A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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A Frost.
Designed and Etched by Theordore Lane. Eng.d by Geo. Hunt.
Pub March, 1827, by Geo. Hunt, Corner of York St. & Bridges St. Covent Garden.
Etching with hand coloured aquatint. 330 x 265mm (13 x 10½"). Faint water stain in top margin and some toning.
A man is carried from the ice, dripping wet and carrying one of his skates, by another gentleman wearing a hat with the words 'Humane Society'. Another man offers him some gin. Originally a pair to 'A Thaw'. See ref 56504.
Hickman pg. 98. i of ii.
[Ref: 56505] £220.00 (£264.00 incl.VAT)
Designed and Etched by Theordore Lane. Eng.d by Geo. Hunt.
Pub March, 1827, by Geo. Hunt, Corner of York St. & Bridges St. Covent Garden.
Etching with hand coloured aquatint. 330 x 265mm (13 x 10½"). Faint water stain in top margin and some toning.
A man is carried from the ice, dripping wet and carrying one of his skates, by another gentleman wearing a hat with the words 'Humane Society'. Another man offers him some gin. Originally a pair to 'A Thaw'. See ref 56504.
Hickman pg. 98. i of ii.
[Ref: 56505] £220.00 (£264.00 incl.VAT)
A Frost.
Designed and Etched by Theordore Lane. Eng.d by Geo. Hunt.
Pub March, 1827, by Geo. Hunt, Corner of York St. & Bridges St. Covent Garden.
Etching with hand coloured aquatint. 345 x 270mm (13½ x 10½"). Trimmed and tipped into backing sheet, a bit time stained and abrasion in title
A man is carried from the ice, dripping wet and carrying one of his skates, by another gentleman wearing a hat with the words 'Humane Society'. Another man offers him some gin. Originally a pair to 'A Thaw'. See ref 56504. The 'R' of Frost is rubbed out.
Hickman pg. 98. i of ii.
[Ref: 56553] £180.00 (£216.00 incl.VAT)
Designed and Etched by Theordore Lane. Eng.d by Geo. Hunt.
Pub March, 1827, by Geo. Hunt, Corner of York St. & Bridges St. Covent Garden.
Etching with hand coloured aquatint. 345 x 270mm (13½ x 10½"). Trimmed and tipped into backing sheet, a bit time stained and abrasion in title
A man is carried from the ice, dripping wet and carrying one of his skates, by another gentleman wearing a hat with the words 'Humane Society'. Another man offers him some gin. Originally a pair to 'A Thaw'. See ref 56504. The 'R' of Frost is rubbed out.
Hickman pg. 98. i of ii.
[Ref: 56553] £180.00 (£216.00 incl.VAT)
Six vues d'Amiens.
Lithographiées d'après nature et dédiées à la Société des Amis des Arts par Th. Mansson.
Chez Hacbect Jeune édit. à Amiens.
Folio, printed wrappers, 6 tinted lithographs, loose as issued, rare. Wear to wrappers, slight spotting of plates.
Six views, all depicting Amiens Cathedral, after Théodore Henri Mansson (1811-50).
[Ref: 35801] £220.00 view all images for this item
Lithographiées d'après nature et dédiées à la Société des Amis des Arts par Th. Mansson.
Chez Hacbect Jeune édit. à Amiens.
Folio, printed wrappers, 6 tinted lithographs, loose as issued, rare. Wear to wrappers, slight spotting of plates.
Six views, all depicting Amiens Cathedral, after Théodore Henri Mansson (1811-50).
[Ref: 35801] £220.00 view all images for this item
Petrus Apianus Binvitzius Astrologus.
[by Theodore de Bry.]
[n.d, c.1660.]
Engraving with very large margins, printed on 17th century watermarked paper. 140 x 110mm (5½ x 4¼".
Portrait of Petrus Apianus (latinized from Peter Bienewitz) (1495- 1552), German cartographer, astronomer & mathematician, in decorative border with insects and plants. His most famous works were his cordiform world map 'Tipus Orbis Universalis juxta Ptolomei Cosmographi Traditionem et Americi Vespucii Aliorque Lustrationes' of 1520, the 'Cosmographicus liber' of 1524 and the 'Astronomicum Caesareum' of 1540. From a later printing of Jean Jacques Boissard's 'Icones virorum illustrium’ originally published 1597-8.
Wellcome: 84 - not in.
[Ref: 29655] £160.00 (£192.00 incl.VAT)
[by Theodore de Bry.]
[n.d, c.1660.]
Engraving with very large margins, printed on 17th century watermarked paper. 140 x 110mm (5½ x 4¼".
Portrait of Petrus Apianus (latinized from Peter Bienewitz) (1495- 1552), German cartographer, astronomer & mathematician, in decorative border with insects and plants. His most famous works were his cordiform world map 'Tipus Orbis Universalis juxta Ptolomei Cosmographi Traditionem et Americi Vespucii Aliorque Lustrationes' of 1520, the 'Cosmographicus liber' of 1524 and the 'Astronomicum Caesareum' of 1540. From a later printing of Jean Jacques Boissard's 'Icones virorum illustrium’ originally published 1597-8.
Wellcome: 84 - not in.
[Ref: 29655] £160.00 (£192.00 incl.VAT)
Best Mode of Going to Bartholomew Fair.
Designed and Etched by T. Lane.
Pub. by G. Hunt Corner of York St & Bridges St.
Fine coloured aquatint. Sheet 305 x 225mm (12 x 8¾"). Trimmed within plate, tear through title, laid on album paper.
A man smoking a pipe and carrying a cudgel, his body protected by a barrel with spikes, heavy boots protrunding from the bottom. Bartholomew Fair, held on the 24th August in Smithfield, was founded as a cloth fair in 1133. It expanded over the years to include sideshows, especially prize-fighters, musicians, wire-walkers, acrobats, puppets, freaks and wild animals, as illustrated in a famous view in the 'Microcosm of London'. However it also became increasing rowdy, with fights and muggings, as satirised here, and eventually the fair was suppressed in 1855.
Hickman p.86.
[Ref: 58465] £230.00 (£276.00 incl.VAT)
Designed and Etched by T. Lane.
Pub. by G. Hunt Corner of York St & Bridges St.
Fine coloured aquatint. Sheet 305 x 225mm (12 x 8¾"). Trimmed within plate, tear through title, laid on album paper.
A man smoking a pipe and carrying a cudgel, his body protected by a barrel with spikes, heavy boots protrunding from the bottom. Bartholomew Fair, held on the 24th August in Smithfield, was founded as a cloth fair in 1133. It expanded over the years to include sideshows, especially prize-fighters, musicians, wire-walkers, acrobats, puppets, freaks and wild animals, as illustrated in a famous view in the 'Microcosm of London'. However it also became increasing rowdy, with fights and muggings, as satirised here, and eventually the fair was suppressed in 1855.
Hickman p.86.
[Ref: 58465] £230.00 (£276.00 incl.VAT)
Fac Similes des Dessins Extraits des Livres de Croquis de Géricault et Lithographiés par Plusieurs Artistes.
Publiés par Blaisot M.d d'Estampes de S.A.R. M.gr le Duc d'Orléans / Palais Royal 1825 / Imp.e Lithog.e de P. Ducarme, Rue des Fossés Saint Germain l'auxerrois, No. 24
Ten lithographs in original wrappers, sheets each approx 365 x 270mm (14¼ x 10½"). Collector's stamp of [?]Paul and Véronique Sanchez on verso of each (probably variant of L.3289.
Ten lithographs of 20? after drawings by Théodore Géricault (1791 - 1824) and published shortly after his death. Subjects include military and oriental costume studies, fighting bulls, the philosopher Helvetius presenting his son to Voltaire, and a fragment of Michelangelo's 'Last Judgment'. After Géricault's death at the age of 32, his works were auctioned in a sale which contained around 220 paintings and an estimated 1600-1800 drawings and watercolours. Géricault sold very little in his lifetime, and so he owned most of his work at the time of his death. The drawings reproduced here were probably purchased at the auction by Blaisot. While he had little financial success in his lifetime, Géricault's postuhumous influence was on the likes of Delacroix and Courbet was great.
[Ref: 35578] £600.00 view all images for this item
Publiés par Blaisot M.d d'Estampes de S.A.R. M.gr le Duc d'Orléans / Palais Royal 1825 / Imp.e Lithog.e de P. Ducarme, Rue des Fossés Saint Germain l'auxerrois, No. 24
Ten lithographs in original wrappers, sheets each approx 365 x 270mm (14¼ x 10½"). Collector's stamp of [?]Paul and Véronique Sanchez on verso of each (probably variant of L.3289.
Ten lithographs of 20? after drawings by Théodore Géricault (1791 - 1824) and published shortly after his death. Subjects include military and oriental costume studies, fighting bulls, the philosopher Helvetius presenting his son to Voltaire, and a fragment of Michelangelo's 'Last Judgment'. After Géricault's death at the age of 32, his works were auctioned in a sale which contained around 220 paintings and an estimated 1600-1800 drawings and watercolours. Géricault sold very little in his lifetime, and so he owned most of his work at the time of his death. The drawings reproduced here were probably purchased at the auction by Blaisot. While he had little financial success in his lifetime, Géricault's postuhumous influence was on the likes of Delacroix and Courbet was great.
[Ref: 35578] £600.00 view all images for this item
Portrait de Napoléon, En Grand Costume de Roi d'Italie. d'apres Appiani.
T.re Deligny. Imp.ie litho de Sentex, rue de la Feuillade, No 5.
[n.d., c.1834.]
Lithograph. Sheet 260 x 210mm (10¼ x 8¼").
Napoleon Bonaparte in his ceremonial robes as King of Italy. He was crowned on the 17th March 1805 and deposed 11th April 1814. The artist, Andrea Appiani (17540817), was given a pension by the kingdom of Italy which was revoked after Napoleon's fall, leaving him in poverty. The original painting did not feature the laurel wreath.
[Ref: 36005] £50.00 (£60.00 incl.VAT)
T.re Deligny. Imp.ie litho de Sentex, rue de la Feuillade, No 5.
[n.d., c.1834.]
Lithograph. Sheet 260 x 210mm (10¼ x 8¼").
Napoleon Bonaparte in his ceremonial robes as King of Italy. He was crowned on the 17th March 1805 and deposed 11th April 1814. The artist, Andrea Appiani (17540817), was given a pension by the kingdom of Italy which was revoked after Napoleon's fall, leaving him in poverty. The original painting did not feature the laurel wreath.
[Ref: 36005] £50.00 (£60.00 incl.VAT)
A Broil.
London Published by G.Humphrey 27 St James's Street June 1822.
Hand coloured etching, 295 x 225mm (11½ x 9"). Trimmed close to plate. Stain to image upper left.
An affray between three fashionably dressed men and two watchmen with bludgeons in a street at night, under a full moon. The glass of a street-lamp above their heads has been cracked. One watchman has large letters on the back of his greatcoat: St J. W, showing that the parish is that of St. James's or St. John's, Westminster. One of a set of four prints with punning culinary titles by Theodore Lane (1800 - 1828).
BM Satires: 14451.
[Ref: 11530] £220.00 (£264.00 incl.VAT)
London Published by G.Humphrey 27 St James's Street June 1822.
Hand coloured etching, 295 x 225mm (11½ x 9"). Trimmed close to plate. Stain to image upper left.
An affray between three fashionably dressed men and two watchmen with bludgeons in a street at night, under a full moon. The glass of a street-lamp above their heads has been cracked. One watchman has large letters on the back of his greatcoat: St J. W, showing that the parish is that of St. James's or St. John's, Westminster. One of a set of four prints with punning culinary titles by Theodore Lane (1800 - 1828).
BM Satires: 14451.
[Ref: 11530] £220.00 (£264.00 incl.VAT)
A Broil.
London Published by G.Humphrey 27 St James's Street June 1822.
Fine hand coloured etching. 295 x 225mm (11½ x 9"), with very large margins. Old ink mss. key in French added, letters in plate, explanation in
An affray between three fashionably dressed men and two watchmen with bludgeons in a street at night, under a full moon. The glass of a street-lamp above their heads has been cracked. One watchman has large letters on the back of his greatcoat: St J. W, showing that the parish is that of St. James's or St. John's, Westminster. One of a set of four prints with punning culinary titles by Theodore Lane (1800-28).
BM Satires: 14451.
[Ref: 50679] £260.00 (£312.00 incl.VAT)
London Published by G.Humphrey 27 St James's Street June 1822.
Fine hand coloured etching. 295 x 225mm (11½ x 9"), with very large margins. Old ink mss. key in French added, letters in plate, explanation in
An affray between three fashionably dressed men and two watchmen with bludgeons in a street at night, under a full moon. The glass of a street-lamp above their heads has been cracked. One watchman has large letters on the back of his greatcoat: St J. W, showing that the parish is that of St. James's or St. John's, Westminster. One of a set of four prints with punning culinary titles by Theodore Lane (1800-28).
BM Satires: 14451.
[Ref: 50679] £260.00 (£312.00 incl.VAT)
A Broil.
London Published by G.Humphrey 27 St James's Street June 1822.
Hand coloured etching, in title area on right in ink T.A. from A.W. 1822; 300 x 230mm (11¾ x 9") with large margins. Some creasing.
An affray between three fashionably dressed men and two watchmen with bludgeons in a street at night, under a full moon. The glass of a street-lamp above their heads has been cracked. One watchman has large letters on the back of his greatcoat: St J. W, showing that the parish is that of St. James's or St. John's, Westminster. One of a set of four prints with punning culinary titles by Theodore Lane (1800 - 1828). See also 56450.
BM Satires: 14451.
[Ref: 56449] £230.00 (£276.00 incl.VAT)
London Published by G.Humphrey 27 St James's Street June 1822.
Hand coloured etching, in title area on right in ink T.A. from A.W. 1822; 300 x 230mm (11¾ x 9") with large margins. Some creasing.
An affray between three fashionably dressed men and two watchmen with bludgeons in a street at night, under a full moon. The glass of a street-lamp above their heads has been cracked. One watchman has large letters on the back of his greatcoat: St J. W, showing that the parish is that of St. James's or St. John's, Westminster. One of a set of four prints with punning culinary titles by Theodore Lane (1800 - 1828). See also 56450.
BM Satires: 14451.
[Ref: 56449] £230.00 (£276.00 incl.VAT)
Carolus Secundus D:G: Magnae Britanniae Franciae et Hi: berniae Rex etc.
T v Merlen ex. F. Bouttats Sc.
The van Merlen excud Antverpiae. [n.d. c.1660.]
Engraving. 165 x 115mm. 6½ x 4½".
King Charles II (1630-1685), reigned from 1660 to 1685.
Ex Collection Norman Blackburn.
[Ref: 18644] £140.00 (£168.00 incl.VAT)
T v Merlen ex. F. Bouttats Sc.
The van Merlen excud Antverpiae. [n.d. c.1660.]
Engraving. 165 x 115mm. 6½ x 4½".
King Charles II (1630-1685), reigned from 1660 to 1685.
Ex Collection Norman Blackburn.
[Ref: 18644] £140.00 (£168.00 incl.VAT)
![['The Little Gate' - Chelsea.]](jpegs/11675.jpg)
['The Little Gate' - Chelsea.]
Theodore Roussel [etched in plate and signed in pencil.]
[n.d., c.1890.]
Etching, 205 x 165mm. 8 x 6½".
The fine wrought-iron gate to 4 Cheyne Walk, Chelsea. By Theodore Casimir Roussel (1847 - 1926), English painter and etcher of French birth. He was born and educated in France and settled in England in 1878, when he quickly established a reputation. In 1885 he was introduced to James McNeill Whistler, his neighbour in Chelsea, London, and in consequence a lifelong friendship was formed. In 1888 Whistler introduced him to the techniques of etching and drypoint. As Roussel was a member of Whistler’s London circle his work was influenced by the latter in style and choice of subject-matter. Scarce.
Guichard: pg.57. Longford 'Images of Chelsea': 552.
[Ref: 11675] £330.00
Theodore Roussel [etched in plate and signed in pencil.]
[n.d., c.1890.]
Etching, 205 x 165mm. 8 x 6½".
The fine wrought-iron gate to 4 Cheyne Walk, Chelsea. By Theodore Casimir Roussel (1847 - 1926), English painter and etcher of French birth. He was born and educated in France and settled in England in 1878, when he quickly established a reputation. In 1885 he was introduced to James McNeill Whistler, his neighbour in Chelsea, London, and in consequence a lifelong friendship was formed. In 1888 Whistler introduced him to the techniques of etching and drypoint. As Roussel was a member of Whistler’s London circle his work was influenced by the latter in style and choice of subject-matter. Scarce.
Guichard: pg.57. Longford 'Images of Chelsea': 552.
[Ref: 11675] £330.00
![[The Street, Chelsea Embankment.]](jpegs/57554.jpg)
[The Street, Chelsea Embankment.]
Theodore Roussel.
[c.1889.]
Etching. Sheet 150 x 205mm (6 x 8").
A view of the shops on Cheyne Walk before its redevelopment during the 1890s. A newsagent displays a board advertising the 'News of the World' (the 'N' reversed). By Theodore Casimir Roussel (1847-1926), English painter and etcher of French birth. He was born and educated in France and settled in England in 1878, when he quickly established a reputation. In 1885 he was introduced to James McNeill Whistler, his neighbour in Chelsea, London, and in consequence a lifelong friendship was formed. In 1888 Whistler introduced him to the techniques of etching and drypoint. As Roussel was a member of Whistler’s London circle his work was influenced by the latter in style and choice of subject-matter.
Hausberg 26, limited edition of about 40.
[Ref: 57554] £240.00 (£288.00 incl.VAT)
Theodore Roussel.
[c.1889.]
Etching. Sheet 150 x 205mm (6 x 8").
A view of the shops on Cheyne Walk before its redevelopment during the 1890s. A newsagent displays a board advertising the 'News of the World' (the 'N' reversed). By Theodore Casimir Roussel (1847-1926), English painter and etcher of French birth. He was born and educated in France and settled in England in 1878, when he quickly established a reputation. In 1885 he was introduced to James McNeill Whistler, his neighbour in Chelsea, London, and in consequence a lifelong friendship was formed. In 1888 Whistler introduced him to the techniques of etching and drypoint. As Roussel was a member of Whistler’s London circle his work was influenced by the latter in style and choice of subject-matter.
Hausberg 26, limited edition of about 40.
[Ref: 57554] £240.00 (£288.00 incl.VAT)
A Merry Christmas Day, in the Watch House, for Milling the Charles. No Bail come yet, Sir,_you must be locked up till morning_now Sir,_walk in.
Designed & Engraved by Theodore Lane.
[n.d. c.1820] London, Pubd. by Thos. Mc.Lean, 26, Haymarket.
Coloured etching. 349 x 254mm. 13¾" x 10".
Theodore Lane (1800-1828), was apprenticed to the miniature painter John Barrow, with whom he studied watercolour portraits and miniatures, exhibiting at the Royal Academy from 1819. His real talent, however, lay in his depiction of humorous subjects; a series of thirty-six subjects designed and etched by him, entitled The Life of an Actor, was published in 1825. Lane also etched a number of sets of satirical and comic prints of sporting and social life, and he became well-known for his caricatures of George IV and Queen Caroline. He turned to oil painting in 1825, and within two years was exhibiting work at the Royal Academy. Lane died at the young age of twenty-eight when he fell through a skylight.
Listed in BM undescribed.
[Ref: 14261] £260.00 (£312.00 incl.VAT)
Designed & Engraved by Theodore Lane.
[n.d. c.1820] London, Pubd. by Thos. Mc.Lean, 26, Haymarket.
Coloured etching. 349 x 254mm. 13¾" x 10".
Theodore Lane (1800-1828), was apprenticed to the miniature painter John Barrow, with whom he studied watercolour portraits and miniatures, exhibiting at the Royal Academy from 1819. His real talent, however, lay in his depiction of humorous subjects; a series of thirty-six subjects designed and etched by him, entitled The Life of an Actor, was published in 1825. Lane also etched a number of sets of satirical and comic prints of sporting and social life, and he became well-known for his caricatures of George IV and Queen Caroline. He turned to oil painting in 1825, and within two years was exhibiting work at the Royal Academy. Lane died at the young age of twenty-eight when he fell through a skylight.
Listed in BM undescribed.
[Ref: 14261] £260.00 (£312.00 incl.VAT)
Christophorus Columbus Liguriensis Indiarum Primus Inventor Anno 1492
[after de Bry]
[n.d., c.1720.]
Engraving. 140 x 85mm (5½ x 3½").
Portrait of Christopher Columbus, derived from the early engraved portrait attributed to Theodore de Bry (itself after Sebastiano del Piombo), and retaining the latin text from that engraving.
[Ref: 29804] £140.00 (£168.00 incl.VAT)
[after de Bry]
[n.d., c.1720.]
Engraving. 140 x 85mm (5½ x 3½").
Portrait of Christopher Columbus, derived from the early engraved portrait attributed to Theodore de Bry (itself after Sebastiano del Piombo), and retaining the latin text from that engraving.
[Ref: 29804] £140.00 (£168.00 incl.VAT)
A Fry.
[Theodore Lane.]
London Published by G. Humphrey 27 St. James's Street, Jan 30th 1822.
Coloured etching. 220 x 300mm (8¾ x 11¾"). Large margin on 3 sides, cut to printed border on right.
A scene in an impecunious household, with a man being assaulted by his five children while his wife holds a frying pan over the hearth. From a series of four satires with a cooking theme. Theodore Lane (1800-28) exhibited paintings at the Royal Academy from the age of 16 before becoming a satirist. He died at 28 falling through a skylight.
BM Satires 14453.
[Ref: 33089] £220.00 (£264.00 incl.VAT)
[Theodore Lane.]
London Published by G. Humphrey 27 St. James's Street, Jan 30th 1822.
Coloured etching. 220 x 300mm (8¾ x 11¾"). Large margin on 3 sides, cut to printed border on right.
A scene in an impecunious household, with a man being assaulted by his five children while his wife holds a frying pan over the hearth. From a series of four satires with a cooking theme. Theodore Lane (1800-28) exhibited paintings at the Royal Academy from the age of 16 before becoming a satirist. He died at 28 falling through a skylight.
BM Satires 14453.
[Ref: 33089] £220.00 (£264.00 incl.VAT)
![[El Charlatan ó Sacamuelas - The Quack Tooth-Puller.]](jpegs/45239.jpg)
[El Charlatan ó Sacamuelas - The Quack Tooth-Puller.]
Theodore Roclans [Theodoor Rombouts] Flamenco lo pintó. Manuel Salvador Carmona lo dibuxó y grabo 1805.
Engraving, proof before title?, scarce; Sheet 405 x 530mm (16 x 20¾"). Trimmed within plate, a few nicks in edges.
A man pulls the tooth of a poor victim, the tools of his trade on the table. A queue has formed behind him.
[Ref: 45239] £480.00
Theodore Roclans [Theodoor Rombouts] Flamenco lo pintó. Manuel Salvador Carmona lo dibuxó y grabo 1805.
Engraving, proof before title?, scarce; Sheet 405 x 530mm (16 x 20¾"). Trimmed within plate, a few nicks in edges.
A man pulls the tooth of a poor victim, the tools of his trade on the table. A queue has formed behind him.
[Ref: 45239] £480.00
Innocent Amusements. Curling a Lap-Dog's Hair.
Drawn and etched by Theod.e Lane.
Hand coloured etching sheet 275 x 185mm (10¾ x 7¼). Cut and tipped into backing sheet. Slightly time stained.
An older woman excessively grooms her small white dog; putting its hair in curlers.
[Ref: 56552] £70.00 (£84.00 incl.VAT)
Drawn and etched by Theod.e Lane.
Hand coloured etching sheet 275 x 185mm (10¾ x 7¼). Cut and tipped into backing sheet. Slightly time stained.
An older woman excessively grooms her small white dog; putting its hair in curlers.
[Ref: 56552] £70.00 (£84.00 incl.VAT)
The English Farrier.
J. Gericault del. C. Hullmandel's Lithography.
London. Published by Rodwell & Martin New Bond St. May. 1821.
Lithograph, sheet 350 x 480mm (13¾ x 19"), large margins. Several creases, nicks and stains on top margin, slightly stained on publication line.
Scene in a forge with three horses, tethered to a wall-ring. A farrier hammers nails into the hoof of one of the horses, which attempts to bite another horse but it is fended off with a pair of tongs by a second farrier. After Jean Louis André Théodore Géricault (1791-1824). From the only edition of Rodwell and Martin's 'Various Subjects drawn from life on Stone', known as the 'English Series'. Despite its commercial failure at the time, Gericault's 'English Series' is now considered to have been of the greatest importance in the development of lithography as an art form during the first half of the nineteenth century. Due to the comparitively small number of impressions printed before the stones were effaced, exampes of Gericault's lithographs from this series are now exteremelty rare and have always been amongst the most sought after of his original printed works.
See Refs: 31254, 58709 & 58710
[Ref: 58910] £850.00
J. Gericault del. C. Hullmandel's Lithography.
London. Published by Rodwell & Martin New Bond St. May. 1821.
Lithograph, sheet 350 x 480mm (13¾ x 19"), large margins. Several creases, nicks and stains on top margin, slightly stained on publication line.
Scene in a forge with three horses, tethered to a wall-ring. A farrier hammers nails into the hoof of one of the horses, which attempts to bite another horse but it is fended off with a pair of tongs by a second farrier. After Jean Louis André Théodore Géricault (1791-1824). From the only edition of Rodwell and Martin's 'Various Subjects drawn from life on Stone', known as the 'English Series'. Despite its commercial failure at the time, Gericault's 'English Series' is now considered to have been of the greatest importance in the development of lithography as an art form during the first half of the nineteenth century. Due to the comparitively small number of impressions printed before the stones were effaced, exampes of Gericault's lithographs from this series are now exteremelty rare and have always been amongst the most sought after of his original printed works.
See Refs: 31254, 58709 & 58710
[Ref: 58910] £850.00
![[The English Farrier.]](jpegs/31254.jpg)
[The English Farrier.]
[Gericault del. Lith. de Villain.]
[n.d., c.1820.]
Lithograph. 280 x 368mm (11 x 14½"). Cut.
A farrier working on a hoof turning to protect himself from attack by another horse. Published in a series of lithographs by Gericault, 'Etudes de Cheveaux', showing farriers from different countries.
[Ref: 31254] £320.00
[Gericault del. Lith. de Villain.]
[n.d., c.1820.]
Lithograph. 280 x 368mm (11 x 14½"). Cut.
A farrier working on a hoof turning to protect himself from attack by another horse. Published in a series of lithographs by Gericault, 'Etudes de Cheveaux', showing farriers from different countries.
[Ref: 31254] £320.00
La Fiancée d'Abydos (Ch. X) Je t'ai dit que je n'étias pas ceque tu avais cru jusque'ici; tu vois maintenant la vérité de mes paroles. (Lord Byron)
Géricault et Eug. Lami 1823. Lith. de Villain
chez Gihaut b.ard des Italiens N.5
Lithograph, printed area 180 x 180mm (7 x 7"). Collector's stamp of [?]Paul and Véronique Sanchez verso (probably variant of L.3289).
Illustration of Lord Byron's poem 'The Bride of Abydos'. Specifically, the scene corresponds with Canto 2, verse X and the lines 'I said I was not what I seem'd;/ And now thou see'st my words were true'. Salim throws his cloak aside, revealing himself as a dashing pirate, and reveals to Zuleika that she is not his sister. From a set of six lithographs illustrating Byron, by Théodore Géricault (1791-1824) and Eugène Lami (1800-90), of which two were by Lami alone. Prior to 1822, Géricault had been able to live without much thought to the saleability of his works owing to a comfortable annuity he received following the death of his mother. However, the loss of part of his fortune in 1822 required him to produce work designed to appeal to dealers and collectors, with illustrations of exotic literature such as Byron falling into this category.
Delteil 96
[Ref: 35587] £230.00 (£276.00 incl.VAT)
Géricault et Eug. Lami 1823. Lith. de Villain
chez Gihaut b.ard des Italiens N.5
Lithograph, printed area 180 x 180mm (7 x 7"). Collector's stamp of [?]Paul and Véronique Sanchez verso (probably variant of L.3289).
Illustration of Lord Byron's poem 'The Bride of Abydos'. Specifically, the scene corresponds with Canto 2, verse X and the lines 'I said I was not what I seem'd;/ And now thou see'st my words were true'. Salim throws his cloak aside, revealing himself as a dashing pirate, and reveals to Zuleika that she is not his sister. From a set of six lithographs illustrating Byron, by Théodore Géricault (1791-1824) and Eugène Lami (1800-90), of which two were by Lami alone. Prior to 1822, Géricault had been able to live without much thought to the saleability of his works owing to a comfortable annuity he received following the death of his mother. However, the loss of part of his fortune in 1822 required him to produce work designed to appeal to dealers and collectors, with illustrations of exotic literature such as Byron falling into this category.
Delteil 96
[Ref: 35587] £230.00 (£276.00 incl.VAT)
Cheveaux Ardennés
Géricault
Lith. de G. Engelmann / Chez Gihaut, boulevard des Italiens No. 5
Lithograph, printed area 175 x 210mm (7 x 8¼"). Foxing; collector's stamp of [?]Paul and Véronique Sanchez verso (probably variant of L.3289).
Two horses harnessed to a carriage, one ridden by a soldier; other horses harnessed to gun-carriages in background. From 'Études de chevaux d'après nature' (1822) by Théodore Géricault (1791-1824). Prior to 1822, Géricault had been able to live without much thought to the saleability of his works owing to a comfortable annuity he received following the death of his mother. However, the loss of part of his fortune in 1822 required him to produce work designed to appeal to dealers and collectors, with pictures of horses forming a large part of his output at this time (although he had painted horses throughout his brief career).
Delteil 51
[Ref: 35581] £230.00 (£276.00 incl.VAT)
Géricault
Lith. de G. Engelmann / Chez Gihaut, boulevard des Italiens No. 5
Lithograph, printed area 175 x 210mm (7 x 8¼"). Foxing; collector's stamp of [?]Paul and Véronique Sanchez verso (probably variant of L.3289).
Two horses harnessed to a carriage, one ridden by a soldier; other horses harnessed to gun-carriages in background. From 'Études de chevaux d'après nature' (1822) by Théodore Géricault (1791-1824). Prior to 1822, Géricault had been able to live without much thought to the saleability of his works owing to a comfortable annuity he received following the death of his mother. However, the loss of part of his fortune in 1822 required him to produce work designed to appeal to dealers and collectors, with pictures of horses forming a large part of his output at this time (although he had painted horses throughout his brief career).
Delteil 51
[Ref: 35581] £230.00 (£276.00 incl.VAT)
Cheval anglais.
Géricault.
Lith. de G. Engelmann / Chez Gihaut, boulevard des Italiens No. 5.
Lithograph, printed area 200 x 230mm (8 x 9"). stain upper right; collector's stamps of [?]Paul and Véronique Sanchez verso (probably variant of L.3289).
English horse and rider, from 'Études de chevaux d'après nature' (1822) by Théodore Géricault (1791-1824). Prior to 1822, Géricault had been able to live without much thought to the saleability of his works owing to a comfortable annuity he received following the death of his mother. However, the loss of part of his fortune in 1822 required him to produce work designed to appeal to dealers and collectors, with pictures of horses forming a large part of his output at this time (although he had painted horses throughout his brief career). Géricault had spent time in England and, according to Delacroix, was one of the first to introduce the fashion for English tailoring to restoration France.
Delteil 54
[Ref: 35582] £260.00 (£312.00 incl.VAT)
Géricault.
Lith. de G. Engelmann / Chez Gihaut, boulevard des Italiens No. 5.
Lithograph, printed area 200 x 230mm (8 x 9"). stain upper right; collector's stamps of [?]Paul and Véronique Sanchez verso (probably variant of L.3289).
English horse and rider, from 'Études de chevaux d'après nature' (1822) by Théodore Géricault (1791-1824). Prior to 1822, Géricault had been able to live without much thought to the saleability of his works owing to a comfortable annuity he received following the death of his mother. However, the loss of part of his fortune in 1822 required him to produce work designed to appeal to dealers and collectors, with pictures of horses forming a large part of his output at this time (although he had painted horses throughout his brief career). Géricault had spent time in England and, according to Delacroix, was one of the first to introduce the fashion for English tailoring to restoration France.
Delteil 54
[Ref: 35582] £260.00 (£312.00 incl.VAT)
![[Cheval que l'on promène avant la course]](jpegs/35584.jpg)
[Cheval que l'on promène avant la course]
Géricault
Lith. de G. Engelmann
Lithograph, printed area 105 x 160mm (4 x 6¼"). Foxing; 'No. 13' in ms top right.
Horse and jockey; other horses in background. From 'Études de chevaux d'après nature' (1822) by Théodore Géricault (1791-1824). Prior to 1822, Géricault had been able to live without much thought to the saleability of his works owing to a comfortable annuity he received following the death of his mother. However, the loss of part of his fortune in 1822 required him to produce work designed to appeal to dealers and collectors, with pictures of horses forming a large part of his output at this time (although he had painted horses throughout his brief career). Before making this print, Géricault had recently spent time in England where he imitated the popular English racing picture in his 'Epsom Downs Derby' (Louvre).
Delteil 58
[Ref: 35584] £230.00
Géricault
Lith. de G. Engelmann
Lithograph, printed area 105 x 160mm (4 x 6¼"). Foxing; 'No. 13' in ms top right.
Horse and jockey; other horses in background. From 'Études de chevaux d'après nature' (1822) by Théodore Géricault (1791-1824). Prior to 1822, Géricault had been able to live without much thought to the saleability of his works owing to a comfortable annuity he received following the death of his mother. However, the loss of part of his fortune in 1822 required him to produce work designed to appeal to dealers and collectors, with pictures of horses forming a large part of his output at this time (although he had painted horses throughout his brief career). Before making this print, Géricault had recently spent time in England where he imitated the popular English racing picture in his 'Epsom Downs Derby' (Louvre).
Delteil 58
[Ref: 35584] £230.00
A French Farrier.
J Gericault inv.t. C. Hullmandel's Lithography.
[London. Published by Rodwell & Martin New Bond St. Feb. 1. 1821]
Scarce lithograph. watermark 1820. Printed area 260 x 360mm (10¼ x 14¼"). Repaired tear touching image on left.
Two farriers and horses, by Jean Louis André Théodore Géricault (1791-1824). From the only edition of Rodwell and Martin's 'Various Subjects drawn from life on Stone', known as the 'English Series'. Despite its commercial failure at the time, Gericault's 'English Series' is now considered to have been of the greatest importance in the development of lithography as an art form during the first half of the nineteenth century. Due to the comparitively small number of impressions printed before the stones were effaced, exampes of Gericault's lithographs from this series are now exteremelty rare and have always been amongst the most sought after of his original printed works.
Delteil: 41.ii. See Refs: 58910 & 58709.
[Ref: 58710] £280.00 (£336.00 incl.VAT)
J Gericault inv.t. C. Hullmandel's Lithography.
[London. Published by Rodwell & Martin New Bond St. Feb. 1. 1821]
Scarce lithograph. watermark 1820. Printed area 260 x 360mm (10¼ x 14¼"). Repaired tear touching image on left.
Two farriers and horses, by Jean Louis André Théodore Géricault (1791-1824). From the only edition of Rodwell and Martin's 'Various Subjects drawn from life on Stone', known as the 'English Series'. Despite its commercial failure at the time, Gericault's 'English Series' is now considered to have been of the greatest importance in the development of lithography as an art form during the first half of the nineteenth century. Due to the comparitively small number of impressions printed before the stones were effaced, exampes of Gericault's lithographs from this series are now exteremelty rare and have always been amongst the most sought after of his original printed works.
Delteil: 41.ii. See Refs: 58910 & 58709.
[Ref: 58710] £280.00 (£336.00 incl.VAT)
![[Trompette de Hussards]](jpegs/35585.jpg)
[Trompette de Hussards]
Géricault
Lith. de Villain [published by Gihaut]
Lithograph, image 120 x 135mm (4¾ x 5¼"). ink from edge of stone on far right; collector's stamp of [?]Paul and Véronique Sanchez verso (probably variant of L.3289).
Hussar trumpetter and horse, with line of hussars on horseback in background. From a series of eight lithographs by Théodore Géricault (1791-1824). Prior to 1822, Géricault had been able to live without much thought to the saleability of his works owing to a comfortable annuity he received following the death of his mother. However, the loss of part of his fortune in 1822 required him to produce work designed to appeal to dealers and collectors, with pictures of horses forming a large part of his output at this time (although he had painted horses throughout his brief career).
Delteil 63
[Ref: 35585] £250.00 (£300.00 incl.VAT)
Géricault
Lith. de Villain [published by Gihaut]
Lithograph, image 120 x 135mm (4¾ x 5¼"). ink from edge of stone on far right; collector's stamp of [?]Paul and Véronique Sanchez verso (probably variant of L.3289).
Hussar trumpetter and horse, with line of hussars on horseback in background. From a series of eight lithographs by Théodore Géricault (1791-1824). Prior to 1822, Géricault had been able to live without much thought to the saleability of his works owing to a comfortable annuity he received following the death of his mother. However, the loss of part of his fortune in 1822 required him to produce work designed to appeal to dealers and collectors, with pictures of horses forming a large part of his output at this time (although he had painted horses throughout his brief career).
Delteil 63
[Ref: 35585] £250.00 (£300.00 incl.VAT)
![[Two horses, one ridden by postillion]](jpegs/35589.jpg)
[Two horses, one ridden by postillion]
Géricault [in image lower left]
Aquatint, sheet 105 x 125mm (4 x 5"). Trimmed close to image; glued to backing sheet; collector's stamps of [?]Paul and Véronique Sanchez (probably variant of L.3289) and A.H. Rouart (L.2187a).
Equestrian subject after Géricault. Prior to 1822, Géricault had been able to live without much thought to the saleability of his works owing to a comfortable annuity he received following the death of his mother. However, the loss of part of his fortune in 1822 required him to produce work designed to appeal to dealers and collectors, with pictures of horses forming a large part of his output at this time (although he had painted horses throughout his brief career). Rare aquatint, previously in the collection of the industrialist A.H. Rouart (1839-1911), who assembled a fine collection of prints by 19th century French masters.
[Ref: 35589] £180.00 (£216.00 incl.VAT)
Géricault [in image lower left]
Aquatint, sheet 105 x 125mm (4 x 5"). Trimmed close to image; glued to backing sheet; collector's stamps of [?]Paul and Véronique Sanchez (probably variant of L.3289) and A.H. Rouart (L.2187a).
Equestrian subject after Géricault. Prior to 1822, Géricault had been able to live without much thought to the saleability of his works owing to a comfortable annuity he received following the death of his mother. However, the loss of part of his fortune in 1822 required him to produce work designed to appeal to dealers and collectors, with pictures of horses forming a large part of his output at this time (although he had painted horses throughout his brief career). Rare aquatint, previously in the collection of the industrialist A.H. Rouart (1839-1911), who assembled a fine collection of prints by 19th century French masters.
[Ref: 35589] £180.00 (£216.00 incl.VAT)
"Girl, Where's your Master!" _"Gone to be Champagn'd, Sir" "Gone to be What! Champagn'd! _ Shampoo'd, you mean: "The more fool he." "Ah! but he so complain'd Sir" "Complain'd,_Pho! Let him try Charles Wright's Champagne, "An then, By all the Pow'rs! if he complain' "He'll wel deserve to be Shampoo'd again."
Design'd & Etch's by Theodore Lane. Engraved by Geo. Hunt.
London, Published by Tho.s Mc.Lean, 26, Haymarket, 1827.
Rare hand-coloured aquatint. 336 x 227mm (13¼ x 9"). Some foxing and time staining. Trimmed.
A satire on language of a master approaching a young lady who confuses her language with "shampoo" and "champagne", also dismissing the societal status of men and women. Charles Wright is recorded in 1826, in the Dublin Literary Gazette as a highly respectable wine merchant.
Hickman pg. 96/7. i of ii. Not in BM.
[Ref: 56500] £220.00 (£264.00 incl.VAT)
Design'd & Etch's by Theodore Lane. Engraved by Geo. Hunt.
London, Published by Tho.s Mc.Lean, 26, Haymarket, 1827.
Rare hand-coloured aquatint. 336 x 227mm (13¼ x 9"). Some foxing and time staining. Trimmed.
A satire on language of a master approaching a young lady who confuses her language with "shampoo" and "champagne", also dismissing the societal status of men and women. Charles Wright is recorded in 1826, in the Dublin Literary Gazette as a highly respectable wine merchant.
Hickman pg. 96/7. i of ii. Not in BM.
[Ref: 56500] £220.00 (£264.00 incl.VAT)
"Girl, Where's your Master!" _"Gone to be Champagn'd, Sir" "Gone to be What! Champagn'd! _ Shampoo'd, you mean: "The more fool he." "Ah! but he so complain'd Sir" "Complain'd,_Pho! Let him try Charles Wright's Champagne, "An then, By all the Pow'rs! if he complain' "He'll wel deserve to be Shampoo'd again."
Design'd & Etch's by Theodore Lane. Engraved by Geo. Hunt.
London, Published by Tho.s Mc.Lean, 26, Haymarket, 1827.
Rare hand-coloured aquatint. 336 x 227mm (13¼ x 9"). Some foxing and time staining. Trimmed.
A satire on language of a master approaching a young lady who confuses her language with "shampoo" and "champagne", also dismissing the societal status of men and women. Charles Wright is recorded in 1826, in the Dublin Literary Gazette as a highly respectable wine merchant.
Hickman pg. 96/7. ii of ii. Not in BM.
[Ref: 56501] £220.00 (£264.00 incl.VAT)
Design'd & Etch's by Theodore Lane. Engraved by Geo. Hunt.
London, Published by Tho.s Mc.Lean, 26, Haymarket, 1827.
Rare hand-coloured aquatint. 336 x 227mm (13¼ x 9"). Some foxing and time staining. Trimmed.
A satire on language of a master approaching a young lady who confuses her language with "shampoo" and "champagne", also dismissing the societal status of men and women. Charles Wright is recorded in 1826, in the Dublin Literary Gazette as a highly respectable wine merchant.
Hickman pg. 96/7. ii of ii. Not in BM.
[Ref: 56501] £220.00 (£264.00 incl.VAT)
"Girl, Where's your Master!" _"Gone to be Champagn'd, Sir" "Gone to be What! Champagn'd! _ Shampoo'd, you mean: "The more fool he." "Ah! but he so complain'd Sir" "Complain'd,_Pho! Let him try Charles Wright's Champagne, "An then, By all the Pow'rs! if he complain' "He'll wel deserve to be Shampoo'd again."
Design'd & Etch's by Theodore Lane. Engraved by Geo. Hunt.
London, Published by Tho.s Mc.Lean, 26, Haymarket, 1827.
Rare hand-coloured aquatint. 336 x 227mm (13¼ x 9"). Some foxing and time staining. Rubbing outside right-hand edge of image.
A satire on language of a master approaching a young lady who confuses her language with "shampoo" and "champagne", also dismissing the societal status of men and women. Charles Wright is recorded in 1826, in the Dublin Literary Gazette as a highly respectable wine merchant.
Hickman p.96/7.
[Ref: 19036] £190.00 (£228.00 incl.VAT)
Design'd & Etch's by Theodore Lane. Engraved by Geo. Hunt.
London, Published by Tho.s Mc.Lean, 26, Haymarket, 1827.
Rare hand-coloured aquatint. 336 x 227mm (13¼ x 9"). Some foxing and time staining. Rubbing outside right-hand edge of image.
A satire on language of a master approaching a young lady who confuses her language with "shampoo" and "champagne", also dismissing the societal status of men and women. Charles Wright is recorded in 1826, in the Dublin Literary Gazette as a highly respectable wine merchant.
Hickman p.96/7.
[Ref: 19036] £190.00 (£228.00 incl.VAT)
![[The Horse Race.]](jpegs/28676.jpg)
[The Horse Race.]
Gericault pinx.t P. de Laage lith.
Imp. A Lemercier. Paris. [n.d. c.1824.]
Lithograph on india paper with very large margins. Image area 280 x 368mm (11 x 14½").
The Horse Race; three horses galloping along an open track. Géricault's original painting is held in the Musée du Louvre, Paris.
[Ref: 28676] £180.00 (£216.00 incl.VAT)
Gericault pinx.t P. de Laage lith.
Imp. A Lemercier. Paris. [n.d. c.1824.]
Lithograph on india paper with very large margins. Image area 280 x 368mm (11 x 14½").
The Horse Race; three horses galloping along an open track. Géricault's original painting is held in the Musée du Louvre, Paris.
[Ref: 28676] £180.00 (£216.00 incl.VAT)
Horses Exercising.
T. Gericault inv.t. C. Hullmadel's Lithography.
London, Published by Rodwell & Martin New Bond Street. Feb. 1. 1821.
Hand coloured lithograph. Framed. Printed area: 285 x 405mm (11¼ x 16"). Unexamined out of frame. Tear to left edge.
Two horses wearing saddlecloths canter on a path towards the right, the one in the foreground is unmounted, held by the reins of the rider on the other horse. This print is from the only edition printed by Rodwell and Martin, issued as No. 6 in the series, 'Various Subjects drawn from life on Stone', known as the 'English Series', 1821. Despite their commercial failure in England at the time, Gericault's 'English Series' is now considered to have been of the greatest importance in the development of lithography as an art form during the first half of the nineteenth century. Due to the comparitively small number of impressions printed before the stones were effaced, exampes of Gericault's lithographs from this series are now exteremelty rare and have always been amongst the most sought after of his original printed works.
Ex Collection of William Weston.
[Ref: 35439] £480.00
T. Gericault inv.t. C. Hullmadel's Lithography.
London, Published by Rodwell & Martin New Bond Street. Feb. 1. 1821.
Hand coloured lithograph. Framed. Printed area: 285 x 405mm (11¼ x 16"). Unexamined out of frame. Tear to left edge.
Two horses wearing saddlecloths canter on a path towards the right, the one in the foreground is unmounted, held by the reins of the rider on the other horse. This print is from the only edition printed by Rodwell and Martin, issued as No. 6 in the series, 'Various Subjects drawn from life on Stone', known as the 'English Series', 1821. Despite their commercial failure in England at the time, Gericault's 'English Series' is now considered to have been of the greatest importance in the development of lithography as an art form during the first half of the nineteenth century. Due to the comparitively small number of impressions printed before the stones were effaced, exampes of Gericault's lithographs from this series are now exteremelty rare and have always been amongst the most sought after of his original printed works.
Ex Collection of William Weston.
[Ref: 35439] £480.00
Horses Exercising.
T. Gericault inv.t. C. Hullmandel's Lithography.
London, Published by Rodwell & Martin New Bond Street. Feb. 1. 1821.
Fine lithograph, watermark 1820. Printed area: 285 x 405mm (11¼ x 16"). Tear to left edge.
Two horses wearing saddlecloths canter on a path towards the right, the one in the foreground is unmounted, held by the reins of the rider on the other horse. After Jean Louis André Théodore Géricault (1791-1824). From the only edition of Rodwell and Martin's 'Various Subjects drawn from life on Stone', known as the 'English Series'. Despite its commercial failure at the time, Gericault's 'English Series' is now considered to have been of the greatest importance in the development of lithography as an art form during the first half of the nineteenth century. Due to the comparitively small number of impressions printed before the stones were effaced, exampes of Gericault's lithographs from this series are now extremely rare and have always been amongst the most sought after of his original printed works.
See Refs: 35439, 58910 & 58710
[Ref: 58709] £850.00
T. Gericault inv.t. C. Hullmandel's Lithography.
London, Published by Rodwell & Martin New Bond Street. Feb. 1. 1821.
Fine lithograph, watermark 1820. Printed area: 285 x 405mm (11¼ x 16"). Tear to left edge.
Two horses wearing saddlecloths canter on a path towards the right, the one in the foreground is unmounted, held by the reins of the rider on the other horse. After Jean Louis André Théodore Géricault (1791-1824). From the only edition of Rodwell and Martin's 'Various Subjects drawn from life on Stone', known as the 'English Series'. Despite its commercial failure at the time, Gericault's 'English Series' is now considered to have been of the greatest importance in the development of lithography as an art form during the first half of the nineteenth century. Due to the comparitively small number of impressions printed before the stones were effaced, exampes of Gericault's lithographs from this series are now extremely rare and have always been amongst the most sought after of his original printed works.
See Refs: 35439, 58910 & 58710
[Ref: 58709] £850.00
Map of Italy and Switzerland by T. Ettling.
[London: Illustrated London News, 1860.]
Zincograph with hand colour, folded as issued. 680 x 480mm, 26¾ x 19". Repaired tears, some spotting.
A map published as a supplement to the Illustrated London News, as the Kingdom of Sardinia formally annexed the former Austrian-controlled regions of Parma, Modena, Tuscany and the 'Papal Legations' of Ferrara, Bologna, and Romagna. This was done with the support of Britain and France, which took Savoy & Nice as a reward (much to the disgust of the Italian national hero Garibaldi, a native of Nice). This was an important event in Italian Unification.
[Ref: 26387] £160.00
[London: Illustrated London News, 1860.]
Zincograph with hand colour, folded as issued. 680 x 480mm, 26¾ x 19". Repaired tears, some spotting.
A map published as a supplement to the Illustrated London News, as the Kingdom of Sardinia formally annexed the former Austrian-controlled regions of Parma, Modena, Tuscany and the 'Papal Legations' of Ferrara, Bologna, and Romagna. This was done with the support of Britain and France, which took Savoy & Nice as a reward (much to the disgust of the Italian national hero Garibaldi, a native of Nice). This was an important event in Italian Unification.
[Ref: 26387] £160.00
Hadrianus Iunius Hornanus Medicus. B. Invidiam vincis studio probitate labore, Gratia nunc meritus reddita digna tuis.
Nasc Hornae Ao. ob Ao.
[n.d. c.1645.]
Engraving. 140 x 108mm. 5½ x 4¼".
Half-length, right pose; wearing robe trimmed with fur and cap; holding quill pen in left hand, writing; pillars with arch in background. Adrianus Junius [Horna] (1511-1575) was a Dutch physician, classical scholar, translator, lexicographer, antiquarian, historiographer, emblematist, school rector, and Latin poet. Engraved by Theodore de Bry; plate to J.J. Boissard's "Icones et Effigies Virorum".
Ex Collection: R. Hobson of Hove. In the National Library of Medicine. R. Burgess, Portraits of doctors & scientists in the Wellcome Institute, London 1973, no. 1558.2.
[Ref: 25437] £70.00 (£84.00 incl.VAT)
Nasc Hornae Ao. ob Ao.
[n.d. c.1645.]
Engraving. 140 x 108mm. 5½ x 4¼".
Half-length, right pose; wearing robe trimmed with fur and cap; holding quill pen in left hand, writing; pillars with arch in background. Adrianus Junius [Horna] (1511-1575) was a Dutch physician, classical scholar, translator, lexicographer, antiquarian, historiographer, emblematist, school rector, and Latin poet. Engraved by Theodore de Bry; plate to J.J. Boissard's "Icones et Effigies Virorum".
Ex Collection: R. Hobson of Hove. In the National Library of Medicine. R. Burgess, Portraits of doctors & scientists in the Wellcome Institute, London 1973, no. 1558.2.
[Ref: 25437] £70.00 (£84.00 incl.VAT)
Jürgen Elert Kruse. verordneter Schulhalter zu St. Nicoldi in Hamburg, gebohren daselbst A: 1709. d. 27 November.
T.F. Stein Pinx 1765. J.C.G. Fritzsch sc 1770.
[Hamburg, , c.1782.]
Engraving. Sheet 210 x 170mm (8¼ x 6¾"). Trimmed within plate on three sides, affecting artist's inscription.
A portrait of German academic Jürgen Elert Kruse (1709-75, the frontispiece to his 'Allgemeiner und besonders Hamburgischer Contorist'.
[Ref: 61362] £65.00 (£78.00 incl.VAT)
T.F. Stein Pinx 1765. J.C.G. Fritzsch sc 1770.
[Hamburg, , c.1782.]
Engraving. Sheet 210 x 170mm (8¼ x 6¾"). Trimmed within plate on three sides, affecting artist's inscription.
A portrait of German academic Jürgen Elert Kruse (1709-75, the frontispiece to his 'Allgemeiner und besonders Hamburgischer Contorist'.
[Ref: 61362] £65.00 (£78.00 incl.VAT)
Legal Illustrations; No 2. The Collation.
Drawn & Etched by Theodore Lane.
Published by C.S. Arnold, 21. Tavistock Street, Covent Garden.
Fine scarce & rare coloured etching. 240 x 325mm (9½ x 12¾").
A dinner party with a 35-point key of legal terms to describe various aspects of the scene. Examples include a woman as ''A Silk Gown & full bottom''; and a choking man ''Stoppage in Transitu''. A very rare legal image in perfect condition. One of seventy humorous applications of law terms.
[Ref: 54545] £320.00
Drawn & Etched by Theodore Lane.
Published by C.S. Arnold, 21. Tavistock Street, Covent Garden.
Fine scarce & rare coloured etching. 240 x 325mm (9½ x 12¾").
A dinner party with a 35-point key of legal terms to describe various aspects of the scene. Examples include a woman as ''A Silk Gown & full bottom''; and a choking man ''Stoppage in Transitu''. A very rare legal image in perfect condition. One of seventy humorous applications of law terms.
[Ref: 54545] £320.00
An extensive Tea fight is held in his honor...
Theo.
[London: W. Kent & Co. 1859.]
Etching. 230 x 290mm (9 x 11½"). Spotting.
From 'Visit of a London Exquisite to His Maiden Aunts in the Country', by 'Theo', dedicated to William Thackeray. The sophisticate struggles to find amusement in the country but ends up happy-ever-after.
[Ref: 51762] £75.00 (£90.00 incl.VAT)
Theo.
[London: W. Kent & Co. 1859.]
Etching. 230 x 290mm (9 x 11½"). Spotting.
From 'Visit of a London Exquisite to His Maiden Aunts in the Country', by 'Theo', dedicated to William Thackeray. The sophisticate struggles to find amusement in the country but ends up happy-ever-after.
[Ref: 51762] £75.00 (£90.00 incl.VAT)
![[Photography satire.] Occasionally he has his reward...](jpegs/51761.jpg)
[Photography satire.] Occasionally he has his reward...
Theo.
[London: W. Kent & Co. 1859.]
Etching. 285 x 190mm (11¼ x 7½").
A photographer trying to take a photograph of a woman and her struggling child. From 'Visit of a London Exquisite to His Maiden Aunts in the Country', by 'Theo', dedicated to William Thackeray. The sophisticate struggles to find amusement in the country but ends up happy-ever-after.
[Ref: 51761] £95.00 (£114.00 incl.VAT)
Theo.
[London: W. Kent & Co. 1859.]
Etching. 285 x 190mm (11¼ x 7½").
A photographer trying to take a photograph of a woman and her struggling child. From 'Visit of a London Exquisite to His Maiden Aunts in the Country', by 'Theo', dedicated to William Thackeray. The sophisticate struggles to find amusement in the country but ends up happy-ever-after.
[Ref: 51761] £95.00 (£114.00 incl.VAT)
Circumstances, to which I need not at present more immediately refer, rendering a temporary absence from town desirable...
Theo.
[London: W. Kent & Co. 1859.]
Etching. 285 x 190mm (11¼ x 7½").
The Exquisite is greeted by his aunts. To the left a tea urn steams. From 'Visit of a London Exquisite to His Maiden Aunts in the Country', by 'Theo', dedicated to William Thackeray. The sophisticate struggles to find amusement in the country but ends up happy-ever-after.
[Ref: 51764] £75.00 (£90.00 incl.VAT)
Theo.
[London: W. Kent & Co. 1859.]
Etching. 285 x 190mm (11¼ x 7½").
The Exquisite is greeted by his aunts. To the left a tea urn steams. From 'Visit of a London Exquisite to His Maiden Aunts in the Country', by 'Theo', dedicated to William Thackeray. The sophisticate struggles to find amusement in the country but ends up happy-ever-after.
[Ref: 51764] £75.00 (£90.00 incl.VAT)
New Years Morning, The Old One Out and the New One In.
[Drawn & Etch'd by Theodore Lane. Eng.d by Geo. Hunt.]
[London, Published by Tho.s McLean, 26, Haymarket, 1827.]
Coloured aquatint. Sheet 230 x 300mm (9 x 11¾"). Trimmed into image, title excised and pasted below on album paper, no other inscriptions.
Thirteen gents drinking and smoking around a large table. Two or so drunks, one under neath table. The man in the centre has an empty punch bowl upside down on his head. A clock on the wall shows the time to be just after midnight.
Hickman: p.92, first published by Hunt c.1825.
[Ref: 58242] £280.00 (£336.00 incl.VAT)
[Drawn & Etch'd by Theodore Lane. Eng.d by Geo. Hunt.]
[London, Published by Tho.s McLean, 26, Haymarket, 1827.]
Coloured aquatint. Sheet 230 x 300mm (9 x 11¾"). Trimmed into image, title excised and pasted below on album paper, no other inscriptions.
Thirteen gents drinking and smoking around a large table. Two or so drunks, one under neath table. The man in the centre has an empty punch bowl upside down on his head. A clock on the wall shows the time to be just after midnight.
Hickman: p.92, first published by Hunt c.1825.
[Ref: 58242] £280.00 (£336.00 incl.VAT)
Disturbed by the Night Mare.
Painted by Theodore Lane. Engraved by Henry Dawe.
London, Pub.d by J. Bulcock, 163 Strand, July 1. 1828, & at Paris by H. Rittner, Boulevard Montmatre.
Scarce mezzotint. Sheet 445 x 340mm (18 x 13½"). Trimmed within plate, stains in unprinted area.
Pranksters tie a broken down white nag to a house's knocker to scare the owner.
[Ref: 54306] £260.00 (£312.00 incl.VAT)
Painted by Theodore Lane. Engraved by Henry Dawe.
London, Pub.d by J. Bulcock, 163 Strand, July 1. 1828, & at Paris by H. Rittner, Boulevard Montmatre.
Scarce mezzotint. Sheet 445 x 340mm (18 x 13½"). Trimmed within plate, stains in unprinted area.
Pranksters tie a broken down white nag to a house's knocker to scare the owner.
[Ref: 54306] £260.00 (£312.00 incl.VAT)
The Parson's Clerk.
[by Theodore Lane?]
[n.d., c.1825.]
Coloured aquatint, rare. Sheet 265 x 280mm (10½ x 11"). Trimmed to border and around upper image.
A Boxing match outside pub. Illustrations to a comic song in ridicule of cant and hypocrisy.
[Ref: 42438] £180.00 (£216.00 incl.VAT)
[by Theodore Lane?]
[n.d., c.1825.]
Coloured aquatint, rare. Sheet 265 x 280mm (10½ x 11"). Trimmed to border and around upper image.
A Boxing match outside pub. Illustrations to a comic song in ridicule of cant and hypocrisy.
[Ref: 42438] £180.00 (£216.00 incl.VAT)
Eisbarenjagd. White Bear-Hunting. Chasse aux Ours Blancs. 11094.
Th. Breidwiser.
Printed in Germany [n.d., c.1900].
Chromolithograph. Sheet 330 x 425mm (13 x 16¾").
Crewmen in two ship's boats shoot at polar bears. Theodor Breitwieser (1847-1930), Austrian painter whose patrons included Kaiser Franz Joseph I.
[Ref: 59117] £180.00 (£216.00 incl.VAT)
Th. Breidwiser.
Printed in Germany [n.d., c.1900].
Chromolithograph. Sheet 330 x 425mm (13 x 16¾").
Crewmen in two ship's boats shoot at polar bears. Theodor Breitwieser (1847-1930), Austrian painter whose patrons included Kaiser Franz Joseph I.
[Ref: 59117] £180.00 (£216.00 incl.VAT)
A Charley making a Discovery.
T. Lane
London Pubd by G.Humphrey 27 St James's Street March 15 1822.
Hand coloured etching, sheet 260 x 210mm (10¼ x 8¼"). Trimmed within plate.
A top-hatted man embraces a courtesan in a dimly lit arcade/underpass while she craftily picks his pocket of a handkerchief. A London night-watchman (Charley) holding a lantern and a bludgeon, enters the passage, leaning towards them and staring stupidly. Watchmen were nicknamed Charlies or Charleys after 1663 when Charles II set up a force of paid Watchmen to patrol the streets in all towns and cities.
BM 14460.
[Ref: 56452] £130.00 (£156.00 incl.VAT)
T. Lane
London Pubd by G.Humphrey 27 St James's Street March 15 1822.
Hand coloured etching, sheet 260 x 210mm (10¼ x 8¼"). Trimmed within plate.
A top-hatted man embraces a courtesan in a dimly lit arcade/underpass while she craftily picks his pocket of a handkerchief. A London night-watchman (Charley) holding a lantern and a bludgeon, enters the passage, leaning towards them and staring stupidly. Watchmen were nicknamed Charlies or Charleys after 1663 when Charles II set up a force of paid Watchmen to patrol the streets in all towns and cities.
BM 14460.
[Ref: 56452] £130.00 (£156.00 incl.VAT)
Poniatowski (Joseph Antoine, Prince). 16 Octobre 1813 Marechal de France † 1813.
Peint par Vachelet. Grave par Contenau.
[Paris, c.1840.]
Steel engraving. Sheet 260 x 175mm (10¼ x 7"). Trimmed, glue stains on left edge.
Full length portrait in uniform of Prince Josef Poniatowski (1763-1813), nephew of the last king of Poland, Stanislaw August Poniatowski. After the Partitions of Poland he fought for Napoleon, who he considered most likely to reunite his country. During the four-day Battle of Leipzig he was promoted to Marshal of the French Army, but was killed covering the French retreat. From the 'Gallerie Historique de Versailles'.
[Ref: 57744] £50.00 (£60.00 incl.VAT)
Peint par Vachelet. Grave par Contenau.
[Paris, c.1840.]
Steel engraving. Sheet 260 x 175mm (10¼ x 7"). Trimmed, glue stains on left edge.
Full length portrait in uniform of Prince Josef Poniatowski (1763-1813), nephew of the last king of Poland, Stanislaw August Poniatowski. After the Partitions of Poland he fought for Napoleon, who he considered most likely to reunite his country. During the four-day Battle of Leipzig he was promoted to Marshal of the French Army, but was killed covering the French retreat. From the 'Gallerie Historique de Versailles'.
[Ref: 57744] £50.00 (£60.00 incl.VAT)
A Roast.
[T. Lane.]
London Published by G. Humphrey 27 St. James's Street, Jan 30th 1822.
Hand coloured etching, plate 305 x 230mm (12 x 9"), Thread margins, trimmed to plate on right side. Staining centre.
A scene in a parlour or music room. A shrew angrily shakes her fist at a young man in riding-dress, knocking over a chair onto a piano stool and disturbing the animals; parrots squark, a cat hisses and a dog hides under the young mans chair. One of a set of four prints with punning culinary titles by Theodore Lane (1800 - 1828). See also reference 56449.
BM:14450
[Ref: 56450] £190.00 (£228.00 incl.VAT)
[T. Lane.]
London Published by G. Humphrey 27 St. James's Street, Jan 30th 1822.
Hand coloured etching, plate 305 x 230mm (12 x 9"), Thread margins, trimmed to plate on right side. Staining centre.
A scene in a parlour or music room. A shrew angrily shakes her fist at a young man in riding-dress, knocking over a chair onto a piano stool and disturbing the animals; parrots squark, a cat hisses and a dog hides under the young mans chair. One of a set of four prints with punning culinary titles by Theodore Lane (1800 - 1828). See also reference 56449.
BM:14450
[Ref: 56450] £190.00 (£228.00 incl.VAT)
Sappho. 129. Apud Cardinalem Farnesium in nomismate argenteo.
[Theodoor Galle.]
[Antwerpen, 1598.]
Engraving. 140 x 106mm. 5½ x 4¼".
Sappho (c.630 - 570BC), ancient Greek lyric poet. Taken from Theodoor Galle's "Illustrium imagines ex antiquis marmoribus nomismatib. et gemmis expressae quae extant Romae maior pars apud Fulvium Ursinum", a collection of historical and ancient portraits; and classical antiquities. Theodoor Galle (1571-1633) was a Flemish Baroque engraver. He became a member of the Guild of St Luke in 1595 and deacon in 1609.
[Ref: 17817] £65.00 (£78.00 incl.VAT)
[Theodoor Galle.]
[Antwerpen, 1598.]
Engraving. 140 x 106mm. 5½ x 4¼".
Sappho (c.630 - 570BC), ancient Greek lyric poet. Taken from Theodoor Galle's "Illustrium imagines ex antiquis marmoribus nomismatib. et gemmis expressae quae extant Romae maior pars apud Fulvium Ursinum", a collection of historical and ancient portraits; and classical antiquities. Theodoor Galle (1571-1633) was a Flemish Baroque engraver. He became a member of the Guild of St Luke in 1595 and deacon in 1609.
[Ref: 17817] £65.00 (£78.00 incl.VAT)
A Shilling Fare to a Christmas Dinner, or, Just in Pudding Time [...]
Drawn & Etched by Theodore Lane Eng.d b Geo. Hunt
Pub.d by Geo. Hunt 18 Tavistock St, Covent Garden [c.1826]
Etching and aquatint with hand-colouring, sheet 340 x 235mm (13¼ x 9¼"). Vry small hole in centre.
A smartly-dressed gentleman steps out of a carriage and is hit in the face with mud pie. The assailant is the boy in the foreground on the right, who was aiming for his friend (far left).
Hickman p.95
[Ref: 47644] £95.00 (£114.00 incl.VAT)
Drawn & Etched by Theodore Lane Eng.d b Geo. Hunt
Pub.d by Geo. Hunt 18 Tavistock St, Covent Garden [c.1826]
Etching and aquatint with hand-colouring, sheet 340 x 235mm (13¼ x 9¼"). Vry small hole in centre.
A smartly-dressed gentleman steps out of a carriage and is hit in the face with mud pie. The assailant is the boy in the foreground on the right, who was aiming for his friend (far left).
Hickman p.95
[Ref: 47644] £95.00 (£114.00 incl.VAT)
A Shilling Fare to a Christmas Dinner, or, Just in Pudding Time. ''Oh Crikey, Bill, wont you catch it neither.'' _ ''Infernal Rascal'.' _ ''I beg y'r pardon Sir, I didn't go to do it.''
Drawn & Etched by Theodore Lane Eng.d b Geo. Hunt.
Pub.d by Geo. Hunt 18 Tavistock St, Covent Garden [c.1826]
Etching and aquatint with fine hand-colour. Sheet 330 x 250mm (13 x 9¾"). Trimmed within plate, old paper label stuck on reverse.
A smartly-dressed gentleman steps out of a carriage and is hit in the face with a mud pie. The assailant is the boy in the foreground on the right, who was aiming for his friend (far left). The plate was etched by Lane and aquatinted by Hunt. The first state: it was republished by Thomas McLean in 1827.
Hickman p.95.
[Ref: 59450] £280.00 (£336.00 incl.VAT)
Drawn & Etched by Theodore Lane Eng.d b Geo. Hunt.
Pub.d by Geo. Hunt 18 Tavistock St, Covent Garden [c.1826]
Etching and aquatint with fine hand-colour. Sheet 330 x 250mm (13 x 9¾"). Trimmed within plate, old paper label stuck on reverse.
A smartly-dressed gentleman steps out of a carriage and is hit in the face with a mud pie. The assailant is the boy in the foreground on the right, who was aiming for his friend (far left). The plate was etched by Lane and aquatinted by Hunt. The first state: it was republished by Thomas McLean in 1827.
Hickman p.95.
[Ref: 59450] £280.00 (£336.00 incl.VAT)