A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Contadina degli Stati di Parma e Modena.
H.W.Bunbury delin. J.Bretherton. f.
Publish'd as the Act dircts 3.d Feb.y 1773. By J.Bretherton No.134 New Bond Street.
Etching with fine hand colour, sheet 265 x 185mm (10½ x 7¼"). Trimmed to plate. Top right corner of paper missing.
Two Italian women, wearing traditional costumes from Parma and Modena, stand next to a customs building, 'Qui si paga la gabella', accompanied by a dog. One of a series of costume prints. Etched after Henry Bunbury, an amateur printmaker who subsequently enjoyed a successful career as a designer for printsellers. 'Prints by Bunbury an his imitators were conspicuously 'polite' and appealed, like novels, 'To the Fashionable World and Polite circles'. Of good family, amply endowed with social skills, a beautiful wife and connections in high society, Bunbury's appeal was not solely aesthetic' and his admirers 'recognized his comic talent, his informed enthusiasm for literature, and his ability to draw a momentary pang with something of the sensitivity with which Sterne could write it' (Clayton).
[Ref: 65180] £75.00 (£90.00 incl.VAT)
H.W.Bunbury delin. J.Bretherton. f.
Publish'd as the Act dircts 3.d Feb.y 1773. By J.Bretherton No.134 New Bond Street.
Etching with fine hand colour, sheet 265 x 185mm (10½ x 7¼"). Trimmed to plate. Top right corner of paper missing.
Two Italian women, wearing traditional costumes from Parma and Modena, stand next to a customs building, 'Qui si paga la gabella', accompanied by a dog. One of a series of costume prints. Etched after Henry Bunbury, an amateur printmaker who subsequently enjoyed a successful career as a designer for printsellers. 'Prints by Bunbury an his imitators were conspicuously 'polite' and appealed, like novels, 'To the Fashionable World and Polite circles'. Of good family, amply endowed with social skills, a beautiful wife and connections in high society, Bunbury's appeal was not solely aesthetic' and his admirers 'recognized his comic talent, his informed enthusiasm for literature, and his ability to draw a momentary pang with something of the sensitivity with which Sterne could write it' (Clayton).
[Ref: 65180] £75.00 (£90.00 incl.VAT)
Contadina degli Stati di Parma e Modena.
H.W.Bunbury delin. J.Bretherton. f.
[Publish'd as the Act dircts 3.d Feb.y 1773. By J.Bretherton No.134 New Bond Street.]
Etching, sheet 265 x 185mm (10½ x 7¼"). Trimmed losing publication line and laid down onto album sheet at corners.
Two Italian women, wearing traditional costumes from Parma and Modena, stand next to a customs building, 'Qui si paga la gabella', accompanied by a dog. One of a series of costume prints. Etched after Henry Bunbury, an amateur printmaker who subsequently enjoyed a successful career as a designer for printsellers. 'Prints by Bunbury an his imitators were conspicuously 'polite' and appealed, like novels, 'To the Fashionable World and Polite circles'. Of good family, amply endowed with social skills, a beautiful wife and connections in high society, Bunbury's appeal was not solely aesthetic' and his admirers 'recognized his comic talent, his informed enthusiasm for literature, and his ability to draw a momentary pang with something of the sensitivity with which Sterne could write it' (Clayton).
[Ref: 65181] £110.00 (£132.00 incl.VAT)
H.W.Bunbury delin. J.Bretherton. f.
[Publish'd as the Act dircts 3.d Feb.y 1773. By J.Bretherton No.134 New Bond Street.]
Etching, sheet 265 x 185mm (10½ x 7¼"). Trimmed losing publication line and laid down onto album sheet at corners.
Two Italian women, wearing traditional costumes from Parma and Modena, stand next to a customs building, 'Qui si paga la gabella', accompanied by a dog. One of a series of costume prints. Etched after Henry Bunbury, an amateur printmaker who subsequently enjoyed a successful career as a designer for printsellers. 'Prints by Bunbury an his imitators were conspicuously 'polite' and appealed, like novels, 'To the Fashionable World and Polite circles'. Of good family, amply endowed with social skills, a beautiful wife and connections in high society, Bunbury's appeal was not solely aesthetic' and his admirers 'recognized his comic talent, his informed enthusiasm for literature, and his ability to draw a momentary pang with something of the sensitivity with which Sterne could write it' (Clayton).
[Ref: 65181] £110.00 (£132.00 incl.VAT)
![[Georg Christian Gebauer] Georgius Christianus Gebauerus.](jpegs/65022.jpg)
[Georg Christian Gebauer] Georgius Christianus Gebauerus. IC,tus Magnæ Britanniæ Regis, Elect. Brunsvigo-Luneb. Consiliarus Aul. Antecessor in Georgia Augusta Primarig et Ord. Jurid. Senior. Natus XXVI. OCtobr. MDCXC.
C.N. Eberlein pinx.
J. Jac. Haid excud. Aug. Vind
Rare mezzotint. 310 x 190mm (12¼ x 7½"), with large margins.
A half-length portrait of Georg Christian Gebauer (1690-1773), a German legal scholar , historian and university professor, at work in a library. After Christian Nikolaus Eberlein (1720-88).
[Ref: 65022] £230.00 (£276.00 incl.VAT)
C.N. Eberlein pinx.
J. Jac. Haid excud. Aug. Vind
Rare mezzotint. 310 x 190mm (12¼ x 7½"), with large margins.
A half-length portrait of Georg Christian Gebauer (1690-1773), a German legal scholar , historian and university professor, at work in a library. After Christian Nikolaus Eberlein (1720-88).
[Ref: 65022] £230.00 (£276.00 incl.VAT)
![[Georg Christian Gebauer] Georgius Christianus Gebauerus.](jpegs/65023.jpg)
[Georg Christian Gebauer] Georgius Christianus Gebauerus. IC,tus Magnæ Britanniæ Regis, Elect. Brunsvigo-Luneb. Consiliarus Aul. Antecessor in Georgia Augusta Primarig et Ord. Jurid. Senior. Natus XXVI. OCtobr. MDCXC.
C.N. Eberlein pinx.
J. Jac. Haid excud. Aug. Vind
Mezzotint. 310 x 190mm (12¼ x 7½"). Time stained.
A half-length portrait of Georg Christian Gebauer (1690-1773), a German legal scholar , historian and university professor, at work in a library. After Christian Nikolaus Eberlein (1720-88).
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65023] £180.00 (£216.00 incl.VAT)
C.N. Eberlein pinx.
J. Jac. Haid excud. Aug. Vind
Mezzotint. 310 x 190mm (12¼ x 7½"). Time stained.
A half-length portrait of Georg Christian Gebauer (1690-1773), a German legal scholar , historian and university professor, at work in a library. After Christian Nikolaus Eberlein (1720-88).
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65023] £180.00 (£216.00 incl.VAT)
Jean François Galoup de La Pérouse.
Engrav'd by Jos.h Baker.
Engraving, 180 x 110mm (7 x 4½"). Very small margins. Light staining.
Portrait of French Navy officer and explorer, La Pérouse (1741-88), shown in half-length and directed to the right, set within an oval frame. He is wearing a powdered wig and uniform. Based on a miniature portrait of him.
[Ref: 65197] £75.00 (£90.00 incl.VAT)
Engrav'd by Jos.h Baker.
Engraving, 180 x 110mm (7 x 4½"). Very small margins. Light staining.
Portrait of French Navy officer and explorer, La Pérouse (1741-88), shown in half-length and directed to the right, set within an oval frame. He is wearing a powdered wig and uniform. Based on a miniature portrait of him.
[Ref: 65197] £75.00 (£90.00 incl.VAT)
Orsova_on the Borders of Turkey.
G.Hering del_ J.B.Pyne Lith.
[Published by Thomas McLean, c.1838.]
Lithograph. 480 x 280mm (19 x 11"), with large margins. Edges chipped.
View of the Dunabe River in the city of Orsova in Romania. Or?ova is a port city on the Danube river in southwestern Romania's Mehedin?i County. It is one of four localities in the Banat historical region situated just above the Iron Gates where the Cerna River meets the Danube. Plate 22 from a series of 26 lithographs, titled 'Sketches on the Danube, Hungary and Transylvania' by George Hering. The views illustrate Hering's tour to Hungary and Transylvania in 1835, countries then little known to the English. It is dedicated to Count Szenchenyi, the leading Hungarian light of his day.
Abbey 79.
[Ref: 65295] £120.00 (£144.00 incl.VAT)
G.Hering del_ J.B.Pyne Lith.
[Published by Thomas McLean, c.1838.]
Lithograph. 480 x 280mm (19 x 11"), with large margins. Edges chipped.
View of the Dunabe River in the city of Orsova in Romania. Or?ova is a port city on the Danube river in southwestern Romania's Mehedin?i County. It is one of four localities in the Banat historical region situated just above the Iron Gates where the Cerna River meets the Danube. Plate 22 from a series of 26 lithographs, titled 'Sketches on the Danube, Hungary and Transylvania' by George Hering. The views illustrate Hering's tour to Hungary and Transylvania in 1835, countries then little known to the English. It is dedicated to Count Szenchenyi, the leading Hungarian light of his day.
Abbey 79.
[Ref: 65295] £120.00 (£144.00 incl.VAT)
The Hercules Baths at Mehadia.
G.Hering del_ J.B.Pyne Lith.
[Published by Thomas McLean, c.1838.]
Lithograph. 405 x 250mm (16 x 9¾"), with large margins.
View of the Hercules Baths at Mehadia, a small market town and commune in Cara?-Severin County, Banat, Romania. The 1838 floods destroyed some 2,000 houses in the valley and the 1841 floods in Mehadia were also devastating. Plate 23 from a series of 26 lithographs, titled 'Sketches on the Danube, Hungary and Transylvania' by George Hering. The views illustrate Hering's tour to Hungary and Transylvania in 1835, countries then little known to the English. It is dedicated to Count Szenchenyi, the leading Hungarian light of his day.
Abbey 79.
[Ref: 65297] £140.00 (£168.00 incl.VAT)
G.Hering del_ J.B.Pyne Lith.
[Published by Thomas McLean, c.1838.]
Lithograph. 405 x 250mm (16 x 9¾"), with large margins.
View of the Hercules Baths at Mehadia, a small market town and commune in Cara?-Severin County, Banat, Romania. The 1838 floods destroyed some 2,000 houses in the valley and the 1841 floods in Mehadia were also devastating. Plate 23 from a series of 26 lithographs, titled 'Sketches on the Danube, Hungary and Transylvania' by George Hering. The views illustrate Hering's tour to Hungary and Transylvania in 1835, countries then little known to the English. It is dedicated to Count Szenchenyi, the leading Hungarian light of his day.
Abbey 79.
[Ref: 65297] £140.00 (£168.00 incl.VAT)
Albertus, Son of P. P. Rubens.
Rubels Pinx.t. Goubaud Del.t. G. Maile Sculp.t.
London. Published Feb.y 1.st, 1816, at Ackermann's Repository of Arts, 101, Strand.
A fine mezzotint, printed in colours and hand-finished. 445 x 330mm (17½ x 13").
A portrait of Peter Paul Rubens' son Albert (1614-57), as a young boy, from a series of portraits of the artist's family. The artist's eldest son, by Isabella Brant, he became a respected philologist and scholar of antiquity, and succeeded his father as secretary of the Privy Council of the Habsburg Netherlands.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64875] £320.00
Rubels Pinx.t. Goubaud Del.t. G. Maile Sculp.t.
London. Published Feb.y 1.st, 1816, at Ackermann's Repository of Arts, 101, Strand.
A fine mezzotint, printed in colours and hand-finished. 445 x 330mm (17½ x 13").
A portrait of Peter Paul Rubens' son Albert (1614-57), as a young boy, from a series of portraits of the artist's family. The artist's eldest son, by Isabella Brant, he became a respected philologist and scholar of antiquity, and succeeded his father as secretary of the Privy Council of the Habsburg Netherlands.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64875] £320.00
![[Prince Rupert]](jpegs/65190.jpg)
[Prince Rupert]
[R. Dunkarton sculp.t. From an extremely rare print by Vansomer from S.r P. Lely.]
[London Published by S. Woodburn, 1813.]
Mezzotint proof before all letters., 290 x 210mm (11½ x 8¼"), with very large margins.
Bust-lenth portrait of Prince Rupert of the Rhine (1619-82) in profile, facing left. The subject wears a lacy cravat and a cloak draped over his left shoulder, with the sleeve adorned with a lion's head decoration. His long, curly hair cascades, and he gazes toward the viewer over his shoulder. From, 'Woodburn's Portraits of 100 Illustrious Characters.'
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65190] £140.00 (£168.00 incl.VAT)
[R. Dunkarton sculp.t. From an extremely rare print by Vansomer from S.r P. Lely.]
[London Published by S. Woodburn, 1813.]
Mezzotint proof before all letters., 290 x 210mm (11½ x 8¼"), with very large margins.
Bust-lenth portrait of Prince Rupert of the Rhine (1619-82) in profile, facing left. The subject wears a lacy cravat and a cloak draped over his left shoulder, with the sleeve adorned with a lion's head decoration. His long, curly hair cascades, and he gazes toward the viewer over his shoulder. From, 'Woodburn's Portraits of 100 Illustrious Characters.'
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65190] £140.00 (£168.00 incl.VAT)
Belgrade.
G.Hering del_ J.B.Pyne Lith.
[Published by Thomas McLean, c.1838.]
Lithograph. 405 x 230mm (16 x 9"), with large margins. Edges chipped.
View of the Dunabe River in Belgrade, the capital and largest city of Serbia. Plate 20 from a series of 26 lithographs, titled 'Sketches on the Danube, Hungary and Transylvania' by George Hering. The views illustrate Hering's tour to Hungary and Transylvania in 1835, countries then little known to the English. It is dedicated to Count Szenchenyi, the leading Hungarian light of his day.
Abbey 79.
[Ref: 65296] £280.00 (£336.00 incl.VAT)
G.Hering del_ J.B.Pyne Lith.
[Published by Thomas McLean, c.1838.]
Lithograph. 405 x 230mm (16 x 9"), with large margins. Edges chipped.
View of the Dunabe River in Belgrade, the capital and largest city of Serbia. Plate 20 from a series of 26 lithographs, titled 'Sketches on the Danube, Hungary and Transylvania' by George Hering. The views illustrate Hering's tour to Hungary and Transylvania in 1835, countries then little known to the English. It is dedicated to Count Szenchenyi, the leading Hungarian light of his day.
Abbey 79.
[Ref: 65296] £280.00 (£336.00 incl.VAT)
Tokey on the Theis.
G.Hering del_ J.B.Pyne Lith.
[c.1838.]
Lithograph. 390 x 260mm (15¼ x 10¼"). Edges chipped.
View of the Dunabe river. Plate 17 from a series of 26 lithographs, titled 'Sketches on the Danube, Hungary and Transylvania' by George Hering. The views illustrate Hering's tour to Hungary and Transylvania in 1835, countries then little known to the English. It is dedicated to Count Szenchenyi, the leading Hungarian light of his day.
Abbey 79.
[Ref: 65299] £160.00 (£192.00 incl.VAT)
G.Hering del_ J.B.Pyne Lith.
[c.1838.]
Lithograph. 390 x 260mm (15¼ x 10¼"). Edges chipped.
View of the Dunabe river. Plate 17 from a series of 26 lithographs, titled 'Sketches on the Danube, Hungary and Transylvania' by George Hering. The views illustrate Hering's tour to Hungary and Transylvania in 1835, countries then little known to the English. It is dedicated to Count Szenchenyi, the leading Hungarian light of his day.
Abbey 79.
[Ref: 65299] £160.00 (£192.00 incl.VAT)
The Castle of Arva, on the Borders of Gallicia.
G.Hering del_ J.B.Pyne Lith.
[Day & Hague Lithrs. to the Queen, c.1838.]
Lithograph. 375 x 300mm (14¾ x 11¾"). Some surface dirt on the right of image. Edges chipped.
View of the Orava Castle situated on a high rock above Orava river in the village of Oravský Podzámok, Slovakia. The castle was built in the Kingdom of Hungary, with the oldest parts being built in the thirteenth century and the most recent parts in the early seventeenth century. Plate 14 from a series of 26 lithographs, titled 'Sketches on the Danube, Hungary and Transylvania' by George Hering. The views illustrate Hering's tour to Hungary and Transylvania in 1835, countries then little known to the English. It is dedicated to Count Szenchenyi, the leading Hungarian light of his day.
Abbey 79.
[Ref: 65298] £220.00 (£264.00 incl.VAT)
G.Hering del_ J.B.Pyne Lith.
[Day & Hague Lithrs. to the Queen, c.1838.]
Lithograph. 375 x 300mm (14¾ x 11¾"). Some surface dirt on the right of image. Edges chipped.
View of the Orava Castle situated on a high rock above Orava river in the village of Oravský Podzámok, Slovakia. The castle was built in the Kingdom of Hungary, with the oldest parts being built in the thirteenth century and the most recent parts in the early seventeenth century. Plate 14 from a series of 26 lithographs, titled 'Sketches on the Danube, Hungary and Transylvania' by George Hering. The views illustrate Hering's tour to Hungary and Transylvania in 1835, countries then little known to the English. It is dedicated to Count Szenchenyi, the leading Hungarian light of his day.
Abbey 79.
[Ref: 65298] £220.00 (£264.00 incl.VAT)
Trentschin._Valley of the Waag. Trentschin Castle.
G.Hering del_ J.B.Pyne Lith.
[Published by Thomas McLean, c.1838.]
Lithograph. 380 x 285mm (15 x 11¼"), with large margins. Nicks to edges. Tear in bottom margin repaired with tape.
View of Trencín in western Slovakia of the central Váh River valley near the Czech border. Plate 3 from a series of 26 lithographs, titled 'Sketches on the Danube, Hungary and Transylvania' by George Hering. The views illustrate Hering's tour to Hungary and Transylvania in 1835, countries then little known to the English. It is dedicated to Count Szenchenyi, the leading Hungarian light of his day. In the distance the Trencín Castle stands. Within the precincts of the lower castle can be found the water well, also known as the "well of love". Which according to legend was dug by a Turkish prince called Omar, who had great love for the beautiful Fatima, whom he had to redeem by digging a well in the rock.
Abey 79.
[Ref: 65294] £220.00 (£264.00 incl.VAT)
G.Hering del_ J.B.Pyne Lith.
[Published by Thomas McLean, c.1838.]
Lithograph. 380 x 285mm (15 x 11¼"), with large margins. Nicks to edges. Tear in bottom margin repaired with tape.
View of Trencín in western Slovakia of the central Váh River valley near the Czech border. Plate 3 from a series of 26 lithographs, titled 'Sketches on the Danube, Hungary and Transylvania' by George Hering. The views illustrate Hering's tour to Hungary and Transylvania in 1835, countries then little known to the English. It is dedicated to Count Szenchenyi, the leading Hungarian light of his day. In the distance the Trencín Castle stands. Within the precincts of the lower castle can be found the water well, also known as the "well of love". Which according to legend was dug by a Turkish prince called Omar, who had great love for the beautiful Fatima, whom he had to redeem by digging a well in the rock.
Abey 79.
[Ref: 65294] £220.00 (£264.00 incl.VAT)
![[The Grand Canal] Ex Aede Salutis, usque ad Caput Canalis.](jpegs/65157.jpg)
[The Grand Canal] Ex Aede Salutis, usque ad Caput Canalis.
[engraved by Antonio Visentini after Canaletto.]
[Venice: Giuseppe Battaggia, 1733.]
Fine etching. 275 x 430mm (10¾ x 17"), with very large margins. Some foxing.
A view of the Grand Canal with the church of Santa Maria della Salute on the right. From 'Prospectus Magni Canalis Venetiarum', a volume of fourteen engravings by Antonio Visentini after paintings by Canaletto in the collection of his great British patron, Joseph Smith. The paintings were all bought by George III and are in the Royal Collection, while preliminary drawings for each engraving are in the British Museum and the Museo Correr (Venice).
[Ref: 65157] £420.00
[engraved by Antonio Visentini after Canaletto.]
[Venice: Giuseppe Battaggia, 1733.]
Fine etching. 275 x 430mm (10¾ x 17"), with very large margins. Some foxing.
A view of the Grand Canal with the church of Santa Maria della Salute on the right. From 'Prospectus Magni Canalis Venetiarum', a volume of fourteen engravings by Antonio Visentini after paintings by Canaletto in the collection of his great British patron, Joseph Smith. The paintings were all bought by George III and are in the Royal Collection, while preliminary drawings for each engraving are in the British Museum and the Museo Correr (Venice).
[Ref: 65157] £420.00
![[William II of Orange] Wilhem II Prinz von Oranien nachmahliger Statthalter.](jpegs/64763.jpg)
[William II of Orange] Wilhem II Prinz von Oranien nachmahliger Statthalter. Jhro Hochfürst Durchlaucht der Frau Erbprinzessin zu Anhalt Dessau &c. &c. &c.
Nach dem Originalgemählde von Van Dyk im adlichen Fraülein stift zu Mosikau. Geschabt von Michelis.
Unterthänigst gewidmet von der Chalcographischen Gesellschaft in Dessau 1797.
Fine & rare mezzotint. 530 x 380mm (20¾ x 15"). Small margins.
A full-length portrait of William II (1626-50) as a boy of about six, with a greyhound, after Anthony van Dyck. He became sovereign Prince of Orange and Stadtholder of Holland in 1647; married Mary, eldest daughter of Charles I in 1641, by whom he fathered William III, king of Great Britain and Ireland from 1688.
Le Blanc 9
[Ref: 64763] £360.00
Nach dem Originalgemählde von Van Dyk im adlichen Fraülein stift zu Mosikau. Geschabt von Michelis.
Unterthänigst gewidmet von der Chalcographischen Gesellschaft in Dessau 1797.
Fine & rare mezzotint. 530 x 380mm (20¾ x 15"). Small margins.
A full-length portrait of William II (1626-50) as a boy of about six, with a greyhound, after Anthony van Dyck. He became sovereign Prince of Orange and Stadtholder of Holland in 1647; married Mary, eldest daughter of Charles I in 1641, by whom he fathered William III, king of Great Britain and Ireland from 1688.
Le Blanc 9
[Ref: 64763] £360.00
![[William II of the Netherlands] His Serene Highness The Hereditary Prince of Orange.](jpegs/65247.jpg)
[William II of the Netherlands] His Serene Highness The Hereditary Prince of Orange.
J.S Copeley Esq.r R.A. pinxt. F.A.A. M.A.A.A. Cha.s Turner sculp.t.
London Pub.d Dec.r 4.th 1813. by C. Turner, 50, Warren Street, Fitzroy Square & Colnaghi & Cº Cockspur Street.
Fine mezzotint, printed in brown. 355 x 235mm (14 x 9¼").
Head and shoulders portrait of William II (1792-1849) when Prince of Orange, in dress uniform, sabre drawn. Having grown up in England, William joined the British army aged 19, serving as aide-de-camp in the headquarters of Arthur Wellesley. Gaining promotion because of his status rather than ability, he was a general by the age of 22, and commanded the I Allied Corps at Waterloo, where he was wounded.
Whitman 410, ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65247] £260.00 (£312.00 incl.VAT)
J.S Copeley Esq.r R.A. pinxt. F.A.A. M.A.A.A. Cha.s Turner sculp.t.
London Pub.d Dec.r 4.th 1813. by C. Turner, 50, Warren Street, Fitzroy Square & Colnaghi & Cº Cockspur Street.
Fine mezzotint, printed in brown. 355 x 235mm (14 x 9¼").
Head and shoulders portrait of William II (1792-1849) when Prince of Orange, in dress uniform, sabre drawn. Having grown up in England, William joined the British army aged 19, serving as aide-de-camp in the headquarters of Arthur Wellesley. Gaining promotion because of his status rather than ability, he was a general by the age of 22, and commanded the I Allied Corps at Waterloo, where he was wounded.
Whitman 410, ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65247] £260.00 (£312.00 incl.VAT)
![[William II of the Netherlands] His Serene Highness The Hereditary Prince of Orange.](jpegs/65246.jpg)
[William II of the Netherlands] His Serene Highness The Hereditary Prince of Orange.
J.S Copeley Esq.r R.A. pinxt. F.A.A. M.A.A.A. Cha.s Turner sculp.t.
London Pub.d Dec.r 4.th 1813. by C. Turner, 50, Warren Street, Fitzroy Square & Colnaghi & Cº Cockspur Street.
Mezzotint, printed in brown. 355 x 235mm (14 x 9¼"), with large margins. Laid on canvas.
Head and shoulders portrait of William II (1792-1849) when Prince of Orange, in dress uniform, sabre drawn. Having grown up in England, William joined the British army aged 19, serving as aide-de-camp in the headquarters of Arthur Wellesley. Gaining promotion because of his status rather than ability, he was a general by the age of 22, and commanded the I Allied Corps at Waterloo, where he was wounded.
Whitman 410, ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65246] £160.00 (£192.00 incl.VAT)
J.S Copeley Esq.r R.A. pinxt. F.A.A. M.A.A.A. Cha.s Turner sculp.t.
London Pub.d Dec.r 4.th 1813. by C. Turner, 50, Warren Street, Fitzroy Square & Colnaghi & Cº Cockspur Street.
Mezzotint, printed in brown. 355 x 235mm (14 x 9¼"), with large margins. Laid on canvas.
Head and shoulders portrait of William II (1792-1849) when Prince of Orange, in dress uniform, sabre drawn. Having grown up in England, William joined the British army aged 19, serving as aide-de-camp in the headquarters of Arthur Wellesley. Gaining promotion because of his status rather than ability, he was a general by the age of 22, and commanded the I Allied Corps at Waterloo, where he was wounded.
Whitman 410, ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65246] £160.00 (£192.00 incl.VAT)
![[William II of the Netherlands] His Serene Highness The Hereditary Prince of Orange.](jpegs/65245.jpg)
[William II of the Netherlands] His Serene Highness The Hereditary Prince of Orange. Proof.
J.S Copeley Esq.r R.A. pinxt. F.A.A. M.A.A.A. Cha.s Turner sculp.t.
London Pub.d Dec.r 4.th 1813. by C. Turner, 50, Warren Street, Fitzroy Square & Colnaghi & Cº Cockspur Street.
Mezzotint, printed in brown. 355 x 235mm (14 x 9¼"), with large margins. Crease.
Head and shoulders portrait of William II (1792-1849) when Prince of Orange, in dress uniform, sabre drawn. Having grown up in England, William joined the British army aged 19, serving as aide-de-camp in the headquarters of Arthur Wellesley. Gaining promotion because of his status rather than ability, he was a general by the age of 22, and commanded the I Allied Corps at Waterloo, where he was wounded.
Whitman 410, i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65245] £220.00 (£264.00 incl.VAT)
J.S Copeley Esq.r R.A. pinxt. F.A.A. M.A.A.A. Cha.s Turner sculp.t.
London Pub.d Dec.r 4.th 1813. by C. Turner, 50, Warren Street, Fitzroy Square & Colnaghi & Cº Cockspur Street.
Mezzotint, printed in brown. 355 x 235mm (14 x 9¼"), with large margins. Crease.
Head and shoulders portrait of William II (1792-1849) when Prince of Orange, in dress uniform, sabre drawn. Having grown up in England, William joined the British army aged 19, serving as aide-de-camp in the headquarters of Arthur Wellesley. Gaining promotion because of his status rather than ability, he was a general by the age of 22, and commanded the I Allied Corps at Waterloo, where he was wounded.
Whitman 410, i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65245] £220.00 (£264.00 incl.VAT)
![[William II of the Netherlands] His Serene Highness The Hereditary Prince of Orange.](jpegs/65244.jpg)
[William II of the Netherlands] His Serene Highness The Hereditary Prince of Orange. Proof.
J.S Copeley Esq.r R.A. pinxt. F.A.A. M.A.A.A. Cha.s Turner sculp.t.
London Pub.d Dec.r 4.th 1813. by C. Turner, 50, Warren Street, Fitzroy Square & Colnaghi & Cº Cockspur Street.
Mezzotint, printed in brown. 355 x 235mm (14 x 9¼"), with large margins Slight crease.
Head and shoulders portrait of William II (1792-1849) when Prince of Orange, in dress uniform, sabre drawn. Having grown up in England, William joined the British army aged 19, serving as aide-de-camp in the headquarters of Arthur Wellesley. Gaining promotion because of his status rather than ability, he was a general by the age of 22, and commanded the I Allied Corps at Waterloo, where he was wounded.
Whitman 410, i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65244] £160.00 (£192.00 incl.VAT)
J.S Copeley Esq.r R.A. pinxt. F.A.A. M.A.A.A. Cha.s Turner sculp.t.
London Pub.d Dec.r 4.th 1813. by C. Turner, 50, Warren Street, Fitzroy Square & Colnaghi & Cº Cockspur Street.
Mezzotint, printed in brown. 355 x 235mm (14 x 9¼"), with large margins Slight crease.
Head and shoulders portrait of William II (1792-1849) when Prince of Orange, in dress uniform, sabre drawn. Having grown up in England, William joined the British army aged 19, serving as aide-de-camp in the headquarters of Arthur Wellesley. Gaining promotion because of his status rather than ability, he was a general by the age of 22, and commanded the I Allied Corps at Waterloo, where he was wounded.
Whitman 410, i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65244] £160.00 (£192.00 incl.VAT)