A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
[M..lle Marietta Alboni as Maffio Orsini in Lucrezia Borgia (Donizetti).
J. Brandard.
M. & N. Hanhart, Lith [n.d., c.1850].
Chromolithograph with gold highlights. Framed, titled on mount, sight size 285 x 220mm (11½ x 8¾") Unexamined out of frame.
A full-length portrait of Italian contralto Maria Anna Marzia (Marietta) Alboni (1826-94) playing a man.
[Ref: 68257] £190.00 (£228.00 incl.VAT)
J. Brandard.
M. & N. Hanhart, Lith [n.d., c.1850].
Chromolithograph with gold highlights. Framed, titled on mount, sight size 285 x 220mm (11½ x 8¾") Unexamined out of frame.
A full-length portrait of Italian contralto Maria Anna Marzia (Marietta) Alboni (1826-94) playing a man.
[Ref: 68257] £190.00 (£228.00 incl.VAT)
![[Un Ballo in Maschera.]](jpegs/68495.jpg)
[Un Ballo in Maschera.]
J. Brandard.
[n.d., c.1859.]
Tinted lithograph. Framed, sight size 285 x 205mm (11¼ x 8"). Mounted over image, unexamined out of frame.
A scene from Giuseppe Verdi's three-act opera, ''A Masked Ball'', first performed 1859.
[Ref: 68495] £150.00 (£180.00 incl.VAT)
J. Brandard.
[n.d., c.1859.]
Tinted lithograph. Framed, sight size 285 x 205mm (11¼ x 8"). Mounted over image, unexamined out of frame.
A scene from Giuseppe Verdi's three-act opera, ''A Masked Ball'', first performed 1859.
[Ref: 68495] £150.00 (£180.00 incl.VAT)
John Beard Esq.r . From a Picture in his possession, at Hampton.
Publish'd as the Act directs, 17 Dec.r 1787.
Fine mezzotint. 300 x 225mm (12 x 8¾"), with large margins. Uncut.
A half-length seated portrait of tenor John Beard (c.1716-91), wearing wig and plain jacket. He created roles in the operas of Thomas Arne and George Frideric Handel and was one of the quartet that premiered Arne's "God save great George our King", which evolved into the National Anthem. In 1743 Beard became a member of the Sublime Society of Beefsteaks, alongside William Hogarth.
CS ENA III, 22, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state ii of iii.
[Ref: 68441] £320.00
Publish'd as the Act directs, 17 Dec.r 1787.
Fine mezzotint. 300 x 225mm (12 x 8¾"), with large margins. Uncut.
A half-length seated portrait of tenor John Beard (c.1716-91), wearing wig and plain jacket. He created roles in the operas of Thomas Arne and George Frideric Handel and was one of the quartet that premiered Arne's "God save great George our King", which evolved into the National Anthem. In 1743 Beard became a member of the Sublime Society of Beefsteaks, alongside William Hogarth.
CS ENA III, 22, i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd, his state ii of iii.
[Ref: 68441] £320.00
![[John Beard] M.r Beard.](jpegs/68439.jpg)
[John Beard] M.r Beard.
Tho.s Hudson pinx.t. Ja.s M.cArdell fecit.
Published according to Act of Parliament by Ja.s M.cArdell, in Henrietta Street, Covent Garden.
Mezzotint, 355 x 250mm (14 x 9¾"), on 18th century watermarked paper. Thread margin at bottom. Small margins.
A half-length portrait of tenor John Beard (c.1716-91), wearing an embroidered jacket. He created roles in the operas of Thomas Arne and George Frideric Handel and was one of the quartet that premiered Arne's "God save great George our King", which evolved into the National Anthem. In 1743 Beard became a member of the Sublime Society of Beefsteaks, alongside William Hogarth.
Goodwin 194; CS 14, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68439] £240.00 (£288.00 incl.VAT)
Tho.s Hudson pinx.t. Ja.s M.cArdell fecit.
Published according to Act of Parliament by Ja.s M.cArdell, in Henrietta Street, Covent Garden.
Mezzotint, 355 x 250mm (14 x 9¾"), on 18th century watermarked paper. Thread margin at bottom. Small margins.
A half-length portrait of tenor John Beard (c.1716-91), wearing an embroidered jacket. He created roles in the operas of Thomas Arne and George Frideric Handel and was one of the quartet that premiered Arne's "God save great George our King", which evolved into the National Anthem. In 1743 Beard became a member of the Sublime Society of Beefsteaks, alongside William Hogarth.
Goodwin 194; CS 14, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68439] £240.00 (£288.00 incl.VAT)
![[John Beard] M.r Beard.](jpegs/68440.jpg)
[John Beard] M.r Beard.
Tho.s Hudson pinx.t. Ja.s M.cArdell fecit.
Published according to Act of Parliament by Ja.s M.cArdell, in Henrietta Street, Covent Garden.
Mezzotint, 18th century watermark. 355 x 250mm (14 x 9¾"). Small margins.
A half-length portrait of tenor John Beard (c.1716-91), wearing an embroidered jacket. He created roles in the operas of Thomas Arne and George Frideric Handel and was one of the quartet that premiered Arne's "God save great George our King", which evolved into the National Anthem. In 1743 Beard became a member of the Sublime Society of Beefsteaks, alongside William Hogarth.
Goodwin 194; CS 14, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68440] £360.00
Tho.s Hudson pinx.t. Ja.s M.cArdell fecit.
Published according to Act of Parliament by Ja.s M.cArdell, in Henrietta Street, Covent Garden.
Mezzotint, 18th century watermark. 355 x 250mm (14 x 9¾"). Small margins.
A half-length portrait of tenor John Beard (c.1716-91), wearing an embroidered jacket. He created roles in the operas of Thomas Arne and George Frideric Handel and was one of the quartet that premiered Arne's "God save great George our King", which evolved into the National Anthem. In 1743 Beard became a member of the Sublime Society of Beefsteaks, alongside William Hogarth.
Goodwin 194; CS 14, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68440] £360.00
[Signor Lenari Bellini. in the character of Figaro in Mozarts Opera Le Nozzi di Figaro. Si vuol ballare. Signro Contino.]
[A.E. Chalon, R.A. Weld Taylor L.t.]
London, Published Feb.y 1.st 1838, by J. Mitchell Library, 33 old Bond Street._á Paris chez Rittner & Goupil Boulevard Montmatre.
Coloured lithograph. Framed, sight size 370 x 290mm (14½ x 11½"). Unexamined out of frame, mounted over inscriptions?
A full-length portrait of Italian basso Lenari Bellini, who starred as Figaro at the Lyceum Theatre in 1837.
[Ref: 68233] £280.00 (£336.00 incl.VAT)
[A.E. Chalon, R.A. Weld Taylor L.t.]
London, Published Feb.y 1.st 1838, by J. Mitchell Library, 33 old Bond Street._á Paris chez Rittner & Goupil Boulevard Montmatre.
Coloured lithograph. Framed, sight size 370 x 290mm (14½ x 11½"). Unexamined out of frame, mounted over inscriptions?
A full-length portrait of Italian basso Lenari Bellini, who starred as Figaro at the Lyceum Theatre in 1837.
[Ref: 68233] £280.00 (£336.00 incl.VAT)
Flautin. Avec sa Guitarre touchee. Plus en maistre qu'en escolier; Il semble qu'il tienne cachee. Une fluste dans son gosier
Bonnart f.
Chez N. Bonnart, rue S.t Jacques, a LAigle avec privil. [n.d. c.1680]
Fine engraving, 260 x 185mm (10¼ x 7¼"), with very large margins.
Full-length portrait of a man in costume, wearing a mask and holding a guitar. Engraved by Nicholas Bonnart (c.1637–1718), an engraver and publisher. He was the son of Henri Bonnart (1610–1682) and the brother of Henri Bonnart (1642–1711), Nicolas Bonnart, and Jean-Baptiste Bonnart. His engraving activity was mainly concentrated around c.1664–1670. After his death, his publishing business was continued by his widow and his son, Nicolas II, until 1727.
[Ref: 68404] £380.00
Bonnart f.
Chez N. Bonnart, rue S.t Jacques, a LAigle avec privil. [n.d. c.1680]
Fine engraving, 260 x 185mm (10¼ x 7¼"), with very large margins.
Full-length portrait of a man in costume, wearing a mask and holding a guitar. Engraved by Nicholas Bonnart (c.1637–1718), an engraver and publisher. He was the son of Henri Bonnart (1610–1682) and the brother of Henri Bonnart (1642–1711), Nicolas Bonnart, and Jean-Baptiste Bonnart. His engraving activity was mainly concentrated around c.1664–1670. After his death, his publishing business was continued by his widow and his son, Nicolas II, until 1727.
[Ref: 68404] £380.00
![[Fra Diavolo.]](jpegs/68494.jpg)
[Fra Diavolo.]
J. Brandard.
[n.d., c.1857.]
Tinted lithograph. Framed, sight size 275 x 210mm (10¾ x 8¼"). Mounted over image, unexamined out of frame.
A scene from the three-act comic opera 'Fra Diavolo' by Daniel Auber (1782-1871), with the main character, an Italian bandit, captured by French occupation soldiers. It was first performed in London at the Lyceum Theatre in 1857, with Italo Gardoni in the title role and soprano Angiolina Bosio as Zerline; their names are written on the mount.
[Ref: 68494] £140.00 (£168.00 incl.VAT)
J. Brandard.
[n.d., c.1857.]
Tinted lithograph. Framed, sight size 275 x 210mm (10¾ x 8¼"). Mounted over image, unexamined out of frame.
A scene from the three-act comic opera 'Fra Diavolo' by Daniel Auber (1782-1871), with the main character, an Italian bandit, captured by French occupation soldiers. It was first performed in London at the Lyceum Theatre in 1857, with Italo Gardoni in the title role and soprano Angiolina Bosio as Zerline; their names are written on the mount.
[Ref: 68494] £140.00 (£168.00 incl.VAT)
[Antonio Giuglini. Rodolpho "Quando le Sere al Placido''. Luisa Miller (Verdi).
J. Brandard.
[n.d., c.1860.]
Tinted lithograph. Framed, titled on mount, sight size 265 x 195mm (10½ x 7¾") Mounted over image, unexamined out of frame.
A full-length portrait of Italian tenor Antonio Giuglini (1825-1865), as Rodolfo in the first UK performance of Verdi's 'Luisa Miller'.
[Ref: 68259] £190.00 (£228.00 incl.VAT)
J. Brandard.
[n.d., c.1860.]
Tinted lithograph. Framed, titled on mount, sight size 265 x 195mm (10½ x 7¾") Mounted over image, unexamined out of frame.
A full-length portrait of Italian tenor Antonio Giuglini (1825-1865), as Rodolfo in the first UK performance of Verdi's 'Luisa Miller'.
[Ref: 68259] £190.00 (£228.00 incl.VAT)
Giulia Grisi. L.Lablache. Elvira. "Odi, O Ciel, qual suon si desta?" [/] Sir Georgio. "_Ascoltiam." [/] I Puritani. Atto 1. Sc.4.
A.E.Chalon R.A. R.J.Lane A.R.A.
London, Published Jan.y 1.st 1836 by J. Mitchell Library, 33 Old Bond S.t._á Paris, chez Rittner & Goupil, Boulevard Montmartre. Printed by Graf & Soret.
Coloured lithograph. Framed, sight size 380 x 265mm (15 x 10½"). Paper toned, unexamined out of frame.
Full length portraits of Italian singers Guilia Grisi (1811-1869) and Luigi Lablache (1797-1858) in the roles of Elvira and Sir Georgio in Vincenz Bellini's opera I Puritani, from Alfred Edward Chalon's ''Recollections of Italian Opera 1835''. Grisi and Lablache were two of the four international singers who, along with Antonio Tamburini and Giovanni Rubini, were known as one of the "Puritani Quartet". The group acquired the name on account of the large quantity of performances the quartet performed together including a private performance for Crown Princess Victoria on her 15th birthday.
Harvard Vol III: P. 4-20.
[Ref: 68230] £280.00 (£336.00 incl.VAT)
A.E.Chalon R.A. R.J.Lane A.R.A.
London, Published Jan.y 1.st 1836 by J. Mitchell Library, 33 Old Bond S.t._á Paris, chez Rittner & Goupil, Boulevard Montmartre. Printed by Graf & Soret.
Coloured lithograph. Framed, sight size 380 x 265mm (15 x 10½"). Paper toned, unexamined out of frame.
Full length portraits of Italian singers Guilia Grisi (1811-1869) and Luigi Lablache (1797-1858) in the roles of Elvira and Sir Georgio in Vincenz Bellini's opera I Puritani, from Alfred Edward Chalon's ''Recollections of Italian Opera 1835''. Grisi and Lablache were two of the four international singers who, along with Antonio Tamburini and Giovanni Rubini, were known as one of the "Puritani Quartet". The group acquired the name on account of the large quantity of performances the quartet performed together including a private performance for Crown Princess Victoria on her 15th birthday.
Harvard Vol III: P. 4-20.
[Ref: 68230] £280.00 (£336.00 incl.VAT)
![[Giulia Grisi and Mario] [Scene from Lucrezia Borga.]](jpegs/68254.jpg)
[Giulia Grisi and Mario] [Scene from Lucrezia Borga.]
[J Brandard del et lith.]
[n.d., c.1845.]
Chromolithograph with gold highlights. Framed, sight size 260 x 200m (10¼ x 8"). Unexamined out of frame, mounted over titles.
Full-length double portrait of Italian singers, soprano Giulia Grisi (1811-1869) & tenor Giovanni Matteo De Candia (1810-83, known as 'Mario') in Donizetti's opera 'Lucrezia Borgia.'
[Ref: 68254] £140.00 (£168.00 incl.VAT)
[J Brandard del et lith.]
[n.d., c.1845.]
Chromolithograph with gold highlights. Framed, sight size 260 x 200m (10¼ x 8"). Unexamined out of frame, mounted over titles.
Full-length double portrait of Italian singers, soprano Giulia Grisi (1811-1869) & tenor Giovanni Matteo De Candia (1810-83, known as 'Mario') in Donizetti's opera 'Lucrezia Borgia.'
[Ref: 68254] £140.00 (£168.00 incl.VAT)
Giulia Grisi. Desdemona. "Nè più ripeta l'aura [/] Dé misi lamenti it suin." [/] Otello. Atto.3.Sc.1
A.E. Chalon R.A. R.J. Lane A.R.A.
London, Published Jan.y 1.st 1836 by J.Mitchell, Library 33, Old Bond Street._ a Paris, chez Rittner & Goupil, Boulevard Montmatre.
Coloured lithograph. Framed, sight size 380 x 265mm (15 x 10½"). Paper toned, unexamined out of frame.
A portrait of the famous Italian opera singer Giulia Grisi (1811-1869) in the role of Desdemona from Rossini's opera Otello, playing the harp and singing. Grisi was one of the leading sopranos of the 19th Century and performed all over the world. From A. E. Chalon's 'Recollections of the Italian Opera 1835'.
[Ref: 68229] £280.00 (£336.00 incl.VAT)
A.E. Chalon R.A. R.J. Lane A.R.A.
London, Published Jan.y 1.st 1836 by J.Mitchell, Library 33, Old Bond Street._ a Paris, chez Rittner & Goupil, Boulevard Montmatre.
Coloured lithograph. Framed, sight size 380 x 265mm (15 x 10½"). Paper toned, unexamined out of frame.
A portrait of the famous Italian opera singer Giulia Grisi (1811-1869) in the role of Desdemona from Rossini's opera Otello, playing the harp and singing. Grisi was one of the leading sopranos of the 19th Century and performed all over the world. From A. E. Chalon's 'Recollections of the Italian Opera 1835'.
[Ref: 68229] £280.00 (£336.00 incl.VAT)
Giulia Grisi. Anna "....Cessa [/] A questa iniqua accusa [/] Mia dignitá riprendo, ed altamente [/] Di Smenton seduttor te_ Sire_io grido" [/] Anna Bolena. Atta 2. Sc.6.
A.E.Chalon R.A. R.J.Lane. A.R.A.
London, Published Jan.y 1.st 1836 by J.Mitchell, Library 33, Old Bond Street._a Paris, chez Rittner & Goupil Boulevard Montmatre. Printed by Graf & Sons.
Coloured lithograph. Framed, sight size 380 x 265mm (15 x 10½"). Unexamined out of frame.
A full length portrait of Italian opera singer Giulia Grisi (1811-1869) in the role of Anna Boleyn, from A.E.Chalon's 'Recollections of Italian Opera 1836'. Donizetti's opera 'Anna Bolena' was one of four operas he wrote based on Tudor England.
Harvard Vol II: P. 4-16.
[Ref: 68228] £280.00 (£336.00 incl.VAT)
A.E.Chalon R.A. R.J.Lane. A.R.A.
London, Published Jan.y 1.st 1836 by J.Mitchell, Library 33, Old Bond Street._a Paris, chez Rittner & Goupil Boulevard Montmatre. Printed by Graf & Sons.
Coloured lithograph. Framed, sight size 380 x 265mm (15 x 10½"). Unexamined out of frame.
A full length portrait of Italian opera singer Giulia Grisi (1811-1869) in the role of Anna Boleyn, from A.E.Chalon's 'Recollections of Italian Opera 1836'. Donizetti's opera 'Anna Bolena' was one of four operas he wrote based on Tudor England.
Harvard Vol II: P. 4-16.
[Ref: 68228] £280.00 (£336.00 incl.VAT)
![[John Camillus Hone] The Piping Boy.](jpegs/68480.jpg)
[John Camillus Hone] The Piping Boy.
Painted by Mr. Hone. Engrav'd by Capt.n Baillie 1771.
Mezzotint. 335 x 230mm (13¼ x 9"). Laid on album paper at edges. Small margins.
Mezzotint after Nathaniel Hone's 1769 portrait of his son John Camillus Hone (now in the National Gallery of Ireland), engraved by Captain William Baillie (1723-1810). Baillie retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
CS 3, only state. Russell iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd. See also [Ref: 60438].
[Ref: 68480] £280.00 (£336.00 incl.VAT)
Painted by Mr. Hone. Engrav'd by Capt.n Baillie 1771.
Mezzotint. 335 x 230mm (13¼ x 9"). Laid on album paper at edges. Small margins.
Mezzotint after Nathaniel Hone's 1769 portrait of his son John Camillus Hone (now in the National Gallery of Ireland), engraved by Captain William Baillie (1723-1810). Baillie retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
CS 3, only state. Russell iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd. See also [Ref: 60438].
[Ref: 68480] £280.00 (£336.00 incl.VAT)
![[Les Huguenots] [Grisi and Mario as Valentine and Raoul.]](jpegs/68498.jpg)
[Les Huguenots] [Grisi and Mario as Valentine and Raoul.]
[n.d., c.1850.]
Lithograph. Framed, sight size 280 x 210mm (11 x 8¼") Mounted over image, unexamined out of frame.
A scene from Giacomo Meyerbeer's grand opera ''Les Huguenots''. Guilia Grisi, as the Catholic Valentine, professes her love for Protestant Raoul, as French soldiers start their massacre, preferring death to loving her love.
[Ref: 68498] £130.00 (£156.00 incl.VAT)
[n.d., c.1850.]
Lithograph. Framed, sight size 280 x 210mm (11 x 8¼") Mounted over image, unexamined out of frame.
A scene from Giacomo Meyerbeer's grand opera ''Les Huguenots''. Guilia Grisi, as the Catholic Valentine, professes her love for Protestant Raoul, as French soldiers start their massacre, preferring death to loving her love.
[Ref: 68498] £130.00 (£156.00 incl.VAT)
![[6 Kronheim & Co dancers.] La Espanala. La Graciosa. Pera Mena. La Cachucha. Esmerelda. Pepita.](jpegs/68503.jpg)
[6 Kronheim & Co dancers.] La Espanala. La Graciosa. Pera Mena. La Cachucha. Esmerelda. Pepita.
[Kronheim & Co, c.1860.]
Sheet of six uncut Baxter prints. Sheet 320 x 325mm (12½ x 12¾"). Staining at edges.
'La Cachucha' is Fanny Elssler, who performed this Spanish dance as part of her ballet 'Le Diable Boiteux'. 'La Esmeralda' is a ballet in three acts based on 'Notre-Dame de Paris' by Victor Hugo. 'Pepita' is Romany-Spanish dancer Pepita de Oliva, grandmother of Vita Sackville-West. 'La Espanala' depicts a dancer in Spanish costume en pointe. 'La Graciosa' is a dancer of the Canary Islands. Pera Mena is Spanish dancer Dona Manuela Perea.
[Ref: 68503] £160.00 (£192.00 incl.VAT)
[Kronheim & Co, c.1860.]
Sheet of six uncut Baxter prints. Sheet 320 x 325mm (12½ x 12¾"). Staining at edges.
'La Cachucha' is Fanny Elssler, who performed this Spanish dance as part of her ballet 'Le Diable Boiteux'. 'La Esmeralda' is a ballet in three acts based on 'Notre-Dame de Paris' by Victor Hugo. 'Pepita' is Romany-Spanish dancer Pepita de Oliva, grandmother of Vita Sackville-West. 'La Espanala' depicts a dancer in Spanish costume en pointe. 'La Graciosa' is a dancer of the Canary Islands. Pera Mena is Spanish dancer Dona Manuela Perea.
[Ref: 68503] £160.00 (£192.00 incl.VAT)
![[8 Kronheim & Co dancers.]](jpegs/68504.jpg)
[8 Kronheim & Co dancers.]
[Kronheim & Co, c.1860.]
Sheet of eight uncut prints. Sheet 350 x 430mm (13¾ x 17"). Staining and holes at edges.
Eight untitled portraits of women in ballet outfits.
[Ref: 68504] £130.00 (£156.00 incl.VAT)
[Kronheim & Co, c.1860.]
Sheet of eight uncut prints. Sheet 350 x 430mm (13¾ x 17"). Staining and holes at edges.
Eight untitled portraits of women in ballet outfits.
[Ref: 68504] £130.00 (£156.00 incl.VAT)
![[8 Kronheim & Co dancers.]](jpegs/68505.jpg)
[8 Kronheim & Co dancers.]
[Kronheim & Co, c.1860.]
Sheet of eight uncut prints. Sheet 350 x 430mm (13¾ x 17"). Staining and holes at edges.
Eight untitled portraits of women in ballet outfits.
[Ref: 68505] £130.00 (£156.00 incl.VAT)
[Kronheim & Co, c.1860.]
Sheet of eight uncut prints. Sheet 350 x 430mm (13¾ x 17"). Staining and holes at edges.
Eight untitled portraits of women in ballet outfits.
[Ref: 68505] £130.00 (£156.00 incl.VAT)
L. Lablache. Faliero "A terra! A terra! Abominata insegna. [/] D'Infamia: io ti calpesto." [/] Marino Faliero. Atto 3. Sc:9.
A.E. Chalon R.A. R.J. Lane A.R.A.
London, Published Jan.y 1.st 1836, by. J.Mitchell, Library, 33, Old Bond Street._á Paris, chez Rittner & Goupil, Boulevard Montmatre.
Coloured lithograph. Framed, sight size 380 x 265mm (15 x 10½"). Paper toned, unexamined out of frame.
Full-length portrait of the Italian dramatic Bass opera singer Luigi Lablache (1797-1858) in the title role of Marin Faliero, Doge of Venice, from Gaetano Donizetti's opera Marino Faliero inspired by Lord Byron's 1820 drama of the same name. Published in Alfred Edward Chalon's ''Recollections of Italian Opera 1835''.
Harvard Vol. III; P. 4-16.
[Ref: 68231] £240.00 (£288.00 incl.VAT)
A.E. Chalon R.A. R.J. Lane A.R.A.
London, Published Jan.y 1.st 1836, by. J.Mitchell, Library, 33, Old Bond Street._á Paris, chez Rittner & Goupil, Boulevard Montmatre.
Coloured lithograph. Framed, sight size 380 x 265mm (15 x 10½"). Paper toned, unexamined out of frame.
Full-length portrait of the Italian dramatic Bass opera singer Luigi Lablache (1797-1858) in the title role of Marin Faliero, Doge of Venice, from Gaetano Donizetti's opera Marino Faliero inspired by Lord Byron's 1820 drama of the same name. Published in Alfred Edward Chalon's ''Recollections of Italian Opera 1835''.
Harvard Vol. III; P. 4-16.
[Ref: 68231] £240.00 (£288.00 incl.VAT)
![[Mr. Leviez.]](jpegs/68378.jpg)
[Mr. Leviez.]
[J.E. Eccard Pinx.t. J. Mc.Ardell Fecit.]
[London, n.d., 1763.]
Mezzotint, proof before letters, inscription area uncleaned. 330 x 228mm (13 x 9"). Trimmed to plate at bottom. Hinged on left border to backing sheet.
A portrait of Charles Leviez (died c.1778), after Johann Aegidius (John Giles) Eckhardt. A French dancing-master who also dealt in prints and drawings, Leviez was living in London in 1759, but sold his stock at auction in March 1761. By 1766 he had established himself in Paris as a 'marchand des estampes' or printseller, publishing a large compilation of Pillement in 1767. He sold up again in 1773, auctioning all his plates in Paris 29/30 July 1773.
CS: 117, i of iii. Goodwin: 101, i of iii. Ex: collections of The Hon. Christopher Lennox-Boyd and John Challoner Smith. (verso)
[Ref: 68378] £450.00
[J.E. Eccard Pinx.t. J. Mc.Ardell Fecit.]
[London, n.d., 1763.]
Mezzotint, proof before letters, inscription area uncleaned. 330 x 228mm (13 x 9"). Trimmed to plate at bottom. Hinged on left border to backing sheet.
A portrait of Charles Leviez (died c.1778), after Johann Aegidius (John Giles) Eckhardt. A French dancing-master who also dealt in prints and drawings, Leviez was living in London in 1759, but sold his stock at auction in March 1761. By 1766 he had established himself in Paris as a 'marchand des estampes' or printseller, publishing a large compilation of Pillement in 1767. He sold up again in 1773, auctioning all his plates in Paris 29/30 July 1773.
CS: 117, i of iii. Goodwin: 101, i of iii. Ex: collections of The Hon. Christopher Lennox-Boyd and John Challoner Smith. (verso)
[Ref: 68378] £450.00
![[Mr. Leviez.]](jpegs/68377.jpg)
[Mr. Leviez.]
[J.E. Eccard Pinx.t. J. Mc.Ardell Fecit.]
[London, n.d., 1763.]
Mezzotint, proof before letters, 330 x 228mm (13 x 9"). Trimmed to plate at bottom, inscription area uncleaned.
A portrait of Charles Leviez (died c.1778), after Johann Aegidius (John Giles) Eckhardt. A French dancing-master who also dealt in prints and drawings, Leviez was living in London in 1759, but sold his stock at auction in March 1761. By 1766 he had established himself in Paris as a 'marchand des estampes' or printseller, publishing a large compilation of Pillement in 1767. He sold up again in 1773, auctioning all his plates in Paris 29/30 July 1773.
CS: 117, i of iii. Goodwin: 101, i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68377] £380.00
[J.E. Eccard Pinx.t. J. Mc.Ardell Fecit.]
[London, n.d., 1763.]
Mezzotint, proof before letters, 330 x 228mm (13 x 9"). Trimmed to plate at bottom, inscription area uncleaned.
A portrait of Charles Leviez (died c.1778), after Johann Aegidius (John Giles) Eckhardt. A French dancing-master who also dealt in prints and drawings, Leviez was living in London in 1759, but sold his stock at auction in March 1761. By 1766 he had established himself in Paris as a 'marchand des estampes' or printseller, publishing a large compilation of Pillement in 1767. He sold up again in 1773, auctioning all his plates in Paris 29/30 July 1773.
CS: 117, i of iii. Goodwin: 101, i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68377] £380.00
Jenny Lind. Sonnambula.
A. De Valentini. T.F. Maguire.
[London, Published October 14th 1847, by J. Mitchell, Publisher to Her Majesty 34 Old Bond St.]
Coloured lithograph. Framed, sight size 420 x 250mm (13½ x 9¾"). Unexamined out of frame, print loose, spotting, mount burn, tears.
A full-length portrait of Swedish soprano Jenny Lind (1820-87), in Vincenzo Bellini's 'La sonnambula'.
[Ref: 68237] £320.00
A. De Valentini. T.F. Maguire.
[London, Published October 14th 1847, by J. Mitchell, Publisher to Her Majesty 34 Old Bond St.]
Coloured lithograph. Framed, sight size 420 x 250mm (13½ x 9¾"). Unexamined out of frame, print loose, spotting, mount burn, tears.
A full-length portrait of Swedish soprano Jenny Lind (1820-87), in Vincenzo Bellini's 'La sonnambula'.
[Ref: 68237] £320.00
![[Jenny Lind] [The Celebrated Military Air, Ciascun lo dice, Sung by Mad.lle Jenny Lind. in the Opera La Figlia del Reggimento, Arranged for the Piano Forte by Albert Keller.]](jpegs/68242.jpg)
[Jenny Lind] [The Celebrated Military Air, Ciascun lo dice, Sung by Mad.lle Jenny Lind. in the Opera La Figlia del Reggimento, Arranged for the Piano Forte by Albert Keller.]
[Ent. Sta. Hall. Pr. 2/6. London. Leoni Lee & Coxhead, Music Sellers to Her Majesty Queen Victoria, 48, Albermarle St.] [n.d., c.1847.]
Coloured lithograph. Framed, sight size 235 x 200m (9¼ x 8"). Unexamined out of frame, mounted over inscriptions, likely trimmed.
A full-length portrait of Swedish soprano Jenny Lind (1820-87), in Gaetano Donizetti's 'Daughter of the Regiment', with Gardoni and Larlache as soldiers. A music cover.
[Ref: 68242] £140.00 (£168.00 incl.VAT)
[Ent. Sta. Hall. Pr. 2/6. London. Leoni Lee & Coxhead, Music Sellers to Her Majesty Queen Victoria, 48, Albermarle St.] [n.d., c.1847.]
Coloured lithograph. Framed, sight size 235 x 200m (9¼ x 8"). Unexamined out of frame, mounted over inscriptions, likely trimmed.
A full-length portrait of Swedish soprano Jenny Lind (1820-87), in Gaetano Donizetti's 'Daughter of the Regiment', with Gardoni and Larlache as soldiers. A music cover.
[Ref: 68242] £140.00 (£168.00 incl.VAT)
Juvenile Operas. Jenny Lind as Maria. in La Figlia del Reggimento.
J. Brandard.
Ent. Sta. Hall. Pr. 2/~.
Coloured lithograph. Framed, sight size 235 x 165mm (9¼ x 6½") Unexamined out of frame.
A full-length portrait of Swedish soprano Jenny Lind (1820-87), in Gaetano Donizetti's 'Daughter of the Regiment'. Probably a music cover.
[Ref: 68247] £160.00 (£192.00 incl.VAT)
J. Brandard.
Ent. Sta. Hall. Pr. 2/~.
Coloured lithograph. Framed, sight size 235 x 165mm (9¼ x 6½") Unexamined out of frame.
A full-length portrait of Swedish soprano Jenny Lind (1820-87), in Gaetano Donizetti's 'Daughter of the Regiment'. Probably a music cover.
[Ref: 68247] £160.00 (£192.00 incl.VAT)
![[Catone Lonati]](jpegs/68238.jpg)
[Catone Lonati]
[A.E. Chalon, R.A. R.J. Lane A.R.A.]
[London, Published Feb,y 1837, by J. Mitchell, Library 33, Old Bond St. deposé a Paris, chez Rittner & Goupil, Boulevard Montmarte]
Lithograph. Framed, sight size 305 x 220mm (12 x 8¾"). Unexamined out of frame.
A full-length portrait of Italian tenor Catone Lonati as Nemorino in Gaetano Donizetti's opera, ''L'Elisir d'Amore''.
[Ref: 68238] £140.00 (£168.00 incl.VAT)
[A.E. Chalon, R.A. R.J. Lane A.R.A.]
[London, Published Feb,y 1837, by J. Mitchell, Library 33, Old Bond St. deposé a Paris, chez Rittner & Goupil, Boulevard Montmarte]
Lithograph. Framed, sight size 305 x 220mm (12 x 8¾"). Unexamined out of frame.
A full-length portrait of Italian tenor Catone Lonati as Nemorino in Gaetano Donizetti's opera, ''L'Elisir d'Amore''.
[Ref: 68238] £140.00 (£168.00 incl.VAT)
![[Lucia di Lammermoor.]](jpegs/68256.jpg)
[Lucia di Lammermoor.]
J. Brandard.
[n.d., c.1855.]
Tinted lithograph. Framed, sight size 275 x 215mm (10¾ x 8½"). Mounted over inscriptions. Unexamined out of frame.
A scene from Gaetano Donizetti's opera 'Lucia di Lammermoor'. Edgardo arrives during the marriage of Lucia to Arturo.
[Ref: 68256] £120.00 (£144.00 incl.VAT)
J. Brandard.
[n.d., c.1855.]
Tinted lithograph. Framed, sight size 275 x 215mm (10¾ x 8½"). Mounted over inscriptions. Unexamined out of frame.
A scene from Gaetano Donizetti's opera 'Lucia di Lammermoor'. Edgardo arrives during the marriage of Lucia to Arturo.
[Ref: 68256] £120.00 (£144.00 incl.VAT)
Signor Mario, As Arturo in ''I Puritani''.
[John Brandard.]
[n.d., c.1850.]
Chromolithograph. Framed, sight size 265 x 195mm (10½ x 7¾"). Mounted over image and around title, unexamined out of frame.
A half-length portrait of tenor Giovanni Matteo de Candia (1810-83), as Lord Arturo Talbo in Vincenzo Bellini's 1835 opera.
[Ref: 68501] £260.00 (£312.00 incl.VAT)
[John Brandard.]
[n.d., c.1850.]
Chromolithograph. Framed, sight size 265 x 195mm (10½ x 7¾"). Mounted over image and around title, unexamined out of frame.
A half-length portrait of tenor Giovanni Matteo de Candia (1810-83), as Lord Arturo Talbo in Vincenzo Bellini's 1835 opera.
[Ref: 68501] £260.00 (£312.00 incl.VAT)
![[Mario ad Gennaro in 'Lucretia Borgia'.]](jpegs/68496.jpg)
[Mario ad Gennaro in 'Lucretia Borgia'.]
[John Brandard]
[n.d., c.1845.]
Coloured lithograph. Framed, sight size 270 x 210mm (10¾ x 8¼"), Mounted over inscriptions? Unexamined out of frame.
A full-length portrait of Giovanni Matteo de Candia (1810-83), known professionally as Mario. His first performance in London was in 'Lucretia Borgia' in 1839, alongside Giulia Grisi, who he lived with from 1841.
[Ref: 68496] £140.00 (£168.00 incl.VAT)
[John Brandard]
[n.d., c.1845.]
Coloured lithograph. Framed, sight size 270 x 210mm (10¾ x 8¼"), Mounted over inscriptions? Unexamined out of frame.
A full-length portrait of Giovanni Matteo de Candia (1810-83), known professionally as Mario. His first performance in London was in 'Lucretia Borgia' in 1839, alongside Giulia Grisi, who he lived with from 1841.
[Ref: 68496] £140.00 (£168.00 incl.VAT)
![[Norma] [Quadrille of Charles D'Albert]](jpegs/68499.jpg)
[Norma] [Quadrille of Charles D'Albert]
[John Brandard.]
[n.d., c.1855.]
Tinted lithograph. Framed, sight size 275 x 210mm (10¾ x 8¼") Mounted over image, unexamined out of frame.
A music cover illustrating tthe finale of Vicenzo Bellin's opera Norma, with Guilia Grisi, in the title role, with Dominique Conti as her Roman lover Pollione and Luigi Lablache (1794–1858) as Norma's father Oroveso, chief of the druids (not Karl Formes and Tamerlik as on the mount). She begs her father to spare her children, before leaping onto a pyre with Pollione.
[Ref: 68499] £240.00 (£288.00 incl.VAT)
[John Brandard.]
[n.d., c.1855.]
Tinted lithograph. Framed, sight size 275 x 210mm (10¾ x 8¼") Mounted over image, unexamined out of frame.
A music cover illustrating tthe finale of Vicenzo Bellin's opera Norma, with Guilia Grisi, in the title role, with Dominique Conti as her Roman lover Pollione and Luigi Lablache (1794–1858) as Norma's father Oroveso, chief of the druids (not Karl Formes and Tamerlik as on the mount). She begs her father to spare her children, before leaping onto a pyre with Pollione.
[Ref: 68499] £240.00 (£288.00 incl.VAT)
Madame Persiani in the character of Lucia in Donizettis Opera, Lucia di Lammermoor.
[A.E. Chalon, R.A. del.t. Edward Morton Lith.]
[London, Published July 9th 1839, by J. Mitchell, Royal Library, 33, Old Bond St. _ a Paris, chez Rittner & Goupil Boulevard Montmartre.]
Coloured lithograph. Framed, window mounted around title, sight size 440 x 285mm (14½ x 11½"). Unexamined out of frame, mounted over inscriptions? Paper toned.
A full-length portrait of Italian soprano Fanny Tacchinardi Persiani (1812–67), as Lucia di Lammermoor, a role written for her by Donizetti.
[Ref: 68235] £260.00 (£312.00 incl.VAT)
[A.E. Chalon, R.A. del.t. Edward Morton Lith.]
[London, Published July 9th 1839, by J. Mitchell, Royal Library, 33, Old Bond St. _ a Paris, chez Rittner & Goupil Boulevard Montmartre.]
Coloured lithograph. Framed, window mounted around title, sight size 440 x 285mm (14½ x 11½"). Unexamined out of frame, mounted over inscriptions? Paper toned.
A full-length portrait of Italian soprano Fanny Tacchinardi Persiani (1812–67), as Lucia di Lammermoor, a role written for her by Donizetti.
[Ref: 68235] £260.00 (£312.00 incl.VAT)
![[Harriot Powell as 'Leonora'] Say, little foolish fluttering thing [...]](jpegs/68043.jpg)
[Harriot Powell as 'Leonora'] Say, little foolish fluttering thing [...]
S.r Joshua Reynolds pinx.t. Rich.d Houston fecit. Rob.t Sayer Excudit.
London Printed as the Act directs, for Rob.t Sayer, Printseller, N.º 53 Fleet Street [n.d., 1771].
Mezzotint, 500 x 350mm (19 x 13¾"), with large margins. On 18th century watermarked paper. Slight creasing. Short tears in margins.
A half-length portrait of Harriet Powell (or Lamb, died 1779), in the character of Leonora, in Dibden's opera 'The Padlock', with a goldfinch perched on her hand. The daughter of an apothecary, Powell was described by Sir James Balfour Paul as 'a fashionable beauty of the town'. However Horace Bleackley was more explicit: 'The graceful Harriet Powell, equally frail and famous, whose winsome face was portrayed in many a mezzotint, had spent her early youth as an inmate of Mrs Hayes's disreputable establishment in King's Place, but now at last she had become faithful to one man, and was keeping house with Lord Seaforth, the creator of a famous regiment'. She became the second wife of Kenneth Mackenzie, 1st Earl of Seaforth, although the marriage was secret.
Hamilton p.126, ii of ii. CS 99, undated state after(?) ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68043] £360.00
S.r Joshua Reynolds pinx.t. Rich.d Houston fecit. Rob.t Sayer Excudit.
London Printed as the Act directs, for Rob.t Sayer, Printseller, N.º 53 Fleet Street [n.d., 1771].
Mezzotint, 500 x 350mm (19 x 13¾"), with large margins. On 18th century watermarked paper. Slight creasing. Short tears in margins.
A half-length portrait of Harriet Powell (or Lamb, died 1779), in the character of Leonora, in Dibden's opera 'The Padlock', with a goldfinch perched on her hand. The daughter of an apothecary, Powell was described by Sir James Balfour Paul as 'a fashionable beauty of the town'. However Horace Bleackley was more explicit: 'The graceful Harriet Powell, equally frail and famous, whose winsome face was portrayed in many a mezzotint, had spent her early youth as an inmate of Mrs Hayes's disreputable establishment in King's Place, but now at last she had become faithful to one man, and was keeping house with Lord Seaforth, the creator of a famous regiment'. She became the second wife of Kenneth Mackenzie, 1st Earl of Seaforth, although the marriage was secret.
Hamilton p.126, ii of ii. CS 99, undated state after(?) ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68043] £360.00
![Emma Romer [facsimile signature].](jpegs/68236.jpg)
Emma Romer [facsimile signature]. Amina_ ''While my heart its joy revealing / Beats Oh! beats with grateful feeling. / La Sonnambula. Proof.
Drawn & Lithographed by J. Deffett Francis.
London, Published Jan.y 20.th 1838 by Welch & Gwynne Printsellers & Publishers (from Colnaghi's Cockspur S.t) 24, St James's St.
Rare coloured lithograph. Framed, window mounted around title, sight size 430 x 275mm (17 x 11"). Unexamined out of frame.
A full-length portrait of English soprano Emma Romer (1814-68), in Vincenzo Bellini's 'La sonnambula'. The image is the same hexagonal shape as the mount. After her marriage to George Almond in 1835 she continued to sing, but in 1852 Mrs Almond took over management of the Surrey Theatre for three seasons.
[Ref: 68236] £360.00
Drawn & Lithographed by J. Deffett Francis.
London, Published Jan.y 20.th 1838 by Welch & Gwynne Printsellers & Publishers (from Colnaghi's Cockspur S.t) 24, St James's St.
Rare coloured lithograph. Framed, window mounted around title, sight size 430 x 275mm (17 x 11"). Unexamined out of frame.
A full-length portrait of English soprano Emma Romer (1814-68), in Vincenzo Bellini's 'La sonnambula'. The image is the same hexagonal shape as the mount. After her marriage to George Almond in 1835 she continued to sing, but in 1852 Mrs Almond took over management of the Surrey Theatre for three seasons.
[Ref: 68236] £360.00
Gio: B: Rubini. Arturo "_e son beato, [/] Mè celeste il giubilar!" [/] I Puritani Atto.1.Sc.5.
A.E. Chalon R.A. R.J. Lane A.R.A.
London, Published Jan.y 1.st 1836, by J.Mitchell, 33, Old Bond Street._á Paris chez Rittner & Goupil Boulevard Montmatre. Printed by Graf & Soret.
Coloured lithograph. Framed, sight size 380 x 265mm (15 x 10½"). Paper watermarked 'J Whatman'
Full length portrait of Giovanni Battista Rubini (1794-1854), a dramatic tenor, depicted in the role of Arturo from Vincenzo Bellini, a role he occupied when the opera first premiered on 24th January 1835. Rubini was one of four international singers who, along with Guilia Grisi, Antonio Tamburini and Luigi Lablache, was known as one of the "Puritani Quartet". The group acquired the name on account of the large quantity of performances the group performed together which included a private performance for Crown Princess Victoria on her 15th birthday. From Alfred Edward Chalon's "Recollections of Italian Opera 1835".
Harvard Vol III, P. 449-7.
[Ref: 68232] £280.00 (£336.00 incl.VAT)
A.E. Chalon R.A. R.J. Lane A.R.A.
London, Published Jan.y 1.st 1836, by J.Mitchell, 33, Old Bond Street._á Paris chez Rittner & Goupil Boulevard Montmatre. Printed by Graf & Soret.
Coloured lithograph. Framed, sight size 380 x 265mm (15 x 10½"). Paper watermarked 'J Whatman'
Full length portrait of Giovanni Battista Rubini (1794-1854), a dramatic tenor, depicted in the role of Arturo from Vincenzo Bellini, a role he occupied when the opera first premiered on 24th January 1835. Rubini was one of four international singers who, along with Guilia Grisi, Antonio Tamburini and Luigi Lablache, was known as one of the "Puritani Quartet". The group acquired the name on account of the large quantity of performances the group performed together which included a private performance for Crown Princess Victoria on her 15th birthday. From Alfred Edward Chalon's "Recollections of Italian Opera 1835".
Harvard Vol III, P. 449-7.
[Ref: 68232] £280.00 (£336.00 incl.VAT)
![[Catherine Schindlerin.] The Schindlerin.](jpegs/67971.jpg)
[Catherine Schindlerin.] The Schindlerin.
Painted by S,,r Joshua Reynolds. Engraved by J.R. Smith.
Published Jan.y 20.th 1777, by John Boydell Engraver in Cheapside London.
Mezzotint, 385 x 280mm (15¼ x 11"). On 18th century watermarked paper. Narrow margins.
A half-length portrait in oval of the German singer Catherine Schindlerin. A pupil of Venanzio Rauzzini, she first appeared in London in 1775.
D'Oench 88; Hamilton p. 130, iii of iii, Frankau 306, iii of iii; CS 147, iii of iii.
[Ref: 67971] £280.00 (£336.00 incl.VAT)
Painted by S,,r Joshua Reynolds. Engraved by J.R. Smith.
Published Jan.y 20.th 1777, by John Boydell Engraver in Cheapside London.
Mezzotint, 385 x 280mm (15¼ x 11"). On 18th century watermarked paper. Narrow margins.
A half-length portrait in oval of the German singer Catherine Schindlerin. A pupil of Venanzio Rauzzini, she first appeared in London in 1775.
D'Oench 88; Hamilton p. 130, iii of iii, Frankau 306, iii of iii; CS 147, iii of iii.
[Ref: 67971] £280.00 (£336.00 incl.VAT)
![[Mad.e Sontag's celebrated Linda Song.]](jpegs/68243.jpg)
[Mad.e Sontag's celebrated Linda Song.]
JBrandard.
[London; T. Boosey & Co 28, Holles St.] [n.d., c.1843].
Coloured lithograph. Framed, sight size 235 x 200m (9¼ x 8"). Unexamined out of frame, mounted over inscriptions.
A full-length portrait of German soprano Henriette Sontag (1806-44), in Gaetano Donizetti's operatic melodramma 'Linda di Chamonix', premiered in London in 1843. A music cover.
[Ref: 68243] £160.00 (£192.00 incl.VAT)
JBrandard.
[London; T. Boosey & Co 28, Holles St.] [n.d., c.1843].
Coloured lithograph. Framed, sight size 235 x 200m (9¼ x 8"). Unexamined out of frame, mounted over inscriptions.
A full-length portrait of German soprano Henriette Sontag (1806-44), in Gaetano Donizetti's operatic melodramma 'Linda di Chamonix', premiered in London in 1843. A music cover.
[Ref: 68243] £160.00 (£192.00 incl.VAT)
Madame Sontag as Rosina "Barber of Seville".
JBrandard.
[n.d., c.1845.]
Chromolithograph with gold highlights. Framed, sight size 265 x 205m (10½ x 8"). Unexamined out of frame, mounted over inscriptions.
A full-length portrait of German soprano Henriette Sontag (1806-44), in Mozart's opera. A music cover.
[Ref: 68249] £160.00 (£192.00 incl.VAT)
JBrandard.
[n.d., c.1845.]
Chromolithograph with gold highlights. Framed, sight size 265 x 205m (10½ x 8"). Unexamined out of frame, mounted over inscriptions.
A full-length portrait of German soprano Henriette Sontag (1806-44), in Mozart's opera. A music cover.
[Ref: 68249] £160.00 (£192.00 incl.VAT)
Tamberlik as Peter the Great. [Valse Hollandaise from Jullien's Grand Opera Pietro il Grande.]
JBrandard.
[n.d., c.1850.]
Coloured lithograph. Framed, sight size 270 x 210mm (10½ x 8¼"). Unexamined out of frame. Mounted over text, likely trimmed.
A full-length portrait of the Italian tenor Enrico Tamberlik (1820-89) in a fur-trimmed robe.
[Ref: 68248] £140.00 (£168.00 incl.VAT)
JBrandard.
[n.d., c.1850.]
Coloured lithograph. Framed, sight size 270 x 210mm (10½ x 8¼"). Unexamined out of frame. Mounted over text, likely trimmed.
A full-length portrait of the Italian tenor Enrico Tamberlik (1820-89) in a fur-trimmed robe.
[Ref: 68248] £140.00 (£168.00 incl.VAT)
![[Enrico Tamberlik.]](jpegs/68246.jpg)
[Enrico Tamberlik.]
JBrandard.
[n.d., c.1850.]
Coloured lithograph. Framed, sight size 270 x 210mm (10½ x 8¼"). Unexamined out of frame.
A full-length portrait of the Italian tenor Enrico Tamberlik (1820-89) as Manrico in Giuseppe Verdi's opera 'Il trovatore', holding a lute.
[Ref: 68246] £180.00 (£216.00 incl.VAT)
JBrandard.
[n.d., c.1850.]
Coloured lithograph. Framed, sight size 270 x 210mm (10½ x 8¼"). Unexamined out of frame.
A full-length portrait of the Italian tenor Enrico Tamberlik (1820-89) as Manrico in Giuseppe Verdi's opera 'Il trovatore', holding a lute.
[Ref: 68246] £180.00 (£216.00 incl.VAT)
A. Tamburini. Riccardo. "Io ardo_e il mio ardore [/] E amore, é furor!" [/] I Puritani Atto 1. Sc.3.
A.E. Chalon R.A. N.J. Lane A.R.A.
London, Published Jan.y 1.st 1836 by J.Mitchell, 33 Old Bond Street_á Paris chez Rittner and Goupil, Boulevard Montmatre. Printed by Graf & Soret.
Coloured lithograph. Framed, sight size 380 x 265mm (15 x 10½"). Slight mount burn, unexamined out of frame.
Full length portrait of the Italian dramatic Baritone opera singer Antonio Tamburini (1800-1876) in the role of Riccardo in Vincenzo Bellini's opera "I Puritani", from Alfred Edward Chalon's "Recollections of Italian Opera 1835". Tamburini was one of four international singers who, along with Guilia Grisi, Giovanni Battista Rubini and Luigi Lablache, was known as one of the "Puritani Quartet". The group acquired the name on account of the large quantity of performances the group performed together which included a private performance for Crown Princess Victoria on her 15th birthday.
Harvard Vol IV: P.130-10.
[Ref: 68227] £280.00 (£336.00 incl.VAT)
A.E. Chalon R.A. N.J. Lane A.R.A.
London, Published Jan.y 1.st 1836 by J.Mitchell, 33 Old Bond Street_á Paris chez Rittner and Goupil, Boulevard Montmatre. Printed by Graf & Soret.
Coloured lithograph. Framed, sight size 380 x 265mm (15 x 10½"). Slight mount burn, unexamined out of frame.
Full length portrait of the Italian dramatic Baritone opera singer Antonio Tamburini (1800-1876) in the role of Riccardo in Vincenzo Bellini's opera "I Puritani", from Alfred Edward Chalon's "Recollections of Italian Opera 1835". Tamburini was one of four international singers who, along with Guilia Grisi, Giovanni Battista Rubini and Luigi Lablache, was known as one of the "Puritani Quartet". The group acquired the name on account of the large quantity of performances the group performed together which included a private performance for Crown Princess Victoria on her 15th birthday.
Harvard Vol IV: P.130-10.
[Ref: 68227] £280.00 (£336.00 incl.VAT)
Mad.me Jetty Treffz as Arline.
J. Brandard Delt et Lith. M. & H. Hanhard Lith Printers.
[n.d., c.1850.]
Chromolithograph. Framed, sight size 335 x 235mm (13¼ x 9¼ x 8¾"), mounted around title. Some spotting, unexamined out of frame.
A full-length portrait of Austrian mezzo-soprano tenor Henrietta "Jetty" Treffz (1818-78) as Arline in 'The Bohemian Girl', by Irish composer Michael William Balfe.
[Ref: 68500] £240.00 (£288.00 incl.VAT)
J. Brandard Delt et Lith. M. & H. Hanhard Lith Printers.
[n.d., c.1850.]
Chromolithograph. Framed, sight size 335 x 235mm (13¼ x 9¼ x 8¾"), mounted around title. Some spotting, unexamined out of frame.
A full-length portrait of Austrian mezzo-soprano tenor Henrietta "Jetty" Treffz (1818-78) as Arline in 'The Bohemian Girl', by Irish composer Michael William Balfe.
[Ref: 68500] £240.00 (£288.00 incl.VAT)
Madame Pauline Viardot-Garcia, in ''Les Huguenots''.
J. Brandard.
[n.d., c.1850.]
Coloured lithograph with gilt highlights. Framed, sight size 270 x 190mm (10¾ x 7½") Unexamined out of frame.
A three-quarter portrait of French soprano Pauline Viardot (1821-1910) in Giacomo Meyerbeer's grand opera ''Les Huguenots''.
[Ref: 68497] £180.00 (£216.00 incl.VAT)
J. Brandard.
[n.d., c.1850.]
Coloured lithograph with gilt highlights. Framed, sight size 270 x 190mm (10¾ x 7½") Unexamined out of frame.
A three-quarter portrait of French soprano Pauline Viardot (1821-1910) in Giacomo Meyerbeer's grand opera ''Les Huguenots''.
[Ref: 68497] £180.00 (£216.00 incl.VAT)
Mad.me Viardot-Garcia. Théatre Italien.
Vigneron 1840. Lith. de Thierry frères.
Chez Gihaut f.s Boul.t des Italiens, 5 [n.d., c.1830].
Coloured lithograph. Framed, sight size 410 x 280mm (16 x 11") Unexamined out of frame.
A full-length portrait of French soprano Pauline Viardot (1821-1910).
[Ref: 68244] £280.00 (£336.00 incl.VAT)
Vigneron 1840. Lith. de Thierry frères.
Chez Gihaut f.s Boul.t des Italiens, 5 [n.d., c.1830].
Coloured lithograph. Framed, sight size 410 x 280mm (16 x 11") Unexamined out of frame.
A full-length portrait of French soprano Pauline Viardot (1821-1910).
[Ref: 68244] £280.00 (£336.00 incl.VAT)
Mad.me Viardot Garcia. Mad.lle Alboni. Caso equal giammai scommetto. Act. 1. Sc. 9. Scene from ''Les Huguenots''.
J. Brandard Del et Lith.
M. & N. Hanhart, Chromo Lith [n.d., c.1850].
Chromolithograph. Framed, sight size 310 x 235mm (12 x 9¼") Unexamined out of frame.
A full-length double portrait of French soprano Pauline Viardot (1821-1910) as Valentine, and Italian contralto Maria Anna Marzia (Marietta) Alboni (1826-94) as the male page Urbain, in Giacomo Meyerbeer's grand opera.
[Ref: 68255] £190.00 (£228.00 incl.VAT)
J. Brandard Del et Lith.
M. & N. Hanhart, Chromo Lith [n.d., c.1850].
Chromolithograph. Framed, sight size 310 x 235mm (12 x 9¼") Unexamined out of frame.
A full-length double portrait of French soprano Pauline Viardot (1821-1910) as Valentine, and Italian contralto Maria Anna Marzia (Marietta) Alboni (1826-94) as the male page Urbain, in Giacomo Meyerbeer's grand opera.
[Ref: 68255] £190.00 (£228.00 incl.VAT)