A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![[Cato Street Conspiracy] A correct View of the Stable &c. in Cato Street, Marylebone, London.](jpegs/61253.jpg)
[Cato Street Conspiracy] A correct View of the Stable &c. in Cato Street, Marylebone, London. Where Thistlewood & his Party met on the Evening of Tuesday Feb.y 23, 1820, & where taken Prisoners.
Drawn & eng.d by A. Wivell. P.14.
London, Pub. by A. Wivell, 105, Titchfield St.t & Sold at Griffiths 230 Oxford Street. Price 2.s.
Etching. 230 x 350mm (9 x 13¾"). Some creasing, pencil corrections. Working proof.
A plan and exterior view of the house used by the Cato Street Conspiritors. The pencil corrections seem to be the shortening of the title for another version of the plate (BM 1880,1113.4646) , also by Abraham Wivell. However February 23rd was Wednesday, not Tuesday as engraved here.
[Ref: 61253] £180.00 (£216.00 incl.VAT)
Drawn & eng.d by A. Wivell. P.14.
London, Pub. by A. Wivell, 105, Titchfield St.t & Sold at Griffiths 230 Oxford Street. Price 2.s.
Etching. 230 x 350mm (9 x 13¾"). Some creasing, pencil corrections. Working proof.
A plan and exterior view of the house used by the Cato Street Conspiritors. The pencil corrections seem to be the shortening of the title for another version of the plate (BM 1880,1113.4646) , also by Abraham Wivell. However February 23rd was Wednesday, not Tuesday as engraved here.
[Ref: 61253] £180.00 (£216.00 incl.VAT)
The Daffy Club or a Musical Master of the Fancy.
Drawn & Engraved by R. Cruikshank.
Published March 1, 1824, by Sherwood, Jones & C.o.
Fine coloured aquatint. Sheet 150 x 235mm (6 x 9¼"). Trimmed within plate.
The interior of the Castle Tavern, Holborn (landlord the boxer Tom Belcher) during a meeting of the 'Daffy Club', men who enjoy gin (daffy), sport and gambling. The walls are filled with portraits of boxers and other sporting paintings.
[Ref: 61306] £85.00 (£102.00 incl.VAT)
Drawn & Engraved by R. Cruikshank.
Published March 1, 1824, by Sherwood, Jones & C.o.
Fine coloured aquatint. Sheet 150 x 235mm (6 x 9¼"). Trimmed within plate.
The interior of the Castle Tavern, Holborn (landlord the boxer Tom Belcher) during a meeting of the 'Daffy Club', men who enjoy gin (daffy), sport and gambling. The walls are filled with portraits of boxers and other sporting paintings.
[Ref: 61306] £85.00 (£102.00 incl.VAT)
A Correct View Of The Conflagration Of Both Houses of Parliament, As Seen From the River, At Eight O'Clock in the Evening, October 16, 1834.
CJ Grant Del Lith. Lingham Printer.
London Pub.d by J Kendrick 54 Leicester Square Oct.r 81.th 1834.
Very fine hand coloured lithograph, sheet 215 x 305mm (8 x 12"), large margins.
A view of the Houses of Parliament from the Thames. On 16 October 1834, most of the Palace was destroyed by fire. Only Westminster Hall, the Jewel Tower, the crypt of St Stephen's Chapel and the cloisters survived.
[Ref: 61140] £130.00 (£156.00 incl.VAT)
CJ Grant Del Lith. Lingham Printer.
London Pub.d by J Kendrick 54 Leicester Square Oct.r 81.th 1834.
Very fine hand coloured lithograph, sheet 215 x 305mm (8 x 12"), large margins.
A view of the Houses of Parliament from the Thames. On 16 October 1834, most of the Palace was destroyed by fire. Only Westminster Hall, the Jewel Tower, the crypt of St Stephen's Chapel and the cloisters survived.
[Ref: 61140] £130.00 (£156.00 incl.VAT)
Destruction of Both Houses of Parliament by Fire On The 16.th Oct.r 1834. As it Appeared at 10 O'Clock At Night.
By an early spectator. Printed by Graf and Soret.
[n.d. c.1834]
Fine hand coloured lithograph, pt J. Whatman watermark; sheet 220 x 315mm (8¾ x 12½") Taped tear on right right.
A view of the Houses of Parliament from the Thames. On 16 October 1834, most of the Palace was destroyed by fire. Only Westminster Hall, the Jewel Tower, the crypt of St Stephen's Chapel and the cloisters survived.
[Ref: 61129] £140.00 (£168.00 incl.VAT)
By an early spectator. Printed by Graf and Soret.
[n.d. c.1834]
Fine hand coloured lithograph, pt J. Whatman watermark; sheet 220 x 315mm (8¾ x 12½") Taped tear on right right.
A view of the Houses of Parliament from the Thames. On 16 October 1834, most of the Palace was destroyed by fire. Only Westminster Hall, the Jewel Tower, the crypt of St Stephen's Chapel and the cloisters survived.
[Ref: 61129] £140.00 (£168.00 incl.VAT)
Destruction By Fire Of Both Houses of Parliament. On Thursday Night 16.th Oct. 1834.
Sketched from the River Thames by H.O'Neill. Printed by Graf and Soret.
London. Published by W. Spooner 259, Regent Street Oxford S.t. [n.d. c.1834]
Very fine hand coloured lithograph, sheet 295 x 380mm (11¾ x 15") Some surface dirt at top and creasing.
A view of the Houses of Parliament from the Thames. On 16 October 1834, most of the Palace was destroyed by fire. Only Westminster Hall, the Jewel Tower, the crypt of St Stephen's Chapel and the cloisters survived.
[Ref: 61139] £260.00 (£312.00 incl.VAT)
Sketched from the River Thames by H.O'Neill. Printed by Graf and Soret.
London. Published by W. Spooner 259, Regent Street Oxford S.t. [n.d. c.1834]
Very fine hand coloured lithograph, sheet 295 x 380mm (11¾ x 15") Some surface dirt at top and creasing.
A view of the Houses of Parliament from the Thames. On 16 October 1834, most of the Palace was destroyed by fire. Only Westminster Hall, the Jewel Tower, the crypt of St Stephen's Chapel and the cloisters survived.
[Ref: 61139] £260.00 (£312.00 incl.VAT)
![[Foundling Hospital, The Chapel.]](jpegs/61250.jpg)
[Foundling Hospital, The Chapel.]
[Rowlandson & Pugin del.t. et sculp.t. J.Bluck Aqua.t.]
[London. Pub 1.st Oct.r, 1808 at R. Ackermann’s Repository of Arts 101, Strand.]
Aquatint. Sheet 190 x 255mm (7½ x 10"). Trimmed within image, losing all inscriptions.
The Foundling Hospital in Guildford Street. It was founded in 1742 by Captain Thomas Coram, whose friends included William Hogarth (later a governor of the institution) and Handel (who donated an organ to the chapel and gave performances of the 'Messiah' on it, raising £7,000). Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin. A rare uncoloured example.
Abbey, Scenery: 212. See reference 47227 for a coloured version.
[Ref: 61250] £60.00 (£72.00 incl.VAT)
[Rowlandson & Pugin del.t. et sculp.t. J.Bluck Aqua.t.]
[London. Pub 1.st Oct.r, 1808 at R. Ackermann’s Repository of Arts 101, Strand.]
Aquatint. Sheet 190 x 255mm (7½ x 10"). Trimmed within image, losing all inscriptions.
The Foundling Hospital in Guildford Street. It was founded in 1742 by Captain Thomas Coram, whose friends included William Hogarth (later a governor of the institution) and Handel (who donated an organ to the chapel and gave performances of the 'Messiah' on it, raising £7,000). Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin. A rare uncoloured example.
Abbey, Scenery: 212. See reference 47227 for a coloured version.
[Ref: 61250] £60.00 (£72.00 incl.VAT)
![[The Chapel of St Thomas on the Bridge] Inside South View of the Under Chappel from East to West,](jpegs/61252.jpg)
[The Chapel of St Thomas on the Bridge] Inside South View of the Under Chappel from East to West, representing the manner and form of this rare piece of Ancient Architecture, thus drawn and transmitted to posterity, by G. V., Antiquary, 1744.
[George Vertue.]
[Published and sold by G. Vertue, in Brownlow Street, Drury-Lane, 1747.]
Etching with engraving. Sheet 230 x 460 (9 x 18"). Trimmed from a larger sheet, to printed borders on three sides, into image at top.
An interior view of the Lower Chapel of St Thomas on the Bridge, a bridge chapel built near the centre of London Bridge, with windows looking out over the river. Founded c.1205, it was in use as a chapel until 1548, during the Reformation, when it converted to a residence and warehouse. The Upper Chapel was removed in 1747 (when this print was produced); the lower chapel survived until the whole bridge was demolished in 1832. This print originally had a view of the Upper Chapel above. Both views were drawn by Vertue, based on a survey by the architect Nicholas Hawksmoor (1661-1736), published in a pamphlet called A Short Historical Account of London Bridge in 1736.
[Ref: 61252] £120.00 (£144.00 incl.VAT)
[George Vertue.]
[Published and sold by G. Vertue, in Brownlow Street, Drury-Lane, 1747.]
Etching with engraving. Sheet 230 x 460 (9 x 18"). Trimmed from a larger sheet, to printed borders on three sides, into image at top.
An interior view of the Lower Chapel of St Thomas on the Bridge, a bridge chapel built near the centre of London Bridge, with windows looking out over the river. Founded c.1205, it was in use as a chapel until 1548, during the Reformation, when it converted to a residence and warehouse. The Upper Chapel was removed in 1747 (when this print was produced); the lower chapel survived until the whole bridge was demolished in 1832. This print originally had a view of the Upper Chapel above. Both views were drawn by Vertue, based on a survey by the architect Nicholas Hawksmoor (1661-1736), published in a pamphlet called A Short Historical Account of London Bridge in 1736.
[Ref: 61252] £120.00 (£144.00 incl.VAT)
![[St James's Palace.]](jpegs/61072.jpg)
[St James's Palace.]
Fred. A. Farrell [signed in pencil].
[n.d. c.1925.]
Etching, signed by the artist. 250 x 360mm (9¾ x 14¼"), with publisher's blind stamps, with very large margins.
The North Gate of St James's Palace in Pall Mall, with marching guards. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 61072] £320.00
Fred. A. Farrell [signed in pencil].
[n.d. c.1925.]
Etching, signed by the artist. 250 x 360mm (9¾ x 14¼"), with publisher's blind stamps, with very large margins.
The North Gate of St James's Palace in Pall Mall, with marching guards. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 61072] £320.00
![[St. Mary le Strand.]](jpegs/61070.jpg)
[St. Mary le Strand.]
Fred. A. Farrell [pencil].
[n.d. c.1925.]
Etching. 305 x 215mm (12 x 8½"), with very large margins.
A view of St Mary le Strand from the west. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 61070] £280.00 (£336.00 incl.VAT)
Fred. A. Farrell [pencil].
[n.d. c.1925.]
Etching. 305 x 215mm (12 x 8½"), with very large margins.
A view of St Mary le Strand from the west. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 61070] £280.00 (£336.00 incl.VAT)
![[The Victoria Memorial and the entrance to The Mall.]](jpegs/61071.jpg)
[The Victoria Memorial and the entrance to The Mall.]
Fred. A. Farrell [pencil]
[n.d. c.1925,]
Etching, signed by the artist. 185 x 375mm (7¼ x 14¾"), with very large margins.
A view of the Victoria Memorial in front of Buckingham Palace, although the viewpoint, in Constitution Hill, looks away from the palace and towards The Mall, with Big Ben's clock tower and Westminster Abbey. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 61071] £280.00 (£336.00 incl.VAT)
Fred. A. Farrell [pencil]
[n.d. c.1925,]
Etching, signed by the artist. 185 x 375mm (7¼ x 14¾"), with very large margins.
A view of the Victoria Memorial in front of Buckingham Palace, although the viewpoint, in Constitution Hill, looks away from the palace and towards The Mall, with Big Ben's clock tower and Westminster Abbey. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 61071] £280.00 (£336.00 incl.VAT)
Sunday Evening Preaching in the Victoria Theatre.
[n.d., c.1840.]
Lithograph on card. Sheet 105 x 160mm (4 x 6¼"). Top right corner slightly torn off with old repair. Time stained.
A view from backstage, with a preacher and six men seated facing the audience.
[Ref: 61136] £75.00 (£90.00 incl.VAT)
[n.d., c.1840.]
Lithograph on card. Sheet 105 x 160mm (4 x 6¼"). Top right corner slightly torn off with old repair. Time stained.
A view from backstage, with a preacher and six men seated facing the audience.
[Ref: 61136] £75.00 (£90.00 incl.VAT)
The South East Prospect of Westminster, from Somerset House to Westminster Bridge. Veue de Westminster vers le Sud East...
Drawn by T.B. & TM. T.Bowles sculp.
London Printed for Bowles & Carver, 69 S.t Pauls Church Yard & Robert Wilkinson in Cornhill. [n.d., c.1800.]
Framed engraving with fine hand colouring , plate 275 x 425mm (10¾ x 16¾"). Frame size 480 x 630mm (19 x 24¾"). Small tear in plate at top, just touching the image. Unexamined out of frame.
A view of Westminster from the east, with Somerset House on the right.
[Ref: 61273] £320.00
Drawn by T.B. & TM. T.Bowles sculp.
London Printed for Bowles & Carver, 69 S.t Pauls Church Yard & Robert Wilkinson in Cornhill. [n.d., c.1800.]
Framed engraving with fine hand colouring , plate 275 x 425mm (10¾ x 16¾"). Frame size 480 x 630mm (19 x 24¾"). Small tear in plate at top, just touching the image. Unexamined out of frame.
A view of Westminster from the east, with Somerset House on the right.
[Ref: 61273] £320.00
![[Westminster Abbey] Westmonasteriensis Eccleiæ (quondã Conventualis,) facies occidentalis.](jpegs/61218.jpg)
[Westminster Abbey] Westmonasteriensis Eccleiæ (quondã Conventualis,) facies occidentalis.
Wenceslaus Hollar Eq: Bohem,
[n.d., 1655.]
Etching, fine early impression; 250 x 170mm (9¾ x 6¾"), with large margins.
An elevation of the western front of Wesminster Abbey. An illustration from William Dugdale's 'Monasticon Anglicanum'.
Pennington 1042, state ii of iv.
[Ref: 61218] £140.00 (£168.00 incl.VAT)
Wenceslaus Hollar Eq: Bohem,
[n.d., 1655.]
Etching, fine early impression; 250 x 170mm (9¾ x 6¾"), with large margins.
An elevation of the western front of Wesminster Abbey. An illustration from William Dugdale's 'Monasticon Anglicanum'.
Pennington 1042, state ii of iv.
[Ref: 61218] £140.00 (£168.00 incl.VAT)
![[Westminster Abbey] Westmonasteriensis Eccleiæ conv: facies aquilonalis.](jpegs/61219.jpg)
[Westminster Abbey] Westmonasteriensis Eccleiæ conv: facies aquilonalis.
W. Hollar fecit 1654.
[n.d., 1655.]
Etching. 220 x 330mm (8¾ x 13"). Creasing on right edge. Slight central crease as normal. Small margins.
An elevation of the northern side of Westminster Abbey, dedicated to William Bromley. An illustration from William Dugdale's 'Monasticon Anglicanum'.
Pennington 1041, first state of iv.
[Ref: 61219] £140.00 (£168.00 incl.VAT)
W. Hollar fecit 1654.
[n.d., 1655.]
Etching. 220 x 330mm (8¾ x 13"). Creasing on right edge. Slight central crease as normal. Small margins.
An elevation of the northern side of Westminster Abbey, dedicated to William Bromley. An illustration from William Dugdale's 'Monasticon Anglicanum'.
Pennington 1041, first state of iv.
[Ref: 61219] £140.00 (£168.00 incl.VAT)
![[Westminster Abbey] Westmonasteriensis Ecclesiæ conv: facies australis.](jpegs/61220.jpg)
[Westminster Abbey] Westmonasteriensis Ecclesiæ conv: facies australis.
D. King delin et sculp.
[n.d., 1655.]
Etching on 17th century watermarked paper. 175 x 310mm (7 x 12¼"), with large margins. Slight central crease as normal.
An elevation of the south side of Westminster Abbey, drawn and engraved by Daniel King. According to Pennington, the title, dedication cartouche and King's signature are all by Wenceslas Hollar. An illustration from William Dugdale's 'Monasticon Anglicanum'.
Pennington 1042b, first state of iv.
[Ref: 61220] £160.00 (£192.00 incl.VAT)
D. King delin et sculp.
[n.d., 1655.]
Etching on 17th century watermarked paper. 175 x 310mm (7 x 12¼"), with large margins. Slight central crease as normal.
An elevation of the south side of Westminster Abbey, drawn and engraved by Daniel King. According to Pennington, the title, dedication cartouche and King's signature are all by Wenceslas Hollar. An illustration from William Dugdale's 'Monasticon Anglicanum'.
Pennington 1042b, first state of iv.
[Ref: 61220] £160.00 (£192.00 incl.VAT)
![[Horse Guards Parade.]](jpegs/61073.jpg)
[Horse Guards Parade.]
Fred. A. Farrell [signed in pencil.]
[n.d. c.1925.]
Etching, signed by the artist. 225 x 335mm (10 x 13¼"), with publisher's blind stamps, large margins.
A view of Horse Guards Parade, with guardsmen riding through the archway. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 61073] £280.00 (£336.00 incl.VAT)
Fred. A. Farrell [signed in pencil.]
[n.d. c.1925.]
Etching, signed by the artist. 225 x 335mm (10 x 13¼"), with publisher's blind stamps, large margins.
A view of Horse Guards Parade, with guardsmen riding through the archway. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 61073] £280.00 (£336.00 incl.VAT)
Dr Williams's Library, Red Cross S.t London.
Drawn & Engraved by J. and H.S. Storer.
[Pub. April, 1826, for the Congregational Mag. by B.J. Holdsworth, S.t. Pauls Church Yard, London.
Rare engraving. Sheet 110 x 95mm (4¼ x 3¾"). Trimmed, losing publication line.
The interior of the library of Reverend Daniel Williams (c.1643-1716), then in Cripplegate, now in Gordon Square, Bloomsbury. Williams, a Welsh Presbyterian, ministered in Ireland 1664-1687, when he moved to London to avoid the Troubles, where he advised William III on Irish matters. He collected over 7600 theological books: these became the foundation of the Red Cross Street Meeting House library when it opend in 1729. It is a highly-regarded source of material relating to Protestant nonconformity in England.
[Ref: 61047] £140.00 (£168.00 incl.VAT)
Drawn & Engraved by J. and H.S. Storer.
[Pub. April, 1826, for the Congregational Mag. by B.J. Holdsworth, S.t. Pauls Church Yard, London.
Rare engraving. Sheet 110 x 95mm (4¼ x 3¾"). Trimmed, losing publication line.
The interior of the library of Reverend Daniel Williams (c.1643-1716), then in Cripplegate, now in Gordon Square, Bloomsbury. Williams, a Welsh Presbyterian, ministered in Ireland 1664-1687, when he moved to London to avoid the Troubles, where he advised William III on Irish matters. He collected over 7600 theological books: these became the foundation of the Red Cross Street Meeting House library when it opend in 1729. It is a highly-regarded source of material relating to Protestant nonconformity in England.
[Ref: 61047] £140.00 (£168.00 incl.VAT)
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