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R. Ackermann's Repository of Arts, 96 Strand & Ackermann's Library.
R. Ackermann's Repository of Arts, 96 Strand & Ackermann's Library. for Works of Art.
A. Pugin del.t. J. Bluck sculp.t.
[Ackermann]
Pair of hand coloured etchings with aquatint and stipple. Sheet 560 x 380mm (22 x 15"). Hinged into mount. Vertical folds in bottom image.
Two views of Ackermann's Repository of Arts, top image shows a street view showing the building. The other is an interrior view of the library, with figures at a large table looking at books, chandelier above; bookshelves line the walls with vases, busts and a large female statue on top of them. Paintings hang above more bookshelves on the other side of the room.
[Ref: 55031]   £240.00   (£288.00 incl.VAT)
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[The Clock Tower of Big Ben.]
[The Clock Tower of Big Ben.]
Sydney R. Jones. [signed in pencil.]
[n.d., c.1930.]
Etching. Plate: 390 x 180mm (15¼ x 7"). Framed. Unexamined out of frame.
A view across the Thames towards the Clock Tower (now the Elizabeth Tower) which houses the famous bell Big Ben. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54635]   £320.00  
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[College Street, City of London.]
[College Street, City of London.]
Sydney R. Jones.
[n.d., c.1925.]
Drypoint etching, signed by the artist. 320 x 135mm. Framed. Crease in mount, unexamined out of frame.
A view looking down College Street towards Wren's church of St Michael Paternoster Royal, Innholders' Hall on the left. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54637]   £220.00   (£264.00 incl.VAT)
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[Imperial Chemical House & the Houses of Parliament.]
[Imperial Chemical House & the Houses of Parliament.]
Sydney R. Jones.
[n.d., 1929.]
Drypoint etching, signed in pencil by the artist. 200 x 385mm (8 x 15¼"). Framed. Unexamined out of frame.
Imperial Chemical House on Millbank, London, seen from the south side of the River Thames. It was built between 1928 and 1931 by Sir Frank Baines as the headquarters for Imperial Chemical Industries (ICI). Beyond can be seen the Houses of Parliament and Westminster Abbey; Old Lambeth Bridge spans the river in the foreground. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54633]   £350.00  
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[Somerset House and St Paul's Cathedral from the North Bank of the Thames.]
[Somerset House and St Paul's Cathedral from the North Bank of the Thames.]
[n.d., c.1800.]
Very fine & mint watercolour. Sheet 275 x 400mm (10¾ x 15¾"). Laid on album paper.
A view from a wharf under Westminster Bridge.
[Ref: 54939]   £650.00  
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London in 1842.
London in 1842. This Picture of the Metropolis of the British Empire is presented to the Subescribers of the Illustrated Loindon News by the Proprietors.
Supplement to the ''Illustrated London News'' of January 7, 1843; Published by W. Little, 198 STrand, London.
Wood engraving from 12 blocks on one sheet. Sheet 900 x 1340mm (35½ x 52¾") Original folds with small splits.
Two large views, looking north and south from the top of the Duke of York Column at the bottom of Regent Street, separated by a vignette roundel of the column itself. Landmarks looking north include Carlton House Terrace in foreground, Regent Street and Trafalgar Square with the steeple of St Martin's Church still under construction. Looking south is St James's Park, the Admiralty and Horse Guards, St Paul's Cathedral and Westminster Abbey,
[Ref: 55057]   £650.00  
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St Paul's from Ludgate Hill.
St Paul's from Ludgate Hill.
T. Boys Del et Lithog.
Fine tinted lithograph with hand colour. 540 x 370mm (21¼ x 14½). Hinged into mount at top corner.
View looking down the street with the tower and spire of Wren's St Martin, Ludgate on the left, the Cathedral in the background; traffic tangles its way along street, two Christ's Hospital scholars walk demurely along the pavement on the right, many other pedestrians behind and on the left. Published for Thomas Shotter Boys' 'London As It Is".
[Ref: 55037]   £750.00  
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[Middle Temple Hall and Fountain Court.]
[Middle Temple Hall and Fountain Court.]
Sydney R. Jones [signed in plate and in pencil.]
[n.d., c.1927.]
Drypoint etching, signed by the artist in pencil. 300 x 275mm (11¾ x 10¾"). Framed. Unexamined out of frame.
Fountain Court, at the heart of The Honourable Society of the Middle Temple, commonly known as Middle Temple, one of the four Inns of Court. The tip of the spire of the Law Courts is visible upper left. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54631]   £280.00   (£336.00 incl.VAT)
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[Middle Temple Hall and Fountain Court.]
[Middle Temple Hall and Fountain Court.]
Sydney R. Jones.
[n.d., c.1927.]
Drypoint etching, signed by the artist in pencil. 300 x 240mm (11¾ x 9½"). Framed. Unexamined out of frame.
The Middle Temple, one of the four Inns of Court. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54638]   £280.00   (£336.00 incl.VAT)
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[Old Bond Street.]
[Old Bond Street.]
Sydney R. Jones.
[1928.]
Drypoint etching, signed by the artist in pencil, verso label of the Print Society Fine Art Trade Guild. 315 x 225mm (12½ x 9"). Framed. Unexamined out of frame.
Old Bond Street looking towards Piccadilly, with several recognisable business signs including fine art dealers Agnew's. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54630]   £350.00  
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[Westminster.]
[Westminster.]
[Painted by George Vicat Cole R.A.] A. Brunet-Debaines [pencil signature].
Copyright 1894, Thomas Agnew & Sons, Publishers 33 Old Bond Street, London.
Etching, proof before title, ltd to 350. 450 x 745mm (17¾ x 29¼"), with very large margins, Printsellers' Association blind stamp. Mint.
A view of the Houses of Parliament from the Thames, a tug in the foreground, painted by George Vicat Cole (1833-93), etched by Alfred-Louis Brunet-Debaines (1845-1939).
[Ref: 54962]   £650.00  
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[Port of London Authority Building.]
[Port of London Authority Building.] [In pencil along bottom mount border:] The Port of London Authority, E.C. 1930 Private plate for Sir Edwin Cooper & Johyn Mowlem & Co Ltd.
Sydney R. Jones [signed in pencil]
[n.d. 1940] [in pencil:] 4th state Trial No8 (steel).
Etching. 292 x 425mm. 11½ x 16¾".
The Port of London Authority Building, 10 Trinity Square, a Beaux Arts structure was designed by Sir Edwin Cooper, built 1912-22, now the Four Seasons Hotel London at Ten Trinity Square. To the right is Trinity House. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54636]   £260.00   (£312.00 incl.VAT)
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[The Royal Exchange.]
[The Royal Exchange.]
Sydney R. Jones.
[n.d., 1927.]
Drypoint etching, signed in pencil by the artist. 270 x 330mm (10¾ x 13").
View of the Royal Exchange's west front, with bustling street scene outside, including traffic and pedestrians. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54634]   £320.00  
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St George's Hanover Square [in pencil]. 5/50
St George's Hanover Square [in pencil]. 5/50
Ethelbert White [Signed in pencil].
Limited edition wood engraving 5/50. Sheet 265 x 215mm (10½ x 8½), with large margins. Hinged to backing sheet on two corners. Some light creasing in margins.
A view of St George's, Hanover Square, the anglican church, in the City of Westminster, central London. Ethelbert White (18911972) was an English wood engraver however he also worked in oils and water colour. He was an early member of the Society of Wood Engravers and a founding member of the English Wood Engraving Society in 1925. He was a member of the Royal Watercolour Society, and exhibited regularly at the Royal Academy.
[Ref: 55009]   £280.00   (£336.00 incl.VAT)
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[St Paul's Cathedral from 'View of the North Bank of the Thames from Westminster Bridge to London Bridge'.
[St Paul's Cathedral from 'View of the North Bank of the Thames from Westminster Bridge to London Bridge'.
[Lithographed by Thomas Mann Baynes after Sir Frederick William Trench.]
[n.d., 1825.]
Lithograph ON SILK. 220 x 595mm (8¾ x 23½"), laid on card. Some foxing and wear to backing card.
An extremely rare printing on silk of one of the sheets of Trench's prospect of the Thames with his proposed improvements, including the creatrion of an Embankment. In 1824 Trench, then MP for Cambridge, launched a project for a terrace on the north side of the Thames from Blackfriars to Charing Cross, bringing a bill before Parliament and publishing this long rolling prospect of the river. Although his plan was blocked by powerful interests he continued his campaign, after cholera ravaged parts of the city. Only after he died in 1859 did Parliament finally give the project to Sir Joseph Bazalgette.
[Ref: 54676]   £450.00  
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The Tower.
The Tower.
J. Farington R.A. del. J.C. Stadler Sculp.
Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Aquatint with fine hand colour. 215 x 320mm (8½ x 12½"). Trimmed within plate
A view of the Tower of London from the Thames, with a ship being towed by rowing boats. Plate 17 from Joseph Farington's (1747 - 1821) 'History of the River Thames', 1794, a two-volume publication including 76 aquatints.
Abbey: 432.
[Ref: 53514]   £260.00   (£312.00 incl.VAT)
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[Trafalgar Square.]
[Trafalgar Square.]
Sydney R. Jones.
[n.d. c.1928.]
Drypoint etching, signed by the artist in pencil. 350 x 220mm (13¾ x 8¾") with large margins.
A view of Trafalgar Square, showing the National Gallery, the King George IV Statue, one lion at the base of Nelson's column, St Martin-in-the-Fields and the statue of Henry Havelock. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 55003]   £320.00  
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Westminster
Westminster
Etched by Gautier Lucien. Published by I. Hildesheimer & C.o (Limt.d) London & Manchester. Copyright 1892. Printed in Paris by A. Clement.
London & Manchester, 1892.
Etching. 435 x 470mm (17 x 18½"), with large margins. Some toning around the edges. Overall good condition.
A moonlit view of the Houses of Parliament and Big Ben from Southbank by Lucien Gautier (1850-1925). Gautier, a French etcher and designer, was renowned for his impressive and atmospheric etchings of European cities, and won a number of awards and medals throughout his career.
[Ref: 54996]   £450.00  
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Westminster Hall and Abbey, as seen from Westminster Bridge.
Westminster Hall and Abbey, as seen from Westminster Bridge.
J. Gendall Del.t. D. Havell sculp.t.
London, Published Jan.y 1, 1819, at R. Ackermann's Repository of Arts, 101 Strand.
Rare & fine aquatint, printed in colours and hand finished. Sheet 390 x 525mm (15½ x 20¾"). Trimmed within plate, small damage in edge of image top right. Mounted.
A view of Westminster before the fire of 1834 and construction of the current Houses of Parliament.
[Ref: 54781]   £680.00  
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[Westminster Bridge.]
[Westminster Bridge.]
Fred. A. Farrell [signed in pencil]
[n.d. c.1925]
Etching, signed by the artist. 225 x 355mm (9 x 14"), with large margins.
A view of the heavily trafficked Westminster bridge from the river Thames with parliament and the Queen Elizabeth Tower in the middleground. A few boats float on the calm waters. Frederick Arthur Farrell (1882 1935) was a self-taught British artist specialising in watercolours and etchings who served as the city of Glasgow's official war artist during World War One.
[Ref: 55001]   £260.00   (£312.00 incl.VAT)
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[Whitehall.]
[Whitehall.]
Sydney R. Jones [signed in plate and in pencil.]
[1928.]
Drypoint etching, signed by the artist. 250 x 225mm (9¾ x 9"). Framed. Unexamined out of frame.
A view looking down Whitehall, Westminster, from Trafalgar Square, the Elizabeth Tower (home of Big Ben) and the Central Tower in the background. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 54628]   £320.00  
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