A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Jemmy's Return. At length the merry Bells rung round I could na guess the cause, But Rodney was the Man they said, who gained so much applause...I blush'd, consented and reply'd; Adieu to Robin Grey. To Lady Rogers, this Print is with the greatest respect dedicated by her Ladyship's most obliged Servant, J. Walker.
I.H. Benwell inv. F. Bartolozzi sculp.
London Published April 3 1786 by I. Walker Printseller...
Hand-coloured stipple with small margins. Plate 380 x 350mm (15 x 13¾"). Text faint; spot upper left.
A man wearing a kilt holding the hand of a lady with a pair of scissors suspended from her waist, both standing before rocks, a cottage and rocky cliffs beyond. llustration to the Ballad of 'Auld Robin Gray'.
De Vesme: 1387.
[Ref: 28770] £240.00 (£288.00 incl.VAT)
I.H. Benwell inv. F. Bartolozzi sculp.
London Published April 3 1786 by I. Walker Printseller...
Hand-coloured stipple with small margins. Plate 380 x 350mm (15 x 13¾"). Text faint; spot upper left.
A man wearing a kilt holding the hand of a lady with a pair of scissors suspended from her waist, both standing before rocks, a cottage and rocky cliffs beyond. llustration to the Ballad of 'Auld Robin Gray'.
De Vesme: 1387.
[Ref: 28770] £240.00 (£288.00 incl.VAT)
![[Jerusalem Delivered] Tancred and Clorinda.](jpegs/25067.jpg)
[Jerusalem Delivered] Tancred and Clorinda. Her clay cold hand, the pledge of lasting peace, She gave the cheif; her lips their music cease. So life departing left her lovely breast, So seem'd the virgin lull'd to silent rest. Dedicated to John George Payne Esq.r by his most obedient Servant W. Palmer.
Angelica Kauffman Invenit. F. Bartolozzi Sculpit.
London, Pub:d Dec:r 1.st 1784 by W. Palmer No.163 Strand.
Stipple and etching in sanguine. Plate 300 x 394mm. 11¾ x 15½". Rubbing to title area.
Clorinda seated on ground, leaning against a tree, head in profile to left; to left, Tancred in profile to right, down on his right knee, holding Clorinda's right hand with his right; in a landscape. Two characters from Tasso's 'Jerusalem Delivered'. Torquato Tasso (1544 - 1595) was an Italian poet. He was author of 'Aminta', 'Rinaldo and Armida' published in 1562, and 'Gerusalemme Liberata', finished in 1575. It concerns the First Crusade to the Holy Land (1096-9) and the Crusaders siege of Jerusalem under the leadership of Godfrey of Boulogne. His models for this heroic epic were Homer and Virgil's Aeneid. Tasso portrayed both imaginary characters and real historical persons, among them the heroes Rinaldo and Tancredi, and their Saracen ladies Armida and Clorinda.
De Vesme: 1366.iv.
[Ref: 25067] £280.00 (£336.00 incl.VAT)
Angelica Kauffman Invenit. F. Bartolozzi Sculpit.
London, Pub:d Dec:r 1.st 1784 by W. Palmer No.163 Strand.
Stipple and etching in sanguine. Plate 300 x 394mm. 11¾ x 15½". Rubbing to title area.
Clorinda seated on ground, leaning against a tree, head in profile to left; to left, Tancred in profile to right, down on his right knee, holding Clorinda's right hand with his right; in a landscape. Two characters from Tasso's 'Jerusalem Delivered'. Torquato Tasso (1544 - 1595) was an Italian poet. He was author of 'Aminta', 'Rinaldo and Armida' published in 1562, and 'Gerusalemme Liberata', finished in 1575. It concerns the First Crusade to the Holy Land (1096-9) and the Crusaders siege of Jerusalem under the leadership of Godfrey of Boulogne. His models for this heroic epic were Homer and Virgil's Aeneid. Tasso portrayed both imaginary characters and real historical persons, among them the heroes Rinaldo and Tancredi, and their Saracen ladies Armida and Clorinda.
De Vesme: 1366.iv.
[Ref: 25067] £280.00 (£336.00 incl.VAT)
Ex Tabella quæ visitur in Templo Societatis Jesu Venetüs.
Antonius Balestra Veronen.s. F. Bartolozzi Sculp. I. Wagner recognovit et vend. Venezia C.P.E.S.
[n.d., c.1760.]
Engraving. Plate: 570 x 350mm (22½ x 13¾"). Foxing in small margins.
A religious scene showing three Jesuit saints, two are shown kneeling before and angel. The third holds the enfant Jesus who has been handed to him by the Madonna.
De Vesme 300. Provenance: Edge Hill, Cheshire
[Ref: 46817] £330.00
Antonius Balestra Veronen.s. F. Bartolozzi Sculp. I. Wagner recognovit et vend. Venezia C.P.E.S.
[n.d., c.1760.]
Engraving. Plate: 570 x 350mm (22½ x 13¾"). Foxing in small margins.
A religious scene showing three Jesuit saints, two are shown kneeling before and angel. The third holds the enfant Jesus who has been handed to him by the Madonna.
De Vesme 300. Provenance: Edge Hill, Cheshire
[Ref: 46817] £330.00
[Jonah an oratorio, Disposed for a voice and harpsicord: composed by Samuel Felsted, organist of St. Andrew's Jamaica.]
B. West inv. 1775. F. Bartolozzi Sculp.
[London, Printed for the Author, by Messrs,, Longman, Lukey & Broderip, No,, 26 , Cheapside, 1775.]
Etching with engraving. Sheet 195 x 155mm (7¾ x 6"). Trimmed, losing title and publication line, laid on album paper.
Jonah on the shore, the whale behind, used as the titlepage to Samuel Felsted' oratorio 'Jonah'. Felstead (1743-1802) was Jamaica's first documented composer, although only two works suvive: his 'Jonah' was the first complete oratorio written in the Americas.
De Vesme 1873.
[Ref: 61563] £240.00 (£288.00 incl.VAT)
B. West inv. 1775. F. Bartolozzi Sculp.
[London, Printed for the Author, by Messrs,, Longman, Lukey & Broderip, No,, 26 , Cheapside, 1775.]
Etching with engraving. Sheet 195 x 155mm (7¾ x 6"). Trimmed, losing title and publication line, laid on album paper.
Jonah on the shore, the whale behind, used as the titlepage to Samuel Felsted' oratorio 'Jonah'. Felstead (1743-1802) was Jamaica's first documented composer, although only two works suvive: his 'Jonah' was the first complete oratorio written in the Americas.
De Vesme 1873.
[Ref: 61563] £240.00 (£288.00 incl.VAT)
![[The Judgement of Paris.]](jpegs/20436.jpg)
[The Judgement of Paris.] [From (as it is thought) an ancient Painting, on a piece of Wall of Herculaneum, or Pompeja.]
[Ed.d F Burney del.t F. Bartolozzi sculp.t]
[Published April 6.th 1790 for S. Sastres/Vide Mercurio Italico Vol.III. p.70.]
Etching and engraving. Proof before all letters, scarce. Plate 158 x 202mm. 6¼ x 8". With small margins.
Paris, seated on the ground by the sea, facing clouds; seated on the clouds, Juno and Venus, holding an apple, and Minerva, standing, Cupid looking up at Venus, his arms resting on her right knee. Above the sea, lightning, and a rainbow can be seen. Illustration to 'Il Mercurio Italico,' 1790.
De Vesme: 473; i/v.
[Ref: 20436] £180.00 (£216.00 incl.VAT)
[Ed.d F Burney del.t F. Bartolozzi sculp.t]
[Published April 6.th 1790 for S. Sastres/Vide Mercurio Italico Vol.III. p.70.]
Etching and engraving. Proof before all letters, scarce. Plate 158 x 202mm. 6¼ x 8". With small margins.
Paris, seated on the ground by the sea, facing clouds; seated on the clouds, Juno and Venus, holding an apple, and Minerva, standing, Cupid looking up at Venus, his arms resting on her right knee. Above the sea, lightning, and a rainbow can be seen. Illustration to 'Il Mercurio Italico,' 1790.
De Vesme: 473; i/v.
[Ref: 20436] £180.00 (£216.00 incl.VAT)
![[Julius Caesar making an offering to the gods]](jpegs/43148.jpg)
[Julius Caesar making an offering to the gods] [Vide Plin. Hist. Nat. LXXXVII C.II]
G.B. Cipriani inv. F. Bartolozzi sculp. London 1780
Etching and engraving, rare; platemark 330 x 240mm (13 x 9½"). Good impression; glued to backing sheet at corners.
Proof impression of the frontispiece to the first volume of 'Geminarum antiquarum delectus...', a publication detailing highlights from the collection of gems assembled by the fourth Duke of Marlborough, George Spencer (1739-1817) at Blenheim Palace. The book, in two volumes, was initially printed in an edition of one hundred copies for private distribution before being republished in 1845. Etching by Francesco Bartolozzi (1725-1815) after his frequent collaborator Giovanni Battista Cipriani (1727-85). Bartolozzi was born in Florence but migrated to England, and in 1768 was elected as a founding member of the Royal Academy in London (the RA did not admit engravers at this time but made an exception in his case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Dalton in 1763. Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. In 1801 Bartolozzi was invited to Lisbon to reform the royal printing press, and he spent his final years in Portugal. This impression from the collection of Dr. Augusto Calabi of Milan, art historian who co-authored (with A.B. de Vesme) the authoritative catalogue raisonné of Bartolozzi's work.
Calabi & de Vesme 1740 ii/iv; for the frontispiece to the second volume of the 'Geminarum antiquarum delectus...' see ref. 42029.
[Ref: 43148] £260.00 (£312.00 incl.VAT)
G.B. Cipriani inv. F. Bartolozzi sculp. London 1780
Etching and engraving, rare; platemark 330 x 240mm (13 x 9½"). Good impression; glued to backing sheet at corners.
Proof impression of the frontispiece to the first volume of 'Geminarum antiquarum delectus...', a publication detailing highlights from the collection of gems assembled by the fourth Duke of Marlborough, George Spencer (1739-1817) at Blenheim Palace. The book, in two volumes, was initially printed in an edition of one hundred copies for private distribution before being republished in 1845. Etching by Francesco Bartolozzi (1725-1815) after his frequent collaborator Giovanni Battista Cipriani (1727-85). Bartolozzi was born in Florence but migrated to England, and in 1768 was elected as a founding member of the Royal Academy in London (the RA did not admit engravers at this time but made an exception in his case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Dalton in 1763. Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. In 1801 Bartolozzi was invited to Lisbon to reform the royal printing press, and he spent his final years in Portugal. This impression from the collection of Dr. Augusto Calabi of Milan, art historian who co-authored (with A.B. de Vesme) the authoritative catalogue raisonné of Bartolozzi's work.
Calabi & de Vesme 1740 ii/iv; for the frontispiece to the second volume of the 'Geminarum antiquarum delectus...' see ref. 42029.
[Ref: 43148] £260.00 (£312.00 incl.VAT)
Jupiter and Europa. From the Original Picture by Guido Reni, In the Collection of Robert Udny Esqr. Size of the Picture 3F, 3I, by 4F, 0 in height. Vol. II. No.44.
G. Reni pinxit. F. Bartolozzi sculpsit.
Published May 1st. 1771, by J. Boydell Engraver, in Cheapside London.
Stipple and etching in red ink; paper watermarked. Plate 400 x 305mm (15¾ x 12"). Very large margins.
A young woman embracing a bull, decorated with floral garlands.
Ex Collection Duke of Westminster.
[Ref: 38185] £380.00
G. Reni pinxit. F. Bartolozzi sculpsit.
Published May 1st. 1771, by J. Boydell Engraver, in Cheapside London.
Stipple and etching in red ink; paper watermarked. Plate 400 x 305mm (15¾ x 12"). Very large margins.
A young woman embracing a bull, decorated with floral garlands.
Ex Collection Duke of Westminster.
[Ref: 38185] £380.00
Jupiter and Juno on Mount Ida.
G.B. Cipriani Inv.t. F. Bartolozzi Sculp.t.
Publish'd as the Act directs Jan.y 1st. 1784 by A. Torre No. 44 Market Lane.
Very fine stipple and etching, printed in sepia. 225 x 175mm (9 x 7"), with large margins.
Jupiter seated on a cloud, embracing his wife Juno, watched by two putti and an eagle.
De Vesme 429, state iv of iv.
[Ref: 19687] £320.00
G.B. Cipriani Inv.t. F. Bartolozzi Sculp.t.
Publish'd as the Act directs Jan.y 1st. 1784 by A. Torre No. 44 Market Lane.
Very fine stipple and etching, printed in sepia. 225 x 175mm (9 x 7"), with large margins.
Jupiter seated on a cloud, embracing his wife Juno, watched by two putti and an eagle.
De Vesme 429, state iv of iv.
[Ref: 19687] £320.00
Jupiter and Juno on Mount Ida.
G.B. Cipriani Inv.t. F. Bartolozzi Sculp.t.
Publish'd as the Act directs Jan.y 1.st 1784 by A. Torre N.o 44 Market Lane.
Very fine stipple and etching, printed in sepia. 225 x 175mm (9 x 7"), with large margins. Mint.
Jupiter seated on a cloud, embracing his wife Juno, watched by two putti and an eagle.
De Vesme 429, state iv of iv. Ex: Oettingen-Wallerstein collection. Sotheby's London / Milan Nov 1997.
[Ref: 60293] £350.00
G.B. Cipriani Inv.t. F. Bartolozzi Sculp.t.
Publish'd as the Act directs Jan.y 1.st 1784 by A. Torre N.o 44 Market Lane.
Very fine stipple and etching, printed in sepia. 225 x 175mm (9 x 7"), with large margins. Mint.
Jupiter seated on a cloud, embracing his wife Juno, watched by two putti and an eagle.
De Vesme 429, state iv of iv. Ex: Oettingen-Wallerstein collection. Sotheby's London / Milan Nov 1997.
[Ref: 60293] £350.00
![[Jupiter and Juno on Mount Ida.]](jpegs/53323.jpg)
[Jupiter and Juno on Mount Ida.]
G.B. Cipriani Inv.t. F. Bartolozzi Sculp.t.
Publish'd as the Act directs Jan.y 1st. 1784 by A. Torre No. 44 Market Lane.
Very fine stipple and etching, proof before title, printed in sanguine, pt 18th century watermark. 225 x 175mm (9 x 7").
Jupiter seated on a cloud, embracing his wife Juno, watched by two putti and an eagle.
De Vesme 429, state iii of iv.
[Ref: 53323] £320.00 (£384.00 incl.VAT)
G.B. Cipriani Inv.t. F. Bartolozzi Sculp.t.
Publish'd as the Act directs Jan.y 1st. 1784 by A. Torre No. 44 Market Lane.
Very fine stipple and etching, proof before title, printed in sanguine, pt 18th century watermark. 225 x 175mm (9 x 7").
Jupiter seated on a cloud, embracing his wife Juno, watched by two putti and an eagle.
De Vesme 429, state iii of iv.
[Ref: 53323] £320.00 (£384.00 incl.VAT)
![[Retirement.]](jpegs/48237.jpg)
[Retirement.] And ah! let Pity turn her dewy eyes...
R.L. West pinxt. F. Bartolozzi R.A. sculps. 1801.
Rare engraving. Sheet: 120 x 140mm (4¾ x 5½''). Trimmed.
A scene showing a man lying on a bed with a bandage on his head. The poet Chatterton on his death bed. An illustration to 'Retirement' from 'Juvenilia, or a Collection of Poems' by James Henry Leigh Hunt published in 1801. The artist, Raphael Lamar West (1769-1850), son of Benjamin West, contributed to Boydell's Shakespeare Gallery.
[Ref: 48237] £160.00 (£192.00 incl.VAT)
R.L. West pinxt. F. Bartolozzi R.A. sculps. 1801.
Rare engraving. Sheet: 120 x 140mm (4¾ x 5½''). Trimmed.
A scene showing a man lying on a bed with a bandage on his head. The poet Chatterton on his death bed. An illustration to 'Retirement' from 'Juvenilia, or a Collection of Poems' by James Henry Leigh Hunt published in 1801. The artist, Raphael Lamar West (1769-1850), son of Benjamin West, contributed to Boydell's Shakespeare Gallery.
[Ref: 48237] £160.00 (£192.00 incl.VAT)
[Queen Katherine's Dream. Vide Shakespear's Henry 8th. No. 1 of the British Poets.]
Fuseli pinx.t. F. Bartolozzi R.A. & Engraver to his Majesty Sculp.t.
[London, Publish'd April 4th. 1788 by Thos. Macklin, No,, 39 Fleet Street.]
Stipple & etching. Sheet 375 x 470mm (14¾ x 18½"). Trimmed to plate on three sides, into inscription area at bottom, losing title and publication line. Small nicks outside image.
A scene showing Catherine of Aragon dreaming of her crown shortly before her death. From Macklin's series of 'British Poets'.
De Vesme 1427.
[Ref: 58607] £240.00 (£288.00 incl.VAT)
Fuseli pinx.t. F. Bartolozzi R.A. & Engraver to his Majesty Sculp.t.
[London, Publish'd April 4th. 1788 by Thos. Macklin, No,, 39 Fleet Street.]
Stipple & etching. Sheet 375 x 470mm (14¾ x 18½"). Trimmed to plate on three sides, into inscription area at bottom, losing title and publication line. Small nicks outside image.
A scene showing Catherine of Aragon dreaming of her crown shortly before her death. From Macklin's series of 'British Poets'.
De Vesme 1427.
[Ref: 58607] £240.00 (£288.00 incl.VAT)
Lord Kilwarden. Chief Justice King's Bench Ireland.
H. Hamilton pinx.t 1795. F. Bartolozzi R.A. sculp.t
Publish'd by Rob.t Cowen, 39 Fleet Street London; and Grafton Street Dublin. 20th Nov.r 1800.
Engraving and engraving. Plate 363 x 285mm. 14¼ x 11¼". Creasing and title area rubbed.
Arthur Wolfe, 1st Viscount Kilwarden (1739-1803) was an Irish peer, politician and judge,
De Vesme: 850.
[Ref: 24370] £130.00 (£156.00 incl.VAT)
H. Hamilton pinx.t 1795. F. Bartolozzi R.A. sculp.t
Publish'd by Rob.t Cowen, 39 Fleet Street London; and Grafton Street Dublin. 20th Nov.r 1800.
Engraving and engraving. Plate 363 x 285mm. 14¼ x 11¼". Creasing and title area rubbed.
Arthur Wolfe, 1st Viscount Kilwarden (1739-1803) was an Irish peer, politician and judge,
De Vesme: 850.
[Ref: 24370] £130.00 (£156.00 incl.VAT)
King Ahasuerus & Queen Esther.
Guercino del. Bartolozzi Scu.
[n.d. c.1790.]
Etching, printed on J. Whatman paper. 235 x 299mm. 9¼ x 11¾". Marking lower left-hand corner.
Two of the main personalities in the Book of Esther, one of the books of the Ketuvim ('Writings') of the Tanakh (the Hebrew Bible) and of the Historical Books of the Old Testament.
De V: ?
[Ref: 21218] £160.00 (£192.00 incl.VAT)
Guercino del. Bartolozzi Scu.
[n.d. c.1790.]
Etching, printed on J. Whatman paper. 235 x 299mm. 9¼ x 11¾". Marking lower left-hand corner.
Two of the main personalities in the Book of Esther, one of the books of the Ketuvim ('Writings') of the Tanakh (the Hebrew Bible) and of the Historical Books of the Old Testament.
De V: ?
[Ref: 21218] £160.00 (£192.00 incl.VAT)
![[King Lear] Cordelia.](jpegs/60308.jpg)
[King Lear] Cordelia. You never erring Gods / Fight on his side, and thunder on his Foes [...] Vide Shakespeares KIng Lear.
Angelica Kauffman pinxi.t. Fran. Bartolozzi sculp.t.
London Pub. Sep.r 7, 1784 by Ja.s Birchall N473 Strand & G. Durand N.o 8 Catherine Street.
Fine stipple with etching, printed in colours. 395 x 320mm (15½ x 12½"), with large margins
Cordelia kneels in a landscape, arms outstretched to beseech the heavens. From Shakespeare's 'King lear'.
De Vesme 1859. Ex: Oettingen-Wallerstein collection. Sotheby's London / Milan Nov 1997.
[Ref: 60308] £450.00
Angelica Kauffman pinxi.t. Fran. Bartolozzi sculp.t.
London Pub. Sep.r 7, 1784 by Ja.s Birchall N473 Strand & G. Durand N.o 8 Catherine Street.
Fine stipple with etching, printed in colours. 395 x 320mm (15½ x 12½"), with large margins
Cordelia kneels in a landscape, arms outstretched to beseech the heavens. From Shakespeare's 'King lear'.
De Vesme 1859. Ex: Oettingen-Wallerstein collection. Sotheby's London / Milan Nov 1997.
[Ref: 60308] £450.00
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Andrew Kippis, D.D. F.R.S. & S.A.
W. Artaud, pinx.t F. Bartolozzi sculp.t
London. Publish'd Oct.r 20.th 1792, by Tho.s Macklin, Poets Gallery, Fleet Street.
Stipple and etching. Plate 330 x 253mm. 13 x 10". Some soiling around margin areas.
Andrew Kippis (1725-1795) was an English nonconformist clergyman and biographer. He contributed largely to 'The Gentleman's Magazine', 'The Monthly View' and published various sermons and occasional pamphlets. His main work is his edition of the 'Biographia Britannica' with the assistance of Dr Joseph Towers; it was completed posthumously. Kippis also wrote books on Cook's voyages which included a letter by Kippis to King George III.
[Ref: 20252] £95.00 (£114.00 incl.VAT)
W. Artaud, pinx.t F. Bartolozzi sculp.t
London. Publish'd Oct.r 20.th 1792, by Tho.s Macklin, Poets Gallery, Fleet Street.
Stipple and etching. Plate 330 x 253mm. 13 x 10". Some soiling around margin areas.
Andrew Kippis (1725-1795) was an English nonconformist clergyman and biographer. He contributed largely to 'The Gentleman's Magazine', 'The Monthly View' and published various sermons and occasional pamphlets. His main work is his edition of the 'Biographia Britannica' with the assistance of Dr Joseph Towers; it was completed posthumously. Kippis also wrote books on Cook's voyages which included a letter by Kippis to King George III.
[Ref: 20252] £95.00 (£114.00 incl.VAT)
Andrew Kippis, D.D. F.R.S. & S.A.
W. Artaud, pinx.t F. Bartolozzi sculp.t [all text in pencil]
[London. Publish'd Oct.r 20.th 1792, by Tho.s Macklin, Poets Gallery, Fleet Street.]
Stipple and etching, proof before all letters; sheet 330 x 253mm. 13 x 10". Trimmed to platemark. Crease lower left; fine proof impression.
Andrew Kippis (1725-1795), nonconformist clergyman and biographer. He contributed largely to 'The Gentleman's Magazine', 'The Monthly View' and published various sermons and occasional pamphlets. His main work is his edition of the 'Biographia Britannica' with the assistance of Dr Joseph Towers; it was completed posthumously. Kippis also wrote books on Cook's voyages which included a letter by Kippis to King George III.
De V: 852 II of V.
[Ref: 35014] £190.00 (£228.00 incl.VAT)
W. Artaud, pinx.t F. Bartolozzi sculp.t [all text in pencil]
[London. Publish'd Oct.r 20.th 1792, by Tho.s Macklin, Poets Gallery, Fleet Street.]
Stipple and etching, proof before all letters; sheet 330 x 253mm. 13 x 10". Trimmed to platemark. Crease lower left; fine proof impression.
Andrew Kippis (1725-1795), nonconformist clergyman and biographer. He contributed largely to 'The Gentleman's Magazine', 'The Monthly View' and published various sermons and occasional pamphlets. His main work is his edition of the 'Biographia Britannica' with the assistance of Dr Joseph Towers; it was completed posthumously. Kippis also wrote books on Cook's voyages which included a letter by Kippis to King George III.
De V: 852 II of V.
[Ref: 35014] £190.00 (£228.00 incl.VAT)
![[La fleur. Amiens.]](jpegs/13649.jpg)
[La fleur. Amiens.]
W. Harding Invt., F. Bartolozzi Sculpt.
Publish'd 13 April 1787 by W. Palmer No. 163 Strand.
Stipple in a roundel, proof, before title. 350 x 378mm 13¾ x 15". Very fine.
In Laurence Sterne's 'Sentimental Journey', Yorick hires a young male servant, La Fleur,to accompany him on his journey. La Fleur is a zealous and well meaning in wishing to always show his master in a good light.
Provenance Drax Family, Charborough Park, Wareham, Dorset.
[Ref: 13649] £340.00
W. Harding Invt., F. Bartolozzi Sculpt.
Publish'd 13 April 1787 by W. Palmer No. 163 Strand.
Stipple in a roundel, proof, before title. 350 x 378mm 13¾ x 15". Very fine.
In Laurence Sterne's 'Sentimental Journey', Yorick hires a young male servant, La Fleur,to accompany him on his journey. La Fleur is a zealous and well meaning in wishing to always show his master in a good light.
Provenance Drax Family, Charborough Park, Wareham, Dorset.
[Ref: 13649] £340.00
![[La Fortune].](jpegs/53951.jpg)
[La Fortune].
Anibale Caracci inv. F. Bartolozzi sculp. 1756.
1756.
Etching and mezzotint. 470 x 330mm (18 x 13"). Trimmed almost to plate Some creasing in the margins. Several small repaired tears.
Allegory of justice resting on a globe.
De V: 618 ii of ii.
[Ref: 53951] £90.00 (£108.00 incl.VAT)
Anibale Caracci inv. F. Bartolozzi sculp. 1756.
1756.
Etching and mezzotint. 470 x 330mm (18 x 13"). Trimmed almost to plate Some creasing in the margins. Several small repaired tears.
Allegory of justice resting on a globe.
De V: 618 ii of ii.
[Ref: 53951] £90.00 (£108.00 incl.VAT)
![[La Musique, Cinq Autres Arts Liberaux et Un Vieillard.]](jpegs/20542.jpg)
[La Musique, Cinq Autres Arts Liberaux et Un Vieillard.]
E.F. Burney del.t F. Bartolozzi Sculp.t
[Publish's as the Act directs April 30th. 1789.]
Etching with engraving. 132 x 167mm. 5¼ x 6½". Trimmed cutting off publication line.
Music standing with a laurel crown on her head and holding a lyre. An old man is seated next to her with an allegorical female; on the left, four other allegorical female figures.
De Vesme: 1945; ii/iii, see 21193.
[Ref: 20542] £140.00 (£168.00 incl.VAT)
E.F. Burney del.t F. Bartolozzi Sculp.t
[Publish's as the Act directs April 30th. 1789.]
Etching with engraving. 132 x 167mm. 5¼ x 6½". Trimmed cutting off publication line.
Music standing with a laurel crown on her head and holding a lyre. An old man is seated next to her with an allegorical female; on the left, four other allegorical female figures.
De Vesme: 1945; ii/iii, see 21193.
[Ref: 20542] £140.00 (£168.00 incl.VAT)
Lady and Child. From the Original Picture...In the Collection of the Rt. Honble Lady Viscountess Midleton...
Salsa Ferrata pinxit. J. Boydell excudit. Bartolozzi sculp. 1767.
Published by J. Boydell, Engraver in Cheapside, 1767.
Engraving, 230 x 165mm. 9 x 6½". Trace of damp staining; very wide margins.
A lady with a veil supporting a sleeping baby against her shoulder, leaning her head towards the child's cheek. Crest flanked by soldiers in armour below image. Numbered 'No.40.' lower left. After Giovanni Battista Salvi, called Sassoferrato (1609 - 1685).
[Ref: 27501] £100.00 (£120.00 incl.VAT)
Salsa Ferrata pinxit. J. Boydell excudit. Bartolozzi sculp. 1767.
Published by J. Boydell, Engraver in Cheapside, 1767.
Engraving, 230 x 165mm. 9 x 6½". Trace of damp staining; very wide margins.
A lady with a veil supporting a sleeping baby against her shoulder, leaning her head towards the child's cheek. Crest flanked by soldiers in armour below image. Numbered 'No.40.' lower left. After Giovanni Battista Salvi, called Sassoferrato (1609 - 1685).
[Ref: 27501] £100.00 (£120.00 incl.VAT)
Lady and Child. From the Orginal Picture Painted by Salsa Ferratta, In the Collection of the R.t. Hon.ble Lady Viscountess Midleton; To Whom the plate is Most Humbly Dedicated by her Ladyship's most Obliged and most Obedient, Humble Servant, John Boydell. Size of the Picture 1F.5¾I.by 1F. 11½" in height. N.o. 40.
Salsa Ferrata pinx.t. R. Earlom del.t. Bartolozzi Sculp. 1767.
Publish'd by J. Boydell Engraver in Cheapside, 1767.
Engraving. Plate: 165 x 225mm (6½ x 9"). Very large margins.
A portrait of a well dressed woman holding her young child, the image is reminscent of a Madonna and Child devotional image of which Giovanni Battista Sassoferrato (1609-1685) produced many variations.
Ex Collection Duke of Westminster.
[Ref: 38333] £180.00 (£216.00 incl.VAT)
Salsa Ferrata pinx.t. R. Earlom del.t. Bartolozzi Sculp. 1767.
Publish'd by J. Boydell Engraver in Cheapside, 1767.
Engraving. Plate: 165 x 225mm (6½ x 9"). Very large margins.
A portrait of a well dressed woman holding her young child, the image is reminscent of a Madonna and Child devotional image of which Giovanni Battista Sassoferrato (1609-1685) produced many variations.
Ex Collection Duke of Westminster.
[Ref: 38333] £180.00 (£216.00 incl.VAT)
Lais Beauty like ice our footing does betray / Who can tread sure on the smooth slippry way [...]
Drawn by J.G. Cipriani R.A. Engraved by F. Bartolozzi R.A. Engraver to His Majesty.
London Published Decem.r 12.th 1786 by E.M. Diemar.
Stipple printed in sepia, platemark 330 x 260mm (13 x 10¼"); very large margins.
Lais, a famous courtesan of ancient Greece. Engraved by Francesco Bartolozzi (1725-1815), Florentine engraver and founding member of the Royal Academy in 1768. After meeting George III's librarian Richard Dalton in Italy in 1763, Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. This is the medium employed here, one of many prints he made from designs by his fellow Italian, G.B. Cipriani (whose name is incorrectly given here as 'J.G. Cipriani').
De Vesme 434 iv/iv
[Ref: 40658] £230.00 (£276.00 incl.VAT)
Drawn by J.G. Cipriani R.A. Engraved by F. Bartolozzi R.A. Engraver to His Majesty.
London Published Decem.r 12.th 1786 by E.M. Diemar.
Stipple printed in sepia, platemark 330 x 260mm (13 x 10¼"); very large margins.
Lais, a famous courtesan of ancient Greece. Engraved by Francesco Bartolozzi (1725-1815), Florentine engraver and founding member of the Royal Academy in 1768. After meeting George III's librarian Richard Dalton in Italy in 1763, Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. This is the medium employed here, one of many prints he made from designs by his fellow Italian, G.B. Cipriani (whose name is incorrectly given here as 'J.G. Cipriani').
De Vesme 434 iv/iv
[Ref: 40658] £230.00 (£276.00 incl.VAT)
Lamia. Beauty and grace with sudden charms can bind / The wandring sense, and calm the troubled mind [...]
Drawn by J.G. Cipriani R.A. Engraved by F. Bartolozzi R.A. Engraver to His Majesty.
[London Published Decem.r 12.th 1786 by E.M. Diemar]
Stipple printed in sepia, sheet 320 x 255mm (12½ x 10"). Trimmed inside platemark, losing publication line; slight foxing.
Lamia, in ancient Greek mythology a beautiful queen of Libya who became a child-eating demon. Engraved by Francesco Bartolozzi (1725-1815), Florentine engraver and founding member of the Royal Academy in 1768. After meeting George III's librarian Richard Dalton in Italy in 1763, Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. This is the medium employed here, one of many prints he made from designs by his fellow Italian, G.B. Cipriani (whose name is incorrectly given here as 'J.G. Cipriani').
De Vesme 435 v/v
[Ref: 40657] £180.00 (£216.00 incl.VAT)
Drawn by J.G. Cipriani R.A. Engraved by F. Bartolozzi R.A. Engraver to His Majesty.
[London Published Decem.r 12.th 1786 by E.M. Diemar]
Stipple printed in sepia, sheet 320 x 255mm (12½ x 10"). Trimmed inside platemark, losing publication line; slight foxing.
Lamia, in ancient Greek mythology a beautiful queen of Libya who became a child-eating demon. Engraved by Francesco Bartolozzi (1725-1815), Florentine engraver and founding member of the Royal Academy in 1768. After meeting George III's librarian Richard Dalton in Italy in 1763, Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. This is the medium employed here, one of many prints he made from designs by his fellow Italian, G.B. Cipriani (whose name is incorrectly given here as 'J.G. Cipriani').
De Vesme 435 v/v
[Ref: 40657] £180.00 (£216.00 incl.VAT)
![[Landscape] From an Original Drawing by Pietro da Cortona.](jpegs/41970.jpg)
[Landscape] From an Original Drawing by Pietro da Cortona.
Fra. Bartolozzi sculp.
Publish'd by J.Boydell, Engraver in Cheapside, March 21st 1793.
Engraving, 255 x 360mm (10 x 14¼"). Small margins. Slight crease top left.
After Pietro Berrettini of Cortona (1597-1669).
[Ref: 41970] £160.00 (£192.00 incl.VAT)
Fra. Bartolozzi sculp.
Publish'd by J.Boydell, Engraver in Cheapside, March 21st 1793.
Engraving, 255 x 360mm (10 x 14¼"). Small margins. Slight crease top left.
After Pietro Berrettini of Cortona (1597-1669).
[Ref: 41970] £160.00 (£192.00 incl.VAT)
John Leake. M.D.
D. Gardner pinx. F. Bartolozzi sculp.
[n.d. c.1781].
Stipple engraving. Sheet 135 x 215mm (5¼ x 8½"). Grubbiness & staining outside image.
Man-midwife [1729 - 1792]. Frontispiece to his 'Medical Instructions' of 1781.
[Ref: 2630] £50.00 (£60.00 incl.VAT)
D. Gardner pinx. F. Bartolozzi sculp.
[n.d. c.1781].
Stipple engraving. Sheet 135 x 215mm (5¼ x 8½"). Grubbiness & staining outside image.
Man-midwife [1729 - 1792]. Frontispiece to his 'Medical Instructions' of 1781.
[Ref: 2630] £50.00 (£60.00 incl.VAT)
![[John Leake. M.D.]](jpegs/8975.jpg)
[John Leake. M.D.]
[D. Gardner pinx. F. Bartolozzi sculp.]
[n.d. c.1781]. Proof before letters.
Stipple engraving. Sheet 135 x 215mm. Trimmed inside the platemark, general soiling.
Man-midwife [1729 - 1792]. Frontispiece to his 'Medical Instructions' of 1781.
Not in Welcome.
[Ref: 8975] £95.00 (£114.00 incl.VAT)
[D. Gardner pinx. F. Bartolozzi sculp.]
[n.d. c.1781]. Proof before letters.
Stipple engraving. Sheet 135 x 215mm. Trimmed inside the platemark, general soiling.
Man-midwife [1729 - 1792]. Frontispiece to his 'Medical Instructions' of 1781.
Not in Welcome.
[Ref: 8975] £95.00 (£114.00 incl.VAT)
A Lecture on Gadding.
Painted by J.R.Smith. Engrav'd by F.Bartolozzi R.A.
Publish'd Jany 1.1789 by J.R.Smith, No.31 King Street, Covent Garden.
Stipple, printed in colours and hand-finished. 400 x 330mm. Slight spotting, mainly in margins.
Oettingen-Wallerstein Collection.
[Ref: 5608] £520.00
Painted by J.R.Smith. Engrav'd by F.Bartolozzi R.A.
Publish'd Jany 1.1789 by J.R.Smith, No.31 King Street, Covent Garden.
Stipple, printed in colours and hand-finished. 400 x 330mm. Slight spotting, mainly in margins.
Oettingen-Wallerstein Collection.
[Ref: 5608] £520.00
Lodona. In vain on Father Thames she calls for Aid...[etc., two stanzas from Pope either side of title.] Vide Pope's Windsor Forest.
Maria Cosway Pinxt. F. Bartolozzi R.A. Sculpt.
London, Published March 20, 1792, by Thos. Macklin, Poets Gallery, Fleet Street.
Fine stipple engraving printed in brown ink, closed letters (final state). 430 x 505mm (17 x 19¾"). Some slight creasing and soiling.
A young woman in a wooded landscape leaning by a small waterfall by a river, weeping; her hair and dress begin to merge with the water. A scene from Alexander Pope's poem Windsor Forest (1713). Lodona, a nymph fond of hunting, is chased by Pan and implores Cynthia (an epithet of Diana the huntress goddess) to save her from her persecutor. No sooner had she spoken than she became ''a silver stream which ever keeps its virgin coolness''. She gives her name to The Lodden, an tributary of the Thames in Windsor Forest. After Maria Cosway (1759 - 1838).
[Ref: 19237] £380.00
Maria Cosway Pinxt. F. Bartolozzi R.A. Sculpt.
London, Published March 20, 1792, by Thos. Macklin, Poets Gallery, Fleet Street.
Fine stipple engraving printed in brown ink, closed letters (final state). 430 x 505mm (17 x 19¾"). Some slight creasing and soiling.
A young woman in a wooded landscape leaning by a small waterfall by a river, weeping; her hair and dress begin to merge with the water. A scene from Alexander Pope's poem Windsor Forest (1713). Lodona, a nymph fond of hunting, is chased by Pan and implores Cynthia (an epithet of Diana the huntress goddess) to save her from her persecutor. No sooner had she spoken than she became ''a silver stream which ever keeps its virgin coolness''. She gives her name to The Lodden, an tributary of the Thames in Windsor Forest. After Maria Cosway (1759 - 1838).
[Ref: 19237] £380.00
![[Lodona.]](jpegs/44046.jpg)
[Lodona.]
[Maria Cosway Pinxt. F. Bartolozzi R.A. Sculpt.]
[London, Published March 20, 1792, by Thos. Macklin, Poets Gallery, Fleet Street.]
Stipple, proof before letters. Sheet 370 x 475mm (14½ x 18¾"). Trimmed, top right repaired tear.
A young woman in a wooded landscape leaning by a small waterfall by a river, weeping; her hair and dress begin to merge with the water. A scene from Alexander Pope's poem Windsor Forest (1713). Lodona, a nymph fond of hunting, is chased by Pan and implores Cynthia (an epithet of Diana the huntress goddess) to save her from her persecutor. No sooner had she spoken than she became ''a silver stream which ever keeps its virgin coolness''. She gives her name to The Lodden, an tributary of the Thames in Windsor Forest.
[Ref: 44046] £380.00
[Maria Cosway Pinxt. F. Bartolozzi R.A. Sculpt.]
[London, Published March 20, 1792, by Thos. Macklin, Poets Gallery, Fleet Street.]
Stipple, proof before letters. Sheet 370 x 475mm (14½ x 18¾"). Trimmed, top right repaired tear.
A young woman in a wooded landscape leaning by a small waterfall by a river, weeping; her hair and dress begin to merge with the water. A scene from Alexander Pope's poem Windsor Forest (1713). Lodona, a nymph fond of hunting, is chased by Pan and implores Cynthia (an epithet of Diana the huntress goddess) to save her from her persecutor. No sooner had she spoken than she became ''a silver stream which ever keeps its virgin coolness''. She gives her name to The Lodden, an tributary of the Thames in Windsor Forest.
[Ref: 44046] £380.00
Lord Thomas and Fair Annett.
H. Bunbury Esqr,, Delint: Engraved by F. Bartolozzi.
London, Published Novr; 22d; 1784 by W. Dickinson Engraver & Printseller No.158 New Bond Street.
Stipple and etching, published state, sheet 405 x 360mm. 16 x 14¼". Trimmed to plate, repaired tear left..
Illustration in a roundel of the folk ballad 'Lord Thomas and Fair Annett': Lord Thomas leaning forward in a chair to left, one hand on his sword, handing a rose with the other to Annette, who sits opposite, petting a dog at her side. The nut-brown maid, new married to Lord Thomas, runs forward with a dagger to stab her rival in jealousy. Lord Thomas is in love with Fair Annet, or Annie, or Elinor, but she has little property. He asks for advice. His father, mother, and brother (or some of them) advise that he should marry the nut-brown maid with a rich dowry. His mother promises to curse him if he marries Annet and bless him if he marries the nut-brown maid, and Lord Thomas takes his mother's advice. Fair Annet dresses as splendidly as she can and goes to the wedding. The nut-brown maid is so jealous that she stabs Annet to death. Lord Thomas stabs both the nut-brown maid and himself to death. A rose grew from Fair Annet's grave, a brier from Lord Thomas's, and they grew together. After Henry William Bunbury (1750 - 1811).
From the Norman Blackburn Collection.
[Ref: 18268] £260.00 (£312.00 incl.VAT)
H. Bunbury Esqr,, Delint: Engraved by F. Bartolozzi.
London, Published Novr; 22d; 1784 by W. Dickinson Engraver & Printseller No.158 New Bond Street.
Stipple and etching, published state, sheet 405 x 360mm. 16 x 14¼". Trimmed to plate, repaired tear left..
Illustration in a roundel of the folk ballad 'Lord Thomas and Fair Annett': Lord Thomas leaning forward in a chair to left, one hand on his sword, handing a rose with the other to Annette, who sits opposite, petting a dog at her side. The nut-brown maid, new married to Lord Thomas, runs forward with a dagger to stab her rival in jealousy. Lord Thomas is in love with Fair Annet, or Annie, or Elinor, but she has little property. He asks for advice. His father, mother, and brother (or some of them) advise that he should marry the nut-brown maid with a rich dowry. His mother promises to curse him if he marries Annet and bless him if he marries the nut-brown maid, and Lord Thomas takes his mother's advice. Fair Annet dresses as splendidly as she can and goes to the wedding. The nut-brown maid is so jealous that she stabs Annet to death. Lord Thomas stabs both the nut-brown maid and himself to death. A rose grew from Fair Annet's grave, a brier from Lord Thomas's, and they grew together. After Henry William Bunbury (1750 - 1811).
From the Norman Blackburn Collection.
[Ref: 18268] £260.00 (£312.00 incl.VAT)
Love and Honour. To The Right hon.ble the Countess of Eustonm This Print from an Original Drawing by H. Bunbury Esq,,r is with the gratest respect Dedicated by Her Ladyships Obedient Humble Servant W. Dickinson.
H. Bunbury Esq,,r Delint. Engraved by F. Bartolozzi.
London, Publish'd: Dec.r 1st; 1786 by W. Dickinson, Engraver & Printseller No.158 New Bond Street.
Stipple, printed in colours. Sheet 405 x 350mm. Some restoration.
A dragoon embraces a young woman before leaving, as another rider holds his rearing horse. A scene from 'The Tobacco Box', author unknown. After Henry William Bunbury (1750 - 1811). The colour is particularly fine.
[Ref: 51468] £280.00 (£336.00 incl.VAT)
H. Bunbury Esq,,r Delint. Engraved by F. Bartolozzi.
London, Publish'd: Dec.r 1st; 1786 by W. Dickinson, Engraver & Printseller No.158 New Bond Street.
Stipple, printed in colours. Sheet 405 x 350mm. Some restoration.
A dragoon embraces a young woman before leaving, as another rider holds his rearing horse. A scene from 'The Tobacco Box', author unknown. After Henry William Bunbury (1750 - 1811). The colour is particularly fine.
[Ref: 51468] £280.00 (£336.00 incl.VAT)
Love Cares'd. Come to my arms, thou best, & dearest Boy The God of Love, triumphant, is my joy. The Original in the Possession of George Stainforth Esq.r Jun.r
G.B. Cipriani Del.t F. Bartolozzi Sculp.
Pub.d as the Act directs, March 5.th 1783 by M.mo Bori No.207 Piccadilly.
Stipple. Collector's stamp M Bovi on verso and another. Plate 255 x 190mm. 10 x 7½". Slight creasing through title area and upper right.
Venus, bare-breasted, looks longingly into the eyes of winged cupid; a the plains and mountain behind.
From Broadlands the Palmerston family.
[Ref: 27513] £240.00 (£288.00 incl.VAT)
G.B. Cipriani Del.t F. Bartolozzi Sculp.
Pub.d as the Act directs, March 5.th 1783 by M.mo Bori No.207 Piccadilly.
Stipple. Collector's stamp M Bovi on verso and another. Plate 255 x 190mm. 10 x 7½". Slight creasing through title area and upper right.
Venus, bare-breasted, looks longingly into the eyes of winged cupid; a the plains and mountain behind.
From Broadlands the Palmerston family.
[Ref: 27513] £240.00 (£288.00 incl.VAT)
Lucy of Leinster. Of Leinster, fam'd for maidens fair ... Her life now near its end. Vide Colin & Lucy [three verses of four lines each below title].
Henry Bunbury Esq. delt. F. Bartolozzi R.A. sculpt.
London. Publish'd May 10. 1799, by Thos. Macklin, Poets Gallery, Fleet Street.
Etching and stipple in sepia, 435 x 510mm. 17 x 20". Some light foxing. Uncut sheet.
A young woman supported by three others, helping her to a stool in front of a cottage under a vine trellis. An old woman sits with an open book looking at Lucy with concern, a little boy holding a basket of flowers and a dog. After Bunbury, this illustrates poet and statesman Thomas Tickell's (1685 - 1740) 'Lucy and Colin', in which Colin abandoned Lucy for a wealthier bride. Lucy died on her lover's wedding day and, pursuant to her request, was brought to the church. Upon seeing his true love's body, Colin succumbed to death as well, and the lovers were buried in the same tomb. Published by Thomas Macklin (c.1760 - 1800) for his series of 'British Poets', begun in 1787.
[Ref: 8892] £220.00 (£264.00 incl.VAT)
Henry Bunbury Esq. delt. F. Bartolozzi R.A. sculpt.
London. Publish'd May 10. 1799, by Thos. Macklin, Poets Gallery, Fleet Street.
Etching and stipple in sepia, 435 x 510mm. 17 x 20". Some light foxing. Uncut sheet.
A young woman supported by three others, helping her to a stool in front of a cottage under a vine trellis. An old woman sits with an open book looking at Lucy with concern, a little boy holding a basket of flowers and a dog. After Bunbury, this illustrates poet and statesman Thomas Tickell's (1685 - 1740) 'Lucy and Colin', in which Colin abandoned Lucy for a wealthier bride. Lucy died on her lover's wedding day and, pursuant to her request, was brought to the church. Upon seeing his true love's body, Colin succumbed to death as well, and the lovers were buried in the same tomb. Published by Thomas Macklin (c.1760 - 1800) for his series of 'British Poets', begun in 1787.
[Ref: 8892] £220.00 (£264.00 incl.VAT)
Vincent Lunardi Esqr., Secretary to the Neapolitan Ambassador and the first aerial Traveller in the English Atmosphere Sept.r 15th 1784.
P. Maguire Sculp.t [after Richard Cosway].
[n.d., c.1800.]
Stipple. 175 x 115mm (7 x 4½"). Thread margins. Very small hole above title.
Portrait of pioneering balloonist Vincent Lunardi (1759-1806), copied from the frontispiece of Lunardi's 'Account of the first Aerial Voyage in England' (1784), engraved by Francesco Bartolozzi.
[Ref: 52672] £190.00 (£228.00 incl.VAT)
P. Maguire Sculp.t [after Richard Cosway].
[n.d., c.1800.]
Stipple. 175 x 115mm (7 x 4½"). Thread margins. Very small hole above title.
Portrait of pioneering balloonist Vincent Lunardi (1759-1806), copied from the frontispiece of Lunardi's 'Account of the first Aerial Voyage in England' (1784), engraved by Francesco Bartolozzi.
[Ref: 52672] £190.00 (£228.00 incl.VAT)
Le Comte de Lusi.
F. Bartolozzi del: et Sculp:
[n.d. c.1820.]
Stipple, with very large margins. Plate 437 x 305mm (17¼ x 12").
Frederick, Comte de Lusi, statesman, author and linguist. He was resident Minister of the King of Prussia in London, St. Petersburg, Greece and involved in one of the earliest ascents of Mont Blanc in 1816.
Tuer: 1841. De V: 867. From the Norman Blackburn Collection.
[Ref: 18333] £285.00 (£342.00 incl.VAT)
F. Bartolozzi del: et Sculp:
[n.d. c.1820.]
Stipple, with very large margins. Plate 437 x 305mm (17¼ x 12").
Frederick, Comte de Lusi, statesman, author and linguist. He was resident Minister of the King of Prussia in London, St. Petersburg, Greece and involved in one of the earliest ascents of Mont Blanc in 1816.
Tuer: 1841. De V: 867. From the Norman Blackburn Collection.
[Ref: 18333] £285.00 (£342.00 incl.VAT)
The Right Hon. George Macartney, Earl of Macartney, K.B.
Engraved by G. Bartolozzi, from an original Drawing by H. Edridge.
Published Jan. 14. 1817, by T. Cadell & W. Davies, Strand, London.
Stipple with etching, 365 x 265mm (14¼ x 10½"). Trimmed to plate on left.
George Macartney (1737-1806), 1st Earl Macartney, diplomatist and colonial governor, the first envoy of Britain to China in 1793. After Henry Edridge (1768 - 1821).
[Ref: 55069] £160.00 (£192.00 incl.VAT)
Engraved by G. Bartolozzi, from an original Drawing by H. Edridge.
Published Jan. 14. 1817, by T. Cadell & W. Davies, Strand, London.
Stipple with etching, 365 x 265mm (14¼ x 10½"). Trimmed to plate on left.
George Macartney (1737-1806), 1st Earl Macartney, diplomatist and colonial governor, the first envoy of Britain to China in 1793. After Henry Edridge (1768 - 1821).
[Ref: 55069] £160.00 (£192.00 incl.VAT)
Lady Macduff and Family Surprized and Murdered by the Order of Macbeth. Vide Shakespeare's Tragedy of Macbeth, Act. IV. Sc. 2. Enter Murderers. Lady Macduff.__"what are these fuces." Murderer. "where is your husband?" Lady Macduff. "I hope in no place so unsanctified, where such as thou may'st find him." To the Corporation and Inhabitants of the Borough of Liverpool this plate of Lady Macduff, is most respectfully dedicated; by their much obliged and obedient humble servant, William Martin.
Wm. Martin Historic Painter to his Majesty, Pinx.t F. Bartolozzi R.A. Sculp.t
Engraved from the Original Picture 12 feet by 9 (presented by the Artist &) placed in the Exchange of Liverpool.~Published for the Proprietor August 11th.1804, by Wm Martin, Windsor Castle; and H. Macklin, 39, Fleet Street, London.
Rare Stipple. 509 x 636mm. 20 x 25".
The murder of Lady Macduff and her family, following the orders of Macbeth.
[Ref: 18328] £320.00
Wm. Martin Historic Painter to his Majesty, Pinx.t F. Bartolozzi R.A. Sculp.t
Engraved from the Original Picture 12 feet by 9 (presented by the Artist &) placed in the Exchange of Liverpool.~Published for the Proprietor August 11th.1804, by Wm Martin, Windsor Castle; and H. Macklin, 39, Fleet Street, London.
Rare Stipple. 509 x 636mm. 20 x 25".
The murder of Lady Macduff and her family, following the orders of Macbeth.
[Ref: 18328] £320.00
![[The Holy Virgin kneeling and cradling the infant Jesus in her arms.]](jpegs/21268.jpg)
[The Holy Virgin kneeling and cradling the infant Jesus in her arms.]
[Guercino inv. F. Bartolozzi sculp.]
[London: J. & J. Boydell, c.1790s.]
Etching printed in brown ink on laid paper, first state before all letters. 285 x 225mm, 11¼ x 9". A fine impression with full margins. Uncut.
The Christ Child is wrapped in swaddling clothes. After Giovanni Francesco Barbieri (1591 – 1666), known as Guercino. One of a number of prints after drawings by Guercino and other masters in the Royal Collection, etched by Francesco Bartolozzi (1728 - 1815). The original drawings by the Bolognese artist were acquired by the Earl of Bute while on his Grand Tour, and later given to George III. The king's librarian, Richard Dalton, met Bartolozzi in Italy in the early 1760s. This brought Bartolozzi to London in 1764 under Dalton’s employ. The plates were later bought by the London publishers John and Josiah Boydell, and published in two folio volumes. This appeared in Boydells' 'Eighty-two prints, engraved by F. Bartolozzi & c. from the original drawings of Guercino, in the collection of his Majesty'.
De Vesme 2154 [undescribed state].
[Ref: 21268] £120.00 (£144.00 incl.VAT)
[Guercino inv. F. Bartolozzi sculp.]
[London: J. & J. Boydell, c.1790s.]
Etching printed in brown ink on laid paper, first state before all letters. 285 x 225mm, 11¼ x 9". A fine impression with full margins. Uncut.
The Christ Child is wrapped in swaddling clothes. After Giovanni Francesco Barbieri (1591 – 1666), known as Guercino. One of a number of prints after drawings by Guercino and other masters in the Royal Collection, etched by Francesco Bartolozzi (1728 - 1815). The original drawings by the Bolognese artist were acquired by the Earl of Bute while on his Grand Tour, and later given to George III. The king's librarian, Richard Dalton, met Bartolozzi in Italy in the early 1760s. This brought Bartolozzi to London in 1764 under Dalton’s employ. The plates were later bought by the London publishers John and Josiah Boydell, and published in two folio volumes. This appeared in Boydells' 'Eighty-two prints, engraved by F. Bartolozzi & c. from the original drawings of Guercino, in the collection of his Majesty'.
De Vesme 2154 [undescribed state].
[Ref: 21268] £120.00 (£144.00 incl.VAT)
![[The Holy Virgin teaching the Infant Jesus to read.]](jpegs/21270.jpg)
[The Holy Virgin teaching the Infant Jesus to read.]
[Guercino inv. F. Bartolozzi sc.]
[London: J. & J. Boydell, c.1790s.]
Etching printed in brown ink on laid paper, first state before all letters. Inked initials inside image on right, maybe an artist's proof. 255 x 285mm (10 x 11¼"). A very fine impression with full margins. Uncut.
After Giovanni Francesco Barbieri (1591 – 1666), known as Guercino. One of a number of prints after drawings by Guercino and other masters in the Royal Collection, etched by Francesco Bartolozzi (1728 - 1815). The original drawings by the Bolognese artist were acquired by the Earl of Bute while on his Grand Tour, and later given to George III. The king's librarian, Richard Dalton, met Bartolozzi in Italy in the early 1760s. This brought Bartolozzi to London in 1764 under Dalton’s employ. The plates were later bought by the London publishers John and Josiah Boydell, and published in two folio volumes. This appeared in Boydells' 'Eighty-two prints, engraved by F. Bartolozzi & c. from the original drawings of Guercino, in the collection of his Majesty'.
De Vesme 2167 [undescribed state].
[Ref: 21270] £140.00 (£168.00 incl.VAT)
[Guercino inv. F. Bartolozzi sc.]
[London: J. & J. Boydell, c.1790s.]
Etching printed in brown ink on laid paper, first state before all letters. Inked initials inside image on right, maybe an artist's proof. 255 x 285mm (10 x 11¼"). A very fine impression with full margins. Uncut.
After Giovanni Francesco Barbieri (1591 – 1666), known as Guercino. One of a number of prints after drawings by Guercino and other masters in the Royal Collection, etched by Francesco Bartolozzi (1728 - 1815). The original drawings by the Bolognese artist were acquired by the Earl of Bute while on his Grand Tour, and later given to George III. The king's librarian, Richard Dalton, met Bartolozzi in Italy in the early 1760s. This brought Bartolozzi to London in 1764 under Dalton’s employ. The plates were later bought by the London publishers John and Josiah Boydell, and published in two folio volumes. This appeared in Boydells' 'Eighty-two prints, engraved by F. Bartolozzi & c. from the original drawings of Guercino, in the collection of his Majesty'.
De Vesme 2167 [undescribed state].
[Ref: 21270] £140.00 (£168.00 incl.VAT)
![Madona [sic].](jpegs/21183.jpg)
Madona [sic]. From the Orig:l Picture of the same size painted by Carlo Dolci In the Collection of Clothworthy Upton Esqr. Vol. II, No. 54.
Carlo Dolci pincs: J. Boydell exudi 1769. F. Bartolozzi del. sculp.
Published Nov.r 1st 1769 by Boydell Engraver in Cheapside London.
Etching on india, 165 x 120mm. 6½ x 4¾". Paper browned.
Bust of the Virgin Mary, weeping, her head covered with a veil; in a roundel; below, two angels with a laurel wreath flanking a cross. After Carlo Dolci (1616 - 1686). With arms in centre of inscription bearing motto
De Vesme 115, II of II.
[Ref: 21183] £95.00 (£114.00 incl.VAT)
Carlo Dolci pincs: J. Boydell exudi 1769. F. Bartolozzi del. sculp.
Published Nov.r 1st 1769 by Boydell Engraver in Cheapside London.
Etching on india, 165 x 120mm. 6½ x 4¾". Paper browned.
Bust of the Virgin Mary, weeping, her head covered with a veil; in a roundel; below, two angels with a laurel wreath flanking a cross. After Carlo Dolci (1616 - 1686). With arms in centre of inscription bearing motto
De Vesme 115, II of II.
[Ref: 21183] £95.00 (£114.00 incl.VAT)
![[Madonna and Christ Child.]](jpegs/41929.jpg)
[Madonna and Christ Child.] And she shall bring forth a son, and thou shalt call his name Jesus; for he shall save his people from their sins. Matthew, Chap 1 Verse 21.
Guercino inv. F. Bartolozzi sculpx.
Pub.d by A.Poggi, S.t George's Row, Oct.r 15 1785, London.
Fine stipple, printed in brown. 280 x 220mm (11 x 8¾") large margins.
The Madonna suckling Christ, watched by an angel. One of a pair with a scene of Mary teaching Jesus to read.
[Ref: 41929] £180.00 (£216.00 incl.VAT)
Guercino inv. F. Bartolozzi sculpx.
Pub.d by A.Poggi, S.t George's Row, Oct.r 15 1785, London.
Fine stipple, printed in brown. 280 x 220mm (11 x 8¾") large margins.
The Madonna suckling Christ, watched by an angel. One of a pair with a scene of Mary teaching Jesus to read.
[Ref: 41929] £180.00 (£216.00 incl.VAT)
![[The Holy Virgin and Infant Jesus]](jpegs/36930.jpg)
[The Holy Virgin and Infant Jesus] [In His Majesty's Collection]
[Guido pinxot. Gondolfi del.t. Gondolfi & Bartolozzi sculp.nt]
Etching and engraving with large margins, platemark 250 x 185mm (9¾ x 7¼"). Rare proof before letters.
Virgin and child after the painting by Guido Reni (1575-1642) in the Royal Collection (currently hanging in Hampton Court Palace). According to de Vesme, the painting was acquired by George III's librarian Richard Dalton in Bologna, and Dalton had the painting engraved by G. Gandolfi in 1770 before engaging the more esteemed Bartolozzi to retouch the plate. The Royal Collection, however, state that inventories record the painting as having been bought by George III himself.
De Vesme 135 i/ii
[Ref: 36930] £220.00 (£264.00 incl.VAT)
[Guido pinxot. Gondolfi del.t. Gondolfi & Bartolozzi sculp.nt]
Etching and engraving with large margins, platemark 250 x 185mm (9¾ x 7¼"). Rare proof before letters.
Virgin and child after the painting by Guido Reni (1575-1642) in the Royal Collection (currently hanging in Hampton Court Palace). According to de Vesme, the painting was acquired by George III's librarian Richard Dalton in Bologna, and Dalton had the painting engraved by G. Gandolfi in 1770 before engaging the more esteemed Bartolozzi to retouch the plate. The Royal Collection, however, state that inventories record the painting as having been bought by George III himself.
De Vesme 135 i/ii
[Ref: 36930] £220.00 (£264.00 incl.VAT)
Madona. From the Orig:l Picture of the same size painted by Carlo Dolci. In the Collection of Clotworthy Upton Esqr. Vol. II. No. 54.
Carlo Dolci pincs: J. Boydell exudi 1769. F. Bartolozzi del. sculp.
Published Nov.r 1st 1769 by Boydell Engraver in Cheapside London.
Engraving. Platemark: 225 x 170mm (8¾ x 6¾"). Very large margins.
Bust of the Virgin Mary, weeping, her head covered with a veil. Within a roundel. Below the image are two angels with a laurel wreath flanking a cross. After Carlo Dolci (1616 - 1686). From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
De Vesme 115. Ex Collection Duke of Westminster.
[Ref: 38419] £130.00 (£156.00 incl.VAT)
Carlo Dolci pincs: J. Boydell exudi 1769. F. Bartolozzi del. sculp.
Published Nov.r 1st 1769 by Boydell Engraver in Cheapside London.
Engraving. Platemark: 225 x 170mm (8¾ x 6¾"). Very large margins.
Bust of the Virgin Mary, weeping, her head covered with a veil. Within a roundel. Below the image are two angels with a laurel wreath flanking a cross. After Carlo Dolci (1616 - 1686). From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
De Vesme 115. Ex Collection Duke of Westminster.
[Ref: 38419] £130.00 (£156.00 incl.VAT)
![[La Sainte Vierge, L'Enfant Jésus et Deux Anges.]](jpegs/39122.jpg)
[La Sainte Vierge, L'Enfant Jésus et Deux Anges.]
Guercino inv. F. Bartolozzi Engraver To His Majesty sculp.
[J. & J. Boydell.] [n.d., c.1790s]
Stipple, printed in brown ink. Plate: 220 x 320mm, (8½ x 12½"). Very large margins.
The Virgin Mary sits on a cloud with Jesus, who plays with a necklace, upon her knee while two angels above them place a crown on the Virgin's head.
de Vesme: 2187, II of II.
[Ref: 39122] £160.00 (£192.00 incl.VAT)
Guercino inv. F. Bartolozzi Engraver To His Majesty sculp.
[J. & J. Boydell.] [n.d., c.1790s]
Stipple, printed in brown ink. Plate: 220 x 320mm, (8½ x 12½"). Very large margins.
The Virgin Mary sits on a cloud with Jesus, who plays with a necklace, upon her knee while two angels above them place a crown on the Virgin's head.
de Vesme: 2187, II of II.
[Ref: 39122] £160.00 (£192.00 incl.VAT)
Madona. From the Orig.l Picture of the same size Painted by Carlo Dolci. In the Collection of Clotworthy Upton Esq.r Vol. II No. 54.
Carlo Dolci pinx. J. Boydell excudit 1769. F. Bartolozzi del et Sculp.
Published Nov.r 1.st 1769 by J. Boydell Engraver in Cheapside London.
Engraving. Plate: 170 x 120mm (6¾ x 4¾"). Small margins.
A portrait of the Madonna, shown shrouded in black with a tear in her eye.
[Ref: 46073] £70.00 (£84.00 incl.VAT)
Carlo Dolci pinx. J. Boydell excudit 1769. F. Bartolozzi del et Sculp.
Published Nov.r 1.st 1769 by J. Boydell Engraver in Cheapside London.
Engraving. Plate: 170 x 120mm (6¾ x 4¾"). Small margins.
A portrait of the Madonna, shown shrouded in black with a tear in her eye.
[Ref: 46073] £70.00 (£84.00 incl.VAT)
![[Virgin Mary.]](jpegs/46715.jpg)
[Virgin Mary.] From a Drawing by Gyles Hussey Esq. in the Collection of M. Duane Esq.
F. Bartolozzi sculp.
Published according to Act of Parliament. [n.d., c.1775.]
Stipple printed in sepia. Plate: 170 x 125mm (6¾ x 5"). Small margins.
A portrait of the Madonna in profile.
De Vesme 116. Provenance: Edge Hall Library, Cheshire
[Ref: 46715] £180.00 (£216.00 incl.VAT)
F. Bartolozzi sculp.
Published according to Act of Parliament. [n.d., c.1775.]
Stipple printed in sepia. Plate: 170 x 125mm (6¾ x 5"). Small margins.
A portrait of the Madonna in profile.
De Vesme 116. Provenance: Edge Hall Library, Cheshire
[Ref: 46715] £180.00 (£216.00 incl.VAT)
![[Virgin Mary holding the infant Jesus] This Plate is Inscribed to John Gideon Loten, Esq.r late Governor of Ceylon](jpegs/53317.jpg)
[Virgin Mary holding the infant Jesus] This Plate is Inscribed to John Gideon Loten, Esq.r late Governor of Ceylon by his most devoted humble Servant Francis Bartolozzi.
F. Bartolozzi invent et sculp. 1775.
Published'd according to Act of Parl.t 12th Jen.y 1775.
Stipple and etching, printed in sanguine. 195 x 165mm (7¾ x 6½") with very wide margins.
Johan Gideon Loten (1710-89) was Dutch East India Company's Governor of Zeylan, taking the opportunity to collect natural history specimens. Soon after he returned to Europe in 1758 he moved to London, where he was elected a Fellow of the Royal Society in 1760. He donated watercolours, stuffed birds and mineral stones to the newly-founded British Museum and allowed Thomas Pennant and George Edward access to his personal collection, which they described in their books. However, after the outbreak of the Fourth Anglo-Dutch War in 1780 Loten decided to return to Utrecht.
[Ref: 53317] £220.00 (£264.00 incl.VAT)
F. Bartolozzi invent et sculp. 1775.
Published'd according to Act of Parl.t 12th Jen.y 1775.
Stipple and etching, printed in sanguine. 195 x 165mm (7¾ x 6½") with very wide margins.
Johan Gideon Loten (1710-89) was Dutch East India Company's Governor of Zeylan, taking the opportunity to collect natural history specimens. Soon after he returned to Europe in 1758 he moved to London, where he was elected a Fellow of the Royal Society in 1760. He donated watercolours, stuffed birds and mineral stones to the newly-founded British Museum and allowed Thomas Pennant and George Edward access to his personal collection, which they described in their books. However, after the outbreak of the Fourth Anglo-Dutch War in 1780 Loten decided to return to Utrecht.
[Ref: 53317] £220.00 (£264.00 incl.VAT)
Van Dyck's Wife. Daughter of Earl Gowry. From a Picture by Ant. Van Dyck, In the Collection of His Excel.y S.r R.d Lyttelton Kn.t of the most Hon.ble Order of the Bath, Lieut.t General of His Majesty's Forces, and Gov.r of the Isl.nds of Guernsey &c. Voll. II. No. 53.
Ant. van Dyck Pinx.t. Boydell excudit. F. Bartolozzi del. et Sculpsit.
Published July 18th 1770 by J. Boydell Engraver in Cheapside London.
Engraving. Platemark: 225 x 170mm (8¾ x 6¾"). Very large margins.
The Virgin Mary, seated, turned to the left, suckling the infant Jesus, and covering him with a cloth as he sits on her lap. Within an oval with a crest below the image. From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
De Vesme 141. Ex Collection Duke of Westminster.
[Ref: 38420] £130.00 (£156.00 incl.VAT)
Ant. van Dyck Pinx.t. Boydell excudit. F. Bartolozzi del. et Sculpsit.
Published July 18th 1770 by J. Boydell Engraver in Cheapside London.
Engraving. Platemark: 225 x 170mm (8¾ x 6¾"). Very large margins.
The Virgin Mary, seated, turned to the left, suckling the infant Jesus, and covering him with a cloth as he sits on her lap. Within an oval with a crest below the image. From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
De Vesme 141. Ex Collection Duke of Westminster.
[Ref: 38420] £130.00 (£156.00 incl.VAT)
![[Virgin Mary.]](jpegs/46714.jpg)
[Virgin Mary.]
F. Bartolozzi inv. et sculp.
Published according to Act of Parliament de 15 June 1776.
Fine stipple printed in sepia. Plate: 170 x 130mm (6¾ x 5¼") with large margins Slight foxing.
A portrait of the Virgin Mary shown in profile.
De Vesme 117. Provenance: Edge Hall Library, Cheshire
[Ref: 46714] £220.00 (£264.00 incl.VAT)
F. Bartolozzi inv. et sculp.
Published according to Act of Parliament de 15 June 1776.
Fine stipple printed in sepia. Plate: 170 x 130mm (6¾ x 5¼") with large margins Slight foxing.
A portrait of the Virgin Mary shown in profile.
De Vesme 117. Provenance: Edge Hall Library, Cheshire
[Ref: 46714] £220.00 (£264.00 incl.VAT)