A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Sofonisba Angusciola Pittrice' Di cui Van Dyk elle a dire, avere avere ricevuto piu Lume nella pittura da una Cieca, che dal sui Maestro,_ Vide Vasari.
Ipsa pinxit. WB [Captain William Baillie].
[n.d., c.1765.]
Mezzotint. 360 x 255mm (14 x 10"). Narrow margins, creasing.
A self portrait of Sofonisba Anguissola (c.1535-1625), seated as she works on a portrait of the Virgin and Child. Engraved by Captain William Baillie (1723-1810), who retired from the army in 1761 and devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
CS 1. Ex: collection of The Hon. Christopher Lennox-Boyd, his state 2 of 3, with reworking to cuffs and hair.
[Ref: 68871] £240.00 (£288.00 incl.VAT)
Ipsa pinxit. WB [Captain William Baillie].
[n.d., c.1765.]
Mezzotint. 360 x 255mm (14 x 10"). Narrow margins, creasing.
A self portrait of Sofonisba Anguissola (c.1535-1625), seated as she works on a portrait of the Virgin and Child. Engraved by Captain William Baillie (1723-1810), who retired from the army in 1761 and devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
CS 1. Ex: collection of The Hon. Christopher Lennox-Boyd, his state 2 of 3, with reworking to cuffs and hair.
[Ref: 68871] £240.00 (£288.00 incl.VAT)
Sofonisba Angusciola Pittrice' Di cui Van Dyk elle a dire, avere avere ricevuto piu Lume nella pittura da una Cieca, che dal sui Maestro,_ Vide Vasari.
Ipsa pinxit. WB [Captain William Baillie].
[n.d., c.1765.]
Mezzotint, printed in colours, 18th century watermark. 360 x 255mm (14 x 10"), large margins.
A self portrait of Sofonisba Anguissola (c.1535-1625), seated as she works on a portrait of the Virgin and Child. Engraved by Captain William Baillie (1723-1810), who retired from the army in 1761 and devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
CS 1. Ex: collection of The Hon. Christopher Lennox-Boyd, his state 3 of 3, face strengthened.
[Ref: 68873] £260.00 (£312.00 incl.VAT)
Ipsa pinxit. WB [Captain William Baillie].
[n.d., c.1765.]
Mezzotint, printed in colours, 18th century watermark. 360 x 255mm (14 x 10"), large margins.
A self portrait of Sofonisba Anguissola (c.1535-1625), seated as she works on a portrait of the Virgin and Child. Engraved by Captain William Baillie (1723-1810), who retired from the army in 1761 and devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
CS 1. Ex: collection of The Hon. Christopher Lennox-Boyd, his state 3 of 3, face strengthened.
[Ref: 68873] £260.00 (£312.00 incl.VAT)
Sofonisba Angosciola.
From an original Painting by herself in the Gallery at Althorp. Engraved by Hawksworth.
[n.d. c.1760.]
Engraving. 165 x 121mm. 6½ x 4¾". Trimmed to platemark.
Taken from a "Self-Portrait with Clavichord", 1561. Sofonisba Anguissola (c.1532-1625) was an Italian painter of the Renaissance. As a female artist and within a certain class, she could not transcend the contraints of her sex. Despite this setback, she sought to stylise portraiture which in turn led her to be invited to join the Spanish Court, which became the turning point in her career, and King Philip II took a great interest in her future, wellbeing and artwork. She is one of few female artists mentioned in Vesari's "Lives of Artists."
From the Collection of J.S. Bumpus.
[Ref: 17242] £70.00 (£84.00 incl.VAT)
From an original Painting by herself in the Gallery at Althorp. Engraved by Hawksworth.
[n.d. c.1760.]
Engraving. 165 x 121mm. 6½ x 4¾". Trimmed to platemark.
Taken from a "Self-Portrait with Clavichord", 1561. Sofonisba Anguissola (c.1532-1625) was an Italian painter of the Renaissance. As a female artist and within a certain class, she could not transcend the contraints of her sex. Despite this setback, she sought to stylise portraiture which in turn led her to be invited to join the Spanish Court, which became the turning point in her career, and King Philip II took a great interest in her future, wellbeing and artwork. She is one of few female artists mentioned in Vesari's "Lives of Artists."
From the Collection of J.S. Bumpus.
[Ref: 17242] £70.00 (£84.00 incl.VAT)