A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Evening on the shore.
Jozef Israels [in pencil]
[n.d. c.1875]
Etching, 100 x 150mm (10 x 6"), with very large margins. Very slight back board staining.
Also known as Sur les Dunes (On The Dunes). The scene depicts a young woman and two children seated on a dune on the left, looking out to the sea, with a sailing boat in the distance. Jozef Israels (1824 – 1911) was a Dutch painter, born to Jewish parents. He was a leading member of the group of landscape painters referred to as the Hague School and was, during his lifetime, "the most respected Dutch artist of the second half of the nineteenth century."
[Ref: 62586] £95.00 (£114.00 incl.VAT)
Jozef Israels [in pencil]
[n.d. c.1875]
Etching, 100 x 150mm (10 x 6"), with very large margins. Very slight back board staining.
Also known as Sur les Dunes (On The Dunes). The scene depicts a young woman and two children seated on a dune on the left, looking out to the sea, with a sailing boat in the distance. Jozef Israels (1824 – 1911) was a Dutch painter, born to Jewish parents. He was a leading member of the group of landscape painters referred to as the Hague School and was, during his lifetime, "the most respected Dutch artist of the second half of the nineteenth century."
[Ref: 62586] £95.00 (£114.00 incl.VAT)
![[A Young Maiden in the Woods with Fairies]](jpegs/62598.jpg)
[A Young Maiden in the Woods with Fairies]
John Shapland [in pencil]. WH Sweet [in pencil]
[n.d. c.1900]
Coloured etching signed by both artists, 250 x 170mm (9¾ x 6¾"), with very large margins.
A woodland scene; a woman wearing a stola observes naked fairies frolicking amongst the toadstools. John Shapland (1865-1929) was a painter from the Southwest of England. He mainly specialised in seascapes and landscapes largely in watercolour but occasionally in oil. He exhibited at the RA, Paris Salon, and in the USA. Two of his exhibits at the RA were entitled 'Fairy Led' and 'Paradise Lost'. He was the principle of the Exeter School of Art from 1899 to 1913. William (also known as Walter) Henry Sweet (1889-1943) was a British painted and etcher. He studied at the Exeter School of Art under the guidance of his friend John Shapland. He worked locally and exhibited work at the Devon and Exeter Annual Exhibition at Elands Art Gallery in the 1900s. After the First World War, he moved to Dundee, Scotland, and was employed by James Valentine and Sons as a commercial illustrator.
[Ref: 62598] £160.00 (£192.00 incl.VAT)
John Shapland [in pencil]. WH Sweet [in pencil]
[n.d. c.1900]
Coloured etching signed by both artists, 250 x 170mm (9¾ x 6¾"), with very large margins.
A woodland scene; a woman wearing a stola observes naked fairies frolicking amongst the toadstools. John Shapland (1865-1929) was a painter from the Southwest of England. He mainly specialised in seascapes and landscapes largely in watercolour but occasionally in oil. He exhibited at the RA, Paris Salon, and in the USA. Two of his exhibits at the RA were entitled 'Fairy Led' and 'Paradise Lost'. He was the principle of the Exeter School of Art from 1899 to 1913. William (also known as Walter) Henry Sweet (1889-1943) was a British painted and etcher. He studied at the Exeter School of Art under the guidance of his friend John Shapland. He worked locally and exhibited work at the Devon and Exeter Annual Exhibition at Elands Art Gallery in the 1900s. After the First World War, he moved to Dundee, Scotland, and was employed by James Valentine and Sons as a commercial illustrator.
[Ref: 62598] £160.00 (£192.00 incl.VAT)
![[Fishing boats.]](jpegs/62564.jpg)
[Fishing boats.]
W. Douglas Macleod [pencil].
[n.d., c.1930.]
Etching, signed by the artist. 225 x 330mm (8¾ x 13") very large margins.
Fishing boats moored on a bank, opposite an Italian (?) town, by Scottish artist W. Douglas Macleod (1892-1963).
[Ref: 62564] £160.00 (£192.00 incl.VAT)
W. Douglas Macleod [pencil].
[n.d., c.1930.]
Etching, signed by the artist. 225 x 330mm (8¾ x 13") very large margins.
Fishing boats moored on a bank, opposite an Italian (?) town, by Scottish artist W. Douglas Macleod (1892-1963).
[Ref: 62564] £160.00 (£192.00 incl.VAT)
The Listener.
Middleton Todd. [in pencil]
[n.d., c.1930.]
Etching signed by the artist, 170 x 125mm (6¾ x 5"), with large margins. Glued into mount in top corners as issued with label.
Woman in robe at window, holding curtain back with her right hand. Arthur Ralph Middleton Todd (1891-1966) was a painter, draughtsman, etcher and teacher. Son of the landscape and genre painter, Ralph Todd (1856-1932). He studied at the Slade school of Fine Art after serving in the army during WWI. He was the meember of several societies including: Society of Etchers and Engravers, 1930; the Watercolour Society, 1937; Royal Society of Portrait Painters, 1938 and member of the English Art Club in 1945. He taught at Leicester School of Art where he was head of drawing and painting, 1934-39; then returning to London was appointed as master of the life class at Regent Street Polytechnic School of Art. From 1946-49 he taught at the Royal Academy Schools and 1947-56 at the City and Guild School, Kennington.
[Ref: 62590] £140.00 (£168.00 incl.VAT)
Middleton Todd. [in pencil]
[n.d., c.1930.]
Etching signed by the artist, 170 x 125mm (6¾ x 5"), with large margins. Glued into mount in top corners as issued with label.
Woman in robe at window, holding curtain back with her right hand. Arthur Ralph Middleton Todd (1891-1966) was a painter, draughtsman, etcher and teacher. Son of the landscape and genre painter, Ralph Todd (1856-1932). He studied at the Slade school of Fine Art after serving in the army during WWI. He was the meember of several societies including: Society of Etchers and Engravers, 1930; the Watercolour Society, 1937; Royal Society of Portrait Painters, 1938 and member of the English Art Club in 1945. He taught at Leicester School of Art where he was head of drawing and painting, 1934-39; then returning to London was appointed as master of the life class at Regent Street Polytechnic School of Art. From 1946-49 he taught at the Royal Academy Schools and 1947-56 at the City and Guild School, Kennington.
[Ref: 62590] £140.00 (£168.00 incl.VAT)
![[The Avenue at Chaulnes.]](jpegs/62554.jpg)
[The Avenue at Chaulnes.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 203 x 152mm (8 x 6”), with large margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of an avenue of dead trees, with trunks standing without branches, and a collapsed structure blocking the road in foreground. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.247
[Ref: 62554] £280.00 (£336.00 incl.VAT)
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 203 x 152mm (8 x 6”), with large margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of an avenue of dead trees, with trunks standing without branches, and a collapsed structure blocking the road in foreground. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.247
[Ref: 62554] £280.00 (£336.00 incl.VAT)
![[Bourlon Church.]](jpegs/62556.jpg)
[Bourlon Church.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 165 x 140mm (6½ x 5 ½”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of a village with buildings damaged by war, in foreground at centre, church with ruined tower and rubble of stones in front. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.243
[Ref: 62556] £220.00 (£264.00 incl.VAT)
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 165 x 140mm (6½ x 5 ½”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of a village with buildings damaged by war, in foreground at centre, church with ruined tower and rubble of stones in front. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.243
[Ref: 62556] £220.00 (£264.00 incl.VAT)
![[The Church Square at Bourlon No.10.]](jpegs/62553.jpg)
[The Church Square at Bourlon No.10.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 230 x 140mm (9 x 5 ½”), with large margins. Uncut.
From 'Lanscapes of the War' 1918-1922. View of derelict buildings damaged by war, surrounded by leafless trees with broken branches, with church at centre during. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.244
[Ref: 62553] £280.00 (£336.00 incl.VAT)
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 230 x 140mm (9 x 5 ½”), with large margins. Uncut.
From 'Lanscapes of the War' 1918-1922. View of derelict buildings damaged by war, surrounded by leafless trees with broken branches, with church at centre during. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.244
[Ref: 62553] £280.00 (£336.00 incl.VAT)
![[Fresnes No.2.]](jpegs/62551.jpg)
[Fresnes No.2.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 203 x 140mm (8 x 5 ½”), with large margins. Uncut.
From 'Landscapes of the War' 1918 - 1922. A sketch of Fresnes, France. Broken branches of dead trees lying on the ground, with rubble of destroyed wooden buildings behind, and a dead leafless tree with broken branches standing at centre. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.239
[Ref: 62551] £280.00 (£336.00 incl.VAT)
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 203 x 140mm (8 x 5 ½”), with large margins. Uncut.
From 'Landscapes of the War' 1918 - 1922. A sketch of Fresnes, France. Broken branches of dead trees lying on the ground, with rubble of destroyed wooden buildings behind, and a dead leafless tree with broken branches standing at centre. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.239
[Ref: 62551] £280.00 (£336.00 incl.VAT)
![[Havrincourt.]](jpegs/62555.jpg)
[Havrincourt.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. Head & Co. watermark. 203 x 140mm (8 x 5 ½”), with large margins. Some soiling in the edge of margins. Slight foxmark top left in margin.
From 'Landscapes of the War' 1918-1922. View of buildings ruined by war, with fragments of walls standing among dead trees with broken branches during the First World War. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.250, BM 1949,0411.680
[Ref: 62555] £280.00 (£336.00 incl.VAT)
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. Head & Co. watermark. 203 x 140mm (8 x 5 ½”), with large margins. Some soiling in the edge of margins. Slight foxmark top left in margin.
From 'Landscapes of the War' 1918-1922. View of buildings ruined by war, with fragments of walls standing among dead trees with broken branches during the First World War. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.250, BM 1949,0411.680
[Ref: 62555] £280.00 (£336.00 incl.VAT)
![[Rothenstein Landscape.]](jpegs/62557.jpg)
[Rothenstein Landscape.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Dry-point etching, Head & Co. watermark; 235 x 155mm (9¼ x 6”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of a woodland, damaged by war. In the right foreground two large trees stand dead with broken branches depicting the impact of the First World War. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
[Ref: 62557] £280.00 (£336.00 incl.VAT)
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Dry-point etching, Head & Co. watermark; 235 x 155mm (9¼ x 6”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of a woodland, damaged by war. In the right foreground two large trees stand dead with broken branches depicting the impact of the First World War. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
[Ref: 62557] £280.00 (£336.00 incl.VAT)
![[Old Houses at Perrone No.5.]](jpegs/62552.jpg)
[Old Houses at Perrone No.5.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-Point etching, Head & Co. watermark. 203 x 140mm (8 x 5 ½”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of wooden houses damaged by war, the one at centre with pointed roof, and pile of broken timber lying at front on top of a low stone wall. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
[Ref: 62552] £280.00 (£336.00 incl.VAT)
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-Point etching, Head & Co. watermark. 203 x 140mm (8 x 5 ½”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of wooden houses damaged by war, the one at centre with pointed roof, and pile of broken timber lying at front on top of a low stone wall. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
[Ref: 62552] £280.00 (£336.00 incl.VAT)
![[Outside Bourlon Wood No.1.]](jpegs/62550.jpg)
[Outside Bourlon Wood No.1.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Dry-point etching. 235 x 157mm (9¼ x 6”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of a wooded area with broken trunks of dead trees standing without branches; church and other buildings seen in background at right and left. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war. Bourlon Wood memorial stands today to commemorate the series of battles the Canadian Corps fought in the final months of the Great War.
[Ref: 62550] £280.00 (£336.00 incl.VAT)
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Dry-point etching. 235 x 157mm (9¼ x 6”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of a wooded area with broken trunks of dead trees standing without branches; church and other buildings seen in background at right and left. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war. Bourlon Wood memorial stands today to commemorate the series of battles the Canadian Corps fought in the final months of the Great War.
[Ref: 62550] £280.00 (£336.00 incl.VAT)
Silence! (Collection of J.S. Forbes Esq.)
L. Alma Tadema R.A. pinx. Ed. Ramus sc.
L'Art. Imp. A. Clement, Paris [c.1883].
Etching. 290 x 220mm (11½ x 8½"), very large margins. Some foxing on the edge of margins.
A woman lays in front of a cubiculum, holding her index finger to her lips commanding silence.
[Ref: 62584] £95.00 (£114.00 incl.VAT)
L. Alma Tadema R.A. pinx. Ed. Ramus sc.
L'Art. Imp. A. Clement, Paris [c.1883].
Etching. 290 x 220mm (11½ x 8½"), very large margins. Some foxing on the edge of margins.
A woman lays in front of a cubiculum, holding her index finger to her lips commanding silence.
[Ref: 62584] £95.00 (£114.00 incl.VAT)
![Morning Dip [in pencil].](jpegs/62606.jpg)
Morning Dip [in pencil].
J. H. Dowd [in pencil and in image].
[n.d. c.1925.]
Etching signed by the artist, 150 x 200mm (6 x 8"), with very large margins.
Children swim in a large bathing pond amongst a wooded area. James Henry Dowd (1883 - 1956) specialised in images of children, and portrayed his subjects in a less sentimental way than some of his contemporaries, such as Eileen Soper.
[Ref: 62606] £140.00 (£168.00 incl.VAT)
J. H. Dowd [in pencil and in image].
[n.d. c.1925.]
Etching signed by the artist, 150 x 200mm (6 x 8"), with very large margins.
Children swim in a large bathing pond amongst a wooded area. James Henry Dowd (1883 - 1956) specialised in images of children, and portrayed his subjects in a less sentimental way than some of his contemporaries, such as Eileen Soper.
[Ref: 62606] £140.00 (£168.00 incl.VAT)
![The Tower of London [in pencil].](jpegs/62604.jpg)
The Tower of London [in pencil].
Dorothy F Sweet [in penicl]
[n.d. c.1925]
Etching signed by the artist, 165 x 255mm (6½ x 10"), with very large margins. Slight mountburn.
A view of the Tower of London from the Thames.
[Ref: 62604] £140.00 (£168.00 incl.VAT)
Dorothy F Sweet [in penicl]
[n.d. c.1925]
Etching signed by the artist, 165 x 255mm (6½ x 10"), with very large margins. Slight mountburn.
A view of the Tower of London from the Thames.
[Ref: 62604] £140.00 (£168.00 incl.VAT)
![Cirque Ambulant [in pencil].](jpegs/62605.jpg)
Cirque Ambulant [in pencil].
A Brouet [in pencil]
[n.d. c.1920]
Etching signed by the artist, Artist embossed stamp; 215 x 265mm (8½ x 10½"), with margins. Left bottom margin corner missing. Some light creasing in margins.
A woodland scene; members of the travelling circus relax next to their caravan. The son of poor parents, Auguste Brouet (1872 - 1941), worked his own way through night drawing classes, and then the Ecole des Beaux-Arts. He lived in poverty as an art student, but became well known to collectors due to the sincerity of his portryals of the street-peddlers, gypsies, street-musicians, beggars, and rag pickers, whom he would depict in the passages and places where they congregated. He became enthralled by the singers, dancers, and circus life of Paris. Having lived the in the poverty of those he was portraying, Brouet's work conveys a sensitivity and sympathy for his subjects uncommon amongst his contemporaries. Not only is he acclaimed as one of Paris's most important etchers, he has also etched approximately 20 plates of World War I, acclaimed not only for their historical accuracy and reliabilty, but for intense artistic quality.
[Ref: 62605] £120.00 (£144.00 incl.VAT)
A Brouet [in pencil]
[n.d. c.1920]
Etching signed by the artist, Artist embossed stamp; 215 x 265mm (8½ x 10½"), with margins. Left bottom margin corner missing. Some light creasing in margins.
A woodland scene; members of the travelling circus relax next to their caravan. The son of poor parents, Auguste Brouet (1872 - 1941), worked his own way through night drawing classes, and then the Ecole des Beaux-Arts. He lived in poverty as an art student, but became well known to collectors due to the sincerity of his portryals of the street-peddlers, gypsies, street-musicians, beggars, and rag pickers, whom he would depict in the passages and places where they congregated. He became enthralled by the singers, dancers, and circus life of Paris. Having lived the in the poverty of those he was portraying, Brouet's work conveys a sensitivity and sympathy for his subjects uncommon amongst his contemporaries. Not only is he acclaimed as one of Paris's most important etchers, he has also etched approximately 20 plates of World War I, acclaimed not only for their historical accuracy and reliabilty, but for intense artistic quality.
[Ref: 62605] £120.00 (£144.00 incl.VAT)