A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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A Newhaven Fishwoman.
T.M. Richardson Junr. del.t M & N Hanhart, lith Printers.
Edinburgh: Published by John Menzies, 61, Princes Street. [n.d. c.1820.]
Fine coloured lithograph with added gum arabic. 360 x 247mm. 14¼ x 9¾".
A fisherwoman standing on the bank to the River Ouse. Fishing boats and other vessels sit calmly docked and pulled ashore.
Not in Abbey.
[Ref: 16534] £140.00 (£168.00 incl.VAT)
T.M. Richardson Junr. del.t M & N Hanhart, lith Printers.
Edinburgh: Published by John Menzies, 61, Princes Street. [n.d. c.1820.]
Fine coloured lithograph with added gum arabic. 360 x 247mm. 14¼ x 9¾".
A fisherwoman standing on the bank to the River Ouse. Fishing boats and other vessels sit calmly docked and pulled ashore.
Not in Abbey.
[Ref: 16534] £140.00 (£168.00 incl.VAT)
Messrs. Money ~Wigram & Sons, Australian Steam Ship. 'Norfolk', 3196 tons, 2500 Horse-Power. J. Pyne O'Callaghan, Commander.
T.G. Dutton del & Lith. Jophn B.Day Lith. Etc.
London, Published October, 3rd. 1879 John B. Day 5, Blythwood Villas, Crouch Hill N.
Tinted lithograph. 460 x 295mm, 18 x 11½". Two repaired tears in the margins.
Built by R & H. Green, London, she was launched on 21st Jun.1879, used by Money, Wigram & Co on their London - Sydney service. In 1882 Norfolk was purchased by Royal Mail Steam Packet Co and renamed La Plata, making her first Southampton - South America voyage on 9th October.
Macpherson Collection:p.212.
[Ref: 20546] £1,250.00
T.G. Dutton del & Lith. Jophn B.Day Lith. Etc.
London, Published October, 3rd. 1879 John B. Day 5, Blythwood Villas, Crouch Hill N.
Tinted lithograph. 460 x 295mm, 18 x 11½". Two repaired tears in the margins.
Built by R & H. Green, London, she was launched on 21st Jun.1879, used by Money, Wigram & Co on their London - Sydney service. In 1882 Norfolk was purchased by Royal Mail Steam Packet Co and renamed La Plata, making her first Southampton - South America voyage on 9th October.
Macpherson Collection:p.212.
[Ref: 20546] £1,250.00
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The Palmerston Cabinet. 1865.
Clarke. London 1865. M. & N. Hanhart Imp.
London Publishe Dec.r 11th 1865 by J. Ross, 64, Charlotte St. Fitzroy Square.
Oval lithograph mounted on printed card, very scarce & rare, total printed area 580 x 450mm, 23 x 17¾".
A medallion portrait of Prime Minster Henry John Temple, 3rd Viscount Palmerston (1784-1865), surrounded by portraits of fourteen of his cabinet, including Gladstone. Palmerston has died two months before this print was published, on 18th October 1865, two days before his eighty-first birthday. From left to right, the portraits are: (top)Lord Clarendon, Lord Stanley of Alderley; (row 2) the Duke of Argyll, Lord Cranworth, Lord de Grey; (row 3) Sir George Grey, William Gladstone, Palmerston, Lord Russell, Duke of Somerset; (row 4) Sir L. Wood, Lord Granvile, Edward Cardwell; (row 5) Charles Villiers & Thomas Milner-Gibson.
[Ref: 27797] £240.00 (£288.00 incl.VAT)
Clarke. London 1865. M. & N. Hanhart Imp.
London Publishe Dec.r 11th 1865 by J. Ross, 64, Charlotte St. Fitzroy Square.
Oval lithograph mounted on printed card, very scarce & rare, total printed area 580 x 450mm, 23 x 17¾".
A medallion portrait of Prime Minster Henry John Temple, 3rd Viscount Palmerston (1784-1865), surrounded by portraits of fourteen of his cabinet, including Gladstone. Palmerston has died two months before this print was published, on 18th October 1865, two days before his eighty-first birthday. From left to right, the portraits are: (top)Lord Clarendon, Lord Stanley of Alderley; (row 2) the Duke of Argyll, Lord Cranworth, Lord de Grey; (row 3) Sir George Grey, William Gladstone, Palmerston, Lord Russell, Duke of Somerset; (row 4) Sir L. Wood, Lord Granvile, Edward Cardwell; (row 5) Charles Villiers & Thomas Milner-Gibson.
[Ref: 27797] £240.00 (£288.00 incl.VAT)
![[Aguirre Bay, Tierra del Fuego.] Starvation Beach, Spaniard's Harbour.]](jpegs/52019.jpg)
[Aguirre Bay, Tierra del Fuego.] Starvation Beach, Spaniard's Harbour.]
W.P. Snow, Del.t. M. & N. Hanhart, Imp.t.
[London: Longman, Brown, Green, Longmans, &? Roberts 1857.]
Coloured lithograph. Sheet 120 x 190mm (4¾ x 7½").
A beach showing the remains of Allen Gardiner's missionary expedition to Patagonia, which perished from scurvy and starvation at least a month before the arrival of a supply ship. From William Parker Snow's 'Two years' cruise off Tierra del Fuego: the Falkland Islands, Patagonia, and in the river Plate; a narrative of life in the southern seas'. Snow (1817-95), having participated in the Search for Franklin, became captain of 'Allen Gardiner', a ship named after the unfortunate missionary, a post he was sacked from after disagreements with his employers, the Patagonian Missionary Society.
[Ref: 52019] £80.00 (£96.00 incl.VAT)
W.P. Snow, Del.t. M. & N. Hanhart, Imp.t.
[London: Longman, Brown, Green, Longmans, &? Roberts 1857.]
Coloured lithograph. Sheet 120 x 190mm (4¾ x 7½").
A beach showing the remains of Allen Gardiner's missionary expedition to Patagonia, which perished from scurvy and starvation at least a month before the arrival of a supply ship. From William Parker Snow's 'Two years' cruise off Tierra del Fuego: the Falkland Islands, Patagonia, and in the river Plate; a narrative of life in the southern seas'. Snow (1817-95), having participated in the Search for Franklin, became captain of 'Allen Gardiner', a ship named after the unfortunate missionary, a post he was sacked from after disagreements with his employers, the Patagonian Missionary Society.
[Ref: 52019] £80.00 (£96.00 incl.VAT)
Herr Pischek. J.B. Pischek.
Baugniet 1846 London. M. & N. Hanhart lith Printers.
London Published by Julien & Co. Regent St. & 45, King St.
Rare lithograph. Sheet: 350 x 240mm (13¾ x 9½").
A portrait of Bohemian opera singer Johann Baptist Pischek (1814-1873).
[Ref: 47370] £120.00 (£144.00 incl.VAT)
Baugniet 1846 London. M. & N. Hanhart lith Printers.
London Published by Julien & Co. Regent St. & 45, King St.
Rare lithograph. Sheet: 350 x 240mm (13¾ x 9½").
A portrait of Bohemian opera singer Johann Baptist Pischek (1814-1873).
[Ref: 47370] £120.00 (£144.00 incl.VAT)
H. L. Rolfe's Studies of Fresh-Water Fish. No. 3 Salmon, and Trout. From the River Wye.
M. &. N. Hanhart, Lith.
London, Published 1st Novr. 1856, by Messrs. William Tegg & Co. 28 Queen Street, Cheapside.
Coloured lithograph, oval, dimensions 430 x 560.
One from a set of six ovals that depict the freshwater fish of England's rivers. Rarely found untrimmed in good condition. Henry Leonidas Rolfe [1823-1881] was devoted to the depiction of angling subjects and was, unsurprisingly, a keen fisherman himself. A portrait of Rolfe on a river bank with his catch is in the Government Art Collection.
See Ref: 5057, 5058
[Ref: 5059] £1,250.00
M. &. N. Hanhart, Lith.
London, Published 1st Novr. 1856, by Messrs. William Tegg & Co. 28 Queen Street, Cheapside.
Coloured lithograph, oval, dimensions 430 x 560.
One from a set of six ovals that depict the freshwater fish of England's rivers. Rarely found untrimmed in good condition. Henry Leonidas Rolfe [1823-1881] was devoted to the depiction of angling subjects and was, unsurprisingly, a keen fisherman himself. A portrait of Rolfe on a river bank with his catch is in the Government Art Collection.
See Ref: 5057, 5058
[Ref: 5059] £1,250.00
Well Matched.
H.L. Rolfe, del.t.
M. & N. Hanhart, Lith et Imp.t. 1856.
Lithograph. Sheet: 820 x 600mm (32 x 23¾"). Laid on conservation paper.
An extremely decorative still life scene of seafood and vegetables upon a table.
[Ref: 42359] £850.00
H.L. Rolfe, del.t.
M. & N. Hanhart, Lith et Imp.t. 1856.
Lithograph. Sheet: 820 x 600mm (32 x 23¾"). Laid on conservation paper.
An extremely decorative still life scene of seafood and vegetables upon a table.
[Ref: 42359] £850.00
![Edwin Sidney [facsimile signature].](jpegs/57193.jpg)
Edwin Sidney [facsimile signature].
T.H. Maguire 1849.
[Ipswich: George Ransome, 1852.]
Lithograph. Printed area 330 x 245mm (13 x 9½"), with large margins.
Half-length portrait of Reverend Edwin Sidney (1798?-1872), Rector of Little Cornard in Suffolkfrom 1847 until his death, biographer and naturalist, who lectured at the Royal Institution and elsewhere. He helped Michael Faraday with his Ozone measurements. Among his books are: 'Electricity, its phenomena, laws and results' in 1843, 'Blights of the wheat, and their remedies' (1846) and 'The philosophy of food and nutrition in plants and animals' (1849). From the series 'Portraits of Honorary Members of the Ipswich Museum.'.
Wellcome: 1313.
[Ref: 57193] £140.00 (£168.00 incl.VAT)
T.H. Maguire 1849.
[Ipswich: George Ransome, 1852.]
Lithograph. Printed area 330 x 245mm (13 x 9½"), with large margins.
Half-length portrait of Reverend Edwin Sidney (1798?-1872), Rector of Little Cornard in Suffolkfrom 1847 until his death, biographer and naturalist, who lectured at the Royal Institution and elsewhere. He helped Michael Faraday with his Ozone measurements. Among his books are: 'Electricity, its phenomena, laws and results' in 1843, 'Blights of the wheat, and their remedies' (1846) and 'The philosophy of food and nutrition in plants and animals' (1849). From the series 'Portraits of Honorary Members of the Ipswich Museum.'.
Wellcome: 1313.
[Ref: 57193] £140.00 (£168.00 incl.VAT)
Alfred Crowquill's Sketches From Jullien's Bal Masque. Smith Your Wife's In The Boxes!
Alfred Crowquill, delt. et lith. M & N. Hanhart, Impt.
Published by E. Sidebetham, 38, Burlington Arcade [n.d., c.1850].
Lithograph, sheet 266 x 203mm. Foxing and staining, trimmed to printed border.
Illustrations to Jullien's Bal Masque quadrille, by Alfred Henry Forrester, best known under the name of Alfred Crowquill (1804 - 1872). Louis Antoine Jullien (1812 -1860) conducted a series of winter season promenade concerts at the Covent Garden Theatre, which were highly successful; and on March 4th, 1844, the first bal-masqué given in England in the 19th century took place at Covent Garden under his auspices. In 1822 Forrester wrote for the Hive and in 1823 for the Mirror. He next applied himself to the study of drawing and modelling, as well as to wood and steel engraving. He was also the writer of burlesques, drew pantomimic extravaganzas for the pictorial papers, and exhibited pen-and-ink sketches in the miniature room of the Royal Academy in 1845 and 1846. For a time he contributed sketches to ‘Punch,’ where his work will be found in vols. ii. iii. and iv., and then went over to the ‘Illustrated London News’ as a member of the literary and pictorial staff. As a writer and illustrator of his own writings he was very popular; upwards of twenty works came from his pen, many of them being children's books. For some years the London pantomimes were indebted to him for designs, devices, and effects. In 1851 he modelled a statuette of the Duke of Wellington, which he produced a fortnight before the duke's death and presented to Queen Victoria and the allied sovereigns. At the time when he originally started as an artist there was not much competition, and he consequently found constant work. His works have enjoyed a considerable amount of popularity.
Ex: Collection of Alec Clunes.
[Ref: 7819] £90.00 (£108.00 incl.VAT)
Alfred Crowquill, delt. et lith. M & N. Hanhart, Impt.
Published by E. Sidebetham, 38, Burlington Arcade [n.d., c.1850].
Lithograph, sheet 266 x 203mm. Foxing and staining, trimmed to printed border.
Illustrations to Jullien's Bal Masque quadrille, by Alfred Henry Forrester, best known under the name of Alfred Crowquill (1804 - 1872). Louis Antoine Jullien (1812 -1860) conducted a series of winter season promenade concerts at the Covent Garden Theatre, which were highly successful; and on March 4th, 1844, the first bal-masqué given in England in the 19th century took place at Covent Garden under his auspices. In 1822 Forrester wrote for the Hive and in 1823 for the Mirror. He next applied himself to the study of drawing and modelling, as well as to wood and steel engraving. He was also the writer of burlesques, drew pantomimic extravaganzas for the pictorial papers, and exhibited pen-and-ink sketches in the miniature room of the Royal Academy in 1845 and 1846. For a time he contributed sketches to ‘Punch,’ where his work will be found in vols. ii. iii. and iv., and then went over to the ‘Illustrated London News’ as a member of the literary and pictorial staff. As a writer and illustrator of his own writings he was very popular; upwards of twenty works came from his pen, many of them being children's books. For some years the London pantomimes were indebted to him for designs, devices, and effects. In 1851 he modelled a statuette of the Duke of Wellington, which he produced a fortnight before the duke's death and presented to Queen Victoria and the allied sovereigns. At the time when he originally started as an artist there was not much competition, and he consequently found constant work. His works have enjoyed a considerable amount of popularity.
Ex: Collection of Alec Clunes.
[Ref: 7819] £90.00 (£108.00 incl.VAT)
![[Canton] Sketch from the Wall on the Morning after the Grand Attack.](jpegs/52714.jpg)
[Canton] Sketch from the Wall on the Morning after the Grand Attack.
W.R. Snow Del.t. M. & N. Hanhart imp.
Dickinson Bro.s Lith.s 114 New Bond Street [1860.]
Scarce tinted lithograph. Printed area 230 x 340mm (9 x 13¾"), with very wide margins.
A prisoner being carried on a bamboo pole, wrists and ankles tied. From Part III (of III) of William Roger Snow's 'Sketches of Chinese Life & Character', based on a visit to Hong Kong.William Roger Snow's 'Sketches of Chinese Life & Character', based on a visit to Hong Kong. Snow was an army officer when he visited Hong Kong. However in 1875 an affair with an Irish actress ruined his career and, rather than be posted to a backwater, he left his wife and disappeared. Under the alias Clifford Merton he worked as an author and illustrator of both adult and children's literature, until his wife found and exposed him in 1881. After another disappearance and name change, Richard André continued to write and illustrate books, as well as working in photography and the publishing business.
[Ref: 52714] £320.00
W.R. Snow Del.t. M. & N. Hanhart imp.
Dickinson Bro.s Lith.s 114 New Bond Street [1860.]
Scarce tinted lithograph. Printed area 230 x 340mm (9 x 13¾"), with very wide margins.
A prisoner being carried on a bamboo pole, wrists and ankles tied. From Part III (of III) of William Roger Snow's 'Sketches of Chinese Life & Character', based on a visit to Hong Kong.William Roger Snow's 'Sketches of Chinese Life & Character', based on a visit to Hong Kong. Snow was an army officer when he visited Hong Kong. However in 1875 an affair with an Irish actress ruined his career and, rather than be posted to a backwater, he left his wife and disappeared. Under the alias Clifford Merton he worked as an author and illustrator of both adult and children's literature, until his wife found and exposed him in 1881. After another disappearance and name change, Richard André continued to write and illustrate books, as well as working in photography and the publishing business.
[Ref: 52714] £320.00
On the Wall, Canton.
W.R. Snow Del.t. M. & N. Hanhart imp.
Dickinson Bro.s Lith.s 114 New Bond Street [1860.]
Scarce tinted lithograph. Printed area 230 x 340mm (9 x 13¾"), with wide margins. Slight tear in top margin.
Two Europeans wearing kepis and natives including a water carrier. From Part II (of III) of William Roger Snow's 'Sketches of Chinese Life & Character', based on a visit to Hong Kong.William Roger Snow's 'Sketches of Chinese Life & Character', based on a visit to Hong Kong. Snow was an army officer when he visited Hong Kong. However in 1875 an affair with an Irish actress ruined his career and, rather than be posted to a backwater, he left his wife and disappeared. Under the alias Clifford Merton he worked as an author and illustrator of both adult and children's literature, until his wife found and exposed him in 1881. After another disappearance and name change, Richard André continued to write and illustrate books, as well as working in photography and the publishing business.
[Ref: 52715] £320.00
W.R. Snow Del.t. M. & N. Hanhart imp.
Dickinson Bro.s Lith.s 114 New Bond Street [1860.]
Scarce tinted lithograph. Printed area 230 x 340mm (9 x 13¾"), with wide margins. Slight tear in top margin.
Two Europeans wearing kepis and natives including a water carrier. From Part II (of III) of William Roger Snow's 'Sketches of Chinese Life & Character', based on a visit to Hong Kong.William Roger Snow's 'Sketches of Chinese Life & Character', based on a visit to Hong Kong. Snow was an army officer when he visited Hong Kong. However in 1875 an affair with an Irish actress ruined his career and, rather than be posted to a backwater, he left his wife and disappeared. Under the alias Clifford Merton he worked as an author and illustrator of both adult and children's literature, until his wife found and exposed him in 1881. After another disappearance and name change, Richard André continued to write and illustrate books, as well as working in photography and the publishing business.
[Ref: 52715] £320.00
A Group of Coolies on the road at Dinner.
W.R. Snow Del.t. M. & N. Hanhart imp.
Dickinson Bro.s Lith.s 114 New Bond Street [1860.]
Scarce tinted lithograph. Printed area 230 x 340mm (9 x 13¾"), with very wide margins.
Workers eating lunch with chop sticks. From Part III (of III) of William Roger Snow's 'Sketches of Chinese Life & Character', based on a visit to Hong Kong.William Roger Snow's 'Sketches of Chinese Life & Character', based on a visit to Hong Kong. Snow was an army officer when he visited Hong Kong. However in 1875 an affair with an Irish actress ruined his career and, rather than be posted to a backwater, he left his wife and disappeared. Under the alias Clifford Merton he worked as an author and illustrator of both adult and children's literature, until his wife found and exposed him in 1881. After another disappearance and name change, Richard André continued to write and illustrate books, as well as working in photography and the publishing business.
[Ref: 52712] £320.00
W.R. Snow Del.t. M. & N. Hanhart imp.
Dickinson Bro.s Lith.s 114 New Bond Street [1860.]
Scarce tinted lithograph. Printed area 230 x 340mm (9 x 13¾"), with very wide margins.
Workers eating lunch with chop sticks. From Part III (of III) of William Roger Snow's 'Sketches of Chinese Life & Character', based on a visit to Hong Kong.William Roger Snow's 'Sketches of Chinese Life & Character', based on a visit to Hong Kong. Snow was an army officer when he visited Hong Kong. However in 1875 an affair with an Irish actress ruined his career and, rather than be posted to a backwater, he left his wife and disappeared. Under the alias Clifford Merton he worked as an author and illustrator of both adult and children's literature, until his wife found and exposed him in 1881. After another disappearance and name change, Richard André continued to write and illustrate books, as well as working in photography and the publishing business.
[Ref: 52712] £320.00
Military Train Coolies Going Home.
W.R. Snow Del.t. M. & N. Hanhart imp.
Dickinson Bro.s Lith.s 114 New Bond Street [1860.]
Tinted lithograph with original hand colour. Sheet 250 x 365mm (9¾ x 14½"). Trimmed. Bit messy. Repaired tear at bottom.
A group of Chinese porters going home at sunset. From Part III (of III) of William Roger Snow's 'Sketches of Chinese Life & Character', based on a visit to Hong Kong. Snow was an army officer when he visited Hong Kong. However in 1875 an affair with an Irish actress ruined his career and, rather than be posted to a backwater, he left his wife and disappeared. Under the alias Clifford Merton he worked as an author and illustrator of both adult and children's literature, until his wife found and exposed him in 1881. After another disappearance and name change, Richard André continued to write and illustrate books, as well as working in photography and the publishing business.
[Ref: 52710] £190.00 (£228.00 incl.VAT)
W.R. Snow Del.t. M. & N. Hanhart imp.
Dickinson Bro.s Lith.s 114 New Bond Street [1860.]
Tinted lithograph with original hand colour. Sheet 250 x 365mm (9¾ x 14½"). Trimmed. Bit messy. Repaired tear at bottom.
A group of Chinese porters going home at sunset. From Part III (of III) of William Roger Snow's 'Sketches of Chinese Life & Character', based on a visit to Hong Kong. Snow was an army officer when he visited Hong Kong. However in 1875 an affair with an Irish actress ruined his career and, rather than be posted to a backwater, he left his wife and disappeared. Under the alias Clifford Merton he worked as an author and illustrator of both adult and children's literature, until his wife found and exposed him in 1881. After another disappearance and name change, Richard André continued to write and illustrate books, as well as working in photography and the publishing business.
[Ref: 52710] £190.00 (£228.00 incl.VAT)
A Funeral. Mode of Carrying the Coffin.
W.R. Snow Del.t. M. & N. Hanhart imp.
Dickinson Bro.s Lith.s 114 New Bond Street [1860.]
Scarce tinted lithograph. Printed area 230 x 340mm (9 x 13¾"), with very wide margins.
From Part II (of III) of William Roger Snow's 'Sketches of Chinese Life & Character', based on a visit to Hong Kong.William Roger Snow's 'Sketches of Chinese Life & Character', based on a visit to Hong Kong. Snow was an army officer when he visited Hong Kong. However in 1875 an affair with an Irish actress ruined his career and, rather than be posted to a backwater, he left his wife and disappeared. Under the alias Clifford Merton he worked as an author and illustrator of both adult and children's literature, until his wife found and exposed him in 1881. After another disappearance and name change, Richard André continued to write and illustrate books, as well as working in photography and the publishing business.
[Ref: 52713] £260.00 (£312.00 incl.VAT)
W.R. Snow Del.t. M. & N. Hanhart imp.
Dickinson Bro.s Lith.s 114 New Bond Street [1860.]
Scarce tinted lithograph. Printed area 230 x 340mm (9 x 13¾"), with very wide margins.
From Part II (of III) of William Roger Snow's 'Sketches of Chinese Life & Character', based on a visit to Hong Kong.William Roger Snow's 'Sketches of Chinese Life & Character', based on a visit to Hong Kong. Snow was an army officer when he visited Hong Kong. However in 1875 an affair with an Irish actress ruined his career and, rather than be posted to a backwater, he left his wife and disappeared. Under the alias Clifford Merton he worked as an author and illustrator of both adult and children's literature, until his wife found and exposed him in 1881. After another disappearance and name change, Richard André continued to write and illustrate books, as well as working in photography and the publishing business.
[Ref: 52713] £260.00 (£312.00 incl.VAT)
The Mountains Of Suli.
Hanhart lith.
[London: Richard Bentley, Publisher in Ordinary to Her Majesty. 1864.]
Fine coloured lithograph. Sheet 152 x 235mm (6 x 9¼"). Some soiling to left edge.
A view in what is now north-western Greece. Souli is a mountain settlement in Thesprotia, Greece. From "The Eastern Shores of the Adriatic in 1863. With a Visit to Montenegro", by Emily Anne Beaufort, Viscountess Strangford.
[Ref: 53126] £130.00 (£156.00 incl.VAT)
Hanhart lith.
[London: Richard Bentley, Publisher in Ordinary to Her Majesty. 1864.]
Fine coloured lithograph. Sheet 152 x 235mm (6 x 9¼"). Some soiling to left edge.
A view in what is now north-western Greece. Souli is a mountain settlement in Thesprotia, Greece. From "The Eastern Shores of the Adriatic in 1863. With a Visit to Montenegro", by Emily Anne Beaufort, Viscountess Strangford.
[Ref: 53126] £130.00 (£156.00 incl.VAT)
![W. Spence [facsimile signature].](jpegs/48439.jpg)
W. Spence [facsimile signature].
T.H. Maguire 1849. M. & H. Hanhart Imp.
Lithograph on chine collé. Printed area 290 x 240mm (11½ x 9½"), blind stamp of the Ipswich Museum.
William Spence (c.1783 – 6 January 1860), British economist and entomologist, one of the founders of the Society of Entomologists of London in 1833, becoming its president in 1847. From the series 'Ipswich Museum Portraits'.
Wellcome 1792-3.
[Ref: 48439] £160.00 (£192.00 incl.VAT)
T.H. Maguire 1849. M. & H. Hanhart Imp.
Lithograph on chine collé. Printed area 290 x 240mm (11½ x 9½"), blind stamp of the Ipswich Museum.
William Spence (c.1783 – 6 January 1860), British economist and entomologist, one of the founders of the Society of Entomologists of London in 1833, becoming its president in 1847. From the series 'Ipswich Museum Portraits'.
Wellcome 1792-3.
[Ref: 48439] £160.00 (£192.00 incl.VAT)
Alfred Crowquill's Sketches From Jullien's Bal Masque. That's About The Step I Think Maria? Yes Love, Now Isn't He A Duck!
Alfred Crowquill, delt. et lith. M & N. Hanhart, Impt.
Published by E. Sidebetham, 38, Burlington Arcade [n.d., c.1850].
Coloured lithograph, sheet 379 x 279mm. Light foxing to margins.
Illustrations to Jullien's Bal Masque quadrille, by Alfred Henry Forrester, best known under the name of Alfred Crowquill (1804 - 1872). Louis Antoine Jullien (1812 -1860) conducted a series of winter season promenade concerts at the Covent Garden Theatre, which were highly successful; and on March 4th, 1844, the first bal-masqué given in England in the 19th century took place at Covent Garden under his auspices. In 1822 Forrester wrote for the Hive and in 1823 for the Mirror. He next applied himself to the study of drawing and modelling, as well as to wood and steel engraving. He was also the writer of burlesques, drew pantomimic extravaganzas for the pictorial papers, and exhibited pen-and-ink sketches in the miniature room of the Royal Academy in 1845 and 1846. For a time he contributed sketches to ‘Punch,’ where his work will be found in vols. ii. iii. and iv., and then went over to the ‘Illustrated London News’ as a member of the literary and pictorial staff. As a writer and illustrator of his own writings he was very popular; upwards of twenty works came from his pen, many of them being children's books. For some years the London pantomimes were indebted to him for designs, devices, and effects. In 1851 he modelled a statuette of the Duke of Wellington, which he produced a fortnight before the duke's death and presented to Queen Victoria and the allied sovereigns. At the time when he originally started as an artist there was not much competition, and he consequently found constant work. His works have enjoyed a considerable amount of popularity.
Ex: Collection of Alec Clunes.
[Ref: 7813] £230.00 (£276.00 incl.VAT)
Alfred Crowquill, delt. et lith. M & N. Hanhart, Impt.
Published by E. Sidebetham, 38, Burlington Arcade [n.d., c.1850].
Coloured lithograph, sheet 379 x 279mm. Light foxing to margins.
Illustrations to Jullien's Bal Masque quadrille, by Alfred Henry Forrester, best known under the name of Alfred Crowquill (1804 - 1872). Louis Antoine Jullien (1812 -1860) conducted a series of winter season promenade concerts at the Covent Garden Theatre, which were highly successful; and on March 4th, 1844, the first bal-masqué given in England in the 19th century took place at Covent Garden under his auspices. In 1822 Forrester wrote for the Hive and in 1823 for the Mirror. He next applied himself to the study of drawing and modelling, as well as to wood and steel engraving. He was also the writer of burlesques, drew pantomimic extravaganzas for the pictorial papers, and exhibited pen-and-ink sketches in the miniature room of the Royal Academy in 1845 and 1846. For a time he contributed sketches to ‘Punch,’ where his work will be found in vols. ii. iii. and iv., and then went over to the ‘Illustrated London News’ as a member of the literary and pictorial staff. As a writer and illustrator of his own writings he was very popular; upwards of twenty works came from his pen, many of them being children's books. For some years the London pantomimes were indebted to him for designs, devices, and effects. In 1851 he modelled a statuette of the Duke of Wellington, which he produced a fortnight before the duke's death and presented to Queen Victoria and the allied sovereigns. At the time when he originally started as an artist there was not much competition, and he consequently found constant work. His works have enjoyed a considerable amount of popularity.
Ex: Collection of Alec Clunes.
[Ref: 7813] £230.00 (£276.00 incl.VAT)
![Wm Thompson [facsimile signature]](jpegs/4023.jpg)
Wm Thompson [facsimile signature]
T. H. Maguire. 1849. M. & N. Hanhart, Impt.
Published by George Ransome, Ipswich, 1851.
Lithograph signed on stone by the artist with "Wm. Thompson" signature facsimile. 607 x 442mm.
Irish Naturalist. [1805 - 52] This print published for Ipswich Museum Portraits.
W: 2922
[Ref: 4023] £130.00 (£156.00 incl.VAT)
T. H. Maguire. 1849. M. & N. Hanhart, Impt.
Published by George Ransome, Ipswich, 1851.
Lithograph signed on stone by the artist with "Wm. Thompson" signature facsimile. 607 x 442mm.
Irish Naturalist. [1805 - 52] This print published for Ipswich Museum Portraits.
W: 2922
[Ref: 4023] £130.00 (£156.00 incl.VAT)
Hindoo Temple In The Himalayas.
W.H.K. Delt. Hanhart lith.
[London: Richard Bentley, 1863.]
Chromolithograph. Sheet: 150 x 245, (6 x 9") large margins.
Plate to Captian William Henry Knight's 'Diary of a Pedestrian in Cashmere and Thibet.'
[Ref: 39867] £70.00 (£84.00 incl.VAT)
W.H.K. Delt. Hanhart lith.
[London: Richard Bentley, 1863.]
Chromolithograph. Sheet: 150 x 245, (6 x 9") large margins.
Plate to Captian William Henry Knight's 'Diary of a Pedestrian in Cashmere and Thibet.'
[Ref: 39867] £70.00 (£84.00 incl.VAT)
View In Sirinugger.
W.H.K. Delt. Hanhart, lith.
[London: Richard Bentley, 1863.]
Tinted lithograph, sheet 150 x 240mm. 6 x 9½". Margins tatty/creased.
A view in Tibet. Plate to Captian William Henry Knight's 'Diary of a Pedestrian in Cashmere and Thibet.'
British Library: 001989980. Not in Abbey.
[Ref: 10274] £70.00 (£84.00 incl.VAT)
W.H.K. Delt. Hanhart, lith.
[London: Richard Bentley, 1863.]
Tinted lithograph, sheet 150 x 240mm. 6 x 9½". Margins tatty/creased.
A view in Tibet. Plate to Captian William Henry Knight's 'Diary of a Pedestrian in Cashmere and Thibet.'
British Library: 001989980. Not in Abbey.
[Ref: 10274] £70.00 (£84.00 incl.VAT)
No. 30. The Juniper. The Forest of Fontainbleau. Datur Hora Quieti 1868.
Geo. Barnard delt 1868. M&N Hanhart Imp.
London, Published by Winsor & Newton Rathbone Place April 1868.
Very fine coloured lithograph. 348 x 513mm (13¾ x 20¼").
The forest of Fontainbleau southeast of Paris, from 'Barnard’s Trees', which illustrated 30 trees ' Drawn on stone by the author, with foreign and home scenes of interest, and short descriptive letter press'. George Barnard, a drawing master at Rugby School, is best known for his 'Theory and Practice of Landscape Painting in Water-Colours'.
[Ref: 19293] £140.00 (£168.00 incl.VAT)
Geo. Barnard delt 1868. M&N Hanhart Imp.
London, Published by Winsor & Newton Rathbone Place April 1868.
Very fine coloured lithograph. 348 x 513mm (13¾ x 20¼").
The forest of Fontainbleau southeast of Paris, from 'Barnard’s Trees', which illustrated 30 trees ' Drawn on stone by the author, with foreign and home scenes of interest, and short descriptive letter press'. George Barnard, a drawing master at Rugby School, is best known for his 'Theory and Practice of Landscape Painting in Water-Colours'.
[Ref: 19293] £140.00 (£168.00 incl.VAT)
No 28. The Olive, Aloe &c. n.r Nice, Coast of Genoa.
1868. Geo. Barnard del.t M & N. Hanhart Imp.
London; Published by Winsor & Newton, Rathbone Place, April 1868.
Coloured lithograph, rare. Printed area 330 x 440mm (13 x 17¼"). Wear to edges, two worm holes in sky.
A coastal view near Nice in France, from 'Barnard’s Trees', which illustrated 30 trees 'Drawn on stone by the author, with foreign and home scenes of interest, and short descriptive letter press'. George Barnard, a drawing master at Rugby School, is best known for his 'Theory and Practice of Landscape Painting in Water-Colours'.
Not in Abbey.
[Ref: 33831] £220.00 (£264.00 incl.VAT)
1868. Geo. Barnard del.t M & N. Hanhart Imp.
London; Published by Winsor & Newton, Rathbone Place, April 1868.
Coloured lithograph, rare. Printed area 330 x 440mm (13 x 17¼"). Wear to edges, two worm holes in sky.
A coastal view near Nice in France, from 'Barnard’s Trees', which illustrated 30 trees 'Drawn on stone by the author, with foreign and home scenes of interest, and short descriptive letter press'. George Barnard, a drawing master at Rugby School, is best known for his 'Theory and Practice of Landscape Painting in Water-Colours'.
Not in Abbey.
[Ref: 33831] £220.00 (£264.00 incl.VAT)
![[Victoria and family] The Royal Family of England. 1854](jpegs/61969.jpg)
[Victoria and family] The Royal Family of England. 1854
J. Brandard. M. & N. Hanhart Imp.t.
Tinted lithograph. Printed area 315 x 225mm (12½ x 8¾"), with large margins. Some foxing in borders.
Queen Victoria, Albert and eight of their nine children (the last, Beatrice, not being born until 1857), with Leopold in the arms of a governess.
[Ref: 61969] £160.00 (£192.00 incl.VAT)
J. Brandard. M. & N. Hanhart Imp.t.
Tinted lithograph. Printed area 315 x 225mm (12½ x 8¾"), with large margins. Some foxing in borders.
Queen Victoria, Albert and eight of their nine children (the last, Beatrice, not being born until 1857), with Leopold in the arms of a governess.
[Ref: 61969] £160.00 (£192.00 incl.VAT)
Alfred Crowquill's Sketches From Jullien's Bal Masque. What Not One Kiss. Why We Both Belong To The Sea.
Alfred Crowquill, delt. et lith. M & N. Hanhart, Impt.
Published by E. Sidebetham, 38, Burlington Arcade [n.d., c.1850].
Coloured lithograph, sheet 384 x 281mm. Light foxing to margins.
Illustrations to Jullien's Bal Masque quadrille, by Alfred Henry Forrester, best known under the name of Alfred Crowquill (1804 - 1872). Louis Antoine Jullien (1812 -1860) conducted a series of winter season promenade concerts at the Covent Garden Theatre, which were highly successful; and on March 4th, 1844, the first bal-masqué given in England in the 19th century took place at Covent Garden under his auspices. In 1822 Forrester wrote for the Hive and in 1823 for the Mirror. He next applied himself to the study of drawing and modelling, as well as to wood and steel engraving. He was also the writer of burlesques, drew pantomimic extravaganzas for the pictorial papers, and exhibited pen-and-ink sketches in the miniature room of the Royal Academy in 1845 and 1846. For a time he contributed sketches to ‘Punch,' where his work will be found in vols. ii. iii. and iv., and then went over to the ‘Illustrated London News' as a member of the literary and pictorial staff. As a writer and illustrator of his own writings he was very popular; upwards of twenty works came from his pen, many of them being children's books. For some years the London pantomimes were indebted to him for designs, devices, and effects. In 1851 he modelled a statuette of the Duke of Wellington, which he produced a fortnight before the duke's death and presented to Queen Victoria and the allied sovereigns. At the time when he originally started as an artist there was not much competition, and he consequently found constant work. His works have enjoyed a considerable amount of popularity.
Ex: Collection of Alec Clunes.
[Ref: 7812] £230.00 (£276.00 incl.VAT)
Alfred Crowquill, delt. et lith. M & N. Hanhart, Impt.
Published by E. Sidebetham, 38, Burlington Arcade [n.d., c.1850].
Coloured lithograph, sheet 384 x 281mm. Light foxing to margins.
Illustrations to Jullien's Bal Masque quadrille, by Alfred Henry Forrester, best known under the name of Alfred Crowquill (1804 - 1872). Louis Antoine Jullien (1812 -1860) conducted a series of winter season promenade concerts at the Covent Garden Theatre, which were highly successful; and on March 4th, 1844, the first bal-masqué given in England in the 19th century took place at Covent Garden under his auspices. In 1822 Forrester wrote for the Hive and in 1823 for the Mirror. He next applied himself to the study of drawing and modelling, as well as to wood and steel engraving. He was also the writer of burlesques, drew pantomimic extravaganzas for the pictorial papers, and exhibited pen-and-ink sketches in the miniature room of the Royal Academy in 1845 and 1846. For a time he contributed sketches to ‘Punch,' where his work will be found in vols. ii. iii. and iv., and then went over to the ‘Illustrated London News' as a member of the literary and pictorial staff. As a writer and illustrator of his own writings he was very popular; upwards of twenty works came from his pen, many of them being children's books. For some years the London pantomimes were indebted to him for designs, devices, and effects. In 1851 he modelled a statuette of the Duke of Wellington, which he produced a fortnight before the duke's death and presented to Queen Victoria and the allied sovereigns. At the time when he originally started as an artist there was not much competition, and he consequently found constant work. His works have enjoyed a considerable amount of popularity.
Ex: Collection of Alec Clunes.
[Ref: 7812] £230.00 (£276.00 incl.VAT)
![W. I. Williams M. Gen. [facsimile.]](jpegs/12720.jpg)
W. I. Williams M. Gen. [facsimile.]
Baugniet 1857. M & N. Hanhart, Lith Impt.
Published Octr. 15th. 1857, by E. Gambert & Co. 25 Berners St, Oxford St, London, & 8, Rue de Bruxelles, Paris. & P & D. Colnaghi & Co. 13 & 14, Pall Mall East, London.
Lithograph. E.Gambert & Co. London [stamped]. 600 x 435mm. 23½ x 17¼".
W.I. Williams
[Ref: 12720] £130.00 (£156.00 incl.VAT)
Baugniet 1857. M & N. Hanhart, Lith Impt.
Published Octr. 15th. 1857, by E. Gambert & Co. 25 Berners St, Oxford St, London, & 8, Rue de Bruxelles, Paris. & P & D. Colnaghi & Co. 13 & 14, Pall Mall East, London.
Lithograph. E.Gambert & Co. London [stamped]. 600 x 435mm. 23½ x 17¼".
W.I. Williams
[Ref: 12720] £130.00 (£156.00 incl.VAT)
Alfred Crowquill's Sketches From Jullien's Bal Masque. You Shall Dance One More __ Pon My Word You Must Excuse Me Ive. No Key And Promised To Be Home Early.
Alfred Crowquill, delt. et lith. M & N. Hanhart, Impt.
Published by E. Sidebetham, 38, Burlington Arcade [n.d., c.1850].
Coloured lithograph, sheet 378 x 279mm. Light foxing to margins.
Illustrations to Jullien's Bal Masque quadrille, by Alfred Henry Forrester, best known under the name of Alfred Crowquill (1804 - 1872). Louis Antoine Jullien (1812 -1860) conducted a series of winter season promenade concerts at the Covent Garden Theatre, which were highly successful; and on March 4th, 1844, the first bal-masqué given in England in the 19th century took place at Covent Garden under his auspices. In 1822 Forrester wrote for the Hive and in 1823 for the Mirror. He next applied himself to the study of drawing and modelling, as well as to wood and steel engraving. He was also the writer of burlesques, drew pantomimic extravaganzas for the pictorial papers, and exhibited pen-and-ink sketches in the miniature room of the Royal Academy in 1845 and 1846. For a time he contributed sketches to ‘Punch,’ where his work will be found in vols. ii. iii. and iv., and then went over to the ‘Illustrated London News’ as a member of the literary and pictorial staff. As a writer and illustrator of his own writings he was very popular; upwards of twenty works came from his pen, many of them being children's books. For some years the London pantomimes were indebted to him for designs, devices, and effects. In 1851 he modelled a statuette of the Duke of Wellington, which he produced a fortnight before the duke's death and presented to Queen Victoria and the allied sovereigns. At the time when he originally started as an artist there was not much competition, and he consequently found constant work. His works have enjoyed a considerable amount of popularity.
Ex: Collection of Alec Clunes.
[Ref: 7815] £260.00 (£312.00 incl.VAT)
Alfred Crowquill, delt. et lith. M & N. Hanhart, Impt.
Published by E. Sidebetham, 38, Burlington Arcade [n.d., c.1850].
Coloured lithograph, sheet 378 x 279mm. Light foxing to margins.
Illustrations to Jullien's Bal Masque quadrille, by Alfred Henry Forrester, best known under the name of Alfred Crowquill (1804 - 1872). Louis Antoine Jullien (1812 -1860) conducted a series of winter season promenade concerts at the Covent Garden Theatre, which were highly successful; and on March 4th, 1844, the first bal-masqué given in England in the 19th century took place at Covent Garden under his auspices. In 1822 Forrester wrote for the Hive and in 1823 for the Mirror. He next applied himself to the study of drawing and modelling, as well as to wood and steel engraving. He was also the writer of burlesques, drew pantomimic extravaganzas for the pictorial papers, and exhibited pen-and-ink sketches in the miniature room of the Royal Academy in 1845 and 1846. For a time he contributed sketches to ‘Punch,’ where his work will be found in vols. ii. iii. and iv., and then went over to the ‘Illustrated London News’ as a member of the literary and pictorial staff. As a writer and illustrator of his own writings he was very popular; upwards of twenty works came from his pen, many of them being children's books. For some years the London pantomimes were indebted to him for designs, devices, and effects. In 1851 he modelled a statuette of the Duke of Wellington, which he produced a fortnight before the duke's death and presented to Queen Victoria and the allied sovereigns. At the time when he originally started as an artist there was not much competition, and he consequently found constant work. His works have enjoyed a considerable amount of popularity.
Ex: Collection of Alec Clunes.
[Ref: 7815] £260.00 (£312.00 incl.VAT)