A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![[Triumphal Arch erected for William III in the Hague]](jpegs/42804.jpg)
[Triumphal Arch erected for William III in the Hague] Arc de Triomphe dans l'Avant Cour, erige pour sa Majesté Britannique, 1691 [parallel text in Dutch]
J. V. D. Avele fec.
Apud Carolum Allard cum Priv. ord. Holl et Westvrisiae.
Etching, 17th century watermark; sheet 250 x 295mm (9¾ x 11½"). Tipped into album sheet; central fold. Trimmed to border.
Huge triumphal arch erected in the Hague on the occasion of William III's visit in 1691 (the first time he had returned to the Netherlands since being crowned king of England, Scotland and Ireland in 1688). The arch was one of a series which channelled the procession towards the town hall. Plate from a Dutch publication comprising twenty plates depicting key episodes from the Glorious Revolution.
[Ref: 42804] £260.00 (£312.00 incl.VAT)
J. V. D. Avele fec.
Apud Carolum Allard cum Priv. ord. Holl et Westvrisiae.
Etching, 17th century watermark; sheet 250 x 295mm (9¾ x 11½"). Tipped into album sheet; central fold. Trimmed to border.
Huge triumphal arch erected in the Hague on the occasion of William III's visit in 1691 (the first time he had returned to the Netherlands since being crowned king of England, Scotland and Ireland in 1688). The arch was one of a series which channelled the procession towards the town hall. Plate from a Dutch publication comprising twenty plates depicting key episodes from the Glorious Revolution.
[Ref: 42804] £260.00 (£312.00 incl.VAT)
![[Triumphal Arch erected for William III in the Hague]](jpegs/42805.jpg)
[Triumphal Arch erected for William III in the Hague] Eere Poort op de groote markt, opgerecht voor Z.K.M. van Groot Britanje. 1691. [parallel text in Dutch]
Hugo Allard f [in image lower right]
Apud Carolum Allard cum Priv. ordinum Hollandiae et Westvrisiae.
Etching, 17th century watermark; sheet 250 x 295mm (9¾ x 11½"). Tipped into album sheet; central fold. Trimmed to border.
Triumphal arch erected in the marketplace in the Hague on the occasion of William III's visit in 1691 (the first time he had returned to the Netherlands since being crowned king of England, Scotland and Ireland in 1688). The arch was one of a number which channelled the procession towards the town hall. Plate from a Dutch publication comprising twenty plates depicting key episodes from the Glorious Revolution.
[Ref: 42805] £260.00 (£312.00 incl.VAT)
Hugo Allard f [in image lower right]
Apud Carolum Allard cum Priv. ordinum Hollandiae et Westvrisiae.
Etching, 17th century watermark; sheet 250 x 295mm (9¾ x 11½"). Tipped into album sheet; central fold. Trimmed to border.
Triumphal arch erected in the marketplace in the Hague on the occasion of William III's visit in 1691 (the first time he had returned to the Netherlands since being crowned king of England, Scotland and Ireland in 1688). The arch was one of a number which channelled the procession towards the town hall. Plate from a Dutch publication comprising twenty plates depicting key episodes from the Glorious Revolution.
[Ref: 42805] £260.00 (£312.00 incl.VAT)
Thomas Armstrong Binnen Londen, gehangen en gevierendeelt.
J.L. [c.1690]
Etching, rare, sheet 185 x 135mm (7¼ x 5¼"). Glued to backing sheet.
The execution of army officer and conspirator Sir Thomas Armstrong (1633-84). Armstrong associated with Charles II's natural son the duke of Monmouth and plotted to secure Monmouth's succession to the throne. Following disclosure of the Rye House plot (to murder Charles II and the future James II to spark an insurrection) Armstrong was indicted for high treason. He moved to the continent but was captured, brought back to England, and executed. His head was affixed to Westminster Hall, three of his quarters displayed in London, and the fourth at Stafford.
[Ref: 42544] £180.00 (£216.00 incl.VAT)
J.L. [c.1690]
Etching, rare, sheet 185 x 135mm (7¼ x 5¼"). Glued to backing sheet.
The execution of army officer and conspirator Sir Thomas Armstrong (1633-84). Armstrong associated with Charles II's natural son the duke of Monmouth and plotted to secure Monmouth's succession to the throne. Following disclosure of the Rye House plot (to murder Charles II and the future James II to spark an insurrection) Armstrong was indicted for high treason. He moved to the continent but was captured, brought back to England, and executed. His head was affixed to Westminster Hall, three of his quarters displayed in London, and the fourth at Stafford.
[Ref: 42544] £180.00 (£216.00 incl.VAT)
![[William III arriving in Honslaarsdijk in the Hague, in his carriage]](jpegs/42415.jpg)
[William III arriving in Honslaarsdijk in the Hague, in his carriage] Aenkomst van S.K. Maj. op Honslerdyk [parallel text in French].
[Romeyn de Hooghe, published the Hague by Arnold Leers, 1691]
Etching, 17th century watermark; platemark 330 x 440mm (13 x 17¼"). Fold through centre as normal.
Illustration to Govert Bidloo's 'Komste van Zyne Majesteit Willem III in Holland' (1691), etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr: 79
[Ref: 42415] £320.00
[Romeyn de Hooghe, published the Hague by Arnold Leers, 1691]
Etching, 17th century watermark; platemark 330 x 440mm (13 x 17¼"). Fold through centre as normal.
Illustration to Govert Bidloo's 'Komste van Zyne Majesteit Willem III in Holland' (1691), etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr: 79
[Ref: 42415] £320.00
![[Schematic representation of the paintings decorating the triumphal arch on the square Buitenhof in The Hague, in honour of William III's visit in 1691]](jpegs/42405.jpg)
[Schematic representation of the paintings decorating the triumphal arch on the square Buitenhof in The Hague, in honour of William III's visit in 1691] Schilderyen binnen de zeegeen eerepoorten voor het Hof [parallel text in French]
[Romeyn de Hooghe, published the Hague by Arnold Leers, 1691]
Etching, 17th century watermark; platemark 330 x 440mm (13 x 17¼"). Fold through centre as normal.
Four oblong designs and six larger scenes showing queen Mary, reproduced from a triumphal arch erected in honour of William III. Illustration to Govert Bidloo's 'Komste van Zyne Majesteit Willem III in Holland' (1691), etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
For views of the triumphal arch see refs. 42418-9. Landwehr: 79
[Ref: 42405] £220.00 (£264.00 incl.VAT)
[Romeyn de Hooghe, published the Hague by Arnold Leers, 1691]
Etching, 17th century watermark; platemark 330 x 440mm (13 x 17¼"). Fold through centre as normal.
Four oblong designs and six larger scenes showing queen Mary, reproduced from a triumphal arch erected in honour of William III. Illustration to Govert Bidloo's 'Komste van Zyne Majesteit Willem III in Holland' (1691), etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
For views of the triumphal arch see refs. 42418-9. Landwehr: 79
[Ref: 42405] £220.00 (£264.00 incl.VAT)
![[Schematic presentation of the two painted scenes decorating the sides of the triumphal arch on the square Buitenhof in The Hague, in honour of William III's visit in 1691]](jpegs/42407.jpg)
[Schematic presentation of the two painted scenes decorating the sides of the triumphal arch on the square Buitenhof in The Hague, in honour of William III's visit in 1691] Zyschilderyen der Zeege-en Eerepoorten voor het Hof [parallel text in French]
[Romeyn de Hooghe, published the Hague by Arnold Leers, 1691]
Etching, 17th century watermark; platemark 330 x 440mm (13 x 17¼"). Fold through centre as normal; crease.
Two scenes showing military and naval victory, reproduced from a triumphal arch erected in honour of William III. Illustration to Govert Bidloo's 'Komste van Zyne Majesteit Willem III in Holland' (1691), etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
For views of the triumphal arch see refs. 42418-9. Landwehr: 79
[Ref: 42407] £220.00 (£264.00 incl.VAT)
[Romeyn de Hooghe, published the Hague by Arnold Leers, 1691]
Etching, 17th century watermark; platemark 330 x 440mm (13 x 17¼"). Fold through centre as normal; crease.
Two scenes showing military and naval victory, reproduced from a triumphal arch erected in honour of William III. Illustration to Govert Bidloo's 'Komste van Zyne Majesteit Willem III in Holland' (1691), etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
For views of the triumphal arch see refs. 42418-9. Landwehr: 79
[Ref: 42407] £220.00 (£264.00 incl.VAT)
![[Schematic representation of the exterior decorations of the triumphal arch on the square Buitenhof in The Hague, in honour of William III's visit in 1691]](jpegs/42408.jpg)
[Schematic representation of the exterior decorations of the triumphal arch on the square Buitenhof in The Hague, in honour of William III's visit in 1691] Beelden, Devisen, Schilderyen en Zinnebeelden Zich van Buyten Vertoonende op de Zeege-en Eereporten voor het Hof [parallel text in French].
[Romeyn de Hooghe, published the Hague by Arnold Leers, 1691]
Etching, 17th century watermark; platemark 330 x 440mm (13 x 17¼"). Crease through centre as normal.
Decorations reproduced from a triumphal arch erected in honour of William III: eight allegorical statues (top row), emblematic representations (second and fourth rows), and scenes from the life of William III (third row). Illustration to Govert Bidloo's 'Komste van Zyne Majesteit Willem III in Holland' (1691), etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
For views of the triumphal arch see refs. 42418-9. Landwehr: 79.
[Ref: 42408] £220.00 (£264.00 incl.VAT)
[Romeyn de Hooghe, published the Hague by Arnold Leers, 1691]
Etching, 17th century watermark; platemark 330 x 440mm (13 x 17¼"). Crease through centre as normal.
Decorations reproduced from a triumphal arch erected in honour of William III: eight allegorical statues (top row), emblematic representations (second and fourth rows), and scenes from the life of William III (third row). Illustration to Govert Bidloo's 'Komste van Zyne Majesteit Willem III in Holland' (1691), etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
For views of the triumphal arch see refs. 42418-9. Landwehr: 79.
[Ref: 42408] £220.00 (£264.00 incl.VAT)
![[Schematic presentation of the painted scenes decorating the triumphal arch erected in the court-yard Binnenhof in the Hague in honour of William III]](jpegs/42409.jpg)
[Schematic presentation of the painted scenes decorating the triumphal arch erected in the court-yard Binnenhof in the Hague in honour of William III] Schilderyen Binnen de Eerepoort op de Plaats en op de Zyde na de Vyverbergh [parallel text in French].
[Romeyn de Hooghe, published the Hague by Arnold Leers, 1691]
Etching, 17th century watermark; platemark 320 x 205mm (12½ x 8"). Tipped into album sheet.
Six allegorical and mythological scenes surmounted by three coats of arms, reproduced from a triumphal arch erected in honour of William III: eight allegorical statues (top row), emblematic representations (second and fourth rows), and scenes from the life of William III (third row). Illustration to Govert Bidloo's 'Komste van Zyne Majesteit Willem III in Holland' (1691), etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr: 79
[Ref: 42409] £140.00 (£168.00 incl.VAT)
[Romeyn de Hooghe, published the Hague by Arnold Leers, 1691]
Etching, 17th century watermark; platemark 320 x 205mm (12½ x 8"). Tipped into album sheet.
Six allegorical and mythological scenes surmounted by three coats of arms, reproduced from a triumphal arch erected in honour of William III: eight allegorical statues (top row), emblematic representations (second and fourth rows), and scenes from the life of William III (third row). Illustration to Govert Bidloo's 'Komste van Zyne Majesteit Willem III in Holland' (1691), etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr: 79
[Ref: 42409] £140.00 (£168.00 incl.VAT)
![[Schematic presentation of the decorations of the ornamental columns in the firework display held in the Hague in honour of William III]](jpegs/42411.jpg)
[Schematic presentation of the decorations of the ornamental columns in the firework display held in the Hague in honour of William III] Verbeeldingen der Twee Naalden van het Konstvuurwerk [parallel text in French].
[Romeyn de Hooghe, published the Hague by Arnold Leers, 1691]
Etching, 17th century watermark; platemark 320 x 205mm (12½ x 8"). Tipped into album sheet.
Illustration to Govert Bidloo's 'Komste van Zyne Majesteit Willem III in Holland' (1691), etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
[Ref: 42411] £120.00 (£144.00 incl.VAT)
[Romeyn de Hooghe, published the Hague by Arnold Leers, 1691]
Etching, 17th century watermark; platemark 320 x 205mm (12½ x 8"). Tipped into album sheet.
Illustration to Govert Bidloo's 'Komste van Zyne Majesteit Willem III in Holland' (1691), etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
[Ref: 42411] £120.00 (£144.00 incl.VAT)
![[Celebrations in front of City Hall in the Hague in honour of the visit of William III]](jpegs/42413.jpg)
[Celebrations in front of City Hall in the Hague in honour of the visit of William III] Vreugde-en Eereteekenen voor het Stadhuis van 's Gravenhage [parallel text in French]
[Romeyn de Hooghe, published the Hague by Arnold Leers, 1691]
Etching, 17th century watermark; platemark 320 x 205mm (12½ x 8"). Tipped into album sheet.
Illustration to Govert Bidloo's 'Komste van Zyne Majesteit Willem III in Holland' (1691), etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
For the firework display (in which some of these ornamental columns can be seen) see ref. 42404. Landwehr: 79
[Ref: 42413] £220.00 (£264.00 incl.VAT)
[Romeyn de Hooghe, published the Hague by Arnold Leers, 1691]
Etching, 17th century watermark; platemark 320 x 205mm (12½ x 8"). Tipped into album sheet.
Illustration to Govert Bidloo's 'Komste van Zyne Majesteit Willem III in Holland' (1691), etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
For the firework display (in which some of these ornamental columns can be seen) see ref. 42404. Landwehr: 79
[Ref: 42413] £220.00 (£264.00 incl.VAT)
![Earl of Castlemains Embassy to the Pope [ms below image]](jpegs/42549.jpg)
Earl of Castlemains Embassy to the Pope [ms below image]
Gio Batta Lenardi Romo Inv et delin Arnoldo Van Westerhout fiam.o Sculp [1687]
Engraving, sheet 250 x 185mm (9¾ x 7¼"). Trimmed and glued to backing sheet.
Roger Palmer, earl of Castlemaine (1634-1705), ambassador to James II, in Rome kneeling before Pope Innocent XI. Putti in top left carrying likeness of James II. Illustration from John Michael Wright's 'An Account of his Excellence Roger Earl of Castelmaine's Embassy from his sacred Majesty James the IId' (London, 1688). One of few engravings after Giovanni Battista Lenardi (1656-1704), member of the Accademia de San Luca who produced several works for churches in Rome.
[Ref: 42549] £180.00 (£216.00 incl.VAT)
Gio Batta Lenardi Romo Inv et delin Arnoldo Van Westerhout fiam.o Sculp [1687]
Engraving, sheet 250 x 185mm (9¾ x 7¼"). Trimmed and glued to backing sheet.
Roger Palmer, earl of Castlemaine (1634-1705), ambassador to James II, in Rome kneeling before Pope Innocent XI. Putti in top left carrying likeness of James II. Illustration from John Michael Wright's 'An Account of his Excellence Roger Earl of Castelmaine's Embassy from his sacred Majesty James the IId' (London, 1688). One of few engravings after Giovanni Battista Lenardi (1656-1704), member of the Accademia de San Luca who produced several works for churches in Rome.
[Ref: 42549] £180.00 (£216.00 incl.VAT)
![[Coronation of Charles II, 1661]](jpegs/42920.jpg)
[Coronation of Charles II, 1661]
[Wenceslaus Hollar, 1662]
Etching, sheet 360 x 465mm (14¼ x 18¼"). Trimmed to image; central fold as normal;
The coronation of Charles II at Westminster Abbey on 23 April 1661. Published in 'The entertainment of His most excellent Majestie Charles II...' (1662) by John Ogilby. Ogilby had obtained exclusive publishing rights for the coronation procession days before it took place, rushing out a simple and unillustrated text in time for the event, and over the next year worked on this sumptuous account with engravings by leading engravers including (as here) Wenceslaus Hollar, (1607-77), Bohemian printmaker who spent most of his career working in England. Hollar's technical skill has ensured that his prints have always been keenly collected, and comprehensive collections of his work are at institutions in London, Berlin and Prague.
P 575
[Ref: 42920] £450.00
[Wenceslaus Hollar, 1662]
Etching, sheet 360 x 465mm (14¼ x 18¼"). Trimmed to image; central fold as normal;
The coronation of Charles II at Westminster Abbey on 23 April 1661. Published in 'The entertainment of His most excellent Majestie Charles II...' (1662) by John Ogilby. Ogilby had obtained exclusive publishing rights for the coronation procession days before it took place, rushing out a simple and unillustrated text in time for the event, and over the next year worked on this sumptuous account with engravings by leading engravers including (as here) Wenceslaus Hollar, (1607-77), Bohemian printmaker who spent most of his career working in England. Hollar's technical skill has ensured that his prints have always been keenly collected, and comprehensive collections of his work are at institutions in London, Berlin and Prague.
P 575
[Ref: 42920] £450.00
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![[Murder of the de Witt brothers, with letterpress description and portraits of the brothers]](jpegs/42538.jpg)
[Murder of the de Witt brothers, with letterpress description and portraits of the brothers]
R. de Hooghe del et sc. 1672 [and similar, murder scenes only]
Four etched and engraved sheets, dimensions 150 x 115mm (6 x 4½") to 315 x 200mm (12½ x 8"). All trimmed and tipped into album sheets.
The murders of the De Witt brothers, Cornelis (1623-72) and Jan (1625-72), shown in four panels (originally printed on one sheet). Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. Jan de Witt opposed the appointment of William of Orange as stadtholder, and after the French invasion of the United Provinces in 1672 the people called for William and demonstrated against Jan. That same year Cornelis de Witt was suspected of treason and condemned to exile for life. As a result Jan resigned his position as councillor pensionary, but when he visited Cornelis in prison in the Hague, a mob gathered, dragged both brothers outside, and murdered them (as shown here). Offered with description of the events and double portrait of the brothers (probably not by de Hooghe).
Landwehr Bookplates 26.
[Ref: 42538] £320.00 view all images for this item
R. de Hooghe del et sc. 1672 [and similar, murder scenes only]
Four etched and engraved sheets, dimensions 150 x 115mm (6 x 4½") to 315 x 200mm (12½ x 8"). All trimmed and tipped into album sheets.
The murders of the De Witt brothers, Cornelis (1623-72) and Jan (1625-72), shown in four panels (originally printed on one sheet). Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. Jan de Witt opposed the appointment of William of Orange as stadtholder, and after the French invasion of the United Provinces in 1672 the people called for William and demonstrated against Jan. That same year Cornelis de Witt was suspected of treason and condemned to exile for life. As a result Jan resigned his position as councillor pensionary, but when he visited Cornelis in prison in the Hague, a mob gathered, dragged both brothers outside, and murdered them (as shown here). Offered with description of the events and double portrait of the brothers (probably not by de Hooghe).
Landwehr Bookplates 26.
[Ref: 42538] £320.00 view all images for this item
![[William of Orange landing at Torbay]](jpegs/42554.jpg)
[William of Orange landing at Torbay] Het Lande van syn K Hoogh in Engelant
[Bastiaen] Stoopendal [in image]
Etching, sheet 180 x 260mm (7 x 10"). Glued to backing sheet.
William of Orange after landing at Torbay on the south coast of England. After landing unopposed on 15 November 1688, William quickly travelled to Exeter where he set up a command centre and a printing press. This was the beginning of the Glorious Revolution which led to William becoming William III of England, Scotland and Ireland, deposing James II. Illustration to 'Engelands gods-dienst en vryheid hersteldt' (Amsterdam: Marcus Willemsz. Doornik, 1689).
[Ref: 42554] £260.00 (£312.00 incl.VAT)
[Bastiaen] Stoopendal [in image]
Etching, sheet 180 x 260mm (7 x 10"). Glued to backing sheet.
William of Orange after landing at Torbay on the south coast of England. After landing unopposed on 15 November 1688, William quickly travelled to Exeter where he set up a command centre and a printing press. This was the beginning of the Glorious Revolution which led to William becoming William III of England, Scotland and Ireland, deposing James II. Illustration to 'Engelands gods-dienst en vryheid hersteldt' (Amsterdam: Marcus Willemsz. Doornik, 1689).
[Ref: 42554] £260.00 (£312.00 incl.VAT)
![[William of Orange embarking for England]](jpegs/42552.jpg)
[William of Orange embarking for England] Vertreck van syn K. Hoogheyt nae Engelant.
[Bastiaen] Stoopenda[el] [in image]
Etching, sheet 180 x 255mm (7 x 10"). Glued to backing sheet.
William of Orange and his fleet at Hellevoetsluis, embarking for England in 1688, in what would become known as the Glorious Revolution of 1688. William became king, deposing James II. Illustration to 'Engelands gods-dienst en vryheid hersteldt' (Amsterdam: Marcus Willemsz. Doornik, 1689).
[Ref: 42552] £260.00 (£312.00 incl.VAT)
[Bastiaen] Stoopenda[el] [in image]
Etching, sheet 180 x 255mm (7 x 10"). Glued to backing sheet.
William of Orange and his fleet at Hellevoetsluis, embarking for England in 1688, in what would become known as the Glorious Revolution of 1688. William became king, deposing James II. Illustration to 'Engelands gods-dienst en vryheid hersteldt' (Amsterdam: Marcus Willemsz. Doornik, 1689).
[Ref: 42552] £260.00 (£312.00 incl.VAT)
![[William of Orange landing at Torbay]](jpegs/42555.jpg)
[William of Orange landing at Torbay] Landing des Prinzen von Oranien bei Dartmouth in Engeland den 5 Novembe A.o 1688
[Anon., c.1688]
Etching, sheet 220 x 345mm (8½ x 13½"). Tear and creases; glued to backing sheet.
William of Orange after landing at Torbay on the south coast of England. After landing unopposed on 15 November (5 November old style) 1688, William quickly travelled to Exeter where he set up a command centre and a printing press. This was the beginning of the Glorious Revolution which led to William becoming William III of England, Scotland and Ireland, deposing James II.
[Ref: 42555] £280.00 (£336.00 incl.VAT)
[Anon., c.1688]
Etching, sheet 220 x 345mm (8½ x 13½"). Tear and creases; glued to backing sheet.
William of Orange after landing at Torbay on the south coast of England. After landing unopposed on 15 November (5 November old style) 1688, William quickly travelled to Exeter where he set up a command centre and a printing press. This was the beginning of the Glorious Revolution which led to William becoming William III of England, Scotland and Ireland, deposing James II.
[Ref: 42555] £280.00 (£336.00 incl.VAT)
![[William of Orange's Invasion of England.]](jpegs/42976.jpg)
[William of Orange's Invasion of England.]
[n.d., c.1688.]
Engraving. Sheet: 335 x 380mm (13¼ x 15"). Trimmed, creases; not visible from front.
A naval scene depicting William of Orange's fleet which invaded England in November 1688, the fleet was twice the size of the Spanish Armada and consisted of about 463 ships. The portraits of William of Orange's military and naval leaders Count von Schomberg and Lord Herbert flank his own at the top of the print.
[Ref: 42976] £680.00
[n.d., c.1688.]
Engraving. Sheet: 335 x 380mm (13¼ x 15"). Trimmed, creases; not visible from front.
A naval scene depicting William of Orange's fleet which invaded England in November 1688, the fleet was twice the size of the Spanish Armada and consisted of about 463 ships. The portraits of William of Orange's military and naval leaders Count von Schomberg and Lord Herbert flank his own at the top of the print.
[Ref: 42976] £680.00
![[Assembly presided over by William III, with vignette of the House of Lords top centre]](jpegs/42800.jpg)
[Assembly presided over by William III, with vignette of the House of Lords top centre] Het plechtig zitten van het 1 Laager-Huys en des Konings in de zelve zo 2 Publiyk als [...]
Carolus Allard Excudit cum Privilegie
Etching, sheet 245 x 295mm (9¾ x 11½"). Tipped into album sheet; fold through centre. Trimmed to border especially at top.
Plate from a Dutch publication comprising twenty plates depicting key episodes from the Glorious Revolution.
[Ref: 42800] £260.00 (£312.00 incl.VAT)
Carolus Allard Excudit cum Privilegie
Etching, sheet 245 x 295mm (9¾ x 11½"). Tipped into album sheet; fold through centre. Trimmed to border especially at top.
Plate from a Dutch publication comprising twenty plates depicting key episodes from the Glorious Revolution.
[Ref: 42800] £260.00 (£312.00 incl.VAT)
![[James II visits Louis XIV at Versailles]](jpegs/42562.jpg)
[James II visits Louis XIV at Versailles] Kon. Jacob word, met alle de zyne, te Versailles, van Kon. Ludewyk de Groote [...]
[Anon., c.1690]
Etching, sheet 250 x 295mm (9¾ x 11½"). Trimmed. Tipped into album sheet; tear from top.
After William of Orange landed in England in November 1688, James II decided to flee to France, where Louis XIV gave him the chateau of St Germain-en-Laye. Louis XIV had handsomely refurbished the chateau for James and his court. Here he visits Louis XIV at nearby Versailles.
[Ref: 42562] £360.00
[Anon., c.1690]
Etching, sheet 250 x 295mm (9¾ x 11½"). Trimmed. Tipped into album sheet; tear from top.
After William of Orange landed in England in November 1688, James II decided to flee to France, where Louis XIV gave him the chateau of St Germain-en-Laye. Louis XIV had handsomely refurbished the chateau for James and his court. Here he visits Louis XIV at nearby Versailles.
[Ref: 42562] £360.00
![[William of Orange on horseback, pursued on foot by James II]](jpegs/42557.jpg)
[William of Orange on horseback, pursued on foot by James II] De geveynsde Betuyging van Jacobus Stuwaart, gewesen Koningh van Engelandt [...]
Na de Copyse te Londen gedrukt [1688]
Etching with letterpress, rare, sheet 240 x 260mm (9½ x 10¼"). Trimmed, losing additional letterpress; tipped into backing sheet.
One of many Dutch broadsides published following the Glorious Revolution in which William of Orange became king of Britain. Here James II pursues William, waving documents in an attempt to dissuade William from invading. Copied from an etching by the leading Dutch exponent of pro-William propaganda, Romeyn de Hooghe.
BM Satires 1055
[Ref: 42557] £420.00
Na de Copyse te Londen gedrukt [1688]
Etching with letterpress, rare, sheet 240 x 260mm (9½ x 10¼"). Trimmed, losing additional letterpress; tipped into backing sheet.
One of many Dutch broadsides published following the Glorious Revolution in which William of Orange became king of Britain. Here James II pursues William, waving documents in an attempt to dissuade William from invading. Copied from an etching by the leading Dutch exponent of pro-William propaganda, Romeyn de Hooghe.
BM Satires 1055
[Ref: 42557] £420.00
![[Louis XIV welcomes James to his Paris at St Germain-en-Laye]](jpegs/42560.jpg)
[Louis XIV welcomes James to his Paris at St Germain-en-Laye] De ko: van vrankryk, louis de XIIII, ontfangt de ko: van engelant Jacob de II [...]
[Anon., c.1688]
Etching, sheet 170 x 280mm (6¾ x 11"). Trimmed. Tipped into backing sheet.
After William of Orange landed in England in November 1688, James decided to flee to France, where Louis XIV gave him the chateau of St Germain-en-Laye. Louis XIV had handsomely refurbished the chateau for James and his court. Copied from one of a set of twenty-five prints by Adriaan Schoonebeek depicting events in the struggle for the British crown from the civil war to the coronation of William III and Mary II.
[Ref: 42560] £350.00
[Anon., c.1688]
Etching, sheet 170 x 280mm (6¾ x 11"). Trimmed. Tipped into backing sheet.
After William of Orange landed in England in November 1688, James decided to flee to France, where Louis XIV gave him the chateau of St Germain-en-Laye. Louis XIV had handsomely refurbished the chateau for James and his court. Copied from one of a set of twenty-five prints by Adriaan Schoonebeek depicting events in the struggle for the British crown from the civil war to the coronation of William III and Mary II.
[Ref: 42560] £350.00
![[Arrival in England of the Princess of Orange, 12 February 1689]](jpegs/42561.jpg)
[Arrival in England of the Princess of Orange, 12 February 1689] Aankomst van Haar Koninglyke Hooghesse in Engeland den 22 Februar 1689.
J. van den Avele fecit.
Carolus Allard Excudit Cum Privilegio [1691]
Etching, sheet 250 x 295mm 9¾ x 11½"). Trimmed. Tipped into backing sheet; hole top left.
Mary. princess of Orange, arrives in England, some three months after her husband William. In April 1689 their coronation took place at Westminster Abbey. Etched by Johannes van den Avelen (1655-1727), designer of historical and satirical subjects who also worked for several years in Stockholm.
[Ref: 42561] £380.00
J. van den Avele fecit.
Carolus Allard Excudit Cum Privilegio [1691]
Etching, sheet 250 x 295mm 9¾ x 11½"). Trimmed. Tipped into backing sheet; hole top left.
Mary. princess of Orange, arrives in England, some three months after her husband William. In April 1689 their coronation took place at Westminster Abbey. Etched by Johannes van den Avelen (1655-1727), designer of historical and satirical subjects who also worked for several years in Stockholm.
[Ref: 42561] £380.00
![[The arrival of William of Orange in London, 28 January 1689]](jpegs/42564.jpg)
[The arrival of William of Orange in London, 28 January 1689] Intreede van Zyn Koninglyke Hoogheid, Willem de Derde, binnen Londen, den 28 January, 1689
Hugo Allard f.
Etching, sheet 255 x 295mm (10 x 11½"). Trimmed. Tipped into album sheet.
Good view of London showing William of Orange (soon to become William III) arriving in London in January 1689, having landed on the south coast of England in November 1688. James II had already left England for France by this time, leaving the way clear for William's wife Mary to join him in February. They were crowned king and queen at Westminster Abbey in April 1689.
[Ref: 42564] £520.00
Hugo Allard f.
Etching, sheet 255 x 295mm (10 x 11½"). Trimmed. Tipped into album sheet.
Good view of London showing William of Orange (soon to become William III) arriving in London in January 1689, having landed on the south coast of England in November 1688. James II had already left England for France by this time, leaving the way clear for William's wife Mary to join him in February. They were crowned king and queen at Westminster Abbey in April 1689.
[Ref: 42564] £520.00
![[James II fleeing London; stranded at Faversham; and leaving Rochester]](jpegs/42556.jpg)
[James II fleeing London; stranded at Faversham; and leaving Rochester] de k: wert by feversham in kent ongeworpen, gensundert en mishandelt [...]
[Anon., c.1688]
Three etchings dimensions between 100 x 160mm (4 x 6¼") and 105 x 225mm (4 x 8¾"). All glued to one backing sheet.
Three etchings depicting James II's departure from England in 1688. After William of Orange landed in England in November 1688, James decided to flee. Leaving London, he got as far as Faversham in Kent before his boat was intercepted and he needed a company of guards to rescue him. James then briefly attempted resume government before receiving a request from William to remove himself. This he did, travelling to Rochester in Kent and from there on to France. These etchings are all copied from prints in a set of twenty-five by Adriaan Schoonebeek depicting events in the struggle for the British crown from the civil war to the coronation of William III and Mary II.
[Ref: 42556] £220.00 (£264.00 incl.VAT)
[Anon., c.1688]
Three etchings dimensions between 100 x 160mm (4 x 6¼") and 105 x 225mm (4 x 8¾"). All glued to one backing sheet.
Three etchings depicting James II's departure from England in 1688. After William of Orange landed in England in November 1688, James decided to flee. Leaving London, he got as far as Faversham in Kent before his boat was intercepted and he needed a company of guards to rescue him. James then briefly attempted resume government before receiving a request from William to remove himself. This he did, travelling to Rochester in Kent and from there on to France. These etchings are all copied from prints in a set of twenty-five by Adriaan Schoonebeek depicting events in the struggle for the British crown from the civil war to the coronation of William III and Mary II.
[Ref: 42556] £220.00 (£264.00 incl.VAT)
![[Three images relating to plots against James I]](jpegs/42619.jpg)
[Three images relating to plots against James I] Watson seducing Noblemen [&] The Powder Plot [&] Execution of the Conspirators In the Gunpowder Plot in the Year 1606
F.H. [F. Hulsius sc., first two only]
[From 'A Thankfull Remembrance of Gods Mercie' London: Printed by Aug. Math[ewes] for Robert Mylbourne and Humphrey Robinson, 1630, first two] Published May 1 1795 by J. Caulfield [third]
Three engravings, rare, dimensions approx 70 x 105mm (2¾ x 4") [first two] and 160 x 195mm (6¼ x 7¾") [third] All trimmed and glued to same backing sheet.
'Watson seducing Noblemen': William Watson, a Catholic priest, blessing a group of gentlemen involved in a plot against James I; in the background, one of them, Sir Griffin Markham, is pardoned at the point of execution. With Guy Fawkes planning the Gunpowder Plot and the execution of the conspirators. The first two, earlier images were engraved by German printmaker Hulsius or Friedrich von Hulsen (1580 - 1665). In 1627, he was briefly in London, where most of his work was connected with Protestant propaganda, and included these illustrations for the bishop of Chichester George Carleton's 'A Thankfull Remembrance of Gods Mercy'. This book was first published in 1624 and ran to several editions, and celebrated the defeat of the Spanish Armada and the discovery of the Gunpowder Plot.
For 'Watson seducing nobleman' offered separately see ref. 12298; for 'Execution of the Conspirators' offered separately see ref. 42034; for another illustration from 'A Thankfull Remembrance' see ref
[Ref: 42619] £280.00 (£336.00 incl.VAT)
F.H. [F. Hulsius sc., first two only]
[From 'A Thankfull Remembrance of Gods Mercie' London: Printed by Aug. Math[ewes] for Robert Mylbourne and Humphrey Robinson, 1630, first two] Published May 1 1795 by J. Caulfield [third]
Three engravings, rare, dimensions approx 70 x 105mm (2¾ x 4") [first two] and 160 x 195mm (6¼ x 7¾") [third] All trimmed and glued to same backing sheet.
'Watson seducing Noblemen': William Watson, a Catholic priest, blessing a group of gentlemen involved in a plot against James I; in the background, one of them, Sir Griffin Markham, is pardoned at the point of execution. With Guy Fawkes planning the Gunpowder Plot and the execution of the conspirators. The first two, earlier images were engraved by German printmaker Hulsius or Friedrich von Hulsen (1580 - 1665). In 1627, he was briefly in London, where most of his work was connected with Protestant propaganda, and included these illustrations for the bishop of Chichester George Carleton's 'A Thankfull Remembrance of Gods Mercy'. This book was first published in 1624 and ran to several editions, and celebrated the defeat of the Spanish Armada and the discovery of the Gunpowder Plot.
For 'Watson seducing nobleman' offered separately see ref. 12298; for 'Execution of the Conspirators' offered separately see ref. 42034; for another illustration from 'A Thankfull Remembrance' see ref
[Ref: 42619] £280.00 (£336.00 incl.VAT)
![[Allegory of James II fleeing England and arriving in Ireland]](jpegs/42592.jpg)
[Allegory of James II fleeing England and arriving in Ireland] Engelants schoulwtoneel, verbeeldende het vlugte van Jacobus II. Koning van Groot Brittanyen [...] [parallel text in French]
A. Schoonbeek del et fec [in image lower right]
in Amsterdam by Adr: Schoonebeek in de kalverstraat [c.1691]
Etching, sheet 150 x 190mm (5¾ x 7½"). Trimmed and glued to backing sheet.
After William of Orange landed at Torbay in November 1688, James II left London at the second time of asking (the first time his boat was intercepted at Faversham and a body of guards had to come and return him to London) and fled to France. Louis XIV had lavishly refurbished the chateau of St Germain-en-Laye, near Paris, for James and his family. It was the perfect environment for James and his exiled court, and if he had his own way he probably never would have left. Louis XIV, however, wanted James to travel to Ireland, and from there attempt to recover his crown from the insurgent William. Etching from a set of scenes from the Glorious Revolution and related events published by Adriaan Schoonebeek (1661-1705), Dutch printmaker who studied under Romeyn de Hooghe and later moved to Moscow to set up a printmaking workshop for Peter the Great.
[Ref: 42592] £230.00 (£276.00 incl.VAT)
A. Schoonbeek del et fec [in image lower right]
in Amsterdam by Adr: Schoonebeek in de kalverstraat [c.1691]
Etching, sheet 150 x 190mm (5¾ x 7½"). Trimmed and glued to backing sheet.
After William of Orange landed at Torbay in November 1688, James II left London at the second time of asking (the first time his boat was intercepted at Faversham and a body of guards had to come and return him to London) and fled to France. Louis XIV had lavishly refurbished the chateau of St Germain-en-Laye, near Paris, for James and his family. It was the perfect environment for James and his exiled court, and if he had his own way he probably never would have left. Louis XIV, however, wanted James to travel to Ireland, and from there attempt to recover his crown from the insurgent William. Etching from a set of scenes from the Glorious Revolution and related events published by Adriaan Schoonebeek (1661-1705), Dutch printmaker who studied under Romeyn de Hooghe and later moved to Moscow to set up a printmaking workshop for Peter the Great.
[Ref: 42592] £230.00 (£276.00 incl.VAT)
![[James II Escaping.] De geweesene Koning Jacobus vlucht, na zyn nederlaag by de Revier Boyne te Waterford uyt Ierland. Ao. 1690.](jpegs/42943.jpg)
[James II Escaping.] De geweesene Koning Jacobus vlucht, na zyn nederlaag by de Revier Boyne te Waterford uyt Ierland. Ao. 1690.
Hugo Allard fecit.
Carolus Allard Excudit Cum Privilegio Ord: Holl: et Westsrisse. [n.d., c. 1690.]
Engraving. Sheet: 245 x 295mm (9½ x 11½"). Trimmed to image at top and tipped into album sheet.
A scene showing James II fleeing Ireland after his defeat at the Battle of the Boyne in 1690. A crowd hurriedly clamber onto a ship waiting, a crowd push a boat containing Father Petre out into the sea.
[Ref: 42943] £360.00
Hugo Allard fecit.
Carolus Allard Excudit Cum Privilegio Ord: Holl: et Westsrisse. [n.d., c. 1690.]
Engraving. Sheet: 245 x 295mm (9½ x 11½"). Trimmed to image at top and tipped into album sheet.
A scene showing James II fleeing Ireland after his defeat at the Battle of the Boyne in 1690. A crowd hurriedly clamber onto a ship waiting, a crowd push a boat containing Father Petre out into the sea.
[Ref: 42943] £360.00
![[Profile portrait of James II, with scenes showing (l-r) Mary Modena leaving Whitehall Palace in a barge; the queen transferring to the French ship the Assurance; and arriving at Calais]](jpegs/42836.jpg)
[Profile portrait of James II, with scenes showing (l-r) Mary Modena leaving Whitehall Palace in a barge; the queen transferring to the French ship the Assurance; and arriving at Calais] Herstelling der Waere Godsdienst en Grondwetten in G: Brittanien. Door S.K.H. [...]
[by Romeyn de Hooghe, 1689]
Etching sheet 195 x 555mm (7½ x 21¾"). Tipped into backing sheet; fold through centre. Section of larger print.
Top section of a large satire comprising eleven scenes from the flight of James II and Mary of Modena which precipitated the Glorious Revolution in which William III came to the throne. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr p.152
[Ref: 42836] £260.00 (£312.00 incl.VAT)
[by Romeyn de Hooghe, 1689]
Etching sheet 195 x 555mm (7½ x 21¾"). Tipped into backing sheet; fold through centre. Section of larger print.
Top section of a large satire comprising eleven scenes from the flight of James II and Mary of Modena which precipitated the Glorious Revolution in which William III came to the throne. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr p.152
[Ref: 42836] £260.00 (£312.00 incl.VAT)
![[Westminster Abbey before the coronation of James II]](jpegs/42916.jpg)
[Westminster Abbey before the coronation of James II] A Prospect of the Inside of the Collegiate Church of St Peter in Westminster, from the Quire to the East End, With the Furniture thereof [...]
S Moore delin et sculp [1687]
Engraving, sheet 390 x 505mm (15¼ x 19¾"). False margins top and bottom.
Westminster Abbey (formally titled the Collegiate Church of St Peter at Westminster) as arranged for the coronation of James II and Mary of Modena on 23 April 1685. Illustration to Francis Sandford, 'The history of the coronation of the Most High, Most Mighty, and Most Excellent Monarch, James II, by the grace of God, King of England, Scotland, France, and Ireland, defender of the faith, &c. And of his royal consort, Queen Mary' (London, 1687). Sandford worked for two years with his fellow herald Gregory King to produce this record of the coronation rituals, which included twenty-seven lavish engravings of the sumptuous feasts, processions and fireworks in a style previously unseen in the British Isles. Unfortunately for Sandford, the book appeared shortly before the Glorious Revolution which saw James II flee the country, and the authors barely cleared their expenses.
[Ref: 42916] £260.00 (£312.00 incl.VAT)
S Moore delin et sculp [1687]
Engraving, sheet 390 x 505mm (15¼ x 19¾"). False margins top and bottom.
Westminster Abbey (formally titled the Collegiate Church of St Peter at Westminster) as arranged for the coronation of James II and Mary of Modena on 23 April 1685. Illustration to Francis Sandford, 'The history of the coronation of the Most High, Most Mighty, and Most Excellent Monarch, James II, by the grace of God, King of England, Scotland, France, and Ireland, defender of the faith, &c. And of his royal consort, Queen Mary' (London, 1687). Sandford worked for two years with his fellow herald Gregory King to produce this record of the coronation rituals, which included twenty-seven lavish engravings of the sumptuous feasts, processions and fireworks in a style previously unseen in the British Isles. Unfortunately for Sandford, the book appeared shortly before the Glorious Revolution which saw James II flee the country, and the authors barely cleared their expenses.
[Ref: 42916] £260.00 (£312.00 incl.VAT)
A Ground Plott of Westminster Hall, shewing the Position and Dimensions of the severall Tables, Seats, Cupboards, Galleries &c on the day of their Majesties Coronation 23 Apr. 1685.
[1687]
Engraving, sheet 445 x 505mm (17½ x 19¾").
Plan of Westminster Hall showing seating arrangements for the coronation of James II, with arrangements of plates on different tables. Illustration to Francis Sandford, 'The history of the coronation of the Most High, Most Mighty, and Most Excellent Monarch, James II, by the grace of God, King of England, Scotland, France, and Ireland, defender of the faith, &c. And of his royal consort, Queen Mary' (London, 1687). Sandford worked for two years with his fellow herald Gregory King to produce this record of the coronation rituals, which included twenty-seven lavish engravings of the sumptuous feasts, processions and fireworks in a style previously unseen in the British Isles. Unfortunately for Sandford, the book appeared shortly before the Glorious Revolution which saw James II flee the country, and the authors barely cleared their expenses.
[Ref: 42913] £140.00 (£168.00 incl.VAT)
[1687]
Engraving, sheet 445 x 505mm (17½ x 19¾").
Plan of Westminster Hall showing seating arrangements for the coronation of James II, with arrangements of plates on different tables. Illustration to Francis Sandford, 'The history of the coronation of the Most High, Most Mighty, and Most Excellent Monarch, James II, by the grace of God, King of England, Scotland, France, and Ireland, defender of the faith, &c. And of his royal consort, Queen Mary' (London, 1687). Sandford worked for two years with his fellow herald Gregory King to produce this record of the coronation rituals, which included twenty-seven lavish engravings of the sumptuous feasts, processions and fireworks in a style previously unseen in the British Isles. Unfortunately for Sandford, the book appeared shortly before the Glorious Revolution which saw James II flee the country, and the authors barely cleared their expenses.
[Ref: 42913] £140.00 (£168.00 incl.VAT)
A Prospect of the Inside of Westminster Hall, Shewing how the King and Queen, with the Nobility and Others, did Sit at Dinner on the day of the Coronation, 23 April 1685 [...]
S Moore fecit [1687]
Engraving, sheet 390 x 505mm (15¼ x 19¾"). False margins top and bottom.
Banquet at Westminster Hall, held as part of the coronation of James II and Mary of Modena on 23 April 1685. Illustration to Francis Sandford, 'The history of the coronation of the Most High, Most Mighty, and Most Excellent Monarch, James II, by the grace of God, King of England, Scotland, France, and Ireland, defender of the faith, &c. And of his royal consort, Queen Mary' (London, 1687). Sandford worked for two years with his fellow herald Gregory King to produce this record of the coronation rituals, which included twenty-seven lavish engravings of the sumptuous feasts, processions and fireworks in a style previously unseen in the British Isles. Unfortunately for Sandford, the book appeared shortly before the Glorious Revolution which saw James II flee the country, and the authors barely cleared their expenses.
[Ref: 42915] £380.00
S Moore fecit [1687]
Engraving, sheet 390 x 505mm (15¼ x 19¾"). False margins top and bottom.
Banquet at Westminster Hall, held as part of the coronation of James II and Mary of Modena on 23 April 1685. Illustration to Francis Sandford, 'The history of the coronation of the Most High, Most Mighty, and Most Excellent Monarch, James II, by the grace of God, King of England, Scotland, France, and Ireland, defender of the faith, &c. And of his royal consort, Queen Mary' (London, 1687). Sandford worked for two years with his fellow herald Gregory King to produce this record of the coronation rituals, which included twenty-seven lavish engravings of the sumptuous feasts, processions and fireworks in a style previously unseen in the British Isles. Unfortunately for Sandford, the book appeared shortly before the Glorious Revolution which saw James II flee the country, and the authors barely cleared their expenses.
[Ref: 42915] £380.00
![[Plan of Westminster Abbey as arranged for coronation of James II]](jpegs/42918.jpg)
[Plan of Westminster Abbey as arranged for coronation of James II] The Ground Plot of The Collegiate Church of St Peter in Westminster With two Profiles relating thereunto [...]
[1687]
Engraving, sheet 375 x 510mm (14¾ x 19¾"). Trimmed lower edge with false margin added; torn along central fold
Illustration to Francis Sandford, 'The history of the coronation of the Most High, Most Mighty, and Most Excellent Monarch, James II, by the grace of God, King of England, Scotland, France, and Ireland, defender of the faith, &c. And of his royal consort, Queen Mary' (London, 1687). Sandford worked for two years with his fellow herald Gregory King to produce this record of the coronation rituals, which included twenty-seven lavish engravings of the sumptuous feasts, processions and fireworks in a style previously unseen in the British Isles. Unfortunately for Sandford, the book appeared shortly before the Glorious Revolution which saw James II flee the country, and the authors barely cleared their expenses.
[Ref: 42918] £90.00 (£108.00 incl.VAT)
[1687]
Engraving, sheet 375 x 510mm (14¾ x 19¾"). Trimmed lower edge with false margin added; torn along central fold
Illustration to Francis Sandford, 'The history of the coronation of the Most High, Most Mighty, and Most Excellent Monarch, James II, by the grace of God, King of England, Scotland, France, and Ireland, defender of the faith, &c. And of his royal consort, Queen Mary' (London, 1687). Sandford worked for two years with his fellow herald Gregory King to produce this record of the coronation rituals, which included twenty-seven lavish engravings of the sumptuous feasts, processions and fireworks in a style previously unseen in the British Isles. Unfortunately for Sandford, the book appeared shortly before the Glorious Revolution which saw James II flee the country, and the authors barely cleared their expenses.
[Ref: 42918] £90.00 (£108.00 incl.VAT)
![[James II in his palace with parliament entering; revoking his decision to form a parliament; arriving in Ambleteuse by boat; and arriving in St Germain-en-Laye]](jpegs/42559.jpg)
[James II in his palace with parliament entering; revoking his decision to form a parliament; arriving in Ambleteuse by boat; and arriving in St Germain-en-Laye] de k: gaet over bloulange na Parys en: St germain [...]
[Anon., c.1688]
Two etchings, both approx 165 x 110mm (6½ x 4¼"). Trimmed. Both tipped into same backing sheet.
Scenes depicting James II's departure from England in 1688. After William of Orange landed in England in November 1688, James decided to flee. Leaving London, he got as far as Faversham in Kent before his boat was intercepted and he needed a company of guards to rescue him. James then briefly attempted resume government before receiving a request from William to remove himself. This he did, travelling to Rochester in Kent and from there on to France. He landed in Ambleteuse, near Boulogne, on Christmas day, and from there travelled to the chateau of St Germain-en-Laye which Louis XIV had given him. These etchings are all copied from prints in a set of twenty-five by Adriaan Schoonebeek depicting events in the struggle for the British crown from the civil war to the coronation of William III and Mary II.
[Ref: 42559] £260.00 (£312.00 incl.VAT)
[Anon., c.1688]
Two etchings, both approx 165 x 110mm (6½ x 4¼"). Trimmed. Both tipped into same backing sheet.
Scenes depicting James II's departure from England in 1688. After William of Orange landed in England in November 1688, James decided to flee. Leaving London, he got as far as Faversham in Kent before his boat was intercepted and he needed a company of guards to rescue him. James then briefly attempted resume government before receiving a request from William to remove himself. This he did, travelling to Rochester in Kent and from there on to France. He landed in Ambleteuse, near Boulogne, on Christmas day, and from there travelled to the chateau of St Germain-en-Laye which Louis XIV had given him. These etchings are all copied from prints in a set of twenty-five by Adriaan Schoonebeek depicting events in the struggle for the British crown from the civil war to the coronation of William III and Mary II.
[Ref: 42559] £260.00 (£312.00 incl.VAT)
![[James II intercepted at Faversham; embarking at Rochester; arriving in Ambleteuse; and riding from Boulogne to Paris]](jpegs/42565.jpg)
[James II intercepted at Faversham; embarking at Rochester; arriving in Ambleteuse; and riding from Boulogne to Paris] Kon. Jacob word tot Feversham opgeworpen: aldaar mishandeld, en verzeekerd [...]
[Anon., c.1688]
Etching, rare, sheet 255 x 295mm (10 x 11½"). Tipped into backing sheet.
Scenes depicting James II's departure from England in 1688. After William of Orange landed in England in November 1688, James decided to flee. Leaving London, he got as far as Faversham in Kent before his boat was intercepted and he needed a company of guards to rescue him. James then briefly attempted resume government before receiving a request from William to remove himself. This he did, travelling to Rochester in Kent and from there on to France. He landed in Ambleteuse, near Boulogne, on Christmas day, and from there travelled to the chateau of St Germain-en-Laye which Louis XIV had given him. These etchings are all copied from prints in a set of twenty-five by Adriaan Schoonebeek depicting events in the struggle for the British crown from the civil war to the coronation of William III and Mary II.
[Ref: 42565] £280.00 (£336.00 incl.VAT)
[Anon., c.1688]
Etching, rare, sheet 255 x 295mm (10 x 11½"). Tipped into backing sheet.
Scenes depicting James II's departure from England in 1688. After William of Orange landed in England in November 1688, James decided to flee. Leaving London, he got as far as Faversham in Kent before his boat was intercepted and he needed a company of guards to rescue him. James then briefly attempted resume government before receiving a request from William to remove himself. This he did, travelling to Rochester in Kent and from there on to France. He landed in Ambleteuse, near Boulogne, on Christmas day, and from there travelled to the chateau of St Germain-en-Laye which Louis XIV had given him. These etchings are all copied from prints in a set of twenty-five by Adriaan Schoonebeek depicting events in the struggle for the British crown from the civil war to the coronation of William III and Mary II.
[Ref: 42565] £280.00 (£336.00 incl.VAT)
![[James II lands at Kinsale in Ireland]](jpegs/42591.jpg)
[James II lands at Kinsale in Ireland] Koning Jakobus II lant to Kingsal in Yrlant [parallel text in French]
Ad. Schoonebeek excudit [1691]
Etching, sheet 145 x 190mm (5¾ x 7½"). Trimmed and glued to backing sheet.
After William of Orange landed at Torbay in November 1688, James II left London at the second time of asking (the first time his boat was intercepted at Faversham and a body of guards had to come and return him to London) and fled to France. Louis XIV had lavishly refurbished the chateau of St Germain-en-Laye, near Paris, for James and his family. It was the perfect environment for James and his exiled court, and if he had his own way he probably never would have left. Louis XIV, however, wanted James to travel to Ireland, and from there attempt to recover his crown from the insurgent William. This scene shows James landing at Kinsale in Ireland on 12 March 1689. William III (as he was crowned in April 1689) landed in Ireland in mid-June, and defeated James at the battle of the Boyne on 1 July 1689. This precipitated James' final exile in France. Etching from a set of scenes from the Glorious Revolution and related events published by Adriaan Schoonebeek (1661-1705), Dutch printmaker who studied under Romeyn de Hooghe and later moved to Moscow to set up a printmaking workshop for Peter the Great.
[Ref: 42591] £230.00 (£276.00 incl.VAT)
Ad. Schoonebeek excudit [1691]
Etching, sheet 145 x 190mm (5¾ x 7½"). Trimmed and glued to backing sheet.
After William of Orange landed at Torbay in November 1688, James II left London at the second time of asking (the first time his boat was intercepted at Faversham and a body of guards had to come and return him to London) and fled to France. Louis XIV had lavishly refurbished the chateau of St Germain-en-Laye, near Paris, for James and his family. It was the perfect environment for James and his exiled court, and if he had his own way he probably never would have left. Louis XIV, however, wanted James to travel to Ireland, and from there attempt to recover his crown from the insurgent William. This scene shows James landing at Kinsale in Ireland on 12 March 1689. William III (as he was crowned in April 1689) landed in Ireland in mid-June, and defeated James at the battle of the Boyne on 1 July 1689. This precipitated James' final exile in France. Etching from a set of scenes from the Glorious Revolution and related events published by Adriaan Schoonebeek (1661-1705), Dutch printmaker who studied under Romeyn de Hooghe and later moved to Moscow to set up a printmaking workshop for Peter the Great.
[Ref: 42591] £230.00 (£276.00 incl.VAT)
![Reception of Her Royal High. The Princesse of Orange as queene of Great Britain [parallel text in Dutch]](jpegs/42379.jpg)
Reception of Her Royal High. The Princesse of Orange as queene of Great Britain [parallel text in Dutch]
R. de Hooge fec.
Tot Leiden By J. Tangena gedruckt met Privilegi [1689]
Etching, sheet 475 x 570mm (18¾ x 22½"). Trimmed inside platemark; repaired vertical and horizontal folds barely visible from front, two cuts from bottom edge to facilitate folding;
A grand image of a new age. The arrival in England of Mary II, daughter of James II who married William of Orange. In 1688 William invaded Britain in the Glorious Revolution, deposing James II and becoming William III, and Mary followed in 1689. Here a large crowd welcomes her while ships in the middle ground and background fire salutes. Various elements are numbered 1-23 although there is no letterpress identification in this state. Etching by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution such as this. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
See C Mendez & Grosvenor Prints: "Restoration & Revolution 2002" No 28; Landwehr: p153.
[Ref: 42379] £950.00
R. de Hooge fec.
Tot Leiden By J. Tangena gedruckt met Privilegi [1689]
Etching, sheet 475 x 570mm (18¾ x 22½"). Trimmed inside platemark; repaired vertical and horizontal folds barely visible from front, two cuts from bottom edge to facilitate folding;
A grand image of a new age. The arrival in England of Mary II, daughter of James II who married William of Orange. In 1688 William invaded Britain in the Glorious Revolution, deposing James II and becoming William III, and Mary followed in 1689. Here a large crowd welcomes her while ships in the middle ground and background fire salutes. Various elements are numbered 1-23 although there is no letterpress identification in this state. Etching by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution such as this. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
See C Mendez & Grosvenor Prints: "Restoration & Revolution 2002" No 28; Landwehr: p153.
[Ref: 42379] £950.00
![[Departure of Marry II from Holland.] Vetrek van haar Koning lyke Hoogheid Mevrouw de Prinses van Oranjen uit Holland den 20 Februar 1689.](jpegs/42942.jpg)
[Departure of Marry II from Holland.] Vetrek van haar Koning lyke Hoogheid Mevrouw de Prinses van Oranjen uit Holland den 20 Februar 1689.
Carolus Allard Excudit Cum Privilegie. [n.d., c.1689].
Engraving. Sheet: 295 x 255mm (11½ x 10"). Trimmed and tipped into album sheet.
A scene showing Mary, wife of William of Orange leaving Holland to be crowned Mary II of England.
[Ref: 42942] £320.00
Carolus Allard Excudit Cum Privilegie. [n.d., c.1689].
Engraving. Sheet: 295 x 255mm (11½ x 10"). Trimmed and tipped into album sheet.
A scene showing Mary, wife of William of Orange leaving Holland to be crowned Mary II of England.
[Ref: 42942] £320.00
![[Mary II on her deathbed, with William III grieving and courtiers offering condolences]](jpegs/42798.jpg)
[Mary II on her deathbed, with William III grieving and courtiers offering condolences]
[Romeyn de Hooghe, 1695]
Etching, sheet 445 x 585mm (17½ x 23"). Trimmed from large broadside, losing text below; three folds.
Mary II on her deathbed. On 24 November 1694 she collapsed with a stroke from which she never recovered, and by Christmas of that year it was clear she was suffering from smallpox. She died at Kensington Palace on the morning of 28 December 1694, and her body was embalmed that day as a precaution against the putrescent effects of smallpox. Top half of a broadside on the death of Mary II in 1694 etched by Romeyn de Hooghe (1645-1708), Dutch Baroque printmaker best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution.
Landwehr p.174.
[Ref: 42798] £590.00
[Romeyn de Hooghe, 1695]
Etching, sheet 445 x 585mm (17½ x 23"). Trimmed from large broadside, losing text below; three folds.
Mary II on her deathbed. On 24 November 1694 she collapsed with a stroke from which she never recovered, and by Christmas of that year it was clear she was suffering from smallpox. She died at Kensington Palace on the morning of 28 December 1694, and her body was embalmed that day as a precaution against the putrescent effects of smallpox. Top half of a broadside on the death of Mary II in 1694 etched by Romeyn de Hooghe (1645-1708), Dutch Baroque printmaker best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution.
Landwehr p.174.
[Ref: 42798] £590.00
![[Title page to series of prints depicting the funeral of Mary II]](jpegs/42807.jpg)
[Title page to series of prints depicting the funeral of Mary II] Funeralia Mariae Reginae, Talia Soeva Sonat: per Rostra, Palatia, Templa, Seminecem [...]
Rom: de Hooge I.V.D. et Com: R: Auct.
D. Persoy Excud: Cum Privilegio [c.1691]
Etching, rare; sheet 300 x 185mm (11¾ x 7¼"). Trimmed. Tipped into album sheet.
Mary II (1662-94) privately expressed the wish for a simple funeral, but following her death from smallpox she was given an elaborate burial in Westminster Abbey and the most lavish funeral procession ever held for an English monarch, as depicted in a series of prints by Romeyn de Hooghe to which this is the frontispiece. De Hooghe (1645-1708) was a Dutch Baroque printmaker best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution.
Landwehr p.171
[Ref: 42807] £320.00
Rom: de Hooge I.V.D. et Com: R: Auct.
D. Persoy Excud: Cum Privilegio [c.1691]
Etching, rare; sheet 300 x 185mm (11¾ x 7¼"). Trimmed. Tipped into album sheet.
Mary II (1662-94) privately expressed the wish for a simple funeral, but following her death from smallpox she was given an elaborate burial in Westminster Abbey and the most lavish funeral procession ever held for an English monarch, as depicted in a series of prints by Romeyn de Hooghe to which this is the frontispiece. De Hooghe (1645-1708) was a Dutch Baroque printmaker best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution.
Landwehr p.171
[Ref: 42807] £320.00
![[The funeral of Mary II] Lectisternium Ostentiserum. Bed van Parade [...]](jpegs/42576.jpg)
[The funeral of Mary II] Lectisternium Ostentiserum. Bed van Parade [...]
[Romeyn de Hooghe]
By Pieter Persoy met Previlegie [1695].
Rare etching with letterpress. heet 325 x 285mm (12¾ x 11¼"). Trimmed; fold through middle as normal.
Mary II's regalia on display after her death in 1694. Plate from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II (1662-94), queen of England, Scotland and Ireland. Although Mary had privately expressed the wish for a simple funeral, she was buried with elaborate ceremony in Westminster Abbey, and her funeral procession was the largest ever held for an English monarch. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr Bookplates 87
[Ref: 42576] £420.00
[Romeyn de Hooghe]
By Pieter Persoy met Previlegie [1695].
Rare etching with letterpress. heet 325 x 285mm (12¾ x 11¼"). Trimmed; fold through middle as normal.
Mary II's regalia on display after her death in 1694. Plate from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II (1662-94), queen of England, Scotland and Ireland. Although Mary had privately expressed the wish for a simple funeral, she was buried with elaborate ceremony in Westminster Abbey, and her funeral procession was the largest ever held for an English monarch. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr Bookplates 87
[Ref: 42576] £420.00
![[Entrance to Whitehall Palace during preparations for the funeral of Mary II]](jpegs/42595.jpg)
[Entrance to Whitehall Palace during preparations for the funeral of Mary II] Rou Poort van Withal [...]
[Romeyn de Hooghe]
P Persoy Exc. Cum Previlegie [1695]
Etching with letterpress, sheet 345 x 285mm (13½ x 11¼"). Trimmed; fold through middle as normal.
Plate from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II (1662-94), queen of England, Scotland and Ireland, showing four sedan chairs in background. Although Mary had privately expressed the wish for a simple funeral, she was buried with elaborate ceremony in Westminster Abbey, and her funeral procession was the largest ever held for an English monarch. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
[Ref: 42595] £380.00
[Romeyn de Hooghe]
P Persoy Exc. Cum Previlegie [1695]
Etching with letterpress, sheet 345 x 285mm (13½ x 11¼"). Trimmed; fold through middle as normal.
Plate from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II (1662-94), queen of England, Scotland and Ireland, showing four sedan chairs in background. Although Mary had privately expressed the wish for a simple funeral, she was buried with elaborate ceremony in Westminster Abbey, and her funeral procession was the largest ever held for an English monarch. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
[Ref: 42595] £380.00
![[Mary II on her deathbed]](jpegs/42808.jpg)
[Mary II on her deathbed] Sterven der Koninginne [...]
[Romeyn de Hooghe]
P Persoy Exc. Cum Previlegie [1695]
Etching with letterpress, sheet 285 x 285mm (11¼ x 11¼"). Trimmed; fold through middle as normal.
Mary II attended on her deathbed by William III, Archbishop of Canterbury Thomas Tenison, doctors, and courtiers. Plate from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II (1662-94), queen of England, Scotland and Ireland. Although Mary had privately expressed the wish for a simple funeral, she was buried with elaborate ceremony in Westminster Abbey, and her funeral procession was the largest ever held for an English monarch. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr p.172
[Ref: 42808] £280.00 (£336.00 incl.VAT)
[Romeyn de Hooghe]
P Persoy Exc. Cum Previlegie [1695]
Etching with letterpress, sheet 285 x 285mm (11¼ x 11¼"). Trimmed; fold through middle as normal.
Mary II attended on her deathbed by William III, Archbishop of Canterbury Thomas Tenison, doctors, and courtiers. Plate from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II (1662-94), queen of England, Scotland and Ireland. Although Mary had privately expressed the wish for a simple funeral, she was buried with elaborate ceremony in Westminster Abbey, and her funeral procession was the largest ever held for an English monarch. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr p.172
[Ref: 42808] £280.00 (£336.00 incl.VAT)
![[Burial of Mary II at Westminster Abbey]](jpegs/42809.jpg)
[Burial of Mary II at Westminster Abbey] Excell.mo Nob.mo D.o D.o Algernoni Com: d'Essex Vice Com: de Malden. [...]
[Romeyn de Hooghe]
P Persoy Exc. Cum Previlegie [1695]
Etching, sheet 450 x 595mm (17¾ x 23½"). Trimmed, losing text below image; creasing not visible from front.
Plate from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II (1662-94), queen of England, Scotland and Ireland. Although Mary had privately expressed the wish for a simple funeral, she was buried with elaborate ceremony in Westminster Abbey, and her funeral procession was the largest ever held for an English monarch. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr p.182
[Ref: 42809] £550.00
[Romeyn de Hooghe]
P Persoy Exc. Cum Previlegie [1695]
Etching, sheet 450 x 595mm (17¾ x 23½"). Trimmed, losing text below image; creasing not visible from front.
Plate from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II (1662-94), queen of England, Scotland and Ireland. Although Mary had privately expressed the wish for a simple funeral, she was buried with elaborate ceremony in Westminster Abbey, and her funeral procession was the largest ever held for an English monarch. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr p.182
[Ref: 42809] £550.00
![[Funeral Procession of Mary II]](jpegs/42810.jpg)
[Funeral Procession of Mary II]
[Romeyn de Hooghe]
P Persoy Exc. Cum Previlegio [1695]
Three etched sheets, rare; each approx 445 x 570mm (17½ x 22½"). Each sheet trimmed in half and pasted one half above the other, with letterpress trimmed and pasted verso; vertical folds to each sheet. Loss on left side 1st plate.
Complete series of views depicting the extraordinary funeral procession for Mary II, which proceeded from the Banqueting House in Whitehall Palace to Westminster Abbey. It remains the largest ever held for an English monarch. Plates from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr pp.176-181. Numbered 1-78. See C Mendez & Grosvenor Prints "Restoration & Revolution 2002" No 35.
[Ref: 42810] £950.00 view all images for this item
[Romeyn de Hooghe]
P Persoy Exc. Cum Previlegio [1695]
Three etched sheets, rare; each approx 445 x 570mm (17½ x 22½"). Each sheet trimmed in half and pasted one half above the other, with letterpress trimmed and pasted verso; vertical folds to each sheet. Loss on left side 1st plate.
Complete series of views depicting the extraordinary funeral procession for Mary II, which proceeded from the Banqueting House in Whitehall Palace to Westminster Abbey. It remains the largest ever held for an English monarch. Plates from Samuel Gruterus, 'Funeralia Mariae II Britanniarum' (Haarlem, 1695), which depicted episodes from the funeral of Mary II. Etched by Romeyn de Hooghe (1645-1708), exponent of the late Dutch Baroque best known for his political caricatures of Louis XIV and his prints glorifying William III and the Glorious Revolution. De Hooghe's output as an artist was broad, however, and he had other talents and responsibilities: in 1689 he was placed in charge of obtaining building materials for the royal hunting lodge of Het Loo; the same year he became a Doctor of Law at Harderwijk University; he designed ceiling paintings for municipal buildings and church windows; and he wrote several political and historical treatises.
Landwehr pp.176-181. Numbered 1-78. See C Mendez & Grosvenor Prints "Restoration & Revolution 2002" No 35.
[Ref: 42810] £950.00 view all images for this item
![[James Scott, Duke of Monmouth greeting his supporters.]](jpegs/42794.jpg)
[James Scott, Duke of Monmouth greeting his supporters.]
Engraving, sheet 165 x 220mm (6½ x 8½"). Glued to album sheet at edges.
A naive engraving of a scene showing James Scott, Duke of Monmouth greeting his followers, the faces are copies of well-known portraits Monmouth's is a copy of Blooteling's mezzotint after Peter Lely.
[Ref: 42794] £260.00 (£312.00 incl.VAT)
Engraving, sheet 165 x 220mm (6½ x 8½"). Glued to album sheet at edges.
A naive engraving of a scene showing James Scott, Duke of Monmouth greeting his followers, the faces are copies of well-known portraits Monmouth's is a copy of Blooteling's mezzotint after Peter Lely.
[Ref: 42794] £260.00 (£312.00 incl.VAT)
![[Parliament in session at Westminster Hall, 1689]](jpegs/42597.jpg)
[Parliament in session at Westminster Hall, 1689] Afbeeldinge van de Raadsvergaderinge der Geestelyke en Wereltlyke Heeren Tot Westmunster, aangevangen op den 1 February 1689
[Cornelis Huyberts; published by Jacobus Robyn, 1689]
Etching, scarce; sheet 290 x 485mm (11½ x 19"). Trimmed, losing letterpress text below image; creases; 'The Marquis of Halifax Speaking in Parliament' in old mss.
Thirteen sitters are identified by a numbered key, including William III and George Saville, first marquis of Halifax, although the letterpress identifying the sitters has been trimmed away from the print.
See BM 1859,0709.1572
[Ref: 42597] £650.00
[Cornelis Huyberts; published by Jacobus Robyn, 1689]
Etching, scarce; sheet 290 x 485mm (11½ x 19"). Trimmed, losing letterpress text below image; creases; 'The Marquis of Halifax Speaking in Parliament' in old mss.
Thirteen sitters are identified by a numbered key, including William III and George Saville, first marquis of Halifax, although the letterpress identifying the sitters has been trimmed away from the print.
See BM 1859,0709.1572
[Ref: 42597] £650.00
![[The seven bishops imprisoned in the Tower of London by James II in June 1688]](jpegs/42799.jpg)
[The seven bishops imprisoned in the Tower of London by James II in June 1688] De Seven Bischoppen naar den Tour gevangen gebragt den 8/18 vry gelaaten den 15/25 Juny 1688.
Apud Carolum Allard Cum Privi: Ord: Holl: et Westfri: [c.1700]
Etching, rare; sheet 250 x 295mm (9¾ x 11½"). Tipped into album sheet; fold through centre. Trimmed to border.
View on the Thames with Tower Bridge on left and London Bridge (incorrectly) on right, showing the Seven Bishops imprisoned by James II for seditious libel over their opposition to the second Declaration of Indulgence. The bishops were: Thomas White, Bishop of Peterborough; Francis Turner, Bishop of Ely; Sir Jonathan Trelawny, Bishop Exeter and Winchester; John Lake, Bishop of Chichester; Thomas Ken, Bishop of Bath and Wells; William Lloyd, Bishop of Worcester; and William Sancroft, Bishop of Canterbury. The bishops were acquitted, to James II's disappointment but to universal rejoicing amongst his subjects. Plate from a Dutch publication comprising twenty plates depicting key episodes from the Glorious Revolution.
For portraits of the Seven Bishops see refs. 23975, 23977, and others.
[Ref: 42799] £320.00
Apud Carolum Allard Cum Privi: Ord: Holl: et Westfri: [c.1700]
Etching, rare; sheet 250 x 295mm (9¾ x 11½"). Tipped into album sheet; fold through centre. Trimmed to border.
View on the Thames with Tower Bridge on left and London Bridge (incorrectly) on right, showing the Seven Bishops imprisoned by James II for seditious libel over their opposition to the second Declaration of Indulgence. The bishops were: Thomas White, Bishop of Peterborough; Francis Turner, Bishop of Ely; Sir Jonathan Trelawny, Bishop Exeter and Winchester; John Lake, Bishop of Chichester; Thomas Ken, Bishop of Bath and Wells; William Lloyd, Bishop of Worcester; and William Sancroft, Bishop of Canterbury. The bishops were acquitted, to James II's disappointment but to universal rejoicing amongst his subjects. Plate from a Dutch publication comprising twenty plates depicting key episodes from the Glorious Revolution.
For portraits of the Seven Bishops see refs. 23975, 23977, and others.
[Ref: 42799] £320.00
![[The Humble Petition of the States Generall of the United Provinces]](jpegs/42793.jpg)
[The Humble Petition of the States Generall of the United Provinces]
W. Sherwin sc [1673]
Etching, rare; sheet 170 x 130mm (6¾ x 5"). Tipped into album sheet with small portrait.
The Independent Minister Hugh Peters (bap.1598-d.1660) introduces the four Dutch ambassadors Paulus van der Perre, Willem Nieupoort, Allard Peter Jongstall, and Hieronymus Berverningk to Secretary of State John Thurloe (bap.1616-d.1668). Beverningk presents a petition for peace during the First Anglo-Dutch War (1652-4). Thurloe was secretary of state from 1652-8 and his intelligence work both at home and abroad were crucial for the protectoral regime. He took part in negotiations with the Dutch ambassadors in autumn 1653 and thereafter he was the protectoral council's conduit to Nieupoort, the resident ambassador, and he was part of the negotiating team for the maritime treaty. Frontispiece to Henry Stubbe, 'A Further Justification of the Present War against the United Netherlands' (1673), published during the third Anglo-Dutch war (1672-4).
For a portrait of Thurloe see ref. 24244.
[Ref: 42793] £240.00 (£288.00 incl.VAT)
W. Sherwin sc [1673]
Etching, rare; sheet 170 x 130mm (6¾ x 5"). Tipped into album sheet with small portrait.
The Independent Minister Hugh Peters (bap.1598-d.1660) introduces the four Dutch ambassadors Paulus van der Perre, Willem Nieupoort, Allard Peter Jongstall, and Hieronymus Berverningk to Secretary of State John Thurloe (bap.1616-d.1668). Beverningk presents a petition for peace during the First Anglo-Dutch War (1652-4). Thurloe was secretary of state from 1652-8 and his intelligence work both at home and abroad were crucial for the protectoral regime. He took part in negotiations with the Dutch ambassadors in autumn 1653 and thereafter he was the protectoral council's conduit to Nieupoort, the resident ambassador, and he was part of the negotiating team for the maritime treaty. Frontispiece to Henry Stubbe, 'A Further Justification of the Present War against the United Netherlands' (1673), published during the third Anglo-Dutch war (1672-4).
For a portrait of Thurloe see ref. 24244.
[Ref: 42793] £240.00 (£288.00 incl.VAT)
![[Vreede-handelingh tot Breda, gesloten op den XXXI Iuly, Ende Geratificeert...]](jpegs/42796.jpg)
[Vreede-handelingh tot Breda, gesloten op den XXXI Iuly, Ende Geratificeert...]
[Romeyn de Hooghe]
[Nicolaes Visscher I] [c.1670]
Etching, very rare; sheet 240 x 335mm (9½ x 13¼"). Trimmed and tipped into album sheet; folds.
Probably a later edition, or a contemporary to the time copy of the Dutch print. The scene shows the Peace conference at Breda with delegates in conference chamber. The Peace of Breda, or Treaty of Breda was signed in the Dutch city of Breda, on 31 July 1667. It consisted of three separate treaties between England and each of its opponents in the Second Anglo-Dutch War: the Dutch Republic, France, and Denmark–Norway. It also included a separate Anglo-Dutch commercial agreement.
[Ref: 42796] £290.00 (£348.00 incl.VAT)
[Romeyn de Hooghe]
[Nicolaes Visscher I] [c.1670]
Etching, very rare; sheet 240 x 335mm (9½ x 13¼"). Trimmed and tipped into album sheet; folds.
Probably a later edition, or a contemporary to the time copy of the Dutch print. The scene shows the Peace conference at Breda with delegates in conference chamber. The Peace of Breda, or Treaty of Breda was signed in the Dutch city of Breda, on 31 July 1667. It consisted of three separate treaties between England and each of its opponents in the Second Anglo-Dutch War: the Dutch Republic, France, and Denmark–Norway. It also included a separate Anglo-Dutch commercial agreement.
[Ref: 42796] £290.00 (£348.00 incl.VAT)
![[Execution of Johan van Oldenbarnevelt.]](jpegs/42795.jpg)
[Execution of Johan van Oldenbarnevelt.]
Etching, sheet 255 x 170mm (10 x 6¾"). Trimmed to image. Tipped into album sheet.
A scene showing the execution of Dutch statesman Johan van Oldenbarnevelt (1547-1619) at the Binnehof in the Hague. Van Oldenbarnevelt was arrested for his role in the struggle for Dutch independence from Spain, he is depicted kneeling on a platform while a crowd looks on.
[Ref: 42795] £160.00 (£192.00 incl.VAT)
Etching, sheet 255 x 170mm (10 x 6¾"). Trimmed to image. Tipped into album sheet.
A scene showing the execution of Dutch statesman Johan van Oldenbarnevelt (1547-1619) at the Binnehof in the Hague. Van Oldenbarnevelt was arrested for his role in the struggle for Dutch independence from Spain, he is depicted kneeling on a platform while a crowd looks on.
[Ref: 42795] £160.00 (£192.00 incl.VAT)