion, found gas lighting. After trying without success to buy the technology for Philippe Lebon's thermolamp, Winsor built his own gaslight and demonstrated it at London's Lyceum Theatre in 1804. Winsor's chemist did much of the initial work, which was done in competition with William Murdock and his employers, Matthew Boulton and James Watt. Winsor realized it would be more efficient and profitable to make gas in large amounts, distribute it through underground pipes to several places, and sell the leftover solid 'coke' as a low-quality fuel. Such an undertaking would require more money than any single person could provide, so Winsor mounted an advertising campaign that challenged anyone to join him in this bold venture. Although many people made fun of his approach, Winsor won the support of an influential committee in the English government, and in 1807 Winsor and his partners illuminated a garden wall for the king's birthday. They went on to stage the first gas streetlighting display in London. Parliament finally granted Winsor a charter for the first gas company, National Heat and Light, which was founded in 1812. Ironically, Winsor was ousted from the company's management later that year, and its name was changed to the Gas Light and Coke Company, better known today as British Gas.
ex. Blackburn Collection.
[Ref: 411] £180.00 (£216.00 incl.VAT)
![[Catherine Winstanley.]](jpegs/51810.jpg)
[Catherine Winstanley.]
Hamlet Winstanley Pinxit. I. Faber fecit.
Printed for Tho.s Bowles in St. Paul's Church Yard, & Jn.o Bowles & Son, at the Black Horse in Cornhill. [n.d., c.1750.]
Mezzotint. 375 x 255mm (14¾ x 10"), with wide margins.
A portrait of Mrs. Catherine Winstanley, seated in a landscape, a sketchbook open on her lap. It was published as a pair to a self-portrait of her husband, the painter Hamlet Winstanley, whose monogram 'HW' is inscribed below the image.
CS 389, state ii of ii.
[Ref: 51810] £280.00 (£336.00 incl.VAT)
Hamlet Winstanley Pinxit. I. Faber fecit.
Printed for Tho.s Bowles in St. Paul's Church Yard, & Jn.o Bowles & Son, at the Black Horse in Cornhill. [n.d., c.1750.]
Mezzotint. 375 x 255mm (14¾ x 10"), with wide margins.
A portrait of Mrs. Catherine Winstanley, seated in a landscape, a sketchbook open on her lap. It was published as a pair to a self-portrait of her husband, the painter Hamlet Winstanley, whose monogram 'HW' is inscribed below the image.
CS 389, state ii of ii.
[Ref: 51810] £280.00 (£336.00 incl.VAT)
William Winstanley Ætat: 39. 1667. Let others drinke of Nectar; boast of Bayes...
[1667]
Engraving. Sheet: 165 x 100mm (6 x 4''). Trimmed.
A portrait of poet and biographer William Winstanley (1628-1667), the frontispiece to 'Royal Martyrology' 1667.
[Ref: 49099] £140.00 (£168.00 incl.VAT)
[1667]
Engraving. Sheet: 165 x 100mm (6 x 4''). Trimmed.
A portrait of poet and biographer William Winstanley (1628-1667), the frontispiece to 'Royal Martyrology' 1667.
[Ref: 49099] £140.00 (£168.00 incl.VAT)
Winter. Das den Citelkeiten absagende und Ruhliebende Alter [...] [parallel text in Latin]
Cum Priv. Sac. Caes. Maj. Martin Engelbrecht excud: A.V. [c.1790]
Engraving with hand-colouring, rare, platemark 295 x 185mm (11½ x 7¼"). Slight loss to bottom left. Glued to backing sheet; foxing.
One from a set of prints representing the season, with verses in German and Latin, shows a sedan chair in the background.
[Ref: 43594] £140.00 (£168.00 incl.VAT)
Cum Priv. Sac. Caes. Maj. Martin Engelbrecht excud: A.V. [c.1790]
Engraving with hand-colouring, rare, platemark 295 x 185mm (11½ x 7¼"). Slight loss to bottom left. Glued to backing sheet; foxing.
One from a set of prints representing the season, with verses in German and Latin, shows a sedan chair in the background.
[Ref: 43594] £140.00 (£168.00 incl.VAT)
Winter. Bless my heart hon cold it is. Ah mon Dieu qu'il fair froidé.
Painted by R. Westall. Engraved by P. Bonato.
[n.d., c.1790.]
Engraving with large margins, rare. Period Italian copy of the Bartolozzi. Platemark: 275 x 200mm (10¾ x 8"). Creases to sheet.
A portrait, half-length, of a young woman, looking three-quarter to the right. She is wearing an elaborate bonnet with a ribbon at the top and has her hands concealed in a large muff in front of her chest. For stipple impression, engraved by Bartolozzi after Weatley, see item ref: 8897.
[Ref: 35095] £220.00 (£264.00 incl.VAT)
Painted by R. Westall. Engraved by P. Bonato.
[n.d., c.1790.]
Engraving with large margins, rare. Period Italian copy of the Bartolozzi. Platemark: 275 x 200mm (10¾ x 8"). Creases to sheet.
A portrait, half-length, of a young woman, looking three-quarter to the right. She is wearing an elaborate bonnet with a ribbon at the top and has her hands concealed in a large muff in front of her chest. For stipple impression, engraved by Bartolozzi after Weatley, see item ref: 8897.
[Ref: 35095] £220.00 (£264.00 incl.VAT)
![Winter [pencil on mount].](jpegs/49248.jpg)
Winter [pencil on mount].
W Renison [pencil signature.]
[n.d., c.1930.]
Etching and aquatint, signed by the artist, Fine Art Trade Guild blind stamps. 195 x 280mm (7¾ x 11") very large margins. In original mount with the Minerva head blind stamp of Alfred Bell & Co. Mint.
A shepherd and sheep in a snow-bound woodland. William Renison (1868-1939), Scottish painter who exhibited at the RA and in Paris.
Guichard: p.55.
[Ref: 49248] £90.00 (£108.00 incl.VAT)
W Renison [pencil signature.]
[n.d., c.1930.]
Etching and aquatint, signed by the artist, Fine Art Trade Guild blind stamps. 195 x 280mm (7¾ x 11") very large margins. In original mount with the Minerva head blind stamp of Alfred Bell & Co. Mint.
A shepherd and sheep in a snow-bound woodland. William Renison (1868-1939), Scottish painter who exhibited at the RA and in Paris.
Guichard: p.55.
[Ref: 49248] £90.00 (£108.00 incl.VAT)
A Country Scene in Winter. Boys Making a Snow Man. Breaking the Ice for the Cattle.
[n.d., c.1840.]
Lithograph with hand colour. Sheet 205 x 295mm (8 x 11¾"). Original folds, laid on fabric.
In the background a coach struggles through the snow. A Magic Print.
[Ref: 55625] £130.00 (£156.00 incl.VAT)
[n.d., c.1840.]
Lithograph with hand colour. Sheet 205 x 295mm (8 x 11¾"). Original folds, laid on fabric.
In the background a coach struggles through the snow. A Magic Print.
[Ref: 55625] £130.00 (£156.00 incl.VAT)
Winter Amusements in Holland. Les Amusements de l'Hiver.
V. Velde Pinx.t.
printed for Carington Bowles in St Pauls Church Yard, London [n.d., c.1760].
Engraving. 140 x 185mm (5½ x 7¼"). Trimmed within plate. Slight damage top right.
A scene on frozen marshlands, with a game of kolf (a form of golf), sledging, and a tent selling hot drinks.
[Ref: 57567] £160.00 (£192.00 incl.VAT)
V. Velde Pinx.t.
printed for Carington Bowles in St Pauls Church Yard, London [n.d., c.1760].
Engraving. 140 x 185mm (5½ x 7¼"). Trimmed within plate. Slight damage top right.
A scene on frozen marshlands, with a game of kolf (a form of golf), sledging, and a tent selling hot drinks.
[Ref: 57567] £160.00 (£192.00 incl.VAT)
![[Winter Evening] La Soirée d'Hyver [parallel text in German]](jpegs/36204.jpg)
[Winter Evening] La Soirée d'Hyver [parallel text in German] Préchant ce Magistrat à la tête légere [...]
J.H.E. in. S. Freudeberg del.
Printed for Carington Bowles in St Pauls Church Yard London [c.1775]
Mezzotint with very large margins, scarce; 'CLB' collector's stamp verso; platemark 340 x 245mm (13½ x 9½"). Staining in right outer margin.
Continental copy in reverse of a plate depicting a candlelit courtship scene, from the 'Monument du Costume Physique et Moral de la fin du Dix-huitième siècle', first published in 1774. Sigmund Fredenberger was the intermediate draftsman for the plate from which this is copied, so both the attribution of the print to him and the claim for Carington Bowles as publisher appear to have been made up to conceal the identities of the makers.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36204] £260.00 (£312.00 incl.VAT)
J.H.E. in. S. Freudeberg del.
Printed for Carington Bowles in St Pauls Church Yard London [c.1775]
Mezzotint with very large margins, scarce; 'CLB' collector's stamp verso; platemark 340 x 245mm (13½ x 9½"). Staining in right outer margin.
Continental copy in reverse of a plate depicting a candlelit courtship scene, from the 'Monument du Costume Physique et Moral de la fin du Dix-huitième siècle', first published in 1774. Sigmund Fredenberger was the intermediate draftsman for the plate from which this is copied, so both the attribution of the print to him and the claim for Carington Bowles as publisher appear to have been made up to conceal the identities of the makers.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36204] £260.00 (£312.00 incl.VAT)
![[Summer Morning.] [&] [Winter Evening.]](jpegs/26688.jpg)
[Summer Morning.] [&] [Winter Evening.]
[Painted by H. Singleton. Engraved by Edw.d Bell.]
London Publish'd Nov.r 1797, by J. Grozer, No. 48 Goodge Street, & to be had of Mess.rs Colnaghi and Sala. Pall Mall.
Pair of colour-printed mezzotints. Sheets 535 x 410mm (21 z 16"). Trimmed within plate at bottom, without title and artist & engraver's names.
A pair of scenes showing a woman and three children. In the summer she churns milk while one daughter feeds the chickens, the other eating from a bowl with a spoon, and the son behind with a pictchfork with a sack tied to it; in the background roses grow around the cottage window. In the winter the mother carries a pail while the three children gather firewood; in the background is a cow in a barn.
BM 2010,7081.2800 & 2010,7081.2801.
[Ref: 26688] £550.00 view all images for this item
[Painted by H. Singleton. Engraved by Edw.d Bell.]
London Publish'd Nov.r 1797, by J. Grozer, No. 48 Goodge Street, & to be had of Mess.rs Colnaghi and Sala. Pall Mall.
Pair of colour-printed mezzotints. Sheets 535 x 410mm (21 z 16"). Trimmed within plate at bottom, without title and artist & engraver's names.
A pair of scenes showing a woman and three children. In the summer she churns milk while one daughter feeds the chickens, the other eating from a bowl with a spoon, and the son behind with a pictchfork with a sack tied to it; in the background roses grow around the cottage window. In the winter the mother carries a pail while the three children gather firewood; in the background is a cow in a barn.
BM 2010,7081.2800 & 2010,7081.2801.
[Ref: 26688] £550.00 view all images for this item
View Near the New Entrance in S.t James's Park. Winter Fashions, from Nov.r 1832, to April, 1833, by B. Read, Pall Mall, St James's & 12, Hart St.t Bloomsbury Sp.e London.
[n.d., c.1833.]
Scarce & rare coloured aquatint Sheet 430 x 570mm (17 x 22½"), on paper watermarked 'J Whatman 1832'. Paper toned, edges chipped and torn,
Fashionable promenaders on the Mall in St James's Park. Behind are Carlton House Terrace and the Duke of York's Column under construction (completed 1832, statue placed 1834).
[Ref: 59361] £520.00
[n.d., c.1833.]
Scarce & rare coloured aquatint Sheet 430 x 570mm (17 x 22½"), on paper watermarked 'J Whatman 1832'. Paper toned, edges chipped and torn,
Fashionable promenaders on the Mall in St James's Park. Behind are Carlton House Terrace and the Duke of York's Column under construction (completed 1832, statue placed 1834).
[Ref: 59361] £520.00
The Palace of the Prince of Trauthson at Vienna.
Drawn on the Spot by J.E.F. van Erl. H. Roberts sculp.
London Printed for John Bowles at the Black Horse in Cornhill, 1747.
Engraving, 200 x 250mm. 7¾ x 9¾". Slightly soiled and stained.
The Winter Palace, or Stadtpalais, built in Vienna for François-Eugène, Prince of Savoy-Carignan (1663 – 1736) by Johann Bernhard Fischer von Erlach (1656 - 1723), probably the most influential Austrian architect of the Baroque period.
From a series of reduced views in Vienna published by Bowles, numbered '2' upper right.
From the Capper album.
[Ref: 11119] £130.00 (£156.00 incl.VAT)
Drawn on the Spot by J.E.F. van Erl. H. Roberts sculp.
London Printed for John Bowles at the Black Horse in Cornhill, 1747.
Engraving, 200 x 250mm. 7¾ x 9¾". Slightly soiled and stained.
The Winter Palace, or Stadtpalais, built in Vienna for François-Eugène, Prince of Savoy-Carignan (1663 – 1736) by Johann Bernhard Fischer von Erlach (1656 - 1723), probably the most influential Austrian architect of the Baroque period.
From a series of reduced views in Vienna published by Bowles, numbered '2' upper right.
From the Capper album.
[Ref: 11119] £130.00 (£156.00 incl.VAT)
Winter Quarters.
[by Isaac Cruikshank.]
Pub.d Dec. 14 1793 by S W Fores No 3 Piccadilly where may be Seen the Completest Collection of Caricatures in Europe. Also a correct Model of the Guillotine 6 Feet High. Admitt.ce 1 Shilling.
Etching. Sheet 240 x 190mm (9½ x 7½"). Trimmed to plate, new margins added on three sides.
A military officer wearing a cocked hat sits opposite a blazing fire. He reads a newspaper headed with a star ('The Star', an evening paper) through an eye-glass held in his right hand. Over the chimney-piece is a framed map or plan: 'New Road to Coventry'. According to George this is ''Possibly a portrait of the Duke of York, but (perhaps intentionally) a poor one: it is less unlike Prince Ernest''; "The British army entered winter cantonments on 9 Nov. at Tournay, whence they went to their settled winter quarters at Ghent, entering it on 16 Dec.''
NM Satires 8355.
[Ref: 54458] £130.00 (£156.00 incl.VAT)
[by Isaac Cruikshank.]
Pub.d Dec. 14 1793 by S W Fores No 3 Piccadilly where may be Seen the Completest Collection of Caricatures in Europe. Also a correct Model of the Guillotine 6 Feet High. Admitt.ce 1 Shilling.
Etching. Sheet 240 x 190mm (9½ x 7½"). Trimmed to plate, new margins added on three sides.
A military officer wearing a cocked hat sits opposite a blazing fire. He reads a newspaper headed with a star ('The Star', an evening paper) through an eye-glass held in his right hand. Over the chimney-piece is a framed map or plan: 'New Road to Coventry'. According to George this is ''Possibly a portrait of the Duke of York, but (perhaps intentionally) a poor one: it is less unlike Prince Ernest''; "The British army entered winter cantonments on 9 Nov. at Tournay, whence they went to their settled winter quarters at Ghent, entering it on 16 Dec.''
NM Satires 8355.
[Ref: 54458] £130.00 (£156.00 incl.VAT)
![[Winter Landscape, Portsonachan.]](jpegs/29043.jpg)
[Winter Landscape, Portsonachan.]
K Mackenzie 1954.
Aquatint signed in pencil by artist, large sheet. As issued by "The Print Collectors Club" (with their label verso, as normal) Plate 127 x 175mm (5 x 7").
A winter scene in Portsonachan, Argyllshire, West Scotland. By Keith Mackenzie, A.R.E.
[Ref: 29043] £140.00 (£168.00 incl.VAT)
K Mackenzie 1954.
Aquatint signed in pencil by artist, large sheet. As issued by "The Print Collectors Club" (with their label verso, as normal) Plate 127 x 175mm (5 x 7").
A winter scene in Portsonachan, Argyllshire, West Scotland. By Keith Mackenzie, A.R.E.
[Ref: 29043] £140.00 (£168.00 incl.VAT)
Winter's Amusement.
W. Hamilton delin. T. Gaugain sculp.
Publish'd May 1789, by T. Gaugain. No.9 Manor Street, Chelsea: & by Mess.rs Harris: Molteno, Colnaghi & Co. & Wilkinson. London. [Late.]
Stipple printed in colours with large margins. Plate 197 x 254mm. 7¾ x 10".
Boys throwing snowballs at two girls who flee into the right foreground; with a church and town buildings in the background.
[Ref: 28187] £120.00 (£144.00 incl.VAT)
W. Hamilton delin. T. Gaugain sculp.
Publish'd May 1789, by T. Gaugain. No.9 Manor Street, Chelsea: & by Mess.rs Harris: Molteno, Colnaghi & Co. & Wilkinson. London. [Late.]
Stipple printed in colours with large margins. Plate 197 x 254mm. 7¾ x 10".
Boys throwing snowballs at two girls who flee into the right foreground; with a church and town buildings in the background.
[Ref: 28187] £120.00 (£144.00 incl.VAT)
![[The Winter's Tale] [The Finding of Perdita.]](jpegs/23926.jpg)
[The Winter's Tale] [The Finding of Perdita.]
Painted by Henry Thomson, R.A. Engraved by I.S. Agar.
Published Aug. 21. 1832: for the Chalcographic Society, by I.S. Agar, Angel Lane, Hammersmith, and may be had of the principal Printsellers in the United Kingdom.
Stipple and engraving on india paper, proof before title with a royal crest below the image. A fine impression, with wide margins.
An illustration of William Shakespeare's 'The Winter's Tale' (Act I, Scene III): the shepherd kneels in the shelter of rocks, lifting a rich fringed shawl covering the baby Perdita with both hands; he looks up to right at a boy, who carries a basket and spade and looks down on the child in surprise and delight. A dog standing to left, a scroll and casket on the ground. This is actually a re-published plate; the print was first published in 1824. After Henry Thomson RA (1773 - 1843).
[Ref: 23926] £240.00 (£288.00 incl.VAT)
Painted by Henry Thomson, R.A. Engraved by I.S. Agar.
Published Aug. 21. 1832: for the Chalcographic Society, by I.S. Agar, Angel Lane, Hammersmith, and may be had of the principal Printsellers in the United Kingdom.
Stipple and engraving on india paper, proof before title with a royal crest below the image. A fine impression, with wide margins.
An illustration of William Shakespeare's 'The Winter's Tale' (Act I, Scene III): the shepherd kneels in the shelter of rocks, lifting a rich fringed shawl covering the baby Perdita with both hands; he looks up to right at a boy, who carries a basket and spade and looks down on the child in surprise and delight. A dog standing to left, a scroll and casket on the ground. This is actually a re-published plate; the print was first published in 1824. After Henry Thomson RA (1773 - 1843).
[Ref: 23926] £240.00 (£288.00 incl.VAT)
Shakspeare. Winter's Tale, Act III. Scene III.
Painted by J.h Wright. Engrav'd by S. Middiman.
Publish'd June 4. 1794, by John & Josiah Boydell, at the Shakspeare Gallery Pall Mall, & Cheapside.
Engraving with etching, J. Whatman 1794 watermark, 500 x 630mm (19¾ x 24¾"), with large margins. Small tear in edge taped.
Attempting to return to the baby, Perdita, whom he has just abandoned on the coast of land-locked Bohemia, Antigonus is chased away by a wild animal. This action creates Shakespeare's most famous stage direction: ''Exit Antigonus, pursued by a bear''. John Boydell (1720-1804), publisher and Lord Mayor of London in 1790, began his Shakespeare Gallery to encourage British historical painting by commissioning paintings on the theme of Shakeapeare's plays from leading artists and reproducing them as high quality prints. When his gallery in Pall Mall opened in 1789 it contained 34 paintings; by the end it has nearly 170, by artists including Kauffman, Richard Westall, Thomas Stothard, George Romney, Henry Fuseli, Benjamin West, Robert Smirke, John Opie & Francesco Bartolozzi. 96 were engraved, published separately until the bound edition, ''A Collection of Prints, From Pictures Painted for the Purpose of Illustrating the Dramatic Works of Shakspeare, by the Artists of Great-Britain'' was issued in 1805. The project was over-ambitious and the cost caused the firm to go bankrupt.
[Ref: 59331] £320.00
Painted by J.h Wright. Engrav'd by S. Middiman.
Publish'd June 4. 1794, by John & Josiah Boydell, at the Shakspeare Gallery Pall Mall, & Cheapside.
Engraving with etching, J. Whatman 1794 watermark, 500 x 630mm (19¾ x 24¾"), with large margins. Small tear in edge taped.
Attempting to return to the baby, Perdita, whom he has just abandoned on the coast of land-locked Bohemia, Antigonus is chased away by a wild animal. This action creates Shakespeare's most famous stage direction: ''Exit Antigonus, pursued by a bear''. John Boydell (1720-1804), publisher and Lord Mayor of London in 1790, began his Shakespeare Gallery to encourage British historical painting by commissioning paintings on the theme of Shakeapeare's plays from leading artists and reproducing them as high quality prints. When his gallery in Pall Mall opened in 1789 it contained 34 paintings; by the end it has nearly 170, by artists including Kauffman, Richard Westall, Thomas Stothard, George Romney, Henry Fuseli, Benjamin West, Robert Smirke, John Opie & Francesco Bartolozzi. 96 were engraved, published separately until the bound edition, ''A Collection of Prints, From Pictures Painted for the Purpose of Illustrating the Dramatic Works of Shakspeare, by the Artists of Great-Britain'' was issued in 1805. The project was over-ambitious and the cost caused the firm to go bankrupt.
[Ref: 59331] £320.00
Shakspeare. Winter's Tale, Act III. Scene III.
Painted by J.h Wright. Engrav'd by S. Middiman.
Publish'd June 4. 1794, by John & Josiah Boydell, at the Shakspeare Gallery Pall Mall, & Cheapside.
Engraving with etching. 500 x 630mm (19¾ x 24¾"), with large margins. Creasing where rolled.
Attempting to return to the baby, Perdita, whom he has just abandoned on the coast of land-locked Bohemia, Antigonus is chased away by a wild animal. This action creates Shakespeare's most famous stage direction: ''Exit Antigonus, pursued by a bear''. John Boydell (1720-1804), publisher and Lord Mayor of London in 1790, began his Shakespeare Gallery to encourage British historical painting by commissioning paintings on the theme of Shakeapeare's plays from leading artists and reproducing them as high quality prints. When his gallery in Pall Mall opened in 1789 it contained 34 paintings; by the end it has nearly 170, by artists including Kauffman, Richard Westall, Thomas Stothard, George Romney, Henry Fuseli, Benjamin West, Robert Smirke, John Opie & Francesco Bartolozzi. 96 were engraved, published separately until the bound edition, ''A Collection of Prints, From Pictures Painted for the Purpose of Illustrating the Dramatic Works of Shakspeare, by the Artists of Great-Britain'' was issued in 1805. The project was over-ambitious and the cost caused the firm to go bankrupt.
[Ref: 59324] £260.00 (£312.00 incl.VAT)
Painted by J.h Wright. Engrav'd by S. Middiman.
Publish'd June 4. 1794, by John & Josiah Boydell, at the Shakspeare Gallery Pall Mall, & Cheapside.
Engraving with etching. 500 x 630mm (19¾ x 24¾"), with large margins. Creasing where rolled.
Attempting to return to the baby, Perdita, whom he has just abandoned on the coast of land-locked Bohemia, Antigonus is chased away by a wild animal. This action creates Shakespeare's most famous stage direction: ''Exit Antigonus, pursued by a bear''. John Boydell (1720-1804), publisher and Lord Mayor of London in 1790, began his Shakespeare Gallery to encourage British historical painting by commissioning paintings on the theme of Shakeapeare's plays from leading artists and reproducing them as high quality prints. When his gallery in Pall Mall opened in 1789 it contained 34 paintings; by the end it has nearly 170, by artists including Kauffman, Richard Westall, Thomas Stothard, George Romney, Henry Fuseli, Benjamin West, Robert Smirke, John Opie & Francesco Bartolozzi. 96 were engraved, published separately until the bound edition, ''A Collection of Prints, From Pictures Painted for the Purpose of Illustrating the Dramatic Works of Shakspeare, by the Artists of Great-Britain'' was issued in 1805. The project was over-ambitious and the cost caused the firm to go bankrupt.
[Ref: 59324] £260.00 (£312.00 incl.VAT)