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Catalogue: London - Outer Boroughs
[North East View of Sir Charles Asgill's Villa.]
[North East View of Sir Charles Asgill's Villa.]
[Thomas Malton.]
[1791.]
Aquatint, scarce. Sheet 330 x 430mm (13 x 17"). Trimmed, creased.
Asgill House (formerly Richmond Place), a Grade I-listed Palladian villa built 1757-8 by Sir Robert Taylor for Sir Charles Asgill, who was Lord Mayor of London in 1761-2. Although it was restored to its original appearance in 1970, which involved removing the Victorian extensions, nothing could be done to remove Richmond Railway Bridge which crosses the Thames nearby.
[Ref: 43622]   £260.00   (£312.00 incl.VAT)
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Barnes, Surrey.
Barnes, Surrey.
Drawn by G.T. Philips. Engraved by R. Winkles.
Published by Edward Lacey, 76, St. Pauls London. [n.d. c.1830.]
Engraving. Plate 146 x 228mm. 5¾ x 9".
A view of Barnes, Surrey; along the River Thames.
[Ref: 19279]   £45.00   (£54.00 incl.VAT)
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A View of Mortlake up the Thames. Vüe du Mortlake sur la Tamise.
A View of Mortlake up the Thames. Vüe du Mortlake sur la Tamise. No.25.
Boydell Delin & Sculp.
Publish'd according to Act of Parliament & Sold by Jn.o Boydell Engraver at the Unicorn the Corner of Queen Street in Cheapside London. 1753.
Engraving, printed on 18th century watermarked paper. Plate 254 x 412mm. 10 x 16¼". Large margins; small hole near cattle to lower far left.
A view of Mortlake from the Thames with sailing boats on the river and cattle on the river bank. This is actually Barnes looking from Mortlake, with the bay window to the house which later became the residence of the composer Gustav Holst.
Collage: p7494057.
[Ref: 25627]   £450.00  
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[Barnes] A View of Mortlake up the Thames. Vüe du Mortlake sur la Tamise.
[Barnes] A View of Mortlake up the Thames. Vüe du Mortlake sur la Tamise. No.25.
Tho.s Boydell Delin & Sculp.
Publish'd according to Act of Parliament, & Sold by J.no Boydell Engraver at the Unicorn the corner of Queen Street Cheapside London 1753.
Engraving, paper watermarked with very large margins. Plate 255 x 411mm (10 x 16¼"). Hole in sky area.
A view of Mortlake from the Thames with sailing boats on the river and cattle on the river bank. This is actually Barnes looking from Mortlake, with the bay window to the house which later became the residence of the composer Gustav Holst. The White Hart extreme left. From "A Collection of One Hundred Views In England and Wales", made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.25; for a coloured and framed impression see ref. 28065
[Ref: 29318]   £450.00  
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The South View of Barnes. 12
The South View of Barnes. 12
Chatelain delin. J. Roberts sculp.
Publish'd according to Act of Parliament Sep.t ye 29 1750.
Engraving. 85 x 130mm (3¼ x 5"). Trimmed inside plate on left, elswhere thread margins, laid on album paper.
A view of Barnes, centred on St Mary's Church with a windmill to the left. From Jean Baptiste Chatelain's 'Fifty Views of Villages, &c. from the most agreeable Prospects near London'. Later editions were printed by Robert Sayer.
[Ref: 40677]   £120.00   (£144.00 incl.VAT)
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Barnes Terrace.
Barnes Terrace.
Drawn by W. Westall ARA. Printed by C. Hullmandel.
London: Pub: by Rodwell and Martin: New Bond St.t Jan: 1. 1823.
Coloured lithograph on india paper, rare. India 210 x 325mm (8¼ x 12¾"). Some surface soiling.
Before the building of Barnes Bridge, with cows wandering along the road.
[Ref: 39007]   £260.00   (£312.00 incl.VAT)
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The West View of Barnes. 13
The West View of Barnes. 13
Chatelain delin. J. Roberts sculp.
Publish'd according to Act of Parliament Sep.t ye 29 1750.
Engraving. 85 x 130mm (3¼ x 5"). Trimmed to plate, laid on album paper.
A view of St Mary's Church showing "Strawberry House" from Jean Baptiste Chatelain's 'Fifty Views of Villages, &c. from the most agreeable Prospects near London'. Later editions were printed by Robert Sayer.
[Ref: 40679]   £95.00   (£114.00 incl.VAT)
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Between Barnes and Chiswick.
Between Barnes and Chiswick.
Drawn by W. Westall ARA. Printed by C. Hullmandel.
London: Pub: by Rodwell and Martin: New Bond Stt. Jan: 1823.
Coloured lithograph on india paper. India 325 x 230mm.
[Ref: 6551]   £260.00   (£312.00 incl.VAT)
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The late Mr. Garrick's Villa.
The late Mr. Garrick's Villa.
J. Farington R.A. delt. J. C. Stadler Sculpt.
Pub. June 1, 1793, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Fine hand coloured aquatint with very large margins. Printed area: 215 x 320mm (8½ x 12½"). Slight staining in margin.
Plate 45 from Joseph Farington's (1747 - 1821) 'History of the River Thames', 1794, a two-volume publication including 76 aquatints. A view of Hampton House on the River Thames. Two figures can be seen in front of a temple to the left, with the house to the right, and the river in the foreground. The house was initially listed as Hampton House prior to its acquisition by the hugely influential actor and playwright, David Garrick (1717 - 1779), in 1754. Numerous alterations were made to the villa during Garrick's tenure by the famous architect Robert Adam.
Abbey: 432.
[Ref: 33479]   £220.00   (£264.00 incl.VAT)
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[Hampton Court.]
[Hampton Court.]
Fred. A. Farrell [signed in pencil]
[n.d. c.1925]
Etching. 280 x 340mm.
b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.
[Ref: 2442]   £110.00   (£132.00 incl.VAT)
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The Diagonal Walk, Fountain and Canal, in the Garden of Hampton Court.
The Diagonal Walk, Fountain and Canal, in the Garden of Hampton Court. Vue de L'allee Diagonal, de la Fontaine, et du Canal, dans le Jardin d'Hampton Court.
Printed for Robt. Sayer, at the Golden Buck, near serjeant's Inn Fleet Street [n.d., c.1790].
Engraving, 174 x 276mm. Crease developing small hole upper centre of image.
From a series of views at Hampton Court.
[Ref: 7897]   £95.00   (£114.00 incl.VAT)
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To His most Sacred Majesty King George the II.d, This Perspective View of the Magnificent Gothick Hall at Hampton Court,
To His most Sacred Majesty King George the II.d, This Perspective View of the Magnificent Gothick Hall at Hampton Court, Built by K. Henry VIII.th AN.o 1532, for the Purpose of receiving Foreign Ambassadors, in the Manner here Expressed, From a Design of Mr. Kent, Is will all Humility Dedicated, by his Majesty's most Faithful and Devoted Subject and Servant, John Vardy.
J.Vardy delin: et Sculp.t.
According to Act of Parliam.t 1749.
Copper Engraving. 52 x 345mm. 20½ x 13¾". Mint large margins.
A study of the wooden ceiling of the Great Hall, the last one built for the Crown, by James Nedeham. Vardy was also an architect: designing Spencer House in Green Park (1756–65).
[Ref: 8558]   £380.00  
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To Her Majesty the Queen, These Views of Hampton Court are most respectfully Dedicated with permission by Her Majesty's most obedient and humble Servant, David Cox Jun.r
To Her Majesty the Queen, These Views of Hampton Court are most respectfully Dedicated with permission by Her Majesty's most obedient and humble Servant, David Cox Jun.r List of Plates. No.1 Principal Entrance Gate. 2. West Front. 3. Wolsey's Entrance. 4. East Front. 5. East Front from the Park. 6. Flower Pot Gate.
[n.d. c.1830.]
An album of 6 lithographs, folio; original cloth boards with leather spine. Title label gilt stamped to front cover. Some tearing and broken boards.
Six views of Hampton Court Palace, which was originally built for Cardinal Wolsey, a favourite of King Henry VIII. David Cox Junior (1809-1885) who followed his father as a watercolour painter. He exhibited in London in 1827, although today he is known mainly through association with his father.
[Ref: 22627]   £680.00   view all images for this item
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Prospect of Hampton-Court.
Prospect of Hampton-Court.
[Etched by Bartholomew Rocque after Jacques Rigaud.]
[n.d., c.1738.]
Etching, extremely scarce. Sheet 355 x 560mm (14 x 22"). Trimmed to printed border at top, into image at sides and around title at bottom, mounted in album paper. Printers' crease.
A copy of Rigaud's 'Prospect of Hampton Court from the Garden Side', published 1736, etched by Bartholomew Rocque (d.1767), brother of mapmaker John Rocque. Bartholomew's main interest was gardening and he owned a farm in Waltham Green that is marked on his brother's map of London. In 1736 John had published an estate plan of Hampton Court: this was perhaps intended as a companion piece.
A comparison with a proof in the Royal Collection (RCIN 702881) suggests this example lacks c.10cm of image on the left and 1cm on the right.
[Ref: 42174]   £280.00   (£336.00 incl.VAT)
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A View of Hampton Court as finished by K. Henry VIII.
A View of Hampton Court as finished by K. Henry VIII. Hampton Court, a Royal Palace built by Cardinal Thomas Wolsey, enlarged, finished, and erected into an Honor by King Henry VIII.th Alluit Hamptoniam celebrem quae laxior urbis Montitur formam spatus; hanc condidit aulam. *Tamesis scilicet. Purpureus pater ille gravis, gravis ille sacerdos Wolsaeus, fortuna favos cui felle repletos. Sumptibus Societatus Antiquar Londin. Obtulit, heu tandem fortunae dona dolores. Tamae et Isis Connubium. Vol. II. Plate XXVII.
Wenceslaus Hollar delin.t J. Pye Sculpsit.
[n.d. c.1780.]
Etching and engraving. On watermarked papaer. Platemark: 375 x 660mm (14¾ x 26"). Very large margins. Creases. Repaired tears in margins.
A panoramic view depicting the reconstruction of the facade of the palace at Hampton Court in the 1540s, under the instruction of King Henry VIII.
[Ref: 38792]   £280.00   (£336.00 incl.VAT)
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A View of the Royal Palace of Hampton Court.
A View of the Royal Palace of Hampton Court. Vüe du Palais Royal de Hampton Court.
Rigaud delin. Parr sculp.
Publish'd according to Act of Parliament. London Printed for & Sold by Rob.t Sayer at the Golden Buck opposite Fetter Lane Fleet Street. [n.d., c.1760.]
Engraving with fine original hand colour. 265 x 400mm (10½ x 15¾"), very large margins. Tear just entering inscription area at bottom. Stain.
A view of Christopher Wren's additions to Hampton Court Palace, with promenaders.
Provenance: Thomas Pitt 1st Baron Camelford
[Ref: 45287]   £280.00   (£336.00 incl.VAT)
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The Royall Palace at Hampton Court.
The Royall Palace at Hampton Court. To the Right Honorable Charles Spence, Earl of Sunderland, Baron of Wormnleighton, one of her Majesty's Principal Secretary's of Statre &c. This Plate is humbly dedicated by your Lordhip's Most Obedient Servants.
[n.d., c.1713-1724.]
Etching on two sheets conjoined, very fine impression; total platemark 580 x 900mm (22¾ x 35½"). Old repairs to original binding folds.
A large and impressive view of Hampton Court Palace, looking down over the ornamental gardens to the East Front, the Tudor palace behind. To the right is the maze, commissioned by William III. The view was probably engraved by Jan Kip and first published in David Mortier's monumental 'Nouveau Theatre de la Grande Bretagne' (1708-13), republished by John Smith in 1724.
[Ref: 54825]   £1,250.00  
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[Six view of Hampton Court.]
[Six view of Hampton Court.] No 1. West Front of the Royal Palace at Hampton Court. [&] No 2. East Front of the First Principal Court. [&] No 3. West Front of the First Principal Court. [&] No 4. North Front of the Second Principal Court. [&] No 5. South Front of the Second Principal Court. [&] No 6. South and East Fronts of the Royal Palace at Hampton Court.
Jn.o Spyers del.t et etch'd. F. Jukes Aqua.t Fecit.
Pub: as the Act Directs May 26 1786 by John Spyers Twickenham and F. Jukes No 10 Howland Street, Rathbone Place London.
Rare complete set of six numbered aquatints. Each c. 205 x 280mm (8 x 11") very large margins. First plate with crease and ink spotting.
A series of views of the exterior of Hampton Court Palace, drawn by John Spyers (c.1731-98). Born into a family of nurserymen in Twickenham, Spyers is believed to have surveyed Horace Walpole's gardens at Strawberry Hill for the family, before starting to work for Capability Brown in 1764. While Brown was Chief Gardener at Hampton Court Spyers compiled two albums of watercolours of the palace and Bushy Park which Catherine the Great of Russia purchased for 1,000 roubles in 1778. The albums were rediscovered at the beginning of this century and were loaned to Hampton Court for an exhibition in 2016. Spyers publishing this set and a similar series of local gentlemen's houses in 1786, both aquatinted by Francis Jukes (1747-1812). When he died (in apartments at the palace) he was described as 'Surveyor of Hampton Court'.
[Ref: 51261]   £780.00   view all images for this item
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[Hampton Court Bridge.]
[Hampton Court Bridge.]
Etching on chine. 278 x 400mm. 11 x 15¾".
A view of Hampton Court Bridge looking over to the Surrey Side.
[Ref: 14536]   £60.00   (£72.00 incl.VAT)
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Guard Chamber. Hampton Court.
Guard Chamber. Hampton Court.
J. Stephanoff del.t R. Reeve sculp.t
Pub. Feb.1.1819 by W.H. Pyne 36 Upper Charlotte St.t Fitzroy Sq.
Aquatint with hand colour, very fine with large margins. Plate 254 x 311mm (10 x 12¼").
The King's Guard Chamber, Hampton Court Palace, which was created with the sovereign's personal safety in mind: King William III's in particular. It was adorned with nearly 3000 swords, bayonets, muskets and pistols. Published in William Henry Pyne's "History of the Royal Residences".
Abbey Scenery: 396.38.
[Ref: 30966]   £130.00   (£156.00 incl.VAT)
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Hampton Court Palace.
Hampton Court Palace.
W. Westall A.R.A. delt. R. Reeve sculpt.
Pub. July 1, 1819, by A.Dry, 36 Upper Charlotte Street, Fitzroy Sqr.
Aquatint, printed in colours and hand-finished. 255 x 315mm (10 x 12½").
The East Front of Hampton Court Palace, as built by Christopher Wren for William and Mary. From W.H. Pyne's 'History of the Royal Residences'.
Abbey 396.
[Ref: 53206]   £230.00   (£276.00 incl.VAT)
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Quadrangle, Hampton Court.
Quadrangle, Hampton Court.
W. Westall A.R.A. del.t. T. Sutherland sculp.t.
Pub. July 1.1819, by A. Dry, 36 Upper Charlotte Str.t Fitzroy Sq.e
Aquatint, printed in colours and hand-finished. 250 x 310mm (10 x 12¼").
View of part of the original Tudor-period Hampton Court, with the Clock tower at the centre and the Great Hall behind left. Published in Pyne's 'History of the Royal Residences'.
Adams (London) 132; Abbey: Scenery 396.
[Ref: 53207]   £230.00   (£276.00 incl.VAT)
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Hampton House,
Hampton House, The Seat of Thomas Carr, Esqre.
W. Westall. A.R.A. delt. R.G. Reeve sculpt.
Published 1828, by R.:Ackermanm, 96 Strand, London.
Hand coloured aquatint, 285 x 345mm. 11¼ x 13½". Old mount residue.
Hampton House on the Thames at Hampton, Middlesex, formerly the residence of David Garrick. Capability Brown advised on the layout of the gardens. After Garrick died in 1779, his wife Eva continued to live in the villa until her death at the age of 98 in 1822. She had difficulty in keeping the house in repair. After Mrs Garrick died in 1823 a sale of pictures and some of the furniture took place. Many of Garrick's books also went to the British Museum to form an important part of the British Library's collection of early plays. Mrs Garrick's solicitor, Thomas Carr, bought the estate and tried to keep everything as it had been in Garrick's time. He and his wife showed visitors round and even installed a replica statue in the Temple in the grounds (to left). From 'Picturesque tour of the River Thames illustrated by twenty-four coloured views, a map and vignettes, from original drawings ... by William Westall and Samuel Owen'.
Abbey Scenery: 435, 10.
[Ref: 13344]   £120.00   (£144.00 incl.VAT)
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[Hampton House]  Maison de Madame Garrick a Hampton dans la Province de Middlesex.
[Hampton House] Maison de Madame Garrick a Hampton dans la Province de Middlesex. No. 4, des Jardine Anglais.
W. Watts del. Guyot sculp.
A Paris chez Guyot Graveur et M.d d’estampe rue St. Jacques au Grand Gessner No.9. [n.d. c.1790.]
Coloured aquatint with etched outline and large margins. 200 x 235mm, 8 x 9¼". A little soiled; generally good. Repaired tear on right.
Hampton House on the Thames at Hampton, Middlesex, the residence of David Garrick. Capability Brown advised on the layout of the gardens. After Garrick died in 1779, his wife Eva continued to live in the villa until her death at the age of 98 in 1822. After Mrs Garrick died a sale of pictures and some of the furniture took place. Mrs Garrick's solicitor, Thomas Carr, bought the estate and tried to keep everything as it had been in Garrick's time. He and his wife showed visitors round and even installed a replica statue in the Temple in the grounds (at left). Published in a series of views of important English houses.
for others in the series, see refs. 21924, 25760, 25762
[Ref: 27813]   £320.00  
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The East View of Kew and Strand Green.
The East View of Kew and Strand Green.
Chatelain delin. J. Roberts sculp.
Publish'd according to Act of Parliament. [n.d. c.1750.]
Hand-coloured engraving. Glue straining visible outside the image, top and bottom.
One of a series of views around London after Jean Baptiste Chatelain. A view looking east, showing Kew on the South bank of the river; a rural scene.
[Ref: 19284]   £60.00   (£72.00 incl.VAT)
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View of Sion - House, from Kew garden.
View of Sion - House, from Kew garden.
J. Farington R.A. delt. J. C. Stadler Sculpt.
Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Fine hand coloured aquatint with very large margins. Printed area: 215 x 320mm (8½ x 12½"). Slight staining in margin.
Plate 7 from Joseph Farington's (1747 - 1821) 'History of the River Thames', 1794, a two-volume publication including 76 aquatints. A view with several figures on a river bank in the foreground, including a couple with a dog strolling on the right, and a boat sailing on the Thames in the middle distance. Sion House can be seen in the background to the right. Syon House, and its 200 acre park, was designed by architect Robert Adam, and was first opened in 1415. The house now belongs to the Duke of Northumberland and is his family's London residence.
Abbey: 432.
[Ref: 33470]   £230.00   (£276.00 incl.VAT)
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Kew. 1864.
Kew. 1864.
Signed in pencil Seymour Haden.
Plate IX from the Portfolio "Etudes à l'Eau-forte" 1864.
Etching 210 x 135mm Slight foxing.
Showing the Kew Railway Extension. Francis Seymour Haden, English, 1818 - 1910 Etcher and engraver (also physician and surgeon); born London 16 September 1818, died in Alresford 1 June1910; brother-in-law of Whistler.
[Ref: 2876]   £220.00   (£264.00 incl.VAT)
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[Kew Bridge.]
[Kew Bridge.]
Ned Swain [signed in the plate.] No.8.
[n.d. c.1890.]
Etching. Plate 177 x 248mm. 7 x 9¾".
Strand-on-the-Green showing Kew Bridge and the Standpipe Tower of the Kew Bridge Pumping Station, which was originally opened in 1838 by the Grand Junction Waterworks Company. Ned Swain (d.1902).
[Ref: 20051]   £180.00   (£216.00 incl.VAT)
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Kew Bridge.
Kew Bridge.
E. Wardee [signed in pencil.]
[n.d. c.1925.]
A rare signed etching. Publisher's stamp. 235 x 285mm. 9¼ x 11¼".
A group of children seated on the Middlesex side of the River Thames with Kew Brdige to the left; swans in the river.
[Ref: 20082]   £130.00   (£156.00 incl.VAT)
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A View of the Aviary and Flower Garden at Kew.
A View of the Aviary and Flower Garden at Kew.
T. Sandby delin. C. Grignion sculp.
[London, 1763.]
Etching, 305 x 460mm. 12 x 18". Fine impression, with full margins.
A pond surrounded by flower beds in the foreground of an aviary at Kew Gardens, with trees surrounding. Kew Gardens originated in the exotic garden at Kew Park formed by Lord Capel John of Tewkesbury. It was enlarged and extended by Augusta, Dowager Princess of Wales, the widow of Frederick, Prince of Wales, for whom Sir William Chambers built several garden structures. One of these, the lofty Chinese pagoda built in 1761 still remains. From Chambers's 'Plans, elevations, sections and perspective views of the gardens and buildings at Kew...' After Thomas Sandby (1721 - 1798).
British Library: 004870442.
[Ref: 16627]   £320.00  
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A View of the Menagerie, and its Pavillion, at Kew.
A View of the Menagerie, and its Pavillion, at Kew.
T. Sandby delin. C. Grignion sculp.
[London, 1763.]
Etching, 305 x 460mm. 12 x 18". Fine impression, small hole in sky, with full margins.
An ornamental pond surrounded by a fence with a chinoiserie pavilion on an island at centre, elegant figures on the walkway, a neo-classical building ('the temple of Bellona') in the background to left surrounded by trees. Kew Gardens originated in the exotic garden at Kew Park formed by Lord Capel John of Tewkesbury. It was enlarged and extended by Augusta, Dowager Princess of Wales, the widow of Frederick, Prince of Wales, for whom Sir William Chambers built several garden structures. One of these, the lofty Chinese pagoda built in 1761 still remains. From Chambers's 'Plans, elevations, sections and perspective views of the gardens and buildings at Kew...' After Thomas Sandby (1721 - 1798).
British Library: 004870442.
[Ref: 16628]   £320.00  
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Plan & Elevation of the Bridge.
Plan & Elevation of the Bridge.
W. Chambers Architectus. T. Miller sculp.
[London, 1763.]
Copper engraving. Plate 298 x 439mm. 11¾ x 17¼". Large margins. Time staining outside platemark.
A plan for a bridge constucted at Kew Gardens, by the Scottish architect Sir William Chambers (1723-1796). His contribution to architectural design in London surpasses that of many other architects of the time. He was responsible for many of Kew Gardens' temples, Carlton House, north and south wings of Buckingham Palace, Richmond Palace, Sir Joshua Reynolds house, internal decorations of St James's Palace, Somerset House and many others. He was appointed tutor in architecture to the future George III. From William Chamber's 1763 publication of the 'Plans, Elevations, Sections and Perspective Views of the Gardens and Buildings at Kew in Surrey'.
[Ref: 19901]   £150.00   (£180.00 incl.VAT)
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The Aviary.
The Aviary.
E. Rooker Sculp.
[London, 1763.]
Copper engraving. Plate 292 x 427mm. 11½ x 16¾". Large margins. Time staining outside the platemark.
A plan of the Aviary in Kew Gardens, as designed by the Scottish architect Sir William Chambers (1723-1796). His contribution to architectural design in London surpasses that of many other architects of the time. He was responsible for many of Kew Gardens' temples, Carlton House, north and south wings of Buckingham Palace, Richmond Palace, Sir Joshua Reynolds house, internal decorations of St James's Palace, Somerset House and many others. He was appointed tutor in architecture to the future George III. From William Chamber's 1763 publication of the 'Plans, Elevations, Sections and Perspective Views of the Gardens and Buildings at Kew in Surrey'.
See Ref: 16627 for a perspective view of the Aviary and Flower Garden from the same publication.
[Ref: 19904]   £180.00   (£216.00 incl.VAT)
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A View of the Menagerie, and its Pavillion, at Kew.
A View of the Menagerie, and its Pavillion, at Kew. Veüe de la Menagerie, et du Pavillion, aux Jardins Royales de Kew.
[Engraved by Charles Grignion after Thomas Sandby.]
[London, 1763.]
Etching, fine impression, 305 x 460mm. (12 x 18"). Slight crease centre, small margins, small hole in sky.
An ornamental pond surrounded by a high fence with a chinoiserie pavilion on an island at centre. Behind is a neo-classical building ('the Temple of Bellona'), surrounded by trees. This plate was originally published in Wiliam Chambers's 'Plans, elevations, sections and perspective views of the gardens and buildings at Kew' in 1763; this is a slightly later separate issue, without the inscriptions and with the addition of the French title.
[Ref: 54057]   £320.00  
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The Royal Botanic Gardens at Kew.
The Royal Botanic Gardens at Kew.
Drawn by John O'Conner. Engraved by H. Adlard.
[n.d., c.1865.]
Steel engraving on india. 255 x 440mm (10 x 17¼") very large margins.
The Palm House of Kew Gardens, built 1844-48) by architect Decimus Burton and iron founder Richard Turner, the first large-scale structural use of wrought iron. Originally the glass was tinted green with copper oxide to reduce heat from the sun. Above the image is the crest of the Stationers' Company. The view was originally published as the Stationers' Almanack 1852, but this example appears to be from a later compilation.
[Ref: 43285]   £320.00  
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A View of the Terrace Walk in the Royal Gardens at Kew, 1744.
A View of the Terrace Walk in the Royal Gardens at Kew, 1744.
Aug.n Heckel delin.t sculp.t.
[n.d., c.1780.]
Copper engraving with large margins, rare. 160 x 240mm, 6¼ x 9½". Paper worn at plate mark.
Kew Gardens from the River Thames.
[Ref: 26274]   £120.00   (£144.00 incl.VAT)
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A View in Kew Gardens of the Queen's Lodge
A View in Kew Gardens of the Queen's Lodge Taken from the Temple of Victory.
F.J. Mannskirsch Delin. H Schutz Sculp.
London Published March 16 1798 at Ackermann's Gallery No 101 Strand
Coloured aquatint. 360 x 440mm (14 x 17¼"), with wide margins. Mount burn in margins.
Plate from a folio of London views published by Ackermann from drawings by the German landscape painter and etcher Franz Joseph Manskirsch (1768-1830). Manskirsch spent most of his career in London before moving to Danzig, Poland by 1822.
For other plates from the series see refs. 4050 & 4051.
[Ref: 28006]   £480.00  
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A View of the Palace, of Her Royal Highness the Princess Dowager of Wales, at Kew.
A View of the Palace, of Her Royal Highness the Princess Dowager of Wales, at Kew. Vüe du Palais de Son Altesse Royale Madame la Princesse de Galles à Kew.
[William Woollet, after Joshua Kirby.]
London Printed for Rob.t Sayer at the Golden Buck near Serjeants Inn Fleet Street. [n.d. c.1763.]
Engraving. Plate 172 x 273mm. 6¾" x 10¾".
Royal Collection: RCIN 702947.a.
[Ref: 9012]   £120.00   (£144.00 incl.VAT)
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Kew Palace, as seen from Brentford.
Kew Palace, as seen from Brentford.
J.Gendall Del.t. T. Sutherland Sculp.t.
London. Published Jan.y 1819 at R. Ackermann's Repository of Arts, 101 Strand.
Aquatint, printed in colours and hand finished. 395 x 505mm (5½ x 19¾"), with narrow margins.
A view of the 'third' Kew Palace, begun in 1802 by James Wyatt with much input from George III. It was much-ridiculed: in 1820 John Bew, in his 'The ambulator; or, The stranger's companion in a tour round London', wrote; 'This Angleo-Teutonic, castellated, gothized structure, (which has never been completed, and probably never will be,) must be considered as an abortive production, at once illustrative of bad taste and defective judgement'. The Prince Regent didn't like it and after the George III’s confinement at Windsor Queen Charlotte refused to live there. In 1828 it was demolished with the interiors used elsewhere: the main staircase was installed in Buckingham Palace.
[Ref: 54951]   £420.00  
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The East View of Mortlake.  15
The East View of Mortlake. 15
Chatelain delin. J. Roberts sculp.
Publish'd according to Act of Parliament Sep.t ye 22 1750.
Engraving. 85 x 130mm (3¼ x 5"). Trimmed to plate, laid on album paper.
A view of Mortlake and the Thames, from Barnes, with the tower of St Mary the Virgin. From Jean Baptiste Chatelain's 'Fifty Views of Villages, &c. from the most agreeable Prospects near London'. Later editions were printed by Robert Sayer.
[Ref: 40680]   £95.00   (£114.00 incl.VAT)
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Mortlake.
Mortlake.
Drawn from Nature & on Stone by W. Westall A.R.A. Printed by C. Hullmandel.
London Pub: by Rodwell & Martin: New Bond St. Dec.r 1823.
Hand coloured lithograph. Sheet size: 275 x 400mm (10¾ x 15¾"). Large margins.
A view of the river Thames at Mortlake, with a number of figures, including a fish-seller, on the bank to the left, and three boats on the water. William Westall (1781 - 1850) was a British topographical draughtsman and engraver. He became an Associate Member of the Royal Academy in 1812. He was the younger brother of the painter and illustrator Richard Westall. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823.
[Ref: 38067]   £220.00   (£264.00 incl.VAT)
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The North View of Mortlake.  16
The North View of Mortlake. 16
Chatelain delin. J. Roberts sculp.
Publish'd according to Act of Parliament Sep.t ye 22 1750.
Engraving. 85 x 130mm (3¼ x 5"). Trimmed to plate, laid on album paper.
A view of St Mary the Virgin. From Jean Baptiste Chatelain's 'Fifty Views of Villages, &c. from the most agreeable Prospects near London'. Later editions were printed by Robert Sayer.
[Ref: 40681]   £95.00   (£114.00 incl.VAT)
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A Front View of the Earl of Harrington's House &c. at Petersham in Surrey.
A Front View of the Earl of Harrington's House &c. at Petersham in Surrey. [French title]
A. Heckel delin. Stevens Sculp.
Published 12th. May 1794, by Laurie & Whittle, 53 Fleet Street, London.
Engraving, watermarked Hayes 18??. 260 x 405mm (10¼" x 16"), with large margins.
Petersham House, house of Charles Stanhope, Earl of Harrington at Petersham, Surrey. Near Richmond on the River Thames, Petersham takes its name from having belonged to St. Peter's Abbey at Chertsey.
[Ref: 51989]   £230.00   (£276.00 incl.VAT)
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A Front View of the Earl of Harrington's House &c. at Petersham in Surry.
A Front View of the Earl of Harrington's House &c. at Petersham in Surry. [Translated into French to right.]
A. Heckel delin. Stevens Sculp.
Publish'd according to Act of Parliament June 8th. 1752. London Printed for and Sold by Robt. Sayer at the Golden Buck opposite Fetter lane, Fleet Street._& Heny. Overton at the White Horse without Newgate.
Hand coloured engraving, 260 x 405mm. 10¼" x 16". A very fine impression in good colour; unexamined out of frame.
The principal facade of the house of William Stanhope, Earl of Harrington 1690? - 1756) at Petersham, Surrey; figures and carriages to foreground. Near Richmond on the River Thames, Petersham takes its name from having belonged to St. Peter's Abbey at Chertsey. Numbered '66' upper right.
[Ref: 16216]   £350.00  
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A View of the Earl of Harrington's House towards the Garden at Petersham in Surry.
A View of the Earl of Harrington's House towards the Garden at Petersham in Surry. [Translated into French to right.]
A. Heckel delin. Stevens Sculp.
Publish'd according to Act of Parliament June 8, 1752. London Printed for and Sold by Robt: Sayer at the Golden Buck opposite Fetter lane, Fleet Street._& Heny. Overton at the White Horse without Newgate.
Hand coloured engraving, 260 x 405mm. 10¼" x 16". A fine impression in good colour; unexamined out of frame.
Rear view from the grounds of the house of William Stanhope, Earl of Harrington 1690? - 1756) at Petersham, Surrey; figures and sheep to foreground. Near Richmond on the River Thames, Petersham takes its name from having belonged to St. Peter's Abbey at Chertsey. Numbered '67' upper right.
[Ref: 16218]   £350.00  
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A Front View of the Earl of Harrington's House &c. at Petersham in Surrey.
A Front View of the Earl of Harrington's House &c. at Petersham in Surrey. [French title]
A. Heckel delin. Stevens Sculp.
Published 12th. May 1794, by Laurie & Whittle, 53 Fleet Street, London.
Hand coloured engraving. Plate: 260 x 405mm (10¼" x 16"), with wide margins.
Petersham House, house of Charles Stanhope, Earl of Harrington at Petersham, Surrey. Near Richmond on the River Thames, Petersham takes its name from having belonged to St. Peter's Abbey at Chertsey.
[Ref: 39827]   £260.00   (£312.00 incl.VAT)
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A View of the late Celebrated Mr Pope's House, fronting the River Thames.
A View of the late Celebrated Mr Pope's House, fronting the River Thames.
Printed for_Bowles & Carver,_No. 69 St. Pauls Church Yard London.
Engraving, writing in ink verso? Spanish. Plate: 230 x 165mm (9 x 6½"). Paper tone and marking.
A tourist advert view of Alexander Pope's house in Twickenham, situated on the Thames. The house was demolished in 1807.
[Ref: 46439]   £140.00   (£168.00 incl.VAT)
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Pope's House.
Pope's House.
J. Farington R.A. delt. J. C. Stadler Sculpt.
Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Fine hand coloured aquatint with very large margins. Printed area: 215 x 320mm (8½ x 12½"). Slight staining in margin.
Plate 2 from Joseph Farington's (1747 - 1821) 'History of the River Thames', 1794, a two-volume publication including 76 aquatints. A view of Alexander Pope's house along the River Thames in Twickenham. Four figures are rowing a canopied boat on the river in the foreground with a forest in the distance behind the house in the background. Alexander Pope was an 18th century English poet, best known for his satirical verse and his translation of Homer. The money Pope made from this popular translation allowed him to move to this villa at Twickenham in 1719, where he created his now famous grotto and gardens.
Abbey: 432.
[Ref: 33476]   £220.00   (£264.00 incl.VAT)
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A View up the Thames, between Richmond and Isleworth.
A View up the Thames, between Richmond and Isleworth. No.1.
J. Boydell Del. et Sculp.
Pulish'd according to Act of Parliament by J. Boydell Engraver at the Unicorn the Corner of Queen Street Cheapside. Price 1s. [1770.]
Engraving, paper watermarked, very large margins. Plate 260 x 425mm (10¼ x 16¾").
View on the Thames; stately homes line opposite bank of the river; people fishing or walking along riverside path in right foreground, behind them farmers stack hay; a barge, and smaller boats in river. From "A Collection of One Hundred Views In England and Wales", published by Boydell after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.1.
[Ref: 29294]   £290.00   (£348.00 incl.VAT)
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A View up the Thames, between Richmond and Isleworth. ~
A View up the Thames, between Richmond and Isleworth. ~
Jn. Boydell Del & Sculp
Publish'd according to Act of Parliament J. Boydell Engraver, at the Unicorn the Corner of Queen Street, Cheapside, London. Price 1s. ~ No.1.
Engraving. 430 x 268mm. [n.d. c.1752].
[Ref: 853]   £320.00  
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