A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Aske Hall, the Seat of the Right Hon.ble Lord Dundas.]](jpegs/57645.jpg)
[Aske Hall, the Seat of the Right Hon.ble Lord Dundas.]
J.M.W. Turner R.A. del.t. J. Scott Sculp.t.
[n.d., c.1821.]
Etching, progress proof before title, printed on chine collé. Sheet 275 x 440mm (10¾ x 17¼"). Chine collé with cockling, some slight damp staining.
A view of the house seen from a wooded hill, a flock of sheep resting in the foreground. An illustration to Whitaker's 'History of Richmondshire', London: 1819-1823.
Rawlinson 172B. Provenance: Thomas Davidson Album.
[Ref: 57645] £320.00
J.M.W. Turner R.A. del.t. J. Scott Sculp.t.
[n.d., c.1821.]
Etching, progress proof before title, printed on chine collé. Sheet 275 x 440mm (10¾ x 17¼"). Chine collé with cockling, some slight damp staining.
A view of the house seen from a wooded hill, a flock of sheep resting in the foreground. An illustration to Whitaker's 'History of Richmondshire', London: 1819-1823.
Rawlinson 172B. Provenance: Thomas Davidson Album.
[Ref: 57645] £320.00
A View of the New Waterworks &c at Belton in Lincolnshire, belonging to the R.t Hon.ble the Lord Vis.t Tyrconnel to whom this Plate is inscrib'd by his Lordships most dutiful and most hu.ble Serv:t T. Smith.
T Smith Pin: F. Vivares Scul.
Publish'd Oct: 1764.
Fine etching and engraving, with hand colour. Sheet 385 x 540mm (15¼ x 21¼"). Trimmed within plate, repaired tears. Repair to loss top right corner.
Figures admire impressive cascades in the gardens of Belton House, a mansion built between 1685-88 by Sir John Brownlow near Grantham, Lincolnshire. After Thomas Smith of Derby (c.1720-67).
[Ref: 57780] £360.00
T Smith Pin: F. Vivares Scul.
Publish'd Oct: 1764.
Fine etching and engraving, with hand colour. Sheet 385 x 540mm (15¼ x 21¼"). Trimmed within plate, repaired tears. Repair to loss top right corner.
Figures admire impressive cascades in the gardens of Belton House, a mansion built between 1685-88 by Sir John Brownlow near Grantham, Lincolnshire. After Thomas Smith of Derby (c.1720-67).
[Ref: 57780] £360.00
![[Boston] To the Gentrey, Farmers, Graziers, Dealers, Tradesmen, &c of Lincolnshire, This Engraving of Boston, May Sheep-Fair,](jpegs/57604.jpg)
[Boston] To the Gentrey, Farmers, Graziers, Dealers, Tradesmen, &c of Lincolnshire, This Engraving of Boston, May Sheep-Fair, is most humbly dedicated, by their very Obedient Servant, George Northouse.
Painted by George Northouse. E. Kaufmann Lith. Lahn (Baden).
Published by R.A. & J.H. Munkmann [n.d., c.1845].
Tinted lithograph. Framed, sight size 595 x 650mm (23½ x 25½"). Some toning, a few scratches, unexamined out of frame.
A slightly elevated view of a sheep market held in Wide Bargate, Boston, looking from John Adams Way towards the 14-century tower of St Botolph's Church. To the right is the Red Cow Hotel.
[Ref: 57604] £850.00
Painted by George Northouse. E. Kaufmann Lith. Lahn (Baden).
Published by R.A. & J.H. Munkmann [n.d., c.1845].
Tinted lithograph. Framed, sight size 595 x 650mm (23½ x 25½"). Some toning, a few scratches, unexamined out of frame.
A slightly elevated view of a sheep market held in Wide Bargate, Boston, looking from John Adams Way towards the 14-century tower of St Botolph's Church. To the right is the Red Cow Hotel.
[Ref: 57604] £850.00
![[Avon] Looking Down the Avon to the Black Rock and Cook's Folly.](jpegs/57719.jpg)
[Avon] Looking Down the Avon to the Black Rock and Cook's Folly. The Hotwell House. The Black Rock _ View Looking Up the Avon. Looking Up the Avon from Without the West Wall of the Down.
on Stone by L. Haghe. W. Day lithog. 17 Gate Str.t.
Pub.d by S. & J. Fuller, Temple of Fancy, 34 Rathbone Place & by O.C. Lane Clifton [n.d., c.1835].
Four lithographs on chine collé, laid on original printed backing sheet with a 'Minerva Head' blindstamp. Total printed area 285 x 380mm (11¼ x 15") very large margins. Some marking.
Very rare as a complete sheet. Four matching views of the Avon near Bristol, usually found separated.
[Ref: 57719] £260.00 (£312.00 incl.VAT)
on Stone by L. Haghe. W. Day lithog. 17 Gate Str.t.
Pub.d by S. & J. Fuller, Temple of Fancy, 34 Rathbone Place & by O.C. Lane Clifton [n.d., c.1835].
Four lithographs on chine collé, laid on original printed backing sheet with a 'Minerva Head' blindstamp. Total printed area 285 x 380mm (11¼ x 15") very large margins. Some marking.
Very rare as a complete sheet. Four matching views of the Avon near Bristol, usually found separated.
[Ref: 57719] £260.00 (£312.00 incl.VAT)
Plan of Broham House, Near Bedford. For Sale by Hampton & Sons, 20, St James' Square, S.W.1.
Estates Gazette, Lith, 33-35, Kirby St, E.C.
[n.d., c.1925.]
Lithographic map, printed border 235 x 355mm (9¼ x 14"). Original binding fold.
An estate agent's plan of the land around Broham House, near Bedford.
[Ref: 57640] £160.00
Estates Gazette, Lith, 33-35, Kirby St, E.C.
[n.d., c.1925.]
Lithographic map, printed border 235 x 355mm (9¼ x 14"). Original binding fold.
An estate agent's plan of the land around Broham House, near Bedford.
[Ref: 57640] £160.00
Procession of Lady Godiva, at Coventry Fair.
Engraved by M.U. Sears I Warwick Sq.r Paternoster Row.
Published by Henry Merridew, Coventry [n.d., c.1840.]
Scarce engraving on chiné collé. 180 x 400mm (7 x 15¾"). Trimmed at sides.
A locally published view of the annual Coventry Great Fair, with a local beauty recreating Lady Godiva's famous ride, but not quite naked. The Godiva Procession was first recorded in 1678. It has survived several attempts to suppress it.
[Ref: 57626] £260.00 (£312.00 incl.VAT)
Engraved by M.U. Sears I Warwick Sq.r Paternoster Row.
Published by Henry Merridew, Coventry [n.d., c.1840.]
Scarce engraving on chiné collé. 180 x 400mm (7 x 15¾"). Trimmed at sides.
A locally published view of the annual Coventry Great Fair, with a local beauty recreating Lady Godiva's famous ride, but not quite naked. The Godiva Procession was first recorded in 1678. It has survived several attempts to suppress it.
[Ref: 57626] £260.00 (£312.00 incl.VAT)
To Lady Jervis This Print of The Cowthorpe Oak is Most Respectfully dedicated by her Ladyships most obliged Servant Charles Empson.
Painted by Geo. W. Fothergill. Drawn on Stone by W. Monkhouse, York.
[London: Ackermann & Co., 1842.]
Rare & scarce tinted lithograph, heightened in white. Sheet 340 x 400mm (13¼ x 15¾"). Small stain in sky.
A famous oak tree at Cowthorpe, near Wetherby, Yorkshire, said to predate the Norman Conquest. By the 19th century many of its branches had to be propped, but it lasted until 1950, when it fell and died, apparently after being hit by lightning. Dugdale wrote in his 'Antiquities of England': 'At this village may be seen the famous oak, exceeding in size even the Greendale oak at Welbeck in Nottinghamshire. The principal branch was rent off in 1718 in a storm, and being accurately measured was found to contain upwards of five tons of timber. Its present circumference at the ground is 60 feet, its principal limb extends 45 feet from the trunk, and its shadow is said to cover half an acre'.
[Ref: 57657] £290.00 (£348.00 incl.VAT)
Painted by Geo. W. Fothergill. Drawn on Stone by W. Monkhouse, York.
[London: Ackermann & Co., 1842.]
Rare & scarce tinted lithograph, heightened in white. Sheet 340 x 400mm (13¼ x 15¾"). Small stain in sky.
A famous oak tree at Cowthorpe, near Wetherby, Yorkshire, said to predate the Norman Conquest. By the 19th century many of its branches had to be propped, but it lasted until 1950, when it fell and died, apparently after being hit by lightning. Dugdale wrote in his 'Antiquities of England': 'At this village may be seen the famous oak, exceeding in size even the Greendale oak at Welbeck in Nottinghamshire. The principal branch was rent off in 1718 in a storm, and being accurately measured was found to contain upwards of five tons of timber. Its present circumference at the ground is 60 feet, its principal limb extends 45 feet from the trunk, and its shadow is said to cover half an acre'.
[Ref: 57657] £290.00 (£348.00 incl.VAT)
![[Road by Park Palings.] [&] [Road Scene, Trowse Hall.]](jpegs/57579.jpg)
[Road by Park Palings.] [&] [Road Scene, Trowse Hall.]
[by John Crome.]
[Norfolk, for the benefit of his widow, 1834.]
Two etchings and drypoint on chine collé, on one sheet. 105 x 175mm (4¼ x 7") & 230 x 200mm (9 x 8"), sheet with large margins. Backing paper foxed.
Two etchings of rural Norfolk, etched in 1812 & 1813 by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 19 (only state) & 2 (state iii of iv).
[Ref: 57579] £320.00
[by John Crome.]
[Norfolk, for the benefit of his widow, 1834.]
Two etchings and drypoint on chine collé, on one sheet. 105 x 175mm (4¼ x 7") & 230 x 200mm (9 x 8"), sheet with large margins. Backing paper foxed.
Two etchings of rural Norfolk, etched in 1812 & 1813 by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 19 (only state) & 2 (state iii of iv).
[Ref: 57579] £320.00
Front of the New Mills.
J. Crome, 1813.
[Norfolk, for the benefit of his widow, 1834.] bit later.
Etching. 230 x 305mm (9 x 12"), sheet with very large margins.
A view of the New Mills, Norwich, from the River Wensum, etched by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. This state has the title added at bottom. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 5, state iii of iii. See 57580 for earlier state.
[Ref: 57808] £160.00 (£192.00 incl.VAT)
J. Crome, 1813.
[Norfolk, for the benefit of his widow, 1834.] bit later.
Etching. 230 x 305mm (9 x 12"), sheet with very large margins.
A view of the New Mills, Norwich, from the River Wensum, etched by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. This state has the title added at bottom. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 5, state iii of iii. See 57580 for earlier state.
[Ref: 57808] £160.00 (£192.00 incl.VAT)
![[At Hackford.]](jpegs/57583.jpg)
[At Hackford.]
J. Crome [?] 1812.
[Norfolk, for the benefit of his widow, 1834.]
Etching on chine collé. 175 x 275mm (7 x 10¾"), sheet with large margins. Backing paper foxed, tear taped.
A view of a cottage set in trees by a pond, etched by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 14, state iv of v.
[Ref: 57583] £320.00
J. Crome [?] 1812.
[Norfolk, for the benefit of his widow, 1834.]
Etching on chine collé. 175 x 275mm (7 x 10¾"), sheet with large margins. Backing paper foxed, tear taped.
A view of a cottage set in trees by a pond, etched by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 14, state iv of v.
[Ref: 57583] £320.00
![[Tree Trunks & Lane.] [&] [Footbridge at Cringleford.]](jpegs/57582.jpg)
[Tree Trunks & Lane.] [&] [Footbridge at Cringleford.]
[by John Crome.]
[Norfolk, for the benefit of his widow, 1834.]
Two etchings on chine collé, on one sheet. 210 x 165mm (8¼ x 6½") & 225 x 175mm (9 x 7"), sheet with large margins. Backing paper foxed
Two studies of trees in rural Norfolk, etched c.1811 & 1812 by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 29 & 8 (state ii of iv).
[Ref: 57582] £320.00
[by John Crome.]
[Norfolk, for the benefit of his widow, 1834.]
Two etchings on chine collé, on one sheet. 210 x 165mm (8¼ x 6½") & 225 x 175mm (9 x 7"), sheet with large margins. Backing paper foxed
Two studies of trees in rural Norfolk, etched c.1811 & 1812 by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 29 & 8 (state ii of iv).
[Ref: 57582] £320.00
![[Tree Trunk & Bushes.] [&] [Deepham, near Hingham.]](jpegs/57581.jpg)
[Tree Trunk & Bushes.] [&] [Deepham, near Hingham.]
[Deepham] J Crome 1813.]
[Norfolk, for the benefit of his widow, 1834.]
Two etchings and drypoint on chine collé, on one sheet. 180 x 145mm (7 x 5¾") & 160 x 175mm (6¼ x 7"), sheet with large margins. Backing paper foxed
Two studies of trees in rural Norfolk, etched c.1811 & 1813 by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 27 (only state) & 7 (state iv of v).
[Ref: 57581] £320.00
[Deepham] J Crome 1813.]
[Norfolk, for the benefit of his widow, 1834.]
Two etchings and drypoint on chine collé, on one sheet. 180 x 145mm (7 x 5¾") & 160 x 175mm (6¼ x 7"), sheet with large margins. Backing paper foxed
Two studies of trees in rural Norfolk, etched c.1811 & 1813 by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 27 (only state) & 7 (state iv of v).
[Ref: 57581] £320.00
A View of Plymouth Fort and St Nicholas's Island, from Mount Edgcumbe.
G. Lambert & Scott pinx.t. C.W. Bampflyde delin. J. Mason sculp.t.
London, Printed for Rob.t Wilkinson, Cornhill, Rob.t Sayer & Bennett Fleet Street, Carington Bowles, S.t Paul's Ch.chy.d & John Boydell, Cheapside [n.d., c.1780].
Engraving. 390 x 630mm (15½ x 24¾"), with large margins. Repaired tears in inscription area, creasing.
A view of Plymouth Harbour painted by George Lambert & Samuel Scott, engraved by James Mason from an intermediary sketch by Coplestone Warre Bampfylde and first published in 1755 in the series 'Five views of and from Mount Edgcumbe, Plymouth'.
[Ref: 57679] £350.00
G. Lambert & Scott pinx.t. C.W. Bampflyde delin. J. Mason sculp.t.
London, Printed for Rob.t Wilkinson, Cornhill, Rob.t Sayer & Bennett Fleet Street, Carington Bowles, S.t Paul's Ch.chy.d & John Boydell, Cheapside [n.d., c.1780].
Engraving. 390 x 630mm (15½ x 24¾"), with large margins. Repaired tears in inscription area, creasing.
A view of Plymouth Harbour painted by George Lambert & Samuel Scott, engraved by James Mason from an intermediary sketch by Coplestone Warre Bampfylde and first published in 1755 in the series 'Five views of and from Mount Edgcumbe, Plymouth'.
[Ref: 57679] £350.00
![[Four Views of Newcastle.]](jpegs/57636.jpg)
[Four Views of Newcastle.]
T.M. Richardson Del.t. S. Humble Sculp.t.
[n.d., c.1815.]
Set of four engraving, proofs before titles. Printed areas 225 x 315mm (9 x 12½"). Trimmed within plates.
All four engravings from a set of view of Newcastle, showing: the city from the wharves; the eastern entrance to the city; the Assembly Rooms; and Elswick Hall. The titled versions were published by Stephen Humble in 1815.
Alexander: Biographical Dictionary of British & Irish Engravers, p.488-9. Provenance: Thomas Davidson Album. See: Ref: 57646 for similar.
[Ref: 57636] £560.00 (£672.00 incl.VAT) view all images for this item
T.M. Richardson Del.t. S. Humble Sculp.t.
[n.d., c.1815.]
Set of four engraving, proofs before titles. Printed areas 225 x 315mm (9 x 12½"). Trimmed within plates.
All four engravings from a set of view of Newcastle, showing: the city from the wharves; the eastern entrance to the city; the Assembly Rooms; and Elswick Hall. The titled versions were published by Stephen Humble in 1815.
Alexander: Biographical Dictionary of British & Irish Engravers, p.488-9. Provenance: Thomas Davidson Album. See: Ref: 57646 for similar.
[Ref: 57636] £560.00 (£672.00 incl.VAT) view all images for this item
![[Four Views in Newcastle.]](jpegs/57646.jpg)
[Four Views in Newcastle.]
T.M. Richardson Del.t. S. Humble Sculp.t.
[Published 34, Harleyford Place, Kennington Common, n.d., c.1815.]
Set of four engraving, proofs before titles. printed on chine collé. Printed areas 225 x 315mm (9 x 12½"). Two plates trimmed within plate.
All four engravings from a set of view of Newcastle, showing: the city from the wharves; the eastern entrance to the city; the Assembly Rooms; and Elswick Hall. The titled versions were published by Stephen Humble in 1815.
Alexander: Biographical Dictionary of British & Irish Engravers, p.488-9. Provenance: Thomas Davidson Album. See Ref: 57636 for similar.
[Ref: 57646] £850.00 view all images for this item
T.M. Richardson Del.t. S. Humble Sculp.t.
[Published 34, Harleyford Place, Kennington Common, n.d., c.1815.]
Set of four engraving, proofs before titles. printed on chine collé. Printed areas 225 x 315mm (9 x 12½"). Two plates trimmed within plate.
All four engravings from a set of view of Newcastle, showing: the city from the wharves; the eastern entrance to the city; the Assembly Rooms; and Elswick Hall. The titled versions were published by Stephen Humble in 1815.
Alexander: Biographical Dictionary of British & Irish Engravers, p.488-9. Provenance: Thomas Davidson Album. See Ref: 57636 for similar.
[Ref: 57646] £850.00 view all images for this item
![[GreyFriars or Anderson Place] This House was Originally the Monastry of Grey Friers _ New Castle upon Tyne.](jpegs/57778.jpg)
[GreyFriars or Anderson Place] This House was Originally the Monastry of Grey Friers _ New Castle upon Tyne.
G. Sonander fecit.
[n.d., c.1790.]
Scarce aquatint, printed in sepia. 380 x 505mm (15 x 20"). Trimmed to plate.
A view of GreyFriars, founded 1237, bought by a merchant Robert Anderson after the Dissolution of the Monasteries. It was here that Charles I was held after he surrendered to the Scots Army in 1646, before being handed to Parliament. This view shows the building when owned by Newcastle builder George Anderson (between 1782 and his death in 1798), who converted it into three residences. In 1835 it was demolished by another Newcastle builder, Richard Grainger, during the construction of Grey Street. Newcastle-upon-Tyne.
From the Davidson album.
[Ref: 57778] £320.00
G. Sonander fecit.
[n.d., c.1790.]
Scarce aquatint, printed in sepia. 380 x 505mm (15 x 20"). Trimmed to plate.
A view of GreyFriars, founded 1237, bought by a merchant Robert Anderson after the Dissolution of the Monasteries. It was here that Charles I was held after he surrendered to the Scots Army in 1646, before being handed to Parliament. This view shows the building when owned by Newcastle builder George Anderson (between 1782 and his death in 1798), who converted it into three residences. In 1835 it was demolished by another Newcastle builder, Richard Grainger, during the construction of Grey Street. Newcastle-upon-Tyne.
From the Davidson album.
[Ref: 57778] £320.00
Parkhurst Prison for Juvenile Offenders, Isle of Wight. The Lower Prison. To George Hall Esq. The Governor of the Prison, This View is by Permission Most Respectfully Dedicated by the Publishers.
J. Griffiths. del. Day & Son Lith.rs to the Queen.
Published by Snooke & Upward, Newport, Isle of Wight [n.d., c.1840].
Rare tinted lithograph with hand colour. Sheet 355 x 490mm (14 x 19¼"). Very small repaired hole.
Parkhurst was originally a military hospital and children's asylum but by 1838 it had become a prison for children. George Hall, the prison governor to whom this print is dedicated, had been Private Secretary to the Governor of South Australia George Gawler, before returning to England. An early advocate of rehabilitation of young offenders, he started the 'Parkhurst Apprentices', a scheme to send his charges to the colonies to learn a trade. Between 1842 and 1852 nearly 1500 boys aged from twelve to eighteen were transported to Australia and New Zealand from Parkhurst Prison. Reputedly hung at Governor's Office, Parkhurst Prison, until 1995.
From the Airlie collection, Cortachy Castle.
[Ref: 57662] £360.00
J. Griffiths. del. Day & Son Lith.rs to the Queen.
Published by Snooke & Upward, Newport, Isle of Wight [n.d., c.1840].
Rare tinted lithograph with hand colour. Sheet 355 x 490mm (14 x 19¼"). Very small repaired hole.
Parkhurst was originally a military hospital and children's asylum but by 1838 it had become a prison for children. George Hall, the prison governor to whom this print is dedicated, had been Private Secretary to the Governor of South Australia George Gawler, before returning to England. An early advocate of rehabilitation of young offenders, he started the 'Parkhurst Apprentices', a scheme to send his charges to the colonies to learn a trade. Between 1842 and 1852 nearly 1500 boys aged from twelve to eighteen were transported to Australia and New Zealand from Parkhurst Prison. Reputedly hung at Governor's Office, Parkhurst Prison, until 1995.
From the Airlie collection, Cortachy Castle.
[Ref: 57662] £360.00