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For the Benefit of the Families of the killed in the Allied Fleet on the Coast of Syria.
For the Benefit of the Families of the killed in the Allied Fleet on the Coast of Syria. To the Hon.ble Sir R. Stopford G.C.B. G.C.M.G. Admiral of the Red, Rear-Admiral of Great Britain and Commander in Chief of the Allied Fleet, This Plate of the Bombardement amd Capture of S.t Jean d'Acre, is by permission respectfully dedicated by his obliged and obed.t Servant The Author.
Lieu.t J.F. Warre R.N. del.t. R.G. & A.W. Reeve sculp.
London, Published June 23, 1841 by Colnaghi & Puckle, Printsellers to her Majesty, 23, Cockspur Street, Charing Cross.
Pair of coloured aquatints (identically titled). Each 475 x 700mm, 18¾ x 27½". Repairs along platemark and to small holes within the engraved area.
The bombardment of Acre (now modern Israel), during the 'Oriental Crisis' of 1840. When Egypt under Muhammad Ali Pasha tried to break away from the Ottoman Empire, Britain joined the Ottomans, Russians, Austrians and Prussians to crush his rebellion. After shelling Sidon and Beirut in September 1840 the Allied fleet moved to Acre: opening fire on the city on the 3rd November they hit the defender's magazine, blowing up sixty thousand square yards of buildings and killing 1,200. They continued firing until dusk, taking possession of the city the following day. Muhammad Ali finally accepted terms on the 27th.
Parker: Naval Battles, 252.
[Ref: 21775]   £1,250.00   view all images for this item
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Major General Sir James Carmichael-Smyth, Bar.t C.B; K.C.H; K.M.T; & K.S.W.
Major General Sir James Carmichael-Smyth, Bar.t C.B; K.C.H; K.M.T; & K.S.W.
E.H. Latilla pinxit post-mortem. Tho's Hodgetts sculpsit.
London, July 19th. 1841. Published for Private Circulation, by Mess.rs Colnaghi & Puckle, No. 23, Cockspur Street.
Mezzotint, 370 x 280mm (14½ x 11"), very large margins. Foxing around image.
Portrait of James Carmichael-Smyth (1779-1838), army officer and colonial governor. After briefly acting as colonial secretary following the surrender of the Cape of Good Hope, Carmichael served at Coruna, and in Scotland and the Netherlands (including the defence against the 1815 French invasion. On Wellington's recommendation he was made a baronet in 1823, and published several books on military and colonial subjects. In 1829 he was appointed governor of the Bahamas,during which time he abolished the flogging of female slaves. In 1833 he was transferred to the 'more important' governorship of British Guiana, in which he position he was still serving when he died suddenly 'of brain fever' in 1838.

[Ref: 12335]   £160.00   (£192.00 incl.VAT)
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[Eglinton Tournament] Procession to the Lists.
[Eglinton Tournament] Procession to the Lists.
[James Henry Nixon.]
London: March 1st 1842. Published by Colnaghi & Puckle, Cockspur St.
Tinted lithograph with fine hand colour. Sheet 390 x 560mm (15½ x 22"). Surface soiling in borders, tears edges chipped.
A team of bagpipers lead a knight to the joust. The 13th Earl of Eglinton staged a tournament for his family and friends at his estate in Ayrshire. The 4,000 expected visitors turned into 100,000 from all over the British Isles but, because tickets were free, Eglington had to spend much of the wealth of his estate on the three-day event.
Twenty of James Henry Nixon's watercolours of the event are held in the Future Museum, Scotland.
[Ref: 53290]   £280.00   (£336.00 incl.VAT)
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[Eglinton Tournament] Knights of the White Rose.
[Eglinton Tournament] Knights of the White Rose.
J.H. Nixon.
London: March 1st 1842. Published by Colnaghi & Puckle, Cockspur St.
Tinted lithograph with very fine hand colour. Sheet 390 x 560mm (15½ x 22"), with very large margins. Surface soiling in borders, edges chipped.
The White Rose team for the Eglinton Tournament of 1839, led by William Campbell as a knight in armour, with standard bearer, squires and foot soldiers. The 13th Earl of Eglinton staged a tournament for his family and friends at his estate in Ayrshire. The 4,000 expected visitors turned into 100,000 from all over the British Isles but, because tickets were free, Eglington had to spend much of the wealth of his estate on the three-day event.
Twenty of James Henry Nixon's watercolours of the event are held in the Future Museum, Scotland.
[Ref: 53288]   £160.00   (£192.00 incl.VAT)
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[Eglinton Tournament] [The Banquet.]
[Eglinton Tournament] [The Banquet.]
[James Henry Nixon.]
London: March 1st 1842. Published by Colnaghi & Puckle, Cockspur St.
Tinted lithograph with very fine hand colour. Sheet 390 x 560mm (15½ x 22"), with very large margins. Surface soiling in borders, edges chipped.
The tournament banquet, with the diners in period costume. The 13th Earl of Eglinton staged a tournament for his family and friends at his estate in Ayrshire. The 4,000 expected visitors turned into 100,000 from all over the British Isles but, because tickets were free, Eglinton had to spend much of the wealth of his estate on the three-day event.
Twenty of James Henry Nixon's watercolours of the event are held in the Future Museum, Scotland.
[Ref: 53289]   £260.00   (£312.00 incl.VAT)
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[Eglinton Tournament] General View of the Lists.
[Eglinton Tournament] General View of the Lists.
[James Henry Nixon.]
London: March 1st 1842. Published by Colnaghi & Puckle, Cockspur St.
Tinted lithograph with hand colour. Sheet 390 x 560mm (15½ x 22"), with large margins. Surface soiling, dusty.
The 13th Earl of Eglinton staged a tournament for his family and friends at his estate in Ayrshire. The 4,000 expected visitors turned into 100,000 from all over the British Isles but, because tickets were free, Eglington had to spend much of the wealth of his estate on the three-day event.
Twenty of James Henry Nixon's watercolours of the event are held in the Future Museum, Scotland.
[Ref: 53353]   £260.00   (£312.00 incl.VAT)
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[John Holman R.N.]
[John Holman R.N.]
Painted by J.P.Knight R.A. Engraved by J. Richardson Jackson.
London Published May 23, 1849, by Henry Squires & Compy. (Late Colnaghi & Puckle) Printsellers & Publishers to Her Majesty, and to the Royal Family. 23, Cockspur Street.
Mezzotint. Plate 406 x 318mm. 16 x 12½". Large margins.
James Holman FRS (1786-1857), known as the "Blind Traveler," was a British adventurer, author and social observer, best known for his writings on his extensive travels. He entered the British Royal Navy in 1798 and by 1807 he was appointed lieutenant. From 1819 to 1821 he journeyed through France, Italy, Switzerland, the parts of Germany bordering on the Rhine, Belgium and the Netherlands. In 1822 he set off again towards Russia, returning home via Austria, Saxony, Prussia and Hanover. He was elected a Fellow of the Royal Society and of the Linnaean Society. His last journeys were through Spain, Portugal, Moldavia, Montenegro, Syria and Turkey.
[Ref: 14474]   £340.00  
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[Charles Kemble] Falstaff.
[Charles Kemble] Falstaff. ''A plague on all cowards! still say I.'' Hanry IV, Part 1., Act 2, Sc. 4. Proof. Plate 3.
RJL [monogram of Richard James Lane]. J. Graf Printer to her Majesty.
London, May 1840, published by Mess.rs Colnaghi and Puckle, No 23 Cockspur Street.
Lithograph, proof on chine collé. Printed area 270 x 170mm (10¾ x 6¾"), with very large margins.
Charles Kemble (1775-1854) as Falstaff, seated with a glass in his hand. From Richard Lane's 'Sixteen Portraits of Charles Kemble'.
[Ref: 55293]   £160.00   (£192.00 incl.VAT)
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[Charles Kemble] Macbeth.
[Charles Kemble] Macbeth. 'Accursed be the tongue that tells me so!'' Macbeth Act 5, Sc. 7. Proof. Plate 9.
RJL [monogram of Richard James Lane]. J. Graf Printer to her Majesty.
London, May 1840, published by Mess.rs Colnaghi and Puckle, No 23 Cockspur Street.
Lithograph, proof on chine collé. Printed area 270 x 170mm (10¾ x 6¾"), with very large margins.
Charles Kemble (1775-1854) as Macbeth, one of Richard Lane's 'Sixteen Portraits of Charles Kemble'.
[Ref: 55294]   £160.00   (£192.00 incl.VAT)
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[Charles Kemble] Othello.
[Charles Kemble] Othello. 'How comes it, Michael, you are thus forgot?'' Othello, Act 2, Sc.3. Proof. Plate 10.
RJL [monogram of Richard James Lane]. J. Graf Printer to her Majesty.
London, May 1840, published by Mess.rs Colnaghi and Puckle, No 23 Cockspur Street.
Lithograph, proof on chine collé. Printed area 270 x 170mm (10¾ x 6¾"), with very large margins.
Charles Kemble (1775-1854) as Othello, one of Richard Lane's 'Sixteen Portraits of Charles Kemble'.
[Ref: 55295]   £260.00   (£312.00 incl.VAT)
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Sixteen Portraits of Charles Kemble Esq.re.
Sixteen Portraits of Charles Kemble Esq.re.
Drawn from Life by Richard J. Lane, Lithographer in Ordinary to her Majesty & His Royal Highness Prince Albert A.R.A.
London, 1840, published by Mess.rs Colnaghi & Puckle, Printsellers to Her Majesty, to the Queen Dowager, to H.R.H. the Duchess of Kent, &c: &c: &c:. 23 Cockspur Street.
Folio. original half half, boards, detached, lacking spine, marbled endpapers, gilt edges; lithographic title & 1.pp. dedication, 16 numbered tinted lithographs, proofs on india (out of sequence, as issued) plus key sheet, interleaved. Some foxing throughout.
A book of portraits of Charles Kemble (1775-1854) in theatrical costume, drawn and lithographed by Richard James Lane (1800-1872), printed by Graf. Roles include Falstaff, Hamlet, Othello & Iago, Macbeth & MacDuff, and Shylock.
Harvard p. 378-385.
[Ref: 18306]   £850.00   view all images for this item
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Commodore Sir Charles Napier, K.C.B. Count & Viscount Cabo St. Vicente,
Commodore Sir Charles Napier, K.C.B. Count & Viscount Cabo St. Vicente, _Admiral of Portugal; Knight Grand Cross of the Tower & Sword;_Knight of the Order of St. George of Russia, Maria Theresa of Austria, & the Royal Red Eagle of Prussia; Member of Parliament for Marylebone.
Painted by John Simpson: Portrait Painter to Her Majesty the Queen of Portugal &c. &c.
London: Published July 26th. 1841 by Messrs. Colnaghi & Puckle, Printsellers to the Queen, the Queen Dowager, H.R.H. The Duchess of Kent, &c. &c. 23, Cockspur Street. Printed by Brooke & Harrison.
A fine mezzotint. Plate 367 x 281mm. Sheet 421 x 351mm.
Admiral Sir Charles John Napier KCB RN (17860-1860), whose 60 years in the Royal Navy saw from the Napoleonic Wars to the Crimean War, with a period commanding the Portuguese navy in the Liberal Wars (1828 to 1834). He distinguished himself in expeditions against Alexandria and Baltimore in 1814. He took command of the Portuguese fleet in 1833, defeating Dom Miguel off Cape St. Vincent in the same year. He received his K.C.B. in 1840, and was made M.P. for Marylebone in 1841 and later for Southwark in 1855. He commanded in the Baltic during the Crimea in 1855 and was also A.D.C. to Queen Victoria.
Parker: 631. From the Collection of Viscount Hood.
[Ref: 12399]   £260.00   (£312.00 incl.VAT)
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[Fishing with a net at night.] Vue Pucklechurch.
[Fishing with a net at night.] Vue Pucklechurch.
A.A. Joyce.
[n.d., c.1820.]
Ink and watercolour, with extra colour on the reverse. The corrosive ink used on the border has eaten through the paper on one side.
Men fishing from the shore underneath a ruin. The colour on the back gives a tinge to the moonlight.
Ex: collections of the Spencer Sisters and the Hon. Christopher Lennox Boyd.
[Ref: 40425]   £95.00   (£114.00 incl.VAT)
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The College; - Windermere.
The College; - Windermere.
L. Aspland Del.t W. Banks. sc. Edin.r
Rare engraving, sheet 105 x 130mm (4¼ x 5¼"). Cut within plate mark and glued to backing sheet.
A school yard scene depicting boys playing cricket. The school appears to be what is known as the Old College, Windermere built for the Rev Addison by Abraham Pattinson who opened it as St. Mary’s College in September 1853. In 1855 the college was bought by Benjamin Irving and George Hale Puckle of Nine Oaks. They became joint headmasters and renamed the establishment.
[Ref: 56003]   £95.00   (£114.00 incl.VAT)
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Opium Smokers and Gamblers.
Opium Smokers and Gamblers. In one of their nightly haunts.
Drawn on the Spot by Sir Harry Darell, Bar.t. On Stone by J.H. Lynch.
London Pub.d May 18 1842 by Mess.rs Colnaghi & Puckle, Printsellers to Her Majesty, to the Queen Dowager, to H.R.H. the Duchess of Kent, &c, 23, Cockspur S.t.
Scarce tinted lithograph. Sheet 355 x 430mm (14 x 17"), large margins on three sides. Bit dusty
The interior of a Chinese opium den. Sir Harry Darell (1814-53), Baronet of Richmond Hill, entered the army as an ensign in the 18th Foot in 1832, becoming lieutenant in 1835. During the First Opium War he was aide-de-camp of Brigadier-General Burrell of the 18th Irish Regiment: he was present at a conference between J.J.Gordon Bremer and Admiral Chang on board HMS Wellesley (4th July 1840, subject of a lithograph by Darell also published 1842, which includes a self-portrait), just prior to the Taking of Chusan, at which he fought. He was promoted to Captain in 1841. He then served in South Africa with the 7th Dragoon Guards, being promoted to Major in 1847, then Lieut-Colonel by brevet the following year. He died in Sardinia. Although he published 'China, India, Cape of Good Hope and Vicinity. A Series of Thirteen Treble-Tinted Views from Sketches by Lieut.-Col. Sir Harry Darell, Bar.t', this plate predates the book by a decade. This plate seems to be a pair to his view of the Chusan Conference.
[Ref: 61234]   £550.00  
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[Sir Robert Sale.]
[Sir Robert Sale.]
Painted by Henry Moseley. J.H.Lynch Lith.
Day & Son, Lithrs. to the Queen. London Published April 17th. 1850 by Henry Squire & Compy. (Late Colnaghi & Puckle) Printsellers & Publishers to Her Majesty & the Royal Family 23 Cockspur Street.
Lithograph. Sheet 635 x 477mm. 25 x 18¾". Tears and creasing to the margins. Scuffing and marking to the image.
Sir Robert Henry Sale (1782-1845), Colonel. IN 1795, he started his career by entering the 36th foot regiment, and went to India in 1798, as a lieutenant of the 12th foot. His regiment formed part of Baird's brigade of Harris's army operating against Toppoo Sahib. Hes was also present at Malavalli and Seringapatam, serving under Colonel Arthur Wellesley. He progressed rapidly through the ranks receiving honorary titles and a knighthood. The city of Sale, Victoira, Australia was named after Sir Robert Sale in 1851.
[Ref: 14416]   £230.00   (£276.00 incl.VAT)
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[The Fire at the Tower of London] Interior of the Armory.
[The Fire at the Tower of London] Interior of the Armory.
Will.m Oliver linotint. C. Hullmandel's Patent.
Colnaghi and Puckle, 23, Cockspur Street [n.d., c.1842].
Tinted lithograph with hand colour. Sheet 310 x 410mm (12¼ x 16¼"). Some spotting, laid on card.
People being given a guided tour of the ruined interior of the armory of the Tower of London, with the upper floors and roof gone, and melted piles of ordnance. A plate from the rare series 'Six Views taken after the Great Fire at the Tower of London on the 31.st Oct. 1841; by Mess.rs J. Cater & W. Oliver.
Abbey: 214, only listing an issue in paper wrappers.
[Ref: 62010]   £160.00   (£192.00 incl.VAT)
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[The Fire at the Tower of London] Ruins from Avenue on the Parade.
[The Fire at the Tower of London] Ruins from Avenue on the Parade.
J. Cater & W. Oliver linotint. C. Hullmandel's Patent.
Colnaghi and Puckle, 23, Cockspur Street [n.d., c.1842].
Tinted lithograph with hand colour. Sheet 310 x 410mm (12¼ x 16¼"). Laid on card.
People wandering around the courtyard of the Tower of London, as workers erect scaffolding on the ruined buildings. A plate from the rare series 'Six Views taken after the Great Fire at the Tower of London on the 31.st Oct. 1841; by Mess.rs J. Cater & W. Oliver.
Abbey: 214, only listing an issue in paper wrappers.
[Ref: 62011]   £260.00   (£312.00 incl.VAT)
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[The Fire at the Tower of London] Long Room leading to the Brick Tower.
[The Fire at the Tower of London] Long Room leading to the Brick Tower.
Will.m Oliver linotint. C. Hullmandel's Patent.
Colnaghi and Puckle, 23, Cockspur Street [n.d., c.1842].
Tinted lithograph with hand colour. Sheet 310 x 410mm (12¼ x 16¼"). Laid on card.
People viewing the damage in the roofless Long Room, attended by a beefeater. A plate from the rare series 'Six Views taken after the Great Fire at the Tower of London on the 31.st Oct. 1841; by Mess.rs J. Cater & W. Oliver.
Abbey: 214, only listing an issue in paper wrappers.
[Ref: 62012]   £190.00   (£228.00 incl.VAT)
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[The Fire at the Tower of London] Entrance to the Armoury &c.
[The Fire at the Tower of London] Entrance to the Armoury &c.
Will.m Oliver linotint. C. Hullmandel's Patent.
Colnaghi and Puckle, 23, Cockspur Street [n.d., c.1842].
Tinted lithograph with hand colour. Sheet 310 x 410mm (12¼ x 16¼"). Laid on card.
People viewing the damage to the Tower of London, surrounded by cannon and mortars. A plate from the rare series 'Six Views taken after the Great Fire at the Tower of London on the 31.st Oct. 1841; by Mess.rs J. Cater & W. Oliver.
Abbey: 214, only listing an issue in paper wrappers.
[Ref: 62013]   £220.00   (£264.00 incl.VAT)
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[The Fire at the Tower of London] Inside of the Brick Tower.
[The Fire at the Tower of London] Inside of the Brick Tower.
Will.m Oliver linotint. C. Hullmandel's Patent.
Colnaghi and Puckle, 23, Cockspur Street [n.d., c.1842].
Tinted lithograph with hand colour. Sheet 400 x 300mm (15¾ x 11¾"). Laid on card.
People viewing the damage to the Tower of London, led by a beefeater. A plate from the rare series 'Six Views taken after the Great Fire at the Tower of London on the 31.st Oct. 1841; by Mess.rs J. Cater & W. Oliver.
Abbey: 214, only listing an issue in paper wrappers.
[Ref: 62015]   £190.00   (£228.00 incl.VAT)
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Her Most Gracious Majesty The Queen. [&] Prince Albert, of Saxe Cobourg and Gotha.
Her Most Gracious Majesty The Queen. [&] Prince Albert, of Saxe Cobourg and Gotha. [Victoria] Engraved by H.T. Ryall Esq.r from the Original Portrait in the possession of H.R.H. Prince Albert. [Albert] [...] in the possession of Her Majesty.
[Victoria] Engraved by H.T. Ryall Esq.r from the Original Portrait in the possession of H.R.H. Prince Albert. Painted by W.C. Ross Esq.r A.R.A. Miniature Painter to the Queen. [Albert] [...] in the possession of Her Majesty. Printed by McQueen.
London, July 1 1840, Published by Mess.rs Colnaghi & Puckle, Printsellers to the Queen, the Queen Dowager, H.R.H. the Duchess of Kent, &c. &c. 23, Cockspur Street.
Pair of stipples on steel. 380 x 305mm (15 x 12"), with large margins. 'Victoria' with publisher's blind stamp. Some spotting.
Portraits of Queen Victoria and Prince Albert published to coincide with their marriage in 1840, both after miniatures by William Charles Ross (1794-1860). Victoria had a series of sittings with Ross in 1837and declared the resulting portrait 'very like and very well painted', leading to his appointment as 'Miniature Painter' to the Queen. In subsequent years he was employed constantly in painting the queen's immediate family, including Albert (in 1839 and 1840).
[Ref: 56490]   £380.00   view all images for this item
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