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Great Subscription Room at Brooks's, St. James's Street.
Great Subscription Room at Brooks's, St. James's Street.
Rowlandson & Pugin Delt. et Sculpt. J. Bluck Aquat.
London. Pub.1st Octr, 1808 at R. Ackermannís Repository of Arts 101, Strand.
Coloured aquatint. 230 x 280mm, 9 x 11", paper watermarked "1808" large margins.
The gaming room at Brooks's, a gentlemen's club founded in 1764, with a barrel-vault ceiling designed by John Adam. Notable members of the club include David Garrick, Herbert Walpole, Joshua Reynolds, William Pitt the Younger, William Wilberforce, George IV and William IV.
Abbey, Scenery: 212.
[Ref: 53543]   £260.00  
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[Chelsea Reach, Looking Towards Battersea.]
[Chelsea Reach, Looking Towards Battersea.]
Walter W Burgess [signed in pencil lower right, with sun symbol.]
[n.d. c.1894.]
Etching.Proof. Plate 180 x 285mm (7 x 11¼") large margins.
Fine view of the Thames. William Walter Burgess [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections. From: Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess. Kegan Paul & Co.: London, 1894.
Elizabeth Longford: Images of Chelsea, 223.
[Ref: 53566]   £260.00   (£312.00 incl.VAT)
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New Covent Garden Theatre.
New Covent Garden Theatre.
Rowlandson & Pugin del.t. et sculp.t. Bluck, Aquat.
London. Pub Jan 1st 1810 at R. Ackermannís Repository of Arts 101, Strand.
Coloured aquatint. 24 x 285mm (9½ x 11¼) large margins.
The newly-opened theatre, built after the original building burnt down in 1808, itself burning down in 1856. Its replacement become the Royal Opera House in 1892.
Abbey, Scenery: 212.
[Ref: 53544]   £380.00  
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Devonshire Square.
Devonshire Square.
Sutton Nicholls delin et sc.
Published according to Act of Parliament 1754 for Stowes Survey.
Engraving. Sheet 340 x 465mm (13¼ x 18¼"). Trimmed within plate, some creasing. Repaired damage bottom left.
An elevated view of Devonshire Square, off Bishopsgate Street, with a statue of Hermes/Mercury a coach and sedan chair. First published by John Bowles c.1725, the remains of the original publisher's inscription can be seen at the bottom of the image.
[Ref: 53586]   £140.00   (£168.00 incl.VAT)
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Fire in London.
Fire in London.
Rowlandson & Pugin delt. et sculpt. J. Bluck, Aqua.t.
London. Pub 1st Sept, 1808 at R. Ackermannís Repository of Arts 101, Strand
Hand-coloured aquatint. Plate: 230 x 280mm (9 x 11") very large margins. Slight mount burn.
The fire that destroyed the Albion Flour Mills, on the Southwark side of Blackfriars Bridge, March 2nd, 1791. Also destroyed were John Rennie's steam-driven milling machines inside: it was rumoured the fire was deliberately set to prevent these innovations putting windmill-owners out of business. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 53466]   £160.00   (£192.00 incl.VAT)
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Ironmongers Hall with a View of Fenchurch Street.
Ironmongers Hall with a View of Fenchurch Street. L'Hotel des Ferronniers dans la Rue de Fenchurch a Londres.
J. Donowell delin. T. Bowles Sculp.
Published according to Act of Parliament Aug 1. 1753. London Printed for Tho. Bowles in St Pauls Church Yard, John Bowles & Son in Cornhill, R Sayer in Fleet Street and H. Overton without Newgate.
Engraving and etching. 260 x 415mm (10¼ x 16¼"), with large margins.
View of Thomas Holden's new Ironmongers' Hall in Fenchurch Street, opened 1745, destroyed by a German bomb in 1917.
[Ref: 53482]   £220.00   (£264.00 incl.VAT)
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London Bridge.
London Bridge.
Published May 29.th 1799 by T.Malton.
Fine hand coloured aquatint with etching, 315 x 415mm (12½ x 16½"). Some tape stains in margins where previously mounted. Title and publishing line slightly faded.
A view of London Bridge from the south bank looking towards the north and the Monument. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
[Ref: 53670]   £280.00   (£336.00 incl.VAT)
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The Mansion House from the Poultry.
The Mansion House from the Poultry.
Published Nov.r 5, 1798 by T.Malton.
Fine hand coloured aquatint with etching, 315 x 415mm (12½ x 16½"). Some tape stains in margins where previously mounted.
A view of the Mansion house from Poultry street. T. Malton [jun.], A picturesque tour through the cities of London & Westminster, London 1792 [-1801], vol.II, pl.59. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
[Ref: 53669]   £320.00   (£384.00 incl.VAT)
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Egyptian Hall, Mansion House.
Egyptian Hall, Mansion House.
Rowlandson & Pugin Del.t. Et Sculpt. J. Bluck, Aqua.t.
London. Pub 1st Jany, 1809 at R. Ackermannís Repository of Arts 101, Strand.
Coloured aquatint. Plate 230x280mm (9 x 10¾") large margins. .
A dining scene inside Egyptian Hall in Mansion House; waiters and servants running around serving all the guests on the long tables. It would seat 350 and was based on the designs by the classical Roman architect Vitruvius of Roman buildings in Egypt, with giant columns supporting a narrower attic area.
Abbey, Scenery: 212.
[Ref: 53545]   £170.00   (£204.00 incl.VAT)
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The Monument.
The Monument.
Publish'd March 31st. 1798 by T.Malton.
Fine hand coloured aquatint with etching, 380 x 310mm (15 x 12½"). Some tape stains in margins where previously mounted.
A view of the Monument to the Great Fire of London. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
[Ref: 53667]   £270.00   (£324.00 incl.VAT)
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St. Bennet's Fink, Threadneedle Street.
St. Bennet's Fink, Threadneedle Street.
Published Sep.r 29th. 1797 by T.Malton.
Fine hand coloured aquatint with etching, 380 x 310mm (15 x 12½"). Some tape stains in margins where previously mounted.
A view of St Benet Fink church. This version of the church was built to the designs of Sir Christopher Wren after the Great Fire of London. The Wren church was demolished between 1841 and 1846. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
[Ref: 53668]   £220.00   (£264.00 incl.VAT)
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St. Lawrence's Church & Guild-hall
St. Lawrence's Church & Guild-hall
Published Nov.r 5.th 1798 by T.Malton.
Fine hand coloured aquatint with etching, 315 x 415mm (12½ x 16½"). Some tape stains in margins where previously mounted.
A view of St Lawrence Jewry, a Church of England guild church, and Guildhall. Built to the designs of Sir Christopher Wren. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
[Ref: 53671]   £250.00   (£300.00 incl.VAT)
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St. Paul's from Cheapside.
St. Paul's from Cheapside.
Published Sep.r 29th. 1797 by T.Malton.
Fine hand coloured aquatint with etching, 420 x 310mm (16½ x 12½"). Some tape stains in margins where previously mounted.
A fine view of St. Paul's Cathedral. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
[Ref: 53666]   £320.00  
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The Pest Houses, Tothill Fields
The Pest Houses, Tothill Fields Commonly Called The Five Chimnies. Formerly the Residence of Dick Hubbard.
[n.d., c.1825.]
Lithograph with hand colour, on india laid paper. 210 x 235mm (8¼ x 9¼").
Figures skating on a pond in front of the Hospital for Infectious Diseases in Tothill Fields, Westminster. 'Pest Houses' were built originally to house victims of the Plague.
[Ref: 53508]   £120.00   (£144.00 incl.VAT)
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[National Gallery & St. Martins in the Field]
[National Gallery & St. Martins in the Field]
Fred. A. Farrell [signed in pencil]
[n.d. c.1925]
Etching. 240 x 325mm (9½ x 13) very large margins. Some foxing.
Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 53664]   £260.00   (£312.00 incl.VAT)
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View of Vauxhall Iron Bridge.
View of Vauxhall Iron Bridge.
Publish'd Aug.t 20. 1816. by Whittle & Laurie, 53 Fleet Street, London.
Fine coloured engraving. Plate 285 x 440mm (11¼ x 17½"). Some creases, small margins.
View of the Vauxhall Iron Bridge, with moored boats to the left an the bridge beyond; a windmill can be seen in the distance to the left.
Adams (London): 191.29. Crace: IV.14.
[Ref: 53602]   £280.00   (£336.00 incl.VAT)
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White Hall.
White Hall.
Publifh'd Oct.r 30 1794 by T.Malton.
Fine aquatint, 315 x 415mm (12½ x 16½"). Faint mount burn.
A view of Whitehall with the Banqueting House. T. Malton [jun.], A picturesque tour through the cities of London & Westminster, London 1792 [-1801], vol.I, pl.15. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
[Ref: 53672]   £250.00   (£300.00 incl.VAT)
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