A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Mallards.]](jpegs/63131.jpg)
[Mallards.]
[n.d., c.1800.]
Scarce aquatint, printed in colours and hand finished. 335 x 500mm (13¼ x 19¾"), on Whatman paper. Repaired tear, several small holes.
A very fine colour image showing three Mallard drakes and two ducks in a rural landscape.
[Ref: 63131] £490.00
[n.d., c.1800.]
Scarce aquatint, printed in colours and hand finished. 335 x 500mm (13¼ x 19¾"), on Whatman paper. Repaired tear, several small holes.
A very fine colour image showing three Mallard drakes and two ducks in a rural landscape.
[Ref: 63131] £490.00
An Alderney Ox. From the Stock at Wobern Abbey. Bred by Thomas Crook Esq.r of Tytherton Wiltshire.
London. Pub. April 1.st 1803 by G. Garrard at the Agricultural Museum 28 George S.t Hanover Squ.r.
Engraving with fine hand colour. 320 x 400mm (12½ x 15¾"), on Whatman paper, very large margins on 3 sides. Trimmed close to plate at bottom.
The Alderney breed of dairy cattle are now extinct in the pure form. George Garrard (1760 - 1826) was an animal painter who turned his attention to the making of casts and models of many subjects, but mainly of domestic animals. He was sponsored by the fifth Duke of Bedford, who was the first president of the Smithfield Club (founded I798), and by the third Earl of Egremont, as well as by other members of the Board of Agriculture. Garrard called his house in Hanover Square, London, 'The Agricultural Museum,' and from there he sold his paintings, engraving and models. Issued with original colour like this, Garrard's Cows cost 5 shillings each.
[Ref: 62998] £280.00 (£336.00 incl.VAT)
London. Pub. April 1.st 1803 by G. Garrard at the Agricultural Museum 28 George S.t Hanover Squ.r.
Engraving with fine hand colour. 320 x 400mm (12½ x 15¾"), on Whatman paper, very large margins on 3 sides. Trimmed close to plate at bottom.
The Alderney breed of dairy cattle are now extinct in the pure form. George Garrard (1760 - 1826) was an animal painter who turned his attention to the making of casts and models of many subjects, but mainly of domestic animals. He was sponsored by the fifth Duke of Bedford, who was the first president of the Smithfield Club (founded I798), and by the third Earl of Egremont, as well as by other members of the Board of Agriculture. Garrard called his house in Hanover Square, London, 'The Agricultural Museum,' and from there he sold his paintings, engraving and models. Issued with original colour like this, Garrard's Cows cost 5 shillings each.
[Ref: 62998] £280.00 (£336.00 incl.VAT)
A Buffalo Cow.
London, Pub: July 20, 1805 by G. Garrard, Agricultural Museum, 28, George S.t Hanover Squ.r.
Engraving with fine hand colour. 375 x 490mm (14¾ x 19¼"). Trimmed close to plate top and left, right edge chipped.
George Garrard (1760 - 1826) was an animal painter who turned his attention to the making of casts and models of many subjects, but mainly of domestic animals. He was sponsored by the fifth Duke of Bedford, who was the first president of the Smithfield Club (founded I798), and by the third Earl of Egremont, as well as by other members of the Board of Agriculture. Garrard called his house in Hanover Square, London, 'The Agricultural Museum,' and from there he sold his paintings, engraving and models. Issued with original colour like this, Garrard's Cows cost 5 shillings each.
[Ref: 62999] £180.00 (£216.00 incl.VAT)
London, Pub: July 20, 1805 by G. Garrard, Agricultural Museum, 28, George S.t Hanover Squ.r.
Engraving with fine hand colour. 375 x 490mm (14¾ x 19¼"). Trimmed close to plate top and left, right edge chipped.
George Garrard (1760 - 1826) was an animal painter who turned his attention to the making of casts and models of many subjects, but mainly of domestic animals. He was sponsored by the fifth Duke of Bedford, who was the first president of the Smithfield Club (founded I798), and by the third Earl of Egremont, as well as by other members of the Board of Agriculture. Garrard called his house in Hanover Square, London, 'The Agricultural Museum,' and from there he sold his paintings, engraving and models. Issued with original colour like this, Garrard's Cows cost 5 shillings each.
[Ref: 62999] £180.00 (£216.00 incl.VAT)
A Devonshire Ox.
Pub. by G. Garrard, London. July 18.th 1799.
Engraving with fine hand colour. 340 x 405mm (13½ x 16"). Trimmed within plate on left, thread margins elsewhere.
A Devonshire ox, often called the Devon Ruby because of its rich tawny coat. George Garrard (1760 - 1826) was an animal painter who turned his attention to the making of casts and models of many subjects, but mainly of domestic animals. He was sponsored by the fifth Duke of Bedford, who was the first president of the Smithfield Club (founded I798), and by the third Earl of Egremont, as well as by other members of the Board of Agriculture. Garrard called his house in Hanover Square, London, 'The Agricultural Museum,' and from there he sold his paintings, engraving and models. Issued with original colour like this, Garrard's Cows cost 5 shillings each.
[Ref: 62997] £260.00 (£312.00 incl.VAT)
Pub. by G. Garrard, London. July 18.th 1799.
Engraving with fine hand colour. 340 x 405mm (13½ x 16"). Trimmed within plate on left, thread margins elsewhere.
A Devonshire ox, often called the Devon Ruby because of its rich tawny coat. George Garrard (1760 - 1826) was an animal painter who turned his attention to the making of casts and models of many subjects, but mainly of domestic animals. He was sponsored by the fifth Duke of Bedford, who was the first president of the Smithfield Club (founded I798), and by the third Earl of Egremont, as well as by other members of the Board of Agriculture. Garrard called his house in Hanover Square, London, 'The Agricultural Museum,' and from there he sold his paintings, engraving and models. Issued with original colour like this, Garrard's Cows cost 5 shillings each.
[Ref: 62997] £260.00 (£312.00 incl.VAT)
![[Lion at Rest]](jpegs/63079.jpg)
[Lion at Rest]
HD. [Herbert Dicksee.]
[Bristol: Frost & Reed, 1915.]
Scarce & fine etching, signed by the artist in pencil. 190 x 490mm (7½ x 19¼"), with publisher's blind stamp, very large margins. Mint
Provenance: From the Descendants of Herbert Dicksee.
[Ref: 63079] £650.00
HD. [Herbert Dicksee.]
[Bristol: Frost & Reed, 1915.]
Scarce & fine etching, signed by the artist in pencil. 190 x 490mm (7½ x 19¼"), with publisher's blind stamp, very large margins. Mint
Provenance: From the Descendants of Herbert Dicksee.
[Ref: 63079] £650.00
![[26 plates from 'Lord’s entire new system of ornithology'.]](jpegs/62786.jpg)
[26 plates from 'Lord’s entire new system of ornithology'.]
[after Thomas Lord.]
[London: Thomas Lord, 1791-6.]
26 etchings with fine hand colour. Plates various sizes, c.300 x 210mm (11¾ x 8¼"), all but one with very good margins. 'Dunlis' trimmed into plate at top, a few plates with a little spotting.
A collection of plates from ''Lord’s entire new system of ornithology; wonderful colour of this very scarce publication. Or oecumenical history, of British birds... The writing corrected, & embellish'd, by the Rev.d Dr. Dupree'', a series of 114 bird prints, which was published by subscription in 38 parts between 1791 until 1796. The plates, after drawings by Lord, showed the birds as close to actual size as possible. Unfortuately the series ground to a halt and few complete examples exist, with most lacking some or all of the last part. This collection includes six hawks, two owls, a woodpecker, magpie, goldfinch and plover.
[Ref: 62786] £3,200.00 view all images for this item
[after Thomas Lord.]
[London: Thomas Lord, 1791-6.]
26 etchings with fine hand colour. Plates various sizes, c.300 x 210mm (11¾ x 8¼"), all but one with very good margins. 'Dunlis' trimmed into plate at top, a few plates with a little spotting.
A collection of plates from ''Lord’s entire new system of ornithology; wonderful colour of this very scarce publication. Or oecumenical history, of British birds... The writing corrected, & embellish'd, by the Rev.d Dr. Dupree'', a series of 114 bird prints, which was published by subscription in 38 parts between 1791 until 1796. The plates, after drawings by Lord, showed the birds as close to actual size as possible. Unfortuately the series ground to a halt and few complete examples exist, with most lacking some or all of the last part. This collection includes six hawks, two owls, a woodpecker, magpie, goldfinch and plover.
[Ref: 62786] £3,200.00 view all images for this item
![[Primroses in a blue vase.]](jpegs/62641.jpg)
[Primroses in a blue vase.]
Hall Thorpe [pencil signature.]
Published by Hall Thorpe, London, Copyright USA 1922.
Woodcut, printed in colours, signed by the artist. Sheet 270 x 230mm (10¾ x 9"), large margins. Mount stain.
A brightly-coloured bowl of cowslips, printed in colours by John Hall Thorpe (1874-1947), an Australian artist whose woodcuts heavily influenced wallpaper design.
[Ref: 62641] £160.00 (£192.00 incl.VAT)
Hall Thorpe [pencil signature.]
Published by Hall Thorpe, London, Copyright USA 1922.
Woodcut, printed in colours, signed by the artist. Sheet 270 x 230mm (10¾ x 9"), large margins. Mount stain.
A brightly-coloured bowl of cowslips, printed in colours by John Hall Thorpe (1874-1947), an Australian artist whose woodcuts heavily influenced wallpaper design.
[Ref: 62641] £160.00 (£192.00 incl.VAT)
Rabbits.
Painted by G. Morland. Engraved by W.m Ward Engraver to H.R.H. the Duke of York.
London Published Sept.r. 1806, by James Linnell, 2, Streatham Street, Charlotte Street, Bloomsbury.
Rare mezzotint. 330 x 370mm (13 x 14½"). Slight creasing at top right. Small margins.
Two rabbits, one black, the other white, on straw with a carrot.
Frankau: 234.
[Ref: 62742] £260.00 (£312.00 incl.VAT)
Painted by G. Morland. Engraved by W.m Ward Engraver to H.R.H. the Duke of York.
London Published Sept.r. 1806, by James Linnell, 2, Streatham Street, Charlotte Street, Bloomsbury.
Rare mezzotint. 330 x 370mm (13 x 14½"). Slight creasing at top right. Small margins.
Two rabbits, one black, the other white, on straw with a carrot.
Frankau: 234.
[Ref: 62742] £260.00 (£312.00 incl.VAT)
![[A man sitting under an ancient gnarled tree.]](jpegs/62915.jpg)
[A man sitting under an ancient gnarled tree.]
[R.L. West 1802.]
[n.d., c.1803.]
Polyautograph, very dark rich impression. Sheet 315 x 230mm (12½ x 9"). Trimmed close to image, losing signature at bottom. Slight loss bottom right corner.
By Raphael Lamar West (1769-1850), son of Benjamin West. Published in 'Specimens of Polyautography' in 1803, and included in the second issue of the series published by Vollweiler in 1806-7.
[Ref: 62915] £420.00
[R.L. West 1802.]
[n.d., c.1803.]
Polyautograph, very dark rich impression. Sheet 315 x 230mm (12½ x 9"). Trimmed close to image, losing signature at bottom. Slight loss bottom right corner.
By Raphael Lamar West (1769-1850), son of Benjamin West. Published in 'Specimens of Polyautography' in 1803, and included in the second issue of the series published by Vollweiler in 1806-7.
[Ref: 62915] £420.00