A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Vüe de Caserte. Prise au Couvent des Recollets en allant aux Aqueducs [...]
Peint par Philippe Hackert Premier Peintre de Paysages Marins et Chasses de S.M. le Roi de Deux Siciles. Gravé par George Hackert Premier Graveur de Paysages Marins et Chasses de S.M. le Roi de Deux Siciles.
[Published by George Hackert, c.1795]
Engraving, platemark: 430 x 575mm. (17 x 22¾"). Trimmed to plate.
The city of Caserta, in the Campania region of Italy, showing its famous palace. Begun in 1752 for Charles VII of Naples, it was only partially completed by his son, Ferdinand IV of Naples. One of the largest buildings in Europe in the 18th century, it is now a designated UNESCO World Heritage Site. Inscribed underneath is a dedication to Ferdinand IV (1751 - 1825) with a coat of arms in the centre. Engraved by Georg Hackert (1755-1805) after a painting by his brother Philipp (1737 - 1807), during the time when they both held official positions at the Neapolitan court before fleeing the city at the time of the 1799 Revolution. During Philipp Hackert's time in Naples he became a close friend of Goethe, who edited and published the artist's memoirs after his death.
Provenance: Torridon House Lovelace/King Family
[Ref: 39576] £520.00
Peint par Philippe Hackert Premier Peintre de Paysages Marins et Chasses de S.M. le Roi de Deux Siciles. Gravé par George Hackert Premier Graveur de Paysages Marins et Chasses de S.M. le Roi de Deux Siciles.
[Published by George Hackert, c.1795]
Engraving, platemark: 430 x 575mm. (17 x 22¾"). Trimmed to plate.
The city of Caserta, in the Campania region of Italy, showing its famous palace. Begun in 1752 for Charles VII of Naples, it was only partially completed by his son, Ferdinand IV of Naples. One of the largest buildings in Europe in the 18th century, it is now a designated UNESCO World Heritage Site. Inscribed underneath is a dedication to Ferdinand IV (1751 - 1825) with a coat of arms in the centre. Engraved by Georg Hackert (1755-1805) after a painting by his brother Philipp (1737 - 1807), during the time when they both held official positions at the Neapolitan court before fleeing the city at the time of the 1799 Revolution. During Philipp Hackert's time in Naples he became a close friend of Goethe, who edited and published the artist's memoirs after his death.
Provenance: Torridon House Lovelace/King Family
[Ref: 39576] £520.00
Vue Prise dans la Port de Dieppe.
J. Ph. Hackert pinx. Canali sculp.
[n.d. c.1800.]
Engraving, a fine impression. Plate 351 x 450mm. 13¾ x 17¾". Some toning an inch into lower edge, all way along; crease to lower and upper right corners.
A view in Dieppe, the famous French port on the English Channel for its scallops.
[Ref: 26108] £190.00 (£228.00 incl.VAT)
J. Ph. Hackert pinx. Canali sculp.
[n.d. c.1800.]
Engraving, a fine impression. Plate 351 x 450mm. 13¾ x 17¾". Some toning an inch into lower edge, all way along; crease to lower and upper right corners.
A view in Dieppe, the famous French port on the English Channel for its scallops.
[Ref: 26108] £190.00 (£228.00 incl.VAT)
Veduta del Porto dell'Isola d'Ischia. Preso dal Quadro originale che fa parte della Collezione dei Porti delle due Sicilie ordinata da S.M. il Rè. N.4.
Ph Hackert pinx: Gio: de Grado inc. G. Hackert direx.
[n.d. c.1820.]
Engraving, 440 x 590mm (17¼ x 23¼"). Trimmed to plate, stained to edges, slightly scuffed.
A fine view of the port of the Isle of Ischia in the Gulf of Naples, Italy.
[Ref: 59604] £360.00
Ph Hackert pinx: Gio: de Grado inc. G. Hackert direx.
[n.d. c.1820.]
Engraving, 440 x 590mm (17¼ x 23¼"). Trimmed to plate, stained to edges, slightly scuffed.
A fine view of the port of the Isle of Ischia in the Gulf of Naples, Italy.
[Ref: 59604] £360.00
IIIeme. Vue de Livourne. Dediee a Son Altesse Royale Monseigneur l'Archiduc Pierre Leopold... Par Son tres humble et tres Soumis Serviteur Ja. Ph. Hackert.
Peint par Ja. Ph. Hackert. 1778. Grave a l'eau forte par B.A. Dunker et termine par G. Eichler.
a Naples chez George Hackert Graveur de S.M. le Roi de Deux Siciles. Avec Privilege. Le Tableau Original se trouve dans le Cabinet de S.A.I. Mgr. le Grand-Duc de Russie.
Etching and engraving, 350 x 480mm (13¾ x 19"). Tatty margins; some soiling.
Figures in oriental dress on a harbour quay with some unloaded cargo. Sailing boats and fortifications in the background. The scene is set in Livorno, a port city on the Tyrrhenian Sea on the western edge of Tuscany, Italy. After Jacob Philipp Hackert (1737 - 1807), painter and etcher. Born in Prenzlau north of Berlin, he came to Italy in 1768, settling first in Rome and (from 1787) Naples. From a series of four views 'Quatre Vues de Livourne'.
BM: 1886,1124.232.
[Ref: 9627] £490.00
Peint par Ja. Ph. Hackert. 1778. Grave a l'eau forte par B.A. Dunker et termine par G. Eichler.
a Naples chez George Hackert Graveur de S.M. le Roi de Deux Siciles. Avec Privilege. Le Tableau Original se trouve dans le Cabinet de S.A.I. Mgr. le Grand-Duc de Russie.
Etching and engraving, 350 x 480mm (13¾ x 19"). Tatty margins; some soiling.
Figures in oriental dress on a harbour quay with some unloaded cargo. Sailing boats and fortifications in the background. The scene is set in Livorno, a port city on the Tyrrhenian Sea on the western edge of Tuscany, Italy. After Jacob Philipp Hackert (1737 - 1807), painter and etcher. Born in Prenzlau north of Berlin, he came to Italy in 1768, settling first in Rome and (from 1787) Naples. From a series of four views 'Quatre Vues de Livourne'.
BM: 1886,1124.232.
[Ref: 9627] £490.00
IIeme. Vue de Livourne. Dediee a Son Altesse Royale Monseigneur l'Archiduc Pierre Leopold... Par Son tres humble et tres Soumis Serviteur Ja. Ph. Hackert.
Peint par Ja. Ph. Hackert. 1778. Grave a l'eau forte par B.A. Dunker et termine par G. Eichler.
A Rome chez George Hackert Graveur Place d'Espagne. Le Tableau Original se trouve dans le Cabinet de S.A.J. Mgr. le Grand-Duc de Russie.
Etching and engraving, sheet 340 x 470mm (13½ x 18½"). Trimmed to plate.
Figures on a harbour quay gathering around a sculpture of a conqueror; well to right foreground. Sailing ships to left and fortifications in the background. The scene is set in Livorno, a port city on the Tyrrhenian Sea on the western edge of Tuscany, Italy. From a series of four views 'Quatre Vues de Livourne'. After Jacob Philipp Hackert (1737 - 1807), painter and etcher. Born in Prenzlau north of Berlin, he came to Italy in 1768, settling first in Rome and (from 1787) Naples.
BM: 1886,1124.231.
[Ref: 12628] £260.00 (£312.00 incl.VAT)
Peint par Ja. Ph. Hackert. 1778. Grave a l'eau forte par B.A. Dunker et termine par G. Eichler.
A Rome chez George Hackert Graveur Place d'Espagne. Le Tableau Original se trouve dans le Cabinet de S.A.J. Mgr. le Grand-Duc de Russie.
Etching and engraving, sheet 340 x 470mm (13½ x 18½"). Trimmed to plate.
Figures on a harbour quay gathering around a sculpture of a conqueror; well to right foreground. Sailing ships to left and fortifications in the background. The scene is set in Livorno, a port city on the Tyrrhenian Sea on the western edge of Tuscany, Italy. From a series of four views 'Quatre Vues de Livourne'. After Jacob Philipp Hackert (1737 - 1807), painter and etcher. Born in Prenzlau north of Berlin, he came to Italy in 1768, settling first in Rome and (from 1787) Naples.
BM: 1886,1124.231.
[Ref: 12628] £260.00 (£312.00 incl.VAT)
![[Quatre Vues de Livourne.] I.ere Vüe de Livourne.](jpegs/53754.jpg)
[Quatre Vues de Livourne.] I.ere Vüe de Livourne. Dediée a Son Altesse Royale Monseigneur l'Archiduc Pierre Leopold... Par Son très humble et très Soumis Serviteur Ja. Ph. Hackert. [&] II.eme Vue de Livourne... [&] III.eme Vue de Livourne... [&] IV.eme Vue de Livourne....
Peint par Ja. Ph. Hackert. 1778. Grave a l'eau forte par B.A. Dunker et termine par G. Eichler.
A Rome chez George Hackert Graveur Place d'Espagne.
Set of four etchings with engraving. 345 x 480mm (13½ x 19") very large margins.
A rare set of matching four views of Livorno, an important free port in Tuscany, known to the British as 'Leghorn', showing it as a bustling port filled with ships. The second plate illustrates the famous 'Monument of the Four Moors', decorated with four bronze slaves. The third has portrait of an Ottoman merchant with women and wares on the quayside. The fourth has a storm and shipwreck, with people being pulled from the sea onto the shore. After Jacob Philipp Hackert (1737 - 1807), painter and etcher. Born in Prenzlau north of Berlin, he came to Italy in 1768, settling first in Rome and (from 1787) Naples.
[Ref: 53754] £1,400.00 (£1680.00 incl.VAT) view all images for this item
Peint par Ja. Ph. Hackert. 1778. Grave a l'eau forte par B.A. Dunker et termine par G. Eichler.
A Rome chez George Hackert Graveur Place d'Espagne.
Set of four etchings with engraving. 345 x 480mm (13½ x 19") very large margins.
A rare set of matching four views of Livorno, an important free port in Tuscany, known to the British as 'Leghorn', showing it as a bustling port filled with ships. The second plate illustrates the famous 'Monument of the Four Moors', decorated with four bronze slaves. The third has portrait of an Ottoman merchant with women and wares on the quayside. The fourth has a storm and shipwreck, with people being pulled from the sea onto the shore. After Jacob Philipp Hackert (1737 - 1807), painter and etcher. Born in Prenzlau north of Berlin, he came to Italy in 1768, settling first in Rome and (from 1787) Naples.
[Ref: 53754] £1,400.00 (£1680.00 incl.VAT) view all images for this item
Naples Bay & View of Mount Vesuvius.
Hackert del. Wells Sculp.
Publsihed 30th July 1803 by J. Gold 103 Shoe Lane.
Lithograph, sheet 140 x 225mm (5½ x 9").
A view in Naples Bay looking out towards a smoking Mount Vesuvius.
[Ref: 57046] £70.00 (£84.00 incl.VAT)
Hackert del. Wells Sculp.
Publsihed 30th July 1803 by J. Gold 103 Shoe Lane.
Lithograph, sheet 140 x 225mm (5½ x 9").
A view in Naples Bay looking out towards a smoking Mount Vesuvius.
[Ref: 57046] £70.00 (£84.00 incl.VAT)
Vüe de Persano. Sur Chemin de Pestum.
Peint par Philippe Hackert. Gravé par George Hackert.
George Hackert. [n.d., c.1810].
Engraving on watermarked paper, very large margins. Platemark: 575 x 430mm. (22¾ x 17"). Uncut. Water stain in left margin. Light foxing in places.
A view of an Italian villa in a fertile landscape. A man on horseback and a shepherd minding a flock of goats and sheep can be seen in the foreground. Inscribed underneath is a dedication to Ferdinand IV (1751 - 1825) with a coat of arms in the centre.After Jacob Philipp Hackert (1737 - 1807), painter and etcher. Born in Prenzlau north of Berlin, he came to Italy in 1768, settling first in Rome and (from 1787) Naples.
[Ref: 31559] £750.00
Peint par Philippe Hackert. Gravé par George Hackert.
George Hackert. [n.d., c.1810].
Engraving on watermarked paper, very large margins. Platemark: 575 x 430mm. (22¾ x 17"). Uncut. Water stain in left margin. Light foxing in places.
A view of an Italian villa in a fertile landscape. A man on horseback and a shepherd minding a flock of goats and sheep can be seen in the foreground. Inscribed underneath is a dedication to Ferdinand IV (1751 - 1825) with a coat of arms in the centre.After Jacob Philipp Hackert (1737 - 1807), painter and etcher. Born in Prenzlau north of Berlin, he came to Italy in 1768, settling first in Rome and (from 1787) Naples.
[Ref: 31559] £750.00
Avanzi del Tempio di Giove Seraphide a Pozzuoli.
Ph: Hackert pinx, 1789. Vinc. Aloja sculp. Giorgio Hackert direx.
Si vende a Napoli da Giorgio Hackert Incisore di S. M. Con Privilegio.
Etching. Fine. Plate: 560 x 410mm (22 x 16"). Some marking in margins.
A view of the Roman macellum, or market place, of Pozzuoli. Excavations of the site we ordered in 1750 by King Charles of Naples and the site was wrongly thought to be a temple to Serapis after excavators discovered a statue of the diety at the site. The image shows the three recognisable marble columns and figures inspecting the achitectural fragments.
[Ref: 40275] £360.00
Ph: Hackert pinx, 1789. Vinc. Aloja sculp. Giorgio Hackert direx.
Si vende a Napoli da Giorgio Hackert Incisore di S. M. Con Privilegio.
Etching. Fine. Plate: 560 x 410mm (22 x 16"). Some marking in margins.
A view of the Roman macellum, or market place, of Pozzuoli. Excavations of the site we ordered in 1750 by King Charles of Naples and the site was wrongly thought to be a temple to Serapis after excavators discovered a statue of the diety at the site. The image shows the three recognisable marble columns and figures inspecting the achitectural fragments.
[Ref: 40275] £360.00
Rocca Giovine Généralement Supposée l'ancien Fanun Vacunae [...]
Peint à Gouache par J. Ph. Hackert 1780 Gravé à l'eau forte par B.A. Duncker et terminé par G. Eichler
Engraving, platemark: 380 x 470mm. (15 x 18¼"), with very large margins. Some creasing. Repaired tear in top margin.
View in the small rural village of Roccagiovine in the countryside outside Rome. It is now part of the Monti Lucretili natural park. One of a series of landscapes of the Roman countryside after gouaches by Philipp Hackert (1737 - 1807), painter and etcher. Born in Prenzlau north of Berlin, he came to Italy in 1768, settling in Rome where he joined a German group of artists also including Anton Raphael Mengs and the art historian Johann Joachim Winckelmann. In 1786 he settled in Naples as court painter to Ferdinand IV.
Provenance: Torridon House Lovelace/King Family.
[Ref: 39574] £260.00 (£312.00 incl.VAT)
Peint à Gouache par J. Ph. Hackert 1780 Gravé à l'eau forte par B.A. Duncker et terminé par G. Eichler
Engraving, platemark: 380 x 470mm. (15 x 18¼"), with very large margins. Some creasing. Repaired tear in top margin.
View in the small rural village of Roccagiovine in the countryside outside Rome. It is now part of the Monti Lucretili natural park. One of a series of landscapes of the Roman countryside after gouaches by Philipp Hackert (1737 - 1807), painter and etcher. Born in Prenzlau north of Berlin, he came to Italy in 1768, settling in Rome where he joined a German group of artists also including Anton Raphael Mengs and the art historian Johann Joachim Winckelmann. In 1786 he settled in Naples as court painter to Ferdinand IV.
Provenance: Torridon House Lovelace/King Family.
[Ref: 39574] £260.00 (£312.00 incl.VAT)
Vue du Couvent de St. Cosimato En venant de Vicovaro sur la Voie Valerienne anc: Via Valeria [...]
Peint à Gouache par J. Ph. Hackert 1780 Gravé à l'eau forte par B.A. Duncker et terminé par G. Eichler
Fine engraving iwth a partial 18th century watermark. platemark: 380 x 465mm. (15 x 18¼").
Distant view of the Complesso Conventuale di San Cosimato, near Vicovaro in the countryside surrounding Rome. An oratory was first built on the site in around 500AD, but the convent was completely rebuilt in 1727. One of a series of landscapes of the Roman countryside after gouaches by Philipp Hackert (1737 - 1807), painter and etcher. Born in Prenzlau north of Berlin, he came to Italy in 1768, settling in Rome where he joined a German group of artists also including Anton Raphael Mengs and the art historian Johann Joachim Winckelmann. In 1786 he settled in Naples as court painter to Ferdinand IV.
Provenance: Torridon House Lovelace/King Family
[Ref: 39573] £360.00
Peint à Gouache par J. Ph. Hackert 1780 Gravé à l'eau forte par B.A. Duncker et terminé par G. Eichler
Fine engraving iwth a partial 18th century watermark. platemark: 380 x 465mm. (15 x 18¼").
Distant view of the Complesso Conventuale di San Cosimato, near Vicovaro in the countryside surrounding Rome. An oratory was first built on the site in around 500AD, but the convent was completely rebuilt in 1727. One of a series of landscapes of the Roman countryside after gouaches by Philipp Hackert (1737 - 1807), painter and etcher. Born in Prenzlau north of Berlin, he came to Italy in 1768, settling in Rome where he joined a German group of artists also including Anton Raphael Mengs and the art historian Johann Joachim Winckelmann. In 1786 he settled in Naples as court painter to Ferdinand IV.
Provenance: Torridon House Lovelace/King Family
[Ref: 39573] £360.00
![[Marmore Falls] Pio Sexto Pont. Opt. Max.](jpegs/54971.jpg)
[Marmore Falls] Pio Sexto Pont. Opt. Max. Bonarum Artium Auspici et Patrono. Velinum aere expressum per Fossam Curianam nunc Clementinam in Narem defluentem Interamnatium et Reatinorum dissidüs celeberrimum.
Philippus Hackert Delineavit. Carolus Antonini Sculpsit Romæ.
Franciscus Carrara Bergomas S. Congrgationis Concilii a Secretis D.D.D. [n.d., c.1779.]
Etching. 610 x 420mm (24 x 16½"), with large margins. Uncut. Mint.
A view of the spectacular man-made waterfall created by the Romans on the river Velino near Terni, Umbria. In 1779 Cardinal Francesco Carrara presented to the pope a dissertation on the Terni waterfalls, 'La caduta del Velino nella Nera', probably commisioning this etching at that time. Hackert's preparatory drawing is in the Kunstmuseum in Dusseldorf.
From the Berkeley Collection, Spetchley Park.
[Ref: 54971] £750.00
Philippus Hackert Delineavit. Carolus Antonini Sculpsit Romæ.
Franciscus Carrara Bergomas S. Congrgationis Concilii a Secretis D.D.D. [n.d., c.1779.]
Etching. 610 x 420mm (24 x 16½"), with large margins. Uncut. Mint.
A view of the spectacular man-made waterfall created by the Romans on the river Velino near Terni, Umbria. In 1779 Cardinal Francesco Carrara presented to the pope a dissertation on the Terni waterfalls, 'La caduta del Velino nella Nera', probably commisioning this etching at that time. Hackert's preparatory drawing is in the Kunstmuseum in Dusseldorf.
From the Berkeley Collection, Spetchley Park.
[Ref: 54971] £750.00