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Reipublicae Literatiae Triumiris Boyleo, Lockio et Sydenhamio.
Reipublicae Literatiae Triumiris Boyleo, Lockio et Sydenhamio.
F. Boucher invenit et delin. Cl. Duflos Sculpsit.
Mac.S. [Paris: Basan, c.1737.]
Engraving. Plate: 650 x 410mm (25¾ x 16''). Small stain on right, central horizontal crease as normal. Small margins.
An allegorical monument to scientists and philosophers Thomas Sydenham (1624-1689), Robert Boyle (1627-1691) and John Locke (1632-1704). From Eugene Mac-Swiny's 'Tombeaux des Princes, Grand Capitaines et Autres Hommes Illustres, Qui ont fleuri dans la Grande-Bretagne'. Owen McSwiny, former manager of Drury Lane and the Haymarket Theatres, had travelled to Italy where he bought works of Italian painters, including Canaletto, to sell to English collectors. He also planned a series of historical pictures to decorate the Duke of Richmond's apartment at Goodwood, commemorating the deeds of famous Englishmen.
[Ref: 50887]   £280.00  
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[Classical City.]
[Classical City.]
J. Martin 1816.
Etching. Plate: 185 x 250mm (7¼ x 9¾''), with large margins. Very light foxing in margin.
An etching of a classical city, the earliest known etching by John Martin. Martin (1789 - 1854) is best known for his paintings and mezzotints of biblical subjects, in which capacity his hold on the popular imagination was unparalleled in its day.
Campbell & Wees 1.
[Ref: 51109]   £1,250.00  

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Autumnal Sun Set.
Autumnal Sun Set.
Painted by John Constable R.A. Engraved by David Lucas.
London, Pub.d by M.r Constable, 35 Charlotte S.t Fitzroy Square 1831.
Mezzotint. 250 x 175mm (9¾ x 7"), with very large margins. Foxing mainly in margins.
A rural landscape at sunset near East Bergholt after an oil painting by Constable now in the V&A. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832.
Wedmore 3. Shirley: 14. Osbert Barnard: I of VI.
[Ref: 50864]   £230.00  
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Hadleigh Castle near the Nore.
Hadleigh Castle near the Nore.
Painted by John Constable R.A. Engraved by David Lucas.
London, Pub.d by M.r Constable, 35 Charlotte S.t Fitzroy Square 1832.
Mezzotint. 250 x 180mm (9¾ x 7"), with very large margins. Foxing mainly in margins.
A view of Hadleigh Castle in Essex after John Constable's 1814 oil painting. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832.
Wedmore 21. Shirley: 34. Osbert Barnard: i of v.
[Ref: 50863]   £260.00  
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Summer Afternoon- After a Shower.
Summer Afternoon- After a Shower.
Painted by John Constable R.A. Engraved by David Lucas.
London, Pub. by M.r Constable, 35 Charlotte S.t Fitzroy Square 1831.
Mezzotint. 220 x 180mm (8¾ x 7"), with very large margins. Slight foxing.
A rural landscape with a church spire in the distance and a windmill on a hill. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832.
Wedmore 19. Shirley: 28. Osbert Barnard: I of V.
[Ref: 50862]   £230.00  
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Summer Morning.
Summer Morning.
Painted by John Constable R.A. Engraved by David Lucas.
London, Pub.d by M.r Constable, 35 Charlotte S.t Fitzroy Square 1831.
Mezzotint. 250 x 175mm (9¾ x 7"), with very large margins. Slight foxing.
A rural landscape with a milkmaid and cows on Dedham Vale, after an oil painting by Constable now in the V&A. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832.
Wedmore 6. Shirley: 26. Osbert Barnard: II of VI.
[Ref: 50867]   £190.00   (£228.00 incl.VAT)
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A Summerland.
A Summerland.
Painted by John Constable R.A. Engraved by David Lucas.
London, Pub.d by M.r Constable, 35 Charlotte S.t Fitzroy Square 1831.
Mezzotint on india. 250 x 180mm (9¾ x 7"), with very large margins.
A countryside view showing a man ploughing a field. From about 1829 Constable and Lucas worked together on a series of mezzotints after sketches and paintings by Constable called 'Various Subjects of Landscape...' published in parts between 1830 and 1832.
Wedmore 16. Shirley: 9. Osbert Barnard: I of V.
[Ref: 50860]   £230.00  
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[Landscape with Gamblers.]
[Landscape with Gamblers.]
[Giovanni Francesco Grimaldi.]
[n.d., c.1670.]
Etching. Plate: 250 x 330mm (9¾ x 13'') with large margins. Very slight central crease.
A landscape scene with three figures playing a game of dice in the foreground. By Italian printmaker Giovanni Francesco Grimaldi (1606-1680).
BM 1874,0808.682. Bartsch 38
[Ref: 51157]   £380.00  
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[Game Birds.]
[Game Birds.]
G. Stevens pinx.t et del. Printed by C. Hullmandel.
[n.d., c.1850.]
Fine hand-coloured lithograph. Sheet: 180 x 145mm (7 x 5¾''). Trimmed and laid on album sheet.
A still life showing game birds in a larder.
[Ref: 51074]   £140.00   (£168.00 incl.VAT)
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[Small Game Birds and a Hare.]
[Small Game Birds and a Hare.]
G. Stevens pinx.t et del. Printed by C. Hullmandel.
[n.d., c.1850.]
Hand-coloured lithograph. Sheet: 180 x 145mm (7 x 5¾''). Trimmed and laid on album sheet.
A still life showing game hanging in a larder.
[Ref: 51075]   £140.00   (£168.00 incl.VAT)
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Isaaco Newtono Equiti Aurato.
Isaaco Newtono Equiti Aurato.
P. Jos. Perrot invenit et delin:1 Lau: Cars Sculpsit.
Mac.S. [Paris: Basan, c.1737.]
Engraving. Plate: 650 x 410mm (25¾ x 16''). Small margins, central horizontal crease as normal.
An allegorical monument to famed mathematician, astronomer, theologian and physicist Sir Isaac Newton (1642-1726), with a decorative border showing scientific aparatus. From Eugene Mac-Swiny's 'Tombeaux des Princes, Grand Capitaines et Autres Hommes Illustres, Qui ont fleuri dans la Grande-Bretagne'. Owen McSwiny, former manager of Drury Lane and the Haymarket Theatres, had travelled to Italy where he bought works of Italian painters, including Canaletto, to sell to English collectors. He also planned a series of historical pictures to decorate the Duke of Richmond's apartment at Goodwood, commemorating the deeds of famous Englishmen.
W 2140.22
[Ref: 50886]   £520.00  
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Cloudesleio Shovel Equiti Aurato &c Copiarum Navalium Magnae Britanniae Praefecto.
Cloudesleio Shovel Equiti Aurato &c Copiarum Navalium Magnae Britanniae Praefecto.
F. Boucher invenit et delin. N. Tardieu Sculpsit.
Mac.S. [Paris: Basan, c.1737.]
Engraving. Plate: 650 x 410mm (25¾ x 16''). Central horizontal crease as normal. Small margins. Creasing in bottom right corner.
An allegorical monument to British naval commander Sir Cloudesley Shovell (1650-1707) who saw action in the Third Anglo-Dutch War and the War of Spanish Succession. From Eugene Mac-Swiny's 'Tombeaux des Princes, Grand Capitaines et Autres Hommes Illustres, Qui ont fleuri dans la Grande-Bretagne'. Owen McSwiny, former manager of Drury Lane and the Haymarket Theatres, had travelled to Italy where he bought works of Italian painters, including Canaletto, to sell to English collectors. He also planned a series of historical pictures to decorate the Duke of Richmond's apartment at Goodwood, commemorating the deeds of famous Englishmen.
[Ref: 50888]   £280.00  
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Bedford. [in pencil.]
Bedford. [in pencil.]
[After J.M.W. Turner.] J.T. Willmore.
[n.d., c.1831.]
Engraving, printed on chine collé. Plate: 240 x 300mm (9½ x 11¾''), with very large margins. Small tears in extreme edge of margins. Uncut.
A view of Bedford from the River Ouse. A view from 'Picturesque Views in England and Wales' (1827-1838).
[Ref: 50890]   £180.00   (£216.00 incl.VAT)
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Near Blair Athol Scotland.
Near Blair Athol Scotland.
Drawn & Etched by J.M.W. Turner Esq.r R.A. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester
Published June 1 1811, by J.M.W. Turner Queen Ann Street West.
Etching and mezzotint. 210 x 295mm (8¼ x 11½"), Whatman paper dated 1810, with very large margins.
A kilted Scot fishing in a stream under a waterfall. Rawlinson notes that 'anglers will appreciate the accurate pose of the fisherman'. A plate from J.M.W. Turner's 'Liber Studiorum', which was published between 1807 and 1819, lettered 'M' above the image.
Finberg: 30, first published state of iii.
[Ref: 50869]   £520.00  
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Drawing of the Clyde. In the possession of J.M. Turner.
Drawing of the Clyde. In the possession of J.M. Turner.
Drawn & Etched by J.M.W. Turner Esq.r R.A.P.P.
London, Published March 29, 1809 by C. Turner, No.50 Warren Street, Fitzroy Square.
Mezzotint with etching. Plate: 210 x 290mm (8¼ x 11½''), with large margins.
A riverside scene showing women bathing near a waterfall.
Finberg 18. II.
[Ref: 51016]   £350.00  
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[Dumbarton Rock.]
[Dumbarton Rock.]
[Engraved by Thomas Lupton after J.M.W. Turner.
[Published by Turner c.1810.]
Unpublished etching and mezzotint, printed in sepia. 220 x 290mm (8¾ x 11½"), with very large margins.
A plate prepared for the 'Liber Studiorum' but never published.
Finberg: 75.
[Ref: 50870]   £380.00  
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Dumblain Abbey, Scotland.
Dumblain Abbey, Scotland.
Drawn & Etched by J.M.W. Turner, R.A. Engrav'd by T.Lupton.
Publish'd Jan.y 1 1816 by J.M.W. Turner Queen Ann Street West.
Mezzotint with etching. 210 x 295mm (8¼ x 11¾"), with very large margins.
Washerwomen by the Allan Water, Dunblane, below the ruined abbey. Plate 56, issued in Part XI of Turner's 'Liber Studiorum', 1807-1819.
Finberg: 56, state iii of iv.
[Ref: 50884]   £350.00  
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M. [Ships in a Breeze.]
M. [Ships in a Breeze.] In the possession of the Earl of Egremont.
Drawn & Etched by J.M.W. Turner Esq.r. R.A.P.P. Engraved by Cha.s. Turner.
London, Published Feb.y.20. 1808 by C. Turner N.o. 50 Warren Street Fitzroy Square.
Mezzotint with some etching. 210 x 290mm (8¼ x 11¼"), with very large margins. Some foxing.
Ships being buffeted in turbulent weather outside a harbour. Plate 10, issued in Part II of Turner's 'Liber Studiorum', 1807-1819.
Finberg: 10, state ii of v.
[Ref: 50876]   £420.00  

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Holy Island Cathedral.
Holy Island Cathedral.
Drawn & Etched by J.M.W. Turner Esq.r R.A.P.P. Engraved by Cha.s Turner.
London, Published Feb.y 20 1808 by C. Turner, N.o50, Warren Street, Fitzroy Square.
Mezzotint with etching. Plate: 210 x 290mm (8¼ x 11½''). Foxing.
A view of the ruins of Lindisfarne off the coast of Northumberland. From Turner's 'Liber Studiorum'. The Liber Studiorum was published in several parts between 1807 and 1819, by which time Turner's position as the pre-eminent British landscape painter of his day was assured. In this series, exceptional amongst Turner prints for the extent of the artist's involvement (he both etched and published this plate, leaving only the mezzotinting to his namesake Charles Turner), he sought to emulate the 17th century French artist Claude Lorraine. Claude's 'Libro di Verita', a book of drawings sold to the Duke of Devonshire, had been engraved by Richard Earlom to much acclaim some thirty years earlier.
Finberg State IV.
[Ref: 51018]   £380.00  
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Marine Dabblers.
Marine Dabblers.
Drawn & Etched by J.M.W. Turner Esq. R.A. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester
Published June 1811 by J.M.W. Turner, Queen Ann Street West.
Etching and mezzotint. 210 x 290mm (8¼ x 11½"), with very large margins. Small tear top margin.
Group of children playing with miniature boats on a sandy shore, next to fishing boats. Plate 29, issued in Part VI of Turner's 'Liber Studiorum', 1807-1819.
Rawlinson 29; Finberg 29, state ii of ii.
[Ref: 50879]   £380.00  
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[The Castle Above the Meadows.] E.P.
[The Castle Above the Meadows.] E.P.
Drawn & Etch'd by J.M.W. Turner Esq.r R.A. P.P. Engraved by Cha.s Turner.
London. Published Feb.y 20, 1808 by C. Turner, 50 Warren Street, Fitzroy Square.
Mezzotint with etching. 210 x 290mm (8¼ x 11¼"), with very large margins. Ink stamp of the P. Hurlbutt Collection on reverse.
A distant view of Oakhampton Castle. Plate 8, issued in Part II of 'Turner's 'Liber Studiorum', which was published in several parts between 1807 and 1819.
Finberg: 8, state ii of iv.
[Ref: 50875]   £350.00  
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Procris and Cephalus.
Procris and Cephalus.
Drawn & Etched by J.M.W. Turner Esq.r R.A.P.P. Engraved by G. Clint.
London, Published Feb.y 14 1812 by J.M.W. Turner, Queen Ann Street West.
Mezzotint with etching. Plate: 210 x 290mm (8¼ x 11½'') with large margins.
A classical scene showing Cephalus cardling the dying Procris in a woodland. From Turner's 'Liber Studiorum'. The Liber Studiorum was published in several parts between 1807 and 1819, by which time Turner's position as the pre-eminent British landscape painter of his day was assured. In this series, exceptional amongst Turner prints for the extent of the artist's involvement (he both etched and published this plate, leaving only the mezzotinting to his namesake Charles Turner), he sought to emulate the 17th century French artist Claude Lorraine. Claude's 'Libro di Verita', a book of drawings sold to the Duke of Devonshire, had been engraved by Richard Earlom to much acclaim some thirty years earlier.
Finberg 41. II.
[Ref: 51017]   £320.00  
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[Richmond Castle.]
[Richmond Castle.]
Drawn by J.M.W. Turner R.A. Engraved by W.R. Smith.
[n.d., c.1827.]
Engraving, printed on chine collé. Plate: 245 x 300mm (9¾ x 11¾''), with very large margins. Uncut.
A view of the town of Richmond in Yorkshire with the River Swale running diagonally through to the bottom right corner. A view from 'Picturesque Views in England and Wales' (1827-1838)
[Ref: 50889]   £220.00  
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Rievaux Abbey, Yorkshire.
Rievaux Abbey, Yorkshire.
Drawn & Etched by J.M.W. Turner R.A. Engraved by H. Dawe..
Published May 23, 1812 by J.M.W. Turner Queen Anne Street West.
Mezzotint with some etching. 220 x 300mm (8¾ x 11¾"), with very large margins. Some foxing.
A view of Rievaulx Abbey, a ruined Cistercian abbey. Plate 51, issued in Part XI of Turner's 'Liber Studiorum', 1807-1819.
Finberg: 51, state iii of iv. Collection: J Taylor.
[Ref: 50878]   £320.00  
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[Solitude.] E.P.
[Solitude.] E.P.
[Drawn & Etched by J.M.W. Turner Esq.r. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester.]
[Published May 12, 1814 by J.M.W. Turner, Queen Anne Street West.]
Mezzotint with etching, watermark J. Richard. 210 x 290mm (8¼ x 11¼"), with very large margins.
A woman reclining in a wood, a deer grazing nearby, the silhouette of a castle behind. Also called 'The Reading Magdalene'. Plate 53, issued in Part XI of 'Turner's 'Liber Studiorum', which was published in several parts between 1807 and 1819.
Finberg: 53, state ii of v, with an indistinct sun.
[Ref: 50873]   £330.00  
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Winchelsea, Sussex.
Winchelsea, Sussex.
Drawn & Etched by J.M.W. Turner Esq. R.A. Engraved by J.C. Easling.
Published April 23 1812 by J.M.W. Turner, Queen Ann Street West.
Etching and mezzotint. 210 x 290mm (8¼ x 11½"), with very large margins.
A soldier talking to a woman and children under a watchtower on a hill. Plate 42, issued in Part IX of Turner's 'Liber Studiorum', 1807-1819.
Finberg: 42, state iii of iii.
[Ref: 50882]   £350.00  
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[The Woman and Tambourine.] E.P.
[The Woman and Tambourine.] E.P.
Drawn & Etched by J.M.W. Turner Esq. R.A. Engraved by C. Turner.
Published as the Act directs by J.M.W. Turner, Harley Street.
Etching and mezzotint. 210 x 290mm (8¼ x 11½") vry large margins
An Italianate scene with a woman playing a tamborine in front of women and children, a ruined bridge and town behind. Plate 3, issued in Part IX of Turner's 'Liber Studiorum', 1807-1819.
Finberg: 3, state iv of iv.
[Ref: 50883]   £350.00  
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Vedute Delle Ville e d'Altri Luoghi Della Toscana.
Vedute Delle Ville e d'Altri Luoghi Della Toscana. Giuseppe Zocchi Di An. XXVII.
G.Z. inv. e del. Gio. Gottofredo Seuter scolpi in Firenze.
Appresso Giuseppe Allegrini Stampatore in Rame Firenze 1744.
Engraving. Plate: 320 x 490mm (12½ x 19¼''), with large margins. Repaired tears into plate, creasing.
The frontispiece to Giuseppe Zochhi's (1711-1767) 'Vedute Delle Ville e d'Altri Luoghi Della Toscana' which depicted villas and views in Tuscany. Classical allegorical figures stand around a central statue and three putti support an oval portrait of Zocchi which rests at the base of the statue.
[Ref: 50903]   £230.00  
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