A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![[Disputation of the Holy Sacrament, left sheet only]](jpegs/40460.jpg)
[Disputation of the Holy Sacrament, left sheet only]
Raphael Urbin Pinxit in Vaticano Romae [in image lower left]
Phls Thomassinus excudit Romae 1617 cu privil S.mi Pont et supior licentia
Engraving, sheet 490 x 405mm (19¼ x 16"). Trimmed inside plate lower edge; glued to backing sheet
Left sheet of a large engraving printed on two sheets from two separate plates, reproducing Raphael's fresco 'La disputa del sacramento', painted in 1509-10 in the Vatican palace, as part of Raphael's work in what was originally the Stanza della Segnatura, the private papal library. The fresco shows theologians gathered around an altar, debating transubstantiation, with, above them, Christ and other biblical figures, and God the Father. The portraits on this sheet include: the artist Fra Angelico, a self-portrait of Raphael, the architect Bramante, Popes Gregory I and Jerome; and (upper level left-right) the Biblical figures of Peter, Adam, John the Evangelist, David, Stephen, Joshua and Mary. Engraving published in 1617 by the engraver and publisher Philippe Thomassin (1562-1622), who specialized in reproductive engravings by Italian and French artists, and whose apprentices included the great printmaker Jacques Callot. After Thomassin's death the plate was acquired by the Rossi firm, who published a new edition (with their publication line added) in 1648.
[Ref: 40460] £240.00 (£288.00 incl.VAT)
Raphael Urbin Pinxit in Vaticano Romae [in image lower left]
Phls Thomassinus excudit Romae 1617 cu privil S.mi Pont et supior licentia
Engraving, sheet 490 x 405mm (19¼ x 16"). Trimmed inside plate lower edge; glued to backing sheet
Left sheet of a large engraving printed on two sheets from two separate plates, reproducing Raphael's fresco 'La disputa del sacramento', painted in 1509-10 in the Vatican palace, as part of Raphael's work in what was originally the Stanza della Segnatura, the private papal library. The fresco shows theologians gathered around an altar, debating transubstantiation, with, above them, Christ and other biblical figures, and God the Father. The portraits on this sheet include: the artist Fra Angelico, a self-portrait of Raphael, the architect Bramante, Popes Gregory I and Jerome; and (upper level left-right) the Biblical figures of Peter, Adam, John the Evangelist, David, Stephen, Joshua and Mary. Engraving published in 1617 by the engraver and publisher Philippe Thomassin (1562-1622), who specialized in reproductive engravings by Italian and French artists, and whose apprentices included the great printmaker Jacques Callot. After Thomassin's death the plate was acquired by the Rossi firm, who published a new edition (with their publication line added) in 1648.
[Ref: 40460] £240.00 (£288.00 incl.VAT)
![[Six lithographs from frescoes by Raphael in the Vatican Palace]](jpegs/43608.jpg)
[Six lithographs from frescoes by Raphael in the Vatican Palace]
N. Consoni delin. Raph. Sanctio Pinxit Lud. Gruner Direx
Houlston & Stoneman, Paternoster Row; and W. Grigg 188, Regent Street: and J. Parker , Oxford.
Six lithographs and tintstone, with original wrapper. Each sheet 465 x 585mm (18¼ x 23"). Cover sheet very damaged.
Lithographs of six frescoes by Raphael: The Deluge, Abraham and the Angels, Jacob and Rachel, Joseph's Dreams, Pharaoh's Dreams, and The Finding of Moses.
[Ref: 43608] £230.00 (£276.00 incl.VAT) view all images for this item
N. Consoni delin. Raph. Sanctio Pinxit Lud. Gruner Direx
Houlston & Stoneman, Paternoster Row; and W. Grigg 188, Regent Street: and J. Parker , Oxford.
Six lithographs and tintstone, with original wrapper. Each sheet 465 x 585mm (18¼ x 23"). Cover sheet very damaged.
Lithographs of six frescoes by Raphael: The Deluge, Abraham and the Angels, Jacob and Rachel, Joseph's Dreams, Pharaoh's Dreams, and The Finding of Moses.
[Ref: 43608] £230.00 (£276.00 incl.VAT) view all images for this item
Paul and Barnabas at Lystra. Acts Chap. XIV [parallel text in Latin]
Raphael d'Urbin pinx.t
London. Printed for John Bowles in Cornhil, & Carington Bowles in St Pauls Church Yard.
Mezzotint with very large margins, platemark approx 260 x 350mm (10¼ x 13¾").
The sacrifice at Lystra (now part of Turkey). Paul and Barnabas (right) have just healed a lame man, and the Lystrians, mistaking men for gods, attempt to offer a sacrifice to them. One from a set of seven mezzotints reproducing Raphael's cartoons, commissioned by Pope Leo X as designs for a set of large designs for tapestries to cover the lower walls of the Sistine Chapel. In 1623 the seven cartoons, depicting the Acts of St Peter and St Paul, were brought to England by Charles I. They were long displayed at Hampton Court and various engravings such as these in the 18th century reinforced the reputation of the cartoons as some of the most significant artworks in the country. Since 1865 they have been on loan from the Royal Collection to London's Victoria & Albert Museum, where they are permanently displayed together.
For the full set of seven, see ref. 34028. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 34030] £120.00 (£144.00 incl.VAT)
Raphael d'Urbin pinx.t
London. Printed for John Bowles in Cornhil, & Carington Bowles in St Pauls Church Yard.
Mezzotint with very large margins, platemark approx 260 x 350mm (10¼ x 13¾").
The sacrifice at Lystra (now part of Turkey). Paul and Barnabas (right) have just healed a lame man, and the Lystrians, mistaking men for gods, attempt to offer a sacrifice to them. One from a set of seven mezzotints reproducing Raphael's cartoons, commissioned by Pope Leo X as designs for a set of large designs for tapestries to cover the lower walls of the Sistine Chapel. In 1623 the seven cartoons, depicting the Acts of St Peter and St Paul, were brought to England by Charles I. They were long displayed at Hampton Court and various engravings such as these in the 18th century reinforced the reputation of the cartoons as some of the most significant artworks in the country. Since 1865 they have been on loan from the Royal Collection to London's Victoria & Albert Museum, where they are permanently displayed together.
For the full set of seven, see ref. 34028. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 34030] £120.00 (£144.00 incl.VAT)
Paul Preaching at Athens. Acts Chap. XVII. [parallel text in Latin]
Raphael d'Urbin pinx.t
London. Printed for John Bowles in Cornhil, & Carington Bowles in St Pauls Church Yard.
Mezzotint, platemark approx 260 x 350mm (10¼ x 13¾"). Crease lower left & right.
Paul preaching to councillors at the Areopagus (seat of the judicial council) at Athens). One from a set of seven mezzotints reproducing Raphael's cartoons, commissioned by Pope Leo X as designs for a set of large designs for tapestries to cover the lower walls of the Sistine Chapel. In 1623 the seven cartoons, depicting the Acts of St Peter and St Paul, were brought to England by Charles I. They were long displayed at Hampton Court and various engravings such as these in the 18th century reinforced the reputation of the cartoons as some of the most significant artworks in the country. Since 1865 they have been on loan from the Royal Collection to London's Victoria & Albert Museum, where they are permanently displayed together.
For the full set of seven, see ref. 34028. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 34031] £90.00 (£108.00 incl.VAT)
Raphael d'Urbin pinx.t
London. Printed for John Bowles in Cornhil, & Carington Bowles in St Pauls Church Yard.
Mezzotint, platemark approx 260 x 350mm (10¼ x 13¾"). Crease lower left & right.
Paul preaching to councillors at the Areopagus (seat of the judicial council) at Athens). One from a set of seven mezzotints reproducing Raphael's cartoons, commissioned by Pope Leo X as designs for a set of large designs for tapestries to cover the lower walls of the Sistine Chapel. In 1623 the seven cartoons, depicting the Acts of St Peter and St Paul, were brought to England by Charles I. They were long displayed at Hampton Court and various engravings such as these in the 18th century reinforced the reputation of the cartoons as some of the most significant artworks in the country. Since 1865 they have been on loan from the Royal Collection to London's Victoria & Albert Museum, where they are permanently displayed together.
For the full set of seven, see ref. 34028. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 34031] £90.00 (£108.00 incl.VAT)
The Virgin Child and St. John From a most Capital and Perfect Picture by Raphael, in the Collection of J. Purling
Raphael pinxt. PW Tomkins Sculpt. late pupil of Bartolozzi.
[Publd as the Act directs Aug. 20 1789 by P.W.Tomkins Fulham]
Stipple printed in sepia, sheet 285 x 180mm (11¼ x 7"). Trimmed inside platemark, losing publication line. Bit messy in title
The Virgin, infant Christ and John the Baptist. The composition bears some similarities to Raphael's 'Madonna della Seggiola' (Florence, Pitti Palace) but the attribution to Raphael here is far from certain. The engraver P.W. Tomkins was one of many students of Francesco Bartolozzi who noted on his own prints that he had been taught by that most celebrated of stipple engravers.
[Ref: 32219] £95.00 (£114.00 incl.VAT)
Raphael pinxt. PW Tomkins Sculpt. late pupil of Bartolozzi.
[Publd as the Act directs Aug. 20 1789 by P.W.Tomkins Fulham]
Stipple printed in sepia, sheet 285 x 180mm (11¼ x 7"). Trimmed inside platemark, losing publication line. Bit messy in title
The Virgin, infant Christ and John the Baptist. The composition bears some similarities to Raphael's 'Madonna della Seggiola' (Florence, Pitti Palace) but the attribution to Raphael here is far from certain. The engraver P.W. Tomkins was one of many students of Francesco Bartolozzi who noted on his own prints that he had been taught by that most celebrated of stipple engravers.
[Ref: 32219] £95.00 (£114.00 incl.VAT)
Raphael's Mistress. From the Original Picture, painted by Raphael, In the Collection of his Grace the Duke of Marlborough, To Whom this Plate is with the greatest Submission, most humbly Dedicated; By his Grace's most Obliged, and most Obedient humble Servant, J. Boydell. Size of the Picture 2F.1I by 2F.6¾I high. No.23.
Raphael pinxt. R. Earlom delint. Thos. Chambars sculpsit.
Publish'd according to Act of Parliament, by J. Boydell Engraver, in Cheapside, London; Nov. 2d. 1765.
Engraving, paper watermarked. Plate 406 x 305mm (16 x 12"). Very large margins; water stain to lower right and crease to upper right margin.
A young woman shown in profile to right, holding a basket of fruit in her hand in front of her, left hand lifting the edge of her fur-trimmed cloak which has slipped from her shoulder, with a scarf in her hair, part braided; a view of a town in landscape through a window beyond to right.
Ex Collection Duke of Westminster.
[Ref: 38289] £240.00 (£288.00 incl.VAT)
Raphael pinxt. R. Earlom delint. Thos. Chambars sculpsit.
Publish'd according to Act of Parliament, by J. Boydell Engraver, in Cheapside, London; Nov. 2d. 1765.
Engraving, paper watermarked. Plate 406 x 305mm (16 x 12"). Very large margins; water stain to lower right and crease to upper right margin.
A young woman shown in profile to right, holding a basket of fruit in her hand in front of her, left hand lifting the edge of her fur-trimmed cloak which has slipped from her shoulder, with a scarf in her hair, part braided; a view of a town in landscape through a window beyond to right.
Ex Collection Duke of Westminster.
[Ref: 38289] £240.00 (£288.00 incl.VAT)
The Resurrection of Christ.
Raphael Urbin inv.t. R. Dalton delin. R. Dalton, F. Vivares & C. Grignon Sculp.nt.
Published according to Act of Parliament Feb.y ye 21st, 1753 (but later).
Engraving with large margins. 450 x 750mm, 17¾ x 19½".
Christ emerging from the crypt, shocking & terrifying a cohort of Roman soldiers.
BM: 1893,0612.114.
[Ref: 26777] £240.00 (£288.00 incl.VAT)
Raphael Urbin inv.t. R. Dalton delin. R. Dalton, F. Vivares & C. Grignon Sculp.nt.
Published according to Act of Parliament Feb.y ye 21st, 1753 (but later).
Engraving with large margins. 450 x 750mm, 17¾ x 19½".
Christ emerging from the crypt, shocking & terrifying a cohort of Roman soldiers.
BM: 1893,0612.114.
[Ref: 26777] £240.00 (£288.00 incl.VAT)
Saturno Alla cognizone e transporto per le Belle Arti di S. Ex.ca il Sig.r D. Mario dei Principi Gabrielli degnissimo Presidente delle Ripe ed Acque de questa Citta de Roma.
Raffaele Sanzio d'Urb. inv. Stefano Tofanelli delin. Pietro Bonato Veneto incise. In Roma presso Venanzio Monaldini Mercante de Libri e Stampe in Piazza di Spagne a N.o 79.
Rome, [n.d. c.1800-1820].
Engraving and etching. 340 x 410mm (13¼ x 16), with large margins Uncut. Foxing around the edges.
A depiction of Saturn holding a scythe in his chariot pulled by two winged serpent-monsters. After a design by Raphael in the Sala dei Pontefici.
From the Berkeley Collection, Spetchley Park.
[Ref: 55079] £450.00
Raffaele Sanzio d'Urb. inv. Stefano Tofanelli delin. Pietro Bonato Veneto incise. In Roma presso Venanzio Monaldini Mercante de Libri e Stampe in Piazza di Spagne a N.o 79.
Rome, [n.d. c.1800-1820].
Engraving and etching. 340 x 410mm (13¼ x 16), with large margins Uncut. Foxing around the edges.
A depiction of Saturn holding a scythe in his chariot pulled by two winged serpent-monsters. After a design by Raphael in the Sala dei Pontefici.
From the Berkeley Collection, Spetchley Park.
[Ref: 55079] £450.00
Scripture Prints, Edited by James R. Hope, D.C.L., Scholar of Merton. Old Testament Series from the Frescoes of Raphael, in the Vatican. Part III... the Prints have been prepared under the superintendence of Mr Lewis Gruner, from Drawings made from the original Frescos, by M.N. Consoni, one of the most distinguished Draughtsmen in Rome.
Houlston & Stoneman, Paternoster Row; and W. [***] 183 Regent Street, London: and J. Parker, Oxford.
Rare Oblong folio, printed wrappers. 6 tinted lithographs, each c.470 x 600mm (18½ x 23½" Wrappers worn, printseller's label stuck over publisher's inscription; plates with blindstamp.
The plates are: Adam & Eve; The Building of the Ark; The Sacrifice of Noah; Melchizedek and Abraham; Moses Smiting the Rock; The Triumph of David. James Robert Hope (1812-1873) was a British barrister and Tractarian (being a friend of John Henry Newman). In 1853, when his wife, a grand-daughter of Sir Walter Scott, inherited Abbotsford, he changed his surname to Hope-Scott.
[Ref: 53102] £180.00 view all images for this item
Houlston & Stoneman, Paternoster Row; and W. [***] 183 Regent Street, London: and J. Parker, Oxford.
Rare Oblong folio, printed wrappers. 6 tinted lithographs, each c.470 x 600mm (18½ x 23½" Wrappers worn, printseller's label stuck over publisher's inscription; plates with blindstamp.
The plates are: Adam & Eve; The Building of the Ark; The Sacrifice of Noah; Melchizedek and Abraham; Moses Smiting the Rock; The Triumph of David. James Robert Hope (1812-1873) was a British barrister and Tractarian (being a friend of John Henry Newman). In 1853, when his wife, a grand-daughter of Sir Walter Scott, inherited Abbotsford, he changed his surname to Hope-Scott.
[Ref: 53102] £180.00 view all images for this item
Sibyllae Quatuor a Raphaele Sancio Urbinate Romae in Ecclesia S. Mariae Pacis Depictae.
Joh. Volpato Sculpsit Romae 1772.
Engraving. Plate: 270 x 530mm (10½ x 20¾"), with large margins.
An engraving of Raphael's fresco above the spandrel in the church of Santa Maria della Pace. Plate 11 from 'Schola Italica Picturae'.
[Ref: 47568] £190.00 (£228.00 incl.VAT)
Joh. Volpato Sculpsit Romae 1772.
Engraving. Plate: 270 x 530mm (10½ x 20¾"), with large margins.
An engraving of Raphael's fresco above the spandrel in the church of Santa Maria della Pace. Plate 11 from 'Schola Italica Picturae'.
[Ref: 47568] £190.00 (£228.00 incl.VAT)
Sibyllae Quatuor a Raphaele Sancio Urbinate Romae in Ecclesia S. Mariae Pacis Depictae. Cumana Persica Phygia Tiburtina.
Sal. Cardelli Alexandri I pensionaris sculp.
[n.d., c.1770.]
Engraving. 355 x 665mm (14 x 26¼"), with very large margins. Stains and creasing in margins.
An engraving of Raphael's fresco above the spandrel in the church of Santa Maria della Pace, showing the four sybylls.
From the Berkeley Collection, Spetchley Park.
[Ref: 54978] £260.00 (£312.00 incl.VAT)
Sal. Cardelli Alexandri I pensionaris sculp.
[n.d., c.1770.]
Engraving. 355 x 665mm (14 x 26¼"), with very large margins. Stains and creasing in margins.
An engraving of Raphael's fresco above the spandrel in the church of Santa Maria della Pace, showing the four sybylls.
From the Berkeley Collection, Spetchley Park.
[Ref: 54978] £260.00 (£312.00 incl.VAT)
Flirtilla.
Designed and Engraved by J.R.Smith.
London. Publish'd May 12th 1787 = by J.R.Smith, King Street, Covent Garden.
Stipple. 300 x 230mm.
'The Nymph whose Charms (a numerous train) / Have wounded some poor luckless swain.'
D'Oench: fig. 130.
[Ref: 5593] £140.00 (£168.00 incl.VAT)
Designed and Engraved by J.R.Smith.
London. Publish'd May 12th 1787 = by J.R.Smith, King Street, Covent Garden.
Stipple. 300 x 230mm.
'The Nymph whose Charms (a numerous train) / Have wounded some poor luckless swain.'
D'Oench: fig. 130.
[Ref: 5593] £140.00 (£168.00 incl.VAT)
Socrates.
A Study from Raphael by R. Mimpris.
Southampton 1827.
Lithograph, rare. 417 x 258mm (16½ x 10¼").
Greek Philosopher Socrates (c.469BC-399BC) credited as one of the founder of Western philosophy.
[Ref: 28973] £130.00 (£156.00 incl.VAT)
A Study from Raphael by R. Mimpris.
Southampton 1827.
Lithograph, rare. 417 x 258mm (16½ x 10¼").
Greek Philosopher Socrates (c.469BC-399BC) credited as one of the founder of Western philosophy.
[Ref: 28973] £130.00 (£156.00 incl.VAT)
Socrate Ateniese, Inventore della Filosofia Morale, mori quattro Secoli prima dell'Era Cristiana condannato a morte, ch'egli si diede col bere la Cicuta. V.
P. Fidanza del. ed inc. [n.d., c.1785]
Rare etching, plate 375 x 265mm (14¾ x 10½), with large margins.
A head and shoulders portrait of Socrates (469-399 BC) from the side with Italian text: 'Socrates Athenian, Inventor of Moral Philosophy, died four Centuries before the Christian Era condemned to death, which he gave himself by drinking hemlock.' After the depiction of Socrates in Raphael's School of Athens painted in c.1509-10 in the Stanza della Segnatura in the Vatican. Most likely from from 'Tetes choisies de personnages illustres...' published by Paolo Fidanza in Rome in 1785. Fidanza became famous for publishing six volumes of prints of heads after Raphael between 1757 and 1763.
[Ref: 57138] £260.00 (£312.00 incl.VAT)
P. Fidanza del. ed inc. [n.d., c.1785]
Rare etching, plate 375 x 265mm (14¾ x 10½), with large margins.
A head and shoulders portrait of Socrates (469-399 BC) from the side with Italian text: 'Socrates Athenian, Inventor of Moral Philosophy, died four Centuries before the Christian Era condemned to death, which he gave himself by drinking hemlock.' After the depiction of Socrates in Raphael's School of Athens painted in c.1509-10 in the Stanza della Segnatura in the Vatican. Most likely from from 'Tetes choisies de personnages illustres...' published by Paolo Fidanza in Rome in 1785. Fidanza became famous for publishing six volumes of prints of heads after Raphael between 1757 and 1763.
[Ref: 57138] £260.00 (£312.00 incl.VAT)
La Visione D'Ezechiello.
[Raffaello Sansia Dipense, Vincenzo Raggio Designo, Paolo Caronni Incise 1825.]
Engraving, proof before all letters. 570 x 795mm. 22½ x 31 inches.
Symbolic representations of the four Evangelists St. Mark's winged lion and St. Matthew's angel, St. Luke's winged ox and St. John's eagle, supports God in the image of man. Ezekiel is the tiny figure standing in the beam of light in the bottom left. Ezekiel is one of three of the major prophets of the Old Testament. The original painting was stolen by the French but returned to Florence in 1816 where is now hangs in the Galleria Palatina of the Palazzo Pitti.
[Ref: 13738] £380.00
[Raffaello Sansia Dipense, Vincenzo Raggio Designo, Paolo Caronni Incise 1825.]
Engraving, proof before all letters. 570 x 795mm. 22½ x 31 inches.
Symbolic representations of the four Evangelists St. Mark's winged lion and St. Matthew's angel, St. Luke's winged ox and St. John's eagle, supports God in the image of man. Ezekiel is the tiny figure standing in the beam of light in the bottom left. Ezekiel is one of three of the major prophets of the Old Testament. The original painting was stolen by the French but returned to Florence in 1816 where is now hangs in the Galleria Palatina of the Palazzo Pitti.
[Ref: 13738] £380.00
La Visione D'Ezechiello.
Raffaello Sansia Dipense, Vincenzo Raggio Designo, Paolo Caronni Incise 1825.
Engraving. 755 x 550mm. 29¾ x 21".
Symbolic representations of the four Evangelists St. Mark's winged lion and St. Matthew's angel, St. Luke's winged ox and St. John's eagle, supports God in the image of man. Ezekiel is the tiny figure standing in the beam of light in the bottom left. Ezekiel is one of three of the major prophets of the Old Testament. The original painting was stolen by the French but returned to Florence in 1816 where is now hangs in the Galleria Palatina of the Palazzo Pitti.
[Ref: 14829] £380.00
Raffaello Sansia Dipense, Vincenzo Raggio Designo, Paolo Caronni Incise 1825.
Engraving. 755 x 550mm. 29¾ x 21".
Symbolic representations of the four Evangelists St. Mark's winged lion and St. Matthew's angel, St. Luke's winged ox and St. John's eagle, supports God in the image of man. Ezekiel is the tiny figure standing in the beam of light in the bottom left. Ezekiel is one of three of the major prophets of the Old Testament. The original painting was stolen by the French but returned to Florence in 1816 where is now hangs in the Galleria Palatina of the Palazzo Pitti.
[Ref: 14829] £380.00
St. John in the Wilderness. Saint Jean Baptiste dans le Desert. To His most Serene Highness Charles Theodore, Elector Palatine, Reigning Duke of Bavaria, &c. &c. &c. This Plate engraved by his Gracious Permission frm the Origional Picture in the Electoral Gallery of Dusseldorf, is Dedicated by His Most Devoted and Obedient Humble Servants. Valentine Green. Rupert Green. [with crest].
Painted by Raffaello. Engraved by V. Green, Mezzotinto Engraver to his Majesty & to the Elector Palatine.
In Monsr. Pigages's Catalogue of the Dusseldorf Galelry, this Subject is No. 165 / Published July 1st 1797 by V.&R. Green Newman Street, London.
Mezzotint. 660 x 407mm. Trimmed along plate mark at bottom, with minor creases and slight rubbing in places. Fine.
Originally published 1792. Valentine Green (1739 - 1813) was a mezzotinter, Associate Royal Academician and publisher (usually of his own prints) and, in later years in association with his son, Rupert. Depicts St John as a young man, naked apart from the edge of a cloak over his leg, sitting, leaning to the right, resting on the bank of a small waterfall, holding a bowl in his right hand, and with a wooden cross in the other. There is a view of a town and a circular classical building in the background on the left.
Whiteman: 268: this state not listed.
[Ref: 7040] £690.00
Painted by Raffaello. Engraved by V. Green, Mezzotinto Engraver to his Majesty & to the Elector Palatine.
In Monsr. Pigages's Catalogue of the Dusseldorf Galelry, this Subject is No. 165 / Published July 1st 1797 by V.&R. Green Newman Street, London.
Mezzotint. 660 x 407mm. Trimmed along plate mark at bottom, with minor creases and slight rubbing in places. Fine.
Originally published 1792. Valentine Green (1739 - 1813) was a mezzotinter, Associate Royal Academician and publisher (usually of his own prints) and, in later years in association with his son, Rupert. Depicts St John as a young man, naked apart from the edge of a cloak over his leg, sitting, leaning to the right, resting on the bank of a small waterfall, holding a bowl in his right hand, and with a wooden cross in the other. There is a view of a town and a circular classical building in the background on the left.
Whiteman: 268: this state not listed.
[Ref: 7040] £690.00
![[Eleven views of churches.]](jpegs/9305.jpg)
[Eleven views of churches.]
Drawn & Etch'd by J.T. Smith,
& Pubd: Novr. 20. 1792 by Nathl. Smith, Rembrandts Head, Great Mays Buildings St. Martins Lane, London. Where may be seen one of the finest Collections of Ancient Prints particularly Etchings by the Italian, Dutch, and Flemish Masters, perhaps ever offered the Public.
Etching in sepia, eleven images on one plate, 370 x 485mm.14½ x 19". Crease through lower left corner.
The parish churches depicted include St. Pancras, London, Gillingham, Kent, and Wormley, Hertfordshire, each from both the east and west. Steyning, Sussex, is the largest image at the centre. A rare uncut sheet, with full margins. Nathaniel Smith (1740/1741 - 1809) was a sculptor who became a print dealer and publisher. He began as assistant to Nollekens, then a drawing master, before becoming a major print dealer and minor publisher. He was the father of J.T. Smith, who drew and etched these views.
[Ref: 9305] £260.00 (£312.00 incl.VAT)
Drawn & Etch'd by J.T. Smith,
& Pubd: Novr. 20. 1792 by Nathl. Smith, Rembrandts Head, Great Mays Buildings St. Martins Lane, London. Where may be seen one of the finest Collections of Ancient Prints particularly Etchings by the Italian, Dutch, and Flemish Masters, perhaps ever offered the Public.
Etching in sepia, eleven images on one plate, 370 x 485mm.14½ x 19". Crease through lower left corner.
The parish churches depicted include St. Pancras, London, Gillingham, Kent, and Wormley, Hertfordshire, each from both the east and west. Steyning, Sussex, is the largest image at the centre. A rare uncut sheet, with full margins. Nathaniel Smith (1740/1741 - 1809) was a sculptor who became a print dealer and publisher. He began as assistant to Nollekens, then a drawing master, before becoming a major print dealer and minor publisher. He was the father of J.T. Smith, who drew and etched these views.
[Ref: 9305] £260.00 (£312.00 incl.VAT)
Sol. Interea magnum Sol circumvolvitur annon Terrarumque suis flammis opera omnia lustrat. Aeneid lib. 4.
Raphael Urbinos pinxit. Carlo Lasinio inc.
Si vendono da Nicola d'Antoni in Via del Corso No.35. [n.d., c.1780.]
Engraving. 335 x 510mm (13¼ x 20"). Repairs top margin, publication line weak, creases lower title.
Helios (or Apollo) in a chariot drawn by four horses. From 'I Sette Pianeti dipinti da Raffaele d'Urbino nella Sala Borgia del Vaticano', after designs by Raphael in the Sala dei Pontefici.
[Ref: 60383] £280.00 (£336.00 incl.VAT)
Raphael Urbinos pinxit. Carlo Lasinio inc.
Si vendono da Nicola d'Antoni in Via del Corso No.35. [n.d., c.1780.]
Engraving. 335 x 510mm (13¼ x 20"). Repairs top margin, publication line weak, creases lower title.
Helios (or Apollo) in a chariot drawn by four horses. From 'I Sette Pianeti dipinti da Raffaele d'Urbino nella Sala Borgia del Vaticano', after designs by Raphael in the Sala dei Pontefici.
[Ref: 60383] £280.00 (£336.00 incl.VAT)
Testa d'una Cameriera d'Elena, di Guido Reni nella Galleria del Palazzo Spada.
[Paul Fidanza after Guido Reni]
[n.d. c.1800.]
Engraving. Fleur de lis watermark. Plate 380 x 254mm. 15 x 10".
Head study of a young waitress, after Guido Reni, from 'Recueil de tetes choisies de personnages...d'apres les peintures de Raphael d'Urbin et autres grands maitres existantes au Vatican et dans plusieurs galeries de Rome' .
[Ref: 19738] £140.00 (£168.00 incl.VAT)
[Paul Fidanza after Guido Reni]
[n.d. c.1800.]
Engraving. Fleur de lis watermark. Plate 380 x 254mm. 15 x 10".
Head study of a young waitress, after Guido Reni, from 'Recueil de tetes choisies de personnages...d'apres les peintures de Raphael d'Urbin et autres grands maitres existantes au Vatican et dans plusieurs galeries de Rome' .
[Ref: 19738] £140.00 (£168.00 incl.VAT)
![[Charlotte by the Tomb of Werter.]](jpegs/48853.jpg)
[Charlotte by the Tomb of Werter.]
Engraved by J.R. Smith.
[n.d., c.1790.]
Oval stipple with hand-colour. Sheet: 340 x 340mm (13¼ x 13¼''). Trimmed.
A young woman mourns by the tomb engraved with the name Werter. An illustration to 'The Sorrows of Young Werter' by Johann Wolfgang van Goethe.
[Ref: 48853] £130.00 (£156.00 incl.VAT)
Engraved by J.R. Smith.
[n.d., c.1790.]
Oval stipple with hand-colour. Sheet: 340 x 340mm (13¼ x 13¼''). Trimmed.
A young woman mourns by the tomb engraved with the name Werter. An illustration to 'The Sorrows of Young Werter' by Johann Wolfgang van Goethe.
[Ref: 48853] £130.00 (£156.00 incl.VAT)
John Horne Tooke. Born in June 1736.
Painted by I.R. Smith. Engraved by W. Ward Engraver to H.R.H the Duke of York.
Published May 29, 1811 by I.R. Smith, 33, Newman Street, Oxford Street, London.
Mezzotint. Second fifty. Plate: 655 x 455mm (25¾ x 18'') large margins. Repaired tears in top left corner, paper tone. Staining in margins.
A portrait of John Horne Tooke (1736-1812) reclining on a day bed beneath a canopy, above the bed is a bookcase and on the left a bust of Athena sits in a niche. John Horne Tooke was a clergyman, politician and philologist. He was led into politics by John Wilkes and brought out a scathing pamphlet on Bute and Mansfield, entitled "The Petition of an Englishman". In 1777 got himself into trouble by signing an advert for subscriptions for relief of the relatives of the Americans ''murdered by the king's troops at Lexington and Concord'', he was tried and spent a year in King's Bench Prison.
CS. 84. II. Frankau 297.
[Ref: 49428] £450.00
Painted by I.R. Smith. Engraved by W. Ward Engraver to H.R.H the Duke of York.
Published May 29, 1811 by I.R. Smith, 33, Newman Street, Oxford Street, London.
Mezzotint. Second fifty. Plate: 655 x 455mm (25¾ x 18'') large margins. Repaired tears in top left corner, paper tone. Staining in margins.
A portrait of John Horne Tooke (1736-1812) reclining on a day bed beneath a canopy, above the bed is a bookcase and on the left a bust of Athena sits in a niche. John Horne Tooke was a clergyman, politician and philologist. He was led into politics by John Wilkes and brought out a scathing pamphlet on Bute and Mansfield, entitled "The Petition of an Englishman". In 1777 got himself into trouble by signing an advert for subscriptions for relief of the relatives of the Americans ''murdered by the king's troops at Lexington and Concord'', he was tried and spent a year in King's Bench Prison.
CS. 84. II. Frankau 297.
[Ref: 49428] £450.00
![[A large dead tree.]](jpegs/52805.jpg)
[A large dead tree.]
R. West.
Rare pen lithograph. 225 x 305mm (9 x 12"). Thread margins. Central crease not visible from front.
Men resting under an ancient dead tree. The artist, Raphael Lamar West (1769-1850), son of Benjamin West, contributed to Boydell's Shakespeare Gallery.
[Ref: 52805] £290.00 (£348.00 incl.VAT)
R. West.
Rare pen lithograph. 225 x 305mm (9 x 12"). Thread margins. Central crease not visible from front.
Men resting under an ancient dead tree. The artist, Raphael Lamar West (1769-1850), son of Benjamin West, contributed to Boydell's Shakespeare Gallery.
[Ref: 52805] £290.00 (£348.00 incl.VAT)
![[Triumph of History over Time.]](jpegs/47560.jpg)
[Triumph of History over Time.] Pio. VI. P. M. Praeclarissimo Bonarum Artum Fautori Celeberrimam tabulam ab Equite Antonio Raphaele Mengs in Vaticanis Aedibus depictam Michael Angelus Mazzoli obsequii causa D.D.D.
Franciscus Ramos delin. Domini. Cunego sculp. Romae 1782.
Engraving. Plate: 580 x 365mm (22¾ x 14½"), with large margins. Uncut.
A scene showing the allegorical figure of History and the figure of Time. A fresco by Jewish-Danish artist Anton Raphael Mengs (1728-1779) on the ceiling of the Vatican Library. From a series of engravings of Vatican frescos by Domenico Cuego.
[Ref: 47560] £320.00
Franciscus Ramos delin. Domini. Cunego sculp. Romae 1782.
Engraving. Plate: 580 x 365mm (22¾ x 14½"), with large margins. Uncut.
A scene showing the allegorical figure of History and the figure of Time. A fresco by Jewish-Danish artist Anton Raphael Mengs (1728-1779) on the ceiling of the Vatican Library. From a series of engravings of Vatican frescos by Domenico Cuego.
[Ref: 47560] £320.00
I Sette Pianeli dispinti da Raffaele d'Urbino nella Sala Borgia del Vaticano.
Carlo Lasinio inc.
Si vendono da Nicola d'Antoni in Via del Corso No.35. [n.d., c.1780.]
Engraving. 340 x 500mm (13½ x 19¾"). Repaired tears. Damaged.
Two female allegorical figures, one with globe and a pair of compasses, the other with a magnetic compass, pay homage to a portrait of Gallileo, held up by cherubs. The title sheet from a series of allegorical plates of the planets, after Raphael's murals in the Vatican.
[Ref: 60384] £140.00 (£168.00 incl.VAT)
Carlo Lasinio inc.
Si vendono da Nicola d'Antoni in Via del Corso No.35. [n.d., c.1780.]
Engraving. 340 x 500mm (13½ x 19¾"). Repaired tears. Damaged.
Two female allegorical figures, one with globe and a pair of compasses, the other with a magnetic compass, pay homage to a portrait of Gallileo, held up by cherubs. The title sheet from a series of allegorical plates of the planets, after Raphael's murals in the Vatican.
[Ref: 60384] £140.00 (£168.00 incl.VAT)
Venus. Planeta est soli proximus...
Ra. Urbinas inu. N. Dorigny del et Sculp.
[Rome, 1696.]
Engraving with very large margins. 290 x 215mm (11½ x 8½").
A depiction of the planet Venus as a goddess, an angel overhead, with the zodiac symbols for Libra and Taurus, from a mosaic designed by Raphael in the Chigi Chapel, in La Madonna del Popolo, Rome. The plate was engraved by Nicolas Dorigny (1658-1746) for his 'The Seven Planets, and the Creation of the Sun and Moon'.
[Ref: 35442] £160.00 (£192.00 incl.VAT)
Ra. Urbinas inu. N. Dorigny del et Sculp.
[Rome, 1696.]
Engraving with very large margins. 290 x 215mm (11½ x 8½").
A depiction of the planet Venus as a goddess, an angel overhead, with the zodiac symbols for Libra and Taurus, from a mosaic designed by Raphael in the Chigi Chapel, in La Madonna del Popolo, Rome. The plate was engraved by Nicolas Dorigny (1658-1746) for his 'The Seven Planets, and the Creation of the Sun and Moon'.
[Ref: 35442] £160.00 (£192.00 incl.VAT)
![[Il Violinista. (The Violinist.)]](jpegs/14049.jpg)
[Il Violinista. (The Violinist.)]
Raffaelle Sanzio dip. Pietro Salvatori dis e. inc.
[Italian, c.1820s.]
Engraving, proof before title, 340 x 245mm. 13½ x 9¾". A fine impression. Uncut sheet.
Portrait of the 'Violin Player' turning to look back at the viewer, wearing a fur collar, robes and a hat; in his left hand he holds a violin bow. This print reproduces a painting here attributed to Raphael (1483 - 1520), but now attributed to his contemporary Sebastiano del Piombo.
[Ref: 14049] £160.00 (£192.00 incl.VAT)
Raffaelle Sanzio dip. Pietro Salvatori dis e. inc.
[Italian, c.1820s.]
Engraving, proof before title, 340 x 245mm. 13½ x 9¾". A fine impression. Uncut sheet.
Portrait of the 'Violin Player' turning to look back at the viewer, wearing a fur collar, robes and a hat; in his left hand he holds a violin bow. This print reproduces a painting here attributed to Raphael (1483 - 1520), but now attributed to his contemporary Sebastiano del Piombo.
[Ref: 14049] £160.00 (£192.00 incl.VAT)
![[Three plates representing the theological virtues of faith, hope and charity]](jpegs/39686.jpg)
[Three plates representing the theological virtues of faith, hope and charity] Dessiné par Aug.te Boucher Desnoyers d'après le Tableau de Raphael Peint en Grisaille, qui est exposé dans la Galerie du Musée Napoleon.
Se trouve à Paris chez l'Auteur, rue de Touraine No 9, près l'Odéon [1815]
Three engravings, each platemark 310 x 465mm (12¼ x 18¼"), very large margins. Rare as a set.
Set of three engravings from small grisaille paintings by Raphael. These paintings were made in 1507 and formed the predella (lower section) of an altarpiece by Raphael for the Baglione family in Perugia, the central panel of which showed the Deposition of Christ (Rome, Galleria Borghese). The three predella sections are now in the Vatican Gallery.
Provenance: Torridon Lovelace/King Family.
[Ref: 39686] £580.00 view all images for this item
Se trouve à Paris chez l'Auteur, rue de Touraine No 9, près l'Odéon [1815]
Three engravings, each platemark 310 x 465mm (12¼ x 18¼"), very large margins. Rare as a set.
Set of three engravings from small grisaille paintings by Raphael. These paintings were made in 1507 and formed the predella (lower section) of an altarpiece by Raphael for the Baglione family in Perugia, the central panel of which showed the Deposition of Christ (Rome, Galleria Borghese). The three predella sections are now in the Vatican Gallery.
Provenance: Torridon Lovelace/King Family.
[Ref: 39686] £580.00 view all images for this item
The Widow's Tale.
Painted by J.R.Smith. Engrav'd by W.Ward.
London Pub. June 2 1789 by J.R.Smith King Street Cov.t Garden.
Mezzotint, printed in colour and finished by hand. 560 x 405mm.
[Ref: 5631] £480.00
Painted by J.R.Smith. Engrav'd by W.Ward.
London Pub. June 2 1789 by J.R.Smith King Street Cov.t Garden.
Mezzotint, printed in colour and finished by hand. 560 x 405mm.
[Ref: 5631] £480.00
[Richard Wilson, Esq:r Landscape Painter. From an Original Portrait by Mengs Painted at Rome 1752.]
Raphael Antonio Mengs Pinx.t. WBromley Sculpsit 1789.
[Published by J. Sewell Cornhill 1 Feb.y 1790.]
Stipple with etching, scratched letter proof before title. In ink [signature] D Dodd [?] verso; Sheet 190 x 125mm (7½ x 5"). Trimmed to plate and mounted in album paper.
Richard Wilson (1714-1782), the Welsh landscape painter, a founding member of the Royal Academy in 1768.
Ex: Norman Blackburn Collection.
[Ref: 58094] £85.00 (£102.00 incl.VAT)
Raphael Antonio Mengs Pinx.t. WBromley Sculpsit 1789.
[Published by J. Sewell Cornhill 1 Feb.y 1790.]
Stipple with etching, scratched letter proof before title. In ink [signature] D Dodd [?] verso; Sheet 190 x 125mm (7½ x 5"). Trimmed to plate and mounted in album paper.
Richard Wilson (1714-1782), the Welsh landscape painter, a founding member of the Royal Academy in 1768.
Ex: Norman Blackburn Collection.
[Ref: 58094] £85.00 (£102.00 incl.VAT)
What You Will - Ce Qui Vous Plaira.
J.P. Levilly [after John Raphael Smith].
[n.d., c.1791.]
Stipple, printed in colour, watermark 1811. 335 x 225mm (13¼ x 9"). Trimmed to plate at bottom, into plate right bottom, top corners snipped.
A fashionably-dressed young woman sitting on a bench under a tree, directed to left, one hand at her lips, looking coquettishly towards the viewer, a dog sleeping at her feet. A copy in reverse of one of a set of four portraits of women 'Designed & Engraved by J.R.Smith', 1791.
See D'Oench: 309-312 for the Smith set.
[Ref: 58066] £180.00 (£216.00 incl.VAT)
J.P. Levilly [after John Raphael Smith].
[n.d., c.1791.]
Stipple, printed in colour, watermark 1811. 335 x 225mm (13¼ x 9"). Trimmed to plate at bottom, into plate right bottom, top corners snipped.
A fashionably-dressed young woman sitting on a bench under a tree, directed to left, one hand at her lips, looking coquettishly towards the viewer, a dog sleeping at her feet. A copy in reverse of one of a set of four portraits of women 'Designed & Engraved by J.R.Smith', 1791.
See D'Oench: 309-312 for the Smith set.
[Ref: 58066] £180.00 (£216.00 incl.VAT)