A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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St Anthony & the Infant Jesus.
Morillio Pinxit. John Dean Fecit.
Published Aug.t the 7th 1776, by John Dean, No 13, Church Street, Soho.
Mezzotint. Sheet 505 x 355mm (19¾ x 14"), on Whatman paper. Trimmed to plate, worming in sky area, some filled, pin-holes remaining.
St Anthony (1195-1231, the patron saint of Lost Things), wearing a habit, on one knee in a landscape, holding a lily and a large open book on which the infant Jesus stands. After Bartolomé Esteban Murillo.
[Ref: 45229] £230.00 (£276.00 incl.VAT)
Morillio Pinxit. John Dean Fecit.
Published Aug.t the 7th 1776, by John Dean, No 13, Church Street, Soho.
Mezzotint. Sheet 505 x 355mm (19¾ x 14"), on Whatman paper. Trimmed to plate, worming in sky area, some filled, pin-holes remaining.
St Anthony (1195-1231, the patron saint of Lost Things), wearing a habit, on one knee in a landscape, holding a lily and a large open book on which the infant Jesus stands. After Bartolomé Esteban Murillo.
[Ref: 45229] £230.00 (£276.00 incl.VAT)
Lady Cadogan 1787.
Painted by Sr. Joshua Reynolds. Engraved by J. Dean.
Published March 1st, by J. Dean Bentinck Street, Soho.
Mezzotint, 455 x 330mm. 17¾ x 13".
Lady Mary Cadogan (1750 - active 1797), eldest daughter of Charles Churchill. 2nd wife of Charles Sloane Cadogan, 3rd Baron and 1st Earl Cadogan; divorced 1796.
Chaloner Smith: 3, II of II. Hamilton: pg.87, II.
[Ref: 9563] £320.00
Painted by Sr. Joshua Reynolds. Engraved by J. Dean.
Published March 1st, by J. Dean Bentinck Street, Soho.
Mezzotint, 455 x 330mm. 17¾ x 13".
Lady Mary Cadogan (1750 - active 1797), eldest daughter of Charles Churchill. 2nd wife of Charles Sloane Cadogan, 3rd Baron and 1st Earl Cadogan; divorced 1796.
Chaloner Smith: 3, II of II. Hamilton: pg.87, II.
[Ref: 9563] £320.00
Master Caulfield.
John Russell Pinxit. J. Dean Fecit.
Published Jan. 1, 1777, by Jn.o Dean, Church Street, Soho.
Mezzotint. Sheet 345 x 255mm (13½ x 10"). Trimmed to plate, laid on album paper, creasing. Collector's stamp of Sir William Augustus Fraser (1826-1898) in inscription area.
William Caulfield, a parrot perched on his finger, held by a string. The BM describes him as the son of Capt. James Caulfield; the Bromsgrove catalogue as the nephew of Lord Bute.
CS 4, state ii of iii, first published state; BM K,58.133; Lugt L2831. Ex Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34591] £160.00 (£192.00 incl.VAT)
John Russell Pinxit. J. Dean Fecit.
Published Jan. 1, 1777, by Jn.o Dean, Church Street, Soho.
Mezzotint. Sheet 345 x 255mm (13½ x 10"). Trimmed to plate, laid on album paper, creasing. Collector's stamp of Sir William Augustus Fraser (1826-1898) in inscription area.
William Caulfield, a parrot perched on his finger, held by a string. The BM describes him as the son of Capt. James Caulfield; the Bromsgrove catalogue as the nephew of Lord Bute.
CS 4, state ii of iii, first published state; BM K,58.133; Lugt L2831. Ex Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34591] £160.00 (£192.00 incl.VAT)
![[Cupid, in the Character of a Link Boy.]](jpegs/46176.jpg)
[Cupid, in the Character of a Link Boy.]
Sir Joshua Reynolds pinx.t. John Dean fecit.
London, Printed for R. Sayer & J. Bennett, Map & Printsellers No. 53 Fleet Street: as the Act directs Aug.t 15, 1777
Fine mezzotint. Proof before title. Plate: 390 x 275mm (15½ x 10¾"). Small margins.
Engraving after a 1774 painting by Sir Joshua Reynolds, now in the Allbright-Knox Art Gallery, Buffalo. Reynolds' cupid is very much the Georgian street urchin in tattered clothes; the phallic positioning of his torch reminds us that link boys used their torches to lead lovers (as well as prostitutes) around the city at night before street lighting.
Hamilton p.145; See Richard Wendorf, 'Sir Joshua Reynolds: the Painter in Society'
[Ref: 46176] £480.00
Sir Joshua Reynolds pinx.t. John Dean fecit.
London, Printed for R. Sayer & J. Bennett, Map & Printsellers No. 53 Fleet Street: as the Act directs Aug.t 15, 1777
Fine mezzotint. Proof before title. Plate: 390 x 275mm (15½ x 10¾"). Small margins.
Engraving after a 1774 painting by Sir Joshua Reynolds, now in the Allbright-Knox Art Gallery, Buffalo. Reynolds' cupid is very much the Georgian street urchin in tattered clothes; the phallic positioning of his torch reminds us that link boys used their torches to lead lovers (as well as prostitutes) around the city at night before street lighting.
Hamilton p.145; See Richard Wendorf, 'Sir Joshua Reynolds: the Painter in Society'
[Ref: 46176] £480.00
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Europa.
Painted by Romanelli. Engrav'd by J.Dean.
Publish'd Oct.r 1791 by M.A.Dean, No 138 High Holborn.
Mezzotint. 510 x 355mm. Trimmed within plate.
Europa with Zeus disguised as a bull and Eros.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5060] £450.00
Painted by Romanelli. Engrav'd by J.Dean.
Publish'd Oct.r 1791 by M.A.Dean, No 138 High Holborn.
Mezzotint. 510 x 355mm. Trimmed within plate.
Europa with Zeus disguised as a bull and Eros.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5060] £450.00
The Right Honourable Lady Gertrude Fitzpatrick.
Painted by Sir Joshua Reynolds. Engraved by J.Dean.
London, Published Feb 1st. 1782, by W.Dickinson, Engraver and Printseller No.158 New Bond Street.
Mezzotint, 325 x 450mm.
[Ref: 4846] £280.00 (£336.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by J.Dean.
London, Published Feb 1st. 1782, by W.Dickinson, Engraver and Printseller No.158 New Bond Street.
Mezzotint, 325 x 450mm.
[Ref: 4846] £280.00 (£336.00 incl.VAT)
Lavinia.
Painted & Engraved by J. Dean.
Publish'd Feb.y 1.st 1791 by J. Dean Bentinck Street Soho.
Fine & rare stipple, 250 x 185mm (9¾ x 7¼") with large margins. Stained and slightly scuffed.
Portrait of a country girl holding a bundle of hay and a pitcher. Possibly a representation of Lavinia from Roman Mythology, however could also be Lavinia from Shakespeare's 'Titus Andronicus'.
[Ref: 60338] £160.00 (£192.00 incl.VAT)
Painted & Engraved by J. Dean.
Publish'd Feb.y 1.st 1791 by J. Dean Bentinck Street Soho.
Fine & rare stipple, 250 x 185mm (9¾ x 7¼") with large margins. Stained and slightly scuffed.
Portrait of a country girl holding a bundle of hay and a pitcher. Possibly a representation of Lavinia from Roman Mythology, however could also be Lavinia from Shakespeare's 'Titus Andronicus'.
[Ref: 60338] £160.00 (£192.00 incl.VAT)
The Marriage.
Painted by F. Wheatley. Engraved by J. Dean.
Published Nov.r 15.th 1787, by J. Dean, Bentinck Street, Soho.
Coloured mezzotint with large margins. Plate 503 x 354mm (19¾ x 14"). Title area bit messy.
A bride and groom, simply dressed, walking hand-in-hand under a church porch, looking into each other's eyes, the groom holding his hat in his left hand, two bridesmaids throwing flowers from baskets on the right, with an old lady and another woman standing behind them. From a set of four.
[Ref: 28188] £260.00 (£312.00 incl.VAT)
Painted by F. Wheatley. Engraved by J. Dean.
Published Nov.r 15.th 1787, by J. Dean, Bentinck Street, Soho.
Coloured mezzotint with large margins. Plate 503 x 354mm (19¾ x 14"). Title area bit messy.
A bride and groom, simply dressed, walking hand-in-hand under a church porch, looking into each other's eyes, the groom holding his hat in his left hand, two bridesmaids throwing flowers from baskets on the right, with an old lady and another woman standing behind them. From a set of four.
[Ref: 28188] £260.00 (£312.00 incl.VAT)
![[James Thomas Paine.]](jpegs/29163.jpg)
[James Thomas Paine.]
Painted by G. Romney. Engraved by J. Dean.
Published Jan.y the 1.st 1780 by J. Dean. Berwick Street Soho.
Very fine mezzotint, proof before title. 461 x 330mm (18¼ x 13"), with collector's mark.
Whole-length, as a child, standing, naked except for a sash that comes around his chest, he holds it around the neck of a Pomeranian dog to the right, whose head is turned towards the boy. James Paine II (1745-1829), architect and sculptor, the son of James Paine I.
Ex Collection: Earl of Bute. Horne: 91, i/ii. CS: 19.
[Ref: 29163] £850.00
Painted by G. Romney. Engraved by J. Dean.
Published Jan.y the 1.st 1780 by J. Dean. Berwick Street Soho.
Very fine mezzotint, proof before title. 461 x 330mm (18¼ x 13"), with collector's mark.
Whole-length, as a child, standing, naked except for a sash that comes around his chest, he holds it around the neck of a Pomeranian dog to the right, whose head is turned towards the boy. James Paine II (1745-1829), architect and sculptor, the son of James Paine I.
Ex Collection: Earl of Bute. Horne: 91, i/ii. CS: 19.
[Ref: 29163] £850.00
![[George Pochin.]](jpegs/16607.jpg)
[George Pochin.]
W. Peters R.A. Pinxit. Iohn Dean Fecit.
Publish'd the 6th of August 1777 by I Dean Church Street Soho.
Mezzotint. Plate 395 x 280mm. 15½ x 11". Rubbed.
George Pochin (1732-1798) was a Colonel of the Leicestershire militia and served in the American War. Pochin, who already had estates in Leicestershire, succeeded to the title of Lord of the Manor of Bourne Abbots in 1761, where he built a fine mansion, the Abbey House; he stayed there until his death in 1798. He was Lord of the Manor for some 37 years, and both he and his wife are remembered by a marble plaque to record their lives of devotion to public service and Christian charity. He was Colonel of the Leicestershire Regiment of Militia, Deputy Lieutenant and Magistrate in the Counties of Leicestershire and Lincolnshire. The artist is Matthew William Peters (1742-1814), most famous for his provocative painting of a courtesan (known as 'Lydia' in the mezzotint copy). He came to regret his choice of subject, as he was ordained in 1781, becoming the Royal Academy's chaplain (1784-8), then chaplain to the Prince of Wales.
BM: 1902,1011.648. CS: 21: i of ii; Lady Victoria Manners' 'Matthew William Peters, R.A.' p.63
[Ref: 16607] £180.00 (£216.00 incl.VAT)
W. Peters R.A. Pinxit. Iohn Dean Fecit.
Publish'd the 6th of August 1777 by I Dean Church Street Soho.
Mezzotint. Plate 395 x 280mm. 15½ x 11". Rubbed.
George Pochin (1732-1798) was a Colonel of the Leicestershire militia and served in the American War. Pochin, who already had estates in Leicestershire, succeeded to the title of Lord of the Manor of Bourne Abbots in 1761, where he built a fine mansion, the Abbey House; he stayed there until his death in 1798. He was Lord of the Manor for some 37 years, and both he and his wife are remembered by a marble plaque to record their lives of devotion to public service and Christian charity. He was Colonel of the Leicestershire Regiment of Militia, Deputy Lieutenant and Magistrate in the Counties of Leicestershire and Lincolnshire. The artist is Matthew William Peters (1742-1814), most famous for his provocative painting of a courtesan (known as 'Lydia' in the mezzotint copy). He came to regret his choice of subject, as he was ordained in 1781, becoming the Royal Academy's chaplain (1784-8), then chaplain to the Prince of Wales.
BM: 1902,1011.648. CS: 21: i of ii; Lady Victoria Manners' 'Matthew William Peters, R.A.' p.63
[Ref: 16607] £180.00 (£216.00 incl.VAT)
![[A School Boy.]](jpegs/36505.jpg)
[A School Boy.]
Sr Joshua Reynolds Pinxit. John Dean Fecit
Published Oct. 31st 1777 by Jn Dean Church Street Soho
Mezzotint with very large margins, fine, platemark 395 x 280mm (15½ x 11"). First state before plate cleaned.
Engraving of one of Sir Joshua Reynolds' popular 'fancy pictures' of the 1770s, a schoolboy holding a portfolio. The first owner of the painting (which was recently sold by Sotheby's) was the great collector George Greville, 2nd Earl of Warwick
Hamilton p.156 i/iii; for the painting, see Sotheby's Old Master & British Paintings evening sale, 9 July 2014.
[Ref: 36505] £380.00
Sr Joshua Reynolds Pinxit. John Dean Fecit
Published Oct. 31st 1777 by Jn Dean Church Street Soho
Mezzotint with very large margins, fine, platemark 395 x 280mm (15½ x 11"). First state before plate cleaned.
Engraving of one of Sir Joshua Reynolds' popular 'fancy pictures' of the 1770s, a schoolboy holding a portfolio. The first owner of the painting (which was recently sold by Sotheby's) was the great collector George Greville, 2nd Earl of Warwick
Hamilton p.156 i/iii; for the painting, see Sotheby's Old Master & British Paintings evening sale, 9 July 2014.
[Ref: 36505] £380.00